BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF Henrg HI. Sage 1891 ft.iq.06n ^oS/£ Corneil University Library PS 1939.H83E7 Essays and a drama in five acts / 3 1924 022 251 825 The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31 924022251 825 ESSAYS: A DRAMA IN PIYE ACTS BY eV^G. HOLLAND, ADTHOB OF HEVIEW3 AND ESSAYS. BOSTON: PHILLIPS, SAMPSON, AND COMPANr. 1852. K%'^^1(o7 Entered according to Act of Congress, in the year 1852, by ' " E. G. Holland, ' in the Clerk's Office of the District Court of the District of Massachusetts BOSTON : PEISTED BT DlUKBLL & MOOBS, 16 Deyonsluie Street. INTRODUCTOEY. Man, like the e»irtli, is two hemiapheres, and bears two relations with which he cannot trifle except at the greatest cost. These are his relations with things finite and infinite, with things particular and universal. Either of these, neglected, gives rise^ to inharmonious strength. The soul cannot expand into godlike greatness ■without the presence of the latter ele- ment ;, nor can it deal efficiently with definite causes and results with the former. He who has lived and thought on more than one side of existence is both a materialist and a spiritualist. From the very constitution of things, Common Sense and even Sagacity are as essential as Faith. In the local and the Tparticular, the universal is revealed. In each stone, leaf, and water-drop, laws are involved that hold good millions of leagues distant. In the neglect of particulars, men physically perish, nor is there a calling or a victory whose sub- limity is not obliged to own the worth of detail. In human nature, as in space, there is an earth of practical reality, and over it the soft blue firmament of powers-, which suggest and reveal the illimitable and the infinite ; and between these two, a similar harmony is intended. Ideas may be justly considered IV INTRODUCTORY. the victors in all great struggles. But wBat mighty revolutions are there unaided by material effort and agency ? These it is difficult to find. Hungary knows this, America knows this. The eye takes in from the immensity of light enough to dilate its pupil and to realize vision. The lungs cannot inhale the whole aerial sea. For definite ends we draw certain quan- tities from the Ocean. So we practically deal with the illimita- ble. We take of ethics, and of ideas, as our needs require, whilst in the feeling and apprehension of the boundless, unap- propriated whole, we may permit ourselves the large dilation of faith which its greatness ought to inspire. We should learn to limit ourselves ; for the tree is noblest whose branches are not myriads, but whose juices flow into a limited number. Perhaps as yet we have not learned how to estimate the various services of that eternally faithful servant we call Nature, who, in waiting upon us, never grows weary or unskilful. As Americans, around whom Nature unfolds on so grand a scale, and in whose retro- spect a gigantic history has already developed its first acts, we do well to entertain this question. And for reasons purely intrinsic and cosmopolitan, would we revere alike the vastness belonging to abstract truth and the glory due to affi individual achievement. ^. Gf. H. CONTENTS. ESSAYS. Page. Nature, 1 American Sceneky, ■ • ■ • 23 The Central Nation, 77 Mystery, 107 Language, • 143 Symbolism, 179 Inspiration, 209 "'^"'' DRAMA. Remarks, • • 243 The Highland Treason, 247 Notes and Kefleotions, 398 ESSAYS. NATUEE. "Rise, my soul, that I may pour thee forth on the pencil of that Supreme Artist, •who compromised in a turn of His compass all this wonderful scenery." — Hahz. Reverence discovers, that in Nature, the- Godhead and the Godheart are amply pictured. The domain of the visible, whilst it conservatively veils the glory of the Infinite, as the atmosphere tempers the sun's rays, also serves as living expression, as the significant counte- nance, -word, deed, smile, and frown of the Being who displays Himself in these manifold creations. This is the primary view under which nature ever addresses the religious sentiment. Philosophical perception also sees that the soul, which forms our subjective self, is fully wrought out in the laws, forms, operations and phenomena of Nature. The vast Artist has drawn the likeness of the true man, and it would seem that He had drawn it colossally, unless we take into account the manifoldness of the capacity, and the inconceivable greatness of the final possibility belonging to the human original ; a view to which, seems to have guided the sculpturing hand 1 2 NATURE. that creates in the visible realm. We need not be too anxious to separate between the Soul and the higher Divinity, when we speak of the symbol-representation which the material creation offers ; since the same order of powers exists in each, and since reverence will never fail to own the presence of God as the basis of all things, whilst, to philosophical contemplation, the universe will appear as hailing from Man as its centre. These two views, which probably had better be sentiments than reflections, are perhaps the highest through which Nature is enjoyed. The Maker takes immensity for his field, and puts the same lessons into the finite and the infi- nite, into the general and the particular. To look at Nature as a divine edition opened before the senses, of the meaning that lies in the mind and heart, is to bring her intimately near ; is to find the marriage law which unites creation to man ; a union which, though to thousands never occurring in the form of reflection, is, nevertheless, needful to the deepest and holiest sat- isfactions of the Soul. What bottoms the frequent com- plaint that nature is distant, is cold, is despotic ? What makes her stem and distant ? She is so only to the view that isolates her — that discovers not the loving bond which relates her to the heart. Be true, be just, be heroic, be love, and nature in the main shall be your likenesss. When the artist has well drawn a noble original, will the honored one complain that the picture is despotic