ROSA AMOROSA SOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND THE GIFT OF lii^nrg W, Sage 1S9X ■A..^.u.oa.iJ :^\.gur-U4.... 621- QPZ ei-0 17261- e UEIUOM e to SJ3U3|-3A0| dlj) 'ESOJOUIV BSOU ZUS8a'6696 Ud AiEjqn At!SJ3A|Un II3UJ00 Ut ireoi i(iejq!|i8}U| s^H m tin/T -I I Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013248129 ROSA AMOROSA By THE SAME A UTHOR THE WHEEL OF GOD Crown 8vo, cloth, 6s. Second Editiok. " Here, at any rate, we have a novel of real power, displaying ^ breadth of treatment and sympathy which marks it out from the pass- ing fiction of the day. . . An - original, powerful, pathetic study of life."— Fa// Mall Gazette. "A remarkably fine exposition of true womanhood of to-day. , , , We would heartily recommend this brief record of a yearning woman to wide perusal and even close study. It is delightful as a piece of writing, and as a study of the present day it is dee^, suggestive, and earnest." Aberdeen Tree Press. London : GRANT RICHARDS 9 Henrietta Street, W.C. ROSA AMOROSA THE LOVE-LETTERS OF A WOMAN BY GEORGE EGERTONr J^* LONDON GRANT RICHARDS 1 90 1 c/} ■J ^11 rig/its reserved Printed by Ballantyne, Hanson &= Co. At the Ballantyne Press DEDICATED TO ALL TRUE LOVERS AND ONE EXPLANATORY NOTE // has been suggested to me that owing to the appearance of another book of love-letters, I should volunteer some explanation as to these of mine. Arrangements for their publication were concluded early in last par, and most of the letters were obviously written before the an- nouncement even of any other book of love- letters was made. Personally, I cannot see any probability of comparison, as I have heard from competent judges that the other book belongs to the region of exquisite literature; this pretends to be no more than the veracious expression of the thoughts and love of one ' little woman, of value only as truthfully human. INTRODUCTORY In giving these letters to the buyers of books I am not violating any confidence, or failing in p.ny trust to the little soul who wrote them. Indeed, it is perhaps the recollection of a speech of her own which first suggested the giving of them, in all their tender intimacy, to a greater number of readers. She was sitting on a low stool staring into the fire with her " speering " seer eyes ; we were discussing the good taste of a newly edited volume of love-letters. "• Per- sonally," she said gravely, " I should not mind if I had a crystal disc in my forehead, so that all I have ever thought might be seen through it, a camera lucida for all men. Of course " — I recall the whimsicality of her mouth with a pang of regret — " I do not hold myself accountable for unconscious cerebration, or any of the sub- conscious vagaries of the trolls of my fancy who wanton in there — I lay the whole responsibility 9 INTRODUCTORY thefebf humbly at the door of the great first cause." She had been writing on a pad on her knees, and I said : " You would not like those letters you write to fall into other hands than his ? " I can see again the ripple of tenderness, as the dancing shadow of aspen leaves in a sunlit brook, tremble over her face. " I don't know ! Yes, given certain conditions, I don't think I should mind. The only thing in the world of moment, to me is something in myself, something beyond and above all criticism. If anything I have written in them to gladden, to inspirit one mor- bidly inclined mind, to kindle an unquenchable beacon light in the gloom of one soul which I found in darkness, could give others a tithe of the same faith in love's joy and power for good and gladness, it would be a good thing. Besides, you want love here. " You are all so serious in England, so des- perately in earnest ! You have missions for the working of all kinds of spells for the ensnare- ment of gladness. All your jam holds a con- cealed powder, so that one looks with distrust at the offer of any sweetness. Poor Lady Joyance, she can never trip it debonnairly, for lO INTRODUCTORY the dour face of the Puritan lurks at "every merry-making, ready to drive the dancers to the door with thwacks of a wooden stave and whispers of propriety. You are always playing Blindman's Buff in search of morality, and sinning against decency in your stumbles to catch her. If your moral conscience as a nation were not always in the way of your intellectual conscience, a true transcript of your manners would oust the French novel from the shelves of the collector of contes sales. Your novels are not readable, because they are written with an eye to a bookstall-monopolist's censorship, whilst the materials for a modern " Tom Jones" or " Roderic Random," chronicles of the flesh and blood of to-day, are lost to posterity ; and a faithful picture of the life of our time will be better gleaned from the files of the divorce and police reports and the maunderings of the ladies' papers than from the pages of contem- porary fiction ! " I have only found two things of^vital