~ JS ^J^^^^ fyxmll Wirnvmii^ | .b vtnjiS THE GIFT OF .A.3-Q0k.2-3 7583 The date shows when this volume was taken. To renew this book copy the call No. and give to the librarian. HOME USE RULESr All Botks subject to Recall. All books must be returned at end of col- lege year for inspec- tion and repairs. Students must re- turn all books before leaving town. Officers should arrange for the return of books wanted during their absence from town. Books needed by more than one person are held on the reserve list. Volumes of periodi- cals and of pamphlets are held in the library as much as possible. For special purposes they are given out for a limited time. Borrowers should not use their library privileges for the bene- fit of other perpons. Books of special value and gift books, when the giver wishes it, are not allowed to circulate. Readers are asked to report all cases of books marked or muti- lated. Do not deface books by marks and wrItlnK. Cornell University Library arW3790 A collection of noteworttiy ,?aj,'y,„f"9'j,^^ 3 1924 031 352 168 olin,anx Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924031352168 COLLECTION OF MRS. HENRY B. HOLLINS THE ANl^SON GALLERIES Madison Avenue at Fortieth Street New York/ Collection of Mrs. Henry B. Hollins No. 624. PORTRAIT OF JAMES HAIG By Sir Henry Raebiirn A Collection of Noteworthy Early English, French, and Italian Paintings, Bronzes, Miniatures, Tapestries, Rare English XV III Century Mezzotints, Embroideries, Porcelains, and Chip- pendale and French Furniture Also A Library of Rare Books and Fine Bindings Consigned by Mrs. Henry B. HoUins of New York To which a few additions from other owners have been made by permission To be Sold at unrestricted Public Sale on the Afternoons and Evenings of Tuesday and Wednesday, January 12th and 13th, 1915 at 2:30 and 8:15 o'clock On Public Exhibition from January 1st, at The Anderson Galleries METROPOLITAN ART ASSOCIATION Madison Avenue at Fortieth Street New York CONDITIONS OF SALE 1. All bids to be per lot as numbered in the Catalogue. 2. The highest bidder to be the buyer; in all cases of disputed bids the lot shall be resold, but the Auctioneer will use his judgment as to the good faith of all claims and his decision shall be final. He also reserves the right to reject any fractional or nominal bid which, in his judgment, may delay or injuriously aflfect the sale. 3. Buyers to give their names and addresses and to make such cash pay- ments on account as may be required, in default of which, the lots purchased to be immediately resold. 4. The lots to be taken away at the buyer's expense and risk within twenty-four hours from the conclusion of the sale, and the remainder of the purchase money to be absolutely paid on or before delivery, in default of which, the Metropolitan Art Association will not be responsible if the lot or lots be lost, stolen, damaged or destroyed, but they will be left at the sole risk of the purchaser, and subject to storage charges. 5. To prevent inaccuracy in delivery and inconvenience in the settlement of purchases, no lot will be delivered during the sale. 6. All lots will be exposed for public exhibition in The Anderson Galleries before the date of sale, for examination by intending purchasers, and the Metro- politan Art Association will not be responsible for the correctness of the descrip- tion, authenticity, genuineness, or for any defect or fault in or concerning any lot, and makes no warranty whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. But upon receiving before the date of sale, expert opinion in writing that any lot is not as represented, the Metropolitan Art Association will use every effort to furnish proof to the contrary, and in default of such proof the lot will be sold subject to the declaration of the aforesaid expert, he being liable to the owner or owners thereof, for damage or injury occasioned by such declaration. 7. Terms Cash. Upon failure to comply with the above conditions any sum deposited as part payment shall be forfeited, and all such lots as remain uncleared after twenty-four hours from the conclusion of the sale, will be resold by either private or public sale at such time as the Metropolitan Art Association shall determine, without further notice, and if any deficiency arises from such resale, it shall be made good by the defaulter at this sale together with all the expenses incurred thereby. This condition shall be without prejudice to the right of the Metropolitan Art Association to enforce the contract with the buyer, without such resale. The Metropolitan Art Association will afford every facility for the employ- ment of carriers and packers by the purchasers, but will not be responsible for any damage arising from the acts of such carriers and packers. Priced Copy of this Catalogue, $2.00. THE ANDERSON GALLERIES Metropolitan Art Association Madison Avenue at Fortieth Street, New York Telephone 7680 Bryant ORDER OF SALES The Sessions begin at 2:30 and 8:1 5 o'clock First Session, Tuesday Afternoon, January 12th Lots 1-146 Vestments, Brocades, Embroideries, Oriental Porcelains, Bronzes, Tapes- tries, Mirrors, Rugs and Furniture. Second Session, Tuesday Evening, January 12th Lots 147—299 Early English Mezzotints, Line and Stipple Engravings, Sporting, French, and Japanese Prints. Third Session, Wednesday Afternoon, January 13th Lots 300—577 Rare Books and Fine Bindings. Fourth Session, Wednesday Evening, January 13th Lots 578-636 Miniatures and Paintings. ARTISTS REPRESENTED No. Arlaud, J. A 584 Beechey, Sir William. . .614, 625 Berry 590 Bonifazio, Veronese 619 Canaletto, Antonio 607 Caravaggio, M. A 635 Cosway, Richard 592 Cosway, School of. . . .589, 591 Darley, F. O. C 578 Detaille, Charles 600 Drouais, G. J 610 Fragonard, J. H 582 Gruneberger . Guardi, F. . . •S94 .623 Harlow, G.H 606 Hone, Horace 597 Hoppner, John 608 Huet, J. B 621 Isabey, J. B 586 Kneller, Sir Godfrey. .613, 627 Lancret, N 63 1 Lawrence, Sir Thomas. 