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CORNELL 
 
 UNIVERSITY 
 
 LIBRARY 
 
 Fine Arts 
 
 THE 
 
 BROWN-PENNELL 
 
 COLLECTION 
 
 GIFT OF 
 RALPH M. BROWN, '01 
 
 IN MEMORY 
 
 OF HIS MOTHER 
 
 ANNA MELIUS BROWN 
 
 1941 
 
"lHiIiiiiiiiiMlii^^.!?f'*'°" °' "^^ "orl's Of the 
 
 3 1924 014 879 914 
 
The original of tiiis book is in 
 tine Cornell University Library. 
 
 There are no known copyright restrictions in 
 the United States on the use of the text. 
 
 http://www.archive.org/details/cu31924014879914 
 
PAINTINGS, DRAIVINGS 
 
 ETCHINGS & LITliOGRAPHS 
 
 Memorial exhibition of the if'ORKS 
 
 OF J. MCNEILL JTHISTLER, ORGANIZED 
 
 Br THE INTERNATIONAL SOCIETT Ot 
 
 SCULPTORS, PAINTERS jNTt GRAl^ERS 
 
 LONDON rgos 
 
CATALOGUE OF 
 
 PAINTINGS, DRAWINGS, ETCHINGS 
 
 AND 
 
 LITHOGRAPHS 
 
THE INTERNATIONAL SOCIETY 
 
 OF 
 
 SCULPTORS, PAINTERS & GRAVERS 
 
 MEMORIAL EXHIBITION OF THE 
 pyORKS OF THE LATE J. McNEILL WHISTLER, FIRST 
 PRESIDENT OF THE INTERNATIONAL SOCIETY OF 
 SCULPTORS, PAINTERS, AND GRADERS, IN THE NEW 
 GALLERY, REGENT STREET, LONDON, FROM THE 
 TWENTY-SECOND OF FEBRUARY TO THE THIRTY-FIRS^ 
 OF MARCH igoj. HELD UNDER THE AUSPICES OF THE 
 SOCIETY. 
 
 PRINTED FOR THE SOCIETY AT THE 
 BALLANTYNE PRESS, LONDON 
 
 AND PUBLISHED BY WILLIAM HEINEMANN FOR THE 
 INTERNATIONAL SOCIETY OF SCULPTORS, PAINTERS, 
 AND GRA VERS, A T THE NEIVGALLERY, REGENT STREET, 
 FEBRUARY AND MARCH rgqs 
 
FIFTH EDITION 
 
 Entered at Statr'mers' Hall 
 
JAMES McNeill whistler 
 
 1S34—1903 
 
 Officer of the Legion of Honour ; Member of the 
 Societe Nationak des Beaux-Arts ; Hon. Member, 
 of the Royal Academy of St. Luke, Rome ; Com- 
 mander of the Order of the Crown of Italy ; 
 Hon. Member of Royal Academy of Bavaria; 
 ChevaRer of the Order of St. Michael; Hon. 
 Member of the Royal Academy of Dresden ; Hon. 
 Member of the Royal Scottish Academy; LL.D. 
 of Glasgow University 
 
THE INTERNATIONAL SOCIETY 
 
 OF 
 
 SCULPTORS, PAINTERS & GRAVERS 
 
 THE COUNCIL 
 
 AuGUSTE Rodin, President 
 
 John Lavery, Vice-President 
 
 T. Stirling Lee, Honorary Secretary 
 
 William Webb, Honorary Solicitor and Treasurer 
 
 J. Crawhall 
 
 Francis Howard 
 
 a. ludovici 
 
 A. Neven du Mont 
 '/Joseph Pennell 
 
 Bertram Priestman 
 
 Prof. G. Sauter 
 . C. H. Shannon 
 
 Edmund J. Sullivan 
 
 Fritz Thaulow 
 
 E. A. Walton 
 
 H. Wilson 
 
 ACTING SECRETARY 
 Dr. C. Bakker 
 
EXECUTIVE COMMITTEE 
 
 FOR THE WHISTLER MEMORIAL EXHIBITION 
 APPOINTED BY THE COUNCIL 
 
 John Lavery 
 A. LuDOvici 
 • Joseph Pennell 
 Professor G. Sauter 
 
 D. C. Thomson 
 
 E. A. Walton 
 Harry Wilson 
 
 CATALOGUE COMMITTEE 
 
 John Lavery 
 A. LuDOvici 
 Joseph Pennell 
 
HONORJRT COMMITTEE 
 
 H.R.H. Prince Eugene of Sweden and Norway 
 
 His Excellency Monsieur Paul Cambon, Ambassador 
 
 of the French Republic 
 His Excellency Joseph H. Choate, Ambassador of 
 
 the United States of America 
 His Excellency Monsieur M. Chaumie, Minister of 
 
 Public Instruction and Fine Arts in France 
 His Excellency Signor E.Orlando, Minister of Public 
 
 Instruction in Italy 
 W. C. Alexander, Esq. 
 J. W. Beatty, Esq., Director of the Carnegie Institute, 
 
 Pittsburg 
 Monsieur L. Benedite, Director of the Luxembourg, 
 
 Paris 
 Monsieur A. Besnard 
 Monsieur J. E. Blanche 
 
 Dr. William Bode, Director of the Berlin Museum 
 Dr. a. Bredius, Director of the Hague Gallery 
 Monsieur Eugene CARRiiiRE 
 Sir C. Purdon Clarke, Director of the Victoria and 
 
 Albert Museum, South Kensington 
 Professor Sidney Colvin, Keeper of the Print Room, 
 
 British Museum 
 Edmund Davis, Esq. 
 The Earl of Donoughmore 
 Hon. George A. Drummond 
 Monsieur Theodore Duret 
 
 W. M. R. French, Esq., Director of the Chicago Insti- 
 tute of the Fine Arts 
 
Walter Gay, Esq. 
 
 The Marquis of Granby 
 
 Sir James Guthrie, P.R.S.A. 
 
 Luke Ionides, Esq. 
 
 Sir Henry Irving 
 
 Professor H. C. IVes, Director of the St. Louis Museum 
 
 of Fine Arts 
 The Earl of Lytton 
 Howard Mansfield, Esq. 
 
 Monsieur H. Marcel, Director of Fine Arts in France 
 Sir J. Stirling Maxwell, Bart. 
 Harrison Morris, Esq., Director of the Pennsylvania 
 
 Academy of Fine Arts 
 J. J. Paton, Esq., Glasgow Corporation Gallery 
 Sir Francis Powell, P.R.S.W. 
 J. S. Sargent, R.A. 
 The Very Rev. R. Herbert Story, Principal of Glasgow 
 
 University 
 Mrs. Charles Thynne 
 Dr. Von Tschudi, Director of the National Gallery, 
 
 Berlin 
 The Marquis of Tullibardine. 
 Samuel Dennis Warren, Esq., President of the Boston 
 
 Museum of Fine Arts 
 The Lord Windsor 
 Mrs. William McNeill Whistler 
 
CENTRAL HALL 
 
 A COLLECTION OF ETCHINGS BY THE LATE 
 
 J. McNeill pthistler, lent bt his 
 
 MAJES!Tr THE KING, FROM THE ROYAL 
 LIBRARY, WINDSOR CASTLE, AND THE 
 PRIf^ATE APARTMENTS OF H.R.H. THE 
 PRINCESS VICTORIA, AND A BUST OF 
 WHISTLER BY SIR J. E. BOEHM, LENT BY 
 H.R.H. THE PRINCESS LOUISE, DUCHESS OF 
 ARGYLL, FROM l!;;ENSINgTON PALACE 
 
THE SMALL LETTER " W AFTER THE TITLE DENOTES 
 THE NUMBER IN MR. WEDMORE'S CATALOGUE OF 
 whistler's etchings. " S " REFERS TO THE SUP- 
 PLEMENT TO WEDMORE'S CATALOGUE COMPILED 
 BY "an amateur" 
 
 1 Liverdun 
 
 2 La R6tameuse 
 
 3 En Plein Soleil 
 
 4 The Unsafe Tenement 
 
 5 The Dog on the Kennel 
 
 6 La Mfere Gerard 
 
 7 Street at Saveme 
 
 8 Little Arthur 
 
 9 La VieiUe aux Loques 
 
 10 Annie 
 
 1 1 La Marchande de Moutarde 
 
 1 2 The Eag Gatherers 
 
 13 Fumette 
 
 14 The Kitchen 
 
 15 The Title to the French Set 
 
 16 A Little Boy 
 
 17 Seymour 
 
 18 Annie Seated 
 
 19 Beading by Lamplight 
 
 20 The Music Eoom 
 
 2 1 Soupe k trois sous 
 
 22 Bibi Valentin 
 
 13 
 
 w 
 
 ■4 
 
 w 
 
 s 
 
 ■ffl 
 
 6 
 
 w 7 
 
 w8 
 
 w 9 
 
 w 
 
 II 
 
 w 
 
 13 
 
 w 
 
 14 
 
 w 
 
 IS 
 
 w 
 
 16 
 
 w 
 
 17 
 
 w 
 
 18 
 
 w 
 
 19 
 
 w 
 
 20 
 
 w 
 
 22 
 
 w 
 
 23 
 
 w 
 
 24 
 
 w 
 
 25 
 
 w 26 
 
 w 
 
 27 
 
 w 
 
 28 
 
23 Beading in Bed 
 
 w 29 
 
 24 Bibi Lalouette 
 
 w 30 
 
 25 Greenwich Pensioner 
 
 w 32 
 
 26 Greenwich Park 
 
 w 33 
 
 27 Nursemaid and Child 
 
 w 34 
 
 28 Thames Warehouses from Thames Tunnel 
 
 
 Pier 
 
 W3S 
 
 29 Westminster Bridge 
 
 w 36 
 
 30 Limehouse 
 
 W37 
 
 31 Tyzac, Whiteley and Co. 
 
 W39 
 
 32 Black Lion Wharf 
 
 w 40 
 
 33 The Pool 
 
 w 41 
 
 34 The Thames Police 
 
 w 42 
 
 35 Long-Shore Men 
 
 W43 
 
 36 The Lime-Burner 
 
 W44 
 
 37 Billingsgate 
 
 W45 
 
 38 The Landscape with the Horse 
 
 w 46 
 
 39 Becquet 
 
 W48 
 
 40 Finette 
 
 w 54 
 
 41 Paris, Isle da la Cit6 
 
 WSS 
 
 42 Annie Haden 
 
 WS7 
 
 43 Eotherhithe 
 
 w 60 
 
 44 The Forge 
 
 w 63 
 
 45 Vauxhall Bridge 
 
 w 66 
 
 46 Millbank 
 
 w 67 
 
 47 The Little Wapping 
 
 w 71 
 
 48 The Little Pool 
 
 w 72 
 
 49 Encamping 
 
 W7S 
 
 50 The Storm 
 
 w 77 
 
 14 
 
 
51 Little Smithfield 
 
 52 Oadogan Pier 
 
 53 Old Hungerford Bridge 
 
 54 Chelsea Wharf 
 
 55 "Weary 
 
 56 Chelsea Bridge and Church 
 
 57 Speke Hall 
 
 58 The Model Resting {from E.E.H. the 
 
 Princess Victoria's Apartments) 
 
 59 Swan Brewery 
 
 60 Fanny Leyland 
 
 61 Elinor Leyland 
 
 62 Florence Leyland 
 
 63 Tatting 
 
 64 The Boy 
 
 65 A Child on a Couch 
 
 66 Steamboats off the Towbv {from H.R.H. 
 
 the Princess Victoria's Apartments) 
 
 67 The Little Forge 
 
 68 The Piano 
 
 69 The Dam Wood 
 
 70 Shipbuilder's Yard 
 
 71 The Guitar Player {from ff.E.H. the 
 
 Princess Victoria's Apartments) 
 
 72 London Bridge 
 
 73 Price's Candle Works 
 
 74 Battersea : Dawn {from H.R.H. the Prin- 
 
 cess Victoria's Apartments) 
 
 75 The Muff 
 
 IS 
 
 w 78 
 
 w 79 
 
 w 80 
 
 w 81 
 
 W83 
 
 w8s 
 
 w86 
 
 w 87 
 
 w 89 
 
 W94 
 
 W9S 
 
 w 96 
 
 w 98 
 
 w 109 
 
 W 112 
 
 w 114 
 
 w 115 
 
 w 1x7 
 
 w 120 
 
 W 121 
 
 W 122 
 
 w 123 
 
 w 124 
 
 w 125 
 
 W T26 
 
76 A Sketch from Billingsgate 
 
 77 Fishing Boats, Hastings 
 
 78 Wych Street 
 
 79 Temple Bar 
 
 80 Free Trade Wharf 
 
 81 The Thames toward Erith {from H.R.E. 
 
 the Princess Victoria's Apartments) 
 
 82 Lindsay Houses do. 
 
 83 From Pickled Herring Stairs 
 
 84 Lord Wolseley 
 
 85 St. James's Street 
 
 86 The Large Pool 
 
 87 The Adam and Eve, Old Chelsea 
 
 88 Putney Bridge 
 
 89 The Little Putney {frcmi H.R.E. the 
 
 Frincess Victoria's Apartments) 
 
 90 Hurlingham do. 
 
 91 Fulham do. 
 
 THE REMAINING NUMBERS OF THIS COLLECTION 
 ARE IN THE BALCONY 
 
 92 The Little Venice w 149 
 
 93 Nocturne w 150 
 
 94 The Little Mast w 151 
 
 95 The Little Lagoon w 152 
 
 96 The Palaces ''^ iS3 
 
 97 The Doorway 'w 154 
 
 98 The Piazzetta w i55 
 
 99 The Traghetto W 156 
 
 16 
 
 w 
 
 130 
 
 w 
 
 131 
 
 w 
 
 132 
 
 w 
 
 133 
 
 w 
 
 134 
 
 w 
 
 13s 
 
 w 
 
 136 
 
 w 
 
 137 
 
 w 
 
 138 
 
 w 
 
 140 
 
 w 
 
 143 
 
 w 
 
 144 
 
 w 
 
 I4S 
 
 w 
 
 146 
 
 w 
 
 147 
 
 w 
 
 148 
 
100 The Eiva w 157 
 
 1 01 The Two Doorways w 158 
 
 102 The Beggars w 159 
 
 103 The Mast w 160 
 
 104 Doorway and Vine w 161 
 
 105 San Biagio w 163 
 
 106 Noctiirne Palaces w 168 
 
 107 Long Lagoon W 169 
 
 108 The Bridge W 171 
 
 109 Upright Venice w 172 
 no The Riva, No. 2 w 175 
 
 111 The Balcony w 1 7 7 
 
 112 The Fishing Boat w 178 
 1x3 Garden w 180 
 
 114 The Kialto w 181 
 
 115 Long Venice w 182 
 
 116 The Dyer w 189 
 
 117 Nocturne — Shipping w 194 
 
 118 Alderney Street w 196 
 
 119 The Smithy w 197 
 
 120 Nocturne — Salute w 199 
 
 121 Dordrecht w 200 
 
 122 Cottage Door w 204 
 
 123 The Village Sweet Shop w 205 
 
 124 The Fruit Shop w 210 
 
 125 The Steps w 213 
 
 126 Mother and OhUd w 224 
 
 127 The Barbers w 229 
 
 128 Old Clothes Exchange w 231 
 
 17 B 
 
129 Fleur de Lys Passage w 233 
 
 130 Visitors' Boat w 237 
 
 131 Troop Ships w 238 
 
 132 Monitors w 239 
 
 133 Southampton Docks w 240 
 
 134 Bunting w 241 
 
 135 Dipping the Flag w 242 
 
 136 The Fleet — Evening w 243 
 
 137 Return to TUbury w 244 
 
 138 Landing Stage, Oowes (incorrectly de- 
 
 scribed by Wedmore as Ryde Pier) w 245 
 
 139 Turret Ship (undescribed) 
 
 140 Windsor ("Where she lives) w 247 
 
 141 The Church, Brussels w 249 
 
 142 Square House w 261 
 
 143 Pierrot {from H.R.E. the Princess Vic- 
 
 tm'ia's Apartments) w 264 
 
 144 Long House — Dyer's — Amsterdam w 266 
 
 145 Zaandam {from H.R.H. the Princess 
 
 Victoria's Apartments) w 268 
 
 146 Speke iHall, No. 2 s 269 
 
 147 The Mill s 358 
 
 IN THE CENTRAL HALL 
 
 148 Portrait Bust of Whistler by Sir J. E. 
 
 Boehm {Lent by H.R.H, the Princess 
 Louise, Duchess of Argyll) 
 
 18 
 
NORTH ROOM 
 RIGHT HAND SIDE 
 
 A CHRONOLOGICAL COLLECTION OF 
 JAMES McNeill ffHISTLER'S 
 ETCHINGS 
 
THE NUMBERS BEFORE THE TITLES DENOTE THE 
 PRINTS SHOWN ; THOSE AFTER, THE WEDMORE 
 CATALOGUE AND SUPPLEMENT NUMBERS 
 
 Early Portrait of Whistler w i 
 
 Annie Haden w 2 
 
 The Dutchman holding the Glass w 3 
 
 4 Liverdun {See His Majesty's Collection) w 4 
 
 5 La E,6tameTise do. w 5 
 
 6 En Plein Soleil do. w 6 
 
 7 The Unsafe Tenement do. w 7 
 
 8 The Dog on the Kennel do. w 8 
 
 9 La M6re Gerard do. w 9 
 La Mfere Gdrard stooping W 10 
 
 1 1 Street in Saverne {See His Majesty's Col- 
 lection) W II 
 Gretchen at Heidelberg w 1 2 
 