im- portance — love and laughter. They^ are the cardinal virtues, all the others follow. As loving was the first, so it is the last of the fine arts — aristocratic from instinct. The true lover is born II INTRODUCTORY an expert, and needs no apprenticeship. The philanderer may improve by practice ; the amorist is at best but a hybrid lover, always chasing the san grail of true love and fidelity, and getting entangled on the way in the mesh of his senses. Love is religion. But you have so many forms of belief that one has to confess oneself a heretic to escape being torn to pieces in the interest of some special form of the True Faith. One has to step outside the pale of orthodoxy in order to find a quiet fane where one can commune with one's God at the altar of one's own form of worship. Love — Love is the keystone of the human bridge spanning time and eternity, and the waters of life flow under it, and it ripples with wavelets of laughter and whispers of joy, or rushes sullenly and murkily, just as the heart-beats of the pilgrims who cross it time their feet to a measure ot mirth or sadness. " Love is the Master Art, the ever incom- mensurable, the all-conquering ! — the iconoclast who laughs at all social distinctions — stronger than death, for death can but slay one soul, love may destroy two. It steals upon you unawares, and lo ! you are a captive for evermore — a will- 12 INTRODUCTORY ing slave bartering your liberty with a lilt on your lips — aye, risking damnation for possession, for your true lover will sign his name with a smile to any ' bill of adventure ' when the ship is bound for ' the magic ocean.' " I wish I could give the quivering flashes of light and shadow in her eyes, the swift play of lips and brows. We who loved her always expected great things of her, and she used to laugh and say with the flashing smile that was a caress to those it met : " Genius, I .'' No, I have a pretty talent for loving, that is all ! " I scarcely knew if she was beautiful, one was only conscious of the soul and spirit of her, she was like a white flame in a lamp of opal. Sometimes I missed her for months, aye, years, and then she would flutter back to my embrace and my fireside, as a tired white moth with its wirigs sore beaten by storm gusts. I never asked her any questions — " Heart o' Gold " was back, that was enough, and then the white flame would leap and illumine places that had grown dark in her absence — I was always the richer by her coming. She was a witch of a woman, with sudden tenderness and a rare vitality, a subtle magnetism in her wile-weaving 13 INTRODUCTORY body. Her voice was full of tender inflection, but could cut keen as a scimitar when influenced by disdain or scorn. Restless herself as the spirit of wind or wave, there was always a sense of restfulness in her nearness ; she had the divine gift of perfect understanding. She had no doubts ; life was always an open book to her, each day the ribbon to mark a fresh page for perusal, and on every page of it adventure. She had the frank paganism of a healthy child- nature, and she looked at everything with the direct undaunted gaze of a fearless child. " I am not in the least extraordinary," she often said ; " the only difi^erence is that I dare to be entirely natural, My so-called subtleties are all simplicities." Things were natural or unnatural, true or untrue ; the latter was the only sin. She had a fine contempt for mere reason. " Instinct," she used to say, " is a finer quality." I can see her eyes, as I write ; they repelled at a first meeting, I can recall how they pierced me through as two electric needles of surprising keenness, so that I felt pinned to the wall, whilst the spirit behind them searched me through and through and then let me go, enveloping me in a gaze that warmed and enthralled me. I wish H INTRODUCTORY I could recall her many sayings, her definitions of love and its value. " To me the gift of loving is the greatest thing I own. The fountain of life — in my house of life ; the sweetest smelling rose in the garden of my soul ; the white light burning in the sanctuary of my senses ; the inner whisper of music intoning harmonies. " A genius for loving is beyond all price, is beyond all dreams, all talents, all capabilities ; a fountain of Jouvence, out of which the spirit rises in perennial youth, a precious euphrasy to give one the child-gaze into life and the things of living. This finer eroticism is as far re- moved from mere sensual gratification as the lily flower from the compost the gardener lays to its roots. To know of a well-spring of love in oneself is to be rich for all time. The true lover must ever have some quality of greatness, must risk all with no huckster eye to profit and loss, dare all and everything ; must give un- ceasingly, unsparingly, unheedingly, prodigal of tenderness, a very spendthrift of caressing whimsies. I hate a barterer in the things of love — a love-monger. One