fR GORNELIi UNIVERSITY LIBRARY UNDERGRADUATE LIBRARY . Cornell University Library PR3730.A5R6 1908 The complete poetical works of James Tho 3 1924 014 168 219 The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31 9240141 6821 9 THE COMPLETE POETICAL WORKS OF JAMES THOMSON Edited, with notes by J. LOGIE ROBERTSON Geoffrey Cumberlege OXFORD UNIVERSITY PRESS LONDON NEW YORK TOHONTO • <■■ * c James Thomson Born, Ednam, Roxburghshire 27 September 1700 Died, Richmond, Surrey . 27 August 1748 Thomson's Complete Poetical Works were first included in the series of Oxford Standard Authors in 1908 and reprinted in 1951 / ^ oB^^'^^ ^' PEIKTED IN GREAT BKlTAir O.S.A. ^-' PREFACE The chief want hitherto felt by students of the poetry of Thomson has been a variorum edition of The Seasons. This I have endeavoured to supply in the present edition. The first edition of Winter appeared in March, 1726, and consisted of only 405 lines. The second, published in the following June, contained many variations, and increased the original text by 58 lines. I give a reprint of the first Winter, accompanying t with the variations of the second. Three other editions prior to 1730 were reprints of the second. Summer was published in 1727 ; and consisted of 1,146 lines. A second edition, which appeared in the same year, was a reprint. Spring came out in 1728, and consisted of 1,082 lines : it was followed in 1729 by a reprint. Autumn appeared in 1730 as part of the first edition of the collected Seasons, and consisted of 1,269 lines. The Hymn, numbering 121 lines, appeared at the same time. But in this first edition of the whole Seasons, which was issued in two forms, quarto and octavo, Winter was augmented to 787 lines (781 in the quarto), Summer to 1,206, Spring to 1 087 ; and there were numerous changes besides in the previous texts which are not indicated by mere increment in the number of lines. Between 1730 and 1738 no change was made in iv - PREFACE the separate or collected texts of The, Seasons. Thomson was busy at other work. In the edition of 1744 great changes were made — more especially in Summer and Winter — not merely by addition, but in other ways. Thomson revised the text of The Seasons for the last time in 1746, making a few alterations, and increasing the length of the poem as a whole by 10 lines. The final result was a poem of 5,541 lines, made up in the following way : — Spring . . 1,176 lines Summer . 1.805 „ Autumn . 1,373 „ Winter . 1,069 „ Hymn . 118 „ The textual changes which The Seasons in their various parts underwent between 1726 and 1746 were of every conceivable kind. The author, it might almost be said, cherished a passion for correct- ing and improving. As long as he lived, and had the leisure (he never wanted the inclination), he was revising and altering. He added and he modified, withdrew and restored, condensed and expanded, substituted and inverted, distributed and trans- ferred. The final text is faithfully reproduced, word for word, in the present edition. I have modernized the punctuation, and also the spelling — retaining, however, a few characteristic forms. All changes and variations in the text from the first appearance of each part down to the last collected edition have been carefully and, it is hoped, fully and accurately noted. The labour of doing this, though mostly mechanical, has been neither short nor easy. Some idea of the way in which The Seasons grew PREFACE V may be gathered from a study of the history of Winter. On a comparison of the first draft (as I may call it) with the completed poem, not more than three-fourths of it, short though it is (405 lines), will be found in the finished work. Nearly 100 lines of it were transferred to Autumn, and thus it is upon an addition of some 760 lines that the reader looks who knows the poem only in its final form. Con- spicuous by their absence from the first text are the now well-known passages that describe the winter visit of the redbreast, the shepherd perishing in a snowstorm on the Cheviots, the goblin story at the village hearth, the descent of the wolf-pack, skating in Holland, the surly, bear ' with dangling ice all horrid ', and some others ; while there is merely a suggestion, which the poet developed later, of the windstorm at sea, the calm freezing moonlight night, and the student in his snug retreat ' between the groaning forest and the shore'. It is hardly an exaggeration to say that the last edition of the text of Winter as put forth by its author in 1746 presents, when compared with the first text of twenty years previous, what is substantially a new poem. It excites no small degree of wonder that from such a small and unpretentious beginning Thomson's Winter made its way, to become the epoch-making work which we now know it to have been in the poetical literature not only of our own country but. of Germany and Prance as well. The many changes which Thomson made in the text of The Seasons were mostly improvements, but, I think, not wholly so. I wish he had retained ' a weeping thaw ', and I much prefer the single line that informs us how Cincinnatus seized The plough, and greatly independent lived vi PREFACE to the two in which we are told that he greatly independent scorned All the vile stores Corruption can bestow. The various readings show that kind of development in which refinement and repose are gained, but not without some expense of vitality and vigour. There is sound criticism in the judgement of Johnson that in the process of improvement The Seasons lost somewhat of their original race or flavour. The Scotticisms, too, were expressive. And the keenness of his colour-sense, which he had inherited from his country's ballads, became dulled in deference to the taste of Pope and Lyttelton. But the loss of raciness is chiefly seen in the substitution, for example, of so comparatively tame a line as — Then scale the mountains to their woody tops for Then snatch the mountains by their woody tops, in the description of the fox-hunt ; or in the exchange of ' Shook from the corn ' for ' Scared from the corn ', in the hare-hunt ; or by the entire omission of the robust lines — While, tempted vigorous o'er the marble waste, On sleds reclined the furry Russian sits, And, by his reindeer drawn, behind him throws A shining kingdom in a winter's day. It is an error to suppose that when Thomson was writing Winter at East Barnet in the autumn and winter of 1725 he was at the same time contem- plating a poem on each of the other seasons. The error has arisen from a misunderstanding of Thomson's promise to sing of autumn, a promise which un- doubtedly appears in the first text of Winter. But the fulfilment also appears, immediately after the PREFACE vii promise. It is contained in the 100 transferred lines to which reference has already been made. The necessity for their transference shows that the scheme of a series of poems on the seasons had not yet occurred to him when, in the autumn of 1725, he was engaged upon Winter. The lines have autumn, or ' departing summer ', for their theme. They were appropriately incorporated with the poem on Autumn when, the turn of autumn came to be treated in the afterthought of The Seasons. His intention of describing ' the various appearances of nature ' in the other seasons was first announced in the prose preface which he wrote for the second edition of Winter : he had done so well with the winter theme that, doubtless, friends wishing to be com- plimentary hoped he would favour them with poems on the other seasons too. But till he took Autumn in hand — and Autumn was taken last — he did not seek to withdraw the lines from Winter. They served as an approach to the main theme. Winter sullen and sad, and all his rising train of vapours, and clouds, and storms — these are his theme. At the same time he cannot choose but consecrate to ' Autumn ' ' one pitying line ' — ^f or so it read when the poem was still on the anvil. But in the published text of March, 1726, it runs — Thee, too, inspirer of the toiling swain. Fair Autumn, yellow-robed, I'll sing of thee, Of thy last tempered days and sunny calms. When all the golden hours are on the wing. And so he does, fulfilling the promise there and then, and having at the moment of so writing no separate ulterior poem in view. Commencing with the hovering hornet poised threateningly in the genial blaze of September, he sings on through viii PREFACE falling leaves and sobbing winds and withering flowers, for nearly 100 lines, till he arrives at his ' theme in view ' — For see where Winter comes himself, confessed. Striding the gloomy blast ! It was not till after March, 1726, when his first venture in the poetical arena was beginning to win popular favour, that the joy of successful authorship inspired him with, the idea of ' rounding the revolving year ' in separate flights on the other seasons ; but before that, in the shadow of obscurity, bereavement, and comparative poverty, he wrote of himself as ' one whom the gay season suited not, and who shunned the summer's glare '. To him, as he was then situated, they were uncongenial both as seasons and as subjects for poetry. His personal mood when he chose winter was very much the mood of Burns when he sang, dolefully enough, more than half a century later — Come, Winter, with thine angry howl, And, raging, bend the naked tree ; Thy gloom will soothe my cheerless soul When Nature all is sad like me ! Thomson's great merit lies in his restoration of nature to the domain of poetry from which it had been banished by Pope and his school. He dared to dispute, and he disproved by his own practice and the astonishing success which at once accompanied it, the dictum of Pope that in matters poetic ' the proper study of mankind is man '. His wonderful observing power and his enthusiasm for his subject went far to make his treatment of nature a success. He was sincerely and healthily enamoured of nature. The wild romantic country was his delight. ' I know PREFACE ix no subject more elevating, more amusing, more ready to awake the poetical enthusiasm, the philo- sophical reflection, and the moral sentiment than the works of nature. Where can we meet with such variety, such beauty, such magnificence — all that enlarges and transports the soul ? . . . But there is no thinking of these things without breaking out into poetry.' Thus he wrote, with much more of the same tenor, in his prose preface to the second edition of Winter ; from which it appears that, in his view of the question, nature was not only a fit and proper subject for direct poetical treatment, but the greatest and grandest of all subjects. With the whole domain of nature before him he chose winter as the particular subject of his ' first essay '. It is by no means the most inviting of the seasons. The aspect of nature in winter is in general a forbidding aspect. Yet under his guidance we may discover the poetry of winter. Let us look where he points, and listen as he directs, and some share of his own enthusiasm for nature ' in all her shows and forms ' will enter our soul like the dawning of a new sense. His first great scene is a rainstorm. The skies are foul with mingled mist and rain, the plain lies a brown deluge ; hill-tops and woods are dimly seen in the dreary landscape ; the cattle droop in the sodden fields, the poultry crowd motionless and dripping in comers of the farmyard. It is a world of squalor and wretchedness. Yet there is the bright contrast of the ploughman rejoicing by the red fire of his cottage hearth, talking and laughing, and reckless of the storm that rattles on his humble roof. Meanwhile streams swell to rivers, and rivers rise in sfate ; the current carries every obstacle before it- — stacks and bridges and mills : nothing can stop its X PREFACE progress ; dams are burst, rocks are surmountedi glens and gullies are choked with the mad, plunging water. It boils, and wheels, and foams, and