 13 lAttleAxthxyx: {See His Majesty's Collection) w 13 
 
 14 La Vieille aux Loques do. w 14 
 
 15 Annie do. w 15 
 
 16 LaMarchandedeMoutarde do. w 16 
 
 17 The Rag Gatherers do. w 17 
 
 18 Fumette do. w 18 
 
 19 The Eatchen do. w 19 
 
 20 The Title to the French Set do. w 20 
 
 21 Augxiste DeMtre {Lent hy Messrs. Ernest 
 
 Brown and Phillips), destroyed proof w 2 1 
 
lesty s CoUe 
 
 •ction) yf 2 2 
 
 do. • 
 
 w 23 
 
 do. 
 
 w 24 
 
 do. 
 
 w 25 
 
 do. 
 
 w 26 
 
 do. 
 
 w 27 
 
 do. 
 
 w 28 
 
 do. 
 
 w 29 
 
 do. 
 
 w 30 
 
 23 Seymour 
 
 24 Annie Seated 
 
 25 Reading by Lamplight 
 
 26 The Music Room 
 2 7 Soupe k Trois Sous 
 
 28 Bibi Valentin 
 
 29 Reading in Bed 
 
 30 Bibi Lalouette 
 
 31 The Wine Glass {Lent hy H. S. Theobald, 
 
 Esq. w 31 
 
 32 Greenwich Pensioner {See His Majesty's 
 
 Collection) W 32 
 
 33 Greenwich Park {See His Majesty's Collec- 
 
 tion) w 33 
 
 34 Nursemaid and Child {See His Majesty's 
 
 Collection) w 34 
 
 35 Thames Warehouses from Thames Tunnel 
 
 Pier {See His Majest'i/s Collection) '^ 35 
 
 36 Westminster Bridge do. w 36 
 
 37 Limehouse do. ^ 37 
 
 38 A Wharf {Lent hy Messrs. Ernest Brown 
 
 and Phillips) W 38 
 
 39 Tyzac, Whiteley & Oo. {See His Majesty's 
 
 Collection) w 39 
 
 40 Black Lion'Wharf {See His Majesty's Col- 
 
 lection w 40 
 
 41 The Pool {See His Majesty's Collection) w 41 
 
 42 The Thames Police do. w 42 
 
43 Long-Shore Men {See His Majesty's Col- 
 
 lection) w 43 
 
 44 The Lime-Burner do. w 44 
 
 45 Billingsgate do. w 45 
 
 46 The Landscape with the Horse {See His 
 
 Majesty's Collection) w 46 
 
 Arthur Seymour w 47 
 
 48 Becquet {See His Majesty's Collection) w 48 
 
 Astruc w 49 
 
 50 Fumette Standing {Lent hy His Honour 
 
 Sir J. C. Day w 50 
 
 51 Fumette's Bent Head {Lent hy Messrs. 
 
 Ernest Brown and Phillips) {destroyed) w 5 1 
 
 52 Whistler {Lent hy Sir James Knowles) w 52 
 
 5 3 Drouet {Lent hy HisHorwwr Sir J. C. Day) w 5 3 
 
 54 Finette {See His Majesty's Collection) 'w^ 54 
 
 55 Paris ; Isle de la Cit6 do. ^ 5 5 
 Venus w 56 
 
 57 Annie'H.SiAen {SeeHis Majesty's Collection) w 57 
 
 58 Mr. Mann {Lent 63/ the Board of Educa- 
 
 tion) w 58 
 
 59 The Penny Boat {Lent hy H. S. Theobald, 
 
 Esq.) w 59 
 
 60 Rotherhithe {See His Majesty's Collection) w 60 
 
 61 Axenfeld {Lent hy the Board of Educa- w 61 
 
 tion) 
 
 The Engraver w 62 
 
 63 The Forge {See His Majesti/s Collection) w 63 
 
 Joe w 64 
 23 
 
65 The Miser {Lent by the Board of Educa- 
 
 tion) w 65 
 
 66 Vauxhall Bridge (See His Majest^s Col- 
 
 lection) w 66 
 
 67 Millbank (See Eis Majesty's Collection) w 67 
 
 68 The Punt (Lent hy E. S. Theobald, Esq.) w 68 
 
 69 Sketching do. w 69 
 
 70 Westminster Bridge in Progress (Lent by 
 
 E. S. Theobald, Esq.) w 70 
 
 71 The Little Wapping (See Eis Majesty's 
 
 Collection) w 71 
 
 72 The Little Pool do. w 72 
 Tiny Pool w 73 
 Ratcliffe Highway w 74 
 
 75 Encamping (See Eis Majesty's Collection) w 75 
 
 76 Ross Winans (Lent by E. S. Theobald, 
 
 Esq.) W 76 
 
 77 The Storm (See Eis MajesM/'s Collection) w 77 
 
 78 Little Smithfield do. w 78 
 
 79 Oadogan Pier do. w 79 
 
 80 Old Hungerford Bridge do. w 80 
 
 81 Chelsea Wharf do. w 81 
 
 82 Amsterdam, etched from the Tolhuis (Lent 
 
 by E. S. Theobald Esq.) w 82 
 
 83 Weary (See Eis Majesty's Collection) w 83 
 Shipping at Liverpool w 84 
 
 85 Chelsea Bridge and Church (See Eis 
 
 Majesty s Collection) w 85 
 
 86 Speke Hall (See Eis Majesty's Collection) w 86 
 
 24 
 
87 The Model Resting {Lent by E.S.S. the 
 
 Princess Victoria) w S'j 
 
 88 Whistler's Mother (destroyed plate, lent by 
 
 Messrs. Ernest Brovm and Phillips') w 88 
 
 89 Swan Brewery {See His Majesty's Colleo- 
 
 tion) w 89 
 
 90 Fosco {Lent by H. S. Theobald, Esq.) w 90 
 
 91 The Velvet Dress do. w 91 
 
 92 The Little Velvet Dress {Lent by His 
 
 Honmir Sir J. C. Bay) w 92 
 
 93 F. R. Leyland {Lent by H. S. Theobald, 
 
 , Esq.) W 93 
 
 94 Fanny Leyland {See His Majesty's Collec- 
 
 tion) w 94 
 
 95 Elinor Leyland do. W 95 
 
 96 Florence Leyland do. w 96 
 
 97 Reading a Book {L&nt by B. S. Theobald, 
 
 Esq.) yf 97 
 
 98 Tatting {See His Majesty's Collection) w 98 
 
 99 Maude {Lent by H. S. Theobald, Esq). w 99 
 100 Maude Seated do. w 100 
 
 The Beach w loi 
 102 Tillie, a Model {Lent by His Honour 
 
 Sir J. G. Day) w 102 
 
 Seated Girl w 103 
 
 104 The Desk {Lent by Messrs. Ernest Brown 
 
 and Phillips) w 104 
 
 105 Resting w 105 
 
 106 Agnes {Lent by H. S. Theobald, Esq.) w 106 
 
 25 
 
The Model Lying Down 
 
 w 107 
 
 Two Sketches 
 
 w 108 
 
 109 The Boy (See His Majesty's Collection) 
 
 w 109 
 
 Swinburne 
 
 w no 
 
 A Lady at a Window 
 
 W III 
 
 112 A Child on a Couch (See JSis Majesty's 
 
 
 Collection) 
 
 W 112 
 
 Sketch of a Glirl, Nude 
 
 w 113 
 
 114 Steamboats oflf the Tower (Lent hyE.R.H. 
 
 
 the Princess Victoria) 
 
 w 114 
 
 1 1 5 The Little Forge (See His Majesty's Col- 
 
 
 lection) 
 
 w IIS 
 
 116 Two Ships (Lent hy H. S. Theobald, 
 
 
 Esq.) 
 
 w 116 
 
 117 The Piano (See His Majesty's Collec- 
 
 
 tion) 
 
 w 117 
 
 The Scotch Widow 
 
 w 118 
 
 119 Speke Shore (Lent hy H. S. Theobald, 
 
 
 Esq.) 
 
 w 119 
 
 120 The Dam Wood (See His Majesty's Collec- 
 
 
 tion) 
 
 W 120 
 
 121 Shipbuilder's Yard do. 
 
 W 121 
 
 122 The Guitar Player (Lent by H.R.H. the 
 
 
 Princess Victoria) 
 
 W 122 
 
 123 London Bridge (See His Majesty's Collec- 
 
 
 tion) 
 
 w 123 
 
 124 Price's Candle Works do. 
 
 w 124 
 
 125 Battersea; Dawn (Zewi by H.R.H, the 
 
 
 Princess Victoria) 
 
 w 125 
 
 26 
 
 
126 The MuS (See Eis Majesty's Collection) w 126 
 
 127 A Sketch of Ships {Lent by His Honour 
 
 Sir J. C. Bay) w 127 
 
 128 The White Tower {Lent hy H. S. Theo- 
 
 haM, Esq.) 
 The Troubled Thames 
 
 130 A Sketch from Billingsgate 
 
 Majesty's Collection) 
 
 131 Fishing Boats, Hastings 
 
 132 Wych Street 
 
 133 Temple Bar 
 
 134 Free-Trade Wharf 
 
 135 The Thames toward Brith 
 
 H.B.H. the Princess Victoria) 
 
 136 Lindsay Houses do. 
 
 137 From Pickled Herring Stairs {See His 
 
 Majesty's Collection) 
 
 138 Lord Wolseley do. 
 
 139 Irving as PhiHp of Spain {Lent by H. S. 
 
 Theobald, Esq.) w 139 
 
 140 St. James's Street {See His Majesty's 
 
 Collection) w 140 
 
 141 Batter sea Bridge {Lent by H. S. Theo- 
 
 bald, Esq.) w 141 
 
 Whistler with the White Lock w 142 
 
 143 The Large Pool {See His Majesty's Col- 
 
 lection) w 143 
 
 144 The " Adam & Eve," Old Chelsea do. w 144 
 
 145 Putney Bridge do. w 145 
 
 27 
 
 
 w 128 
 
 
 w 129 
 
 {See His 
 
 
 
 w 130 
 
 do. 
 
 w 131 
 
 do. 
 
 w 132 
 
 do. 
 
 w 133 
 
 do. 
 
 w 134 
 
 {Lent by 
 
 
 
 WI35 
 
 
 w 136 
 
 {See His 
 
 
 
 w 137 
 
 
 w 138 
 
146 The Little Putney {Lent by H.R.E. the 
 
 
 Princess Victoria) 
 
 
 w 146 
 
 147 Hurlingham 
 
 do. 
 
 w 147 
 
 148 Fulham 
 
 do. 
 
 w 148 
 
 149 The Little Venice 
 
 {See His Majesty's 
 
 
 Collection) 
 
 
 w 149 
 
 150 Nocturne 
 
 do. 
 
 w 150 
 
 151 The Little Mast 
 
 do. 
 
 w 151 
 
 152 The Little Lagoon 
 
 do. 
 
 w 152 
 
 153 The Palaces 
 
 do. 
 
 w 153 
 
 154 The Doorway 
 
 do. 
 
 w 154 
 
 155 The Piazzetta 
 
 do. 
 
 wiSS 
 
 156 TheTraghetto 
 
 do. 
 
 w 156 
 
 157 The Riva 
 
 do. 
 
 w iS7 
 
 158 Two Doorways 
 
 do. 
 
 w 158 
 
 159 The Beggars 
 
 do. 
 
 w 159 
 
 160 The Mast 
 
 do. 
 
 w 160 
 
 161 Doorway and Vine 
 
 do. 
 
 w 161 
 
 162 Wheelwright {Lent hy H. S. Theobald, 
 
 
 Esq.) 
 
 
 w 162 
 
 163 San Biagio {See His 
 
 Majesty's Collection) 
 
 w 163 
 
 164 Bead-Stringers {Lent hy H. S. Theobald, 
 
 
 Esq.) 
 
 
 w 164 
 
 165 Turkeys 
 
 do. 
 
 w 165 
 
 166 Fruit-Stall 
 
 do. 
 
 w 166 
 
 167 San Giorgio 
 
 do. 
 
 w 167 
 
 168 Nocturne Palaces {See His Majesty's Col- 
 
 
 lection) 
 
 
 w 168 
 
 169 Long Lagoon 
 
 do. 
 28 
 
 w 169 
 
170 Temple (Lent hy H. S. Theobald, Esq.) w 170 
 
 171 The Bridge {See His Majesty's Collec- 
 
 tion) w 171 
 
 172 TTpright Venice do. w 172 
 
 173 Little Court (Lent hy H. S. Theobald, 
 
 Esq.) w 173 
 
 174 Lobster Pots do. w 174 
 
 175 TheRiva, No. 2 (See His Majesty's Collec- 
 
 w 17s 
 
 176 Drury Lane (Lent by H. S. Theobald, 
 
 Esq.) 
 
 177 The Balcony (See His Majesty's Collection) 
 
 178 Fishing Boat do. 
 
 179 Ponte Pioyan (Leni hy H. S. Theobald, 
 
 Esq.) 
 
 180 Garden (See His Majesty's Collection) 
 
 181 The Eialto do. 
 
 182 Long Venice do. 
 
 183 Furnace, Nocturne (Lent hy H. S, Theo- 
 
 bald, Esq.) 
 
 184 Quiet Canal do. 
 
 185 Salute: Dawn do. 
 
 186 Lagoon: Noon do. 
 
 187 Murano-Glass Furnace do. 
 
 188 Fish-Shop, Venice do. 
 
 189 The Dyer (See His Majesty/ s Collection) 
 
 190 Little Salute (Lent by H, S. Theobald, 
 
 Esq. 
 Wool-Carders 
 
 29 
 
 w 
 
 176 
 
 w 
 
 177 
 
 w 
 
 178 
 
 w 
 
 179 
 
 w 
 
 180 
 
 w 
 
 181 
 
 w 
 
 182 
 
 w 
 
 183 
 
 w 
 
 184 
 
 w 
 
 i8s 
 
 w 
 
 186 
 
 w 
 
 187 
 
 w 
 
 188 
 
 w 
 
 189 
 
 w 
 
 190 
 
 w 
 
 191 
 
w 
 
 192 
 
 w 
 
 193 
 
 w 
 
 194 
 
 VT 
 
 195 
 
 w 
 
 196 
 
 w 
 
 197 
 
 w 
 
 198 
 
 w 
 
 199 
 
 w 
 
 200 
 
 192 Regent's Quadrant (Lent hy H. S. Theo- 
 
 hald, Esq. 
 
 193 Islands (Lent by Ernest Marsh, Esq.) 
 
 194 Nocturne — Shipping [See His Majesty's 
 
 Collection) 
 Old Women 
 
 196 Alderney Street {See His Majest'i/s Col- 
 
 lection) 
 
 197 The Smithy do. 
 
 198 Stables (Lent hy Messrs. F. Keppel S Co.) 
 
 199 Noctiu-ne — Salute (See Bis Majesty's Col- 
 
 lection) 
 
 200 Dordrecht do. 
 
 201 A Corner of the Palais Royal {Lent by 
 
 His Honowr Sir J. C. Day) w 201 
 
 202 Sketch at Dieppe {Lent hy Messrs. Ernest 
 
 Brown and Phillips) w 202 
 
 203 Booth at a Fair {Lent by His Honour Sir 
 
 J. C. Bay) w 203 
 
 204 Cottage Door {See His Majesty's Collec- 
 
 tion) w 204 
 
 205 The Village Sweet-Shop do. w 205 
 
 206 The Seamstress {Lent hy His Honour Sir 
 
 J. C. Day) w 206 
 
 207 Sketch^in St. James's Park {Lent hy H. 
 
 S. Theobald, Esq.) w 207 
 
 208 Fragment of Piccadilly {Lent hy Messrs. 
 
 Ernest Brown and Phillips) w 208 
 
 209 Old Clothes Shop do. w 209 
 
 30 
 
210 The Fruit-Shop {See Eia Majesty' s Gollec- 
 
 tion) 
 
 211 A Sketch on the Embankment {Lent by 
 
 Messrs. Ernest Brown and Phillips) 
 
 212 The Menpes Children do. 
 
 213 The Steps {See His Majesty's Gollection) 
 
 214 The Fruit-Shop: "Busy Ghehea." {Lent by 
 
 H. S. Theobald, Esq.) 
 
 215 T. A. Nash do. 
 
 216 Furniture Shop {Lent by His Honour 
 
 Sir J. G. Day) 
 
 217 Savoy Scaffolding do. 
 
 218 Railway Arch do. 
 
 219 Rochester Row {Lerd by 'Howard Mans- 
 
 field, Esq.) 
 
 220 York St., Westminster do. 
 
 221 The Fur Cloak {Lent by H. S. Theobald, 
 
 Esq.) 
 
 222 "Woman Seated do. 
 
 223 Steamboat Fleet do. 
 
 224 Mother and Child {See His Majesty's Col- 
 
 lection) w 224 
 
 225 Sketch of Battersea Bridge {Lent by H. S. 
 
 Theobald, Esq.) w 225 
 
 226 Putney No. 3 do. w 226 
 
 227 F. R, Leyland's Mother do. w 227 
 Wild West w 228 
 
 229 TheBsirh&c's {See His Majesty's GoUeotion) w 229 
 31 
 
 w 
 
 210 
 
 w 
 
 211 
 
 w 
 
 212 
 
 w 
 
 213 
 
 w 
 
 214 
 
 w 
 
 215 
 
 w 
 
 216 
 
 w 
 
 217 
 
 w 
 
 218 
 
 w 
 
 219 
 
 w 
 
 220 
 
 w 
 
 221 
 
 w 
 
 222 
 
 w 
 
 223 
 
230 Petticoat Lane {Lent by His Sonour Sir 
 
 
 J. G. Day) 
 
 
 w 230 
 
 231 Old Clothes Exchange {See His Majest-i/s 
 
 
 Collection) 
 
 
 w 231 
 
 232 St. James's Place Houndsditch {Lent hy 
 
 
 H. S. Theobald, Esq.) 
 
 
 w 232 
 
 233 Fleur de Lys Passage {See His Majesty's 
 
 
 Collection) 
 
 
 w 233 
 
 234 Cutler's Street {Lent by H. S. Theobald, 
 
 
 Esq.) 
 
 
 w 234 
 
 235 The Cock and the Pump 
 
 do. 
 
