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Cornell University Library 
 GV 1751.C43M9 
 
 Music for exercises in dancing :the four 
 
 3 1924 019 282 791 
 
MUSIC for EXERCISES 
 
 IN 
 
 DANCING 
 
 FOURTH COLLECTION, JUNIOR PART 
 
 Arrangeobv LOUIS H. CHALIF 
 
 PRINCIPAL, CHALIF NORMAL SCHOOL OF DANCING 
 
 163-5 West 57th Street, 
 
 New York City. 
 
The original of this book is in 
 the Cornell University Library. 
 
 There are no known copyright restrictions in 
 the United States on the use of the text. 
 
 http://www.archive.org/details/cu31924019282791 
 
MUSIC for EXERCISES 
 IN DANCING: THE 
 
 FOURTH COLLECTION, JUNIOR PART. 
 
 FOR ALL EXERCISES DESCRIBED IN BOOKS ( AND II OF THE 
 "CHALIF TEXT BOOK OF DANCING" 
 
 With the Fourth Collection, Senior Part, superseding the 3rd edition of 
 "Music for the Classical Exercises for Technique in Dancing" 
 
 MANY ADDITIONS MAKE 50 SELECTIONS IN THIS VOLUME AND 
 30 IN THE SENIOR PART. ALL ENTIRELY NEW SELECTIONS 
 
 Arranceoby LOUIS H. CHALIF 
 
 GRADUATE OF THE RUSSIAN IMPERIAL BALLET SCHOOL 
 PRINCIPAL OF THE CHALIF NORMAL SCHOOL OF DANCING. N. Y. 
 
 Published and for sale by 
 Price $3.00 See Louis H. Chalif, Principal. Copyright 1916 
 
 next page. 163-5 West 57th St. New York. by Louis H. Chalif 
 
 KB 
 
O 1^ 
 
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 DIVERS DIRECTIONS 
 
 The References at the close of each title are to the places where the exercise is completely 
 described in the CHALIF TEXT BOOK OF DANCING, Books I and II, by L. H. Chalif. 
 Book I covers the fundamental positions & ex'es; 1 73 pp., ill. with photographs of the author 
 & diagrams. Book II covers further ex'es, Port de Bras & the pedagogy of the standard 
 ballroom dances in children's classes;- 204 pp., 38 photographs <J Each volume is cloth 
 bound, 5 Yl x 8 in., and costs $3.00; or both with this volume of music for $8.50. 
 
 The Order in which the exercises are here arranged is a good one for teaching them to a 
 class, and for presenting them in each lesson. The order remains ^ood no matter how many 
 exercises are omitted, but need not be followed necessarily. 
 
 The Metronome indication give the ideal tempo, that suited to a thoroughly practiced 
 dancer. One should begin with a considerably slower tempo, and gradually work toward 
 this. 
 
 The Pronunciation of the French, words in each particular connexion has been indicated 
 by English spelling and the following special letters : "a" is pronounced like a in "fast" ; "e" 
 (italic) like e in "the boy"; "N" represents the French nasal n, which can be pronounced by 
 attempting to produce the English n without touching the tongue to the roof of the mouth, 
 and "o" and "u" are approx, as in German. 
 
 The Index of French titles and English translations frequently used is as follows: 
 
 INDEX 
 
 Balances 15 
 
 Changements de pieds 3 1 
 Circles with' the leg . . . 29 
 
 Coupes ..13 
 
 Courtesy and bow. ... 3 
 
 Cuts 13 
 
 Elever 6 
 
 Five standard pos., the 3 
 
 Four-slides galop 41 
 
 Glissades 28 
 
 Glisse assemble glisse 
 
 point e 8 
 
 Glisse coupe jete saute 2 1 
 Grands battemsnts ... 1 2 
 Jete saute, av't & en 
 
 arr 19 
 
 Jete saute fouette 17 
 
 Jetes 14 
 
 Hopping 14 
 
 Lateral pas de Basque 24 
 
 Leaping 14 
 
 Leg circles 29 
 
 Mazurka 25 
 
 Original or 1 -slide 
 
 polka 23 
 
 Pas ballone 27 
 
 Pas chasses 22 
 
 Pas de Basque 30 
 
 — Lateraux 24 
 
 Pas de Bourree 18 
 
 Pas de pointe 7 
 
 Petits battements .... 9 
 —alt. et petits coupes . . 9 
 — et petits ronds alt ... 1 1 
 — sur le cou de pied 26, 27 
 
