/if* m THE GIFT OF ;ibatg Animal Locomotion An Electro-Photographic Investigation of Consecutive "^^^^-tir^^—^^ases of Animal Movements Eaaweard Muybridge Published under the Auspices of the University of Pennsylvania Prospectus and Catalogue of Plates The Plates Printed by the Photo-Gravure Company of New York Philadelphia, 1887 Printed by J. B. t,jppincott Company Cornell University Library The original of tliis book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924024580353 Cornell University Library QP 301.M99 Animal locomotion : 3 1924 024 580 353 In the event of the printed blank for the names of subsciibers having been detached from this prospectus, subscribers can send their names and instructions entii'ely in manuscript; these, and the serial numbers of the plates selected, should be in full, and plainly written. Copies of the catalogue of plates in Animal Locomotion, and subscription blanks will, upon application, be mailed free of expense to any part of the world. ANIMAL LOCOMOTION AN ELECTRO -PHOTOGRAPHIC INVESTIGATION OF CONSECUTIVE PHASES OF ANIMAL MOVEMENTS EADWEARD MUYBEIDGE PUBLISHED UNDER THE AUSPICES OP THE UNIVERSITY OF PENNSYLVANIA PROSPECTUS AND Catalogue of Plates THE PLATES PRINTED BY THE PHOTO-GRAVURE COMPANY OF NEW YORK PHILADELPHIA 1887 Printed by J. B. Lippincott Company Copyright, 1886, by Eadweaiid Mu'ybridqe. ANIMAL LOCOMOTION. PROSPECTUS. In 1878 the author of the present work published a few Photographs under the title of "The Horse in Motion;" these were the results of some experiments in California with automatic electro-photograph ie apparatus, devised by him for the purpose of demonstrating the s.uccessive phases of Animal Locomotion. This subject had engaged his at- tention since 1872, when the first lateral photograph of a horse trotting at full speed was made bj' him. The experiments were continued in 1879. Upon their termination the author became convinced that a com- prehensive and systematic investigation with improved mechanical appliances, and newly-discovered chemical ma- nipulations, would demonstrate many novel facts, not only interesting to the casual observer, but of indisputable value tO' the artist and, to the scientist. This investigation demanded of necessity so large an outlay of money, and the subsequent publication in its present generous form assumed such imposing proportions, that all publishers not unnaturally shrank from entering the unexplored field. In this emergency The University of Pennsylvania took the prosecution of the investigation under its auspices, and its liberal assistance has enabled the author to complete his work, which he hereby announces as ready for publication. The work will be published exclusively by sub- scription, AT THE PEICE OF OnE HuNDRED DOLLARS FOR EACH Copy. 1 3 4 ANIMAL LOCOMOTION. One Hundred Plates of illustrations will consti- tute A Copy op the work. These one hundred Plates, the subscriber is entitled to select from those enumerated in the subjoined Catalogue. It is believed the description given therein of each move- ment will bo found sufficient to enable this selection to be made with intelligent discrimination. The 781 Plates described in the Catalogue comprise more than 20,000 figures of men, women, and children, animals and birds, all actively engaged in walking, galloping, flying, working, playing, fighting, dancing, or other actions inci- dental to every-day life, which illustrate motion and the play of muscles. The figures illustrating the various movements are re- produced from the original negatives by the photo-gelatine process of printing, without any attempt having been made to improve their pictorial elfect, either in outline or detail or to conceal their imperfections. In the Title of the work, the term "Locomotion" is stretched to its broadest capacity. The Plates, without margin, vary in dimensions from 12 inches high by 9 inches wide, to 6 inches high by 181 inches wide. The average area of the Plates is 108 squai'e inches, orj about 660 square centimetres; they are printed on linenl steel-plate paper, of size 19 by 24 inches, and weight 100 ■ pounds to the ream. Subscribers desiring a greater number of Plates than the one hundred for which they subscribe, will be entitled to obtain such additions, and at the same proportionate rate of payment; provided they make the selection at the same timf, that they select the Plates for their Subscription Copy. Subscribers for two or more Copies have the right of an independent selection of Plates for each Copy. PROSPECTUS. "5 Subscribers for six Copies of the work, — that is, for 600 Plates, — each Plate being of a different serial number, will be entitled to the remaining 181 Plates without additional payment. They will thus have an impression of each one of the 781 Plates. Each Copy of the work will be enclosed in a Portfolio. The entire collection of 781 Plates will be enclosed in 8 Portfolios. Upon receipt of the accompanying blank, duly filled with the necessary instructions, and a romittanoo of twenty dollars ; on account of each Copy subscribed for, the worlt will be forwarded free of express charges to any part of the United States ; - the remainder of the subscription to bo paid upon delivery. Subscribers in foreign countries should, preferably, desig- nate an agent in the United States to act in their behalf; or, they will be corresponded with, direct. All remittances and correspondence to be addressed to BADVVBAED MUYBMDGB, University of Pennsylvania, Philadelphia, U.S.A. 6- a (D iB a ■§ a iH 1 i ^ o c8 o 1 3 > J, , 1 c 'f < .a ^ "§ ."S _&p 1 > 3 fl t3 HH ^ l 2 3, etc. If, however, the motion of the first phase is towards the left, the ai'rangemont of the successive phases is thus : etc., 3 2 1. <-« When