 W23S 
 
 236 Sandwich : Salvation Army do. 
 
 w 236 
 
 237 Visitors' Boat {See His Majesty's Collec- 
 
 
 tion) 
 
 
 w 237 
 
 238 Troop Ships 
 
 do. 
 
 w 238 
 
 239 Monitors 
 
 do. 
 
 w 239 
 
 240 Southampton Docks 
 
 do. 
 
 w 240 
 
 241 Bunting 
 
 do. 
 
 w 241 
 
 242 Dipping the Flag 
 
 do. 
 
 w 242 
 
 243 The Fleet — Evening 
 
 do. 
 
 w 243 
 
 244 Eeturn to Tilbury 
 
 do. 
 
 w 244 
 
 245 Landing Stage, Cowes 
 
 do. 
 
 W24S 
 
 Turret Ship 
 
 do. (undescribed) 
 
 Chelsea (Where I live) 
 
 ^ 
 
 w 246 
 
 247 Windsor (Where she : 
 
 lives) {See His 
 
 
 Majesty's Collection) 
 
 
 w 247 
 
 The Canal, Ostend 
 
 
 w 248 
 
 249 The Church, Brussels {See His Majesty's 
 
 
 Collection) 
 
 
 w 249 
 
 32 
 
 
 
250 Court Yard — Brussels {Lent by H. S. 
 
 TJisobald, Esq. w 250 
 
 251 Grande Place, Brussels do. w 251 
 
 252 Palace, Brussels do. w 252 
 
 253 The Barrow, Brussels do. w 253 
 
 254 The High Street, Brussels {Lent hy Sis 
 
 Honmtr Sir J. G. Bay) w 254 
 
 255 Market Place, Bruges {Lent by H. S. 
 
 Theobald, Esq.) w 255 
 
 256 Passages de I'Opera {Lent by Ernest 
 
 Mairsh, Esq.) w 256 
 
 Carpet-Menders w 257 
 
 Sun Flowers, Rue des Beaux Arts w 258 
 
 259 Mairie, Loches {Lent by the Board of 
 
 Education) w 259 
 
 260 Steps, Amsterdam {See His Majesty's Col- 
 
 lection) w 260 
 
 261 Square House do. w 261 
 
 262 Balcony, Amsterdam {Lent by the Board 
 
 of Education) w 262 
 
 263 Little Draw-Bridge {Lent by H. J. PoUitt, 
 
 Esq.) ^ w 263 
 
 264 'Pierrot{Lent by H.R.H.Pnncess Victoria) w 264 
 
 265 Nocturne Dance House {Lent by Ernest 
 
 Marsh, Esq.) w 265 
 
 266 Long House — Dyer's — Amsterdam {See 
 
 His Majesty's Collection) w 266 
 
 267 Bridge, Amsterdam {Lent byHisHonowr 
 
 Sir J. C. Day) w 267 
 
 33 c 
 
268 Zaandam {Lent ly H.E.H. the Princess 
 
 Victoria) w 268 
 
 269 Speke Hall, No. 2 {See His Majesty's Col- 
 
 lection) s 269 
 
 270 Church Doorway, Edgemere {Lent hy 
 
 His Honour Sir J. C. Day) s 270 
 
 Double Doorway, Sandwich s 2 7 1 
 
 Doorway, Sandwich s 272 
 
 Butcher's Shop, Sandwich s 273 
 
 274 Ramparts, Sandwich {Lent by Howard 
 
 Mansfield, Esq. s 274 
 
 275 Portsmouth Children {Lent hy His 
 
 Honour Sir J. G. Day) s 275 
 
 276 Tilbury Naval Review Series {Lent hy 
 
 His Honour Sir J. G. Day) s 276 
 
 Windsor s 277 
 
 Little Putney, No. 2 s 278 
 
 Battersea Bridge, No. 3 s 279 
 
 280 Under Battersea Bridge {Lent hy Messrs. 
 
 Ernest Brown a/nd Phillips) s 280 
 
 281 Melon Shop, Houndsditch {Lent hy 
 
 Messrs. F. Eeppel and Go.) s 281 
 
 After the Sale, Houndsditch s 282 
 
 Steps, Gray's Inn s 283 
 
 284' Gray's Inn Babies {Lent hy Howard 
 
 Mansfield, Esq.) s 284 
 
 285 Gray's Inn Place {Lent hy His Honour 
 
 Sir J. G. Day) s 285 
 
 Seats, Gray's Inn s 286 
 
 34 
 
287 Exeter Street (Lent by His Honour Sir 
 
 J. C. Day) s 287 
 
 Abbey Jubilee s 288 
 
 289 Bird Cages, Drury Lane {Lent hy His 
 
 Honow Sir J. G. Day) s 289 
 
 290 The Bucking Horse {Lent hy Messrs. 
 
 F. Keppel and Go.) s 290 
 
 291 Eag Shop — Millman's Row {Lent by 
 
 Howard Mamsfield, Esq.) s 291 
 
 292 Clothes Exchange, No. i {Lent by 
 
 Howard Mansfidd, Esq.) s 292 
 
 293 Charing Cross Railway Bridge {Lent by 
 
 His Honour Sir J. G. Day) s 293 
 
 Shaving and Shampooing s 294 
 
 295 Jubilee Place, Chelsea {Lent by E. G. 
 
 Kennedy, Esq.) s 295 
 
 296 Justice Walk, Chelsea {Lent hy E. G. 
 
 Kennedy, Esq.) s 296 
 
 297 Bird Cages, Chelsea {Lent hy His Honowr 
 
 Sir J. G. Day) s 297 
 
 298 Merton Villa, Chelsea {Lent by Howa/rd 
 
 Mansfield, Esq.) s 298 
 
 299 Little Maunders {Lent hy Messrs. Ernest 
 
 Brown and Phillips) s 299 
 
 Custom House s 300 
 
 301 Nut Shop, St. James's Place {Lent by 
 
 Howard Mansfidd, Esq.) s 301 
 
 302 Old Clothes Shop, No. 2 {See His 
 
 Majesty's Collection) s 302 
 
 35 
 
303 Model Stooping {Lent hy H. S. Theobald, 
 
 Esq. s 303 
 
 Nude Figure Reclining s 304 
 
 Binding th© Hair s 305 
 
 306 The Little Hat {Leni hy His Honour 
 
 Sir J. C. Day) s 306 
 
 307 The Little Nurse Maid do. s 307 
 Baby Pettigrew s 308 
 Miss Lenoir s 309 
 
 310 Swan and Iris {Lent hy His Honour 
 
 Sir J. C. Day) s 310 
 
 Cameo No. 2 s 311 
 
 Marbles s 312 
 
 Jardin du Luxembourg s 313 
 
 Terrace, Luxembourg Gardens s 314 
 
 Boulevard Poissoni^re s 315 
 
 316 Rue Ex)chefoucault {Lent hy His Honour 
 
 Sir J. G. Day) s 316 
 
 317 Quai de Montebello {Lent by E. G. 
 
 Kennedy, Esq.) s 317 
 
 Quai, Ostend s 318 
 
 Railway Station, Vov6s s 319 
 
 320 Rue des Bons Enfants, Tours {Lent hy 
 
 Messrs. F, Keppel ds Go.) s 320 
 
 Hotel Croix Blanche, Tours s 321 
 
 Market Place, Tours s 322 
 
 323 Hangman's House, Tours {Lent by Ernest 
 
 Marsh, Esq.) s 323 
 
 Little Market Place, Tours s 324 
 36 
 
Cellar Door, Tours s 325 
 
 Place Daumont s 326 
 
 Chateau s 327 
 
 Chateau, Touraine s 328 
 
 Doorway, Touraine s 329 
 Court of the Monastery of St. Augustin 
 
 at Bourges s 330 
 
 Hotel Lallement, Bourges s 331 
 
 Windows, Bourges s 332 
 
 333 Windows opposite Hotel, Bourges {Lent hy 
 
 Ernest Marsh, Esq.) s 333 
 
 334 Chancellerie, Loches {Lent hy L. W, Hod- 
 
 son, Esq.) s 334 
 
 THE REMAINDER OF THIS COLLECTION IS IN BALCONY 
 
 Market Women, Loches s 335 
 
 Hotel Promenade, Loches s 336 
 
 Theatre, Loches s 337 
 
 Tour St. Antoine, Loches s 338 
 
 Market-Place, Loches s 339 
 
 Renaissance Window,'Loches s 340 
 
 Chapel Doorway, Montreeor s 341 
 
 Chateau, Amboise s 342 
 
 Clock Tower, Amboise s 343 
 
 Gateway, Chartreuse s 344 
 
 Under the Cathedral, Blois s 345 
 
 346 A Guild House, Brussels (Lent by Messrs. 
 
 F. Keppel <Ss Go.) s 346 
 37 
 
347 Ctold House, Brussels {Lent by His Honowr 
 
 Sir J. 0. Day) s 347 
 
 Butter Street, Brussels s 348 
 
 House of the Swan, Brussels s 349 
 
 350 Archway, Brussels {Lent by H. S. Theobald, 
 
 Esq.) 
 
 8 35° 
 
 Court-yard, Kue P. L. Courier 
 
 S3SI 
 
 Brussels Children 
 
 S3S2 
 
 Street, Brussels 
 
 S3S3 
 
 Chateau Verneuil 
 
 S3S4 
 
 Church, Amsterdam 
 
 S3SS 
 
 356 The Embroidered Curtain {Lent by Ernest 
 
 
 Marsh, Esq.) 
 
 S3S6 
 
 Jews' Quarter, Amsterdam 
 
 S3S7 
 
 The Mill 
 
 S3S8 
 
 Little Nocturne, Amsterdam 
 
 S3S9 
 
 Bohemians, Corsica 
 
 s 360 
 
 Venice 
 
 s 361 
 
 Seymour Standing 
 
 S362 
 
 363 Opposite Lindsay Row {Lent by H. S. Theo- 
 
 
 bald, Esq.) 
 
 S363 
 
 ITuU Length Figure of Lady in Hat with 
 
 
 Feather 
 
 S364 
 
 Full Length Figure of Girl with Short 
 
 
 Hair 
 
 S36S 
 
 Twelve Sketches of Heads 
 
 S366 
 
 Nora Quinn 
 
 S367 
 
 Second Traghetto 
 
 S368 
 
 An Eagle 
 
 S369 
 
 38 
 
 
370 Jo's Bent Head {Lent hy H. S. Theobald, 
 
 Esq.) s 370 
 
 Young Woman, standing s 37 1 
 
 Nude s 372 
 
 373 Jeweller's Shop {Lmt hy H. S. Theobald, 
 
 Esq.) (350 Grolier) 
 
 374 Fisherwomen, Ostend (undescribed) 
 
 A fish market under a glass and iron 
 roof, just seen at top. Two children 
 and a chicken in front to right. Nu- 
 merous figures around the stall. Three 
 children to left, the Butterfly on upper 
 left-hand side {Lent by His Eonow Sir 
 J. C. Day) 
 
 H. 3f , B. 5f 
 
 375 J, L, Druez's Fruit and Flower Shop 
 
 (undescribed) 
 A door with three figures in centre. 
 
 Fruit and vegetable stalls on both sides. 
 
 A fourth figure, a woman, to right. 
 
 The Butterfly to right at top {Lent by 
 
 His Sonowr Sir J. G. Day) 
 H.4ii,B. 3i 
 
 376 Nude Model, standing (undescribed) 
 
 Slightly turned to right, looking 
 down. Butterfly to left {Lent by H, J, 
 Pollitt, Esq.) 
 
 H 3i. B. i| 
 
 39 
 
377 Luxembourg Gardens (undescribed) 
 
 A balustrade extends across the 
 centre. Six women seated on cbairs 
 before it. A vase supported by two 
 cupids on right, the Butterfly on left 
 above balustrade {Lent hy His Horwwr 
 Sir J. G. Day) 
 
 H. s, B. 6i| 
 
 378 Wood's Fruit Shop (undescribed) 
 
 A shop with an awning across the 
 entire plate, over which on a sign is 
 written Fruit and Potatoes, J. S. Wood, 
 Salesman [Lent hy His Honour Sir 
 J. 0. Day) 
 
 H. 3f , B. Si 
 
 379 E.ue de Seine (349 Grolier) 
 
 {Lent hy Ernest Marsh, Esq.) 
 
 380 A Market, Ostend (undescribed) 
 
 A woman and two children to right. 
 Two women on left, stalls on trestles 
 beyond them. Shops in background. 
 Butterfly at bottom toward left {Lent 
 hy His Honour Sir J. G. Day) 
 
 H.3i^,B.5i 
 
 381 Resting in Studio (undescribed) 
 
 Two models, one to right, seated 
 reading a book, the other to left seen 
 from behind facing to right. Butterfly 
 40 
 
to left {Lent by His Honour Sir J. C. 
 Day) 
 
 H. Si B. 3| 
 
 382 The Silk Dress (Mrs. Leyland) (undescribed) 
 
 A lady in profile to left, turning her 
 head full face towards the spectator. 
 Dry-point {Lent hy His Horwwr Sir 
 J. C. Dwy) 
 
 H. 8i, B. s\ 
 
 383 Luxembourg Garden (undescribed) 
 
 Trees and flowers in centre. Beyond, 
 a pond with a railing, and people 
 walking around it. The dome of the 
 Pantheon appears in the distant centre. 
 Butterfly on left {Lent hy H. S. 
 Theobald, Esq.) 
 
 H. 3i B- 7f 
 
 384 Sailing Boats oS Battersea (undescribed) 
 
 Three barges sailing to left. A land- 
 ing stage in the foreground. Houses 
 and mUls in the distance. Battersea 
 Bridge to left, Signature, " Whistler 
 1863," lower left-hand corner. Plate 
 destroyed {Lent by Messrs. Ernest Brown 
 and Phillips) 
 
 H. si, B. 8i 
 
 385 Nude Model (undescribed) 
 
 She stands with crossed legs and 
 41 
 
arms raised behind her head. Destroyed 
 plate {Lent hy H. J. Pollitt, Esq.) 
 H. 7|, B. 2,1 
 
 386 Two Young Girls (undescribed) 
 
 One to the right is dressing the hair 
 of the other. Signed, " Whistler 1863," 
 lower right-hand side. Destroyed plate 
 (Lent hy Messrs. Ernest Brown amd 
 Phillips)] 
 
 H. 9, B. 6 
 
 387 Female Figure (undescribed) 
 
 Sitting in a large chair, turning; to 
 right, with open book on her lap. 
 Signed, "Whistler i86r," lower right- 
 hand corner. Destroyed plate {Lent by 
 Messrs. Ernest Brown and Phillips) 
 
 H. 6, B. 4j 
 
 388 Portrait of Mr. Leyland (undescribed) 
 
 FuU-length portrait of Leyland, and 
 head of Whistler upside down, and a 
 third portrait on the same plate, to left 
 of Leyland. Destroyed plate {Lent by 
 Messrs. Ernest Brown and Phillips) 
 
 H. iif, B. 7 
 
 BLACK AND WHITE AND COLOUR— NORTH ROOM 
 
 389 Japanese Figure seated (black and white 
 
 chalk on brown paper) 
 A lightly draped model seated in 
 42 
 
profile to left, eats with chopsticks 
 from a plate ; on a table beside the plate 
 is a glass. Butterfly signature to right 
 {Lent by the Executors of the late J. 
 Stoats Forbes, Esq.) 
 H. loj, B. 6| 
 
 390 Female Figure with Fan (black and white 
 
 chalk on brown paper) 
 Full-length study of a lady looking 
 left, in i860 gown. She wears a chig- 
 non, and holds a fan ia her hand. 
 Butterfly signature to right (Lent by 
 the Executors of the late J. Stoats Forbes, 
 Esq.) 
 
 H. 7i B. 4f 
 
 391 Female Figure, back (black and white 
 
 chalk on brown paper) 
 She rests with her elbows on a bal- 
 cony, looking off. Butterfly signature 
 on left (Lent by the Executors of the late 
 J. Staats Forbes, Esq.) 
 H. ii,B. 6f 
 
 392 Female Figure with Fan (black and white 
 
 chalk on brown paper) 
 Profile of a woman, her face turned 
 away. Butterfly signature to left 
 (Lent by the Executors of the late J, 
 Staats Forbes, Esq.) 
 H. 8, B. s 
 
 43 
 
393 Female Figure, front (black and white 
 
 chalk on brown paper) 
 A figure in light drapery, her right 
 hand resting on a parapet, her head 
 supported on her left elbow. Butterfly 
 signature to right (^Lent ly the Emeu- 
 tors of the late J. Staats Forbes, Esq.) 
 H. io|, B. 6| 
 
 394 A Nude (black and white 
 
 chalk on brown paper) 
 A nude Female Figure leaning on a 
 balcony. Butterfly signature on right 
 {Lent hy the Executors q/ the late J. 
 Staats Eories, Esq.) 
 H. 10 J, B. ^l 
 
 395 Female figure, hand on rail (black and white 
 
 chalk on brown paper) 
 Back view of a figure, with head 
 resting on her hand and turned towards 
 the spectator. Butterfly signature to 
 left (Lent hy the Executors of the late 
 J. Staats Fm-bes, Esq.) 
 H. 14J, B. 6| 
 
 396 Female Figure, looking over her shoulder 
 
 (black and white 
 chalk on brown paper) 
 Figure of a Girl, in her right hand 
 she holds a scroll. Butterfly signature 
 44 
 
to right {Lent by the Executors of the 
 late J. Staats Forbes, Esq.) 
 H. 8, B. 5 
 
 397 Female Figure in flounced dress (black and white 
 
 chalk on brown paper) 
 A lady in i860 costume, in profile to 
 right, looking down, turns her head 
 towards the spectator. Butterfly sig- 
 nature to right {Lent by the Executors 
 of the late J. Staats Forbes, Esq.) 
 H, i2i, B. 6| 
 
 398 Lady with Fan (do. do.) 
 
 Full-length figure leaning to right 
 over a balcony, the face partially hidden 
 behind her fan. Butterfly signature to 
 right {Lent by the Executors of the late 
 J. Staats Forbes, Esq.) 
 
