/«» •n . .*• ••^ •V. "^('S *; ^-''v ."^ 4 "^ ji f*'-" •4 ' ^*^ -►, ' J ^ V 4 * • ■•$ >•<• ■(^ '¥'_• >^ *« ,'^-* -T' 5 -•'^ ?/* ;!' * »■ 1 "''•" -*> i*!^** I « ty ^z*:' ? "i C^ortteU Unttieraitg iCihrarg Htlfara, S?em Qnrk FROM THE BENNO LOEWY LIBRARY COLLECTED BY BENNO LOEWY 1854-1919 BEQUEATHED TO CORNELL UNIVERSITY Cornell University Library PR 2347.B18 1882 The earliest known printed English balla 3 1924 013 123 876 Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013123876 A BALLADE OF THE SCOTTYSSHE KYNGE. r The Earliejl known Printed. Englijh Ballad. BALLADE OF THE SCOTTYSSHE KYNGE. WRITTEN BY JOHN SKELTON, POET LAUREATE TO KING HENKY THE EIGHTH. REPRODUCED IN FACSIMILE WITH AN HISTORICAL AND BIBLIOGRAPHICAL INTRODUCTION BY JOHN ASHTON. LONDON : ELLIOT STOCK, 62, PATERNOSTER ROW, E.G. 1882. CONTENTS. Chap. I. Origin of Ballads II. Defcription of the Ballade of the Scottyflie Kynge III. Biographical Notices of John Skelton . . . IV. The Battle of Floddon V. Events in the Reign of James IV. of Scotland VI. Contemporary Evidence Relating to the Ballad VII. The Letter of the Kynge of Scottes . . . VIII. Commencement of the Scottiih Campaign . IX. Negotiations between the Englifli and Scotch X. Battle of Floddon Field Facjimile of Ballade of the Scottyflie Kynge Page I 8 H 29 3S 40 50 58 62 93 A BALLADE OF THE SCOTTYSSHE KYNGE. CHAPTER I. ORIGIN OF BALLADS. F all varieties of poetry, the Ballad, in the form which it afFefts among us, in diftindtion to other countries, is, perhaps, one of the moft attradtive. Although deriving its appellation from a word fignifying a dance in Italy and France, where the ballad was a metrical narrative, or domeftic epic, generally fhort, or at leaft not very long, as to its amount, and ufed as an accompaniment to a dance, the Englifh ballad by no means demanded the dance for its accompaniment, and only fignified a fairly ftiort narrative poem in a rhyming metre of a lively, trip- ping, and popular ftyle, which could be fung or chanted, and as fuch, was eafily diftinguifhed from the true 2 A BALLADE OF poem or lay, which was compofed in an artificial and more ferious verfe, and was only intended for recita- tion. It is difficult, if not altogether impofEble, to trace the origin of the prefent form of the ballad in England. There is great probability that it is con- temporary with the times when the alliterative, or initial-rhyming poems of the Anglo-Saxon and Early Englifti poets were gradually giving way to the end- rhyming poetry which Chaucer and his school did fb much to dignify. Of our indigenous ballads, many fo-called collec- tions have been compiled. A mere lift of the titles would be tedious and of little profit here. Perhaps the oldeft known example is that of " King Horn," derived from an older and unfound ballad, yet cer- tainly written in the form in which it is now extant, as early as the thirteenth century. Another celebrated and early ballad, "Gamelyn," is of the fourteenth century. After this period the ballad, in the elaftic forms to which it lends itfelf both as to intrinfic narra- tional charadter, and extrinfic metrical adaptation, pro- vided only the quality of being capable of being fung be preferved, fprings rapidly into vogue among the copyifts, and examples of it abound. In faft, for a feafbn, the ballad occupied a dignified pofition among lefs facile forms of poetry. It was a form favoured by the beft poets, and admired by the moft apprecia- tive lifteners. But, after a time, as the progrefs of THE SCOTTrSSHE KTNGE. 