605, 633 Lebrun, Vigee Mme 609 No. Mignard, Pierre 601, 612 Oliver, Isaac 596 Opie, John 611 Pater, J. B 616 Perronneau, J. B 615 Plimer, A 588,598 Pourbus, Frans 632 Raeburn, Sir Henry 624 Reynolds, Sir Joshua 617 Rigaud, Hyacinth 604 Riley, John 622 Romney, George. . . . 618, 630 Rubens, Peter Paul 628 Shee, Sir Martin Archer . . .636 Tocque, Louis 603 Unknown 580, 581, 583, 585, 587, 595, 602 Vestier, Antoine 593 Vibert, J. G 579 Wilson, Richard 626, 634 Wyatt, Henry 620 Zuccarelli, Francesco 629 LIST OF ILLUSTRATIONS No. Lawrence, Sir Thomas. Master Peters 605 Drouais, G. J. Marquis de Breteuil 610 Mignard, Pierre. The Artist's Daughter 612 Reynolds, Sir Joshua. Duchess of Gloucester 617 Raeburn, Sir Henry. James Haig 624 Dickinson, W. (after Reynolds). Mrs. Pelham 164 Dickinson, W. (after Reynolds). Mrs. Taylor 165 Green, V. (after Reynolds). Countess of Salisbury 223 Murphy, J. (after the Marquise de Brehan). Marie Antoinette d'Autriche Reine de France 255 Book Binding from Grolier's Library 317 Book Binding. By Samuel Mearne 320 Book Binding. By Edwards, of Halifax , . 330 FIRST SESSION Tuesday Afternoon, January 12, 1915, at 2:30 o'clock Vestments, Brocades, Embroideries, Oriental Porcelains, Bronzes, Tapestries, Mirrors, Rugs, and Furniture 1 TERRA COTTA CHINESE PANEL OF BUDDHA. Height, 5 inches; width, j inches. 2 THREE SMALL CHINESE BRONZE FIGURES OF FEMALE SAINTS. Height, zYi inches. 3 EBONY FOLDING PRINT RACK. 4 PLASTER CAST OF THE HEAD OF AN INDIAN CHIEF. 5 BROWN MOROCCO JEWEL CASE. Octagonal in form with tooled rococo decoration in gold, the in- side lined with olive silk. 6 RED MOROCCO MINIATURE CASKET. Oblong in form with barrel top, hinged, having tooled decoration in gold. The inside lined with olive silk and fitted with trays covered with olive plush. Length, I2 inches; width, 6^2 inches. 7 CARVED TEAKWOOD PALM STAND. Circular in form, elaborately carved with leaves and branches, the top set with a marble panel. Diameter, ly inches. 8 ANTIQUE CARVED WOOD LECTRIN. Finished in ivory enamel. (Imperfect.) 13 9 JAPANESE SMALL LACQUER STAND. Inlaid with mother-of-pearl on a black ground. 10 CHALICE PALL OF OLD ITALIAN CUT VELVET. Flower and leaf pattern in purple on a gray ground, bordered with silver gimp. 11 JAPANESE OBI. Of pale blue silk embroidered with birds and flowers. 12 TWO PIECES OF OLD ITALIAN BROCADE. Parts of a chasuble; of salmon pink brocaded with silver and trimmed with silver lace. 13 PIECE OF DAMASK. Of crimson ground patterned with ribbons and flowers in pale green. Length, 2 yards; width, 51 inches. 14 CHASUBLE. Of green grosgrain silk interwoven with silver thread, trimmed with gold gimp and lined with pink silk. (The front worn and stained.) 15 TWO PAIRS OF GREEN DAMASK CURTAINS. Bordered with wide gimp. Length, 3]/^ yards; width, ij^ yards. (Slightly stained.) 16 CHALICE PALL. Of white silk, embroidered with flowers, bordered with gold gimp and lined with red silk. 17 HALF OF A CHASUBLE. Of Italian rose brocade. 18 OBLONG CUSHION OF CRIMSON VELVET. 19 TWO PIECES OF CHINESE BROCADE. (Somewhat stained.) 14 20 CHALICE PALL OF OLD CRIMSON AND GOLD BROCADE. Trimmed with gold lace and lined with gold silk. 21 PIECE OF OLD ITALIAN CUT VELVET. Of a floral pattern in green and red on an ivory ground. 2j X 25 inches. 22 PANEL OF OLD ENGLISH EMBROIDERY. With embroidered figures, birds, animals, flowers and insects cut out and applied to an ivory satin ground with a floral border wrought in gold thread. Height, 15 inches; width, 22 inches. 23 SMALL SOFA CUSHION. Covered with old brocade trimmed with lace, the ends finished with silk fringe. 24 CHASUBLE. Of ivory silk embroidered with flowers, birds and butterflies in colors. (Somewhat worn in front.) 25 STOLE AND MANIPLE TO MATCH. 26 CURTAIN OF OLD ROSE BROCADE. Figured with silver and trimmed with olive fringe. Length, 6}^ fe^U width, 5 feet. 27 CHINESE SILK SHAWL. Of deep red ground richly embroidered with flowers and leaves and bordered with long silk fringe of pale green. Size, 7 feet square. 28 ALTAR FRONT. Of Italian cut Velvet in four panels of wine red floral pattern on a yellow ground, trimmed with gold gimp and fringe. Length, 7}^ feet; width, 2 J^ feet. 29 COURT DRESS. Comprising skirt and overdress of wine red satin brocaded with sprays of flowers and trimmed with braid. 15 30 CHASUBLE OF CLOTH OF GOLD. Embroidered with silver in a leaf and flower pattern and trimmed with silver gimp. 31 STOLE TO MATCH. 32 LONG VELVET ROBE. Of plum color silk velvet lined with salmon pink silk. 33 LENGTH OF CHINESE CLOTH OF GOLD. Of pure gold thread figured with a key pattern in turquoise blue silk. Length, 2% yards. (Slightly stained at one end.) 34 CHASUBLE. Of ivory satin embroidered with gold and lined with red silk. (Somewhat worn.) 35 TWO SHORT SWORDS. With bronze handles and leather scabbards. 36 JAPANESE MANDARIN'S SWORD. The scabbard covered with silver decorated with a pattern of scrolls and leaves in relief. Length, 41 inches. 37 FINE JAPANESE SHORT SWORD. With Kodzuka and Kogai, Lacquer scabbard, Skakudo Orna- ments inlaid with gold. Length, 25 inches. 38 JAPANESE EMBROIDERY PANEL. Pink and white flowers on green satin. Mahogany frame. 22 inches square. 39 TWO CIRCULAR FAIENCE PLAQUES. With green and yellow decoration. (One repaired.) 40 ROSE BOWL. (Kien Lung.) Decorated with floral medallions and scrolls. Teakwood stand. Diameter, sY^ inches. 16 41 MINIATURE WHITE VASE. (Kien Lung.) Evenly coated with a pure white glaze. Teakwood stand. Height, 4 inches. 