 H. 7f , B. 5 
 
 399 Three Figures, pink and grey (oil) 
 
 Three figures, one nude, standing 
 looking to left, a black band bound 
 round her hair, the next in centre 
 stooping to arrange a blossoming peach 
 in a^ flower-pot. She is almost nude, 
 ■with a pink kerchief on her head. The 
 third stands to right in diaphanous 
 draperies, with a Japanese parasol open 
 over her head. Behind them a long 
 45 
 
wall, wHch crosses the picture, beyond 
 the distant sea, blue mountains and blue 
 grey sky {Lent by Alfred Chapmcm, Esq.) 
 
 400 Coast Survey, No. 2, Anacapa Island. The 
 
 lower part of the plate etched by 
 Whistler, i.e., the land and sea. Signed, 
 J. A. Whistler {Lent hy tlie United 
 States Coast Survey Department) 
 
 401 The Coast Survey, No. i, from the copper- 
 
 plate etched by Whistler, when attached 
 to the United States Coast Survey De- 
 partment at Washington, about 1854-5. 
 Around the Survey plan are several 
 figures drawn and etched by Whistler; 
 the plate was confiscated {Print lent 
 by H. S. Theobald, Esq.) 
 
 The Original Plate shown in the case 
 in North Room 
 
 The plate is undescribed in Mr. Wed- 
 more's Catalogue, though he refers to 
 it in the Preface to the Second Edition, 
 but it is the first, or one of the first, 
 etched by Whistler {Lent by W. Heine- 
 mann, Esq.) 
 
 402 Children, Gray's Inn 311 Grolier 
 
 {Lent by Howard Mansfield, Esq.) 
 46 
 
NORTH ROOM 
 LEFT-HAND SIDE 
 
 LITHOGRAPHS AND BLACK AND WHHE 
 
THE NUMBERS FOLLOWING THE TITLES REFER TO 
 
 MR. way's catalogue OF WHISTLER'S LITHOGRAPHS; 
 
 THE NUMBERS BEFORE THE TITLES INDICATE THE 
 
 PRINTS SHOWN 
 
 I Study, Figure of Lady Qmt hy T. Way, Esq.) w i 
 
 2 Study, Female Figure 
 
 do. 
 
 w 2 
 
 3 Study do. 
 
 do. 
 
 W3 
 
 4 Limehouse (lithotint) 
 
 do. 
 
 W4 
 
 5 Nocturne do. 
 
 do. 
 
 WS 
 
 6 The Toilet do. 
 
 do. 
 
 w 6 
 
 7 Early Morning do. 
 
 do. 
 
 w 7 
 
 7 A Another State do. 
 
 do. (undescribed) 
 
 8 The Broad Bridge do. 
 
 do. 
 
 w8 
 
 9 The TaU Bridge do. 
 
 do.- 
 
 w 9 
 
 10 Gfaiety Stage Door 
 
 do. 
 
 w 10 
 
 1 1 Victoria Club 
 
 do. 
 
 W II 
 
 1 2 Old Battersea Bridge 
 
 do. 
 
 W 12 
 
 13 Reading 
 
 do. 
 
 w 13 
 
 13A Another State 
 
 do. 
 
 WI3A 
 
 14 The Fan 
 
 do. 
 
 w 14 
 
 15 Study, Classical Figure 
 
 Lightly Draped 
 
 
 {Lent hy T. Way, JEsq.) 
 
 
 w IS 
 
 16 Entrance Gate, St. Bartholomew's {Lent 
 
 
 hy T. Way, Esq.) 
 
 
 w 16 
 
 17 Churchyard, St. Bartholomew's {Lent hy 
 
 
 T. Way, Esq.) 
 
 
 w 17 
 
 49 
 
 
 D 
 
1 8 Little Court, Cloth Fair {Lent by T. Way, 
 
 Esq.) w 1 8 
 
 19 Lindsay Eow,'Chelsea(Xeni 6?/ ^. TFay, ^sg'.) w 19 
 
 20 Chelsea Shops 
 
 2 1 Drtiry Lane Rags 
 
 22 Chelsea Kags 
 
 23 Courtyard, Chelsea Hospital 
 
 24 The Farriers 
 
 25 The Winged Hat 
 
 26 Gants de Su6de 
 
 27 The Tyre Smith 
 
 28 Maunder's Fish-shop, Chelsea do. 
 2 9 The Little Kude Model Reading do. 
 
 30 The Dancing Girl 
 
 31 Model Draping 
 
 32 The^Horoscope 
 
 33 The Model, Girl Reading 
 
 34 Gatti's 
 
 35 Hotel Colbert, Windows 
 
 36 Cocks and Hens, Hotel Colbert do. 
 
 37 Staircase 
 
 38 The Garden 
 
 39 Yitr6, The Canal 
 
 40 Market Place, Vitr6 
 
 41 Gabled Roofs, Vitre 
 
 42 The Clockmakers, Paimpol 
 
 43 The Steps, Luxembourg 
 
 44 Conversation under the Statue, Luxem- 
 
 bourg Gardens {Lent hy T. Way, Esq.) w 44 
 5° 
 
 do. 
 
 w 20 
 
 do. 
 
 W 21 
 
 do. 
 
 W 22 
 
 do. 
 
 w 23 
 
 do. 
 
 w 24 
 
 do. 
 
 w 25 
 
 do. 
 
 w 26 
 
 do. 
 
 w 27 
 
 do. 
 
 w 28 
 
 ;do. 
 
 w 29 
 
 do. 
 
 w 30 
 
 do. 
 
 w 31 
 
 do. 
 
 w 32 
 
 do. 
 
 w 33 
 
 do. 
 
 W34 
 
 do. 
 
 W3S 
 
 do. 
 
 w 36 
 
 do. 
 
 W37 
 
 do. 
 
 W38 
 
 do. 
 
 W39 
 
 do. 
 
 w 40 
 
 do. 
 
 w 41 
 
 do. 
 
 w 42 
 
 do. 
 
 W43 
 
45 The Pantheon, from the Terrace of the 
 
 Luxembourg, Gardens {Lent hy T. Way, 
 Esq.) w 45 
 
 46 The Draped Figure, Seated do. w 46 
 
 47 Nude Model, Reclining do. w 47 
 
 48 Nursemaids, "Les Bonnes du Luxem- 
 
 bourg " (Lent by T. Way, Esq.) w 48 
 
 49 The Long Balcony do. w 49 
 
 50 The Little Balcony do. w 50 
 
 51 Little Draped Figure, Leaning (Zewi hy 
 
 T. Way, Esq.) w 51 
 
 5 2 The Long Gallery, Louvre {Lent hy T. Way, 
 
 Esq.) w 52 
 
 53 The Whitesmith, Impasse des Carmelites 
 
 {Lent hy T. Way, Esq.) w 53 
 
 5 4 Tete-a-tSte — In the Garden {Lent hyT. Way, 
 
 Esq.) 
 
 55 The Terrace, Luxembourg 
 
 56 The Little Oaf 6 au Bois 
 
 57 Late Picquet 
 
 58 The Laundress 
 
 59 Rue Furstenburg 
 
 60 Confidences in the Garden 
 
 61 La jolie New Yorkaise 
 
 62 La BeUe Dame Paresseuse 
 
 63 La Belle Jardiniere 
 
 64 The Duet 
 The Duet, No. 2 
 
 66 St6phane MaUarm6 
 
 SI 
 
 
 w 54 
 
 do. 
 
 ^55 
 
 do. 
 
 w 56 
 
 do. 
 
 -^ SI 
 
 do. 
 
 W58 
 
 do. 
 
 WS9 
 
 do. 
 
 w 60 
 
 do. 
 
 w 61 
 
 do. 
 
 w 62 
 
 do. 
 
 w 63 
 
 do. 
 
 w 64 
 
 
 w 65 
 
 do. 
 
 w66 
 
The Draped Figure, back view w 67 
 
 68 La Robe Rouge {Lent by T. Way, Esq.) w 68 
 
 69 La Belle Dame Endormie do. w 69 
 
 70 La Fruitifere de la rue de Grenelle {Lent by 
 
 T. Way, Esq.) w 70 
 
 71 The Sisters {Lent by T. Way, Esq.) w 71 
 
 72 The Forge, Passage du Dragon {Lent by 
 
 T. Way, Esq.) w 72 
 
 73 The Smith, Passage du Dragon {Lent by 
 
 T. Way, Esq.) w 73 
 
 74 The Priests' House, Rouen {Lent by 
 
 T. Way, Esq.) w 74 
 
 75 A Portrait {Lent by T. Way, Esq.) w 75 
 
 76 Figure Study do w 76 
 
 77 Study do. w 77 
 
 78 The Doctor {Lmt by Mrs. W. McNeill 
 
 Whistler) w 78 
 
 79 Walter Sickert {Lent by T. Way, Esq.) w 79 
 
 80 Mother and Child, No. i do. w 80- 
 
 8 1 Back of the Gaiety Theatre do. w 8 1 
 
 82 Girl with Bowl do. w 82 
 
 83 The Little Doorway, Lyme Regis {Lent by 
 
 T. Way, Esq.) w 83 
 
 84 The Master Smith {Lent}f>y T. Way, Esq.) w 84 
 
 85 The Sunny Smithy do. w 85 
 
 86 The Good Shoe do. w 86 
 
 87 Father and Son do. w 87 
 
 88 The Smith's Yard do. w 88 
 
 89 The Strong Arm do. w 89 
 
 52 
 
90 The Blacksmith {Lent by T. Way, Esq.) w 90 
 
 91 The Brothers do. w 91 
 
 92 The Fair do. w 92 
 
 93 John Grove do. w 93 
 
 94 The Little Steps, Lyme Regis do. w 94 
 
 95 Study of a Horse do. ''^95 
 
 96 Sunday, Lyme Regis do. w 96 
 
 97 The Fifth of November do. w 97 
 
 98 The Old Smith's Story do. w 98 
 
 99 Figure Study (in colour) do. w 99 
 100 The Red House, Paimpol (in colour) 
 
 (Lent by T. Way, Esq.) w 100 
 
 loi The Yellow House, Lannion (in colour) 
 
 {Lent by Mrs. Katharine Furse) w loi 
 
 102 Mother and Child, No. 2 {Lent by T, Way, 
 
 Esq.) w 102 
 
 103 Portrait of Mrs. Pennell do w 103 
 
 104 Portrait of Joseph Pennell, No. i {Lent 
 
 by T. Way, Esq.) w 104 
 
 105 Portrait of Joseph Pennell, No. 2 {Lent by 
 
 T. Way, Esq.) w 105 
 
 106 The Barbers' Shop in the Mews {Lent by 
 
 T. Way, Esq.) w 106 
 
 107 Portrait of T. Way, No. i {Lent by T. Way, 
 
 Esq.) w 107 
 
 108 Same, No, 2 do. w 108 
 
 109 Kensington Gardens do. w 109 
 no Little Evelyn {Lent by D. G. Thomson, 
 
 Esq.) w no 
 
 53 
 
111 Portrait of Joseph Pennell, No. 3 {Lent 
 
 by T. Way, Esq. win 
 
 112 Portrait of Joseph Pennell, No 4 (Lent 
 
 hy T. Way, Esq. w 112 
 
 113 Needlework {Lent hy T. Way, Esq.) w 113 
 
 114 The Manager's Window, Gaiety Theatre 
 
 {Lent by T. Way, Esq.) w 114 
 
 115 Little; Dorothy {Lent by T. Way, Esq.) w 115 
 
 116 Portrait Study do. wii6 
 
 1 1 7 A Young Man do. w 1 1 7 
 
 118 Savoy Pigeons do. w 118 
 
 119 Evening, Little "Waterloo Bridge {Lent by 
 
 T.Way, Esq. w 119 
 
 120 Charing Cross Railway Bridge {Lent by 
 
 T. Way, Esq.) w 120 
 
 121 Little London {Lent by T. Way, Esq.) w 121 
 
 122 The Siesta do. w 122 
 
 123 Waterloo Bridge do. w 123 
 
 124 By the Balcony do. w 124 
 
 125 The Thames (lithotint) do. w 125 
 
 126 St. Anne's, Soho do. w 126 
 
 127 W. E. Henley do, w 127 
 
 128 The Butcher's Dog do. w 128 
 
 129 St. Giles' in the Fields do. w 129 
 
 130 Little London Model do. w 130 
 
 131 The Fireplace, Yitr6 (undescribed) 
 
 A French peasant, in his big felt bat 
 and sabots, sits in profile to left, and 
 looks at the spectator, behind him is a 
 54 
 
big open fireplace with a mantel-shelf 
 at the top, on which, to right, are pots 
 and jars {Lent by T. Way, Esq.) 
 H. 7, B. 6f 
 
 132 The Model, dancing (undescribed) 
 
 A nearly nude figure of a girl is seen, 
 full face, dancing, with both arms ex- 
 tended, waving gauzy, floating drapery 
 about her. Butterfly signature to left 
 {Lent hy Dr. E. Fait) 
 
 H. 7, B. 5 
 
 133 A Lady in a Big Ohair (undescribed) 
 
 A lady in i860 costume, sits sideways 
 in a big arm-chair. Her crossed legs 
 are resting on one arm of the chair. 
 She regards the spectator, the raised 
 forefinger of her right hand upon her 
 lips. This drawing is partially in line 
 and hthotint. Butterfly signature to 
 the right. This is evidently an early 
 work {Lent by T. Way, Esq.) 
 
 H. 9i, B. 7| 
 
 1 34 Garden of the Rue du Bac, No. i (undescribed) 
 
 The drawing has been made from 
 within the doorway of the artist's house, 
 looking out upon the garden. A curtain 
 falls on the left. On the right is an 
 elaborate treUis work with a birdcage at 
 55 
 
the top ; at the bottom are flower-pots. 
 Steps descend to the garden where a 
 man, stooping, cuts grass with a sickle 
 {Lent hy T. Way, Esq.) 
 H. 9, B. 6| 
 
 135 Mother and Child, No. 3 (undescribed) 
 
 A mother in light drapery, wearing a 
 cap, sits upon a sofa and plays with her 
 infant lying nude on the couch to her 
 left {Lent hy T. Way, Esq.) 
 
 H. si B. 9| 
 
 136 Two Sketches (undescribed) 
 
 The upper, of a woman looking to left. 
 The lower of a man, Mr. Arthur Studd, 
 who looks to right (Lent hy T. Way, 
 Esq.) 
 
 H. 7, B. 3 
 
 137 Garden, Rue du Bac, No. 2 (undescribed) 
 
 The drawing is made from the garden, 
 on the right is the lattice-covered door- 
 way in which three figures are standing. 
 Above, many window shutters are 
 suggested, and to the left a climbing 
 vine, and a window opens on the ground 
 floor. Butterfly signature at the bottom 
 {Lent hy T. Way, Esq.) 
 
 H. ^, B. 6i 
 
 56 
 
138 Two Slight Sketches (undescribed) 
 
 (a) Several figures sit at caf6 tables, 
 behind which are two windows 
 
 H. 2I, B. 2 
 
 (6) Yiew of a square in Paris, a four- 
 story house, with mansard roof to right, 
 and a three-story house across a street 
 in the centre. In front are two cabs 
 {Lent by T. Way, Esq.) 
 
 H. 2j, B. si 
 
 139 Mother and Child, No. 4 
 
 The same model, lightly draped, and 
 wearing a cap, nurses her infant on her 
 knee. She sits upright with cushions 
 at her back {Lent hy T. Way, Esq.) 
 
 H. 7^, B. 6 
 
 140 Mother and Child, No. 5 (undescribed) 
 
 A mother, sitting upon a couch, leans 
 over her nude child, which lies upon its 
 back. This print may be unique, as 
 the drawing does not seem to have come 
 well upon the stone. Butterfly at top 
 to left {Lent hy T. Way, Esq.) 
 
 H. 6, B. 8 
 
 141 A Smith of Lyme Regis (undescribed) 
 
 A slight sketch of a blacksmith at the 
 forge, lit by firelight. His arms are 
 just suggested and his body is only seen 
 57 
 
to the waist, there is a shadow behind 
 him {Lent hy T. Way, Esq.) 
 H. 4i, B. 3^ 
 
 142 The Black Bonnet (undescribed) 
 
 The figure of an old lady, her eyes 
 turned to the right, faces the spectator. 
 She wears a black bonnet, her hands are 
 but slightly indicated. Butterfly signa- 
 ture to right. Evidently an early work 
 (Lent hy T. Way, Esq.) 
 
 H. iif, B. 8 ■ 
 
 143 Dr. Whistler, No. 2 (undescribed) 
 
 The Doctor sits in an easy chair facing 
 the spectator, but rather turned to the 
 left. His left hand rests upon the arm 
 of the chair and in his right he holds 
 a glass. A handkerchief is on his knee 
 {Lent hy T. Way, Esq.) 
 