thunders through ! A recent critic has limited Thomson's love of nature to nature in her gentle and even her homely moods. Thomson's description of the river in flood is one of many passages in his poetry that con- tradict the criticism. The description of the windstorm is another. A third is the poetic realization of the Deluge, ending with the magnifi- cent line — A shoreless ocean tumbles round the globe. Applied to Cowper or Goldsmith, the criticism would fit, but it shows a strange misconception of the genius of Thomson. His presentation of a snowstorm is Thomson's highest achievement in natural description. The approach is well led up to. As we read we recall what we have often seen. The whole description is a splendid specimen of Thomson's peculiar art in the realization of a scene. It is rather a narrative of successive events set before us with dramatic vividness. The air grows colder, the sky saddens, there is a preternatural hush, and then the first flakes make their miraculous appearance, thin- wavering at first, but by and by falling broad and wide and fast, dimming the day. It is, as if by magical transformation, a world of purity and peace. It is now, by way of episode, that we have the charm- ing vignette of the redbreast at the parlour window. It is a perfect picture of its kind, unmatched for clearness and delicate accuracy of detail. We hear the soft beat of the breast on the frosted pane ; we PREFACE xi see the slender feet on the warm floor, and the eye looking askance with mingled boldness and shyness at the smiling and amused children. But we are soon summoned away to the sheep-walks on the Cheviots. All winter is driving along the darkened air. The snow is falling, and drifting. It is the drifting that the shepherd fears. Its effect is not only to hide but to alter the landmarks. Scenes familiar become foreign ; the landscape wears a strange look ; valleys are exalted, and rough places are made plain. At last the shepherd is completely bewildered, and he stands disastered in the midst of drift and snowfall. The whole moor seems to be revolving around him, as gusts of wind lift the surface-snow like a blanket and whirl it around. The first realization of his danger — his destiny ! — is finely suggested. Few scenes are more pathetic than Thomson's lost shepherd perishing in the snow. The pathos is heightened by that little crowd of curly heads at the cottage door or window, not many furlongs distant, where his little children, peeping out Into the mingling storm, demand their sire With tears of artless innocence. Alas ! Nor wife nor children more shall he behold, Nor friends, nor sacred home. Joyous winter days of clear frost are described with no less effective touches, among which one remembers the swain on the frozen upland stepping on solid crystal, and looking down curiously into the sullen deeps of the river. But enough has been said or suggested to show Thomson's fidelity to nature, and the art with which he discloses the poetry of nature. A love for nature is synonymous with a lov^e for Thomson. xii PREFACE It is scarcely possible now, at an interval of two centuries, to identify distinctly any single scene in his native Teviotdale which directly iired the heart or captivated the eye of the young poet. Neither his poems nor his letters help us much. We have a panorama of airy mountains, forests huge, and fertile valleys ' winding, deep, and green ', with a more specific but still general view of Tweed — Pure parent stream ! Whose pastoral banks first heard my Doric reed, With, sylvan Jed, thy tributary brook. We see him, already a young Druid — the part for which, as Collins happily noted, his genius was cast — in the alleys of Marlefleld woods. Where spreading trees a checkered scene display, Partly admitting and excluding day. We have a glimpse of his boyish face at the parlour window of Southdean Manse, turned now to the bursting passage of the torrent at the side of the garden, and now to the deep-fermenting tempest brewing in the red evening sky. There is also, in a letter to a friend in Scotland, a special reference to the beloved gloom of embowering trees in some unidentified haugh near Ancram. References such as these furnish our distinctest glimpse of Thomson in Teviotdale. But, if we seldom surprise him alighted in the vaUey, we feel his presence over- flying the entire scene from the kaims of Ednam to the cleughs of Sou'den. This is the land of Thomson. For the text of The Castle of Indolence I have followed that of the second edition, which was the last to receive the poet's revision. I have included, with the desire of presenting PREFACE xiii a complete edition, several pieces which have been attributed to Thomson, though the evidence for their admission is by no means satisfjdng. I cannot think he wrote the memorial verses on Congreve ; and the doggerel stanzas in the Scottish dialect are surely not Thomson's. The Juvenilia wiU at least serve to show the early bent of Thomson's genius to descriptions of nature, and the unpromising character of his youthful attempts at versification. ' The accomplishment of verse ' was to him a hard, and at last an incomplete, attainment ; but his enthusiasm for his great subject, and his glowing imagination, carried him to a success which, within obvious limits, is unique of its kind. In his peculiar method of developing a scene while describing it, in the astonishing felicity of his phrases, in his happy invention of picturesque and melodious compounds, he is a master ; but his construc- tive skill in the use of language is sometimes unequal to the task of fitly expressing his ideas. Hence his resort to exclamations, involutions, in- versions, and forced constructions which are often puzzling and occasionally ludicrous. Pages of Liberty — though it contains isolated passages of great force and beauty — ^read hke a mere catalogue of notes. It does not fall within the scheme of this edition to include the Dramas. I do not think it necessary to adduce evidence in proof of Thomson's authorship of the national ode, which is now generally accepted as incontrovertible. The patriotic feeling was strong in his heart, and shines out in his poetry on many occasions. He was by no means an aggressive Scot. His patriotism was for Britain. It was Britannia that received xiv PREFACE Heaven's commission to rule the waves. And he offers in Summer a.s generoasly sincere a tribute to the English character as Goldsmith does in The Traveller. Yet one likes to remember that, as he wrote to a feUow- countryman, ' Britannia includes our native kingdom of Scotland, too.' J. L. R. Oct., 1908. A CHRONOLOGY TO ELUCIDATE AND ILLUSTRATE THE LIFE AND TIMES OF THOMSON 1666. Birth of Thomas Thomson, the poet's father. 1674. Death of Milton. 1683. Execution of Algernon Sidney (' the British Brutus '). ie85. Death of Otway. 1686. Birth of Allan Ramsay. 1688. Birth of Pope. 1692. ReT. Thomas Thomson, the poet's father, appointed Minister of Ednam, Roxburghshire. 1693. Marries Beatrix, daughter of Alexander Trotter, of Widehope (a small lairdship in Roxburghshire). 1694. Birth of Voltaire. 1700. Birth, at Ednam or Widehope, of James Thomson, the poet — fourth child (third son) of his parents ; born (probably) on the 7th, baptized on the 15th of September. In the November following, his father inducted into the parish of Southdean, Roxburghshire. Birth of David Malloch (or Mallet). Birth of Dryden. 1709. Birth of Johnson. 1712. Young Thomson attends a Grammar School in Jedburgh, some eight miles or so from Southdean. His acquaintance with Mr. (afterwards the Rev.) Robert Riccaltoun, farmer at Earlshaugh, begins about this time. First attempts at versifying, a year or two later. 1715. Young Thomson enters Edinburgh University. 1716. Death of his father, in February, while exorcizing a ghost. Home transferred to Edinburgh. 1719. Death of Addison. 1720. Thomson now a student of Divinity. Continues versi- fying, chiefly on rural subjects in the heroic couplet ; con- tributes to The Edinburgh Miscellany Of a Country lAfe, &c. xvi CHRONOLOGY 1721. Birth of Collins. Walpole Prime Minister (till 1742). 1724. Thomson still at the University. Adverse criticism, by the Professor of Divinity, of one of his college exercises (a dis- course on the 10th portion of Psalm cxix). The turning-point of his life. 1725. End of February, Thomson sets out to seek his fortune in London : embarks at Leith, not again to see Scotland. Visits Drury Lane Theatre, and sees Cato acted. Death of his mother, in May. In July, acting as tutor to Lord Binning's son, at Barnet, near London. Composition of Winter in the following autumn and winter. Publication of Allan Ramsay's The Gentle Shepherd. 1726. In March, Winter, a thin folio of 16 pp., 405 11., price 1«., John Millan, publisher. Dyer's Grongar Hill published. Thomson acting as tutor in an academy in London. Acquain- tance with Aaron Hill. Second edition of Winter, in June. 1727. Death of Sir Isaac Newton : in June, Thomson publishes a. poem To the Memory of Newton. Summer published ; a second edition the same year. Thomson now relying on literature for his support. Britannia written (not published till 1729), in opposition to the peace-a1>any-price policy of Walpole. The poet spends part of the summer at Marlborough Castle (the guest of the Countess of Hertford). 1728. Spring published by Andrew Millar. Goldsmith born. 1729. Death of Congreve : anonymous poem To the Memory of Congreve published ; attributed to Thomson on very un- satisfactory evidence. In September, Thomson the guest of Bubb Dodington at Eastbury. The poet busy in various ways — with the tragedy of Sophonisha, the completion of The Seasons, the publication of Britannia, and contributions to Ralph's Miscellany; among the last a Hymn on Solitvde, The Happy Man, and a metrical version of a passage of St. Matthew's Gospel. 1730. Publication of the first collected edition of The Seasons (including Autumn and the Hymn for the first time) : two editions, one in quarto at a guinea, published by subscription ; the other in octavo. Sophonisha produced at Drury Lane, February 28th, Mrs. Oldfield taking the part of the heroine : a success on the stage, despite one weak line, and selling well when printed. Travelling tutor to young Charles Talbot, son of Mr. Charles Talbot, then Solicitor-General (soon after- CHRONOLOGY xvii wards Lord Chancellor) ; in Paris in December, ■where (pro- bably) he visits Voltaire. 1731. Visits ■ most of the courts and capital cities of Europe ' (Murdoch) ; in Paris in October. Visits Italy — ' I long to see the fields where Virgil gathered his immortal honey,' &c. Collecting material for his poem on Liberty. Correspondence with Dodington — ' Should you inquire after my muse, I believe she did not cross the Channel with me.' Probably wrote, however, the lines on the death of Aikman, the painter. Returns to England in December. Birth of Cowper. The OenUeman' s Magazine established. 1733. Death of young Talbot in September ; the elder becomes Lord Chancellor in November ; soon after, Thomson appointed Secretary of Briefs in the Court of Chancery — the post a sinecure with about 3001. a year. Some personal stanzas of The CasUe of Indolence written about this time. 1735. Publication of Liberty ; Parts I, II, and III, at intervals. 1736. lAberty ; Parts IV and V at intervals. Thomson goes to live in Kew Lane, Richmond — his residence for the rest of his life. Intimacy with Pope, whose house was only a mile off, at Twickenham. Busy with the drama — ' whipping and spurring to finish a tragedy this winter.' Sends pecuniary assistance to his sisters in Edinburgh. Becomes acquainted with ' Amanda '. 1737. Death of Lord Chancellor Talbot, in February ; Thom- son's memorial verses (panegyric and elegy) in June. Writing Agamemnon. Loss of Secretaryship. Acquaintance with George Lyttelton. Pension of lOOZ. a year from the Prince of Wales, to whom Liberty had been dedicated. Shenstone's Schoolmistress published. 