3 education and the advance of literary tafte diredted the attention of the better claffes to other channels of compofition, fo the ballad came to be negleded and defpifed, until at length, particularly in the feventeenth century, it degenerated into a vehicle for ribaldry, obfcenity, and fcurrility, printed in the fimpleft and commoneft manner, carried about the country by pedlars who pandered to the depraved taftes of their unlettered cuftomers, and, with few exceptions, worth- lefs in every point of its former excellence. Curioufly enough an exception muft be made with regard to the Scottifti ballads, many of which, particularly thofe relating to martial deeds, or military prowefs, are of a far fuperior charafter to thofe of England, which are found contemporary with them. The Ampler, chafter, and more martial Ipirit of the Caledonians, no doubt con- tributed to this refult, and in turn was influenced by it. Whether the curious " Ballade," which is the fub- jeft of the prefent treatife, fhould take rank as the earlieft known printed ballad in England — or only be entitled to fecondary honours — ^mainly depends on what can be termed a ballad — where a fong ends, and a poem commences. It has, however, but one rival, " The Nut-browne Mayd," to which the title of a ballad can be hardly affigned in the fame fenfe of perfedlnefs, and felf-completenefs that this is.' This poem may ' It fhould be borne in mind that Mr. G. Barnett Smith com- 4 A BJLLJDE OF be farniliar to many readers, but few know its pedigree^ and title to rank as the earlieft known printed ballad. Early in the fixteenth century a book was publifhed at Antwerp, without date or author's name, and this, for want of a better name, has been called " Arnold's Chronicle," or "The Cuftomes of London." Bale, Pits, Stowe, and Holinlhed, afcribe this work to Arnold (according to Stowe, " a citizen of London "), " who being inflamed with the fervente love of good learninge, travailed very ftudioufly therin, and princi- municated the text of this ballad to the " Athenaeum," No. 2790, April 16, 1881, p. 525, with defcriptive notes relating to the principal events in the progrefs of its difcovery. This was fol- lowed in the next number, p. 561, by a paragraph containing an extraft from a letter by Profeflbr Skeat to the editor, in which he writes: "I do not quite know why it is called the 'oldeft Englifli printed ballad.* The ballad of ' The Nut-brown Maid,' printed at length in lay 'Specimens of Englifli Literature,' is quite a famous one ; every one fliould know of it who cares for Englifli Literature. And it was printed in 1502." The fame paragraph points out that the accuracy of Mr. Barnett Smith's tranfcript is impugned. To this Mr. Smith, in the " Athenasum," No. 2792, April 30, pp. 592, 593, replied that his variations conlift "in nearly every inllance in the fubftitution of capital letters where they feem to be required, and in the uniform fpelling of a word or two where the original was defeftive." In this reply, alfo, Mr. Smith admits having for the moment forgotten the claims of "The Nut-brown Maid " for a date of 1 5o2,and he adds, " But after all it is a fecondary matter whether ' The Nut-brown Maid ' pre- ceded by a few years the ballad of 'TheScottifli King,' or whether the latter was the earlier in the order of publication. The one paramount faft is that here — as is generally believed — is a per- THE SCOTTTSSHE KTNGE. 