42 VASE. Tall oviform, with long flaring neck decorated with peonies, magnolias, butterflies and phoenix enameled in five colors over a new green glazed ground. Teakwood stand. Height, 18 inches. 43 BLUE AND WHITE BOTTLE-SHAPED VASE. (Kien Lung.) Of hard porcelain, with decoration of conventional floral scrolls and landscape medallions in under glaze blue. Teakwood stand. Height, 8}/2 inches. 44 SEMI-EGGSHELL BOWL AND STAND. Of translucent quality, coated with a fine aubergine glaze, deco- rated with lotus painted in gold and medallions representing European personages, painted in five colors over a white glaze. Diameter, 7 inches. 45 PEAR-SHAPED VASE. (Kien Lung.) Spreading to the neck, and curved to the base, decorated with lotus scrolls and upright palm leaves around the neck, engraved under a dull celadon glaze. Teakwood stand. Height, 10 inches. 46 BLUE AND WHITE BOTTLE-SHAPED VASE. (Kien Lung.) With decoration showing two men playing at chess in a garden. Painted in tones of blue under a crackled glaze. Carved teak- wood stand. Height, I2yi inches. 47 GOURD-SHAPED VASE. (Shun Chih.) Shortened neck, with embroidered scarf of scrolls and floral design, knotted between the two parts of the gourd, in blue and white tones, coated with a pea green celadon glaze. Fine specimen. Teakwood stand. Height, 9% inches. 17 48 LARGE VASE. (Kien Lung.) With decoration of a phoenix, storks, sparrows, magpies and mandarin ducks in a pond, together with peonies and prunus flowers, carved in relief in the paste, and painted in five colors, enameled over an Imperial yellow ground; has scroll upper medallion border, and scroll relief handle. Known by Chinese connoisseurs as the hundred birds close to phoenix. Teakwood stand. Height, 24 inches. 49 LARGE VASE. Coated with a deep ox blood glaze. Height, 14.}^ inches. 50 LARGE CHINESE PORCELAIN DISH. (Kien Lung.) Decorated with horses, flowers and shells on a green ground. Diameter, 12}/^ inches. 51 PYRAMIDAL VASE WITH STAND. With square sides, decorated with flower sprays in five colors on pale green ground. Height, ii]/^ inches. 52 BLUE AND WHITE GINGER JAR AND STAND. Decorated with symbol medallions and sceptre head borders. Teakwood cover. Height, 10 inches. 53 BLUE AND WHITE BOTTLE SHAPED VASE. Decorated with views of Chinese temples. Height, 16 inches. (Lip repaired.) 54 LARGE BLUE AND WHITE IMARI PLACQUE. With landscape and figure decoration. Diameter, 21 inches. 55 BLUE AND WHITE GINGER JAR. With landscape decoration. Teakwood cover. Height, 11 inches. 56 LARGE JAR. Decorated with figure subjects in five colors on a white ground with lattice and flower borders at base and neck. Teakwood cover. Height, 15 inches. 18 57 BRONZE FIGURE OF MERCURY AFTER GIOVANNI DI BOLOGNA. On a circular base of marble and bronze. Height, ji inches. (Base chipped; figure repaired.) 58 ANTIQUE GREEK TERRA COTTA VASE. Decorated with the figures of a youth and a sage in red on a black ground. While it is impossible to state the exact date of these vases, they probably date from four and a half centuries B. C. and considering their age are in a remarkable state of preservation. Height, 13 inches. Bought from Mr. Thomas B. Clark 59 ANOTHER SIMILAR. Decorated with the figure of a warrior going to battle. Height, 13)^ inches. 60 SMALL MAHOGANY BOOK RACK. Decorated with holly inlays, having one drawer and two shelves. 61 CHIPPENDALE MAHOGANY STOOL. With carved cabriole legs, ball and claw feet and slip seat covered with hair cloth. (Carving chipped.) 62 BRONZE ELECTRIC STANDARD READING LIGHT. Of Empire design with white silk shade. Height, 61 inches. 63 SMALL MAHOGANY HEPPLEWHITE TABLE. With fluted taper legs ending in spade feet, fluted bed with one drawer, the top with scroll edge. Length, 26 feet; width, ig inches. 64 FRENCH MANTLE CLOCK. Double black marble columns with bases and capitals of gilt bronze rest on a black marble base and support a plinth of black marble; between the columns is hung the gilt bronze dial with ornamental pendulum; base and architrave are ornamented with gilt bronze scroll work. Height, 23 inches. 19 6s STUART ARMCHAIR. With carved frame, carved back, cane seat and back panels. With linen slip cover. (Infirm condition.) 66 BRONZE FIGURE OF VICTORY. On a circular base of bronze and marble. Height, 31 inches. (Figure repaired.) 67 MAHOGANY CHIPPENDALE SIDE CHAIR. With carved back and arms, carved legs with ball and claw feet, the seat covered with green damask. 68 PAIR OF BRONZE MANTLE LUSTRES. Having bronze columns encircled with pendant prisms and terminating in urns, with curving arms supporting flower shaped globes. Fitted for electricity. Height, 18 inches. 69 SATINWOOD CURIO TABLE. With taper legs, folding top and two drawers, the top and front having inlaid borders with etched decoration, the drawers with rosette ring handles, the inside having a hinged glass cover. Length, 24)/^ inches; width, 20)/^ inches; height, 34 inches. 70 MAHOGANY MUFFINIER. 71 TWO CHIPPENDALE MAHOGANY ARMCHAIRS. With carved backs and arms, front legs carved, having ball and claw feet, the seats covered with green damask. 72 ANTIQUE LACQUER CABINET. With landscape decoration in gold on a black ground; the single front door reveals four interior drawers similarly decorated. Is supported on a stand with four legs. Width, 16 inches; depth, 12 inches; height, 44 inches. 73 STUART ARMCHAIR. The frame carved, with cane seat and back, having brown velvet seat cushion. 20 74 SMALL MAHOGANY TIP TABLE. With carved stem and spread feet. Diameter of top, 23 inches. 75 MAHOGANY ARMCHAIR. With carved cabriole legs and carved arms, the seat and back covered with crimson damask. 