1738. Thomson's Preface to Hilton's Areopagitica appears. Agamemnon produced in April, Quin in the title role. A new edition (a reprint of octavo edition of 1730) of The Seasons brought out. 1739. Thomson's tragedy of Edward and Meonora prohibited by the censorship. 1740. Conjointly with Malloch, The Masque o' Alfred, con- taining the ode ' Rule, Britannia ', performed August 1, in CUfden Gardens, before the Prince of Wales. 1742. Young's Night Thoughts (Books I-III). 1743. Visits the Lytteltons, at HagleyPark, in August — ' I am THOMSON \f xviii CHRONOLOGY come to the most agreeable place and company in the world.' Correspondence with ' Amanda '. — ' But wherever I am . . . I never cease to think of my loveliest Miss Young. You are part of my being ; you mix with all my thoughts.' His song, ' For ever, Fortune, wilt thou prove,' about this time. Pre- paring, at Hagley, a revised edition of The Seasons with Lyttelton 's assistance. 1744. New edition of TTie Seasons, with many alterations and additions. Lyttelton in oiEoe : he appoints Thomson Surveyor- General of the Leeward Islands — a sinecure post, worth 300i. a year clear. Death of Pope. 1745. His best drama Tancred and Sigismunda produced at Drury Lane, with Garrick as Tancred. At Hagley in the summer. 1746. Thomson makes way for his friend (and deputy), William Paterson, in the office of Surveyor-General. At Hagley in the autumn. Last edition of The Seasons published in the poet's lifetime. Collins'^ Odes published. 1747. At Hagley in the autumn. Visits Shenstone at the Leasowes. Busy at Coriolamis (nearly finished in March). 1748. Prince of Wales's displeasure with Lyttelton visited on Lyttelton's friends — Thomson's name struck off pension list. The Castle of Indolence, in May. Death of Thomson, after short illness, at Richmond, August 27th. Buried in Richmond churchyard. Collins's Ode in memory of Thomson — a lasting memorial. 1749. Ooriolanus produced, in January — the Prologue by Lyttelton. 1753. Shiels's Life of Thomson (Cibber's lAves of the Poets). 1758. Death of Allan Ramsay. 1759. Birth of Burns. 1762. Murdoch's Memoir of Thomson (prefixed to an edition of Thomson's Works). Monument to Thomson in West- minster Abbey. 1781. Johnson's Life of Thomson {Lives of the Poets). 1791. Burns's Address to the Shade of Thomson. 1792. The Earl of Buohan's Essay on the Life of the Poet Thomson 1831. Biography of Thomson by Sir Harris Nicholas (prefixed to the Aldine Edition of Thomson's Works : annotated by P. Cunningham, 1860). CHRONOLOGY xix 1842. An edition of The Seasons, with notes by Bolton Corney. 1891, Clarendon Press edition of The Seasons and The Castle of Indolence, with a biographical notice and full notes by J. Logie Robertson. 1894. Furth in Field (Part IV— Of the poet of The Seasons), by Hugh Hahburton. 1895. James Thomson : Sa Vie et ses (Euvres (678 pp.), by Leon Morel. 1898. James Thomson (in Famoim Scols Series), by W. Bayne. 1908. Jam£s Thomson (in English Men of Letter s Series), by G. C. Maoaulay. THOMSON'S FAMILY CONNEXIONS I. — On the Father's side [? Andrew] Thomson, a gardener, in the service of Mr. Edmonston, at Ednam, in Roxburghshire. Thuiiias Thomson, born 1666, graduated M.A. 1686, licensed 1691, ordained mini- ster of Ednam 1692 ; married Beatrix, daughter of Alexander Trotter, of Wide- hope, October 6, 1693 : Andrew Alexander Issobel James (the poet) (b. 1695) (b. 1697) (b. 1699) (b. Sep., 1700) These four children were born while their father was minister of Ednam. In the November following the birth of James, the Rev Thomas Thomson was translated to the parish of Southdean, in the same county as Ednam but on the English border, and five more children were born to him there, viz., a son, John, and four daughters, Jean, Elizabeth, Margaret, and Mary. b2 FAMILY CONNEXIONS II. — On the Mother's side Sir John Home of Coldingknowles (Fourth in descent from the first Baron Home, 1473) I \ Sir James Home •Tohn Home Sir James Home Sir James Home, who succeeded his cousin as third Earl of Home in 1635. William Home (of Bassenden) I Margaret Home married Mr. Trotter, of Fogo, author of Polwarth on the Green : (Fogo part of her dowry) Beatrix Trotter married the Rev. Thomas Thom- son, Minister of Ednam, October 6, 1693 I James Thomson (the poet) Elizabeth Thomson (Lisy), married the Rev. Robert BeD Rev. James Bell I Miss Ehzabeth Bell b. circa 1785, died a nonagenarian, the last of the Thom- son family. CONTENTS eAQB Preface . . . . . iii Chronology to eltjcidate the Life and Times of Thomson xv Thomson's Family Connexions ... xix THE SEASONS 1 Spring 3 Notes 46 Summer 52 Notes . 120 Autumn 133 Notes . . 181 Winter ... . . 184 Text of the First Edition . 227 Notes (including Preface to the Second Edition) 239 A Hymn on the Seasons . . 245 THE CASTLE OP INDOLENCE : AN ALLEGORI- CAL POEM . . . .251 Canto I . . 253 Canto II . . . 279 Notes .... ... 306 Explanation of Obsolete Words . . . 308 LIBERTY . . 309 Part I : Ancient and Modem Italy compared 311 Part II : Greece . ... 324 Part III: Rome . 339 Part IV : Britain . 356 Part V^ The Prospect 392 Notes . 413 xxii CONTENTS PAGE LYRICAL PIECES. Rule, Britannia! 422 Ode : ' Tell me, thou soul of her I love ' . . 423 Come, gentle god . . . . • 424 Song : ' One day the god of fond desire ' . 424 Song : ' Hard is the fate of him who loves ' . 425 To Amanda. I To Amanda. II To Myra To Fortune . The Bashful Lover To the Nightingale Hymn on Solitude A Nuptial Song An Ode on Aeolus's Harp 425 426 426 427 428 428 429 431 432 MEMORIAL VERSES. On the Death of his Mother . . . 434 To the Memory of Sir Isaac Newton . . 436 On the Death of Mr. William Aikman, the painter 443 To the Memory of the Right Honourable the Lord Talbot . . .444 Epitaph on Miss Elizabeth Stanley 456 A Poem to the Memory of Mr. Congreve 457 EPISTLES. To Dodington: The Happy Man . . 463 To His Royal Highness the Prince of Wales . 464 To the Rev. Patrick Murdoch . 465 Lines sent to George Lyttelton, Esq., soon after the death of his wife . . 466 To Mrs. Mendez' Birthday 466 To the incomparable Soporific Doctor 467 To Seraphina . . 4GS To Amanda. I 463 To Amanda,. II 470 To Amanda. Ill .... 470 CONTENTS xxiii PAGE MISCELLANEOUS POEMS. Britannia ... ... 471 A Paraphiase of the latter part of the sixth chapter of St. Matthew . .... 480 On the report of a Wooden Bridge to be built at Westminster . 481 JUVENILIA. The Works and Wonders of Almighty Power . 483 A Paraphrase of Psalm civ . . . . 484 A Complaint on the Miseries of Life 488 Hymn on the Power of God . . 489 A Pastoral betwixt David, Thirsis, and the Angel Gabriel, upon the Birth of Our Saviour . . 490 A Pastoral between Thirsis and Corydon upon the Death of Damon . . 492 Of a Country Life . . .494 Upon Happiness 497 Verses on receiving a Flower from a Lady . 502 On Beauty . . .... 502 A Pastoral Entertainment . . 505 An Elegy upon James Therburn . 507 On the Hoop .508 An Elegy on Parting 509 The Month of May . . ... 610 Morning in the Country . 510 Lisy's Parting with her Cat .... 511 Lines on Marlefield . ... 513 A Poetical Epistle to Sir William Bennet . . 514 INDEX OP FIRST LINES 515 THE SEASONS : A POEM 1,206 1,269 787 (the Quarto 781) 121. [First published in collected form in 1730, and then consisting of 4,470 11., made up in the following way : — Spring . . . 1,087 11. Summer Autumn Winter The Hymn The poem as a whole was much altered for the edition of 1744, and the additions then made greatly increased the size of it, the increase being chiefly in Summer and Winter. The last edition of The Seasons published in the author's Ufetime, in 1746, shows some further slight alterations ; with the result that the final form of The Seasons (including the Hymn) consists in all of 5,541 lines. The poem was inscribed to H.R.H. Frederic, Prince of Wales, in 1744.] SPRING [Dedicated, 1728, to the Rt. Hon. the Countess of Hertford, in a letter in which the poet writes — ' As this poem grew up under your encouragement, it has therefore a natural claim to your patronage.' First published early in 1728 (1,082 11.) ; last edition in author's lifetime published 1746 (1,176 11.).] THE ARGUMENT The subject proposed. Inscribed to the Countess of Hartford. The Season is described as it affects the various parts of nature, ascending from the lower to the higher ; and mixed with digressions arising from the subject. Its influence on inanimate matter, on vegetables, on brute animals, and last on Man ; concluding with a dissuasive from the wild and irregular passion of Love, opposed to that of a pure and happy kind.* Come, gentle Spring, ethereal mildness, come ; And from the bosom of yon dropping cloud, While music wakes around, veiled in a shower Of shadowing roses, on our plains descend. Hartford, fitted or to shine in courts With unaffected grace, or walk the plain * The above is the Argument prefixed to the last edition (1746) published in the author's lifetime. It is the same as the Argument of 1730, except that in the earlier edition the Countess of Hartford is designated ' Lady Hertford ' ; ' This Season ' appears for ' The Season ' ; and instead of ' pure and happy ' in the con- cluding note we have ' purer and more reasonable ' in the original form of the Argument. 5 Hertford 1728, 1729, 1730, 1738; Hartford 1744, 1746. The second edition (1729) is an exact' reprint of the first (1728). b2 4 THE SEASONS With innocence and meditation joined In soft assemblage, listen to my song, Which thy own season paints — when nature all Is blooming and benevolent, like thee. lo And see where surly Winter passes o£f Far to the north, and calls his ruffian blasts : His blasts obey, and quit the howhng hiU, The shattered forest, and the ravaged vale ; While softer gales succeed, at whose kind touch, Dissolving snows in livid torrents lost. The mountains lift their green heads to the sky. As yet the trembling year is unconfirmed, And Winter oft at eve resumes the breeze, Chills the pale morn, and bids his driving sleets 20 Deform the day delightless ; so that scarce The bittern knows his time with bill engulfed To shake the sounding marsh ; or from the shore The plovers when to scatter o'er the heath. And sing their wild notes to the listening waste. At last from Aries rolls the bounteous sun, And the bright Bull receives him. Then no more The expansive atmosphere is cramped with cold ; But, fuU of life and vivifying soul. Lifts the light clouds sublime, and spreads them thin, 30 Fleecy, and white o'er all-surrounding heaven. Forth fly the tepid airs ; and unconfined. Unbinding earth, the moving softness strays. Joyous the impatient husbandman perceives Relenting Nature, and his lusty steers Drives from their stalls to where the well-used plough Lies in the furrow loosened from the frost. There, unrefusing, to the harnessed yoke 9 Which] That 1730-38. SPRING 5 They lend their shoulder, and begin their toil, Cheered by the simple song and soaring lark. 40 Meanwhile incumbent o'er the shining share The master leans, removes the obstructing clay. Winds the whole work, and sidelong lays the glebe. White through the neighbouring fields the sower stalks With measured step, and liberal throws the grain Into the faithful bosom of the ground : The harrow follows harsh, and shuts the scene. Be gracious, Heaven, for now laborious man Has done his part. Ye fostering breezes, blow ; Ye softening dews, ye tender showers, descend ; 50 And temper all, thou world-reviving sun. Into the perfect year. Nor, ye who live \ In luxury and ease, in pomp and pride, Think these lost themes unworthy of your ear : / Such themes as these the rural Marc sung To wide-imperial Rome, in the full height Of elegance and taste, by Greece refined. In ancient times the sacred plough employed The kings and awful fathers of mankind ; And some, with whom compared your insect-tribes 60 Are but the beings of a summer's day, Have held the scale of empire, ruled the storm Of mighty war ; then, with victorious hand, 49 part] due 1728-38. 