< KW ) WfH ff MWt «P WT1" CAMERA JULIAN HAWTHORNE ?5 57 , 1915 CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE Cornell University Library PS 1847.S7 1915 The spectre of the camera or The £«>'? 3 1924 022 222 990 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022222990 THE PROFESSOR'S SISTER PRISTKD BY SrOTTISWOODE AND CO., NEW-STnmST SQUAIiB LONDOH THE SPECTRE OF THE CAMERA OR THE PROFESSOR'S SISTER A ROMANCE BY JULIAN HAWTHORNE LONDON CHATTO & WINDUS 1915 CONTENTS. CHAPTEB page I. METAPHYSICS 1 II. RALPH AND HIS QUEER NOTIONS . . . 16 III. TWO WOMEN ....... 38 IV. SCHANDAU 55 V. THE SPECTRE OP THE CAMERA . . .73 VI. MR. HERTRUGGE's WILL 89 VII. burlace's LUCK 104 VIII. A DRAMATIC TRIUMPH 118 IX. THE PENTAGON 140 X. LIFE AND DEATH 155 XI. LED BY A SPIRIT 169 XII. TWO MEN 190 XIII. AN EXPERIMENT 206 XIV. ON ONE CONDITION 221 XV. MARRIAGE 237 THE SPECTRE OF THE CAMERA. CHAPTER I. METAPHYSICS. '"What is memory, I should like to know?' said Will Burlace, using the end of his broad middle finger as a tobacco-stopper. ' How does it work, Ralph, my boy ? Do we re- member everything in our experience, as some philosophers hold, or does each of us take out of the past only that which belongs to his character and temperament, or are recollection and oblivion a mere lottery, over which we have no control, or—' ' And what is the exact difference between n 2 THE SPECTRE OF THE CAMERA memory and imagination ? ' I broke in. ' We say the past has no existence : neither have the conceptions of the imagination. And I have heard of people imagining things until they believed them true.' ' Yes, why not ? ' added Burlace, with a grin. ' We are taught that the external world itself is but a prejudice of the mind. There is no reality but thought and will. Our present is a dream ; our past and future are the ghosts of dreams. You cannot make out imagination to be anything less than that. We talk about the creations of poets and novelists, and it is notorious that many of the personages of fiction from Homer to Balzac, live with a vitality that would put to shame Methuselah, or Augustus the Strong. Where shall we draw the line? ' ' The senses originate in the brain,' con- tinued I : ' don't they end there as well ? we may admit that we feel sensations, but METAPHYSICS 3 how do we know that the feeling and the thing felt are not two visions of the same thing?' ' Look at ghosts, spectres, and the super- natural generally,' said Burlace, blowing a cloud of smoke into fantastic shapes and waving his big hand through them. ' What is the difference between a ghost and an ordinary human being ? ' ' As a general rule,' said Ralph, who had been sitting meanwhile on his back and shoulders, with his slippered feet broad against the tall porcelain stove which, as everywhere in Germany, dominated the apart- ment, 'as a general rule, the difference be- tween a ghost and an ordinary human being is this : — only one person sees the ghost, whereas the ordinary human being has been, is, or can be seen by whomsoever chooses to look at him. And a similar distinction might be drawn as between the contents qf the b2 4 THE SPECTRE OF THE CAMERA memory and those of the imagination. If I tell you an incident of my past life, and you don't believe it, I can adduce living witnesses in support of my statement : but if I tell you a story, or a lie, and you are incredulous, I can only keep on lying.' 'I would confess and repent, if I were you,' interposed Burlace. ' What is that theory of yours about ap- paritions ? ' I inquired. ' Oh, it would take me too far back to ex- plain that,' answered Ralph lazily. ' It's one the professor told him, and he's forgotten it,' Burlace asserted, winking at me across the table. ' The professor is a Buddhist,' said Ralph. 1 For my part, I believe neither in re- incarna- tion, Karma, Devachan, Nirvana, nor the Astral light.' Burlace grinned again. ' Nor in anything else ! ' METAPHYSICS 5 'Yes,' returned Ralph, in the same lazy tone, ' I believe in God, in the Divine inspi- ration of the Bible, in the Incarnation, in the immortality of the soul, and in the possible intercourse between the dead and the living, among other things.' ' A nice creed for the prize student of a German university ! But I suppose you are lying, now.' ' I am casting my pearls before Burlace, which is perhaps as bad.' ' Well, to begin with, what is matter? ' ' Matter is the attestation of the constancy of the relation between the Creator and the creature.' ' Oh ! and what is nature ? ' ' Nature is the analysis of human nature, projected on the sphere of sense by the crea- tive energy.' ' If that be the case,' said I, ' why does not the face of nature become modified in 6 THE SPECTRE OF THE CAMERA correspondence with our growth and develop- ment ? ' ' Well,' returned Ralph, ' doesn't it ? ' 'I haven't noticed it in my own experi- ence,' I replied. ' You would, if you were mankind. And even you furnish your room and dig your garden in accordance with your notion of the correct thing. But the great geological and eosmical changes, the variation and extinction of species, alterations of climate, and all matters of that calibre, follow and reflect the development of Humanity with a big H. And, by the way, that's the basis of what you call my theory of apparitions.' ' How so ? ' ' Oh. don't encourage him ! ' cried Burlace. ' You have the visible object on one side,' Ralph said, ' and the brain on the other. The eye is the connecting link. The light reflected from objects reaches the brain through the eye, METAPHYSICS 7 and the brain thereupon translates it into ideas of things. Such is the accepted doctrine. But in certain moods of abstraction and con- centration you are hardly conscious of the external world, and the images of the mind assume a corresponding substantiality. If now a disembodied being applies itself strongly to your own spirit, your spiritual organ of sight — which is the eye within the eye — per- ceives it as a — what Burlace calls — ordinary human being.' ' Oh, my wig ! ' muttered Burlace. ' But how does your ontological theory — ' ' Why, it's simple enough. We perceive an ordinary human being by virtue of that universal human constitution that we share with the race ; but we perceive an apparition by virtue of a special and finite impression wrought upon us by an unembodied spirit. The action of the organ of vision is the same in the one case as in the other : the appari- 8 THE SPECTRE OF THE CAMERA tionis, to the person seeing it, as real as an actual man. Yet it is not real, but an illusion, because it is an individual, and not a general experience.' ' But an apparition is a spirit ; do you call a spirit an illusion ? ' ' An apparition is not a spirit.' ' Neither, certainly, is it a physical being.' ' No ; it is the reflection upon the sphere of sense of a being who is not physical. It is an illusion in the same way that your reflection in the looking-glass is an illusion — it is nothing in itself, but a reality causes it.' ' May I be permitted to offer one sugges- tion in the premises ? ' inquired Burlace. ' No,' said Ralph. ' Well, here it is. Sense, according to you, only seems to convey messages from without ; in truth it is concerned solely with what pro- ceeds from within, — for the obvious reason that the entire material universe is but the METAPHYSICS g phenomenal externisation of the elements of the human mind — have I got the lingo right?' ' Viewing the universe, of course, from the point of view of use, not of form and extension,' supplemented Ralph, closing his eyes. 'Just as you please about that ! well, now, your apparition is visible to the eye — or to the eye within the eye, if you like that better — say, to the sense of vision. But it is generally admitted that all our senses are but modifications of one sense, to wit, the sense of touch. Are you listening ? ' ' No ; because I knew from the start what you were driving at.' ' Oh, indeed ! and pray what was it ? * ' That an apparition that can be seen, ought, by logical inference, to be also an object of touch, hearing, smell, and taste.' ' "Well, and how are you going to wriggle io THE SPECTRE OF THE CAMERA out of that dilemma ? ' demanded Burlace, with a snort. ' I am comfortable where I am. I don't perceive your dilemma. I hold your inference to be unimpeachable.' ,' Do you mean to say that a ghost can be handled — ' 'Heard, smelt, and tasted. Certainly, why not ? ' ' And yet you call it an illusion ! ' ' But with a reality behind it ! ' ' I am going home,' said Burlace, getting up from his chair with a grotesque assumption of decrepitude. ' I am a very foolish, fond old man. I don't catch on any longer. I have been getting things wrong end foremost all these years. Matter, it seems, is but' the attestation of the constancy of a relation,- — • therefore I ought to be able to walk through a block of houses, or pass my arm through a girl's waist instead of round it. Apparitions, METAPHYSICS u on the contrary, can be felt and smelt as well as seen, therefore I presume that I have been consorting hitherto with apparitions. In fact, What am Imyself but an apparition — an illusion with a reality behind me ? I have heard of people being made nervous by having a spectre behind them ; but fancy the condition of a poor spectre with a reality behind him ! Let me get away, while reason yet holds her seat in this distracted globe ! ' ' And all because I happened to remark that memory is what is meant by the creation of man male and female,' said Ralph, with a sigh. ' Imbecility, thy name is metaphysics ! ' muttered Burlace, as he opened the door and closed it behind him with a bang. So Ralph Merlin and I were left alone in front of the tall porcelain stove. Those delightful old student days in Dres- den, twenty years ago ! What good times n THE SPECTRE OF THE. CAMERA we had ! — not because of what we did, but because we so enjoyed doing it. What did we do, in fact ? we drank beer out of glass schoppen with porcelain covers ; we smoked pipes and Laferme cigarettes ; we attended open-air concerts in the Grosser Garten, the Bruehlsche Terrace, the Waldschlosschen ; we fought schlager duels, and wore high boots, black velveteen jackets, and caps four inches in diameter ; we went to masked balls, where neither we nor anybody else behaved quite properly ; we went to other dances in queer places ; we thought we owned the earth and the fulness thereof; and we talked meta- physics. There is nothing to compare with the zeal with which young men of a certain age and intellectual training will talk meta- physics. They know all that Hegel, Kant, Schopenhauer and Spinoza knew, and demon- strate that these gentlemen did not go nearly far, nor half deep enough, and were much too METAPHYSICS 13 lucid and straightforward in all their state- ments. We began where they left off, and stopped nowhere. We dissolved the Uni- verse and created it again each after a recipe ' of his own. As to society — civilisation — I shudder to think how we objurgated and annihilated them. And morality ! Burlace had a thermometer in his room, which he Used to call The Register of Virtue. It was a huge affair, about five feet long, and I believe he had stolen it from the outside of a druggist's shop. Opposite each space of ten degrees he had pasted the photograph of a woman. Between the 30th and 40th degrees she was muffled up from her chin to her toes, and wore a big hood. Between the 40th and 50th her hood was off and her pelisse was un- buttoned. Between the 50th and 60th the pelisse had disappeared and you could discern the outlines of her figure* The 70th degree limit showed her in full ball costume, very de- 14 THE SPECTRE OF THE- CAMERA college. At the 80th her costume had shrunk at both ends, and she was now a ballet dancer r very much on one leg. The next interval was difficult to describe ; and the final one re- vealed Eve pure and simple. When, there- fore, the conversation turned upon moral questions, ;Burlace would point to this new Jacob's Ladder and say : ' The whole problem is settled there, gentlemen. I make no comments ; none are needed. Let each man of you select the latitude that suits him best, and be happy. The equator is good enough for me.' Burlace was able, obstinate, boisterous ; a scoffer and a sceptic. He had a broad sense of humour, but was apt to become oppressive. His great, strident voice ate up all other sounds, and finally made one's ears indignant. But he would stand by you in trouble, and, after bullying you to your face, take your part behind your back. He and Ralph METAPHYSICS 15 Merlin and I were, at that time, the only Americans there ; so we were a good deal together. Ralph and Burlace were generally chaffing each other : I used to take part, sometimes against one, sometimes against the other. But, at bottom, Ealph was my friend. I was often in doubt whether to take him seriously or in jest, but I had an instinct of affection towards him. And I understood better than any of his other companions the moods of his mind and heart. 