76 TWO ANTIQUE STUART SIDE CHAIRS. With carved frames, carved backs, cane seats and backs. With linen slip covers. (Condition infirm.) 77 ANTIQUE MAHOGANY CHIPPENDALE CARD TABLE. With cabriole legs, Dutch feet and one drawer. (Slightly chipped.) Top, J5 inches square, 78 CHIPPENDALE MAHOGANY SOFA. With triple chair back finely carved, carved legs with ball and claw feet, the seat covered with red damask. (Slightly worn.) 79 TWO DOWN SOFA PILLOWS. Covered with crimson silk brocade, finished with silk fringe. With Chintz covers. .80 SMALL MAHOGANY SOFA. The frame carved, the seat and back covered with striped rose silk damask brocaded with flowers. 81 TWO SPANISH HALL CHAIRS. The seats and backs covered with stamped leather bordered with large brass-headed nails. 82 MAHOGANY ROUND TABLE. With round column and scroll feet. Diameter of top, 4 feet. 83 CARVED TEAKWOOD PALM STAND. Oblong in form, carved with scrolls and fretwork, the top set with a marble panel. Length, 16 inches; width, 12 inches. 21 84 ANTIQUE MAHOGANY CHIPPENDALE CARD TABLE. With carved cabriole legs and Dutch feet. Top, 36 inches square. 8s LOUIS XVI CARVED WOOD CANDLE STAND. Having two lights with silk shade, oval mirror and silk work-bag. Height, 75 inches. 86 SMALL POMPADOUR TABLE IN VERNIS MARTIN. Curved taper legs supporting a deep scroll-shaped bed with three drawers; scroll edged top with gilt bronze rail, the top and bed painted with mythological subjects, garlands of flowers and scrolls in vemis Martin. Chiseled bronze mounts. Length, 28 inches; width, 16 inches. Bought of H. O. Watson & Co. 87 CHIPPENDALE MIRROR. The frame carved with scrolls, flowers and leaves, gilded. Height, 64 inches; width, 30 inches. 88 LOUIS XV CABINET IN VERNIS MARTIN. The slender body rests on four tapering curved legs; the drop front is painted with a Watteau Fete Galante in vernis Martin with decorated border, below which are three smaller panels in the same manner; the sides show figures and trophies; elaborate mountings of scroll and leaf pattern are of gilt bronze. The inside is lined with satin wood with walnut inlays and fitted with drawers and compartments; there are two secret drawers beneath. Height, 54 inches; width, 55 inches; depth, 16 inches. Bought of H. O. Watson & Co. 89 GEORGIAN MANTLE MIRROR. Set in an architectural frame of fluted columns with carved capitals and cornice, the upper part masked with carved wood scroll work. Height, 53 inches; width, 43 inches. 90 ANOTHER TO MATCH. 22 91 FRENCH WRITING DESK OF LOUIS XV STYLE. Of Italian walnut and mahogany marquetry, having three lower drawers and five small drawers in the top, mounted with scroll work in gilt bronze terminating in a two-light candelabrum on each side; the desk top covered with tooled leather. Length, j8 inches; height, 43 inches. 92 MAHOGANY OCTAGONAL TABLE. With scroll bed, square column, scroll feet. Diameter of top, 4 feet. 93 MAHOGANY QUEEN ANNE ARMCHAIR. Upholstered with needlework tapestry. 94 WHITE POLAR BEAR SKIN. Mounted with head and claws. Length, 8 feet. (Soiled and repaired.) 95 INLAID MAHOGANY CABINET. The Cupboard base is of concave form having two doors, inlaid with lyres, scrolls and shells with two upper drawers; the top with two latticed glass doors is surmounted by a broken arch cornice with inlaid decoration. Height, 6 feet, 6 inches; width, 2 feet, 4 inches; depth, i foot, 6 inches. 96 CINNAMON BEAR SKIN. Mounted with head and claws. Length, 7 feet, 8 inches. 97 OLD SAMARCAND RUG. With old rose ground having three central medallions of cream color with conventional floral patterns, corners of a key pattern and three borders of key and floral design. Length, 7 feet; width, 3 feet, 7 inches. 98 MAHOGANY WASH-STAND. With cupboard and four drawers having glass knobs. (Two knobs broken.) 23 99 ANTIQUE FRENCH TAPESTRY. The subject represents "The Chase" and shows a forest scene with a hunting party pursuing wild animals; the borders show fruits, flowers and symbolical devices. Length, ii feet, 2 inches; height, lo feet, 8 inches. loo ANTIQUE FLEMISH TAPESTRY. The subject shows a group of figures in the foreground gathered before a basket in which lies the form of an infant, probably intended to represent Moses; above rise trees in full verdure between which is seen a distant city at the base of a hill; the upper and lower borders show cartouches and flowers, the side borders, trophies. Length, 14 feet, 5 inches; height, 12 feet. loi PAIR OF ANTIQUE JAPANESE BRONZE TEMPLE VASES. With cylindrical bodies, wide flaring mouths and bulbous bases; the surfaces ornamented with dragons in combat amid cloud and wave forms. The covers have incised decoration and fill the tops rendering them serviceable as pedestals. They are extraordinary pieces of artistic workmanship worthy a place in any museum. Height, 41 inches; diameter at top, 21 inches. 102 MAHOGANY LONG CONSOL TABLE. Having round corners and resting on six tapering fluted legs with carved capitals, the bed ornamented with rosettes and a central panel in relief; the bed and legs are finished in bronze, the top is inlaid with satin wood borders. Length, 7 feet; width, ig inches; height, 33}^ inches. 103 ANTIQUE CHINESE LACQUER SHRINE TABLE. Oblong in form with scroll end supports, undershelf brace and two small drawers; the top and ends decorated with garden scenes in black and gold lacquer with borders of flowers, scrolls and birds in red and gold. Kien Lung Period. Height, 2g inches; width, 18 inches; length, 28 inches. 