51 world-reviving] influential 1728, and 30 till 1730. 55 'Twas such as these 1728-38. 56 wide-imperial Kome] the full Roman Court 1728-38 ; in all its height 1728-38. 57 by Greece refined added in 1744. 58-62 The sacred plow Employed the kings and fathers of mankind In ancient times. And some, with whom compared You're but the beings of a summer's day. Have held the scale of justice, shook the lance 1728-38. 63 victorious] descending 1728, 1730, 1738. 6 THE SEASONS Disdaining little delicacies, seized The plough, and greatly independent scorned All the vile stores corruption can bestow. Ye generous Britons, venerate the plough ; And o'er your hills and long withdrawing vales Let Autumn spread his treasures to the sun. Luxuriant and unbounded. As the sea 70 Par through his azure turbulent domain Your empire owns, and from a thousand shores Wafts all the pomp of life into your ports ; So with superior boon may your rich soil. Exuberant, Nature's better blessings pour O'er every land, the naked nations clothe. And be the exhaustless granary of a world ! Nor only through the lenient air this change Delicious breathes : the penetrative sun, His force deep-darting to the dark retreat 80 Of vegetation, sets the steaming power At large, to wander o'er the vernant earth In various hues ; but chiefly thee, gay green ! Thou smiling Nature's universal robe ! United light and shade ! where the sight dwells With growing strength and ever-new delight. From the moist meadow to the withered hill. Led by the breeze, the vivid verdure runs, And swells and deepens to the cherished eye. The hawthorn whitens ; and the juicy groves 90 Put forth their buds, unfolding by degrees, 64 Disdaining] Unused to 1728, 1730, 1738. 65, 66 scorned All the vile stores corruption can bestow] lived 1728, 1730, 1738. 67 venerate] cultivate 1728-38. 71 domain] extent 1728-38. 78 Nor thro' the lenient air alone, this change 1 728-38. 8 1 steaming] streaming (a misprint) 1730-38. 82 verdant 1730- 38. 87 withered] brown-browed 1728-38. SPRING 7 Till the whole leafy forest stands display'd In fuU luxuriance to the sighing gales — Where the deer rustle through the twining brake. And the birds sing concealed. At once arrayed In all the colours of the flushing year By Nature's swift and secret-working hand, The garden glows, and fills the liberal air With lavish fragrance ; while the promised fruit Lies yet a Uttle embryo, unperceived, loo Within its crimson folds. Now from the town, Buried in smoke and sleep and noisome damps. Oft let me wander o'er the dewy fields Where freshness breathes, and dash the trembling drops From the bent bush, as through the verdant maze Of sweet-briar hedges I pursue my walk ; Or taste the smell of dairy ; or ascend Some eminence, Augusta, in thy plains, And see the country, far-diffused around, One boundless blush, one white-empurpled shower no Of mingled blossoms ; where the raptured eye Hurries from joy to joy, and, hid beneath The fair profusion, yellow Autumn spies. If, brushed from Russian wilds, a cutting gale Rise not, and scatter from his humid wings The clammy mildew ; or, dry-blowing, breathe Untimely frost — before whose baleful blast The full-blown Spring through all her foliage shrinks. Joyless and dead, a wide-dejected waste. For oft, engendered by the hazy north, 120 Myriads on myriads, insect armies waft 104 trembling] lucid 1728-38. 105 verdant] fuming 1728- 38. 107 diary (o misprint) 1730-38. no snow-empurpled 1728, 51 'Tis harmony, that world-attuning power \ By wTiioh all beings are adjusted, each To all around, impelling and impelled ' In endless circulation, that iHBpires / This universal smile. Thus the glad skies, The wide-rejoioing earth, the woods, the streams With every life they hold, down to the flower That paints the lowly vale, or insect-wing Waved o'er the shepherd's slumber, touch the mind. To nature tuned, with a light-flying hand Invisible, quick-urging through the nerves The glittering spirits in a flood of day. In the first of these lines the first and second editions (1728 and 1729 respectively) give ' world-embracing ' for ' world- attuning ' — the latter being the reading from 1730 to 1738. 906. George, eldest son of Sir Thomas Lyttelton, of Hagley Park, in Worcestershire. Born in 1709, died 1773. He wrote Dialogues of the Dead, &c. As a politician he opposed the policy of Walpole, and in 1744 became one of the lords of the Treasury. Previously he had been secretary to the Prince of Wales. In 1755 he was Chancellor of the Exchequer, and was raised to the peerage in 1757. Thomson's first visit to Hagley Park was in 1743. 'Luoinda,' 1. 936, refers to Mrs. Lyttelton (Lucy For- tesoue), whose death was lamented by her husband in a monody, the tenderest and most touching of his verses. He was a true friend to Thomson in many ways. In the preparation of a new edition of The Seasons for 1744 the poet was indebted to him for some suggestions. 991-1008. The original text (editions 1728, 1729) was as follows : — Effusing heaven ; and listens ardent still To the small voice, where harmony and wit, A modest, melting, mingled sweetness flow. No sooner is the fair idea formed. And contemplation fixes on the theme, Than from his own creation wild he flies, Sick of a shadow. Absence comes apace. And shoots his every pang into his breast. 'Tis nought, &o. E 2 SUMMER [Inscribed to the Right Honourable Mr. Dodington. First pub- lished in 1727 (1,146 11.); last edition in author's lifetime published in 1746 (1,805 11.).] THE ARGUMENT Thk subject proposed. Invocation. Address to Mr. Dod- ington. An introductory reflection on the motion of the heavenly bodies ; whence the succession of the Seasons. As the face of nature in this season is almost uniform, the progress of the poem is a description of a Summer's day. The dawn. Sun-rising. Hymn to the sun. Forenoon. Summer insects described. Hay-making. Sheep-shearing. Noonday. A woodland retreat. Group of herds and flocks. A solemn grove : how it affects a contemplative mind. A cataract, and rnde scene. View of Summer in the torrid zone. Storm of thunder and lightning. A tale. The storm over. A serene afternoon. Bathing. Howr of walking. Transition to the prospect of a rich, well-cultivated country ; which introduces a panegyric on Great Britain. Sunset. Evening. Night. Summer meteors. A comet. The whole concluding with the praise of philosophy.'* * The above is substantially the Argument of the poem in the first collected edition of The Seasons (1730). The notes in italics were added in 1744 — all except ' A comet ', which was added in 1746. In the Argument for 1730, for ' Sun-rising ', appears ' A view of the sun rising ' ; for ' Hay-making ', appears ' Rural Prospects ' ; f or ' View of Summer in the Torrid Zone ', appears ' A Digression on Foreign Summers ' ; and the note ' Rural Prospects ', of 1730, is withdrawn in 1744, as is also the note ' The Morning ' — superseded by ' The Dawn '. For ' Group of herds and flocks', the 1730 edition gives 'A Group of Flocks and Herds '. The order in which the notes of the Argument come in 1730 differs considerably from the order in which they are pre- sented above — that is, from their order in edd. 1744 and 1746. SUMMER 53 From brightening fields of ether fair-disclosed, Child of the sun, refulgent Summer comes In pride of youth, and felt through nature's depth : He comes, attended by the sultry hours And ever-fanning breezes on his way ; While from his ardent look the turning Spring Averts her blushful face, and earth and skies All-smiling to his hot dominion leaves. jJ . c Hence let 'me)haste into the mid-wood shade, ./:'' Where scarce^ a sunbeam wanders through the gloom, lo And on the dark-green grass, beside the brink Of haunted stream that by the roots of oak Rolls o'er the rocky channel, lie at large And sing the glories of the circling year. Come, Inspiration ! from thy hermit-seat, By mortal seldom found : may fancy dare, Prom thy fixed serious eye and raptured glance Shot on surrounding Heaven, to steal one look Creative of the poet, every power Exalting to an ecstasy of soul. 20 And thou, my youthful Muse's early friend. In whom the human graces all unite — Pure light of mind and tenderness of heart, J-enius and wisdom, the gay social sense By decency chastised, goodness and wit I, 2 From southern climes, where tmremitting day Burns overhead, illustrious Summer comes — is the reading of the first ed. (1727). I brightening] yonder 1730-38. 2 refulgent] illustrious 1727-38. 12 oak] oaks 1727. 16 fancy dare] I presume 1727. 17 eye] muse 1727-38; glance] eye 1730-38. 21-31 These lines are not found in the first ed. (1727). They first appear in 1730. 21 my youthful Muse's early] the Muse's honour and her 1730-38. 54 THE SEASONS In seldom-meeting harmony combined, Unblemished honour, and an active zeal For Britain's glory, liberty, and man : Dodington ! attend my rural song, Stoop to my theme, inspirit every line, 3° And teach me to deserve thy just applause. With what an awful world-revolving power Were first the unwieldy planets launched along The illimitable void ! — thus to remain, Amid the flux of many thousand years That oft has swept the toiling race of men, And all their laboured monuments away, Firm, unremitting, matchless in their course ; To the kind-tempered change of night and day, And of the seasons ever stealing round, 4° Minutely faithful : such the all-perfect Hand That poised, impels, andT rules the steady whole ! When now no more the alternate Twins are fired, And Cancer reddens with the solar blaze, Short is the doubtful empire of the night ; And soon, observant of approaching day. The meek-eyed morn appears, mother of dews, At first faint-gleaming in the dappled east ; 31 just] best 1730-38. . 32 an awful] a perfect 1727-38. 36 toiling] busy 1727-38. 38 Firm, unremitting] Unresisting, changeless 1727-38. 39-42 Instead of these lines, the first ed. (1727) gives — To day and night, and (with 1730-38) the delightful round Of seasons faithful ; not eccentric once : So poised and perfect is the vast machine ! The change was made in 1744, except that ' aU ' was omitted from 1. 41. 45 doubtful] uncertain 1727. 46 Edd. 1730-38 insert ' th' ' before ' approaching '. 48 Mildly elucent in the streaky east 1727. The change was made in 1730. SUMMER 55 Till far o'er ether spreads the widening glow, And, from before the lustre of her face, so White break the clouds away. With quickened step. Brown night retires. Young day pours in apace, And opens all the lawny prospect wide. The dripping rock, the mountain's misty top Swell on the sight and brighten with the dawn. Blue through the dusk the smoking currents shine ; And from the bladed field the fearful hare Limps awkward ; while a,long the forest glade The wild deer trip, and often turning gaze At early passenger. Music awakes, 60 The native voice of undissembled joy ; And thick around the woodland hymns arise. Roused by the cock, the soon-clad shepherd leaves His mossy cottage, where with peace he dwells, And from the crowded fold in order drives His flock to taste the verdure of the morn. Falsely luxurious, will not man awake. And, springing from the bed of sloth, enjoy The cool, the fragrant, and the silent hour. To meditation due and sacred song ? 70 For is there aught in sleep can charm the wise ? To lie in dead oblivion, losing half The fleeting moments of too short a life — Total extinction of the enUghtened soul ! 49 So in 1744. The line, added in 1730, reads — Till far o'er ether shoots the trembling glow. 51 quickened] tardy 1727, 1730-38. 55 sight] eye 1727, 1730-38. 61 undissembling 1727. 68 starting 1727-38. 71 For] And 1727-38. 72 losing half] lost to all 1727. 