Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924086199399 In compliance with current copyrigtit law, Cornell University Library produced this replacement volume on paper that meets the ANSI Standard Z39.48-1992 to replace the irreparably deteriorated original. 1999 CORNELL UNIVERSITY LIBRARY RUPERT OF HENTZAU Hntbon^ Ibope's IRomancee TRupcrt of 1bent3au. From the Memoirs of Fritz von Tarlen- heim. (Sequel to The Prisoner of Zenda.) With eight full-page illustrations by Charles Dana Gibson. i2mo. $1.50. A NEW ILLUSTRATED EDITION OF G:be prisoner of Z^en&a. With five full-page illustrations by C. D. Gibson, and a view and plan of the castle by Howard Ince. i2mo. $1.50. *' A E^lorious story. . . . Perhaps not the least among- its many good qualities is the fact that its chivalry is of the nineteenth, not of the sixteenth, century; that it is a tale of brave men and true, and of a fair woman of to-day. The Englishman who saves the king* ... is as interesting a knifi^ht as was Bayard. . . . The story holds the reader's attention from first to last," — Critic. In the Buckram Series. With frontispieces by Rackhani^ Russelly and Wecksler^ l&mo, 75 1^- each, XLbc ITnOfscretton of tbc Ducbees, nth Impression, '* Told witti an oM-time air of romance that gives the t. isciiiation of an earlier day ; an air of good faith, almost of '. tiigious chivalry, gives reality to its extravagance. . . Msrks Mr. Hope as a wit, if he were not a romancer.*''— Kation, a /ITsan of /llbark. f^th impression. " More plentifully charged with humor, and the plot is every whit as original as that of Zenda, . . . The whole game of playing at revolution is pictured with such near- ness and intimacy of view that the wildest things happen as though they were every-day occurrences. . . . The charmingly wicked Christina is equal to anything that Mr, Hope has done, with the possible exception of the always piquant Dolly."--i//i. ^be IDOllg DfalOQUea, <^th impression. " Characterized by a delicious drollery; . . , beneath the surface play of words lies a tragj-comedy of life. , . . There is infinite suggestion in every line." — Boston Tran- script, "B. Cbange of Bfr. gM impression. With portrait and notice of the author. " A highly clever performance, with little touches that recall both Balzac and Meredith."- -A'