 Petits ronds de jambe 10 
 
 -plies 29 
 
 Pirouettes de Basque . . 30 
 Plastic Exercise A. ... 39 
 
 -B 8 
 
 -C 40 
 
 Plier 4 
 
 Plies battements 5 
 
 Pointe pointe pas de 
 
 Bourree change ... 1 6 
 
 Pointer 7 
 
 Polka, original or 
 
 1-slide 23 
 
 -method 42, 43 
 
 Port debras . .31, 33, 36 
 
 —in waltz time 38 
 
 Positions, the 5 std. . . 3 
 Ronds de jambe ... .29 
 
 Saute 14 
 
 Schottische 44 
 
 Slide close step point . . 8 
 Slide cut fr. side to side 24 
 Slide step step swing 
 
 to side 21 
 
 Step and close 4 
 
 Step and point 7 
 
 Step hop f or'd & back 1 9 
 
 Step swing 17 
 
 Swinging the leg for'd 
 
 & back 13 
 
 Temps de cuisse 13 
 
 Tortiller 20 
 
 Tours de Basque 30 
 
 Twists 20 
 
 Waltz method 45 
 
 —time Port de Bras ... 38 
 
 Copyright 1916 by Louis H. Chalif 
 
Courtesy and Bow 
 
 Book I, Page 25 
 
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 Bobk 1, Page 29 
 The numbers written above the music indicate when each position is to be taken 
 
 In dreamy swaying 1 rhythm (J : 52) 
 
 Largo _2^5 
 
 F. Chopin 
 
 Copyright MCMXV by Louis JT.Chalif ' 
 
4 
 
 Step and Close 
 
 A preliminary exercise for ballroom dancing 
 
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 Book I, Page 77 
 
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 Book II, Page 89 
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8 
 
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 Gleessay, assahNblay, gleessay, pwaNt. Slide, close, step, point 
 
 Book II, Page 97 
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 P'tee bat-mahN. Small beatings. Slide the foot out and bring it back 
 
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 Book I, Page 80 
 
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 al-tair-na-teev-mahN. Small beatings alternating with foot circles 
 
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 GrahN batmahN. High beatings— lifting the leg- from the hip 
 
 Book I, Page 9"! 
 
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Temps de Cuisse 
 
 TahN de kweece. Swinging the leg forward and back. 
 
 Allegro (J.= 9«) 
 
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Balances 
 
 Ba - lahN - say. Step to an open position, bring- feet together,, rise on toes and lower heels 
 
 Book II, Page 123 
 
 Allegretto brioso (J. = eo) 
 
 15 
 
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16 
 
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Jete, Saute, Fouette 
 
 Zhe tay, so - tay, foo - ettay. Step and hop, swinging the foot forward. 
 
 17 
 
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19 
 
 Jete, Saute, Avant et en arriere 
 
 Zhe-tay so - tay, a-vahNt ay ahn arriaire. Step hop forward and back. 
 
 Book II, Page 112 
 
 Tempo di Valse (J- = 66) 
 
 # 
 
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20 
 
 Tortiller 
 
 Tor tee-yay. Twists of the leg outward and inward. 
 
 Book I, Page 114 
 
 Allegro (J - ia6) 
 
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Glisse, Coupe, Jete, Saute 
 
 Gleessay, coopay, zhetay so-tay. Slidej step, step, swing to side. 
 
 Book II, Page 170 
 
 21 
 
 Piu moderatoj^ 116) 
 
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33 
 
 Pas Chasses 
 
 Pah shah- say. Slide cut slide. 
 Book II, Page 150 
 
 Andantino (J =. 73) 
 
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Original or One -slide Polka 
 
 Hop, slide, change, leap, rest. 
 Bopk II ; Page 163 
 
 23 
 
 Tempo di Polka (J , 96) 
 
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24 
 
 Pas de Basque Lateraux 
 
 Pah de bahsk la-tay-ro. Cut, slide, cut, from side to side 
 
 Book II, Page 159 
 
 Allegretto grazioso (J = 54) 
 
 con tenerezza 
 
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Mazurka. 
 