73 Our natures boast of noble and divine 1727, 56 THE SEASONS Or else, to feverish vanity alive, Wildered, and tossing through distempered dreams ! Who would in such a gloomy state remain Longer than nature craves ; when every muse And every blooming pleasure wait without To bless the wildly-devious morning walk ? 80 But yonder comes the powerful king of day Rejoicing in the east. The lessening cloud, The kindling azure, and the mountain's brow Illumed with fluid gold, his near approach Betoken glad. Lo ! now, apparent all. Aslant the dew-bright earth and coloured air. He looks in boundless majesty abroad, rAnd sheds the shining day, that burnished plays On rocks, and hUls, and towers, and wandering streams High-gleaming from afar. Pr ime ch eergi^_Light '. 90 Of all material beings first and best ! Efflux divine! Nature's resplendent robe, Without whose vesting beauty aU were wrapt In unessential gloom ; and thou, Sun ! Soul of surrounding worlds ! in whom best seen Shines out thy Maker ! may I sing of thee ? 'Tis by thy secret, strong, attractive force, cAs with a chain indissoluble bound. Thy system rolls entire — ^from the far bourne Of utmost Saturn, wheeling wide his round 100 83 brow] brim 1727-38. 84 Illumed] Tipt ; fluid] ethereal 1727-38. 85 Lo !] And 1727-38. 94 0] red 1727-38. 95, 96 In whose wide circle worlds of radiance lie, Exhaustless Brightness ! ma,y I sing of thee ! 1727-38. 96 Following this line came in the first edd. (1727-38) a pas- sage of five lines, which was dropped in 1744. The reader will find it in a Note at the end of the poem. - 100-103 For these four lines the first ed. (1727) and subse- quent edd. (1730-38) give— SUMMER 57 Of thirty years, to Mercury, whose disk Can scarce be caught by philosophic eye, Lost in the near effulgence of thy blaze. Informer of the planetary train ! Without whose quickening glance their cumbrous orbs Were brute unlovely mass, inert and dead. And not, as now, the green abodes of life ! How many forms of being wait on thee, Inhaling spirit, from the unfettered mind. By thee sublimed, down to the daily race, no The mixing myriads of thy setting beam ! The vegetable world is also thine. Parent of Seasons ! who the pomp precede That waits thy throne, as through thy vast domain, Annual, along the bright ecliptic road In world-rejoicing state it moves sublime. Meantime the expecting nations, circled gay With all the various tribes of foodful earth. Implore thy bounty, or send grateful up 119 A common hymn : while, round thy beaming car. High-seen, the Seasons lead, in sprightly dance Harmonious knit, the rosy-fingered hours, The zephyrs floating loose, the timely rains. Of bloom ethereal the light-footed dews. And, softened into joy, the surly storms. These, in successive turn, with lavish hand Of slow-paced Saturn to the scarce-seen disk Of Mercury lost in excessive blaze. The change was made in 1744. 105, 106 Without whose vital and effectual glance They'd be but (They would be) brute, uncomfortable mass 1727-38. 109 spirit] gladness 1727-38. no down to the daily] to that day-living 1727-38. 1 1 1 setting] evening 1727. 1 1 3- 1 3 S The original text differed from this. It will be found (with the alterations and additions made in 1730) in a Note at the end of the poem. 58 THE SEASONS Shower every beauty, every fragrance shower, Herbs, flowers, and fruits ; till, kindling at thy touch, Prom land to land is flushed the vernal year. Nor to the surface of enlivened earth, 130 Graceful with hills and dales, and leafy woods. Her liberal tresses, is thy force confined ; But, to the bowelled cavern darting deep. The mineral kinds confess thy mighty power. Effulgent hence the veiny marble shines ; Hence labour draws his tools ; hence burnished war Gleams on the day ; the nobler works of peace Hence bless mankind ; and generous commerce binds The round of nations in a golden chain. The unfruitful rock itself, impregned by thee, In dark retirement forms the lucid stone. 141 The lively diamond drinks thy purest rays, Collected hght compact ; that, polished bright. And all its native lustre let abroad. Dares, as it sparkles on the fair one's breast, With vain ambition emulate her eyes. At thee the ruby lights its deepening glow. And with a waving radiance inward flames. From thee the sapphire, solid ether, takes 136-9 These lines had no place in the first ed. (1727). In the ed. of 1730, when the addition was made, they read — Hence labour draws his tools ; hence waving war Flames on the day ; hence busy commerce binds The round of nations in a golden chain ; And hence the sculptured palace sumptuous shines With glittering silver and refulgent gold. 142 Not in the first edd. (1727-38) ; added in 1744. 145, 146 Instead of these two lines the first ed. (1727) gives only — ' Shines proudly on the bosoms of the Fair ! ' This remained the reading till 1744. 147 its] his 1727-38. 148 A bleeding radiance grateful to the view 1727-38. The change was made in 1744. SUMMER 59 Its hue cerulean; and, of evening tinct, 150 The purple-streaming amethyst is thine With thy own smile the yellow topaz burns ; Nor deeper verdure dyes the robe of Spring, When first she gives it to the southern gale, Than the green emerald shows. But, all combined, Thick through the whitening opal play thy beams ; Or, flying several from its surface, form A trembling variance of revolving hues As the site varies in the gazer's hand. The very dead creation from thy touch 160 Assumes a mimic life. By thee refined, In brighter mazes the relucent stream Plays o'er the mead. The precipice abrupt. Projecting horror on the blackened flood. Softens at thy return. The desert joys Wildly through all his melancholy bounds. Rude ruins glitter ; and the briny deep, Seen from some pointed promontory's top Far to the blue horizon's utmost verge, Restless reflects a floating gleam. But this, 170 And all the much-transported Muse can sing. Are to thy beauty, dignity, and use Unequal far, great delegated Source Of light and life and grace and joy below ! How shall I then attempt to sing of Him Who, Light Himself, in uncreated light Invested deep, dwells awfully retired From mortal eye or angel's purer ken ; Whose single smile has, from the first of time, 150 Its] His 1727-38. 159 varies] changes 1727. 162 brisker measures 1727-38. 163 Frisks 1727-38. 169, 170 For these lines the original text from 1727 to 1738 gives — Reflects from every fluctuating wave A glance extensive as the day. But these. 60 THE SEASONS Filled overflowing all those lamps of heaven i8o That beam for ever through the boundless sky ; But, should He hide his face, the astonished sun And all the extinguished stars would, loosening, reel Wide from their spheres, and chaos come again. And yet, was every faltering tongue of man. Almighty Father ! silent in thy praise. Thy works themselves would raise a general voice ; Even in the depth of solitary woods. By human foot untrod, proclaim thy power ; And to the quire celestial Thee resound, 190 The eternal cause, support, and end of all ! To me be Nature's volume broad displayed ; And to peruse its all-instructing page. Or, haply catching inspiration thence. Some easy passage, raptured, to translate, My sole delight ; as through the falling glooms Pensive I stray, or with the rising dawn On fancy's eagle-wing excursive soar. Now, flaming up the heavens, the potent sun Melts into limpid air the high-raised clouds 200 And morning fogs that hovered round the hills 181 boundless] immeasured 1727. 183 reel] start 1744. 186 Father] Poet 1727-38; Maker 1744. 187-91 The original text (1727) reads— Thy matchless works in each exalted line. And all the full harmonic universe, Would, tuneful or expressive, Thee attest, The cause, the glory, and the end of all. The edd. 1730-38 give the original text except that ' tuneful ' is changed to ' vocal '. 192 broad] wide 1727-38 193 its all-instructing] the broad illumined 1727-38. 197 stray . . dawn] muse . . day 1727- 38. 199 Now . . potent] Fierce . . piercing 1727-38. 200 Melts into limpid] Attenuates to 1727. 201 fogs] mists 1727-44; round] o'er 1744. SUMMER 61 In parti-coloured bands ; till wide unveiled The face of nature shines from where earth seems, Far-stretched around, to meet the bending sphere. Half in a blush of clustering roses lost, Dew-dropping Coolness to the shade retires ; There, on the verdant turf or flowery bed. By gelid founts and careless rills to muse ; While tyrant Heat, dispreading through the sky With rapid sway, his burning influence darts 210 On man and beast and herb and tepid stream. Who can unpitying see the flowery race. Shed by the morn, their new-flushed bloom resign Before the parching beam ? So fade the fair. When fevers revel through their azure veins. But one, the lofty follower of the sun. Sad when he sets, shuts up her yellow leaves, Drooping all night ; and, when he warm returns. Points her enamoured bosom to his ray. Home from his morning task the swain retreats, His flock before him stepping to the fold; 221 While the full-uddered mother lows around The cheerful cottage then expecting food. The food of innocence and health ! The daw. The rook, and magpie, to the grey-grown oaks (That the calm village in their verdant arms, Sheltering, embrace) direct their lazy flight ; Where on the mingling boughs they sit embowered All the hot noon, tiU cooler hours arise. Faint underneath the household fowls convene ; 230 And, in a corner of the buzzing shade, 202 wide] all 1727-38. 207, 208 Added in 1744. 209 While] And 1727-38. 210 With rapid sway] By sharp degrees 1727-38; darts] rains 1727-38. 216 Edd. 1727 and 1 730-38 omit ' lofty ' and after ' sun ' insert ' they say '. 218 Drooping] Weeping 1727-38. 230 household] homely 1727-38. 62 THE SEASONS The house-dog with the vacant greyhound lies Out-stretched and sleepy. In his slumbers one Attacks the nightly thief, and one exults O'er hill and dale ; till, wakened by the wasp, They starting snap. Nor shall the muse disdain To let the little noisy summer-race Live in her lay and flutter through her song : Not mean though simple — to the sun allied, From him they draw their animating fire. 240 Waked by his warmer ray, the reptile young Come winged abroad, by the light air upborne. Lighter, and full of soul. From every chink And secret corner, where they slept away The wintry storms, or rising from their tombs To higher life, by myriads forth at once Swarming they pour, of all the varied hues Their beauty-beaming parent can disclose. Ten thousand forms, ten thousand different tribes People the blaze. To sunny waters some 250 By fatal instinct fly ; where on the pool They sportive wheel, or, sailing down the stream. Are snatched immediate by the quick-eyed trout Or darting salmon. Through the green-wood glade Some love to stray ; there lodged, amused, and fed In the fresh leaf. Luxurious, others make 232 vacant] employless 1727-38. 236 starting] bootless 1727-38. 240 they draw their animating fire] their high descent direct they draw 1727-38. 243 soul] life 1727-38. 245-8 The original text (1727-38) reads— The wintry glooms, by myriads all at once Swarming they pour, green, speckled, yellow, grey. Black, azure, brown, more than the assisted eye Of poring virtuoso can discern. The change was made in 1744. 253 quick-eyed] springing 1727-38. 254 Or darting salmon] Often beguiled. Some 1727-38. 255 Some love] DeUght 1727-38. SUMMER 63 The meads their choice, and visit every flower And every latent herb : for the sweet task To propagate their kinds, and where to wrap In what soft beds their young, yet undisclosed, 260 Employs their tender care. Some to the house, The fold, and dairy hungry bend their flight ; Sip round the pail, or taste the curdling cheese : Oft, inadvertent, from the milky stream They meet their fate ; or, weltering in the bowl, With powerless wings around them wrapt, expire. But chief to heedless flies the window proves > , A constant death ; where, gloomily retired. The villain spider lives, cunning and fierce. Mixture abhorred ! Amid a mangled heap 270 Of carcases in eager watch he sits, O'erlooking all his waving snares around. Near the dire cell the dreadless wanderer oft Passes ; as oft the ruffian shows his front. The prey at last ensnared, he dreadful darts With rapid glide along the leaning line ; And, fixing in the wretch his cruel fangs, Strikes backward grimly pleased : the fluttering wing And shriller sound declare extreme distress. And ask the helping hospitable hand. 280 Resounds the living surface of the ground : Nor undelightful is the ceaseless hum To him who muses through the woods at noon, 258-61 The original text (1727-38) reads— But careful stiU To shun the mazes of the sounding bee As o'er the blooms he sweeps. 