24 I04 CHIPPENDALE MAHOGANY CABINET SECRETARY. Square base, having carved mouldings and fluted corner columns with carved capitals and bases, four drawers and drop front secretary with brass pulls, the interior fitted with small drawers and compartments; the upper part with corner columns, single door, glazed, the top shaped as a broken arch and filled in with fretwork. The central top ornament and some pieces of mould- ing about one foot missing. Height, 8 jeet, 4 inches; width, j feet, 5 inches. los ANTIQUE THREE-FOLD LEATHER SCREEN. Painted with landscapes, birds, fruit, flowers and game, the back lined with red damask. Height, 6 feet, 6 inches; width, 8 feet, 10 inches. 106 SHIRVAN RUG. Length, 4 feet, 2 inches; width, 3 feet, 3 inches. 107 KAZAK RUG. Length, 7 feet, 6 inches; width, 4 feet. 108 KABISTAN RUG. Length, 6 feet, 6 inches; width, 3 feet, 2 inches. 109 SHIRVAN PRAYER RUG. Length, 4 feet, 6 inches; width, 3 feet, 8 inches. no HAMADAN CAMEL HAIR RUNNER. Length, 16 feet, 3 inches; width, 3 feet, 3 inches. (Shows a few moth patches, easily repaired). 111 SHIRVAN RUG. Length, 3 feet, 8 inches; width, 3 feet, 4 inches, 112 KAZAK RUG. Length, 7 feet, 8 inches; width, 4 feet, 6 inches. 113 KARABAGH RUNNER. Length, 15 feet, i inch; width, 3 feet, i inch. 114 SHIRVAN PRAYER RUG. Length, 5 feet, 6 inches; width, 3 feet. 25 115 CAMEL HAIR RUNNER. Length, ii feet, 7 inches; width, 3 feet, 4 inches. 116 KAZAK RUG. Length 5 feet, 6 inches; width, 3 feet, 10 inches. 117 CAMEL HAIR RUNNER. (Slightly torn in corner.) Length, 16 feet, 3 inches; width, 3 feet, 2 inches. 118 KARABAGH RUG. Length, 10 feet, 6 inches; width, 3 feet, 8 inches. 119 SHIRVAN PRAYER RUG. Dated 1288 Mohammedan Hegirah (Our Calendar 1870). Length, 5 feet, 4 inches; width, 3 feet, 7 inches. 120 ANTIQUE HAMADAN RUNNER. Length, 15 feet, 7 inches; width, 3 feet, 7 inches. 121 SHIRVAN PRAYER RUG. Length, 4 feet, 6 inches; width, 3 feet, 3 inches. 122 ANTIQUE SAMARKAND. Length, 7 feet; width, 4 feet, 10 inches. (Slightly damaged but easily repaired.) 123 SHIRVAN PRAYER RUG. Length, 4 feet; width, 3 feet, 4 inches. 124 KURDISTAN RUNNER. Length, 18 feet, 6 inches; width, 3 feet, 3 inches. 125 ANTIQUE CAMEL HAIR RUNNER. Bearing date of the Mohammedan Hegirah 1238 (Our Calendar 1820). Length, 16 feet, 3 inches; width, 2 feet, 11 inches. 126 SHIRVAN PRAYER RUG. Length, 5 feet, 7 inches; width, 3 feet, 10 inches. 127 ANTIQUE YOURUCK RUG. Length, 10 feet, 7 inches; width, 3 feet, 4 inches. 26 128 GHIORDEZ CARPET. With light blue ground figured with a conventional pattern in buff, brown and dark blue. Length, 17 feet, 5 inches; width, 12 feet. (Slightly damaged.) 129 ANTIQUE CHINESE RUG. Gold ground with large central plaque and four smaller ones showing peony flowers and leaves, the four comers filled with peony flowers and leaves. Over the intervening ground are strewn the hand of Buddha, flower boxes, and sprays of flowers. There are three borders, an outer one of plain blue, the inner ones of rosette and swastica design. Length, 7 feet, 4 inches; width, 5 feet. 130 MAHOGANY CORNER CUPBOARD. With scroll top terminating in a carved urn, and carved feet, four doors with scroll mouldings, and a slide, the interior with shaped shelves and drawers. Height, 7 feet, 8 inches; width, j feet, 2 inches. 131 MAHOGANY CHEVAL GLASS. Height, 7 feet, j inches; width, 3 feet. 132 MAHOGANY BUREAU. With corner columns, carved paw feet, three large and three small drawers having glass knobs, the mirror top supported by two carved columns. Length, 5 feet; width, 2 feet; height, 6 feet. 133 HIGH BACK WINGED EASY CHAIR. With carved legs ending in goat feet, the sides and back padded and covered with rose damask finished with gun metal tacks; loose seat cushion. (Covering slightly soiled and repaired.) 134 GEORGE WASHINGTON MAHOGANY DESK. With seven drawers at each side having drop brass handles, and double shelf racks on each end. Length, 4 feet, 6 inches; width, 2 feet, 8 inches. 27 135 HIGH BACK GRANDFATHER'S CHAIR. With carved legs, ball and claw feet, padded sides and winged back, covered with white cotton embroidered with crewel in a bold pattern of vines and leaves. Loose seat cushion. 136 MAHOGANY CHEST OF DRAWERS. With comer columns, paw feet, having five large and two small drawers with glass knobs. Length, 44 inches; width, 22 inches; height, 54 inches. 137 CARVED OAK HALL SEAT. The back set with three panels carved with Gothic perpendicular tracery, the central panel showing armorial bearings. Box seat with hinged cover. Reproduction of a piece in the Cluny Mu- seum, Paris. 138 ANTIQUE CARVED OAK CREDENCE. With spiral corner columns surmounted by carved grotesque figures, front and side panels carved with Gothic ornament; the upper compartment in cupboard form with secret drawer, the lower with drop front, single drawer and shelf base. Height, 66 inches; width, 40 inches; depth, 21 inches. 139 FRENCH LIBRARY TABLE, STYLE OF LOUIS XV. With cabriole legs and serpentine bed, finished in rosewood veneer with mahogany panels mounted with scroll work in gilt bronze, comer pieces and feet of bronze; serpentine top covered with red morocco having a tooled border in gold finished with brass rim. One large and two small drawers with brass drop scroll handles. Length, 70 inches; width, 55 inches. 140 CARVED OAK HALL THRONE. With carved canopy top, the back set with two panels carved with Gothic perpendicular tracery with armorial bearings. Box seat with hinged cover. Reproduced from an original church throne in the Cluny Museum. Height, 7^^ feet. 28 141 ITALIAN CARVED OAK BUFFET. The body, richly carved with a grotesque mask and garlands of fruit with corner figure pieces, is supported by two hippogryphs on a table base with paw feet; top shelf is upheld by brackets shaped as hippogryphs, the back panel carved with armorial bearings supported by cornucopias and figures, with a similarly carved top piece. The whole is enriched with carved mouldings and borders. From the Palace of Prince Doria, Rome. 142 SOFA. Covered with brown silk velour. Length, 7 feet, j inches. 