 H. 7i B. 6 
 
 144 Portrait of M. le Comte de Montesquieu, 
 
 No. I (undescribed) 
 
 A full-length figure, standing, turned 
 to the right, his full-face emerging from 
 a dark background. He is in evening 
 dress, and carries a cloak over his left 
 arm. A cane is in his right hand, a 
 bracelet is round the right wrist. 
 Butterfly signature is slightly to the 
 58 
 
left of right hand {Lent by T. 
 Esq.) 
 
 H. 9i, B. 4 
 
 145 Battersea Bridge (undescribed) 
 
 A sketch of the Old Bridge, looking 
 down the river. To the right are fac- 
 tories and chimneys, to the left are two 
 piers of the new suspension bridge seen 
 through the old. In the foreground 
 several boats are drawn up on the shore. 
 The drawing does not seem to have 
 come well upon the stone {Lent by 
 T. Way, Esq.) 
 
 H. 2f, B. io| 
 
 146 Afternoon Tea (undescribed) 
 
 Two ladies, Mrs. Philip and Mrs. 
 Charles "Whibley, at tea ; the younger 
 lady sits to the right behind the tea- 
 table, wearing a black hat with white 
 feather, and a coat with high collar. 
 The other lady regards her, resting her 
 face upon her hand. Butterfly signa- 
 ture to the right {Lent by Mme. Blanehe 
 Marchesi) 
 
 H. 7i B. 6\ 
 
 147 Le Cordonnier (undescribed) 
 
 A shoemaker sits turned to right; 
 in centre of drawing; he has stopped 
 working, his hands rest upon his knees, 
 59 
 
he wears a French workman's cap and 
 an apron, his bench covered with boots 
 and tools is lit by a lamp, behind him 
 is a bureau with plates and pots on it, 
 a woman leans upon the end of it be- 
 hind him. Butterfly signature to right 
 at top (Lent by Mme. Blanche Marchesi) 
 H. 6, B. 8^ 
 
 148 Two sketches (undescribed) 
 
 Very slight, man's head at top to left. 
 A woman in a black hat bottom to right 
 {Lent hy Messrs. Ernest Broivn and 
 Phillips) 
 
 H. 10, B. 7 
 
 149 Oomte de Montesquiou, No. 2. (undescribed) 
 
 Another study of the Count in the same 
 position as the previous one, No. 144 
 (Le7it by H. S. Theobald, Esq.) 
 H. 8, B. 4j 
 
 150 Model on Couch. (undescribed) 
 
 Another print of No. 47 {Lent by W. 
 Eeinemann, Esq.) 
 
 151 Model, standing, in colour (undescribed) 
 
 Lightly draped figure rests her head 
 
 on her hand, turning slightly to left. 
 
 The print is touched with colour, and 
 
 there is a green butterfly to right {Lent 
 
 by W. Eeinemann, Esq.) 
 
 H. 8^, B. 5 
 
 60 
 
1 52 Model on Couch, in colour (undescribed) 
 
 Trial proof, probably unique. She 
 lies on couch to left, one leg raised, the 
 other hanging down. Carries a fan in 
 her right hand, and there is a jar with 
 blue spots beside her {Lent by W. 
 Seinemann, Esq.) 
 
 H. 7,B. lo 
 
 153 Completed print of the previous subject 
 
 (undescribed) 
 Blue background, red couch, on the 
 model's head a purple cap bound with 
 green, green drapery, blue spots on fan 
 and jar. Purple butterfly to right 
 (Lent hy Ernest Ma/rsh, Esq.) 
 
 DRAWINGS, ILLUSTRATIONS, PASTELS, ETC. 
 
 1 54 School House on Fire (water-colour) 
 
 This was done by the artist whUe he 
 was at school at Pomfret, Connecticut, 
 TJ.S.A., on his return from Russia {Lent 
 hy Mrs. W. McNeill Whistler) 
 
 H. 5, B. 7f 
 
 155 Sam Weller's Lodging in the Fleet Prison 
 
 (early water-colour drawing) 
 {Lent hy Mrs. W. McNeill Whistler) 
 H. Ah B. Si 
 
 156 Illustrations to Sir Henry Thompson's 
 
 catalogue of his Collection of Blue and 
 61 
 
White Nankin Porcelain, 1878. These 
 dramngs are in Indian ink. The book 
 in which the illustrations appeared will 
 be found in a case in the North Room 
 
 157 do. do. 
 
 158 do. do. 
 
 159 do. do. 
 
 160 do. do. 
 
 161 do. do, 
 {Lent hy Pickford R. Waller, Esq.) 
 
 162 Design for Matting (black and coloured chalk 
 
 on brown paper) 
 Butterfly signature to right at top 
 {Lent hy Mrs. Knowles) 
 H. io|, B. 6J 
 
 163 Studies of Nudes (black and white chalk) 
 
 Three complete female figures, one at 
 bottom with her arms crossed, one in 
 the centre stooping with her hands 
 between her knees, the third at the top 
 standing on tip-toe with her arms 
 raised. Suggestion of_^a torso, heads, and 
 unfinished notes all over the paper 
 {Lent hy Laurence W. Hodson, Esq.) 
 
 H. ii|,B. 7| 
 
 164 A Study (black and white chalk 
 
 on brown paper) 
 Back view of a nude figure seated, 
 62 
 
turned slightly to right {Lent by Mrs. 
 
 H. 9, B. 6| 
 
 165 A Female Figure (black and white 
 
 chalk on brown paper) 
 In light drapery, which falls from 
 her, kneeling, and tying a sandal on her 
 foot, extended in front of her At 
 bottom of drawing, a large blue 
 butterfly. H. 8f, B. 6^. On the 
 back of the drawing is a slight study 
 of a nude, in black and white {Lent hy 
 Sir James Knowles) 
 
 166 Full length Nude (pastel and black 
 
 chalk on brown paper) 
 Slightly turned to right, face and 
 legs barely indicated. She leans back] 
 wards over a bar. H. 13, B. 7. On 
 the back is a sketch for a very elaborate 
 composition. A figure descends a flight 
 of stairs to greet another figure sitting 
 at the bottom. On a raised seat in the 
 background are three other figures very 
 classic in feeling {Lent by Sir James 
 Knowles) 
 
 167 Mother and Child (black and white 
 
 chalk on brown paper) 
 The mother in light draperies, her 
 63 
 
nude child rests its head on her lap. 
 On the back is a study of drapery 
 (ie?ii hy Sir James Knowles) 
 H. 7, B. 8J 
 
 1 68 Study of a Nude (black and white 
 
 chalk on brown paper) 
 A nude with the extremities only just 
 indicated. Butterfly signature to right 
 low down (Lent hy Sir James Knowles) 
 H. 10, B. si 
 
 169 Water colour on tinted paper 
 
 Two female figures, one in light 
 yellowish draperies, the other in blue 
 bodice and black skirt. Beyond, blue 
 sea, and overhead, a lighter blue sky 
 {Lent by Sir James Knowles) 
 
 H. 7i, B. 6 
 
 170 A Nude Figure (pastel and black and white 
 
 chalk on brown paper) 
 A nude figure, facing left, draws 
 around her folds of drapery. Light 
 pastel work in background. Butterfly 
 signature to right {Lent hy Sir James 
 Knowles) 
 
 H. io|, B. ^\ 
 
 171 Study for Dress (pastel) 
 
 Full length of a lady to right holding 
 a fan. She wears a soft, rose-tinted 
 64 
 
gown. Butterfly" signature to right 
 {Lent by W. 0. Aleoeander, Ssq.) 
 H. 9f . B. 3| 
 
 172 Maude Standing (black chalk on 
 
 brown paper) 
 Full length figure turned to right, 
 right hand holds her dress, on her 
 shoulders a fur tippet (Lent by Thomas 
 Way, Esq.) 
 H. loj, B. 6f 
 
 173 Drawing from the Nude, No. i (chalk and 
 
 pastel on brown paper) 
 A nude figure, full face, leans against 
 a railing {Lent by E&mund Ltavis, Esq.) 
 H. 9i,B. 6 
 
 1 74 Kgure (pastel on brown paper) 
 
 Nude study of back of a girl, seated, 
 turned to right {Lent by Madame 
 Blanche Marchesi) 
 
 H. 10, B. 6 
 
 175 Harmony in Gold and Brown (pastel on 
 
 brown paper) 
 A girl in light brown and golden 
 draperies, and a yellow cap, reclines on 
 the floor, a white wall indicated behind 
 her. Butterfly signature to right {Lent 
 by Pic&ford B. Wall&r, Esq.) 
 H. sl, B. 10 
 
 65 E 
 
176 Souvenir of Velasquez (black and white chalk 
 
 on brown paper) 
 A reminiscence of Velasquez' Duke 
 of Olivarez (Lent hy E. Graves, Esq.) 
 H. 6|, B. si 
 
 177 Girl with Parasol (pen and ink) 
 
 Study for the painting (Lent hy G. R. 
 Halkett, Esq.) 
 H. 6i B. 3f 
 
 I 78 Lady with a Fan (pencil drawing, touched 
 
 with white) 
 
 Full length, full face figure of a lady 
 carrying a fan in her right hand. She 
 stands on richly decorated matting, and 
 behind her is black dado, pattern of 
 wall-paper and picture frames to right 
 and left slightly indicated. Butterfly 
 signature to left {Lent hy G. L. Rothen- 
 stein, Esq.) 
 
 H. 7|, B. 4i 
 
 179 Studies in lead pencil for Butterflies used 
 
 in the artist's publications (pencil drawing) 
 
 180 do. do. 
 (Lent hy H. J. Pollitt, Esq.) 
 
 181 Portrait of Whistler (pen and ink drawing) 
 
 A half length . of the artist slightly 
 turned to right. A very elaborate pen 
 66 
 
drawing made as a study for the full 
 length portrait, exhibited in the Inter- 
 national Exhibition in Paris in 1900. 
 The figure is enveloped in a long over- 
 coat, the right sleeve of which is empty, 
 and his hands show under it. Butterfly 
 signature to right {Lent hy Joseph 
 Penndl, Esq.) 
 H. 4, B. 3i 
 
 182 Pen Sketch for the Portrait of Sarasate 
 
 Butterfly signature to right at bottom 
 {Lent hy Charles Morley, Esq.) 
 H. si B. 2| 
 
 183 A Sleeping Figure (in black chalk) 
 
 H. 9, B. 6J 
 
 {Lent hy B. B. MacGeorge) 
 
 184 A Sleeping Figure do. do". 
 
 H. 9i B. 7f 
 
 Both 183 and 184 signed Whistler 
 
 185 Study for the Portrait of Carlyle (Pen, ink, 
 
 and wash) 
 (Lent hy T. Way, Esq.) 
 H. 4, B. 3l 
 
 186 Figure Reading (black and white 
 
 chalk on brown paper) 
 A figure seated in profile to left 
 reading a book (Lent hy Mrs, Knowks) 
 
 H. a|, B. 6| ■ 
 
 67 
 
187 Figure of a Child (black and white 
 
 chalk on brown paper) 
 Child seated in profile toi left, hands 
 folded in her lap {Lent hy Mrs. Knowles) 
 H. 9, B. 7 
 
 188 DrapedJFigure (black and white 
 
 chalk on brown paper) 
 The draped figure of a girl standing, 
 facing spectator. A background of 
 trellis work {Lent hy Mrs. Knowles) 
 H. io|, B. 6f 
 
 189 Study of a Nude (black and white 
 
 chalk on brown paper) 
 Nude figure stooping in profile to 
 
 right with hands between her knees 
 
 (Lent hy Mrs. Knowles) 
 H. 9I, B. 6f 
 
 190 Enlargement by Photo Engraving of the 
 
 Etching of Black Lion Wharf. Pub- 
 lished in the Daily Chronicle, Friday, 
 February 22, 1895. Engraved by 
 Carl Hentschel {Lent hy Joseph Pemnell, 
 Esq.) 
 H. II, B. 17 
 
 191 Nelly (pencil drawing on blue paper) 
 
 A young woman seated, full face, on a 
 couch sewing, she wears an i860 dress. 
 An early drawing very pre-Raphaelite 
 68 
 
in feeling; signed with Butterfly to 
 left at bottom, and " Nelly " in artist's 
 handwriting on right at bottom (Lent by 
 Laurence W. Hodson, Esq.) 
 H. 8, B. 61 
 
 192 Illustration to "The First Sermon '' (proof of 
 
 wood engraving) 
 " Good Words," 1862. Engraved by 
 Dalziel Bros. {Lent by Harold Hartley, 
 Esq.) 
 
 193 Illustration to " The First Sermon " (proof of 
 
 wood engraving) 
 " Good Words," 1862. Engraved by 
 Dalziel Bros. {Lent by Ha/rold Hartley, 
 Esq.) 
 
 194 The morning before the Massacre of St. 
 
 Bartholomew (proof of 
 
 wood engraving) 
 "Once a Week," vol. vii. p. 210. 
 Engraved by Dalziel (Lent by Messrs. 
 Chatto and Windv^) 
 H. 6, B. 4 
 
 195 Count Burkhardt (proof of 
 
 wood engraving) 
 "Once a Week," vol. vii. p. 378. 
 Engraved by Swain {Lent by Messrs. 
 Ohatto and Windus) 
 H. 61, B. 4 
 
 69 
 
196 The Major's Danghter (proof of 
 
 wood engraving) 
 " Once a Week,'' vol. vi. p. 712 
 {Lent by Messrs. Chatto and Windus) 
 H. 5, B. 4l 
 
 197 The Eelief Fund in Lancashire (do. do.) 
 
 " Once a Week," vol. vii. p. 140. 
 Engraved by Swain {Lent hy Messrs. 
 Chatto and Windus) 
 
 H. sh B. 4 
 
 198 A Portrait (pencil drawing on wood 
 
 block, unengraved) 
 {Lent hy Joseph Pennell, Esq.) 
 
 199 Study of a Head do. 
 
 {Lent hy Joseph Pennell, Esq.) 
 
 200 Study of a Head, No. 2 do. 
 
 {Lent hy Joseph Pennell, Esq.) 
 
 201 An Illustration on wood, a little figure 
 
 under the sea, gazing at a fish. Mrs. 
 Whistler may have worked on this block 
 {Lent hy Joseph Pennell, Esq.) 
 
 202 Study of a girl in bed, covered by an 
 
 elaborate quilt, on which sits a monkey 
 {Lent hy Joseph Pennell, Esq.) 
 
 203 Portrait of the Artist by himself (black and 
 
 white chalk drawing) 
 The artist leaning over a table, draw- 
 ing, is seen full face inclined slightly to 
 70 
 
right. He wears a white shirt, white 
 cuifs, and in his pocket is a white 
 handkerchief just showing, a black 
 necktie, and greyish coat. His white 
 lock is seen {Lent by Thomas Way, Esq.) 
 H. lo, B. 6| 
 
 204 A Study (black and white chalk 
 
 on brown paper) 
 Draped figure in profile to right, arm 
 outstretched {Lent hy Mrs. Knowles) 
 H. 7i, B. 4| 
 
 205 Study of Nude Figure looking right 
 
 (pen drawing) 
 {Lent hy WUUmn ffeinemcmn, Esq.) 
 H. 4^, B. 2 
 
 206 Old Battersea Bridge (black and white chalk 
 
 drawing on brown paper) 
 Three piers of the old bridge are seen, 
 and the footway of the Bridge crosses 
 the top of the drawing. In the fore- 
 ground, to the right, a man in a top hat 
 rows a boat. Chelsea Church is seen on 
 the left beyond the Bridge, and the new 
 Suspension Bridge appears to right in 
 the distance {Lent hy H. J. Pollitt, 
 Esq.) 
 H. 6f, B. loj 
 
 71 
 
207 A frame of ten early pencil sketches which 
 were given to his niece, Mrs. Thynne, 
 by Whistler after she had posed for him 
 as a child. Her portrait appears in 
 lower middle sketch. The other sketches 
 are mostly of provincial towns in France. 
 Very early works] 
 
 {Lent hy Mrs. Ghwrles ThyTme) 
 
 72 
 
WEST ROOM 
 
 "NOCTURNES, MARINES, AND 
 CHEVALET PIECES" 
 
The Widow (oil) 
 
 Full face of a young woman with 
 dark hair. She wears a dark cloak 
 with lace at the throat. Oval frame. 
 Butterfly signature to right {Lent hy 
 the Executors of the late J. Staats Forbes, 
 Esq.) 
 
 H. 22, B. 17 
 
 Nocturne, St. Mark's (oil) 
 
 Four bays of front of Church are 
 seen, the domes dimly outlined against 
 a deep blue sky. On the left a sugges- 
 tion of the Clock Tower, and lights are 
 dotted about on left-hand side of the 
 Piazza {Lent hy John J. Cowan, Esq.) 
 H. 17^, B. 23i 
 
 Sea and Rain (oil) 
 
 A stretch of sea and shore with figure 
 standing in the water on left, greyish 
 blue clouded sky. Signed "Whistler 
 '65 " in right-hand bottom corner {Lent 
 hy Alexander Young, Esq.) 
 H. 19I, B. 28i 
 
 I Girl with a Red Feather (oil) 
 
 Full face of a young girl, with a red 
 feather in her hair, her costume very 
 75 
 
slightly indicated. She is placed rather 
 to right of canvas {Lent hy the Execu- 
 tors\ofthe late James Staats Forbes, Esq.) 
 H. 19, B. II 
 
 Portrait of Thomas Oarlyle (oil) 
 
 Full length almost life-size portrait 
 seated in profile to left, against a flat 
 grey wall. To right, behind the sitter, is 
 a dark butterfly within a white circle. To 
 left there are two prints on the wall, and 
 a black dado runs all across the picture. 
 The sitter is in black, with a brown coat 
 over his knees, upon which rests his 
 hat. He holds his cane in his right 
 hand. "Whistler is wrongly described 
 on the frame of this picture as belong- 
 ing to the English School {Lent by the 
 Glasgow Corporation) 
 H. 67, B. 56 
 
 Girl in Black (oil) 
 
 Half length figure of a young girl in 
 black gown and black cap, with white 
 frill at her throat. Her brown hair is 
 cut straight across her forehead and 
 falls over her shoulders on either side of 
 her face. Probably the last picture 
 Whistler painted {Lent by Monsieur X.) 
 H. 19, B. II 
 
 76 
 
7 Symphony in White, No. 3 (oil) 
 
 A girl lies upon a sofa her head 
 supported on her right hand, her left 
 arm stretched along the back of the 
 sofa. Her hair is of a beautiful reddish 
 gold ; she is dressed in white, the sofa 
 is white, and another girl with the 
 same ruddy-toned hair in which is a 
 comb of gold, also dressed in white, is 
 seated on the floor, and leans against 
 the sofa, her right arm resting on it, 
 her left on her knee. A Japanese fan 
 lies on the- floor between the two girls. 
 On the extreme right are flowers in 
 bloom, and flowers also lie on the sofa. 
 The carpet is blue with white pattern. 
 Signed " Symphony in White, No. 3, 
 Whistler, 1867." This is the picture 
 which caused the celebrated difference 
 of opinion between Hamerton and 
 Whistler {Lent ly Ednvwnd Da/vis, 
 Esq.) 
 