264 from the milky] by the boiling 1727-38. 265 They meet their fate] They're (Are) pierced to death 1727-38. 272 O'er-looking] Surveying 1727. 273 Near the dire cell] Within an inch 1727-38. 277 -wretch] fly 1727-38. 281 Resounds] Echoes 1727-38. 282 ceaseless hum] humming sound 1727 64 THE SEASONS Or drowsy shepherd as he lies reclined, With half-shut eyes, beneath the floating shade Of willows grey, close-crowding o'er the brook. Gradual from these what numerous kinds descend, Evading even the microscopic~eye ! Full Nature swarms with life; one wondrous mass Of animals, or atoms organized 290 Waiting the vital breath when Parent-Heaven ShaU bid his spirit blow. The hoary fen Tii~putfidr streams emits the living cloud Of pestilence. Through subterranean cells, Where searching sunbeams scarce can find a way. Earth animated heaves. The flowery leaf Wants not its soft inhabitants. Secure Within its winding citadel the stone Holds multitudes. But chief the forest boughs, That dance unnumbered to the playful breeze, 300 The downy orchard, and the melting pulp Of mellow fruit the nameless nations feed Of evanescent insects. Where the pool Stands mantled o'er with green, invisible Amid the floating verdure millions stray. Each liquid too, whether it pierces, soothes. Inflames, refreshes, or exalts the taste. With various forms abounds. Nor is the stream Of purest crystal, nor the lucid air, Though one transparent vacancy it seems, 310 Void of their unseen people. These, concealed By the kind art of forming Heaven, escape The grosser eye of man : for, if the worlds In worlds inclosed should on his senses burst, 287-317 This passage (with alterations) was transferred in 1744" from its original place in Spring (1727-38). See note to I. 136 in Spring. The original form of the passage, before its transference, will be found in a Note at the end of the poem. SUMMER 65 From cates ambrosial and the nectared bowl He would abhorrent turn ; and in dead night, When Silence sleeps o'er all, be stunned with noise. . Let no presuming impious railer tax Creative Wisdom, as if aught was formed In vain, or not for admirable ends. 320 Shall little haughty Ignorance pronounce His works unwise, of which the smallest part Exceeds the narrow vision of her mind ? As if upon a full-proportioned dome. On swelling columns heaved, the pride of art ' A critic fly, whose feeble ray scarce spreads An inch around, with blind presumption bold Should dare to tax the structure of the whole. And lives the man whose universal eye 329 Has sweptat once^the unbounded scheme of things, ^j,J^- Marked their dependence so and firm accord, ,j As with unfaltering^ accent to conclude TEFthis availeth nought ? Has any seen The mighty chain of beings, lessening, down From infinite perfiection to the brink Of dreary nothing, desolate abyss ! From which astonished thought recoiling turns ? Till then, alone let zealous praise ascend 323 her] his 1727-38. 324-8 Originally (1727)— So on the concave of a sounding dome, On swelling columns heaved, the pride of Art, Wanders a critic fly : his feeble ray Extends an inch around, yet, blindly bold, He dares dislike the structure of the whole. The text of edd. 1730-38 is exactly the same as the text of 1727, excepting only that the passage begins with ' Thus ' in place of ' So '. 337 Instead of this line the original text (1727-38) gives — Eeooiling giddy thought : or with sharp glanos, Such as remotely wafting spirits use, Surveyed (Beheld) the glories of the little world ? THOMSON JT 68 THE SEASONS And hymns of holy wonder to that Power Whose wisdom shines as lovely on our minds 340 As on our smiling eyes his servant-sun. Thick in yon stream of light, a thousand ways, Upward and downward, thwarting and convolved, The quivering nations sport ; till, tempest-winged, Fierce Winter sweeps them from the face of day. Even so luxurious men, unheeding, pass An idle summer life in fortune's shine, Xh A season's glitter ! Thus they flutter on From toy to toy, from vanity to vice ; Till, blown away by death, oblivion comes 350 Behind and strikes them from the book of Hfe. Now swarms the village o'er the jovial mead — The rustic youth, brown with meridian toil, Healthful and strong ; full as the summer rose Blown by prevailing suns, the ruddy maid. Half naked, swelling on the sight, and all Her kindled graces burning o'er her cheek. Even stooping age is here ; and infant hands Trail the long rake, or, with the fragrant load O'ercharged, amid the kind oppression roll. 360 Wide flies the tedded grain ; all in a row 339 holy] heavenly 1727-38. 344 nations] Kingdoms 1727- 38; till, tempest- winged] with tempest- wing 1727-38. 345 Fierce] Till 1727-38. 348 After ' A season's glitter ! ' the original text (1727-38) gives— In soft-circling robes. Which the hard hand of Industry has wrought. The human insects glow, by Hunger fed, And cheered by toiling Thirst, they roll about. 349 toy, from] trifle 1730-38. 352-70 This description of hay-making did not appear in the first ed. (1727) : it will be found in edd. 1730-38, with a few variations, noted below. 355 ruddy] blooming 1730-38. 360 kind] soft 1730-38. SUMMER 67 Advancing broad, or wheeling round the field, They spread their breathing harvest to the sun, That throws refreshful round a rural smell ; Or, as they rake the green-appearing ground. And drive the dusky wave along the mead. The russet hay-cock rises thick behind In order gay : while heard from dale to dale. Waking the breeze, resounds the blended voice Of happy labour, love, and social glee. 370 Or, rushing thence, in one diffusive band They drive the troubled flocks, by many a dog Compelled, to where the mazy-running brook Forms a deep pool, this bank abrupt and high. And that fair-spreading in a pebbled shore. Urged to the giddy brink, much is the toil, The clamour much of men and boys and dogs Ere the soft, fearful people to the flood Commit their woolly sides. And oft the swain. On some impatient seizing, hurls them in : 380 Emboldened then, nor hesitating more, Fast, fast they plunge amid the flashing wave. And, panting, labour to the farther shore. Repeated this, till deep the well-washed fleece Has drunk the flood, and from his lively haunt The trout is banished by the sordid stream. Heavy and dripping, to the breezy brow Slow move the harmless race ; where, as they spread Their swelling treasures to the sunny ray. Inly disturbed, and wondering what this wild 390 Outrageous tumult means, their loud complaints The country flU ; and, tossed from rock to rock, 363 their breathing] the breathing 1744; the tawny 1730-38. 364 throws] casts 1730-38. 367 Rises the russet hay-cock 1730-38. 371-431 This long passage, descriptive of sheep- shearing, was added in ed. 1744. 377 dogs 1746 ; dog 1744. V2 V V 68 THE SEASONS Incessant bleatings run around the hills. At last, of snowy white the gathered flocks Are in the wattled pen innumerous pressed, Head above head ; and, ranged in lusty rows, The shepherds sit, and whet the sounding shears. The housewife waits to roll her fleecy stores, With all her gay-drest maids attending round. One, chief, in gracious dignity enthroned, 4°° Shines o'er the rest, the pastoral queen, and rays Her smiles sweet-beaming on her shepherd-king ; While the glad circle round them yield their souls To festive mirth, and wit that knows no gaU. Meantime, their joyous task goes on apace : Some mingling stir the melted tar, and some, Deep on the new-shorn vagrant's heaving side To stamp his master's cipher ready stand ; Others the unwilling wether drag along ; And, glorying in his might, the sturdy boy 410 Holds by the twisted horns the indignant ram. Behold where bound, and of its robe bereft By needy man, that all-depending lord. How meek, how patient, the mild creature lies ! What softness in its melancholy face, What dumb complaining innocence appears ! Fear not, ye gentle tribes ! 'tis not the knife Of horrid slaughter that is o'er you waved ; No, 'tis the tender swain's well-guided shears. Who having now, to pay his annual care, 420 Borrowed your fleece, to you a cumbrous load. Will send you bounding to your hills again. / A simple scene! yet hence Britannia sees (_Her s51Idr grandeur rise : hence she commands The exalted stores of every brighter clime. The treasures of the sun without his rage : Hence, fervent all with culture, toil, and arts, SUMMER 69 Wide glows her land : her dreadful thunder hence Rides o'er the waves sublime, and now, even now. Impending hangs o'er Gallia's humbled coast ; 430 Hence rules the circhng deep, and awes the world. 'Tis raging noon ; and, vertical, the sun Darts on the head direct his forceful rays. O'er heaven and earth, far as the ranging eye Can sweep, a dazzling deluge reigns ; and aU From pole to pole is undistinguished blaze. In vain the sight dejected to the ground Stoops for relief ; thence hot ascending steams And keen reflection pain. Deep to the root Of vegetation parched, the cleaving fields 440 And slippery lawn an arid hue disclose. Blast fancy's blooms, and wither even the soul. Echo no more returns the cheerful sound Of sharpening scythe : the mower, sinking, heaps O'er him the humid hay, with flowers perfumed ; And scarce a chirping grasshopper is heard 433 Originally (1727-38)— Shoots through the expanding air a torrid gleam. 434 ranging] darted 1727-38. 435 sweep] pierce 1727-38. 437 Originally (1727-38)— Down to the dusty earth the sight o'erpowered. 438 Edd. 1727-38 insert 'but' before 'thence' and omit ' hot '- The change was made in 1744. Edd. 1730-38 give ' streams ' — a misprint for ' steams '. 439 After 'reflection pain the original text (1727-38) gives the following Unes, struck out or altered in 1744 : — Burnt to the heart Are the refreshless fields : their arid hue Adds a new fever to the sickening soul : And o'er their slippery surface wary treads The foot of thirsty pilgrim, often dipt In a cross rill presenting to his wish A living draught : he feels before he drinks. 443 No more the woods return the sandy sound 1727; Echo no more returns the sandy sound 1730-38. 445 humid] tedded 1727. 70 THE SEASONS Through the dumb mead. Distressful nature pants. The very streams look languid from afar, Or, through the unsheltered glade, impatient seem To hurl into the covert of the grove. 45° All-conquering heat, oh, intermit thy wrath ! And on my throbbing temples potent thus Beam not so fierce ! Incessant still you flow, And still another fervent flood succeeds. Poured on the head profuse. In vain I sigh. And restless turn, and look around for night : Night is far ofi ; and hotter hours approach. Thrice happy he, who on the sunless side Of a romantic mountain, forest-crowned, Beneath the whole collected shade reclines ; 460 Or in the gelid caverns, woodbine-wrought And fresh bedewed with ever-spouting streams, Sits coolly calm ; while all the world without, Unsatisfied and sick, tosses in noon. Emblem instructive of the virtuous man. Who keeps his tempered mind serene and pure. And every passion aptly harmonized Amid a jarring world with vice inflamed. 447 the dumb] all the 1727. 447 After this line came in ed. 1727— The desert singes ; and the stubborn rock. Split to the centre, sweats at every pore — repeated with 'singes' altered to 'reddens', in edd. 1730-38; and struck out in edd. 1744-46. 