two or more distinct series of illustrations are included in one plate, each separate series is distinguished by the letters A, B, C, etc. Each series, of the plates numbered 520 to 528, inclusive, illustrates a single phase of motion, photographed synchro- nously from each of six points of view. In some instances it will be found that the number of phases of motion from each of the respective points of view do not correspond, some being omitted. This arises from the loss of negatives during manipulation. The subject being, perhaps, one of interest or importance, and impossible to duplicate, it has been included in the work notwithstanding the deficiency. Serial numbers connected with a brace indicate that one and the same series of phases is illustrated in two plates, the laterals being in one plate, and the foreshortenings in another. Although, as before stated, the broadest interpretation has been given in this investigation to the word Locomotion, it is not assumed that a response to every possible inquiry in this inexhaustible subject will be found in this work. 12 ANIMAL LOCOMOTION. MODELS. A few particulars in reference to some of the human models, will assist subscribers in the selection of their plates. The greater number of those engaged in walking, run- ning, jumping, and other athletic games are students or graduates of The University of Pennsylvania,— young men aged from eighteen to twenty-four, — each one of whom has a well-earned record in the particular feat selected for illustration. The mechanics are experts in their particular trades, and the laborers are accustomed to the work in which thej' are represented as being engaged. Unless otherwise described the arms of the models in the progressive movements are in a position naturally consistent with the movement. Each model is distinguished by a number, and may be recognized by that number throughout the work. The male models are numbered with bold-faced type, thus: " 45," and the females with light-faced type, thus : " 8." The models 52, 64, 65, and 66 are teachers in their re- spective professions; 60 is a well-drilled member of the State Militia; 51, a well-known instructor in art; 95, an ex-athlete, aged about sixty ; 22, a mulatto and professional pugilist; 27, 28, and 29, boys aged thirteen to fifteen; 42 and 49, public acrobats; 17, 19, 21 ; 74 to 91, inclusive; 92 and 94 wore patients of the University and Philadelphia Hospitals, selected to illustrate abnormal locomotion. The female models were chosen from all classes of society. Number 1, is a widow, aged thirty-five, somewhat slender and above the medium height; 3, is married, and heavily built; 4 to 13, inclusive, 15 and 19, are unmarried, of ages varying from seventeen to twenty-four; of these, 11 is ANIMALS AND BIRDS. 13 Blender ; the others of medium height and build ; 14, 16, and 93, are married ; 20, is unmarried, and weighs three hundred and forty pounds. The endeavor has been in all instances to select models who fairly illustrate how — in a more or less graceful or perfect manner — the movements appertaining to every-day life are performed. In the column headed "Costume," the state of the model with regard to apparel is repi'esented by N. Nude. "When any one figure is nude, the entire series is so classified. S. !N". Semi-Nude. The model so designated is usually clothed with a light or transparent drapery from the waist to the knees, or to the ground : in some illustrations of the toilet it also in- cludes more or less underclothing. P. C. Pelvis Cloth. A strip of cloth surrounds the lower part of the abdomen. T. D. Transparent Drapery. The model is attired in a flow- ing garment of diaphanous texture, which per- mits the action of the limbs to be seen, and the conformation of the folds of the drapery thereto. D. Draped. Fully clothed. B. F. Bare Feet. The costume of peasant girls with the legs below the knees, and the feet bare. ANIMALS AND BIRDS. The wild animals and birds were photographed in the gardens of the Zoological Society, of Philadelphia, by the courtesy of its Trustees and Superintendent. Nearly all the horses and other domesticated animals were photographed at the Gentlemen's Driving Park, and are good representatives of their various classes and movements. 14 ANIMAL LOCOMOTION. ANGLES OP VIEW. In the classification of the illustrations into "Laterals" and " Foreshortenings," the term Lateral applies — with a few exceptions — to those figures photographed with the lateral battery of cameras, as described in the diagram. And the term "Foreshortenings" is applied to all the figures made from points of view at varying angles from the lateral battery, regardless of the actual position of the model. The points of view, described as being in their relation to the laterals at the respective angles of 90 and 60 degrees, are strictly speaking not alwaj's so, but as close thereto as careful measurement and circumstances permitted. All stated angles of view, as applied to wild animals and birds, are simply approximate. The terms " Front" or " Eear," as applied to the Foreshort- enings, usually refers to the position of the model when the first exposure is made in the respective batteries. In the execution of some movements, the model turns com- pletely around before the series of photographs is finished; the latter phases of motion may therefore be included in the column of "Front" views when they are actually "Eeai-" views. The character of the movement will of itself explain the relative successive positions of the model, and the illustrations afford ample means of determining the angular relationship to all points of view. MOVEMENTS AND TIME. In the column devoted to " The quantity of movement," a completed action or a round movement