 H. 19J, B. 29 
 
 8 The Little Blue Bonnet (oil) 
 
 A golden-haired girl in blue bonnet, 
 
 with grey feather, looks straight at the 
 
 spectator. Her dress is grey, trimmed 
 
 with blue, and she wears lace at her 
 
 77 
 
throat. Eed Butterfly to left. Oval 
 {Lent hy William ffeinemann, Esq.) 
 H. 23, B. 18 
 
 9 Nocturne, Southampton Water (oil) 
 
 Vast expanse of water in foreground, 
 on it three boats, one with a light. To 
 right ships, their lights reflected in the 
 water. To the left the moon is rising, 
 cut by a cloud, and further left is the 
 town with more lights reflected {Lent 
 hy the Chicago Art Institute) 
 H. 19, B. 29 
 
 ro Portrait of Monsieur Theodore Buret, 
 
 Writer on Art (oil) 
 
 The first writer in France to recog- 
 nise the genius of Whistler. Monsieur 
 Buret in full evening dress, faces the 
 spectator. In his right hand he holds 
 his hat, over his left arm is a pink 
 opera cloak, and he holds a fan in this 
 hand. Butterfly signature, a curious 
 silhouette on right (Lent hy Monsieur 
 Theodore Buret) 
 
 H. 72, B. 32^ 
 
 [ I The Coast of Brittany (oil) 
 
 A beach covered with rocks extends 
 to the deep blue sea, beyond and over- 
 head summer sky with floating white 
 clouds. In the left foreground a 
 78 
 
peasant girl in white cap and kerchief 
 sleeps resting against the rocks. Sig- 
 nature Whistler 1 86 1 , in lower left hand 
 corner (Lent by Ross Winans, Esq.) 
 H. 36, B. 46 
 
 12 Nocturne in Blue and Silver (oU) 
 
 A Pier of Old Battersea Bridge rises 
 in the foreground. People and ve- 
 hicles cross the bridge, seen at the 
 top. Sockets fall behind it. In the 
 immediate fqreground a man sculls a 
 boat to right of the pier. The lights 
 of Battersea are reflected in the dis- 
 tant water. The picture is in the ori- 
 ginal frame, designed and decorated by 
 Whistler. Butterfly on frame to left. 
 This was exhibited at the Whistler- 
 Ruskin trial (Lent hy Robert H. G. 
 Ha/rrison, Esq.) 
 
 H. 26, B. i9f 
 
 13 Whistler in his Studio (oil) 
 
 Whistler stands in profile to right 
 facing the spectator, dressed in a white 
 suit and holding a palette in his right 
 hand, his left hand is raised. Behind 
 him is a woman with her back to him, 
 in rose-tinted drapery, holding a Japan- 
 ese fan, and talking to another figure 
 in white dress, seated on a sofa. There 
 is a mirror behind the artist's head and 
 79 
 
a small print in white mount and gold 
 frame to extreme right {Lent hy Douglas 
 FreahjkU, Esq.) 
 
 H. 23, B. I^l 
 
 14 The Fur Jacket (oil) 
 
 Full length standing figure of a 
 lady in profile to left, three-quarter 
 face, her left hand on her hip. She 
 wears a brown hat, brown boa round 
 her neck, black jacket trimmed with 
 brown fur, and brown skirt. The floor 
 is brown and the background black. A 
 black butterfly in brown panel to left 
 {Zent hy WiUiam Burrell, Esq.) 
 
 H. 73> B. 34i 
 
 15 The Artist's Studio (oil) 
 
 This is another version of No. 13 
 (Lent hy the City of Duhlin Gallery) 
 H. 23J, B. 18 
 
 16 Valparaiso, Nocturne (oil) 
 
 A pier stretches out into the water, 
 and on it many people are walking 
 about. A fleet of many ships in the 
 middle distance, their lights and masts 
 reflected in the water, to extreme left a 
 rocket falls. A mountainous distance 
 and light blue sky {Lent hy Oeorge 
 McGulhch, Esq.) 
 
 H. 29J, B. 19^ 
 
 80 
 
17 Old Battersea Bridge (oil) 
 
 Both shores of the river are seen, and 
 the old Bridge connects them. On the 
 near shore to right are three hoats, in 
 the centre three men, two of them 
 in white shirts, launch another boat. 
 Beside them five other men carry saDs 
 and oars, one in the foreground wears a 
 white shirt. A barge laden with barrels, 
 one man on it, floats with the stream. 
 There are several waggons and vans on , 
 the bridge, beyond are the houses and 
 factories of Battersea, a single lofty 
 chimney appears almost in centre of the 
 picture, a fleet of steamboats is moored 
 on extreme left (Lent by Edmund 
 Dweis, Esq.) 
 H. 24J, B. 29I 
 
 18 Lillieinour Ally (oil) 
 
 Portrait of red-haired girl seated. 
 She wears a blue black cap and coat, 
 and looks directly out of the picture. 
 The back of the chair, on which she is 
 seated, is seen to right {Lent hyJohn J. 
 Cowan, Esq.) 
 
 H. 20, B. iij 
 
 19 Portrait of Pablo Sarasate (oil) 
 
 Full length, full face portrait of the 
 
 musician in evening dress, holding his 
 
 81 F 
 
violin and bow in his hands. Butterfly- 
 signature to right. Original frame de- 
 signed by Whistler, and on it to left his 
 Butterfly signature {Lent by the Ca/megie 
 Art Gallery, Pittsburg, Pa.) 
 H. 84, B. 40 
 
 20 LiUan, daughter of E. G. Woakes, Esq., 
 
 M.D. (oil) 
 
 Portrait of a girl, full face, her head 
 surmounted by masses of dark hair, 
 wearing a rose and green dress {Lent 
 by E. G. Woakes, Esq., M.D.) 
 H. 20, B. 13 J 
 
 21 Oremorne, No. i (oil) 
 
 The gardens backed by dense masses 
 of foliage are illuminated. Figures are 
 seen moving about, amongst them 
 waiters in red jackets. Two women 
 dressed in white are seen, one of whom 
 seems to be picking up a handkerchief. 
 In the foreground a number of chairs 
 and tables. The frame is original, and 
 designed by Whistler. The picture was 
 painted for John Calvocoressi {Lent 
 by Mrs. Alexander Argenti) 
 
 H. 19^, B. 30 
 
 22 Study in Brown (oil) 
 
 Full face figure of a young girl, head 
 82 
 
framed in with brown hair against a 
 richer brown background, she wears a 
 dark brown dress. Her hands are 
 crossed in her lap at the bottom of the 
 canvas {Lent by Baroness de Meyer) 
 
 H. 20, B. 12 
 
 23 Portrait of My Mother (oil) 
 
 Exill length figure of the artist's 
 mother, seated in left profile on a light 
 chair. She wears a white cap and ker- 
 chief, and black dress. Her hands in 
 which she holds a handkerchief are 
 folded in her lap, her feet rest upon 
 a cushion. Two prints hang on the 
 wall, one is of the Black lion Wharf. 
 An embroidered curtain falls from the 
 top nearly to the bottom of the picture, 
 on left. Butterfly signature seen at 
 the top of curtain to right {Lent hy the 
 French Government from the Musee du 
 Luxemhourg hy special decree of Presi- 
 dent Louhet) 
 
 H. 56, B. 64 
 
 24 The Master Smith of Lyme Regis (dl) 
 
 Half length figure of a" man slightly 
 
 turned to right. His hair, beard, and 
 
 thin moustache very dark brown, his 
 
 arms are crossed on his breast, his 
 
 83 
 
wrists showing. He wears a whit© 
 shirt, no collar, and a green coat ; the 
 background slightly lighter in tone than 
 the coat. Butterfly to right {Lent by the 
 Boston Museum of Fine Arts) 
 H. i9f,B. iij 
 
 25 Cremorne Gardens, No. 2 (oil) 
 
 A sketch of the gardens. In the 
 foreground a number of people are 
 promenading. To the right a gen- 
 tleman and three ladies are seated 
 at a table. In the centre are tables, 
 and still more tables to the left. Across 
 the background stretches a light wall 
 or screen upon which shadows of figures 
 are cast. The garden is illuminated 
 with little coloured lamps, white on the 
 right, and red on the left {Lent by 
 T. R. Way, Esq.) 
 
 H. 25, B. 51 
 
 26 The Little Rose of Lyme Regis (oil) 
 
 Half length full face figure of a small 
 girl, with brown hair, seen against a 
 brown background, in a black dress, 
 white collar, and red apron ; her hands 
 appear at the bottom of the canvas 
 {Lent by the Boston Museum of Fine Arts. 
 The Warren Collection) 
 
 H. i9f, B. 12 
 
 84 
 
27 Portrait of Sir Henry Irving as Philip of 
 
 Spain (oil) 
 
 Full length, full face figure of the 
 actor, in black hat with white feather, 
 black doublet and hose, and short black 
 cloak. Cloak and doublet are em- 
 broidered in gold, and the cloak is lined 
 with white silk, the hose slashed with 
 same. The long trunks and shoes are 
 white. On the left leg is the Order of 
 the Garter. In his right hand he clasps 
 a golden order which hangs from his 
 neck {Lent hy Sir Henry Irving) 
 H. 8i, B. 41 
 
 28 The Girl in Ked (oil) 
 
 Full face of a young girl in red gown, 
 against a red background. Her un- 
 bound hair falls over either shoulder. 
 Butterfly signature on left {Lent hy 
 the Eaxcutors of the late J. Staats Forbes, 
 Esq) 
 
 H. 19I, B. 12 
 
 29 The Blue Wave (oil) 
 
 A great stretch of sea, with two huge 
 waves rolling in to break on a rocky 
 shore. The surf boils amid brown rocks. 
 A big white cumulous cloud floats in the 
 sky, and to the left are masses of greyish 
 85 
 
cloud. This is one of the pictures that 
 Whistler painted in company with 
 Courbet, when they worked together for 
 one or two summers on the coast of 
 France. Signed, Whistler 1 86 1 {Lent by 
 Alfred Attmore Pope, Esq.) 
 H. 24J, B. 34 
 
 30 Portrait of the Artist (oil) 
 
 Half length, left profile, face turned 
 to the spectator. He wears a black hat, 
 black necktie, white collar and grey 
 painting jacket. In his right hand he 
 holds three paint-brushes. There is a 
 black dado behind his hand. Butterfly 
 signature in circle partially seen low 
 down to left. On the back is the artist's 
 signature in his own handwriting, the 
 frame is decorated by him, and has his 
 Butterfly signature on it to left (Lent 
 hy George McGidloch, Esq.) 
 
 H. 29!^, B. 21 
 
 31 Nocturne, Blue and Green (oil) 
 
 A stretch of the Thames looking 
 towards Chelsea^from Battetsea. Both 
 sides of the stream are seen. To the 
 right stands a solitary figure. In the 
 centre and to left is a long barge with a 
 single light upon it. Beyond is Old 
 86 
 
Chelsea with the Tower, and lights re- 
 flected in the water. In centre at the 
 bottom of the picture is the yellow 
 Butterfly signature in],black plaque. On 
 the back in the artist's handwriting is 
 " Nocturne Blue and Green ; Nocturne 
 Bleu vert " {Lent by W G. Alexcmder, 
 Esq.) 
 
 H. i8J, B. 23i 
 32 Portrait of Cicely, Henrietta, Miss Alex- 
 ander (oil) 
 
 A little girl stands in profile to left, 
 face turned toward the spectator. She 
 is dressed in white muslin trimmed with 
 grey, and carries a grey hat in her left 
 hand. There is a large black rosette 
 on her dress, a black bow in her hat, a 
 black ribbon in her hair, and she has 
 white stockings and black shoes. She 
 stands near a grey wall, with a black 
 dado, and there is a long black line 
 reaching to top of picture. A grey coat 
 lies on chair to left, above which appears 
 the Butterfly signature. Two butterflies 
 flutter near her head on the left, and 
 one low down on the right. On the 
 extreme right are some daisies {Lent by 
 W. 0. Alexander, Esq.) 
 
 H. 74, B. 39 
 
 87 
 
33 Trafalgar Square, Chelsea (oil) 
 
 A grey winter evening, trees in fore- 
 ground. Two sides of this square are 
 seen, to left and centre ; on the right a 
 gas lamp flickers, in the distance, more 
 towards the centre, is la row of other 
 lights {Lent hyJ. W. Martin White,E8q.) 
 
 H. 1 8, B. 24 
 
 34 The Violinist (oil) 
 
 Full face half length figure of a 
 young woman in grey and rose evening 
 dress, holding a violin under her right 
 arm. She is seen to the knees (Lent hy 
 Monsiewr Z.) 
 
 H. 30, B. 19^ 
 
 35 Old Westminster Bridge (oU) 
 
 This should properly be described as 
 the building of New Westminster 
 Bridge. To the right is the present 
 bridge in process of construction, many 
 figures are at work on it. Only the 
 first span can be seen, the others are 
 hidden by scaffolding and piles. The 
 bridge stretches across the picture to the 
 Surrey side of the river, and the horizon 
 is bounded by warehouses, domes, chim- 
 neys, and the trees in Lambeth Palace 
 Park. The whole of this background is 
 88 
 
now completely changed by St. Thomas's 
 Hospital, since built. Signature in ex- 
 treme left lower corner "Whistler 
 1862" {Lent by Alfred Atimore Pope, 
 Esq.) 
 
 H. 23^, B. 30 
 
 36 Nocturne, Blue and Silver (oil) 
 
 The Thames at "Westminster, looking 
 towards Lambeth. , On the right, West- 
 minster Palace, with two towers. Be- 
 yond the city stretches into the distance. 
 On the left the lights of the Embank- 
 ment are reflected in the waters. A single 
 factory chimney breaks the long low line 
 of houses. On the back of the picture is 
 a card bearing the artist's signature and 
 the Butterfly with title, " Westminster, 
 Blue and Silver, J. McNeill Whistler, 
 2 Old Lindsay Houses, Old Chelsea" 
 {Lent hy the Hon. Percy Wyndham) 
 
 H, 18, B. 24 
 
 37 The White Girl (oil) 
 
 Full length, almost life size of young 
 woman in white, against a white back- 
 ground. Her dark auburn hair hangs 
 loosely about her face, in her left hand 
 she carries a white flower, and she 
 stands on a wolf-skin rug lying on a 
 89 
 
richly flowered carpet. Signed on the 
 right hand at top, "Whistler 1862." 
 Original frame designed and decorated 
 by Whistler. Butterfly signature on 
 right hand near the top of frame. On 
 the back of the frame in the artist's 
 handwriting, is "J. McN. Whistler, 
 2 Lindsay Houses, Chelsea.'' This pic- 
 ture was rejected at the salon of 1863 
 {Lent by Harris Whittemore, Esq.) 
 H. 84, B. 42 
 
 38 Arrangement in Grey and Gold, Noc- 
 turne, Battersea Bridge (oil) 
 
 A reach of the Thames with Batter- 
 sea Bridge in the distance to right, 
 clock tower illuminated on left, and in 
 the foreground a barge with a man 
 rowing. Butterfly signature at bottom 
 left centre {Lent hy Mrs. Flower) 
 
 H. 18, B. 23J 
 
 90 
 
SOUTH ROOM 
 
 OILS, W-^ER COLOURS, AND PASTELS 
 
39 Pink and Rose : The Mother's Sleep 
 
 (water colour) 
 A young mother lightly draped, lies 
 asleep on a couch, beside her child. 
 Her drapery lis pink and rose, more 
 drapery is suggested on the couch to 
 left. Butterfly to left centre of the 
 drawing. On the back of this picture, 
 is the title in Whistler's own hand- 
 writing, with Butterfly signature be- 
 neath it [Lent hy John J. Cowan, Esq.) 
 H. 7, B. 10^ 
 
 40 Design for a Mosaic (pastel) 
 
 A rich robed figure turned to right 
 carries a Japanese umbrella over her 
 left shoulder. The whole drawing is 
 in blue purple and gold. A blue purple 
 and yellow butterfly to right, and purple 
 irises at bottom (Lent hy W, Chaha/m 
 Robertson, Esq.) 
 