can go bankrupt in love as in all businesses — if one makes a IS INTRODUCTORY trade of it. Why be afraid ? I believe in giving — the more one gives the more room one makes for the storing of new emotions. Love is the only factor which can negative the materialism which threatens to swamp all human efforts towards spiritual advancement. Hitherto man has been the master lover ; the chronicles of woman's love have been but tales of sacrifice. But I say to you, George, and to all women — you have that in you, if you are not afraid (now when man has, not seldom too generously, opened the portals of life for you) that which can regenerate the world through love again ! I say, not afraid. One is never really free until one has got right inside oneself, ready to explore the dark crannies in one's soul and own up to the cul de sac ; until one can turn round and round like a dog on a mat taking comfort in one's detachment, for so one can dream best, and what is more important, love best ! Man can teach you nothing of love or the things of love, if you listen to the intuitive whispers in your own woman's soul — you have all the mysteries there, his and your own ! But re- member — and it is that you are in danger of forgetting — the more absolutely unlike you i6 INTRODUCTORY remain to him, the greater your power ! You have competed now in all the academies, stormed most of the closed doors of male enterprise, held your own in all the callings of life — the one thing you haven't done is learned to love better, and when all is said and done, cry as you may against it, Love is the one thing needful for you. Not so much how you are loved or who loves you, but how you yourself love and whom you love." Her letters give a year of her own life and the part her love played in it. I have only excluded a sentence here and there where names were mentioned, and matters treated of a purely private nature, and her own words must be my excuse for publishing them. GEORGE EGERTON. 17 Kiel, Railway Station, 5.30 a.m. My own dear Love, my darling Boy, — Arrived at 5 o'clock and came straight here from the steamer ; we had a very quiet crossing from Kurs5. It is absolutely quiet, the waiting- room is deserted ; the waiter found me a piece of paper, and I feel I must send you a line. I am only now realising fully what absence from you will mean. How difficult it is to take every step which leads me farther from you, how heavily my heart lags behind whilst my will forces me on. I am one aching wish to be back with you ; I cannot forget your face, your white, strained face, and the misery in your dear eyes. Yet it is perhaps harder for you than for me, and God knows it is hard enough for me — but it is in your nature to mistrust happiness, to expect hard buffets from fate ; I 19 ROSA AMOROSA am more sanguine, not alone that I am more sure of myself; but I am more dogged at opposition, more ready to come to handigrips with adversity and fight inch by inch for the object I have in view, to dare fate down me. My poor love, my heart's own ! how can I make you realise that I am with you every minute of existence, that I am now really one with you ? I have kept my watch at your time, I know what you are doing, I went to you last night at the hour I knew you would try to sleep, I felt how you stretched out your arms, how you called on me and how you suffered at the silence and the void. Believe me, I am near you, never away from you — never again. Remember I told you that in case of any urgent need I would go to you and you should come to me. You are now an integral part of my life. Everything I see strikes me in a new way because I find myself thinking in what way you would see it, how it would affect you. That was my first thought as I sat here sipping my coffee. I remembered how you said that the dislike of all other nations of Germany was based on an instinctive fear, not a rational one, therefjore well founded. I think you are right. ROSA AMOROSA This extraordinary station is an admirable place to realise why. It might serve as a keynote to the understanding of this growing nation. It is not that it is colossal ; we have tremendous railway stations in London, but nothing like this. Ours are merely great erections to facili- tate the beginning and ending of journeys. This impresses one differently somehow. It is a concrete embodiment of modern Germany, it gives one an idea of order, of military discipline; more than that, of a national idea or ideal. The very spirit of the nation cements the stone and marble. The architect kept the glorifica- tion of his country in view, its spirit of expan- sion the pan-Germanic idea. I fancy nationality IS a faith with these people more than an idea, and the head of the state is helpful, because he is perhaps the only crowned head left who really believes he is God-anointed. A year ago I should never have had any such thoughts : you see how it is with me. From this out life will be a