143 CHIPPENDALE MAHOGANY BOOKCASE. The lower part with cupboards ornamented with carved mould- ings, the upper part is divided in three unequal compartments, whose doors are glazed in octagonal panels; the ornamental top of scroll shape is filled in with scroll work. Length, 8 feet; height, p feet. 144 ITALIAN CARVED OAK SIDEBOARD. The lower part a cupboard between two side columns, with two doors set with panels carved with grotesque heads and side pilasters; four drawers with carved fronts; the top with two shelves supported by carved brackets, having elaborately carved back panels, the whole enriched with carved mouldings and borders. From the Palace of Prince Doria, Rome. 14s WHITE ENAMELED ARMOIR. With door mirror, the inside fitted with drawers and compart- ments. 146 MAHOGANY ARMOIR. With comer columns having carved capitals and carved feet, the inside fitted with drawers, sHdes and compartments. 29 SECOND SESSION Tuesday Evening, January 12, 1915, at 8:15 o'clock Early English Mezzotints, Line and Stipple Engravings, Sporting, French, and Japanese Prints FRANCESCO BARTOLOZZI, 1727-1815 Well-known Eighteenth Century Stipple Engraver. 147 [MISS FARREN.] Actress, afterwards Countess of Derby. After Lawrence. Full length in a landscape. Stipple engraving. Folio, framed. 1792- . .... *An exquisite proof before the title. With large margins, printed in brown. One of the rarest and most sought for engravings of bartolozzi, which has been described as "The happy collaboration of a great portrait painter mth a great engraver." 148 (HON. MISS (ANN) BINGHAM.] After Reynolds. The sister of Lavinia, Countess Spencer. Seated, wearing a large hat. Stipple engraving in brown. 4to. Framed. 1786. •Proof with the arms only, with large margins; very rare. 149 TANTALIZING. Two young girls in a landscape. Stipple engraving printed in carmine, by R. Marcuard, pupil of Bartolozzi. Oval. Small 410. EDWARD BELL, Flourished 1794-1807 English Mezzotint Engraver, known in less than twenty prints. 150 MR. [JOHN] BANNISTER, JUN'R. After De Wilde, S. i. Full length, as "Gradus" in "Who's the Dupe." Lond. 1794. Folio. •Brilliant impression, from the Royal Collection at Windsor; with stamp. 151 JOHN LORD HOWARD DE WALDEN. After Rebecca. S. 11. Full length, court robes. Folio, Lond. 1796. *From the Royal Collection at Windsor; with stamp. 30 MARIA ANNE BOURLIER Early Nineteenth Century Stipple Engraver. 152 QUEEN CHARLOTTE. After Sir Wm. Beechey. Bust in oval. 4to, Lond. E. Harding, 1806. Framed. *Stipple engraving printed in colors. I S3 DUKE OF YORK. After Sir Wm. Beechey. Full bust in oval; in uniform. 4to, 1806. Framed. *Stipple engraving printed in colors. 154 DUKE OF CAMBRIDGE. [After Sir Wm. Beechey.; Bust in uniform; in oval. 4to, 1806. Framed. *Stipple engraving printed in colors. iSS PRINCESS OF WALES. After Sir Wm. Beechey. Nearly half length; in oval. 4to, 1806. Framed. *Stipple engraving printed in colors. 156 PRINCE ALFRED. After Gainsborough. Half length, as a child; in oval. 4to, 1806. Framed. *Stipple engraving printed in colors. THOMAS CHEESMAN Pupil of Bartolozzi, worked about 1790. 1 57 DUKE OF KENT. After Miiller. Half length, in uniform; in oval. 4to, margins, framed. Published in London in 1806. *Stipple engraving printed in colors. GEORGE CLINT, 1770-1854 English painter and engraver, noted for his mezzotints. 158 LADY MULGRAVE. After Hoppner. Half length, seated in a landscape, leaning on a stone wall; a veil of lace covers her hair and falls on her shoulders. *The beautiful Martha Sophia Maling of Durham. 31 SAMUEL COUSINS [1801-1887], and WILLIAM WALKER [1791-1867] 1 59 ROBERT BURNS. After Alex. Nasmyth. Whitman 31. Bust in oval. "Private plate excudit December 1830," etc. Mezzotint. Folio. Carved and gilt frame. 'Very rare early state, without Cousins' name and before publication. With a presentation inscription from Burns' wife and son, written by the latter, Col. James Glencairn Burns, and dated Aug. 8, 1832. Accompanied by a short autograph letter signed (framed) of Burns' granddaughter, S. Burns Hutchin- son, authenticating the inscription on the print. Considered to be a masterpiece of Cousins' work. Nasmyth said of it that it was a better likeness of Burns than his own painting, from which it was engraved. 160 NEW LAID EGGS. [Miss Effie Millais.] After Sir J. E. MiUais. W. 216. Folio, India proof before all letters, full margins. *A VERY beautiful PROOF, SIGNED BY CousiNS. A portrait of MiUais' daughter. i6i PIUS VII. After Sir Thomas Lawrence. W. 129. Large folio, full margins. *OpEN letter proof, FINE IMPRESSION. FiFTH OF SIX STATES. JEAN DAULLE, 1703-1763 Early French Line Engraver. 162 CATHERINE MIGNARD. After P. Mignard. Three-quarter length, holding a portrait of her Father. Folio, fine impression. Gilt frame. GEORGE DAWE, 1781-1829 English mezzotint engraver of "broad, manly and effective style." 163 > [MISS SEARLE.] After Reynolds. S. 12. As a child, tying a ribbon on the neck of a lamb. 4to, stained, has been folded at the bottom. *VeRY rare PRINT FROM THE ROYAL COLLECTION AT WiNDSOR; Stamped twice. WILLIAM DICKINSON, 1746-1823 His mezzotints are among the most brilliant specimens of the art. 164 MRS. PELHAM (Feeding Chickens). After Reynolds. S. 59. Full length, in a landscape; flowered muslin dress and sash; wide sieve under left arm from which she throws food to a hen and chickens. Folio, framed. 1775. *FlRST AND ONLY STATE WITH LARGE MARGINS ENTIRELY UNTRIMMED; almost Un- known in early impressions in such condition. (See Illustration.) 