5 pally in obferving matters worthy to be remembred of the pofteritye ; he noted the Charters, liberties, lawes, conftitucions and Cuftomes of the Citie of London. He lived in the year 15 19." Whether he, or any one elfe wrote the book, does not much matter ; it is a book entirely on mercantile fubjedts, with the remarkable exception of the unexpedted, and uncalled-for, interpolation of the anonymous poem which has received the name of the " Nut-brown Mayd." The page in " Arnold's Chronicle," which precedes this poem, confifts of "The compoficion betwene the marchauntis of england and y° towne of feftly new ballad, which muft poffefs a ftrong and genuine intereft for men of letters and antiquaries." Mr. Adin Williams, another correfpondent to the fame periodical, in the fame column, chal- lenges Profeffor Skeat's ftatement that the date of 1 502 is to be affigned to "The Nut-brown Maid," and inclines to 1 52 1 as a nearer date of publication, although the ballad was written about the earlier date mentioned. He fays in continuation, "Mr. Barnett Smith might call his the oldeft printed ballad, with title-page and date, iffued as a book, and not as a portion of a book, even if Arnold's 'Chronicle' is faid to have been printed before 1521. But what of the 'Gefte of Robin Hood,' Edinburgh, 1508?" Profeffor Skeat, however, in a fubfequent communication (No. 2793, May 7, p. 623) completely demolifhes this affertion by fhowing that there are two old editions of Arnold's " Chronicle," one printed in 150Z, and the other in 1 521, and fuggefts the date of the writing of " The Nut-brown Maid" as " about 1500, but that is the very lateft date that can be reafonably accepted." To this Mr. A. Williams acquiefces in the following No. 2974. May 14, p 654. 6 A BALLADE OF andwarp, for the coftis of ther marchaundicis brought to the faid towne and leauing thens." Immediately before the poem is " Brokers to pay for a cloth under xl.s. the broker ihal haue ij.gy. Item for a cloth aboue xl.s. the broker hath iiij.gy. Item C. ellis cotton cloth payth lykea clothe iiij.gy- &c" and immediately after it the book continues the even, bufinefs-like tenour of its way, and dilates upon " The rekenyng to bey waris in flaundres." The date of 1 502 or 1 503 has been afcribed to the " Chronicle ", folely for the reafon that the laft fherifFs in the com- piler's lift, in the firft edition, are Henry Keble and Nicolas Nynes, in the 18th year of King Henry VIII., viz., 1502. This date may or may not be rightly afcribed, and need only be queftioned if the title of the poem of the " Nut-brown Maid " to be confidered a ballad ftands good. What is a ballad ? or rather what was a ballad ? for we all know its prefent meaning. Chaucer and others ufed the term " balade " for a fong written in a particular rhythm, but that definition pafTed away, and it came certainly to mean a popular fong on fome warlike feat, or adventure, love or intrigue, of more or lefs extent, but ftill fhort enough to be fung, and, as I take it, to be fung by one perfon only, there being no antiphonal ballads properly fo called. But the whole of the " Nut-brown Maid " from the THE SCOTTTSSHE KTNGE. 7 twenty-fecond line (out of 180) is a metrical dialogue between the knight and the maid, and is, moreover, intended to be fo : — Line 13. "Than betwene vs, lete vs difcufle, what was all the maner 14. Be twene them too, we wyl alfo, telle all they peyne in fere 1 5 . That ftie was in, now I begynne, foo that ye me anfwere." This removes it at once out of the category of a ballad. That it has hitherto been thus defcribed is of no im- portance, and, until this "ballade of the Scottyfhe Kynge" was found, it was fcarcely worth while to remove the " Nut-brown Maid " from the poll of honour. Profeflbr Skeat and others have, neverthe- lefs, accepted this as a ballad ; and granting that the " Nut-brown Maid " thoroughly fulfils all the condi- tions of a ballad, I ftill claim the higheft honours for the " Scottyfshe Kynge," on the ground that it is inde- pendently publifhed, that it has a title and a colophon, and that it ftyles itfelf a ballad, thus leaving no doubt as to its chara6ter. It, therefore, ftands at prefent as the earlieft printed Engli(h ballad. Sk^ ^ S^p l^s f^ ^ ^^^^^ m ^S ^^S 'fm ^ ^^^^^1 f^^r w^^ M^^lyl ^!