16 THE SPECTRE OF THE CAMERA CHAPTER II. RALPH AND HIS QUEER NOTIONS. Ealph Merlin was, I believe, of Philadel- phia extraction. His family had been wealthy for several generations, and that, in America, means culture and high breeding. Ralph was cf a fine patrician type. His physical organisation was delicate as a watch spring, but strong, healthy, and unweariable. He and Burlace (who weighed just ninety pounds more than Ralph did) had a wrestling match one day. After a while, Ralph got a grip on Burlace somehow, and began slowly to bend him over backwards. It was the power of one backbone against the other. Burlace, who prided himself on his strength, and was RALPH AND HIS QUEER NOTIONS i? always asking us to feel his muscle, tugged and struggled like a bull. His broad visage became red, his throat swelled, and a great purple vein started out in his forehead. He grinned a hideous grin, showing his big teeth set together. All the while he was being forced over, inch by inch. Ralph's face did not show signs of the tremendous exertion he must have been making ; only his eyes, which were fixed on Burlace's, seemed to grow steadily larger and brighter ; and his slender hands gripped those great, brawny muscles of Bur- lace's as a steel vice grips green wood. At last, just as Burlace's eyes rolled up, and he was about to gasp and collapse, Ralph sud- denly loosed his hold and laughed. Burlace sat down on the floor, panting and perspiring. ' You're too big for me,' said Ralph ; and a thin stream of blood ran down his chin. At first I was startled, thinking he had ruptured a blood-vessel ; but he had only bitten c 18 THE SPECTRE OF THE CAMERA through his lower lip. ' Well,' grunted Will Burlace, as soon as he could speak, ' then I thank my stars I'm no smaller, that's all.' Ralph had beautiful, arched feet, and there was a just perceptible arch in his nose, too ; thin, wide nostrils, broad, straight eyebrows, black, over gray eyes, black wavy hair, fine white complexion. His upper lip was slender, the lower full, curving under sharply to a round Roman chin. I never saw a more thoroughly masculine face ; and his deep bass voice suited it. He had plenty of brains, and managed them well. He had graduated at Yale college when he was but eighteen years old ; after- wards he had spent three years at Cambridge in England, and now he was taking an engineering course in Germany. He might have lived a luxurious club and yacht exist- ence if he had cared to. But he was not con- sented with his inherited possessions ; he RALPH AND HIS QUEER NOTIONS ig wanted a profession too. Whether, having got it, he would ever practise it, was another question ; but there was no doubt about his getting it. He was esteemed the best student of his time. Yet he had not been devoting himself exclusively to his nominal pursuit, by any means. He had interested himself for some years past in esoteric philosophy and religion ; and here in Dresden he had met a man who was already very far advanced on the road Kalph was travelling. This was Professor Conrad Hertrugge. The Professor was then about thirty years old, and by no means a general favourite with his classes. He was as sharp and cold as an ice-chisel, in the class-room. There was a strong sarcastic vein in him, which he was apt to use unmercifully ; and to the common run of people he was so curt and unsympa- thetic that they found it impossible to get up any conversation with hiin j and after one or 20 THE SPECTRE OF THE CAMERA two attempts, they were glad to give him a wide berth. He was a pale, meagre man, with reddish hair, a sardonic mouth, and strange green eyes, which sometimes had red sparkles in them. But there was power in his every feature and gesture, — the power of character, knowledge, and purpose. He had also a power of another kind, rarer, and imperfectly understood. Whether the result of organisa- tion, special training, or both, it was certainly an odd and mysterious faculty. There are more names than one for it, but a name is not an explanation. For my part, I have never been sensible of the influence which such persons are undoubtedly able to exercise ; but I have seen Conrad Hertrugge do what I can only describe as taking a man's will and con- sciousness out of him, and putting his own in its place. They would call it, nowadays, in- hibition of the cortical centres of the brain. RALPH AND HIS QUEER NOTIONS 21 There is no objection, that I know of, to that way of accounting for it. The Professor, on his first meeting with Ralph, seemed to conceive a pronounced aver- sion to him. But in the course of two or three months, this aversion changed to a very intimate friendship. I never knew exactly what caused the change, but I have always surmised that Ralph had on some occa- sion, and in some unobtrusive but effective manner, intimated his incredulity of the Pro- fessor's occult abilities ; and that he had been led, subsequently, to recant his disbelief. There was no doubt that he would have made his recantation freely and frankly, when he was once convinced ; and it was not in human nature, nor even in Conrad Hertrugge, to re- sist Ralph Merlin when he wished to make himself agreeable. At all events, as I say, they became close friends, and were a great deal together ; and since both were, with this 22 THE SPECTRE OF THE CAMERA exception, inclined to be solitary, their inti- macy was the more conspicuous. What they communed about was of course matter of con- jecture ; but some of the conjectures were well enough to have got the pair of them burned for witches two hundred years ago. For my part, I was an old comrade of Ralph's, having known him before he went to England ; and Ealph admitted to me that he and Conrad were investigating certain ob- scure subjects together. He remarked, how- ever, that he did not agree with Conrad as to the general scheme of things, and was in- clined to explain certain phenomena on another basis than his. To other people — to Will Burlace for example — Ralph took pleasure in making enigmatical replies, which might mean anything or nothing, and which left them in doubt whether he were poking fun at them, or were out of his head. But there . was another consideration involved RALPH AND HIS QUEER NOTIONS 23 which neither I nor others had yet heard of. When Burlace had left us that evening, Ralph and I sat smoking, one on each side of the stove, and for a time kept silence. ' Do you know why Burlace keeps coming here ? ' inquired Ealph, at length. He asked the question, not as one seeking information as to the fact, but in order to discover whether my idea accorded with his own. ' Well, we are all three Americans, you know,' I said. ' Yes. But Burlace wants to have a definite opinion on all subjects. He can't endure uncertainty, and he is still uncertain whether I am a knave or a fool. When he has made up his mind about that, you won't see him here again.' '' 1 Whether you are a knave or a fool ? ' 1 In other words, whether I really believe in the mysteries of the soul, or only pretend 24 THE SPECTRE OF THE CAMERA to do so for ends of my own. In the former case I am a fool, in the latter, a knave. I made some progress to-night in recom- mending to him the latter alternative.' ' You imply that he is incapable of be- lieving in the soul himself.' ' Yes ; that is one of the points on which his mind is made up.' ' Why don't you, or the Professor, convert him?' ' He hasn't the temperament, for one thing. He can be useful in his own place and way ; as a mystic, he would be a nuisance to himself and others.' 'What sort of a mystic would I make ? ' ' I have asked myself that question, and so has Conrad.' 'Well?' 'Well, to be an initiate, one must have initiative. You are too lazy. You are appre- ciative, and quick of apprehension ; you will RALPH AND HIS QUEER NOTIONS 25 listen to all that is told you, understand it, and even believe it, if it accords with your view of the reasonable. But you would stop there. You would never take any action upon the information. By and by. it would fade out of your mind. However much you might be a spiritualist in theory, in practice you will always be a materialist ; and the older you grow, the more will that be the case.' ' After all, Ralph, is there anything in it ? Granting occultism all it claims, will it ever produce any effect in this world? Can you get further than to affect the imagination and the nerves ? Supposing you possess the secret of the universe, can you avail yourself of it to benefit or influence practical men? Or do these magical powers (if there be any) afford anything except subjective entertain- ment to the wielders of them, and curiosity and mystification to outsiders ? ' 26 THE SPECTRE OF THE CAMERA ' You have seen something of what Conrad can do.' ' I have seen him put a man to sleep, and then compel him to act out his dreams. But, at most, that will simply enable some men to make cats'-paws of some others. And that has been done, without magic, since the world began.' ' Magic means the production of something out of nothing,' replied Ralph : ' and that, of course, is an absurdity, because ex nihilo nihil fit. No man can create anything, because he. has nothing of his own to create it out of. He can produce an illusion, and that is all. The illusion is temporary, often momentary ; and as it seems out of reason, the effect on the mind is also transient. The power of reading and imparting thoughts, without the aid of the senses, and of communicating impressions at a distance, is curious and striking ; but the electric telegraph, in the development it will RALPH AND HIS QUEER NOTIONS 2? presently receive, will accomplish the same results more certainly and regularly. My" belief is that you can allow the adepts all that they claim of control over the forces of Nature, and yet match them, either now or hereafter, with the matter-of-fact resources of science. I have no doubt that science will not only enable us to travel all over this earth, and converse with its inhabitants, while sitting at home in our easy chairs, but to visit planets, and hold intercourse with other varieties of mankind in the same way. But all that, and a great deal more of the same sort, is simply an advanced materialism, in which I am but moderately interested.' ' It is intercourse with spirits that attracts you.' ' Why should it ? ' ' Do you believe, then, that so-called spiri- tual communications are merely the effects of unconscious cerebration and telepathy, and of 28 THE SPECTRE OF THE CAMERA a sort of electric or magnetic force contained in the human body ? ' 'Well, I don't know why we should trouble ourselves to invent so many handsome names for a very obvious fact. If you believe you have a soul — a spirit — the rest follows of course. Your spirit is in a certain temporary phase or plane, which we call the material. But it is also in the spiritual world, though not consciously so. And in that world it must necessarily be surrounded by a multitude of spirits most similar in character and genius to itself. But your spirit, owing to your being in a different plane of being, is as im- perceptible to them as they are to you.' ' Do you mean that there can be no inter- course ? ' ' There is constant and universal uncon- scious intercourse.' ' If it be unconscious, how can you assert that it exists ? ' RALPH AND HIS QUEER NOTIONS 29 { You may know it by the analogy of ordi- nary human intercourse on this material plane.' ' How so ? ' 'Men are only partly conscious of one another here. I see your body and your house, I hear your words and mark your ac- tions. But what do I know of your nature, your thoughts, your emotions ? I guess at them, from such data as I have, and such inferences as I have skill to draw. But you and I may go through life within arm's reach of each other, and yet never once penetrate beyond the veil of each other's faces — never know each other, as the phrase is. All that each of us secretly feels to be himself is invisi- ble and often unsuspected by the other. But the part of us (and it is the larger and more important part) that is invisible here, is visible in the spiritual world. There, our thoughts and nature — our mental scenery — > 30 THE SPECTRE OF THE CAMERA appear as things. All that makes us what we are is seen there ; only the personal form that we identify with ourselves is absent — : living in a foreign country. And that spiri- tual domain of ours is continually visited and examined by such spirits as are of similar mould and inclinations with our own. They are of both good and evil quality, for there is good and evil in every man ; and according as we turn ourselves to good or to evil, is the complexion of our spiritual guests dark or light.' This theory, which Ralph stated with un- usual gravity and earnestness, struck me as being rather bold, to say the least of it ; and yet I could not deny that it seemed in keeping with what we know of the laws of spiritual harmony and association. I had never before heard Ralph talk in this way. ' If there is such a barrier as you suppose between the material and the physical planes,' R'ALPH AND HIS QUEER NOTIONS Ji I said, ' and the intercourse is unconseious on both sides, how do you account for the pheno- mena of spiritualism ? ' ' The barrier is broken down from our side,' Ralph answered. ' By what means ? ' ' If I want you to know a thought that is in my mind, I make certain audible sounds, or draw certain visible signs, which, by common agreement, shall convey that thought to you. Speech is a symbol, by which we bridge over the gulf between the world of the mind and that of the body. In a similar way — -hy a system of symbols — we converse with spirits.' 