 H. 10 J, B. 6 J 
 
 41 Draped Figure and Oupid (water colour) 
 
 A nude figure seated on long couch, 
 head turned to right, a green cap on 
 her head, supports a cupid on her knee. 
 93 
 
Butterfly signature to right (Lent by 
 Madame la Comtease de Beam) 
 H. 10, B. 7 
 
 42 Little Scheveningen (a grey note) (water colour) 
 
 A grey beach, with long stretch of 
 sand, sea coming in, in the distance, 
 three boats lie in the surf {Lent by 
 Walter Gay, Esq.) 
 
 H. 4, B. 8 
 
 43 Seascape (water colour) 
 
 Many boats are tossing in a dirty 
 grey sea. To right low down is the 
 Butterfly signature. To left two boats, 
 and others are grouped in the distance 
 {Lent by Mrs. A, M. Jarvis) 
 
 H. 4|, B. 81 
 
 44 Rose et Vert, L'Iris : Portrait of Miss 
 
 Kinsella (oil) 
 
 Full length portrait of a lady in rose- 
 coloured evening gown, turned to left. 
 In her right hand she holds an iris. 
 Signed on the back in artist's 
 handwriting, "Rose et Vert, I'lris, 
 J. McNeill Whistler" {Lent by Miss 
 Kinsella) 
 H. 74, B, 34 
 
 94 
 
45 The Salute, Venice, from tlie Riva Schia- 
 
 voni (water colour) 
 
 The Church and Custom House in 
 the distance, seen behind masts. 
 Figures in centre and 'to left; and 
 two others to right, slightly sketched 
 in, seated at a caf 6 table {Lent by B. B, 
 MaoGeorge, Esq.) 
 H. 5i,B.8f 
 
 46 Venice (pastel) 
 
 A grey day in Venice. A gondola in 
 foreground is being rowed towards the 
 distant city, the flat line of which is 
 broken by two white sails. The Butter- 
 fly signature is seen low down to right 
 {Lent hy Madamhe Blanche Marchesi) 
 
 H. 6f, B. II, 
 
 47 Study of Mrs. Leyland (pastel on brown paper) 
 
 Really a study of costume, the face 
 quite unfinished, full length, full face. 
 Her gown is white and gold; the 
 pattern in red. In her left hand she 
 holds a fan. At the side is a study for 
 the sleeve of her gown. Butterfly in 
 black and red circle on right {Lent 'by 
 Thomas Way, Esq.) 
 
 H. 10, B. 6^ 
 
 95 
 
48 The Convalescent (water colour) 
 
 The figure of a young girl propped 
 up in bed, reading a book with a blue 
 cover. By her side, is a table, with 
 breakfast things upon it. In the back- 
 ground the suggestion of a fireplace. 
 Butterfly signature appears to left near 
 the bottom {Lent hy Dr. John W. 
 Maclntyre) 
 
 H. 9i, B. 6\ 
 
 49 Sea Beach and Figures (pastel) 
 
 Four figures in gauzy draperies danc- 
 ing on the seashore. Of the two centre 
 figures, one to right carries a fan, and 
 the other to left a Japanese parasol, 
 white with blue spots. Further to left 
 another with lyre in her hands, and a 
 fourth, on extreme right, leans on a 
 railing which crosses the picture. In 
 the background a suggestion of sea and 
 sky, with flowers in right foreground 
 {Lent ly Sir William Eden, Bart.) 
 
 H. sh B. 10^ 
 
 50 Nocturne, Cremorne Gardens, No. 3 (oil) 
 
 A brightly lighted portico in the 
 
 gardens to the right, in which figures 
 
 are seated. Above them are eight 
 
 windows also lighted up. The left of 
 
 96 
 
the composition is in complete darkness 
 (Ze«< by C. Conder, Esq.) 
 H, 17, B. 24 
 
 51 Portrait of Master Stephen Manuel (oil) 
 
 Small boy wearing large white hat 
 with white feather, white lace collar, 
 and grey coat, sits full face on a Chip- 
 pendale chair looking out of the canvas, 
 the back of the chair is just visible. 
 Butterfly to right, low down (Lent by 
 Mrs, Mawudy 
 
 H. i9i, B. 14 
 
 52 Bead Stringers, Venice (pastel) 
 
 Walls of high buildings to right and 
 left. On the left are two women string- 
 ing beads, and to the right sits another, 
 clothes hang overhead. At the end of 
 the street is a shop, and a two-story 
 house with many chimneys above it. A 
 glimpse of blue sky beyond {Lent by 
 Thomas Way, Esq.) 
 
 H. loi, B. 4 
 
 53 Portrait of Mrs. Huth (oil) 
 
 FuU length portrait in profile to 
 right, head slightly turned towards 
 spectator. Her dress is black with 
 white lace at throat and wrists, and the 
 train of her gown sweeps almost across 
 the entire foreground. To the left low 
 97 G 
 
down is the Butterfly signature, a 
 Butterfly scarcely conventionalised, 
 black on yellow ground {Lent hy 
 Louis Huih, Esq.) 
 H. 75. B. 39 
 
 54 Marble Palace, Venice (pastel) 
 
 The corner of a palace juts out into 
 a canal, the water of which is very blue. 
 It is five stories high, with a water gate. 
 The surrounding buildings are merely 
 indicated. Two gondolas to left, and 
 Butterfly signature to extreme left 
 {Lent hy Thomas Way, Esq.) 
 
 H. II, B. si 
 
 55 A Harmony in Blue and Silver (oU) 
 
 A blue sea stretches away to a grey 
 sky. Upon the shore to the left men 
 are beaching a boat. Butterfly signa- 
 ture just below the boat {Lent hy His 
 Honour Judge Evans) 
 
 H. 5, B. 8| 
 
 56 A Venetian Water Gate (pastel on 
 
 brown paper) 
 A brick house with a large water 
 gate to right, reflected in the canal, 
 half closed windows above, and sug- 
 gestions of a canal, running away in 
 98 
 
the distance to left. Butterfly over door 
 to right {Lent by Lord Battersea) 
 H. ii,B. 7j 
 
 57 Belle k jour, Blue and Violet (oil) 
 
 Nude study full length of a girl lean- 
 ing against a parapet. The background 
 is blue, and violet, gauzy draperies faU 
 from her shoulders (JJent by Madame 
 Blanche Marchesi) 
 
 H. 6|, B. 4 
 
 58 Study of a Girl's Head and Shoulders (oil) 
 
 A girl fuU face, her hair brown, and 
 her white jacket trimmed with brown 
 fur, a blue tie {L&nt by Baroness de 
 Meyer) 
 
 H. 6, B. 3 
 
 59 The Shop Window (oil) 
 
 A long, low, double-fronted shop 
 window, in centre of picture, in which 
 are flowers in pots. To the left an open 
 doorway where stand a woman and 
 little girl. Butterfly signature on the 
 wall between the window and door 
 {Lent by A. Arnold Hannay, Esq.) 
 
 H. 4f , B. ^ 
 
 99 
 
6o Calle, Yeuice (pastel) 
 
 A narrow street with many figures, 
 Butterfly lower left-hand corner. Pastel 
 on brown paper {Lent hy J. P. Eeseltine, 
 Esq.) 
 H. 10 J, B. 7 
 
 6i A Venetian Courtyard (pastel) 
 
 Two boys to left, a woman and chUd 
 to right looking out of a doorway, three 
 doors at the bottom of the Court, the 
 centre one open, above a white three- 
 storied house with clothes hanging from 
 the windows {Lent hy Lord Battersea) 
 H. 11^, B. sJ 
 
 62 Nocturne in Green and Gold, The Falling 
 
 Rocket (oil) 
 
 Cremorne Gardens, a group of figures 
 dancing on a platform to left, and 
 spectators seated looking on in centre 
 and to left. Illuminated kiosk on right. 
 On the back in artist's own hand- 
 writing, " Nocturne in Green and Gold," 
 with the Butterfly signature. This 
 picture was exhibited at the trial [Lent 
 by William ffeinemann, Esq,) 
 H. 24, B. 29J 
 
 TOO 
 
63 Annabel Lee (pastel) 
 
 A female figure stands on the shore, 
 with her back to the spectator, her left 
 hand on a railing. She is dressed in 
 gauzy white, a purple shawl floats from 
 her arms, and a purple cap on her head. 
 Behind is a wide expanse of blue sea 
 and sky. At the foot of the drawing 
 are purple irises. Butterfly signature 
 in water to left {Lent hy Thomas Way, 
 Esq.) 
 
 H. 12^, B. 6i 
 
 64 The Sea, Pourville (oil) 
 
 A rough sea rolls in on a sandy 
 beach, under a blue grey sky, with 
 rolling clouds. Butterfly signature to 
 right on sand {Lent hy A. Arnold 
 Harnnay, Esq.) 
 
 H. 4, B. 6J 
 
 65 Portrait of Mrs. Louis Jarvis (oil) 
 
 She sits full face to spectator, in a 
 grey dress, against a grey background, 
 round her neck is a white collar and a 
 tie edged with red {Lent hy Mrs, A. M. 
 Ja/rvis) 
 
 H. 23^, B. 16 
 
 66 In the Channel (water colour) 
 
 Various craft seen in centre and right, 
 grey sea and sky. Butterfly signature 
 , loi 
 
at bottom to right (Lent hy Mrs. 
 Knowles) 
 H. 6\, B. 10^ 
 
 67 Battersea (water colour) 
 
 Boats in the foreground, a barge and 
 more boats to right further away, in 
 centre the tower of Battersea church, to 
 left works and factories, with clouds of 
 smoke coming from their chimneys. 
 Butterfly signature to extreme left 
 {Lent hy Sir Willia/m Ede7i, Barf.) 
 H. 3|, B. 4f 
 
 6'8 La Mfere Gerard (oil) 
 
 Portrait study of kn old woman, full 
 face, in white cap with long strings, 
 under which her white hair appears. 
 Her left hand in which she holds a 
 yellow pansy, is seen at the bottom of 
 the canvas. She wears a black shawl 
 over a greyish gown. This was the 
 first picture "Whistler exhibited, and he 
 presented it to Mr. Algernon Charles 
 Swinburne {Lent by Algernon Gha/rles 
 Swinburne, Esq.) 
 H. II, B. 8 
 
 69 Shipping on the Thames (oil) 
 
 View from the artist's studio at 
 Chelsea. Both banks of the river are 
 
seen, and on the nearer side to right are 
 three figures, two in black, one in white, 
 to the left another figure in black. 
 Beyond the first group are two barges 
 with sails furled, and a third barge to 
 extreme right. Beyond that again, a 
 ship and boats, then again the river in 
 extreme distance. Battersea shore and 
 Battersea Church tower are seen in 
 centre, and on the left a huge factory 
 and two smoke stacks {Lent by P. A. B. 
 Widener, Esq.) 
 H. 23 J, B. i7f 
 
 70 Little Nude (pastel) 
 
 A very complete study of a girl, 
 slightly turning to right, seen against 
 a red background. Her right hand is 
 raised to her lips, her left arm is pressed 
 against the waU. Butterfly signature 
 to right (Lent by Thomas Way, Esq.) 
 
 H. 10, B. 5 
 
 7 1 An arrangement in Black (oil) 
 
 A lady in black seated in profile, on 
 yellow chair, turns her head to the 
 spectator and toys with a brown boa 
 which encircles her throat and falls 
 upon her lap. The light comes from 
 an unseen fire in the lower left Land 
 T03 
 
corner. On the back the signature, 
 and " An arrangement in Black by 
 J. McNeill Whistler," in artist's hand- 
 writing {Lent by Alexander Henderson, 
 Esq.) 
 
 H. 9i, B. 7 
 
 72 Dieppe (oil) 
 
 The beach at Dieppe) numerous 
 figures walking along, one man in black 
 with two women in white skirts almost 
 in centre. Fishing-boats in the offing 
 and a pier to left. Butterfly signature 
 low down to right (Lent by Douglas 
 Freshfield, Esq.) 
 
 H 4j, B. 8 
 
 73 The Purple Cap (pastel) 
 
 A blue robed model, stands full face 
 leaning with her left arm upon a 
 balcony. Her right hand is on her 
 chin. She is lightly draped in white 
 gauzy stuff, and behind her are the 
 folds of a great blue robe, spread on the 
 balcony. Butterfly signature to left 
 (Lent by Thomas Way, Esq.) 
 
 H io|, B. 6 J 
 
 74 Study for the head of Miss Cicely H, 
 
 Alexander (oil) 
 
 The po&e and costume are exactly the 
 same as in the large oil picture. Butter- 
 104 
 
fly signature to left {Lent hy Alexander 
 Reid, Esq.) 
 
 H. 10, B. 14J 
 75 The Piano Picture (oil) 
 
 A lady (Lady Seymour Haden) 
 dressed completely in black i860 cos- 
 tume, save for white collar, sits in 
 profile to left of picture, at a piano. 
 Facing her is a little girl, dressed all in 
 white (Annie Haden, Mrs Charles 
 Thynne), ^her hair is brown, and she 
 wears black shoes, with crossed straps 
 over her white stockings. Behind to 
 extreme left an enamelled plate stands 
 on a red table, the carpet also is red. 
 The wall is white, and on it are seen 
 the lower parts of two prints framed in. 
 gold. Signed Whistler {Lent hy 
 Ednvund Davis, Esq.) 
 
 H. 26, B. 35i 
 
 76 Portrait of a baby (oil) 
 
 The baby, full face, smiles upon the 
 spectator. She is dressed in white 
 against a darker background {Lent by 
 Brandon Thomas, Esq.) 
 
 H. 19I, B. I if 
 
 77 Note in Ked and Violet (oil) 
 
 A small child stands in the imme- 
 diate foreground, wearing a red cloak 
 105 
 
and white frock, beyond her are nets or 
 seaweed. Several figures are walking 
 along the shore, and on the sea beyond 
 a single boat is coming in through the 
 surf. Butterfly signature in right-hand 
 corner {Lent hy Miss Constance Eodford) 
 H. 4, B. 8 
 
 78 The Base of the Tower, Venice (pastel) 
 
 A high brick church tower on right. 
 Shops, two-story houses, one with 
 balcony, and large chimney on left. 
 Figures in foreground. Butterfly low 
 down to right (Lent hy J. P. Heseltine, 
 
 Esq.) 
 
 H. ii|,B. 6f - 
 
 79 The Blue Girl (pastel on brown paper) 
 
 The very lightly robed figure of a 
 girl, draping herself in thin gauzy stufi", 
 on her head a blue cap. Butterfly on 
 extreme right (Lent hy Madame Blanche 
 Marchesi) 
 
 H. 10^, B. 6f 
 
 80 Tete de Femme (oil) 
 
 Head of a peasant woman slightly 
 turned to left, very low in tone, against 
 a dark background. She wears a white 
 cap and chemisette, a dark ribbon at 
 her throat. This is probably a very 
 106 
 
early work {Lent hy Madame la Gom- 
 tesse de Beam) 
 H. 9i, B. 6f 
 
 8 1 Variations in Violet and Green (oil) 
 
 A river, both banks of which are 
 seen, upon the nearer three figures, 
 a railing behind them. The first 
 to left is seated, the second carries a 
 parasol, and the third to right walks 
 apart. On the further side of the 
 river, a ship is sailing, and a church 
 tower rises behind it. Butterfly sig- 
 nature in an oblong plaque appears 
 on extreme right. Frame designed by 
 Whistler. Signed J. McN. Whistler 
 at the bottom {Lent by Sir Charles 
 McLaren, Bart.) 
 H. 23^, B. 12^ 
 
 82 Draped Model (black and white chalk 
 
 on brown paper) 
 Back view of draped figure, leaning 
 
 on a parapet. Butterfly signature to 
 
 right {Lent hy Mrs. Knowles) 
 H. lof, B. 6| 
 
 83 Portrait of E. G. Kennedy, Esq (oil) 
 
 Full length figure slightly turned to 
 left, wearing a black frock coat lighter 
 trousers, and holding his top hat in his 
 107 
 
right hand, his left hand in his trousers 
 pocket {Lent by Et G. Kennedy, Esq.) 
 H. i4, B. 6 
 
 84 Mrs. Leyland (black and white chalk 
 
 drawing on brown paper) 
 Study of Mrs: Leyland standing look- 
 ing to right and holding a fan in her 
 hand {Lent by Monsieur J. E. Blanche) 
 H. lof, B, 6f 
 
 85 The Beach (water colour) 
 
 The beach at a seaside resort. In 
 the foreground a small child in a red 
 skirt, many figures, a flagstaff, and 
 bunting in the distance, and light- 
 house beyond {Lent by Mrs. Knowles) 
 
 H. 8J. B. 4| 
 
 86 Landscape (oil) 
 
 Group of white village cottages, two 
 children's figures to right in foreground, 
 trees and hedges against the sky in 
 background. Butterfly signature in 
 right-hand bottom corner {Lent by 
 Alexander Young, Esq.) 
 
 H. iif, B. 24 
 
 87 Study of Rosettes (black and coloured 
 
 chalk on brown paper) 
 {Lent by Mrs. Knowles) 
 H. II, B. 7 
 
 108 
 
88 St. Yves. The Beach (oil) 
 
 The sea at low tide rolls in from the 
 distant horizon. Three small figures 
 to right, a dog near centre. To left 
 low rocks, round which waves swirl 
 {Lent by Monsieur J, E. Blcmche) 
 H. 8h B. iij 
 
 89 Portrait of L. A. lonides, Esq. (oil) 
 
 Mr. lonides is seated on left side of 
 canvas looking almost directly at the 
 spectator. His hair is black, and his 
 beard a rich brown. He wears a black 
 coat, his hands are seen at lower right- 
 hand corner. An early work (Lent by 
 L. A. lonides, Esq.) 
 
 H. isJ.B. iif 
 
 90 Nocturne, Chelsea Bags (oU) 
 
 Shop fronts ; in centre a dimly lighted 
 window, into which two figures peer. 
 To the right, the door of shop in which 
 stands a child dressed in white, above 
 her head on the wall hang three white 
 prints. The whole is very dark and 
 low in tone {Lent by John J. Cowan, 
 Esq.) 
 