449, 450 Originally (1727-38)— Or through the fervid glade impetuous hurl Into the shelter of the crackling grove. 45 1 All-conquering] Prevailing 1727. 452 throbbing] aching 1727. 453 aerce] hard 1727-38. 455 sigh] groan 1727. 457 After this line a passage of seven lines appeared in the first ed. (1727), and with slight alterations was continued in edd. 1730-38. It is given (with the alterations) in a Note at the end of the poem. 458 who] that 1744. 467 every passion] all his passions 1727-38. SUMMER 71 Welcome, ye shades ! ye bowery thickets, hail ! Ye lofty pines ! ye venerable oaks ! 470 Ye ashes wild, resounding o'er the steep ! Delicious is your shelter to the soul As to the hunted hart the sallying spring Or stream full-flowing, that his swelling sides Laves as he floats along the herbaged brink. Cool through the nerves your pleasing comfort glides ; The heart beats glad ; the fresh- expanded eye And ear resume their watch ; the sinews knit ; And life shoots swift through all the lightened limbs Around the adjoining brook, that purls along 480 The vocal grove, now fretting o'er a rock. Now scarcely moving through a reedy pool. Now starting to a sudden stream, and now Gently diffused into a hmpid plain, A various group the herds and flocks compose, Rural confusion ! On the grassy bank Some ruminating lie, while others stand Half in the flood and, often bending, sip The circling surface. In the middle droops The strong laborious ox, of honest front, 490 Which incomposed he shakes ; and from his sides The troublous insects lashes with his tail, Returning still. Amid his subjects safe Slumbers the monarch-swain, his careless arm Thrown round his head on downy moss sustained ; 471 Ye] With 1727. 476 Cool] Cold 1727-38; comfort glides] comforts glide 1727. 477 fresh-expanded eye] misty eyes refulge 1727. 478 And ear] The ears 1727. 479 all the lightened limbs] every active limb 1727 ; every lightened limb 1730-38. 480 Around . . purls] All in . . shrills 1727-38. 492 troublous] busy 1727. / 72 THE SEASONS Here laid his scrip with wholesome viands filled, There, listening every noise, his watchful dog. Light fly his slumbers, if perchance a flight Of angry gad-flies fasten on the herd, That startling scatters from the shallow brook 500 In search of lavish stream. Tossing the foam, They scorn the keeper's voice, and scour the plain Through all the bright severity of noon ; While from their labouring breasts a hollow moan Proceeding runs low-bellowing round the hills. Oft in this season too, the horse, provoked, While his big sinews full of spirits swell. Trembling with vigour, in the heat of blood Springs the high fence, and, o'er the field effused. Darts on the gloomy flood with steadfast eye 510 And heart estranged to fear : his nervous chest, Luxuriant and erect, the seat of strength. Bears down the opposing stream ; quenchless his thirst. He takes the river at redoubled draughts. And with wide nostrils, snorting, skims the wave. Still let me pierce into the midnight depth Of yonder grove, of wildest largest growth. That, forming high in air a woodland quire. Nods o'er the mount beneath. At every step, Solemn and slow the shadows blacker fall, 520 And all is awful listening gloom around. These are the haunts of meditation, these The scenes where ancient bards the inspiring breath Ecstatic felt, and, from this world retired, Conversed with angels and immortal forms, 497 And there his sceptre-crook and watchful dog 1727-38. 499 gad-flies] hornets 1727-38. 5:8 That high embower- ing in the middle air 1727-38. 521 listening] silsnt 1727-38. SUMMER 73 On gracious errands bent — to save the fall Of virtue struggling on the brink of vice ; In waking whispers and repeated dreams To hint pure thought, and warn the favoured soul, For future trials fated, to prepare ; 530 To prompt the poet, who devoted gives His muse to better themes ; to soothe the pangs Of dying worth, and from the patriot's breast (Backward to mingle in detested war, But foremost when engaged) to turn the death ; And numberless such offices of love. Daily and nightly, zealous to perform. Shook sudden from the bosom of the sky, A thousand shapes or gUde athwart the dusk Or stalk majestic on. Deep-roused, I feel 540 A sacred terro r, a severe delight. Creep through my mortal frame ; and thus, methinks, A voice, than human more, the abstracted ear Of fancy strikes — ' Be not of us afraid, Poor kindred man ! thy fellow-creatures, we From the same Parent-Power our beings drew. The same our Lord and laws and great pursuit. Once some of us, hke thee, through stormy Ufe Toiled tempest-beaten ere we could attain This holy calm, this harmony of mind, 550 Where purity and peace immingle charms. 526 gracious] heavenly 1727-38. 533 worth] saints 1727- 38. 538 sky] air 1727. 540 Deep-roused] harrowed 1727 ; Aroused 1730-38. 541 a severe] and severe 1727, 1744. 543, 544 In the first ed. (1727)— Those hollow accents, floating on my ear, Pronounce distinct ; and in edd. 1730-38— Those accents murmured in the abstracted ear Pronounce distinct. 546 Parent] bounteous 1727. 74 THE SEASONS Then fear not us ; but with responsive song, Amid these dim recesses, undisturbed By noisy folly and discordant vice, Of Nature sing with us, and Nature's God. Here frequent, at the visionary hour. When musing midnight reigns or silent noon, Angelic harps are in full concert heard. And voices chaunting from the wood-crown'd hill. The deepening dale, or inmost sylvan glade : 560 A privilege bestow'd by us alone On contemplation, or the hallow'd ear Of poet swelling to seraphic strain.' And art thou, Stanley, of that sacred band ? Alas ! for us too soon ! Though raised above The reach of human pain, above the flight Of human joy, yet with a mingled ray Of sadly pleased remembrance, must thou feel A mother's love, a mother's tender woe — Who seeks thee still in many a former scene, 570 Seeks thy fair form, thy lovely beaming eyes, Thy pleasing converse, by gay lively sense Inspired, where moral wisdom mildly shone Without the toil of art, and virtue glowed In all her smiles without forbidding pride. But, thou best of parents ! wipe thy tears ; 552 not us] us not 1730-38; responsive] commutual 1727. 553 Amid] Oft in 1727-38. 556-61 Instead of these lines the original text (1727-38) gives — And frequent at the middle waste of night, Or all day long, in deserts still, are heard. Now here, now there, now wheeling in mid-sky Around or underneath, aerial sounds Sent from angelic harps and voices joined — A happiness bestowed by us alone &c. 564-84 This address to the shade of Miss Stanley (a young lady of Thomson's acquaintance, who died at the age of eighteen, in 1738) first appeared in the ed. of 1744. SUMMER 75 Or rather to parental Nature pay The tears of grateful joy, who for a while Lent thee this younger self, this opening bloom Of thy enlightened mind and gentle worth. 580 Beheve the muse — the wintry blast of death KiUs not the buds of virtue ; no, they spread Beneath the heavenly beam of brighter suns Through endless ages into higher powers. Thus up the mount, in airy vision rapt, I stray, regardless whither ; tiU the sound Of a near fall of water every sense Wakes from the charm of thought : swift-shrinking back, I check my steps and view the broken scene. Smooth to the shelving brink a copious flood 590 Rolls fair and placid ; where, collected all In one impetuous torrent, down the steep It thundering shoots, and shakes the country round. At first, an azure sheet, it rushes broad ; J ' ' Then, whitening by degrees as prone it falls. And from the loud-resounding rocks below i^''' Dashed in a cloud of foam, it sends aloft A hoary mist and forms a ceaseless shower. Nor can the tortured wave here find repose ; But, raging stiU amid the shaggy rocks, 600 Now flashes o'er the scattered fragments, now 585 airy vision rapt] visionary muse 1727-38. 586 sound] stun 1727-38. 589 check my steps] stand aghast 1727-38. 590 shelving . . copious flood] giddy . lucid stream 1727; shaggy . . spreading flood 1730-38. This line was preceded in the first ed. (1727) by the lines — Like one who flows in joy, when all at once Misfortune hurls him down the hill of life. 591-606 The earlier edd. — both the ed. of 1727 and those of 1730-38 — present something very different from this. See Note at the end of the poem. v 76 THE SEASONS Aslant the hollow channel rapid darts ; And, falling fast from gradual slope to slope, With wild infracted course and lessened roar It gains a safer bed, and steals at last Along the mazes of the quiet vale. Invited from the chff, to whose dark brow He chngs, the steep-ascending eagle soars With upward pinions through the flood of day, And, giving full his bosom to the blaze, 6io Gains on the Siin ; while aU the tuneftil race, Smit by afflictive noon, disordered droop Deep in the thicket, or, from bower to bower Responsive, force an interrupted strain. The stock-dove only through the forest coos, Mournfully hoarse ; oft ceasing from his plaint, Short interval of weary woe ! again The sad idea of his murdered mate, Struck from his side by savage fowler's guile. Across his fancy comes ; and then resounds 620 A louder song of sorrow through the grove. Beside the dewy border let me sit. All in the freshness of the humid air, 607 The following five lines introduced in the first ed. (1727) the passage beginning here : — • With the rough prospect tired I turn my eyes Where in long visto the soft-murmuring main Darts a green lustre trembling through the trees ; Or to yon silver-streaming threads of light, A showery beauty beaming through the boughs. They appear in edd. 1730-38 also, but with the following alter- ations : for ' eyes ' in 1. 1, ' gaze ' ; for ' visto ', ' vista ', ; and, in the last line, for ' beauty ', ' radiance '. They were dropped in 1744. 607 olifE . . brow] rock . . cliff 1727-38. 609 flood of day] attractive gleam 1727-38. 611 tuneful] feathery 1727- 38. 612 Smit by] Smote by 1727 ; Smote with 1730-38. 615 stock] wood 1727 ; through the forest] in the centre 1727. SUMMER 77 There on that hollowed rock, grotesque and wild, An ample chair moss-lined, and over head By flowering umbrage shaded ; where the bee Strays diUgent, and with the extracted balm Of fragrant woodbine loads his httle thigh. Now, while I taste the sweetness of the shade. While Nature Ues around deep-lulled in noon, 630 Now come, bold fancy, spread a daring flight And view the wonders of the torrid zone : Climes unrelenting ! with whose rage compared. Yon blaze is feeble and yon skies are cool. See how at once the bright effulgent sun. Rising direct, swift chases from the sky The short-lived twilight, and with ardent blaze Looks gaily fierce o'er all the dazzling air ! He mounts his throne ; but kind before him sends. Issuing from out the portals of the morn, 640 The general breeze to mitigate his fire And breathe refreshment on a fainting world. Great are the scenes, with dreadful beauty crowned And barbarous wealth, that see, each circling year, Returning suns and double seasons pass ; Rocks rich in gems, and mountains big with mines, That on the high equator ridgy rise, Whence many a bursting stream auriferous plays ; Majestic woods of every vigorous green. Stage above stage high waving o'er the hills, 650 Or to the far horizon wide-diffused, A boundless deep immensity of shade. 624 There, on that rock, by nature's chisel carved 1727-38. 636 flowering . . shaded, where] weaving . . hung, through which 1727. 627 balm] sweet 1727-38. 628 fragrant wood- bine] honeysuckle 1727-38. 629-897 These lines appear for the first time in ed. 1744, or in ed. 1746. The later additions are pointed out below. 