'But spirits cannot hear our voices, nor we theirs.' ' Symbols are queer things,' returned Ralph ; ' and all spells are symbols. If you hear a spoken word, it arouses the correspond- ing thought in your mind. The things that 33 THE SPECTRE OF THE CAMERA we do in the flesh produce effects in the spiritual world ; and certain things, done with a certain purpose, draw the spirits that are nearest to us into direct contact with our plane. They are sensible of an attraction — an invitation — and they comply with it. In so doing, they necessarily colour themselves with our personality, and can use only the contents of our memory, though so combining them as to produce effects of novelty and surprise. That is the ground of the " un- conscious cerebration " theory. But what is it that causes the brain to cerebrate un- consciously ? It is not our initiative ; then it must be some other ; and that other can only be the spirit's.' ' If you really believe you can communicate with spirits, I can't understand your not feel- ing interested in it.' ' The interest is limited to the fact of the communication ; when that has been experi- RALPH AND HIS QUEER NOTIONS 33 enced, there is nothing else to come. No spirit can tell us anything that we do not know, or had not the means of knowing, without him. And the society of such spirits as can communicate with us is distinctly detrimental. They are of the lowest and crudest class ; they have not found their place in their own world, and are therefore still lingering about the confines of this, — like stray dogs round the door of a butcher's shop. They will say whatever they think you expect them to say, in order to get into still closer terrestrial relations, and conse- quently they will lie indefinitely. On the other hand, the imagination of ignorant and superstitious people is excited by the idea of communion with the other world, and they conceive all manner of wild and vapid theories, every one of which is promptly confirmed by the equally foolish and unprincipled spirits. Both parties to the dialogue grow worse and D 34 THE SPECTRE OF THE CAMERA worse as time goes on ; so that it's no wonder that the affair generally ends, on our side, with insanity, murder, or suicide. What is there to interest a reasonable person in all that ? ' ' But why should not spirits of a higher order come to us sometimes ? Are there no angels to tell us the truths of heaven and teach us divine wisdom and goodness ? ' ' There are angels, no doubt,' said Ralph ; 'but there is no ground for supposing that they ever come here. Their state must be so entirely different from ours that mutual ap- proach would be impossible. Besides, the only spiritual instruction that is worth any- thing, and whose effects are lasting, must come from our own consciences, and that means that it comes direct from God, who created us and the angels too. No third person can ever mediate between Him and any of His creatures. His aim is not to bully RALPH AND HIS QUEER NOTIONS 35 us by signs and wonders, but to induce us to find our own way, and help ourselves. If you act under constraint, it is not you, but your constrainer, who acts.' ' Then, if there's nothing worth attention in these things,' said I, ' why do you concern yourself about them at all ? ' ' On the contrary, I am just beginning to perceive that there is something worth atten- tion — and very much worth it, too ! Though the spirits can tell us nothing about the next world, it is in our power to find out a great deal about it for ourselves. If Conrad were not so confirmed a Buddhist, we might go far together.' ' He doesn't agree with you ? ' ' Buddhists are all materialists at bottom ; what they call spirit is but a refined form of matter. His results are sensational, and have a fascination of their own. But I'm afraid they will get him into trouble yet. Life is a i) 2 36 THE SPECTRE OF THE CAMERA great deal simpler, as well as a great deal profounder than he thinks. He could easily do a great deal of harm ; I doubt if he could do much good. He has a fancy that he and I are involved together in some way. I must say I hope he's mistaken. By the way, you haven't seen his step-mother, have you ? ' ' I didn't know he had one.' ' Well, he has, and she's a very handsome young woman. She can't be over five-and- twenty. Conrad's father was near seventy when he married her, and died six months ago, after a year of felicity — if felicity it was.' ' Do she and Conrad get on well to- gether ? ' ' I don't believe they do. There is some question of property, I think. Conrad's sister is in the step-mother's way, and — ' ' He has a sister, too ? ' ' A girl of nineteen or so. I have never seen her — but, by the way, she was to have come RALPH AND HIS QUEER NOTIONS 37 home yesterday, and Conrad asked me to come to his house this evening. Let us go and have a look at the young lady — the two young ladies. It is only half-past eight, and we can dress and be there by nine.' ' By all means,' said I. And we went. 38 THE SPECTRE OF THE CAMERA CHAPTER III. TWO "WOMEN. Professor Conrad Hertrugge occupied a handsome Stage on a street adjoining the public garden. His father had been a mer- chant, and had accumulated a great deal of money. But having begun life poor, and never having had time to amuse himself, he had not acquired the habit of luxury, and his house, until the time of his second marriage, had been as bare as a barn, — so Ralph told me. But his new Avife had changed all that. She was handsome and ambitious, and de- manded a suitable environment. The old man yielded to all her suggestions and paid all the bills. Her taste was ornate, but not very TWO WOMEN 39 pure. The great rooms were filled with colour and decoration. Nothing was left untouched. It was a restless, almost intimidating spectacle. The eye roved from one glowing hue and glittering point to another, without repose. It seemed hardly lawful to sit down on these satins and velvets. The polished floor menaced the incautious foot ; the tables were inlaid ; in the midst of it all you kept catching glimpses of your own mortified countenance in plate- glass mirrors. I like comfort and hate this sort of thing, and felt a brutal longing to spit on the floor and put my feet on the buhl and marqueterie. As for fine art, there were clever nude statuettes by French sculptors, and paint- ings of warm Venuses, and I know not what else ; and, in the most conspicuous part of the drawing-room, a really fine full-length portrait of Madame Hertrugge herself. She stood facing you, in the act of removing a voluminous cloak lined with swansdown from her white, 40 THE SPECTRE OF THE CAMERA superb shoulders. She was represented in full evening dress, — red satin. It was a good likeness : almost too good. It might make a sensitive person blush. Madame Hertrugge was white, red, and black. Her skin was white, her cheeks and lips red, her hair, eyes, and eyebrows black. Her mouth was beautifully formed, and firm, with a firm chin. Her eyes were rather full, imperious and ardent. She was overflowing with vitality. The hand which she extended to one in greeting was soft but strong, with long fingers. She was dressed in black, as became her recent widowhood ; but she had not the air of mourning much. She was sensuous, voluptuous, but there was strength behind the voluptuousness. You received from her a powerful impression of sex. Every line of her, every movement, every look was woman. And she made you feel that she valued you just so far as you were man. TWO WOMEN 41 You might be as nearly Caliban as a man can be, but if you were a man she would consider you. You might court her successfully with a horsewhip, but if she felt the master in you, and were convinced that you were captivated by her, she would accept you. It was ludi- crous to think of the senile old merchant having married such a creature. In fact, marriage, viewed in connection with this woman, seemed an absurdity. There was nothing holy about her, nothing reserved, nothing sacred. I don't mean that she was not lady-like, as the phrase is. She knew the society catechism, and practised it to a nicety, but like a clever actress, rather than by instinct or sympathy. It was obvious that she didn't value respectability and propriety the snap of her white fingers, save as a means to an end, and if she were in the company of one whom she trusted intimately, she would laugh those popular virtues to scorn with her warm, in- 42 THE SPECTRE OF THE CAMERA solent breath. As it was, all the forms and ceremonies in the world could not disguise her. Her very dress suggested rather than concealed what was beneath it. She was a naked goddess — a pagan goddess — and there was no help for it. She made you realise how powerless our nice institutions are in the pre- sence of a genuine, rank human temperament. And be it observed, that I am here writing of her as a temperament, and nothing more. I knew nothing of her former life and experi- ence. I had no reason to think that her con- duct had ever been less than unexceptionable. But the facts about her were insignificant compared with her latent possibilities. Cir- cumstances might hitherto have been adverse to her development : but opportunity — rosy, golden, audacious opportunity was all she needed. She certainly bore no signs of satiety : she had nothing of the blase air. She was thirsty for life, and she would appre- TWO WOMEN 43 ciate every draught of it. She was impatient to begin. And, contemplating her abounding, triumphant, delicious well being, it seemed as if she might maintain the high-tide of enjoy- ment until she was a hundred. It really in- clined one to paganism to look at her. What is all this gossip about morality and the con- venances ! I thought of Will Burlace and his thermometer. Here is a woman ; here is human nature as it came torrid from the creative hand. What else in the world can stand a moment's comparison with it ? What a race of cold-blooded pigmies are we become ! Let us eat and drink, and not die, either to- morrow or the day after. I am a temperate man, but she made me feel as if I had suddenly drunk a bottle of fine old Madeira. But, as I say, her behaviour was unex- ceptionable. She shook hands with me in the quietest and most undemonstrative way, and asked me politely how I liked Dresden, 44 THE SPECTRE OF THE CAMERA and whether I expected to make a long stay. Then she turned and spoke briefly to Ralph, and we all sat down on the satin and velvet. She was between Ralph and me ; but I was directly opposite the portrait, and the glance it gave me, whenever I happened to look at it, did not harmonise with the kind of remarks (about the weather, the opera, and so forth) that the original of it was making. On the other hand, although the remarks were out of cha- racter, the tones of the rich, full voice were in keeping ; and I listened to them, while reply- ing to the words. ' Where is Conrad ? ' asked Ralph, after a while. ' Oh,' she said, ' he's in his study, with Hildegarde. Hildegarde is my daughter, you know,' she added to me ; ' though really there is not such a very great difference between us, in point of years,' and she smiled. ' She and her brother have not met for a long time, TWO WOMEN 45 and apparently they have a great deal to say to each other. But they will be in in a few minutes.' 'Miss Hertrugge has been living away from Dresden? ' I said. ' She has been educated at a convent,' re- turned the widow. ' She has just completed her course, and will henceforth live with us. She is very charming — I am sure you will like her,' she added, letting her black eyes rest on me. Somehow I did not feel complimented. The look was an appraising one. It seemed to say, ' Hildegarde would suit a person of your calibre well enough ; as for me, I must have stronger meat ! ' Indeed, I was inclined to agree with her. Merely to contemplate her was stimulus enough for me. I was content to let some more robust nature proceed further. ' She will make it less dull for you this 46 THE SPECTRE OF THE CAMERA spring,' remarked Ralph ; and he added, with the quiet audacity which he occasionally ex- hibited, ' Mourning is a tedious business. One chief reason for wishing to keep some of our friends alive, is the dread of mourning them after they are dead.' ' Too much importance is given to the outward show, perhaps,' said Madame Hert- rugge, after a moment. 'No doubt of it,' said Ralph. 'It is like most other social canons ; the fact that you are expected to comply with it makes you resent it. The way the social law puts its great bullying finger into our most sacred concerns is indecent. Birth, death, marriage, — it is the same in everything. We cannot even experience religion except in public, and with the aid of a batch of priests. The aim of society seems to be to turn its members inside out: and the more it succeeds, the greater hypocrites do we all become.' TWO WOMEN 4) ' That sounds like a paradox, Mr. Merlin,' said our hostess. • It is the natural revolt of human nature against force. Society insists on regulating our behaviour by averages ; we demand in- dividual choice. Society being the stronger, we adjust the matter by obeying the letter and rebelling in the spirit. It is our only way of keeping the ownership of our own souls.' ' That,' observed I, ' is as much as to ad- vocate hypocrisy.' ' Resistance to tyrants is obedience to God, — have you not that proverb ? ' said Madame Hertrugge, taking Ralph's part against me. ' Yes, you are right,' she went on, ' we are all something that we try not to appear to be. But I can at least say for myself that I do not enjoy being a hypocrite. It stifles me : I am tempted to throw off the disguise.' She made a gesture with her beautiful arm — a 48 THE SPECTRE OF THE CAMERA gesture that quickened my pulse a beat or two. Her gestures, like everything about her, were graphic and vividly suggestive. If she were really to throw off the disguise, it would be a memorable sight. At this juncture, Conrad came in, with his sister Hildegarde's hand in his. The two stood together in the doorway a moment. There was very little family resem- blance between them, except that Hildegarde's hair was tawny. Her eyes, as I judged, were bazel ; they were large and exquisitely ex- pressive. All her features were delicately moulded, and evinced great sensitiveness. Withal, there was a certain abstraction in her manner. It struck me that she would be keenly aware of all that passed before her, yet less through the ordinary channels of perception than by some sixth sense, — some instinctive apprehension. It acted from the depths within her, and penetrated to depths, ordinarily con- TWO WOMEN 49 cealed, within others. She would note the false tone of a voice, and see through an assumed geniality. If you loved her, she would know it in spite of your best conceal- ments ; if you were hostile, she would feel it through your sultriest complacency. And, as I afterwards found by experience, she often divined the unspoken thought of her interlo- cutor, and would even, at times, inadvertently reply to that, instead of to what had actually been said. She was, compared with her step-mother, as spirit to substance, and as light to heat. Her complexion was fair and pure ; her figure was slenderly symmetrical, and charming with unstudied grace. There was something strange about her which, at first, I did not understand ; but at length I came to the con- clusion that it was her almost total lack of self-consciousness. This girl had no egotism. Her observations, her reflections, her thoughts, SO THE SPECTRE OF THE CAMERA were of people and things outside herself. This, as is always the case, would give her singular power in emergencies. She would never say, ' What will be the consequence of this or that to me ? ' She would consider only the abstract result. Yet she would reverence noble qualities, and goodness, in herself, not less than in others ; not because they were hers, but precisely because she, in comparison with them, was nothing ; they would not be her goodness and ability, but goodness and ability themselves. These gone, she would be no complying slave, but as stubborn at need as a martyr. You can defeat a person who says, ' I will have it so,' but the world cannot influence one who says, ' Right will have it so.' But my observations upon Hildegarde did not proceed so far on this first evening. She bowed to Ralph and to me, with a pleasant, clear look, as her step-mother mentioned our TWO WOMEN Ji names. In a few minutes, I was conversing with, her and Conrad, while Madame Hert- rugge in another part of the room, was talking to Ralph. But both Ralph and Hildegarde were inattentive, and I saw each of them look at the other once or twice. 