journey by easy stages to end in meeting — the rounding of a circle beginning and ending with ourselves. If the circumstances of your life admitted of our union now, it would be a great temptation to follow the impulse of ROSA AMOROSA my heart and stay with you — but you and I both know, that even if it could be, the course we have agreed upon is best for us both — ^best, taking the peculiarities of our temperaments into consideration. I am an independent way- ward thing in all my outward moods, if the fundamental chord in my inner self is always tuned to the one key. Yours is a difficixlt nature to fathom. You have a wounded place in you that even the woman who loves you must learn to treat tenderly. It is entirely well for our future happiness that we should learn to know one another better through our letter life until we meet again. You will grow in con- fidence to yourself and me ! I know, dear, I know that your faith and trust in me are un- bounded, but I know also that you would doubt in time, because with you everything must filter in slowly, become part of yourself, your egoistic ego as it were, before you really accept it. When I prove to you as the months tell their tale that my face will be ever turned to you, that where you are is my heart home, that you own me, every fibre of my body, every stir of my senses, every throb of my heart, then, and then only will you be completely 22 ROSA AMOROSA satisfied. I too must be sure of myself, sure that when removed from the physical influence, the personal magnetism you exercise over me and which makes me a bondswoman to my wish to be loved by you, that I shall still desire to be bondswoman, but of my own will, at my own election in obedience to a necessity (I say advisedly necessity) of my whole nature ; thus yours, and yours only. Keep a brave heart, trust me, believe in me and above all love me. Think when you read this that I put my arms round your neck, that I look into your eyes as I used to do, that I let all the gladness, the content, the delight in feel- ing myself yours creep into them again, that I bend to give you my mouth and say my dear, dear love I am all your very own ; every inch of my body, every secret cranny of the soul of me. I go from you only in order to get nearer to you, I am yours in absence, as loyally as if I were never out of the reach of your staying hand, my soul shall be as a mirror in which you can see yourself reflected at all hours of the day and night, my will a lever to lift aside every barrier between us and the truer understanding of ourselves. Whatever is of brightness, of ROSA AMOROSA good or hopeful in me, I shall try to let you feel through my written words to you. I will give you the sight of my eyes, in as far as I can with mere words limn what I see on paper ; I will try to prison my random thoughts so that you may note the workings of my mind ; I will actualise the dream in my woman's soul, hark to the stirring in my senses, listen to the whispers in my heart and send them all to you, that you may learn to know the spirit in me as you have learned to love the body of me. Do you remember that evening I sat on your lap like a docile child and we read together.'' I always reached the end of the page first and held it ready to turn over, whilst my eyes watched your face, partly because I liked to, partly that I might see when you would reach the last word. Sometimes I kissed you, always when you looked at me before you went on to the new page. It shall be like that, dear heart, with our letters ; I will make myself an open book for your perusal. Everything I have noticed on the way has appealed to me in a new way, no longer in relation to myself alone but always to you also. The clock tells me I 24 ROSA AMOROSA must stop, but I shall be with you all the way. I am anxious to get to my journey's end, for I shall find your letters waiting for me — I have only one tiny scrap of writing from you as yet. Good-bye for a little while, my heart's desire, my dear, dear one, take me to you ; you didn't know you hurt me a little when you crushed me to you in your distress at losing me, I felt it for hours afterwards, but would not have had it otherwise. Keep glad, hopeful, wait with per- fect trust. Say to yourself if you despond — She is mine, mine, all mine, I must not doubt her word — if you listen I am sure you will hear my voice somewhere in your own soul echoing — I love you, love you, love you. Always your R.A. 25 II My Own, my very, very Own, — You joy- bringer ! You maker of spring in my heart ! I am so glad to-day that I feel all the world is good and it is well with life, and the whole of me is a Te Deum. I laugh, and I know not why I am laughing ; my lips form a prayer half unconsciously. How we love God when we are happy ! Spring is whispering, whisper- ing insidiously, secrets of kinship to the gene- rative principle in the earth, the air, the beast and bird, and all things in this good glad