32 No. 165. MRS. ELIZABETH TAYLOR (Unfinished proof before all letters) By Wm. Dickinson, after Sir Joshua Reynolds 1 6s MRS. ELIZABETH TAYLOR. After Reynolds. Smith 80. Three-quarter length, head-dress with ostrich feathers, muslin dress; standing in a landscape. Folio, framed. *Unfinished proof before all letters. Excessively rare and justly esteemed for its beauty. (See Illustration.) 166 DIANA, VISCOUNTESS CROSBIE. After Reynolds. S. 14. Full length, in a landscape. Folio, margins trimmed, 1779. Framed. *Second state, with the inscription in scratched letters. 167 MRS.GWYNNEANDMRS.BUNBURY. After Gardner. S. 34. Half lengths, in oblong oval; low dresses; ruffs. 4to, framed, 1780. *SuPERB proof of THE FIRST STATE, before the erasure of the names. The two famous Hornech sisters known to Reynolds and Goldsmith as "The Jessamy Bride" and "Little Comedy." 168 JOHN MUDGE, M.D.F.R.S. After Reynolds. S. 189. The friend of Reynolds and his physician, of whom it was said that "if his physic does not cure, his conversation will." Half length. 4to, framed. JOHN DIXON, 1740-1780 Best known by his mezzotint of Garrick, after Dance. 169 FRANCIS, EARL OF HERTFORD. S. 19. Full bust in oval. 4to. *FlRST STATE, BEFORE ALL LETTERS AND WITH THE ARMS ONLY. PrOOF FROM THE Royal Collection at Windsor; with stamp. A very rare original portrait engraving. 170 HENRY EARL OF PEMBROKE. After Reynolds. S. 28. Three-quarter length, in uniform, standing in a landscape. Pub- lished, London, 1769. *SeCOND STATE BEFORE THE ALTERATION IN THE IMPRINT. A SUPERB PROOF FROM THE Royal Collection at Windsor; with stamp. WILLIAM DOUGHTY, Fl. 1773 "His work, after Reynolds, of the highest artistic excellence." — Smith. English mezzo- tint engraver of half a dozen plates. He married a servant in Sir Joshua Reynolds' house, and died young, in 1780. 171 DR. SAMUEL JOHNSON. After Reynolds. Smith 2. 1779. Half length, wig, vest buttoned to throat. Folio, gilt frame. *Second state. Fine impression, with the inscription in scratched letters, and before the publisher was changed to "John Jones." 172 SLEEPING CHILD. After Reynolds. H. 157. Full length, near a window. Small folio, full margins. *First state, before the title and with the artist's name in scratched letters. 34 ROBERT DUNKARTON, 1744-1817 English mezzotint engraver, whose works are in a clear, finished style. 173 GEORGE JOHN, EARL SPENCER. After Copley. S. 37. Whole length, court robes, standing against a curtain. Folio, framed. London, 1801. *A very fine impression. RICHARD EARLOM, 1743-1822 Pupil of Cipriani, executed a few plates in stipple, but known chiefly as a mezzotint engraver. 174 SENSIBILITY [Lady Hamilton]. After Romney. In a landscape, one knee resting on a marble balustrade, on which is a sensitive plant. Stipple engraving. 4to, London, about 1792. *Open letter proof. Very fine. 175 ALOPE (Protecting her little son from wild beasts). After Romney. 4to, London, 1787. *Stipple engraving beautifully and clearly printed in brown. Also a portrait of Lady Hamilton. Very rare. 176 SIR ROBERT HARLAND. After Dance. S. 21. English Admiral, East Indies, 1778. Three-quarter length, in uni- form, holding his hat in his left hand. Folio, London, B. B. Evans, 1798. *Brilliant impression from the Royal Collection at Windsor. 177 A FLOWER PIECE. After Jan Van Huysum. Folio, with margins. London, 1778. *A VERY EARLY IMPRESSION OF THE FINEST QUALITY IN FINE CONDITION. With the coat of arms, the names of painter and engraver and line of publication in scratched letters. Whitman says the plate displays " a master hand of great power and delicacy. The dewdrops seem almost to fall from the petals." 178 A FRUIT MARKET. After Snyders and Long John. From the painting in the Houghton Gallery. Oblong folio, margins. Framed. 179 A GAME MARKET. After Snyders and Long John. Companion to the preceding. Framed. 180 DIANA AND HER NYMPHS. After Rubens. Asleep after the chase. Oblong foHo, framed. *Proof WITH THE ARMS, before the title. 36 J. C. EASLING English mezzotint engraver of the first part of the Nineteenth Century. i8i GENERAL SIR THOMAS PICTON. After M. A. Shee. Noted British officer, killed at Waterloo. Full bust in uniform, 4to. Lend., Apl. I, 1815. *A fine proof from the Royal Collection at Windsor; with stamp. L. ARLENT EDWARDS The best known of contemporary mezzotint engravers in colors, whose plates are out of print and destroyed. The prints offered were specially selected by Mr. Edwards and will be found to include a number of the early and rare plates — Nattier's "Louise Marie," Da Vinci's " Beatrice d'Este, " Greuze's " Sympathy, " Lady Elizabeth Compton, Duchess of Devonshire, Lady Sheffield, and Countess Spencer, among others. 182 LADY HALLET. After Gainsborough. B. No. i. Signed artist's proof printed in colors. 183 LADY SHEFFIELD. After Gainsborough. No. 2. Signed artist's proof printed in colors. 184 INNOCENCIA. After Greuze. No. 3. Signed artist's proof printed in colors. 185 MRS. JOHN DOUGLAS. After Gainsborough. No. 4. Signed artist's proof printed in colors. 186 MRS. (PERDITA) ROBINSON. After Gainsborough. No. 5. Signed artist's proof printed in colors. 187 MRS. WELLS. After Romney. No. 6. Signed artist's proof printed in colors. 188 THE BLUE BOY (Master Jonathan Buttall). After Gainsborough. No. 7. Signed artist's proof printed in colors. 189 LOUISE MARIE. Daughter of Louis XV. After Nattier. No. 8. Full half length in oval. Signed artist's proof printed in colors. Folio. The French prints are among the rarest Edwards plates. 36 190 MISS ANN BINGHAM. After Reynolds. No. lo. Full half length in oval. Signed artist's proof printed in colors. Folio. 191 LADY SPENCER. After Reynolds. No. 11. Full half length, in large hat; oval. Signed artist's proof printed in colors. 