1 Do you remember your own mother ? ' I asked her. ' Oh, I can see her,' she replied, turning and lifting her head a little. ' Memory, with some people, is almost like vision,' Conrad added quickly. ' This is a great change from the convent,' said I. ' I like it ! ' she returned, with a simplicity that made me smile. ' She and Catalina will be great friends,' remarked Conrad. ' Why, do you not wish it, brother ? ' de- manded the girl. ' I forgot your eyes ! ' he rejoined with an' E 2 52 THE SPECTRE OF THE CAMERA odd gleam in his own, and a comical twist of nis sardonic mouth. He certainly had not in- timated that he did not wish it. ' She has more of her mother than of her father,' he said to me. ' My father was almost as ugly as I am, and clever — a good brain. But an ugly man ought to be strong, and there he was lacking. A woman could make a fool of him.' While he was speaking, Hildegarde rose, and crossed the room to where Ralph and Catalina Hertrugge were sitting. It was a point-blank interruption of a tete-a-t^te that had seemed to be interesting to at least one of the parties to it. If one has the nerve, or the assurance, to go straight to the point in society, such a one will leave the subtlest schemer far behind. I did not know whether Hildegarde's manoeuvre was more than an accident ; but it evidently disconcerted the other lady. Hildegarde stood looking calmly TWO WOMEN 53 at Ralph, and not offering to say anything. Catalina, cut short in what she was saying, must have felt annoyed ; but she laughed, and motioned to the other to take a place be- side her on the lounge. Ralph had meanwhile risen and drawn up another chair, and this Hildegarde accepted, replying, at the same time, to something Ralph said to her. In a moment Catalina exclaimed : ' But we are forgetting our tea ! ' and moving to the em- broidered bell-rope, pulled it. Then she saun- tered on, with that undulating movement of the hips which is so beautiful and so rare in women, showing, as it does, perfect suppleness and freedom of the waist and limbs, — she came on, I say, towards Conrad and me, and sank into a seat near us, the train of her dress coiling over her arched feet as she did so. The servant appeared at the door, and she ordered him to bring in the tray. 1 Are you not afraid to trust Hildegarde S4 THE SPECTRE OF THE CAMERA with, so handsome a man as Ralph ? ' asked Conrad, with a saturnine grimace. ' She will amuse him, and he will benefit her, — he will teach her something,' Catalina replied ; and then, turning to me, ' I shall de- pend on you and him to help me with her ; I want to make a success of her.' 'And yet they abuse step-mothers,' said Conrad. All this was entertaining, and the tea was brought in, and some flagons of Rhine wine also, and we became quietly convivial all round. But it seemed to me that there were forces at work which might breed events that would be something more than entertaining. Two women and one man make mischief; and Conrad appeared likely to take a hand, too. 55 CHAPTER IV. SCHANDAU. It was several weeks before I saw either Cata- lina or Hildegarde again. It was then May, one of the loveliest months of the year in Dresden. The grass was soft and green, the new leaves made a tender verdure on the trees, and the lilacs were in bloom, and their perfume filled the air with a benediction. The sky was softly blue, enriched with clouds, which are nowhere more beautiful in . form and colour than in the valley of the Elbe. The river itself came swirling and rippling down from amidst the distant hills, overflow- ing with the freshness and fullness of the gracious season, and foaming against the dark 56 THE SPECTRE OF THE CAMERA piers of the old hog-backed bridge that had stemmed its current for centuries. The pro- prietors of the river baths had begun to construct their platforms and moor them out in the stream ; and a wooden terrace was being built on the bank beneath the walls of the Bellevue Hotel, whereon, during the sum- mer, innumerable beer-drinkers would sit and imbibe the great German liquor in the breezy shadow, with the water eddying and sparkling beneath them. Now, also, the open-air concerts at the Grosser Garten, and at the Waldschlosschen, and other easily acces- sible suburbs, were in full blast, enabling you to hear the best of music at any time for five cents. All the population appeared to be parading about, ceaselessly loquacious and smiling, in fresh bonnets and spring waist- coats. Good old King John, still alive at that epoch, might sometimes be met toddling along the sunny side of the Schloss strasse. SCHANDAU 57 with his old queen by his side, and a hench- man or two in attendance ; in the morning you might see Crown Prince Albert, accom- panied by a lady who was too handsome to be royal, cantering down the Hercules Allee, through fretted sun and shadow. It was spring, full of fresh days and sunny hopes. One Saturday we made a party to go up the river to Schandau. This is a charming little village in a narrow winding valley, about twenty-five miles above Dresden. The village, beginning with a hotel at the river bank;, prolongs a line of leaf-embowered villas for some half a mile along the brook side, there ending in another hotel. You take your meals beneath the trees, in the open space in front of the hotel ; a band plays there in the afternoon ; on either side are precipitous cliffs, on whose sides trees miracu- lously cling, and which are ascended by paths zigzagging upward at practicable angles. 58 THE SPECTRE OF THE CAMERA Schandau is the outpost of Saxon Switzer- land, the loveliest little region in all Germany. The party was to include the three Hert- rugges — Conrad, Catalina and Hildegarde, and Ealph, Will Burlace and myself. This was two cavaliers apiece for the ladies, which, considering the excess of women over men in Germany, ought to have been very satisfactory to them. But at the last moment Conrad found it impossible to go. As all our preparations were made, and the day was fine, it was decided to proceed without him. The cause of his defection was a telegram he had received at breakfast from one of the professors at Freiberg, announcing an important meeting to be held that day to consider the case of a certain student, known to Conrad, who had got into trouble. Conrad was at first inclined not to comply with the summons ; but inas- much as the boy's future seemed likely to SCHANDAU 59 depend upon his attendance, he finally made up his mind to go. At parting he drew me aside and said : ' I don't feel altogether satis- fied about this thing. The student is one of the steadiest in the school. I cannot under- stand his having behaved in such a manner. Will you do me a favour ? ' ' "With pleasure.' ' Well — keep the party together as much as possible. I shall feel more at ease if I know the young people are not getting too romantic. You are a man of sense — one can trust you ; but the others — ! ' ' There is safety in numbers, professor,' I replied, laughing ; ' and under the cir- cumstances, I do not regard what you say about me as a compliment. However, I will engage to see them all home alive this evening.' He rubbed his chin, seemed to meditate for a moment, and finally turned away mut- 60 THE SPECTRE OF THE CAMERA tering something I did not catch. He took the train one way, and we the other. In spite of his absence, we were a very merry party. Burlace gave the guard a thaler to lock the door of our compartment, which was a first-class one. The two ladies estab- lished themselves at the opposite windows, and just as the train started Catalina called to Ralph and asked him to disentangle the lace fringe of her scarf from one of the buttons of the cushion, to which it had somehow become attached. By the time he had accomplished this I had taken my seat opposite Hildegarde, and Burlace was on the other side of her ; so there was nothing left for Ralph but to devote himself to the beautiful widow. But it ap- peared to me that no one was pleased with this arrangement except Catalina, — leaving myself, who would have been contented any- where, out of the question. That is to say, Burlace wanted to be with Catalina, Ralph SCHANDAU 61 wanted to be with Hildegarde. and Hildegarde — to put the attitude negatively, as becomes a young unmarried woman — Hildegarde did not exhibit any marked preference for the society of either Will Burlace or myself. As we had a full hour's ride before us, this was, perhaps, unfortunate. But the genius of Ralph was equal to the emergency. He did not, indeed, imitate the sublime example of Hildegarde, on an occasion already described, and simply and without excuse or explanation, change his seat from where he did not to where he did want to be : but at our first stopping place, Pirna, he was suddenly seized with a desire to speak to the guard, and since the station was on Hildegarde's side, he was obliged to come to that side in order to satisfy his desire. What he said to the guard I do not remember : but while he was stand- ing with his head and shoulders out of the window, Burlace took advantage of the oppor- 62 THE SPECTRE OP THE CAMERA tunity to transfer himself to the place op- posite Catalina, and then Ralph, finding his retreat cut off, was, of course, obliged to sit down by Hildegarde. So now we were all happy except Catalina, — and myself, who, as I have already explained, was the ac- knowledged supernumerary and mere looker- on. In this order we arrived at our destina- tion. After being ferried across the river to the Schandau landing, we strolled up the lane by the brook side to the hotel, and ordered our dinner for one o'clock. We took this walk in a group, the promiscuous character of which was almost conspicuously, albeit tacitly, pre- served. But at this point I abandoned for the nonce my r&le of chaperon, and declaring that I must and would have a bath (there are ex- cellent baths in the hotel), I left my four friends to fight it out, or flirt it out, as best they might. They started off to ascend the SCHANDAU 63 hill on the left, and were soon lost to sight in the bosky pathway leading thither. I entered my bath, congratulating myself on my uninteresting and uninterested character. But though my heart was free, my curiosity and speculative instincts were awake, and I could not help wondering what would come out of this little game at cross-purposes. Too much weight might easily be ascribed to what I had noticed, and yet it was plain that the two ladies both preferred the same man, to wit, my friend Ralph Merlin. I could not blame them for this. Ralph was to poor Burlace as Hyperion to a satyr. But what would be the result of it ? Would Hildegarde be able to hold her own against so redoubtable and potent a beauty as Catalina. If the object of their rivalry had been any other man than Ralph, I should have doubted it. But Ralph, though human enough in all conscience, in spite of his trick of talking metaphysics and mysticism, 64 THE SPECTRE OF THE CAMERA was not a man to mistake an outside for an inside, still less to prefer the former to the latter ; and, moreover, he did not appear to be merely indifferent between the two women, but had betrayed a certain measure of pre- ference for the strange girl with the hazel eyes. Catalina, then, was in so far at a disadvantage ; nor was her situation improved by the obvious fact that Hildegarde reciprocated Ralph's in- terest. In a matter of love, an unsophisticated maiden may sometimes prove more than a match for even a beautiful woman of the world and a widow. And Hildegarde had traits of character that would have to be taken into consideration by anybody. Upon the whole, I was benevolent enough to be sorry that Catalina had not happened to take a fancy to poor Will Burlace. If it were not an ideal match, at any rate it was really preferable to one between her and Ralph. And after all, why should she be in such haste to SCHANDAU 65 fall in love with anybody ? Only seven or eight months ago she had a husband. It was true that the deceased Mr. Hertrugge may have won her not solely on his own merits ; but some consideration was due to the poor man's memory. And what would Conrad say to such behaviour ? It was already evident that he was not pleased about something ; though whether it was to the marriage of his step-mother, or that of his sister, that he objected, I do not know. Neither was I aware what power he possessed, if any, to oppose or check the proceedings. But, again, possibly — and I thought it quite possible — Ralph might feel only an assthetic or psychological interest in Hildegarde, in which case a half at least of the Grordian knot would be cut. By this time I had finished my ablutions, and resuming my garments, I sat down in the courtyard to await the return of my friends, and the arrival of dinner. It was not long before I heard voices 66 THE SPECTRE OF THE CAMERA from the hillside, and among them the sten- torian tones of Burlace, who seemed to be in a complacent mood. I was curious to see in what order the quartette would reappear. When, presently, they hove in sight, it ap- peared that fortune continued to favour Hilde- garde thus far. She and Ralph were together, walking some twenty paces behind Burlace and Catalina. Nevertheless, Catalina was in high spirits — rather unduly high, I fancied. She was laughing and talking with Burlace, and looked positively glorious, with her complexion like white and red roses, and her eyes like black diamonds. I was conscious of a great and disinterested sympathy for her. What a pity that such a woman could not have her own way in everything ! With so much of primal nature in her, she must be more good than bad. There was evil in her, of course, as there is in everybody ; but it would come to the surface only if she were opposed, or in- SCHANDAU 67 jured, or disappointed. Why could not fate allow her to enjoy herself in her own way? It is singular how life often seems to provoke people — deliberately hound them — into being worse than they might be. Catalina would be all right if she were let alone. On the other hand, if she were crossed and