world ! There is an answering spring in my feet, that makes walking a tripping measure to the rhythm of a mystic melody in the senses of me. I wish I could send you the breath of the year's time, for you are still in winter. I have put on a new gown, the colour you like, and I have found enough violets to make a posy for my breast ; I wish you could see me, that I could 26 ROSA AMOROSA pop up, as I often did, suddenly beside you, slipping my hand through your arm, watching to see the welcome fill your eyes. Such moments are worth a hundred pre-arranged meetings. A blackbird is calling from a copse, " Won't you wait a bit, wait a bit ! " — tiresome, reiterative thing to whisper of waiting, when my soul is a tip-toe with impatience, when the young impul- sive spring is calling in my blood and the whole of Nature is chanting litanies of life and loving. When overhead there is a flip, flip of whirring, thrumming wings, peculiar to birds as they kiss on the wing in courting time. It is an exquisite world, for the cold kept some of the early blossoms back ; and now, in response to the sudden more ardent call, they are flowering extravagantly, as if in apology for their timorousness. Tardy, flush- ing almond-flowers, all ashamed of appearing with the forward cherry ! An exquisite, exqui- site dainty world of dripping cherry-blooms, and delicate perfume and amorous birds. Why am I not with you ? What a waste of love, of life, of happiness ! For why ? Tell the ft-uth, soul of mine ! Because we were afraid to risk, risk, risk ! But it is coming nearer, ^7 ROSA AMOROSA nearer, and when the spring calls up there with you, and the young summer has chas- tened his audacious freshness with us, you will call and I will go ! How good that you have got through that tiresome examination — the last real obstacle between us ! How the birds call ! I envy them because they are happier than I am! I have not seen the world with just the same eyes as to-day for more than a decade of years. Have you not noticed that when we were children we saw everything more as a whole ? The entire picture struck our senses, and all our senses vividly, and more than was in the picture, too — the parable behind it. As we grow older we lose the clean lines, we stipple at our pictures, see details, are for ever making comparisons. We see less as artists, more as journalists ; for all children have the eyesight of great painters, and not a little the fancy of true poets. They see at one glance the essentials ; I can recall pictures, whole galleries of completely rounded impressions. There was no yesterday and no to-morrow ! One was oneself, one open-eyed wonder at the splendid present ! I can remember a spring day in an old garden, z8 ROSA AMOROSA and I can taste again a piece of apple-cake the cook gave me when I asked her for the key to enter it. I can recollect quite well keeping back one delectable morsel of apple " for the last," and breaking off the crispy, scrumpy bits, browned in the baking around the edge, so as not to lose any when biting into it. I could not see a garden in the same way to-day, could not get that complete, perfect impression of a wondrously beautiful whole, a tender green delight, speaking to every sense and whispering of God's wonder. The tiny primulas — now I should think the colours ugly — were a marvel, as they thrust their pinkish-lilac flower above the brown earth ; every snowdrop gave an idea of purity, and the moss on the gnarled trunk of the old peach-apple tree was more marvellous than velvet ; I always fancied the fairies and flower elves had the entrance to their own king- dom through the mystic openings in its bole. There was a gorgeous bed of stately tulips, too ; they reminded me of the wives of the Doges of Venice; and rows of waxen hyacinths. I dis- liked their perfume intensely. I have loathed all my life "thick" sweet odours, liking the " thin " scents best ; indeed, I am never in sym- 29 ROSA AMOROSA pathy with a man or woman who confesses to a partiality for tuberose or magnolia; I generally discover a spiritual antagonism. I can recall every tree in that old garden, every bush where the different birds — unvarying yearly tenants, with an undisturbed tenure — fashioned their nests. I can remember, too, the same town on a wet night. The glistening streets, the dim shining lights in the old-fashioned hang- ing lamps, the soft fresh coolness on one's cheeks, the rhythm of the water, plashing and trickling on the gutters; above all, the young glad feel- ing of being alive — ay, that it was good, just good, to be alive, and wet days were part of the splendid game ! I could see in one glance the whole of the street, the physiognomy of the houses, the character, as it were, of the hall doors, the angles made by the cross streets, the new toys (it was Christmas week) in the win- dows ; glimpses of interiors which struck me as whimsically described scenes out of Dickens. I could read him