is designated by the number " 1." A " round movement" means a move- ment which, being completed, restores the body and limbs to the approximately relative position they occupied at its MOVEMENTS AND TIME. 15 commencement. For a horse trotting, or for a man walk- ing, for example, it means the execution of two steps; for a horse jumping a hurdle, or for a man who, when hatting, strikes a base-ball, it means the execution of the main object of the particular investigation. The word approximate is used, because it rarely happens that the execution of regular movements by the most carefully-trained man or animal restores the body and limbs to precisely the same original relative position. When a movement is susceptible of being divided into two parts, of which the second part, with a change of the limbs, is virtually a rejjetition of the fii'st part; it is not always considered necessary to include the round movement in the illustrations ; but in order that the relationship which each one-half of the movement holds to the other half may be understood, five-eighths or thi-ee- fourths (designated in the column 5-8 or 3-4) of a round movement is usually illustrated. The quantity of movement given in the column is frequently only approximate to the exact quantity. In the appropriate column, the interval of time between each successive exposure is stated in one-thousandth parts of a second, as recorded by a chronograph with a tuning- fork making 100 single vibrations in a second. The duration of each interval of time between each suc- cessive exposure has been carefully examined, and when, from any obscurity in thepcn-markings, or from other causes, the exact intervals of time could not be positively ascer- tained, an average interval of time has been computed, and attention called thereto in the column of reference notes. It may be stated, as a matter of some interest, that from carefully-executed experiments it was proved at the Uni- versity Studio that the most rapid exposures were made in periods of time varying from ttie one two-thousandth to the one five-thousandth of a second. With such exposures 2 Ig ANIMAL LOCOMOTION. details of black and of white drapery were obtained. The use, however, of such very brief exposures was deemed inadvisable, and for the illustrations of the movements of large animals was in practice wholly needless. For photographs of horses at full speed an exposure of the one six-hundredth or of the one eight-hundredth of a second will usually obtain the necessary sharpness of out- line and all essential details. For slow movements an exposure of the one one-hun- dredth or of the one two-hundredth of a second will give all desirable results. RBPBRBNCB NOTES. 1. The interval of time between each phase is an average of the intervals of time between all the phases, or an approximation thereto. 2. No record of intervals of time between phases. 3. Isolated phases, photographed synchronously from the various points of view. 4. Successive phases, photographed at irregular intervals of time synchronously from the various points of view. 5. The model has a rod attached to the hips to aid the measurement of their oscillations. In all illustrations of this number the lenses of the lateral battery are on the same horizontal plane as the platform on which the model is walking, or, if ascending or descending, about midway between the two planes of height on which the feet are placed. The backgrounds are those described as " Portable." 6. The lenses of the lateral battery are on the same hori- zontal plane as the platform on which the model is walking. The backgrounds are those described as " Portable," RETROSPECTIVE. 17 7. Isolated phases of motion fi-om a single point of view. 8. A combination of 2 serials, with the same average interval of time between each successive phase. 9. One phase of this series is substituted by a correspond- ing phase from another series. 10. A combination of 2 serials. 11. Foreshortenings incomplete. 12. Foreshortenings irregular. 13. A double interval of time occurs between phases 2 and 3. 14. A double interval of time occurs between phases 3 and 4. 15. A double interval of time between phases 4 and 5. 16. A double interval of time between phases 5 and 6. 17. A double interval of time between phases 7 and 8. 18. A double interval of time between phases 8 and 9. 19. A double interval of time between phases 10 and 11. 20. A double interval of time, respectively, between phases 4 and 5 ; 9 and 10. 21. A double interval of time, respectively, between phases 5 and 6 ; 7 and 8. 22. A double interval of time, respectively, between phases 5 and 6 ; 9 and 10. 23. Five of the regular intervals of time between phases 6 and 7. 24. Five of the regular intervals of time between phases 5 and 6. RETROSPECTIVE. In conclusion, it may not be irrelevant for the author to remark that a number of his early experimental photo- graphs of animal movements, and his original Title, " The Horse in Motion," were copied, and published a few years ago, in a book which is referred to in the following para- 18 AmUAL LOCOMOTION. graph, reprinted from Nature (London), June 29, 1882. After the full Title of the book is quoted, the reviewer says, "The above is the somewhat long title of a large and important work issuing from the well-known Cambridge (U. S.) University Press. " Long as is the title, the name of the principal con- tributor to the volume is left unrecorded there; though, indeed, even a cursory glance over its contents shows how much indebted is the whole question of the mode of motion in the horse to the elaborate series of investigations of Mr. Muybridge." B. M. University of Pbk-h-sylvania, January, 1887. 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