driven into a corner, she was capable of serious mischief. As for Burlace, he was enchanted ! He belonged to the class of people who are most sanguine at the moment when everyone else perceives their final discomfiture. Ralph and Hildegarde, like Dante and Beatrice, were happy but quiet. The dinner was good ; and we had some Marcobrunner that was so inspiring that we were convinced it must be the original drink of immortality, from the famous Fountain of Youth. And yet, what did we want of the wine of youth? It was twenty years ago. I would appreciate it better now. f2 68 THE SPECTRE OF THE CAMERA Every once in a while I caught a glance from Catalina's jubilant black eyes. What was in that woman's mind? Sometimes, too, I saw her looking at Hildegarde ; and then her regard became pre-occupied and dreamy ; it made me think of an Eastern empress, calmly watching the agonies of a dying slave. Yet Hildegarde was neither a slave nor moribund. Coffee was brought, and we lighted our cigars. The sun had passed its zenith, and was shining up the narrow valley. The band appeared and began to play. But the music was too near and loud ; by common consent we rose, and sauntered down the shadowy path towards the river. On arriving there, Catalina pointed to a steep elevation on our right, covered by some small buildings, and commanding a fine view, and proposed that we should ascend thither. It is nothing to a party of young people to climb a mountain in SCHANDAU 69 the evening of a day's outing. Up we went, bending to the arduous path, breathing deep, and rejoicing as height after height was gained. Reaching the breezy summit, we found there a tiny ' Restauration,' with benches and tables in front of it, and intima- tions of cool beer in the background. We sat down on the benches, and were waited upon by a neat and comely little maiden, with her flaxen hair braided down her back, after the manner of the Gretchen of romance. I, being otherwise mateless, entered into converse with her, and she made cheer- ful replies to my questions. There was a little dome-shaped structure on the top of a rocky knoll, overlooking even the height on which we sat ; and I asked her what was kept in it. ' Oh, that is the camera-obscura,' she said ' Have you never seen one ? ' I had ; but camera-obscuras have an 70 THE SPECTRE OF THE CAMERA abiding fascination for me ; and I wanted to see this one also. Gretchen expressed her will- ingness to do the honours of it ; I laid the matter before the othsrs, but none of them were inspired by my enthusiasm, so I left them, and went up with Gretchen into the mount of vision. It was an excellent camera, and com- manded a vast horizon. After causing the re- gular series of sights to pass across the stage, ending up with our own party still seated at the tables, Gretchen paused and asked me if I were content. I crossed her honest little palm'with silver, and requested her permission to remain in the camera by myself for a while ; to which she readily assented, and departed to her other guests and duties. I got hold of the cord that moved the lens, and began to explore the neigh- bourhood at hap-hazard. The silent but living pictures, in the lovely colours of nature, suc- ceeded one another ; the trees waved, the SCHANDAU 71 river ran, the little skiffs sailed to and fro upon it ; an interminable freight train slid along the track, with white steam puffing from its engine. Once an eagle sailed leisurely athwart the sky, without a pulsation, of his long dark wings. I turned the glass full upon the sky, which showed lakes and straits of intense azure, between superb masses of cloud, fleecy white and tender gray, like the plumage of a sea-gull. Turning more to the west, I saw there masses thickening and dark- ening, and assuming here and there strange tinges of yellow and green ; and towards the remote horizon there was a whitish blue. A thunderstorm was coming on, and setting in this direction. As the frowning cloud wall drew nearer, I could see lightning wriggling across it. The idea of watching a thunderstorm as it painted itself in a camera-obscura pleased me hugely; it combined the realism of nature with 72 THE SPECTRE OF THE CAMERA the imaginative charm of a theatre. I directed the lens to the little restauration, in order to find out what my friends were doing ; but they had all vanished. Only Catalina's parasol lay upon one of the tables ; and Gretchen stood in the door of the house, glancing at the sky and the landscape. Had the others wandered off somewhere, or were they in the restauration ? I grasped the magic cord, and set off on a voyage of dis- covery. 73 CHAPTER V. THE SPECTRE OF THE CAMERA. The nearer rim of the storm-cloud warnow nearly overhead, and the body of the disturb- ance was but a mile or two distant, sweeping up the valley of the Elbe, and shrouding the lofty cliffs of Koenigstein and Lilienstein in driving rain. I kept the darkest part of the cloud on the centre of my canvas, and watched its swift and majestic approach. The lightning was incessant, and showed blue and red as well as white, and the unintermittent roll and explosions of the thunder filled my ears. If my unfortunate companions had gone out into the woods, they would inevitably be drenched to the skin. 74 THE SPECTRE OF THE CAMERA I surveyed my immediate surroundings for several minutes without seeing traces of any of them. The elevation to which we had as- cended, following the general conformation of the region, was in the shape of an irregular butte, or table-land bounded on all sides by nearly vertical precipices. These precipices, however, were cleft by deep ravines and gullies, whereby access was gained to the summit ; and the summit itself was only comparatively level — it was, in fact, rough and uneven, with loose boulders resting upon it, and everywhere a thick growth of pines and other trees. Nar- row footpaths wound in and out from one point to another, but there had been no at- tempt to render the surface homogeneous. From my high standpoint, I could com- mand this limited space much better than any one below me, and I accordingly passed it carefully and systematically in review, with the assurance that I could not fail to discover THE SPECTRE OF THE CAMERA 7$ my friends sooner or later, if they were any- where upon it. By-and-by I was rewarded by the sight of Catalina and Will Burlace, who were standing together beneath the broad boughs of a pine, looking out at the oncoming storm. Presently Catalina turned to Burlace, and seemed to be speaking to him ; he replied ; they glanced up at the boughs above them, and then again out over the valley. I judged that she had offered some suggestion, which they had discussed, and to which Burlace acceded ; for a moment later he nodded his head, left her side, and walked off at a brisk pace in the direction of the restauration. She had doubtless asked him to fetch her an umbrella, or a cloak, to protect her from the rain. I followed his course for a few moments, as he alternately appeared and disappeared in the windings of the path, and beneath the 76 THE SPECTRE OF THE CAMERA overhanging branches of the trees. It struck me that he was taking the wrong path, but I was unable to apprise him of his error. I returned to the spot where he had left Cata- lina ; but to my surprise, she was no longer there. Had she left the tree for some more effective shelter from the imminent downpour, or for another reason? It suddenly struck me that the errand on which she had des- patched Burlace might merely be another of her expedients to get rid of him ; and as soon as he was out of sight she had transferred herself elsewhere. But this could only be a piece of wanton mischief on her part, or it might even be co- quetry ; for she had nothing to gain now by hiding herself from him, except the certainty of getting wet. It was not as if she were plotting to exchange Burlace for Ralph, for Ralph was not there. By the way, where was he? and Hildegarde? she must be with him. THE SPECTRE OF THE CAMERA 77 All this time the gloom of the great over- whelming cloud was deepening, and the savage flashes of lightning made the intervals between seem darker ; and the thunder was uninter- rupted, booming and crashing and leaping in heavy echoes from peak to peak of the hills, as if giants were flinging vast boulders at one another. The appearance of the surface of the cloud overhead was awful and bewilder- ing ; it boiled and eddied like an aerial maelstrom ; it was iridescent with lurid tints, and pieces of vapour were ever and anon torn off from the main mass and snatched and twisted about this way and that in the fury of the upper whirlwind. It was a terrifying spectacle ; such a storm as this I had never seen in Germany, and at so early a period of the year it was unprecedented. I began to fear that Ealph and Hildegarde and the others might be exposed to a real danger. ' Just then a turn of the glass brought 78 THE SPECTRE OF THE CAMERA Ralph into view. He was hurrying across the rough ground and through the wood, not attempting to keep the path, but making a straight line for the restauration. He was alone, and I could only suppose that he, like Burlace, had started to procure some means of protection for Hildegarde, whom he had probably left in some place of comparative shelter. The first breath of the gale had now reached the butte, but as yet not a drop of rain had fallen. All at once, Catalina stepped out from be- hind a rock, directly in Ralph's path, so that he almost ran against her. He halted suddenly; and then I witnessed a remarkable scene, A dazzling flash of lightning glared out, and simultaneously with it came an appalling crash of thunder. I saw Catalina, as if be- side herself with terror or excitement, throw herself upon Ralph, and fling her arms round him. THE SPECTRE OF THE CAMERA 79 Ralph was apparently as much surprised at this as I was. But he instinetively put his hands on her shoulders, and for several moments she clung to him, with her face against his breast. The gloom had closed round them, but in another breath it was lit up again, and she was looking up in his face, and speaking passionately. He drew back a little, but again she clung to him ; all the strength and fire of her nature were put forth ; who can tell what she said or inti- mated ? The mere distant reflection of the scene, from which I could not turn away my eyes, revealed and concealed in quick and irregular alternation by the electric flashes, made my nerves thrill and my pulses beat. Beyond a doubt this magnificent creature was offering herself to Ralph ; could any man withstand the intoxicating onset of such a spirit and passion as hers ? And to all was added the excitement and hurly-burly of the So THE SPECTRE OF THE CAMERA great storm, as if the elements themselves took part in the tumult of her heart and brain. It seemed to me that Ralph wavered for a moment. He would not have been human had he remained unmoved and in command of himself. To hear such love so told ; to feel her alive in his arms and pressed against him : to see that beautiful face so close to his that her lips spoke almost against his lips, and her eyes wet with wild tears and ardent with the flame of her desire looked into his own, — in such a situation virtue dissolves like snow in fire. Ralph bent his head towards her ; for an instant darkness closed them in ; and what took place in that instant I know not. But alas for Ralph, and for her ! The revulsions of feeling in such cases are as rapid as they are intense. I knew that Ralph did not love her, and that he had yielded to a passionate impulse only. And THE SPECTRE OF THE CAMERA 8l having yielded, at such a white heat of emo- tion, the recoil would be inevitable and abso- lute. When I looked again he had unclasped her arms, and drawn back from her a step ; they faced each other so, and he was speaking. As he spoke, at first she heard him defiantly and wrathfully, standing erect at her full height, with her head poised like a serpent's, about to strike. Then some word of his hit her hard ; she winced and her head fell ; she half-raised her hands and shrunk as if to avoid a blow. And then her arms dropped listlessly to her sides, and the pose of her figure expressed the apathy of despair. She attempted no reply ; she did not lift her face ; and when he left her and passed on, she did not turn to look after him. Evidently, then, he had smitten hard ; and few men could smite harder than he. And he had killed something in her. Perhaps it was pride ; perhaps it was something better G 82 THE SPECTRE OF THE CAMERA than pride. We are always wrong when we judge our fellow-creatures, and we are wicked when we condemn them and shame them, no matter for what cause. Possibly Kalph would have been less cruel had he not known in his heart that he too was accountant for a sin. After Ralph was gone, Catalina moved, drew her shoulders together as if she felt cold, and passed her hands over her eyes. She took a step or two forward, and paused ; walked a few paces in another direction, and paused again. She seemed hardly to realise where she was, or what she was doing. But pre- sently a change came over her ; some definite purpose had entered into her mind, and she had immediately become intent upon it, to the exclusion of all other ideas. At first I could not imagine what it was ; but her course was taking her directly to one of the most headlong precipices, which plunged THE' SPECTRE OF THE CAMERA 83 sheer downwards, five hundred feet without a break, to a chaos of tumbled rocks beneath. "What should a desperate woman, whose love had just been thrust back on her with con- tumely, seek on the edge of a precipice ? The answer was terribly obvious. I was about to witness the suicide of Catalina, without being able to do anything to avert it. I was power- less as a man in a dream. She was in one world, and I in another, with no possibility of intercommunication ; and yet we were perhaps not more than three hundred yards distant from each other. She was now within twenty paces of the end. A sloping terrace, some ten feet in height, descended to the rocky brink. At the top of the terrace grew two or three small evergreens, and just on the crest of the de- clivity was balanced a small boulder, about as big as a mammoth pumpkin. When Catalina reached this terrace, she G 2 84 THE SPECTRE OF THE CAMERA