then. An old cobbler laugh- ing, with hammer poised, at a little girl with round eyes and a golden mop tangling out under a ragged crochet hood. She had been crying, and he had stuck her Dutch doll in a 30 ROSA AMOROSA ump of cobbler's wax on the bench. I can see t now, with its legs stuck airily in the air and ts wooden head askew, wileing the small woman if woe to smiles. The best gift God can give a man is the acuity of seeing with a child's eyes and feel- tig with a child's heart through all the days of is natural life. The right version of " those i^hom the gods love die young " never meant hat they were cut off in the flower of youth, lut that they keep it intact through all the ears of life, to die still young when the ale of the years registers them amongst the ged ! Sometimes now when I go to a strange lace, and have thrown aside all thoughts of very one and the responsibilities that come rith human ties, I can get a sharp, clear, whole Tipression of a fresh scene ; can throw myself ito the hour, and meet people with the same nquestioning trust as in the old good days ! ut alas ! always more and more rarely. You had the same faculty as a child, but you rere always, I fancy, more eager for companion- bip, less single-souled than I was. I can remem- er^how you told me of evenings when you used D sit in the inner room by the oven on a little 31 ROSA AMOROSA birch-bark chair, and watch your father and mother, and ponder on the meaning of your parents' lives. I can see him quite plainly from your description, through the door of the other room, playing cards with his chums. I can see the doctor with the silk skull-cap, and fringed stock and the purple nose ; and the schoolmaster who had asthma and wheezed like a leaky bellows ; and the big red-faced district magistrate who wore a peaked fur cap and Jack boots greased with tallow. I can see the brass lamp, and the old green bottles with the plated neck-rims and the hissing Samovar. I can smell (that I am certain you never could) the very foreign smell of it all ; we haven't that smell over here. And near you in the inner room with the Ikon in the corner, glowing gold and red and blue in the half-gloom, the waxen St. Catherine, with the austere, pallid face that always reminded you of your mother. And your mother : I can feel with you again the aching desire of your poor litde starving child-heart to creep to her, and curl like a chill puppy on the • carpet of her gown, nestle to her feet. That all-seeing, all-wise child instinct, which makes childhood with its pains 32 ROSA AMOROSA id disillusions, and searing slights and fierce sentments so keen a period of suffering. I .n fathom the acute sensitiveness which made )u keep aloof and watch her yearningly, I can e her look up from her knitting, from the )ok on the table next her, look in at your ther and his companions, draw her lips tighter id half turn her chair as if to shut them out ; ;ar her low, concentrated, impatient " Get a )ok or your soldiers, child, you have a hateful ibit of staring ! " I can feel your little heart )ntract and curl round like a leaf withering ;fore the touch of autumn blasts. And I want, ant to uncurl it — isn't that what I have been ying to do for the last year ? Want to lay it I my palm and breathe warmly, steadily on it. is the little things, the common every-day ings which steal in and make us all curd soft. I remember I once said to you, speaking of y'^self casting " toss balls " in green, green sh fields : " You were perhaps pegging tops or lying some extraordinary game with a terrible, pronounceable name ! " and you replied nply : "I never played, I read newspapers, d "they only told of famine and riots and iperial ukases, each one fathering a peasant's 33 c ROSA AMOROSA curse." You were so surprised because the tears came and because I kissed your eyes and cheeks and mouth with sudden fervour, and rocked you in my arms with a rush of tender- ness. Well, I am glad I spent much time in play. I can smell the toss balls, " sweet balls," again ; can see the meadows with the canal, more like a gracious river just there, running swiftly through the flower-decked banks. It had a bragging Irish brogue, that canal, and told all sorts of tales of the building of grand locks and bridges and barges and doings in Dublin. You don't know what " toss balls " are. You pick cowslips ; I cannot find them in your dic- tionary, but in Norsk they call them " Mary's key-strings." It is singular how the worship of Mary has left fragrant footmarks in the flower names of that Lutheran country. They have her apron and her hairpins, her golden shoes and hair-sieve, and many other belongings ; but in Sweden they not seldom assign the same plant to the Lady Venus, perhaps the older form of the same cult — now you know which flower I mean. Well, one breaks off the stalks and stretches a string taut, two hold it, and a third threads the flowers close together along 3+ ROSA AMOROSA