78 THE SEASONS Here lofty trees, to ancient song unknown, The noble sons of potent heat and floods Prone-rushing from the clouds, rear high to heaven Their thorny stems, and broad around them throw Meridian gloom. Here, in eternal prime, Unnumbered fruits of keen dehcious taste And vital spirit drink, amid the chfis 659 And burning sands that bank the shrubby vales. Redoubled day, yet in their rugged coats A friendly juice to cool its rage contain. Bear me, Pomona ! to thy citron groves ; To where the lemon and the piercing Ume, With the deep orange glowing through the green. Their Ughter glories blend. Lay me reclined Beneath the spreading tamarind, that shakes. Fanned by the breeze, its fever-cooling fruit. Deep in the night the massy locust sheds 669 Quench my hot limbs ; or lead me through the maze, Embowering endless, of the Indian fig ; Or, thrown at gayer ease on some fair brow, Let me behold, by breezy murmurs cooled. Broad o'er my head the verdant cedar wave, And high palmettos lift their graceful shade. Oh, stretched amid these orchards of the sun, Give me to drain the cocoa's milky bowl, And from the palm to draw its freshening wine ! More bounteous far than all the frantic juice Which Bacchus pours. Nor, on its slender twigs 680 Low-bending, be the full pomegranate scorned ; Nor, creeping through the woods, the gelid race Of berries. Oft in humble station dwells 669-75 These seven lines were added in 1746. 676 Oh] Or 1744. 677 Give me to] let me 1744. 678 Added in 1746. SUMMER 79 UnboastEul worth, above fastidious pomp. Witness, thou best Anana, tllou the pride Of vegetable hfe, beyond whate'er The poets imaged in the golden age : Quick let me strip thee of thy tufty coat, Spread thy ambrosial stores, and feast with Jove ! From these the prospect varies. Plains immense Lie stretched below, interminable meads 691 And vast savannas, where the wandering eye, Unfixt, is in a verdant ocean lost. Another Mora there, of bolder hues And richer sweets beyond our garden's pride, Plays o'er the fields, and showers with sudden hand Exuberant spring — for oft these valleys shift Their green-embroidered robe, to fiery brown, And swift to green again, as scorching suns Or streaming dews and torrent rains prevail. 700 Along these lonely regions, where, retired From little scenes of art, great Nature dwells In awful solitude, and naught is seen But the wild herds that own no master's stall. Prodigious rivers roll their fattening seas ; On whose luxuriant herbage, half-concealed. Like a fallen cedar, far diffused his train. Cased in green scales, the crocodile extends. The flood disparts : behold ! in plaited mail Behemoth rears his head. Glanced from his side. The darted steel in idle shivers flies : 711 He fearless walks the plain, or seeks the hills, Where, as he crops his varied fare, the herds, In widening circle round, forget their food And at the harmless stranger wondering gaze. Peaceful beneath primeval trees that cast 688 tufty] spiny 1744. 80 THE SEASONS Their ample shade o'er Niger's yellow stream, And where the Ganged rolls his sacred wave, Or mid the central depth of blackening woods, High-raised in solemn theatre around, 720 Leans the huge elephant — wisest of brutes ! Oh, truly wise ! with gentle might endowed. Though powerful not destructive ! Here he sees Revolving ages sweep the changeful earth, ^ And empires rise and fall ; regardless he Of what the never-resting race of men Project : thrice happy, could he 'scape their guile Who mine, from cruel avarice, his steps, Or with his towery grandeur swell their state, The pride of kings ! or else his strength pervert, 730 And bid him rage amid the mortal fray. Astonished at the madness of mankind. Wide o'er the winding umbrage of the floods, Like yivid blossoms glowing from afar. Thick-swarm the brighter birds. For nature's hand. That with a sportive vanity has decked The plumy nations, there her gayest hues Profusely pours But, if she bids them shine Arrayed in aU the beauteous beams of day. Yet, frugal still, she humbles them in song. 740 Nor envy we the gaudy robes they lent Proud Montezuma's realm, whose legions cast A boundless radiance waving on the sun. While Philomel is ours, while in our shades. Through the soft silence of the listening night. The sober-suited songstress trills her lay. But come, my muse, the desert-barrier burst, A wild expanse of lifeless sand and sky ; And, swifter than the toiUng caravan, Shoot o'er the vale of Sennar ; ardent climb 750 The Nubian mountains, and the secret bounds SUMMER . 81 Of jealous Abyssinia boldly pierce. Thou art no ruffian, who beneath the mask Of social commerce com'st to rob their wealth ; No holy fury thou, blaspheming Heaven, With consecrated steel to stab their peace. And through the land, yet red from civil wounds, To spread the purple tyranny of Rome. Thou, like the harmless bee, mayst freely range From mead to mead bright with exalted flowers, 760 From jasmine grove to grove ; may'st wander gay Through palmy shades and aromatic woods That grace the plains, invest the peopled hills. And up the more than Alpine mountains wave. There on the breezy summit, spreading fair For many a league, or on stupendous rocks. That from the sun-redoubling valley lift, Cool to the middle air, their lawny tops, Where palaces and fanes and villas rise, And gardens smile around and cultured fields, 770 And fountains gush, and careless herds and flocks Securely stray — a world within itself, Disdaining all assault : there let me draw Ethereal soul, there drink reviving gales Profusely breathing from the spicy groves And vales of fragrance, there at distance hear The roaring floods and cataracts that sweep From disembowelled earth the virgin gold, And o'er the varied landscape restless rove. Fervent with life of every fairer kind. 780 A land of wonders ! which the sun still eyes With ray direct, as of the lovely realm Enamoured, and delighting there to dwell. How changed the scene ! In blazing height of noon. The sun, oppressed, is plunged in thickest gloom. Still horror reigns, a dreary twilight round, THOMSON Q 82 THE SEASONS Of struggling night and day malignant mixed. For to the hot equator crowding fast, . 'Where, highly rarefied, the jdelding air Admits their stream, incessant vapours roU, 790 Amazing clouds on clouds continual heaped ; Or whirled tempestuous by the gusty wind, Or silent borne along, heavy and slow. With the big stores of steaming oceans charged. Meantime, amid these upper seas, condensed Around the cold aerial mountain's brow, And by conflicting winds together dashed, The Thunder holds his black tremendous throne ; From cloud to cloud the rending Lightnings rage ; Tin, in the furious elemental war 800 Dissolved, the whole precipitated mass Unbroken floods and solid torrents pours. The treasures these, hid from the bounded search Of ancient knowledge, whence with annual pomp, Rich king of floods ! o'erflows the swelling Nile. From his two springs in Gojam's sunny realm Pure-welling out, he through the lucid lake Of fair Dambea roUs his infant stream. There, by the Naiads nursed, he sports away His playful youth amid the fragrant isles 810 That with unfading verdure smile around. Ambitious thence the manly river breaks. And, gathering many a flood, and copious fed With all the mellowed treasures of the sky, Winds in progressive majesty along : Through splendid kingdoms now devolves his maze, Now wanders wild o'er sohtary tracts Of Ufe-deserted sand ; till, glad to quit The joyless desert, down the Nubian rocks From thundering steep to steep he pours his urn, 820 And Egypt joys beneath the spreading wave. SUMMER 83 His brother Niger too, and all the floods In which the full-formed maids of Afric lave Their jetty limbs, and all that from the tract Of woody mountains stretched thro' gorgeous Ind Fall on Cormandel's coast or Malabar ; From Menam's orient stream that nightly shines With insect-lamps, to where Aurora sheds On Indus' smiling banks the rosy shower — All, at this bounteous season, ope their urns 830 And pour untoiling harvest o'er the land. Nor less thy world, Columbus, drinks refreshed The lavish moisture of the melting year. Wide o'er his isles the branching Oronoque Rolls a brown deluge, and the native drives To dwell aloft on life-sufficing trees — At once his dome, his robe, his food, and arms. Swelled by a thousand streams, impetuous hurled From all the roaring Andes, huge descends The mighty Orellana. Scarce the muse 840 Dares stretch her wing o'er this enormous mass Of rushing water ; scarce she dares attempt The sea-like Plata, to whose dread expanse. Continuous depth, and wondrous length of course Our floods are rills. With unabated force In silent dignity they sweep along. And traverse realms unknown, and blooming wilds, And' fruitful deserts — worlds of soUtude Where the sun smiles and seasons teem in vain. Unseen and unenjoyed. Forsaking these, 850 O'er peopled plains they fair-diffusive flow And many a nation feed, and circle safe In their soft bosom many a happy isle, The seat of blameless Pan, yet undisturbed By Christian crimes and Europe's cruel sons. ''' -;^^:z: G 2 84 THE SEASONS Thus pouring on they proudly seek the deep, Whose vanquish'd tide, recoiling from the shock. Yields to this liquid weight of half the globe ; And Ocean trembles for his green domain. But what avails this wondrous waste of wealth, This gay profusion of luxurious bliss, 86i This pomp of Nature ? what their balmy meads. Their powerful herbs, and Ceres void of pain ? By vagrant birds dispersed and wafting winds, What their unplanted fruits ? what the cool draughts. The ambrosial food, rich gums, and spicy health Their forests yield ? their toihng insects what, Their silky pride and vegetable robes ? Ah ! what avail their fatal treasures, hid Deep in the bowels of the pitying earth, 870 Golconda's gems, and sad Potosi's mines Where dwelt the gentlest children of the Sun ? What all that Afric's golden rivers roll, Her odorous woods, and shining ivory stores ? Ill-fated race ! the softening arts of peace, Whate'er the humanizing muses teach, The godlike wisdom of the tempered breast, Progressive truth, the patient force of thought. Investigation calm whose silent powers Command the world, the light that leads to Heaven, Kind equal rule, the government of laws, 881 And all-protecting freedom which alone Sustains the name and dignity of man — These are not theirs. The parent sun himself Seems o'er this world of slaves to tyrannize, And, with oppressive ray the roseate bloom Of beauty blasting, gives the gloomy hue And feature gross — or, worse, to ruthless deeds. Mad jealousy, blind rage, and fell revenge 863 herbs] herds 1744. SUMMER 85 Their fervid spirit fires. Love dwells not there, 890 The soft regards, the tenderness ^f life. The heart-shed tear, the ineffable delight Of sweet humanity : these court the beam Of milder climes;— in selfish fierce desire AndTthe wild fury pf^yflluptuous sense There lost. The very brute creation there This rage partakes, and burns with horrid fire. Lo ! the green serpent, from his dark abode. Which even imagination fears to tread. At noon forth-issuing, gathers up his train 900 In orbs immense, then, darting out anew. Seeks the refreshing fount, ' by which diffused He throws his folds ; and while, with threatening tongue And deathful jaws erect, the monster curls His flaming crest, all other thirst appalled Or shivering flies, or checked at distance stands, Nor dares approach. But still more direful he. The small close-lurking minister of fate. Whose high-concocted venom through the veins A rapid Ughtning darts, arresting swift 910 The vital current. Formed to humble man. This child of vengeful Nature ! There, sublimed To fearless lust of blood, the savage race 898-912 This is an expansion of the original text (1727-38), which reads as follows : — Here the green serpent gathers up his train In orbs immense ; then, darting out anew. Progressive rattles through the withered brake. And, lolling frightful, guards the scanty fount. If fount there be : or, of diminished size. But mighty mischief, on the imguarded swain Steals full of ranco