stopped short, with a start, and then drew back behind the shelter of the evergreens. Here she crouched down and gazed ; and I gazed , too. On the very brink of the abyss, where the downward slope of the terrace ended, stood Hildegarde. She stood looking outward to- wards the storm, which filled the vast gulf before her. She was absorbed in the spectacle. She held herself proudly and exultingly, like some divinity of earth and air ; the fighting wind had loosened the fastenings of her tawny hair, and it streamed out behind her with a movement like leaping flame, and her gar- ments fluttered like a rent sail wrapped on a slender mast. She raised her arms, as if to rise on wings and stem the gale. Her position was one of imminent peril. A step forward — a loss of balance — and she would have been lost. But she was mani- festly unconscious of danger, or indifferent to THE SPECTRE OF THE CAMERA 85 it. Her nerves were not shaken : her heart beat strong and full : her reserved and silent nature was awake and rejoicing. It needs planetary influence to arouse some souls, while Others expand themselves at the bubbling of a tea-kettle. In spite of her logical danger, Hildegarde was safe. I wondered whether the storm alone was answerable for her ex- altation, or whether Ralph also had been con- cerned in it. Did the same thought come to Catalina at that moment ? As I turned my eyes on her, I saw that she had emerged from behind the evergreens, and was creeping towards the small boulder that was poised above the slope. All the while her gaze was fixed intently on Hildegarde, as a panther watches a fawn upon which it prepares to spring. Catalina reached the boulder, and laid her hands upon it. Then I comprehended what was about to happen. A vigorous push, such as Catalina 86 THE SPECTRE OF THE CAMERA was fully able to give it, would send the boul- der bounding down tlie terrace. Hildegarde stood exactly in its path over the precipice. It would strike her, and sweep her down to destruction. Catalina had changed her pur- pose from suicide to murder. Ealph had crushed her pride and scouted her love. She would see to it that Hildegarde did not enjoy his love either. As I saw the wretched woman press against the stone, I involuntarily shouted out to warn Hildegarde of her fate. I might as well have appealed to the stars. My voice came impotently back to me from the black sides of the camera ; and even had I been as near her as was her intending murderess, the reverberations of the thunder and the roar of the wind would have out-shouted my words. The stone stirred and trembled on its fall. But before it could descend, a figure appeared THE SPECTRE OF' THE CAMERA 87 on the very verge of the gulf. It almost seemed as if it must be standing on the empty air ; it was on a level with Hildegarde, and a pace or two to her left. How it had come there was more than I could conceive ; an in- stant before, a glare of lightning had shown the place vacant ; the next flash had, as it were, brought him there — for the figure was that of a man, and of one whom I immediately recog- nised. Its appearance and what followed thereupon, all passed in the fraction of a minute ; but it seemed to me that the new- comer was more clearly visible than either Catalina or Hildegarde ; the effigy cast by the lens had a kind of luminous quality in it, as if it had absorbed some of the electric light which charged the atmosphere. The figure extended his left hand towards Hildegarde, and beck- oned to her with an urgent gesture. She, too, evidently recognised him ; but manifested little or no surprise at his presence. 88 THE SPECTRE OF THE CAMERA The stone plunged downward ; but before it could reach Hildegarde, she bad quietly stepped a pace to the left, and it flew past her harmlessly. I saw Catalina throw up her hands and stagger back, with an aspect of terror ; but when I looked again for the appa- rition of Conrad Hertrugge, it had vanished. 8 9 CHAPTER VI. ME. HERTRUGGE's "WILL. Simultaneously with this strange event, the rain, which had held off so long, rushed down in a gray sheet, and blotted out every- thing. It rattled upon the roof of the camera with a noise like the beating of innu- merable kettle-drums. But I had seen enough ; the spell that had kept me there was broken ; I found the door and came forth. The rain struck me like a shower- bath, and I was soaked through before I could descend the knoll to the level. The first thing I saw was Ralph and Burlace running off through the trees with waterproof blankets in their arms. 90 THE SPECTRE OF THE CAMERA I had no wish to follow them. I did not doubt that they would find Catalina and Hil- degarde, and bring them safely back. I walked across to the restauration. Gretchen met me in the doorway with exclamations of concern and compassion. The Herr was so wet ! The Herr would catch cold ! Every- body would catch cold ! Never was such a storm known. What was to be done ? Oh weh ! Oh weh ! I followed her into the kitchen, where I took off my coat and waistcoat and sat down before the cooking-stove. Gretchen trotted here and there, getting out dry wraps for the ladies, when they should return. I could think of but one thing — the appearance of Conrad on the cliff. By no means could I imagine how he could have got there. I had seen him depart in the train for Freidberg. It was an hour's journey from Dresden thither. The first train back to Dresden did MR. HERTRUGGE'S WILL 91 not leave Freidberg until half-past one in the afternoon. Supposing him to have taken it — which in itself was most unlikely — he would have reached Dresden at half-past two. The first train after that, from Dresden to Schandau, started at half-past three, arriving at half-past four. I looked at my watch ; it was now twenty minutes to five. Granting that he had been on that train, it would have been impossible for him to have been ferried across the river and to have ascended the hill in less than twenty minutes ; and five minutes had already passed since I saw him. Ac- cording to my reckoning then, the event fell at least fifteen minutes short of being a physical possibility. The only way out of the mystery was to suppose that Conrad had chartered an engine specially to convey him hither. But to charter an engine is by no means so simple an affair in Germany as it is in America. Moreover, what conceivable 92 THE SPECTRE OF THE CAMERA motive could have induced Conrad to take such a step ? He could not have foreseen that his sister was to undergo any peril. Apart from all this, however, the condi- tions under which I saw the figure were inex- plicable. The peculiar luminousness and dis- tinctness which characterised it ; the position in which it stood, apparently on nothing ; and the circumstances which I now recalled, that its garments, in the midst of a gale that was bending the pine trees like grass, hung down unmoved, as if in an atmosphere completely calm ; all these things combined to fortify the mystery. I should have put down the appear- ance as an hallucination, due either to the dis- turbed state of the air, or of my own mind at the time ; but it had evidently been seen also by both Hildegarde and Catalina ; the former had obeyed its gesture to move to one side, and the latter had been overcome with fear. Besides, the figure had not appeared to me MR. HERTRUGGE'S WILL 93 directly, but through the medium of the lens of the camera ; and I had never heard of an hallucination presenting itself in that manner. My meditations had reached this unsatis- factory conclusion when I heard voices and steps, and turning, I saw my four friends entering the kitchen, convoyed by Gretchen. The rain, meanwhile, had ceased, having been as brief as it was violent ; the heavy clouds were breaking away in the west, and the roll of the thunder sounded like the cannon of some great battle far to the north and east. Cata- lina and Burlace came first, laughing and talk- ing ; then Hildegarde, whose face had un- usual colour and animation, and finally Ralph, whose straight black eyebrows lowered over his eyes. He was the only one of the four who seemed to be out of spirits.' ' At last I have had my wish,' exclaimed Catalina, throwing off her blanket. ' I have always wanted, to be out in a thunderstorm 94 THE SPECTRE OF THE CAMERA without an umbrella, and now I have done it. Nothing could be more refreshing ! ' ' But what about dying of pneumonia ? ' said I. ' Dying ! I am not going to die, Monsieur. I am going to live and be happy ? I am already younger than I was this morning. I have bathed in electricity as well as in rain- water.' 'And yet you would commit suicide ?' said I. She became pale in a moment, and gazed at me with a sort of stealthy consternation. Her lips parted, but she did not speak. 'It is nothing less than suicide,' I con- tinued, ' to think of going home in those wet clothes. You are on the brink of a precipice. Draw back ! ' ' What an old raven you are ! ' put in Burlace, with his rough voice. ' You are always for plaguing folks ! Madame Hert- MR. HERTRUGGE'S WILL 95 rugge is all right. She is dressed in woollen, and the rain won't hurt her. Still, madame, if you would like to put on one of G-retchen's gowns while your things are drying ' ' No, not I ! ' she replied, taking breath and recovering her self-possession. ' Besides, we must take the train in half an hour.' ' I have a better plan than that,' remarked Ealph. ' The steamboat starts in half an hour too, and you and Miss Hildegarde can have a stateroom on that. You can go to bed during the run home, and by the time you get there your things will be dry.' ' Oh, to be sure, Hildegarde is delicate ! ' returned Catalina, with a touch of mockery in her voice ; ' you are quite right to consider her, Mr. Merlin.' ' I wish I had a horse here, I would like to ride,' said Hildegarde. ' Twenty-five miles on horseback would be a little too much, after to-day,' replied Ealph, .96 THE SPECTRE OF THE CAMERA looking at her with undisguised tenderness ; ' we are answerable to Conrad for you.' ' By the way,' said I, glancing carelessly at Catalina, ' have any of you seen Conrad this afternoon?' Catalina started perceptibly, and again the colour left her face. She dropped her eyes, and the hand which she put up to smooth back her hair trembled. ' I believe you've got a chill in spite of your woollens, Madame Hertrugge,' said Burlace. ' The boat will be the best thing after all. What's that you say — saw Conrad ? he added, staring at me with a grin of amaze- ment. ' There's nobody here that I know of can see from this to Freiberg. What are you thinking of ? ' ' Well,' I said, ' he may have been here in spirit, at any rate. If we are going to take that steamer I think we had better be getting off.' MR. HERTRUGGE'S WILL 97 We all rose and made ready to go. Hilde- garde came up to me as I stood a little apart from the others, and looked at me anxiously. ' Can you see spirits ? ' she asked, in a low voice. ' Ralph and I were debating the other day whether spirits could be seen,' I replied. ' I believe he argued that they could not. What is your opinion ? ' ' Spirits . . . perhaps not,' she said slowly. ' But I fancied you might mean . . . however, it is no matter.' ' The ancients used to believe in tutelary spirits, or something of that kind, whose office it was to warn them of danger, and advise them. I should not be surprised if some being of that order watched over you — some aerial Conrad, you know, who filled his place when he was absent.' Her eyes became very penetrating, and H 98 THE SPECTRE OF THE CAMERA she was about to reply, when Ralph came up to her and took her arm under his with an air of ownership that meant something. Burlace had Catalina ; I brought up the rear. Matters were plainly coming to a head ; but I felt by no means prepared to guarantee that the head would be an altogether peaceable and agree- able one. We arrived at the wharf at the same time as the steamboat, and started on our down- ward journey, which would last until long after dark. We succeeded in procuring rooms for the ladies, and they disappeared. Burlace went off to drink a glass of Schnapps in the cabin ; and Ralph and I obtained permission to sit and smoke in the engine-room, where the heat from the furnace made us steam like a laundry. ' I wish we had stayed at home,' I remarked, after a period of silence. ' There is no day of my life that I would MR. HERTRUGGE'S WILL 99 be willing to substitute for this,' Ralph re- turned, emphatically. ' Wait until you hear what Conrad has to say about it,' was my answer. He smiled and said : ' You think yourself a good guesser.' ' I suppose you have already obtained Madame Hertrugge's consent ? ' said I. ' Oh, I don't care to make a secret of it,' he returned, leaning his head on his hand and fixing his grey eyes on me. ' I have reason to believe that I shall marry the loveliest woman in the world. At the same time, there is no need to make it a matter of common talk, until the preliminaries are settled.' ' And until her year of widowhood has expired.' 'Her year of widowhood! What the mischief do you mean ? ' ' Madame Hertrugge's husband died less than a year ago.'* H 2 loo THE SPECTRE OF THE CAMERA He gave me a keen look. ' What is your motive in suggesting that I contemplate marry- ing Madame Hertrugge ? ' ' Why not ? Do you mean to say that you have never done or said anything to lead her to think that she was not indifferent to you?' He hesitated, and his eyes darkened. 'You have no right to ask the question,' he replied at length ; ' and I would be justified in parrying it. But I prefer to admit that there has been a moment in my intercourse with her which I wish could be wiped off the record. As to marrying her, there never was any question of that. She can't marry.' ' Why can't she ? ' ' On account of a clause in her husband's will.' ' Oh ! He forbids her to marry under cer- tain penalties ? ' ' If she marries while Hildegarde is still un- MR. HERTRUGGE'S WILL 101 married, she forfeits the enjoyment of the late Mr. Hertrugge's fortune.' Here was a whimsical complication, Catalina could not marry until Hildegarde was married. But since it was Ealph that Catalina desired to marry, and since, when Hildegarde was married, it would be to Ralph, it was evident that Catalina would never marry at all. ' Love may be secondary to money in her estimation,' I said. 