it, then the string is drawn together and tied so that all the flowers turn blossom out- wards, a fragrant, exquisite fretted golden ball, with dottings of ochre red. I can see the fields, and the gracious blue of the sky, and the bright ball circling from one eager hand to the other to the cry of " Tisty, tosty, tell me true, shall I have a lover too ? " I have the gaiety of it somewhere in me yet — are you the answer to the question ? Youth ought to be play-time ; it's whole- somer education than cramming. I am glad of my lawless upbringing, in which punish- ment, nor, indeed, any admonition, played a part. I can see the mother sitting on the hearthrug, a long braid of satin black hair, bronze when the firelight caught it, hanging down her back over her crimson shoulder shawl. She is helping us to roast chestnuts. Can see her teeth gleam like freshly peeled almonds, and her eyes sparkle as she smiled, and when she smiled one had to kiss her some- where, on the tip of her little worn bronze slipper, the end of her tail of hair, or the side of her throat, and when we all tried to kiss her* together she sometimes fell over, a child amongst her children. And we adored her — 35 ROSA AMOROSA sprawled over her like whelps, and we laughed when she laughed and wept when she wept, and we always made her eat the creamiest chestnuts ; and we went about with a constant fear of losing her, the dearest, best playmate we ever had ; and we always added in catechism class, at the sentence " One must love God above all and before all ! " a reservatio mentalis of our own, in which we told God quite privately that we didn't and we couldn't, for we loved her best. And if it could have been put to the test, I believe we would have one and aH, with our hot, undisciplined, passionate child hearts, have suffered torments and the assurance of pro- spective damnation to save her a pang. The child is the woman in miniature. The memory of my " sweet balls " works in me still, heart's own ! and I have never forgotten how to play in reality; perhaps even then I was storing up joy towards the time, at the end of long wander- ing, when I was to meet the one soul to whom whatever of treasure there is in myself might bring healing and gladness. What was it you said so prettily ? " It is with me as if I have been a wanderer, sit- ting by the wayside barren in aU that makes 36 ROSA AMOROSA fe worth; then suddenly you came and gave le the precious casket of yourself, and the ears have dropped away from me, and the ughter and the joyance and the careless frank utlook of youth for which I have yearned ) and never possessed have come to me in richer measure than ever I hoped for in reams — and in return you say, ' Love me ; ike care of me; make me yours,' as if life 3uld hold better than the realisation of that ish." Oh ! the spring has crept into me, >ve, and I cannot wait long now; I want you ) lift me up in your arms, out into the free air, id to carry me up to some place where we two 5uld be alone with the spring in our own hearts, id in God's good world about us. The whole of Nature is rippling with laugh- ;r; it is in the brook and the leaves and the reeze, in every note of the lilting birds, and :rhaps most of all in myself. I like you ; am fond of you; I care dearly for you; I ish for you, yearn for you, ache for you ; you e dear to me, precious to me, all the world • me, and when all these are added together ief only mean — I love you ! and you me ? ell me, I am one wait to hear 1 37 Ill May, Sunday Eve. Best Beloved ! — You whimsicality in breeches ! You thing of a hundred whimsies, each one a reason for laughter and loving ! You are probably sitting in that disordered den of yours, surrounded by dusty protocols, that not aU the scents of Araby would rid of cigar ; sitting conjuring me to you in the smoke rings — I come behind you ever so softly, and put my hands over your eyes. I know, I can feel you start, I won't keep them very long there, 'twere a pity, dear, to hide what I know I should see in them, for love comes graciously, lambently into your eyes — but just long enough to feel you shiver with recognition of what you once called " the dearest touch in the world, unlike all others." And when I take them reluctantly away, you draw in your 38 ROSA AMOROSA )reath sharply, and then you put up your arm .nd I share your chair. I am tired, pleasantly tired, and as when I .m glad I go to you for gladness, what more latural than to go to you for rest ? Where lave I been ? what was that you called me ? ' May moth ! with the freshness of the young ummer about me, the perfume of wood worts." *fice thing ! Love makes a poet of you ! I've leen over the hills and far away following a Tom he Piper's Son melody of my own, in search >f a chapel of ease, where they sometimes hold Jenediction. Such an evening ! The east vinds have kept back all the foliage, but the ilossoms, amorous things, as all young things n love in too