and unkindly reserved ? Are flowers and insect songs, forests, and rising suns, cold and indif- ferent teachers ? Do the rush of light, aiid the all- pervading life of nature, ever seem despotic ? Law, DISTANCE AND RESERVE OE NATURE, 3 you say, is inflexible. Well, goodness will have it so. There must be something inflexible, or there is an end to confidence. But the inflexibility of nature, whilst it amounts to a sublime firmness, is itself woven into a system of beauty ; and its operations, whether in the successions of time, as day, night, and seasons, or in the achievements of gravitation, are attended by grace. The stars, through the silent night hour, it is true, behold us in reserve and mystery ; no more so, in- deed, than is needful to touch, as by invisible fingers, the latent feeling of reverence. Yet through this chaste reserve does there not gleam a celestial friend- ship, a serene love from afar, that wisely withholds the familiar declaration ? Nature holds the true key of social power, and easily enters the recesses and hidden depths of the soul, when scholars, authors, divines, and even acknowledged friends, are, as by necessity, debarred. She is to us the perfect symbol in which freedom and reserve are justly blended ; and before we demand a teaching, which, as respects social freedom, shall be untrue to the symbol before us, it may be well to ask whether we are not craving a familiarity which, in the end, will breed contempt, Messiahs come not to fondle us, but to inspire together the reverence and the love, which is evermore the impression and the influence of the symbol that never decays. We do not lastingly admire the friend who is careful to shew, at the close of every transaction, that his con- duct has flown from especial regard ; nor do we dislike it that in the character of our associate we discover unconquered territory stretching away in the distance, 4 NATURB. on whose heights we may quietly gaze, and whose even plains shall sometimes suggest the feeling of fairy-land. Nature is not too stoical, on the one hand, nor does she fling around our neck the familiar arm, and utter words that awaken the vanities. Her friendship is high-toned ; her love is rich in the grandeur and greatness of ever- lasting sentiment — of the ceaseless heart. Nature a stoic ? The storm denies this charge. So do the tropics, the seas, the groves, and the gales of the south. Did the lover ever complain of her despotism ? Did the hale saint ever weep over ker unwillingness or inability to echo the holiest sentiments of his breast ? Has the poet found her the inflexible, the indifferent empress ? Has the prophet found her lifeless and uninspiring ? They have eaten her meat, inhaled her air, drank her rivers ; and in the blood of their life-veins may be traced the diet she has given them. If nature is rigidly oppressive, or stoically foreign to any minds, it must be to such as do not recognize her mission, and fail to per- ceive that she is and rejoices to be humanity's likeness. She has not been known sufficiently by the eye of analogy ; nor is it remembered that among her num- berless phenomena, there are, in becoming proportion, the simplicities as well as the more reverent grandeurs. When a battle is fought on a hill or a plain ; when the river side, or the bower is hallowed by the meeting and vows of distinguished lovers ; when pilgrims land upon a rock, and afterward leave a heroic history, nature, which has unconsciously witnessed these events, becomes newly signiflcant, and over men magnetic, because of the near relation these parts of nature sustain to man. A FEELING OF CORRESPONDENCE. 5 What were Thennopylae, Salamis, Platea, "Waterloo, and Bunker Hill, more than other neglected spots, but for this connexion with man in his heroic struggles ? We have succeeded in bringing localities into union with ourselves ; but not sufficiently yet has the universe seemed as ours, as related by sacred ties and affinities, as being our own mysterious spirit, thrown out in mag- nificent symbol. Never shall mankind feel the divine welcome of Nature, and be at home amidst her myste- ries, laws, and immensities, until they have learned to behold the creation in the light of this truth. Yet it is due to the latent wisdom of human con- sciousness — which has also been strikingly expressed in all the stages of life, in childhood, youth, and manhood, as likewise through the different stages of the world's culture — to say that mankind instinctively recognize a beautiful connexion of correspondence between facts of the outward world and of the inward life. The oldest writings are eloquent with its figures. All poetry, all eloquence is lighted up by its beauty. The denial of this capacity is to ignore the origin of language, as an expression of life and mind ; and, since man himself is, by nature, the illustration of the universe, combining, as he does, a material and a spiritual world in the unity of his own constitutional being, in which the facts of the former are expressive of the facts of the latter, would it not be strange that he should have lived forever with- out some presentiment of this universal truth. Man has a presentiment of other great truths : of a Divine Presence ; of Immortal life. Why not, also, of this, since it is laid in his very being ? Why not, since the 6 NATURE. universe is built upon it ? We only complain that these perceptions are darkened by excess of sensuality ; and we would add to the presentiment the great truth, in the form of idea, that man has but one true and complete biography, which is the symbol-history of all nature. There are two other general views to be taken of nature, the first of which teaches the great subjective truth, that the soul sheds its own ideal radiance, or gloom, over the world — baptising earth and heaven in its own glory, as sunsets often do the clouds and hill- tops. This apparently transcendental vision of nature is practical enough, we are sure, since it leaves all men to feel that nature to them is dependent