'You must ask her about that yourself. The will also allows her to marry in the event of Hildegarde's death.' ' Mr. Hertrugge was a donkey,' said I. I was half minded to tell Ralph what I had seen that afternoon. Many and many a time since have I regretted that I did not. But he had shown himself so restive under my questions that I was reluctant to meddle any further; besides, had not Hildegarde 102 THE SPECTRE OF THE CAMERA undergone her peril and escaped ? But what a sinister light this news threw upon Catalina. It was hardly doing her an injustice to say that probably nothing would induce her to give up her fortune ; she had married an old tradesman of seventy to obtain it ; and she was of a temperament that needs wealth as much as other people need air and water. And yet she had offered herself to Ralph. Nor was that the worst. Her attempt to murder Hildegarde no longer appeared as simply the wild revenge of a jealous woman. That fool, her late husband, had deliberately put a premium on his daughter's death ; and Catalina, in removing her, would have com- bined with her revenge a shrewd stroke of business. ' Shall you remain here after your mar- riage ? ' I asked presently. ' I shall go back to America.' 'Well,' I said, 'I wish you joy with all MR. HERTRUCGE'S WILL 103 my heart, and I think the sooner you are married and off the better.' ' Thank you,' said Ralph. ' And now, if you are dry, suppose "we go up on deck ' It was a lovely evening Nothing of im- portance happened during our journey. Cata- lina and Hildegarde made their appearance just before our arrival at Dresden; and the first person we saw on the wharf was Conrad, in flesh and blood. 104 THE SPECTRE OF THE CAMERA CHAPTER VII. burlacb's luck. A few days later, as I was sitting in my room, with the implements of my work around me, — a sheet of drawing-paper stretched on a board, a saucer of Indian ink, a box of drawing instruments, and a set of calculations for the construction of toothed wheel gear, — with these, and a volume of Heine's ' Reisebilder ' (which I happened to be studying at that moment, in order to familiarise myself with the language), — there came a loud knock at my door. People stamp their characters upon everything that they do ; and there was a freedom, a self-opinion- ativeness, and a lack of consideration for the BURLACE'S LUCK 105 feelings of others about this knock, that at once informed me who was outside. I closed the volume of Heine, put it under a pile of drawings, took up my drawing-pen, dipped it in the Indian ink, and said : ' Come in, Burlace.' He had already turned the latch, and now, he bounded in, with his big boots, his small cap, his pipe, and his noisy voice. ' Sit down,' I said, in a preoccupied voice. ' Don't hurry, old man.' he returned, cheerfully ; ' I've got the afternoon free.' ' Lucky fellow ! ' said I, with a sigh. ' Now, I've got work enough on hand to occupy me for a week.' ' In that case,' he answered, ' you may as well call a halt right here. You work too hard, anyway. I believe, if it wasn't for me, you and Ralph would both of you get your brains addled. I never come in but I find you grinding away as if you were on the 106 THE SPECTRE OF THE CAMERA track of the Philosopher's Stone. You make a big mistake. I go in for independent thinking. A book is only a man's opinion, after all ; and one man's opinion is as good as another's, and sometimes a little better ! ' ' What have you been thinking about lately ? ' I inquired, putting down my pen. 'I've been wondering, for one thing, what you and Ralph find to admire in that fellow Conrad. I consider him a beast.' ' And his step-mother, too ? ' ' If it's all the same to you,' said Burlace, gruffly, ' I would thank you not to insinuate anything against Madame Hertrugge. She is without exception the finest and most in- telligent woman I ever met.' ' Intelligent, is she ? " '"Well, rather. Why, look here! I am working a good deal just now in the direction of investigating the origin of diseases, with a BURLACE'S LUCK 107 view to developing the theory of prevention by inoculation. It will be proved, some day, that contagious and epidemic fevers, cholera, and a lot more of the scourges, are the work of microscopic germs in the atmosphere and in water. But the entire subject is at present in a very obscure condition, and some of the best men we have, who ought to keep their minds open, you'd think, are still too timid and bigoted to take it up.' ' What has that to do with Madame Her- trugge's intelligence ? ' 'It has just this to do with it : that I happened to mention the subject to her the other day, and she was interested in it at once. She asked me questions that would have done credit to an expert ; she saw the point of all my explanations at half a glance .; and when I told her some of the results of microscopic investigation, she made me promise that I would let her have a look at the things 108 ' THE SPECTRE OF THE CAMERA herself. If you don't call that intelligence, I'd like to know what you do call it ! ' ' I might find another name for it, per- haps,' said I. 'At any rate, I might suggest a predisposing cause.' ' What do you mean ? ' ' No harm, I assure you. But you know what the poet says, — " Love lends a precious seeing to the eye ! " ' 'What right have you, or any man, to assume that I am in love with — with any- body ? ' ' It's the other way, my dear Burlace. One can't help noticing what is before him ; and you must be aware that Madame Hert- rugge's preference for your society has been imperfectly concealed, to say the least of it.' At this Burlace's large mouth relaxed, and a ruddy hue showed itself beneath the bristly growth of his beard. ' Of course,' he remarked, ' that is a thing I can say nothing about. A BURL ACE'S LUCK 109 disinterested observer would see more than I could. Women are strange beings ; when you expect most of them, they are away off, and when you have given them up, round they come again. But I suppose there are various ways of intimating the same thing, and there may be something in your idea that her inter- est is quickened by a favourable regard for me. That would be natural, and at the same time it would detract nothing from the fact of her intelligence.' ' On the contrary,' said I, laughing, ' her intelligence is sufficiently vindicated by the fact of her favourable regard for you.' ' Look here — if you are chaffing me -' ' Nonsense, Will,' I cried out, testily, ' why shouldn't I chaff you ? What are love-sick idiots good for but to be chaffed ? I am not in love with your Madame Hertrugge, nor she with me. Do you expect me to leave my Heine — my drawing, I mean — for the privi- no THE SPECTRE OF THE CAMERA lege of listening to your rhapsodies ? Why don't you go and talk to her ? You began by calling a friend of mine a beast, and now you want me to sing the chorus to your amatory drivel. I am not tuned to that key.' Burlace knocked the ashes out of his pipe on my table, and grinned. ' That's all right, old fellow,' said he. ' You certainly have been left out in this arrangement, and between Ralph and me, you come to the ground. Well, I'm not going to tantalise you with the spec- tacle of my good fortune ; but when I say that Conrad is a beast, I mean it. If he doesn't look out, he will get a piece of my mind one of these days.' ' That will do him more injury than, any of your inoculations for physical disease. But do empty yourself of your message, if you have one, and leave me in peace ! ' ' That fellow Conrad,' continued Burlace, imperturbably, ' actually had the face to insult BURLACE'S LUCK in Madame Hertrugge in my presence. He told her to remember that her late husband had lived long enough to know her character ; and that however much her disposition might in- cline her to play fast and loose with other men, the terms of his will would suffice to put them on their guard against her. What do you think of that ? ' ' It was pretty plain speaking. What did she say ? ' ' She showed the dignity and self-possession that only a lady is capable of. She told him that she valued the friendship and sympathy of an honest man more than any consideration that he (Conrad) was capable of appreciating : and that rather than have her free actions misconstrued, she would willingly surrender what he was pleased to call a check upon her liberty;' 'Do you know to what Conrad, re- ferred ? ' H2 THE SPECTRE OF THE CAMERA ' I didn't at the time ; but she told me afterwards. It seems that senile old imbecile of a husband of hers provided in his will — ' ' You needn't trouble yourself to tell me,' I interposed ; ' I know it already.' ' Oh, you do ! Conrad has been warning you off the premises as well.' ' I never exchanged a word with him on the subject.' ' I understand ! ' said Burlace after staring at me for a moment. ' The information came from our friend Ralph. I've nothing against Ralph ; he's all right. And if he carries out his intentions, I shall bo under obligations to him. You know, of course, that as soon as he becomes the husband of Miss Hildegarde there will be nothing to hinder Madame Hert- rugge — ' ' And does she favour the match ? ' ' Of course she does. She has taken pains to become acquainted with Ralph, and to test BURLACE'S LUCK 113 his character, and she has become satisfied that he is unobjectionable.' ' I haven't noticed that she has taken paina to throw the young people together, however,' I remarked. ' How could she, stupid ? ' demanded Burlace. ' Don't you see the delicacy of her position ? If she were to appear as a promoter of the affair, wouldn't Conrad and all the other fools in the world scream out that she was scheming to retain her fortune ? She felt it to be her duty, as Hildegarde's only friend of her own sex, to investigate the character of any suitor for her hand ; but, beyond that, she was obliged to restrict herself to — what they call benevolent neutrality ! ' This view of the case struck me as being so pathetically ludicrous that I could not help laughing. After what I had witnessed at Schandau, the interpretation of Catalina's H4 THE SPECTRE OF THE CAMERA behaviour as ' benevolent neutrality ' was ini- mitable. ' I should have thought,' I said, 'that she would have applied to you for a certificate of Ralph's availability.' ' That happens to be precisely what she did,' he returned, complacently. ' I told her that Ralph was a trump in all respects, and that I was convinced that he and Hildegarde were born for each other.' < You did ! ' ' I did ; and she said — with a tone and look that I am not likely to forget in a hurry — that she had perfect confidence in my judgment and perception, and that I had taken a load of anxiety off her heart.' ' Burlace,' said I, ' I'm a friend of yours ; you bore me horribly sometimes, but I like you, and if I knew a good sensible girl whose happiness and well-being I wanted to insure, I should tell her to get you to marry her. And I am now going to give you an even BURLACE'S LUCK 115 greater proof of my friendship for you by doing something that will probably make you my enemy for life.' ' Go on ! ' returned Burlace, without evincing, I must say, any violent symptoms of agitation. ' Well, I advise you to pack up your trunks and go back by the shortest route to Chicago, and to forget all about Germany and everybody you ever met there. As sure as you stay here, you will get into the worst scrape that any honest man ever got himself into yet.' Burlace looked at me intently for several moments. My tone was serious, as my feeling was, and he saw it. He answered me with a gravity and dignity that touched me not a little. ' I'm sorry you said that,' he observed, ' but I'm not your enemy for it, because I don't believe you're the man to talk loosely 12 n6 THE SPECTRE OF THE CAMERA on such a subject. You meant it well ; but — well — I love that lady, and if any harm comes to me on that account, I'm ready and willing to take it as it comes. If she cares for me, I should feel myself so lucky that a misfortune would only put things straight. But if you have anything against her, I give you notice that I will not listen to it. I be- lieve in her ; I believe there is no purer or better woman in the world ; and whoever is against her must be against me — sorry as I am to say it to you, old man.' The voice of the honest, pig-headed fellow faltered at the last words, and he ostentatiously began to fill his pipe and hunt in impossible places for a match. I felt as if there might be tears in my own eyes. My affection for Burlace had never been so strong as it was then ; and he was caught in a net from which there could be no escape that was not more or less disastrous. Catalina meant to use him as a tool to carry out her purposes on Hildegarde and Ralph. BURL ACE'S LUCK 117 What her purposes were, or how she would employ Burlace, of course I did not know, but I could not doubt the intention. She had been checked once ; she would profit by experience, and so devise that there would be no check the second time. It would be useless in Burlace's present state of mind, to tell him the story of my hour in the camera at Schandau. He would not credit it, even if he consented to listen to it. I could only keep such watch as circum- stances permitted on her future movements. But even that was less my affair than either Ralph's or Conrad's. There were probably no secrets between them, and they would take such measures as they deemed neces- sary. It sometimes seems as if we could help one another, in this world, only in minor and insignificant matters. When the real pinch comes, we are powerless, and can only observe the inevitable approach of destiny. ii 8 THE SPECTRE OF THE CAMERA CHAPTER VIII. A DRAMATIC TRIUMPH. In Germany, the ceremony of betrothal is an event of greater social importance than it is here ; you often see the announcement printed in the newspapers, and it is made the subject of comment and congratulation among rela- tives and friends. There is something pretty and patriarchal in the idea ; though, society not being quite patriarchal at the present day, I am not sure that the results are especially beneficent. Privacy is sometimes better than picturesqueness, in an artificial age. However that may be, the news of the be- trothal of Hildegarde Hertrugge and Ralph Merlin was made known, about this time, to A DRAMATIC TRIUMPH ,119 interested persons ; and an invitation was issued to