great haste, have answered the (rhisper of spring and are prodigal of flores- ence. Gracious is the word to best describe he mien which Nature wears to-day. Shall I ell you of my walk ? I know, greedy thing ! lut am I not telling you best that I love you in [iving you the sight of my eyes. Listen : across a clover-field, millions and nillions of trefoils ; if you are good and don't [lake me creep down my back by kissing my leck, you may have one I found with four 39 ROSA AMOROSA leaves — for luck — our luck ! I was glad, for I was thinking of you, and took it as a good omen for us — for is there anything now we want singly ? Always us, never I. Then past a bend of the river (full to-day, for the mills are resting), rushing under a quaintly constructed wooden bridge. I halted there a moment and watched a school of roach in a slant of sun- lit water, playing " follow my leader " between the washes of green weed. A turn brought me to a hamlet with a diminutive post office and an old rubble-stoned church, with toppling grave- stones sacred to the memory of many local Fidgets and Death. Bad enough to walk through life with the name of Death, but worse still to be branded as a Fidget in one's eternal sleep. I never feel dull in a churchyard, for two things always come back to me. One, the remark of a disreputable vagabond with whom I once shared the shelter of a lych-gate during the passing of a summer storm. He was gazing resentfully at the peaceful grave mounds when he turned suddenly and said : " I hate the dead worse nor the livin', they're so darned indif- ferent to the whole bally show ! " And the 40 ROSA AMOROSA other was the romancing of a little brother long since asleep under a stretch of veldt. He used to spend hours, as a merry curly-headed little lad, in a big cemetery ; I asked him once what was the attraction ? " Lots of fun," with his brown eyes dancing : " when the dinner-whistle sounds and all the men go away, I hide near O'Connell's monument, and then a funny old gravestone under a pear-tree is pushed up, and a skeleton jumps out in a brown bone suit, and he has a fiddle made of coffin-wood, and he sits cross-legged on his headstone and gives a scrape, and then lots of the graves, all old ones, open, and they come out — all sorts of whitey-brown bone skeletons — and he plays jigs and reels, and they set to partners and batter away on the gravestones, to ' The Priest in his boots ' and ' The Devil's salutations to a dish o' nettles,' and lots more queer old tunes ; and when they're dry they eat pears ; and the funny thing is that as fast as they eat them they drop out through their ribs," adding with quaint gravity, " it makes rather a mess on the stones." Silence everywhere. You don't know what I mean when I say Silence, the Sunday silence of rural England ; it's getting rarer, for the 41 ROSA AMOROSA tion Army Band is desecrating it. Past a stead, the orchard a snowdrift of cherry lum bloom, up the rising path that wound 1 ridge of gorse-clumped ground ahead of Once up there my footfalls made no ., a silent ascent — through the olive-green, ti-flecked bushes. Those in the distance d like fantastic velvet hummocks of shot ind green. Then a stretch of flat upland. soared and quivered, and dropped and I again, or hung poised above, emitting 1 of intoxicant melody, mad notes, that sted the delirium of passion, the quint- e of joy. rou analyse, the quintessence of all joy is n. I stopped suddenly, for straight before ere two heath fowl courting in dance — jumps, quivers, retreats, advances and •ades, with singular notes and strange •ings of wings. I scarcely breathed, but felt my nearness, for they rose with a ;d whirr and throaty screaming cries, and n opposite directions — I hope they will ine another again. Happy birds to court nee on an altar high above the valleys, :he fragrance of clover and whin rising in 42 ROSA AMOROSA ncense all around them, to a choir of larks in jlue sky hymning ! I wonder ! suppose I lad turned to meet you, would we have broken nto dithyrambic measures ? Laugh ! I can but laugh at the idea of your :utting flourishes as did our feathered lovers. You needn't wrinkle up your brows ; of course, [ always laugh at you. Is not that just one of pur charms for me ? You, you ! Own it,' i^our heart would have danced in your eyes to neet mine, and you know, for I have foolishly :old you, that mine leaps and quivers to a tune 3f laughing music when I know you are near. Ah, if you could really have looked down Nith me to the prospect below — woods and jlades, trimly tilled fields, and the gable ends Df many a homestead. Why has the word ' home " a new meaning .'' Something stirs in ne when I say it. I used to think of it merely IS a term for a dwelling-place. It means more :han that now, and will mean still more. The :ircle which we will draw round our two selves —our sanctuary for'the sharing of all joys and .11 sorrows, from out where we will shut all the v