 H. 14, B. 20 
 
 109 
 
9 1 On the Thames at Chelsea (pastel) 
 
 Four very slightly indicated figures 
 stroll along the emhankment. To the 
 left a white sail, and in the middle 
 distance three barges, the masts of which 
 are seen against distant Battersea, with 
 the Church spire to left (Lent hy W. G. 
 Alexander, Esq.) 
 
 H lo^, B. 61 
 
 92 The Isles of Venice (pastel) 
 
 A. distant view of Venice seen across 
 the Lagunes, a fishing-boat with red 
 sails, and the piles which mark the 
 channel, stretching across the fore- 
 ground {Lent hy W. Baptiste Scoones, Esq. ) 
 
 H. 2, B. loj 
 
 93 Valparaiso, Nocturne (oil) 
 
 Many square-rigged ships in the 
 middle distance and offing. The open 
 sea to left, and suggestions of hills in 
 background to right. Time early eve- 
 ning {Lent by W. Graham. Robertson, 
 Esq.) 
 
 H. 22, B. 29 
 
 94 The General Dealer (oil) 
 
 A shop front ; to right a woman wear- 
 ing a white apron carries a baby in a red 
 hood and black cloak. In front of the 
 
shop, a stand with vegetables, various 
 objects seen through the window, and 
 beyond a mixed collection of all sorts 
 of bric-i-brac, the stock in trade of 
 the general dealer {Lent hy John J. 
 Cowan, Esq.) 
 H. 4^, B. 8i 
 
 95 The Lily (pastel) 
 
 Stooping figure of a girl, arranging 
 a pot of lilies. Four full blooms are 
 seen above her head on a long stalk. 
 Behind her to right, a yellow and 
 white butterfly. On left Butterfly 
 signature in a circle {Lent hy W. Ber- 
 nard Knohel, Esq.) 
 
 H. 13J, B. 9 
 
 96 The Philosopher (oil) 
 
 Portrait of C. E. HoUoway, Esq., 
 painted in Fitzroy Street, London, about 
 1896. Full length figure somewhat 
 turned to right, face looking straight 
 out of picture. He stands before the 
 fireplace wearing a long brown overcoat 
 {Lent hy Madamne la Comtesse de Beam) 
 
 H. 8J, B. 4f 
 
 97 Portrait Sketch of F. R. Leyland (oil) 
 
 The figure of a taU red-bearded man 
 stands in centre of canvas, one hand on 
 
his hip, in the other he holds a light 
 overcoat. A dark dado crosses the 
 picture, behind him, the rest of the 
 wall light in tone. A single upright 
 line is drawn down the right-hand side 
 of picture. The Butterfly signature in 
 red on left of canvas {Lent hy Charles 
 Conder, Esq.) 
 H. 14, B. 8f 
 
 98 The Little White Sofa (oil) 
 
 A white sofa, on which reclines the 
 slightly draped figure of a girl with a 
 yellow cap. Behind her blue drapery 
 with rose-coloured design running 
 through it. Butterfly signature to 
 right on sofa (Lent hy A. Arnold 
 Eannay, Esq.) 
 
 H. 4, B. 61 
 
 99 Seated Figure (pastel) 
 
 Girl in light drapery, sits on the 
 ground in profile to left. Her left hand 
 rests on her left foot, and her right arm 
 is extended before her. Butterfly 
 signature to right {Lent by Thomas 
 Way, Esq) 
 
 H. 7i, B. 5 
 
 112 
 
loo Portrait of F. E. Leyland, Esq. (oil) 
 
 Full length full face figure in evening 
 dress, slightly turned to right, his right 
 hand on his hip, over his left arm he 
 carries a grey overcoat, and a silver 
 buckle shows on one shoe. An arrange- 
 ment in black on black. The floor is 
 much -lighter than the wall behind 
 (Lent by Mrs. Vol Prinsep) 
 H. 72, B. 34 
 
 loi A Freshening Breeze (oil) 
 
 A Harbour with two ships in the 
 distance, one of which, on the right, lies 
 behind a breakwater that runs out 
 towards another, A boat puts out to 
 sea, in the middle distance, and hauled 
 up on shore in the foreground are six 
 boats behind two other breakwaters In 
 the right hand lower corner a small 
 figure appears. Butterfly at bottom to 
 left (Lent by John G. Ore, Esq.) 
 H. 8^, B. 5 
 
 102 Rose and Red: The Baker's Shop at 
 
 Lyme Regis (oil) 
 
 A double doorway to right, in first 
 half of which stands a little girl in a red 
 pinafore, and other figures are seen 
 113 H 
 
within the second half. In the centre 
 of picture is a many-paned shop 
 window, with a loaf and other things 
 in it. To the left low down is the 
 Butterfly signature. The house stands 
 on a slight descending road. On the 
 back is written '' Eose and Eed, The 
 Baker's Shop, Lyme Regis, James 
 McNeill Whistler," and the Butterfly 
 {Lent by Humphrey Roberts, Esq.) 
 H. Ah B. 8 
 
 103 Portrait of Dr. William McNeill Whistler (oil) 
 
 (Elder brother of the ar-tist), Bust 
 three-quarter face placed on left of 
 canvas, black hat, white shirt or coat 
 and black necktie. Part of the hat is 
 cut oflF by the frame {Lent by Mrs. W. 
 McNeill Whistler) 
 
 H. 17, B. 14 
 
 104 The Seashore (oil) 
 
 Three figures walk along the shore at 
 low tide, two in the centre, one beyond 
 to right. In the offing, a number of 
 fishing smacks at anchor, grey sea and 
 grey sky {Lent by Sir William Eden, 
 Bart.) 
 
 H. 3f , B. si 
 
 114 
 
105 A Canal, Venice (water colour) 
 
 Bridge in centre, boat to left. Dark 
 mass of trees hanging over a wall to 
 right {Lent hy B. B. MacGeorge, Esq.) 
 H 8|, B si 
 io6 The Cur6's Little Class (oil) 
 
 Interior of Church at Dieppe. The 
 foreground filled with chairs on the 
 left, the cur6 holds his class. Behind, 
 supported on two pillars, is seen the 
 organ-loft with semicircular ends {Lent 
 hy John J. Cowan, Esq.) 
 H. 4, B. 8i 
 
 107 Petite bonne k la porte d'une Auberge (oil) 
 
 A maid in grey cap with white band 
 appearing under it, stands full face. 
 She wears a grey bodice, red skirt, and 
 long apron, which is tucked up showing 
 her bare feet and ankles. She holds up 
 her skirts in her left hand and has a 
 broom in her right. Behind her is an 
 open door. Butterfly on right of door 
 {Lent hy Mrs. H. 8. Schwann) 
 
 H. 8|, B. 4| 
 
 108 Portrait of Miss Yvonne Forster (black and 
 
 white chalk on brown paper) 
 SHght full length, full face, of a small 
 child. Butterfly signature to right 
 {Lent hy Miss A . E. Forster) 
 H. Z\, B. 5i 
 
 1^5 
 
109 Portrait of Agnes, Mary, Miss Alexander (oil) 
 Full length figure of a young lady 
 slightly turned to left. She wears a 
 long simple grey gown, a black hat 
 trimmed with white, and has a white 
 ruffle round her throat. She is button- 
 ing her gloves. To the left is a large 
 pot of yellow flowers {Lent hj W. 0. 
 Alexander, Esq.) 
 H. 74, B. 37 
 
 no Souvenir of the Gaiety (pastel) 
 
 A very slight sketch of three dancers 
 in costume, touched here and there 
 with brilliant notes of colour {Lent hy 
 Sir William Eden, Bart.) 
 H, 4|, B. 6i 
 
 III Baby Leyland (pastel on brown paper 
 
 Full length of small child in profile 
 to left ; she holds a book on her crossed 
 knees. Her hair is golden, and her 
 dress white and gold {Lent hy Thomas 
 Way, Esq.) 
 H. 10, B. 6J 
 
 ii6 
 
BJLCONr 
 
 OILS, tVATER-COLOURS, PASTELS, 
 AND PHOTOGRAPHS OF PICTURES 
 NOT IN THE EXHIBITION 
 
112 A Little Red Note, Dordrecht (water colour) 
 
 A river in the foreground in the 
 middle distance, to right, a barge or 
 raft with a mast and brown sail. To 
 left centre, low red houses, and further 
 left a tall windmill. Cloudy sky in the 
 background. The drawing is signed 
 on the back in Whistler's own hand- 
 writing. "A little Ked Note, Dor- 
 drecht, J. McNeill Whistler," and the 
 Butterfly (Lent by W. Bryant, Esq.) 
 
 H. 4f , B. ^ 
 
 113 Three drawings in one frame 
 
 (pastel on grey paper) 
 («) Model leaning forward, full 
 length, lightly draped, looking to right. 
 Butterfly to right. Pastel on grey 
 paper 
 
 H. 9, B. 6 
 
 (6) Portrait of the Artist 
 
 (black chalk on brown paper) 
 H. 6, B. si 
 
 (c) Model with Flowers (pastel and chalk) 
 Full length figure facing, slightly to 
 left, mainly in black chalk with slight 
 touches of brilliant pastel. Butterfly 
 119 
 
signature to right {Lent hy J. P. Heael- 
 tine, Esq.) 
 H. 9f , B. 6| 
 
 114 A Grey Note (body colour) 
 
 A stretch of seashore at low tide, 
 with stranded vessel to right, grey and 
 white cloudy sky {Lent hy Mrs. 
 Knowles) 
 
 H. 6, B. lof 
 
 115 Study for Dress (pastel) 
 
 Very slightly indicated figure of a 
 girl, in blue dress with crimson touches 
 here and there, white collar and cuffs 
 {Lent by W. G. Alexander, Esq.) 
 
 H. 9f , B. 5| 
 
 116 Design for a Fan (water colour) 
 
 Pour figures on the sea-shore in a 
 strong breeze, their very light draperies 
 blown about by the wind. Three of 
 them walk with the wind behind them, 
 the fourth, with a large parasol, 
 struggles against it. A distant blue sea 
 {Lent by C. H. Shannon, Esq.) 
 
 H. 6^, extreme B. 19^ 
 
 117 Diana at the Pool (oil) 
 
 Copy of a picture in the Louvre by 
 Boucher {Lent by Louis W. Winans, Esq.) 
 H. 23, B. 27 
 
 120 
 
ii8 Blue and Gold (pastel) 
 
 Slightly draped figure of a girl, hold- 
 ing a sprig of blossom in her left hand 
 {Lent by Mrs. Knowles) 
 H. II, B. 4| 
 
 119 Venice (pastel) 
 
 A white campanile, built out of a 
 church with a black roof, rises in centre. 
 To the left red and white houses, and 
 suggestions of figures and gondolas in 
 foreground, reflected in water to the 
 centre, the right occupied by the wall of 
 a whitewashed house, peeling here and 
 there, and showing the red bricks 
 underneath {Lent by Laurence W. 
 Hodson, Esq.) 
 
 H. 9|, B. 7 
 
 120 Maude Beading, in a Hammock (water colour) 
 
 Freely sketched figure in a hammock, 
 reading a paper which she holds near 
 her face. Her head crowned with 
 yellow hair is to left, her feet to right. 
 Butterfly signature to right. The Frame 
 contains a photograph of Whistler to 
 right, and an envelope addressed to Mrs. 
 McNay, and a note inviting her to lunch. 
 
are in lower left hand corner {Lent by 
 A, Biick, Esq.) 
 H. si B. 8i 
 
 121 St. Ives, Cornwall (water colour) 
 
 A long stretch of sand on which 
 figures are walking. In the middle 
 distance the town, and to right the sea 
 stretches in a great curve to the 
 horizon. Butterfly signature in red to 
 right on the sand {Lent hy Thomas Way, 
 Esq.) 
 
 H. 6f, B. 4f 
 12 2 Nocturne, Valparaiso, silver and gold 
 
 (water colour) 
 
 (Evidently a study for the larger oil 
 picture.) There is a long pier in fore- 
 ground, and a fleet of ships in the 
 offing, with lights reflected in the 
 water. Mountainous distance slightly 
 indicated. Butterfly on extreme left at 
 bottom. (Lent hy G. iV. Stevens, Esq.) 
 
 H. 8|, B. 6J 
 
 123 Study for the Peacock Room (pencil drawing) 
 
 {Lent hy A. Ludovici, Esq.) 
 H. 6|, B. 6^ 
 
 124 Benedictine Monks, a very early sketch 
 
 (pen and pencil) 
 {Lent by Mrs. W. McNeill Whistler) 
 
125 La Dame au Brodequin Jaune (photogravure) 
 
 {Lent hy D. Groal Thomson, Esq.) 
 
 126 Girl Reading (pen sketch) 
 
 Full length figure facing left, holding 
 a book, with inscription under Butterfly 
 to right. " Un apr^s midi chez Van 
 Dyck, Aug. 10, 1901,'' in Whistler's 
 handwriting {Lent hy Willia/m Eeine- 
 mann, Esq.) 
 
 H. 6, B. 4| 
 
 127 Two Sketches in one Frame (pen drawing) 
 
 Illustrations for " Thoughts at Sun- 
 rise," a song by Mrs. Moncrieff 
 
 (a) The sun is rising over a great 
 lake to left, sprays of blossom and 
 waving grass to right. Butterfly signa- 
 ture also to right. At bottom 
 "Thoughts at Sunrise, by Mrs. Mon- 
 crieff,'' in the artist's handwriting 
 
 H. 6|, B. 4i 
 
 (6) The sun is rising over a great 
 plain, a flight of birds from it towards 
 the zenith. Blossoming boughs and 
 waving grass to right. Again, 
 " Thoughts at Sunrise, by Mrs. Mon- 
 crieff," at bottom {Lent hy Mrs. Mon- 
 crieff) 
 
 H.6|,B.4| 
 
 123 
 
128 La Toilette (pen drawing on blue paper) 
 
 Back of female figure at her toilet, 
 looking towards right into a nairror. 
 Butterfly signature to left (Lent by 
 Madame Blanche Ma/rchesi) 
 
 H. 6|, B. 4j 
 
 129 Selsea Bill (water colour) 
 
 A white house rather to right, on a 
 sandy shore, seen against a blue sky, 
 dotted with white clouds. In the 
 foreground a chair, besides which are 
 remains of lunch. Butterfly signa- 
 ture to extreme left, at bottom {Lent 
 hy B. B. MacGeorge, Esq.) 
 
 H. ^, B. 12 
 
 130 A Marine Sunset (water colour) 
 
 A stretch of yellow sand on which 
 some figures are slightly indicated, on 
 the right a reach of water. Distant 
 land, yellow sunset sky, and floating 
 clouds above. Butterfly signature to 
 right {Lent hy Thomas Way, Esq.) 
 
 H. 5, B. 6J 
 
 131 Portrait of Rosa Corder (mezzotint) 
 
 Mezzotint by Josey. Proof signed 
 by Whistler 
 {Lent hy Joseph Pennell, Esq.) 
 124 
 
132 The Balcony (photograph) 
 
 {Lent by Messrs. Goupil <Sc Go.) 
 
 133 The Little White Girl 
 
 do. 
 
 (photograph) 
 
 134 The Music Room 
 
 do. 
 
 (photograph) 
 
 135 The Lange Leisen 
 
 do. 
 
 (photograph) 
 
 136 The Yellow Buskin 
 
 do. 
 
 (photograph) 
 
 137 The Falling Rocket 
 
 do. 
 
 (photograph) 
 
 138 Pencil drawing of Baby 
 
 
 (pencil) 
 
 Drawing of Baby seated, full figure, 
 bare feet, head slightly turned to left. 
 Signed Whistler, to left {Lent hy 
 LI. J. W. Bebb, Esq.) 
 
 139 Honfleur, grey and silver (water colour) 
 
 A slight sketch of old houses on the 
 banks of a river, the centre one, five 
 stories high, definitely drawn, the rest 
 merely indicated. Overhead, rosy, cloudy 
 sky^ with flecks of blue. Butterfly 
 signature low down to left {Lent by 
 Professor Emil Sauer) 
 H. 8, B. 4f . 
 
 140 Crepescule, Trouville (oil) 
 
 Sea-shore at low tide, rocks to right 
 and extreme left, reflections in wet sand, 
 125 
 
centre. Rosy after-glow in sky partially 
 veiled by blue clouds {Lent hy Frederick 
 Jameson, Esq.) 
 H. 13, B. 18. 
 
 141 The Ocean (photograph) 
 
 {Lent hy D. G. Thomson, Esq.) 
 
 142 La Note Eouge (oil) 
 
 A lady in a white dress with a red 
 coverlet over her, lies asleep on a red 
 saf 0, her head to left, her feet which are 
 seen, toward the centre of canvas {Lent 
 hy Sir George A. Drummond, K.G.B.) 
 H. 8f, B, ii|. 
 
 BALLAKTYNE PRESS, LONDON 
 
THE GENTLE ART 
 
 OF 
 
 MAKING ENEMIES 
 
 AS PLEASINGLY EXEMPLIFIED 
 IN MANY INSTANCES, WHEREIN THE SERIOUS ONES 
 OP THIS EARTH, CAREFULLY EXASPERATED, HAVE 
 BEEN, PRETTILY SPURRED ON TO UNSEEMLINESS 
 AND INDISCRETION, WHILE OVERCOME BY AN ' 
 
 UNDUE SENSE OF RIGHT 
 
 BY 
 
 JAMES McNeill whistler 
 
 Pott 4to, los. 6d. net 
 LONDON : WILLIAM HEINEMANN 
 
 21 BEDFORD STREET, W.C. 
 
THgiffiW GAI^iERY