on their quality. The soul richly invests nature with itself, and is happy to see its own attributes enthroned in the stars, em- bosomed in the repose of the earth, and stirring in the manifold energies of the creation. Nature so grace- fully returns us to ourselves, so eloquently gives us back what is best in our consciousness, that we arise with a pleasure like that we experience under the orator who has given our own unspoken thoughts and feelings the perfect utterance. Why am I pleased with the Swedish songstress ? Because she knows how to articu- late the primitive eternal music latent in my breast — a music unknown, perhaps, to the gamuts, and cer- tainly one I know not how to signify to others. Why enchanted by nature ? Because she knows the won- derful art of singing the heart's eternal music ; of declaring its beauty, its sublimity, its love, its reverence, its infinity. We arise from her eloquence satisfied, for she tells us all. If we might unravel the last thread of NATURE INDEPENDENT. 7 her meaning, a thing unattainable here, it would shew the most hidden mystery of man. But this view, rightly poised in the balancing of truth, never nullifies nature, nor dethrones her independence, as an outward fact. She declines to sink herself in humanity, but sublimely stands out, a royal objective, asking no permission of man either to he this, or to do that. She wears the princely diadem ; and in all her serving there is nothing servile. She challenges rev- erence by her distance, and love by her freedom and sympathy. The reason why the soul sheds itself upon nature, is because it is charmed out by the invitations and correspondences of the symbol. It is proper then to regard nature as an independ- ence, as having a voice of her own. Particularly does this conclusion weigh when nature accuses us. I sup- pose that persons becoming false to conscious Right feel a breach of the accustomed amity between them- selves and nature. The sweet hymn of the bird, and the innocent gurgle of the brook seem to accuse. It is true that from high regions of the inward life the same voices are heard, and the same accusations de- scend, so that in this regard, the purity of nature only seconds, as it were, the purity of conscience ; but the teaching strikes us as independent when the pure heav- ens admonish our uncleanness. Will, in chiselling out character, has done its work • so viciously that nature refuses to accept its labors as belonging to the circle of her fellowship ; and it happens as by necessity that the same nature which is the symbol of the true man shall also accuse the false. The same light that throws 8 NATURE. upon the wall the shade of an Apollo or a Venus, as truly reflects a cripple or a dwarf, provided he inter- cepts the rays. Nature comes to us from a higher position than the one we usually occupy, and therefore her mission to teach, to accuse, to encourage and to elevate is fully vindicated. Berkley reduced nature to ideas, which are, we will say, the riches of the empire ; yet it is insanity to deny the reality of the forms. The Gibralter rock and the Cheops pyramid are quite stationary thoughts ! A little strange, is it not, that all travellers should meet them in the same points of the terrestrial space, since ideas are such racy itinerants ? Perhaps we can do no better than to stamp upon the earth and say, '^ITere, my dear etherialists, is solid ground. It grows wheat and it pastures cows. In the hill yonder is compactest granite. In God and humanity there are stern pur- poses, and solid truth ; and, if you like, we will see them pictured in the severe grandeurs, and in the time- defying minerals ; but whilst the dearest correspondence relates the whole panorama of the universe with the whole of the human spirit, let each have its basis with- out being at the mercy of the other. Orion is yonder in celestial equipage ; Niagara roars in but one river ; the Alps are in Switzerland ; and for one I hope for good rooms in the Asylum when these shall be to me only the thrown-off phantoms of my own brain, as when the maniac sees the clash of artillery in the air." Nature, in coming from the divine Heart, as its mes- senger, was charged with the loftiest mission — the pro- duction of Character. For this she pours her Beauty NATURE ENJOYED THROUGH SCIENCE. 9 and her Fragrance ; for this she displays her Sublimity and even physical blessing ; for this she arouses us by her Power ; for this her Ethics and her Religion are forever unfolded ; for this she baffles and defeats us. Nature has three eminent qualifications for this minis- try we cannot omit to notice. The first is the Inex- haustibility and the Original Freshness of her Truths. The second is the Adaptation she bears to the Mind, being able to strike every choi'd in the wonderfully strung harp ; and the third resides in that unfragmentary and entire Completeness which originates the ideal of a balanced character. Look we into the radiant Cosmos, and what do we see ? We meet a balance of forces, a joy-dance of revolving worlds, of flowing suns, and everywhere a harmony of antagonisms. The intellect draws vigor and enjoyment from nature by subjecting it to ThougM and to Scientific Analysis. Science has purified the natural world, or rather the mind that beheld it, from the superstitions that clouded its agencies ; and though the marvellous legend, and the supernal visitation have usually enriched the scene- ry of the world in the way of association, the deeper pleasure of the intellect is fed by the science attained, whilst the solid rehance on the unlimited triumph of order and law, on the inviolate union of cause and effect, in all the possible extent of natural phenomena, contributes most to the enjoyment of the material world ; for the pleasures that accompany abiding truths are perpetual, and of a high order. As a basis for the intellectual enjoyment of nature, the idea and feeling of a universe needs be established ; a universe of ade- 10 NATURE. quate causes and legitimate effects, one