 Slide cut bend 
 Book II, Page 155 
 
 25 
 
 Tempo di Mazurka (J • : 52) 
 
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26 
 
 Petits Battements sur le Cou de Pied 
 
 P'tee batmahN sur le coo de pyay. 
 i s _t Exercise. Striking one ankle with the other heel. 
 
 Book II, Page 130 
 
 Grazioso e con anima (J> = i3s) 
 R.H. £M. 
 
 
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2 n _ d and 3 r _d Exercises 
 
 27 
 
 Allegro (J -. 138) 
 
 -W^kThi 
 
 TUP,r> CT 
 
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 Pas Ballonnes 
 
 Pah ballunnay. Hop, step and bring the feet together 
 
 Book I, Page 126 
 
 Allegro non troppo (J-s lae) 
 
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28 
 
 Glissades 
 
 Gleessad. Slide to side and bring feet together. 
 Book I, Page 121 
 
 Allegretto cantando (J- =56) 
 
 tt4.nr 1 >>.. J =^ 
 
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Ronds de Jambe 
 
 29 
 
 RawN de zhahNb. Circles with the leg 
 Book I, Page 87 
 
 or 
 
 Petits Ronds de Jambe Plies 
 
 P'tee rawN de zhahNb plee-ay. Small foot circles with bendings of the supporting knee 
 
 Book' II, Page 105 
 
 Moderato (J = sa) 
 
 l^JZt 
 
 mm 
 
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so 
 
 Pas de Basque 
 
 Pah de bahfck. Semi-circle, leap, slide, change 
 Book I, Page 130 
 
 Tempo di Valse (J-. 54) 
 
 p — = 
 
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 to. # to. # to. # to. # to. 
 
 11 — — i 
 
 £. I ■ , t =Un J ^ r-P #£_ 
 
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 Tours de Basque 
 
 * 
 
 (Or Pirouettes de Basque. Xtoor, peeroo-ett de bahsk.) Turning on both feet 
 
 Book I, Page 13 9 
 
 Allegro moderato (Tempo di Gavotte) (J . 120) 
 
 hm 
 
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31 
 
 Chang ements de Pieds 
 
 shahNzh - maliN de pyay 
 Jump from both feet and land with the position of the feet interchanged 
 
 Book I, Page 144 
 
 Allegro (J z 113) 
 
 4 
 
 i 
 
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 Port de Bras 
 
 Por dtf brah. Carriage of the Arms 
 
 Book II, Page 45 - 65 
 
 Andante (J) 104) 
 
 tfn-xr 
 
 ^¥|j p'" p^ j p 
 
 ■molto espressivo 
 
 VhHj jT 
 
 J— ^ 
 
 Pedale ogni misura 
 
 #iti 
 
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 T ^ £ — f — * 
 
33 
 
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 60) 
 
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34 
 
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35 
 
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36 
 
 Port de Bras 
 
 Andante (J 1 : 104) 
 
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37 
 
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38 
 
 Port de Bras 
 
 In waltz time 
 Book II, Page 65 
 
 A • 
 
 Tempo di Valse ( J.= eo £ 
 
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Plastic Exercise A 
 
 Bending from side to side 
 Book II, Page 77 
 
 39 
 
 Moderate (J : 112) 
 
 i 
 
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40 
 
 Plastic Exercise C 
 
 Twisting the trunk 
 Book II, Page 85 
 
 Molto moderato (J: too) 
 
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 as desirable 
 
GRAMMAR OF THE ART OF DANCING 
 
 BV FRIEOERICH ALBERT ZORN 
 
 Is a monumental work of which every dancing teacher should be proud to possess a copy. 
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 MUSIC FOR TOE AND ADVANCED EXERCISES. 55 selections of classical music, 
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 This volume can also be used for simpler exercises, even in beginners' classes, by 
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