192 DUCHESS OF DEVONSHIRE. After Gainsborough. No. 13. Signed artist's proof printed in colors. Folio. 193 MRS. BENWELL. After Hoppner. No. 14. Signed artist's proof printed in colors. Only 175 impressions were taken. 194 MRS. RICHARD BRINSLEY SHERIDAN. After Gainsborough. No. 15. Signed artist's proof printed in colors. Circular print showing her full length, seated. 4to. 19s MISS FARREN (Countess of Derby). After Lawrence. No. 16. Bust in oval. Signed artist's proof printed in colors. 4to. 196 AGE OF INNOCENCE. After Reynolds. No. 17. Signed artist's proof printed in colors. Sm. 4to. 197 MRS. (PERDITA) ROBINSON. After Romney. No. 18. Signed artist's proof printed in colors; only 175 impressions were taken. Half length; oval. Sm. 4to. 198 BEATRICE D'ESTE. After Da Vinci. No. 23. Superb impression; signed artist's proof printed in colors; one of 175 issued. Folio. 199 MRS. SARAH SIDDONS. After Gainsborough. No. 29. Nearly three-quarter length, seated. Signed artist's proof printed in colors. Folio. 200 THE PINK BOY. After Gainsborough. No. 30. Full length. Signed artist's proof printed in colors. Sm. folio. 37 201 SYMPATHY. After Greuze. No. 31. p. d. Superb impression. Signed artist's proof printed in colors. Only 175 copies were taken. 202 DUCHESS OF RUTLAND. After Reynolds. No. 32. Full length, in a landscape. Signed artist's proof printed in colors. Only 175 were issued. 203 LADY SOPHIE MUSTERS. After Reynolds. No. 33. Full length, on a balcony; no hat. Signed artist's proof printed in colors. One of only 175 impressions. 204 LADY ELIZABETH COMPTON. After Reynolds. No. 34. Full length, in a landscape. Signed artist's proof printed in colors. Only 175 impressions were issued. 20s MASTER LAMBTON. After Gainsborough. No. 40. Signed artist's proof printed in colors. Sm. 4to. 206 LADY MEARS. After Reynolds. No. 41. Artist's proof printed in colors. Narrow folio. *Scarce. Only 175 were issued. 207 LADY NORTON. After Reynolds. No. 42. Artist's proof printed in colors. Only 175 were issued, and the print makes a charming companion piece to the preceding. 208 IZAAK WALTON. After E. Tuskipp. No. 44. Signed artist's proof printed in colors. Folio. 209 REMBRANDT'S MOTHER. After Rembrandt. No. 45. Signed artist's proof printed in colors. Folio. 210 MIRANDA (Daughter of Sir Harry Vane). After Hoppner. No. 47- Bust in oval. Signed artist's proof printed in colors. 4to. 211 MADONNA. After Perugino. No. 55. Signed artist's proof printed in colors. Decorative gilt frame. 38 212 GOOD NIGHT! After Henry Mosler. No. 60. Signed artist's proof printed in colors. Folio. 213 THE LUTE PLAYER. After Franz Hals. No. 66. Signed artist's proof printed in colors. Decorative gilt frame. 214 SIMONETTA VESPUCCL After Pollajuolo. No. 67. Signed artist's proof printed in colors. Decorative gilt frame. 215 LADY DUDGEON. After Raeburn. No. 77. Signed artist's proof printed in colors. Folio, gilt frame. 216 ADA REHAN as Katharine. After Turner. Half length, proof on India paper. Large folio. *The earlier work of the artist, signed by Ada Rehan, Edwards and the painter. Published by Edwards in 1892. 217 ROSEBUDS [ETHEL BARRYMORE]. Signed artist's proof printed in colors. Gilt frame. JOHN FINLAYSON, 1730-1776 English mezzotint artist of about 20 plates, who died young. 218 MR. SHUTER, MR. BEARD & MR. DUNSTALL. After Zoffany. S. 14. In character in "Love in a Village." Folio, Lond. Mch. i, 1768. Fine impression. JAMES FITTLER, 1758-1835 Distinguished by his engravings; mostly portraits. 219 CAPTAIN MACBRIDE. British Admiral. After Northcote. Line engraving. Three-quarter length. Folio, margins, 1792. Framed. FOGG English stipple engraver of the early Nineteenth Century. 220 DUKE OF CUMBERLAND. After Sir Wm. Beechey. Half length, in uniform, in oval. Small 4to, margins, London, 1806. Framed. *Stipple engraving partly printed in colors. 39 E. GABRIELLI 221 LOUIS XVI AND MARIE ANTOINETTE. A Pair. Half lengths, oval, with scenes of their executions. The figures printed in colors. Stipple engravings. Small 4to, framed (2). T. GAUGAIN, 1748-1805 222 LE CERFVOLANT ACHEVfi— THE KITE COMPLEATED. After J. Barney. Boy seated with his kite, on a hillside. Folio. Framed. *Stipple engraving printed in colors. VALENTINE GREEN, 1739-1813 "All Green's plates show mastery of his art and originality." — Stephens. 223 EMILY MARY, COUNTESS OF SALISBURY. After Reynolds. S. 116. Full length, in a landscape, drawing on a glove, spaniel catching the end of her looped overdress in his mouth. Folio, Lond. 1781. Framed. *FiRST state: before the name of the personage and the remainder of the inscrip- tion in scratched letters: "Lady SaHsbury" in old ink can be faintly traced in the margin, apparently written by Green, as it has been obliterated with a "rocker." (See Illustration.) 224 LADY ELIZABETH COMPTON (afterward Lady Cavendish). After Reynolds. S. 27. Full length, in a landscape, leaning on a stone wall, pearl necklace ending in a large jewel, left hand in drapery on hip. Folio, Lond. 1 78 1. Framed. *FiRST state: fine impression with large margins, before the name of the personage, and the remainder of the inscription in scratched letters. 22s GEORGIANA, DUCHESS OF DEVONSHIRE. After Reynolds. S. 37- Characterized by Walpole as the "Empress of Fashion." Full length, right hand on a balustrade. About to descend marble steps into a landscape. Folio, margins, framed. 'First state, from the Royal Collection at Windsor; with stamp. The in- scription in scratched letters, "and" for "&," etc. A very slight damage has been repaired. 40 - ■.ii e*it" : ^tnf(tmmfjn mi^'~- j ^1 1 H ►^ w T; ! ^ ^ J w s rt ii ( S " c . o ^o c "^ ^ d .i: >- O rt C p £. m f« C/3 rt < •S M (i, o f! CO 1/2 r/0 1