^^^»2 jMf pRs] ^^j^SpfeOjClMl Jk2^ f^ s^^A a^^felO ^^ ^g ^^g^^^lgl CHAPTER II. DESCRIPTION OF THE BALLADE OF THE SCOTTYSSHE KYNGE. HE defcription of this poem in the Britifh Mufeum Catalogue is as fol- lows : — ''James IV. King of Scotland. A ballade of the Scottyfshe Kynge (com- mencing ' Kynge Jamy, Jomy your Joye is all go ; ') on the battle of Floddon by John Skelton, B.L. Richard Fawkes. London, 15 13. 4°. Note. 4 leaves without title page or pagination. 3 1 lines to the full page. Beneath the title is a woodcut repre- fenting two Knights; and beneath the woodcut are the firft four lines of the letterprefs. This ballad was included in ' a treatyfe of the Scottes ' publifhed later among ' Certayne bokes copyled by Mayfter Skelton ' but with many variations. It is believed to be the firft printed Engliih Ballad." As far as is known this piece is unique, and its A BALLADE OF THE SCOTTYSSHE KTNGE. 9 hiftory is fomewhat romantic. On opening the book is found the pen-and-ink note : — "'A ballade of the Scottyfshe Kynge.' This formed the infide of the wooden cover of an old folio volume belonging to Mifs Chafyn Grove of Zeals Houfe, Bath. The old book, with a great many more, had lain for years on the floor of a garret in a farm houfe at Whaddon, co. Dorfet (now Mifs Grove's), and both farm houfe and hbrary had come to her by family defcent, from Mr. Bullen Reynes of CO. Dorfet. "J. E. Jackfon, " Leigh Delamere, " Chippenham, " Hon, Canon of Briftol. "Nov. 9, 1878." This authentication is, however, fomewhat meagre, and it is a pity that Canon Jackfon did not enter more fully into the details of its difcovery. It was found, as defcribed, in the cover of the French romance of " Huon of Bordeaux," printed at Paris by Michel le Noir in 15 13, which was bound in oak after its arrival in England. Not the leaft remarkable cir- cumftance connefted with its finding, was that in the other fide cover of the book, were two leaves of a very fcarce tradl on Floddon Field, " The trewe en- countre or . . Batayle lately don betwene Englade and: Scotlande. In whiche batayle the . Scottfshe lo A BALLADE OF Kynge was flayne" and known to be printed by Richard Faques.' This gave an opportunity of com- paring the type and printing of the ballad and profe narrative, and proved that both were the work of Faques, who, indeed, printed at leaft one other book of Skelton's.* In this I moft fully concur, having had ' " Richard Fawkes, Faques, or Fakes, is thought by Bagford in his MS. Memoranda, to have been a foreigner, and to have printed in the Monaftery of Syon, wrhile one Myghel Fawkes printed in conjundlion, with Robert Copland in 1535. There is greater probability in the fuppofition that Fawkes was a relation of William Faques the king's printer (who printed from 1 499 to 1 508). Few of his books exhibitthe fame fkilfulnefs of execution as do thofe of this latter printer. ' However that be (adds Her- bert), Mr Thomas Wilfon of Leeds in Yorkfhire, in a letter to Mr. Ames, dated April z, ,1751, informed him that Richard Fawkes, printer, was fecond fon of John Fawkes of Farnley Hall, Efqre, in the faid County ; and that in a pedigree he has, of that family, he is called Printer of London.' There is a loofe MS. note in Herbert's ' Memoranda Books ' that Wyer was fervant to Fawkes ; but I have never difcovered a volume in which fuch teftimony appears Time has fpared very few of his publi- cations, and his books may be treafured among the rarities of the typographical art." — " Typographical Antiquities," &c., by the Rev. Thomas Frognall Dibdin, vol. iii., p. 355, ed. 18 16. ' " Skelton's Garlande or Chapeletof Laurell," 1523. Quarto. " A ryght delegable tratyfe vpon a goodly Garlande or Chape- let of Laurell by mayfter Skelton Poete laureat ftudyoufly dyuyfed at Sheryfhotton Caftell. In f forefte of galtres/ wherein ar c6- pryfyde many & dyuers folacyons & ryghte pregnant alleflyves of fyngular pleafure/ as more at large it doth apere in y" pees folowrynge " " C Inpryntyd by me Rycharde faukes dwellydg in dura rent THE SCOTTTSSHE KTNGE. ii an opportunity of comparing them. It feems, how- ever, that this fortunate difcovery was to be full of furprifes, for thefe two leaves were the very ones wanting to complete the copy of this trad in the library of S. Chriftie Miller, Efq., of Craigentinny, and Britwell, Bucks. The Ballad would, in all pro- bability have remained ftill longer unknown to the general public, as it was somewhat hidden ; being catalogued, as we have feen, under the heading "James IV. King of Scotland" — had it not been kindly pointed out to me by Mr. Anderfon of the Britifh Mufeum, who knew my fondnefs for ancient ballad literature. The ballad, although not dated, carries with it in- ternal evidence of its date. Indeed, Skelton was in fuch hafte to fing his paean, that he evidently afted on the firft (and incorredt) verfion of the vidlory. It is probable that he did not know of the death of King James ; at any rate, he fpeaks of him all through as living as a prifoner at Norham : — " For to the Caftell of Norham I vnderftonde to foone ye cam. For a pryfoner there now ye be Eyther to the devyll or the trinitie," er els in Powlis chyrche yarde at the fygne of the j!3!,t0.CX» The yere of our lorde god. ^,€€ctournel)xofece j^otopepiotie fco((ed ofgelaVoape. iFoxpourkpnaemap (^^ngefoelatoape ^otomuttpe knotoe our kpnjge fotpoutregent/ pout Coucrapnc lorDe ant) p^e Cetient^ jn l)pmi0 fiauret) melcbifeoecbe/ %tSi pe be tieiolate ao armeUcl^c i^e ia our noble cljamppon. 3 hpngeanopntfo an"Ope benon Cbmtipoujrcounfe^lepaurfatiertoaJsClapue foberfoie 31 fere pe topll (uffrepapne/ Snl>pep:ioul)e fcottesoEtJunbar garl)epebel)i8l)omagcrv ^ntj lutera to bia parlpment/ petjplienotpourbetotptberm. lUperfotepeTOapit notorepent werepourfelfe Combjbatto boltie/ CberfoAe pehaueloCtpourcopboiTje, THE SCOTTYSSHE KYNGE. 9S pebe bountje tenaunteatoljiscrtate, dSpue^VoTotgamcpcplape cbcfemate. Sox to tt)e caCtell oCnox^atn 31 l)nDeicftonl>eto foontpc cam# jTojaprpConer tljeve nott) ^c be ifpttjerto tbetjeupU oitl)etnmte. CljanUttJ be Capnte.XKoxse out latJ^esUttf fl)^ four pipij 10 paCle aTitoegoot> tiptl)t. pebauc DetermtneTi to mafec afra^e flDur b^nge tban bepnge outof tl)e toa^e 23ut bp tljepotoer ani» mpftbt of go^ ^e tocrc bftcn toe tb pour otone tot) a3p pour ttjanton topll fpr at att)o:{jbc jjebaueloftefpoifg/cote armute/anb (tooabe fcbai bft better to bauebutfeeb tobimtepbabC0/ Cbanin fingionbe topiape onp (Ucb^pxanfecs ^utpe bab fomc hjpU fcbc to fotoe^ •Eberfo^epebelapuewoto full lobe/ pour potoer cout>e no icnger attapne toarretoub out bpngt to tncpntape. jgDf tbeRpnge of nauernef emap taUcb^be/ i^otoUnfoitunatelpbebotbnotofpebe/ 3In trouble toeiiea note bcbootbb«me. Cbat is aupnge toitou areaime %t brmeramplepe toolDe nonctai^e. ^3;perpence ijatb btougbt poum tbe Came biafee iDCtbeout^Jlea perougb fotcb fcottc^/ toe bal^e toell eaCeb pou of tbe bottca perotDCranfeeftottfaanbbaofeenbanca ^f our engip (Tbe bo wea pe baue fttt e pour bancs. 3|ti0notfpttpngemtournox totone/ 96 A BALLADE OF THE SCOTTTSSHE KTNGE. Ct)atttf bie erif tije tobpce Ipon. jl^ia Cone tl)e lotDe aumprall tafuu sood. I^id rmerdet}atl) batt)et) tn djefcotteablolie d^oD CauefepnQe.l^mTj'anD bts loiDcsaU anb Cenbe tbe frenCftje kynge (ucbean otbet fall/ jnb sob Caue noble* ^fepnge/ifj^nr;?/ Cbe.tjn;, '«