a select few to meet the young people at a reception given at Madame Hertrugge's house. I received a card, written, a little to my surprise, by Catalina herself; and, as a matter of course, Burlace was there. This was the nearest approach to a social festivity that had been given at the house since Mr. Hertrugge's decease, and I suppose people were anxious to see how the widow would conduet herself. The purport of the late husband's will was generally known, at least among the nearer friends of .the family, so there may also have been some speculation as to whether the consequences of the antioU pated marriage were likely to be availed ,of promptly, or whether the handsome Catalina would prefer to postpone indefinitely the for-* mation of fresh ties. But it was agreed • that she was fortunate in getting released so early 120 THE SPECTRE OF THE CAMERA from what must have been at best a some- what annoying stipulation. I came rather late, and the company had already assembled, and had got over the first formalities and uncertainties of the situation. The drawing-room was comfortably filled ; there was a number of officers, with the air of immaculate and insolent self-complacency that is the general characteristic of German war- riors, and has become still more marked since the war with France than it was before ; there were several professors, friends of Cbnrad, and, for the most part, acquaintances of my own ; there were a few nondescript persons of the male sex, presumably relatives ; there were a dozen or twenty homely women, two or three good-looking ones, and one con- spicuously beautiful, who, I need not say, was no other than Catalina herself. As for Hildegarde and her lover, though they were in the unenviable position of being A DRAMATIC TRIUMPH 12 1 the cynosures of the occasion, they did not seem to mind it much ; their love for each other enabled them to rise superior to circum- stances. They stood near each other, as we ordinarily measure distance, yet remote enough for lovers, since two or three paces and twice as many people intervened between them, but across this gulf of time and space they ever and anon threw a proud glance at each other, as much as to say : ' My love, I am yours ; the world cannot part us ! ' It is wonderful and delightful how this dawn of love between two worthy human beings always leads them back to pure, primitive emotions, so that they are sure that they are the first, since Adam and Eve, to discover and enter the vale of Paradise. ' No one ever loved before ! ' is the refrain of their thought ; and, indeed, there is always a hope — a possibility — that now at last the time may have come when the world, and our sad human life in it, .12.2 THE SPECTRE OF THE CAMERA is to undergo transfiguration, and begin again with those two lovers. The world grins at them and calls them silly ; but the lovers know, with the deepest and soundest of all knowledge, how tragically and grotesquely silly is the grinning world. Merely by love, and by that only, can all the prob- lems of political economy, all the abuses of society, all the miseries of mankind, be solved, reformed, alleviated. ' Only be like us,' the lovers say, ' and you will be whole ! ' The world grins ; but ah ! how glad and grateful its poor old -wizened heart would be, if love could but gather power really to conquer it and lead it captive ! You may know that this is true by observing the eyes of elderly people,, when the little hugging arms of in- fancy are around their necks ; and by noticing with what jealous delight the world follows the fortunes of any lovers who have had the wisdom to be silly all their lives. The vie? A DRAMATIC TRIUMPH 123 tories "which the world enjoys and celebrates are never its own, but always those of its opponents over itself. One does not often meet with a pair of lovers having a more assured air of victory than Hildegarde and Ralph wore that evening. But Hildegarde was infinitely the more at- tractive object of the two, not only because she appeared this evening in the consummate flower of her maidenly loveliness ; but because love, for her, was a self-surrender, whereas for Ralph, as for all men, it was more an acquisi- tion. He adored and reverenced her, no doubt ; but he was also conscious of the pride of possession — of having won the treasure for his own, to keep and defend against all rivals. Such a feeling, in its final analysis, is selfish. But in the maiden's love there is no selfish- ness. Her longing and ambition was not to possess him, but to be possessed by him ; to give herself to him so entirely that nothing of 124 THE SPECTRE OF THE CAMERA herself should be left that was not his, and him ! Their union should mean, not a linking to- gether, but the merging of herself in him. She grudged herself even the happiness that his love wrought in her ; she would have all the happiness his, but could not make it so, because the more his happiness was increased, the happier must she be. So hers was the divine inspiration, and her fair face was radiant with a purer light than can ever shine in the countenance of any son of Adam. She was dressed in feathery white ; her eyes had the soft, mysterious darkness that characterises hazel eyes in moments of deep emotion. There was more colour than usual in her cheeks ; it had an opaline quality, coming and going with a thought or a look. For ornament she wore the opal ring that Ralph had given her, — an exquisite stone, trembling with celestial fire. But, somehow, it made me sad to look at her. Life was not A DRAMATIC TRIUMPH 125 what she thought it was. Many cruel sorrows would come to her, and the light that was in her eyes to-night would grow faint and in- frequent. It seemed almost a pity that the attainment of such felicity as this should not be the immediate prelude to what those who do not love call death. The valleys of shadow through which we walk do not always give strength. Often, they benumb and bewilder, and only a forlorn parody of the young tra- veller who sets forth so blithely arrives at last on the shore of the unknown river. I took Hildegarde's hand in mine, and made my formal good wishes ; but she seemed far off, not from any voluntary remoteness on her part, but because I did not inhabit the sphere of her existence. As for Ealph, his measureless content was trying to mere friend- ship. ' I hope you don't think you deserve her,' I said to him. ' There is no measure for measure about it,' 126 THE SPECTRE OF THE CAMERA he replied. ' The only place where a man approximately gets his deserts, is hell ; and he probably imagines even that to be heaven.' ' What is heaven ? ' I asked. ' The marriage of the good and the true/ said he. ' It is the marriage that makes heaven — not either of the contracting parties. That is where my chance comes in.' ' You had better say nothing ; nothing you can say fits the occasion.' ' Which occasion ? My betrothal, or this reception ? ' ' True,' I admitted ; ' and I am in the wrong as usual. There are times when asso- ciation with one's kind is almost indecent. If a fairy were present at my betrothal, I should ask her for the cup of invisibility.' After this unsatisfactory dialogue, it was a pleasure to turn to Catalina. There was no remoteness in her sphere ; she was on the earth, and of it. Her behaviour was exactly A DRAMATIC TRIUMPH 127 what it ought to be — assuming the situation to be what it externally appeared. She was pleased at her step -daughter's happiness, and yet there were some traces of solicitude in the look she occasionally bent upon her, as if she were not yet quite sure that all was for the best. As regarded herself, there was a certain reserve of manner, conveying the impression that she was far from being in haste to claim the rights of emancipation that Hildegarde's marriage would confer upon her, but rather meant to substitute her own volition for the restraint lately imposed by her husband's decree. Her mood, therefore, was one of cheerful gravity ; gravity being the back- ground, and cheerfulness the outward orna- ment. Inasmuch as she had struck me, when I first met her, as being one of the most ele- mental persons I had ever seen — a woman of a primeval type, experiencing and rejoicing in' 1 28 THE SPECTRE OF THE CAMERA the sti*ong but simple passions that lie at the basis of human nature — I was hardly prepared to find her so accomplished in dissimulation. But, after all, dissimulation is itself an ele- mental trait. Animals dissimulate to gain their ends ; the bird whose nest is beneath your foot tempts you with the pretence of a broken wing, and the crocodile lies like a log until you are within reach of its jaws. Be- sides, jealousy and revenge are quick and effective teachers ; and there is a histrionic quality in women of the Catalina kind which facilitates their assumption of sentiments and expressions alien to their real ones. Catalina was evidently a natural artist in this respect. ' Love is a melancholy spectacle,' I said to her — for I too felt impelled, by magnetic sympathy perhaps, to reflect her dissimulation — ' it promises so much and performs so little. Would you be willing to change places with that poor girl ? ' A DRAMATIC TRIUMPH ng { You are too cynical,' she answered with a smile. 'Any woman might be proud and glad to be loved as Ralph loves Hildegarde. If I were melancholy, it would be because, for me, the time for that has gone by.' ' I would not hear your enemy say so ! ' returned I. ' If you have no more to do With love, it is you who must have decreed the es- trangement. And,' I added with an audacity that I myself could not but admire, 'had I possessed Ralph's mysterious faculty for win- ning hearts, I should have chosen the perfect flower, rather than stand the hazard of the bud.' ' If you possessed the gift, possibly it would amend your judgment,' she said, send- ing out a gleam of genuine anger from her black eyes. Then, with a sudden change of tone and manner, she touched my hand lightly with hers, and added, ' Love me, if you K i3o THE SPECTRE OF THE CAMERA will ; and we will learn wisdom from each other.' Mockery though it was, it made me realise her seductive power. ' I am afraid ! ' I said, smiling. ' Afraid ! of what ? ' ' That you would lead me to the edge of the precipice and push me over.' ' Ah ! ' said she, slowly. We looked at each other for a long moment. ' Why not push me over ? ' she asked at length ; ' you are the stronger.' ' But is there any need ? ' I returned. ' Ah ! ' she said again, in a different key. Burlace was always hovering in her neigh- bourhood, and at this moment he approached, probably in response to some private signal: She turned from me, and I moved away. I had not intended to quarrel with her, and no benefit to anyone was likely to come from our little bout -, but the truth was, these attacks A DRAMATIC TRIUMPH 13 1 of mine were prompted by an instinct of self- defence against the influence she exerted over me. I am not considered generally suscepti- ble ; but I felt a peril in her propinquity, and gave up Burlace for lost. ' All goes merry as a marriage bell, Pro- fessor,' I said to Conrad, seating myself beside him on a settee. ' What think you ? Will the example prove contagious ? ' and I allowed my eyes to rest meditatively on Burlace. ' Your acuteness is greater than your judgment,' said he. ' Some people can be frightened into harmlessness ; but veiled threats, which you are so given to employing, only stimulate others to more dangerous ac- tivity. Pardon my frankness ; but I have a difficult affair on my hands, and a rash word, however well meant, might set the odds too much against me. You understand me, don't you ?' ' In your present sense, perhaps ; but — ' k2 132 THE SPECTRE OF THE CAMERA ' Well, never mind the other senses,' he in- terrupted. ' Did I ever tell you, that the tele- gram I received the other day, summoning me to Freiberg, was a deception. The emer- gency it spoke of was a pure invention.' ' Who—' ' No matter who sent it. I mentioned it because you may have some reason to think that I am able to act effectively in predica- ments that would find other men helpless. I don't deny that such may sometimes be- the case. But at other times, perhaps quite as important, I am as liable to be caught napping as the stupidest man you know. If I had been clever enough to see through the telegram, for example, there would have been no neces- sity for the phenomenon that occurred after- wards.' This was the first time that anything had passed between me and this extraordinary man on the subject of the apparition at Schandau. A DRAMATIC TRIUMPH 133 Indeed, I had not spoken of it to any one ; and if I was not surprised that he nevertheless knew what I had seen, it was only because nothing in which he was concerned could sur- prise me. ' You will not object to Ralph's taking her to America as soon as they are married ? ' said I, letting the mysteries go. ' Let us get them married first,' he replied, and even as he spoke there was a commotion and then a cry, at the upper end of the room. Every one rose ; but Conrad had already made his way to the centre, whither all attention was strained. When I got there I found him with his hand on Hildegarde's pulse. She was reclining, half supported by Ralph. Her eyes were partly open, but she was evidently unconscious. 'It is the excitement — she has fainted,' said Catalina's voice close to my ear. I turned sharply and saw the profile of that 134 THE SPECTRE OF THE CAMERA beautiful face, as she gazed steadily at the pale, inanimate girl. ' Bring her to my own room,' she said, quietly. ' I will take care of her. It will soon be over.' ' Not so soon as you think ! ' said Conrad, looking up at her. A green light seemed to flash out from his eyes, and his thin lips re- ceded slightly from his white teeth, in a grimace that cannot be described as a smile. If Catalina's sentence had borne a double meaning, so did his rejoinder, and the two foes had joined battle. The sympathetic bystanders saw only an episode familiar enough in ball-rooms, ren- dered a little more interesting than common by the fact that the young lady who had fainted was she in honour of whose betrothal they were assembled. They murmured their compassion for her, and for her handsome lover. But Ealph, after the first few moments, had become as cold and impassive as marble, A DRAMATIC TRIUMPH 155 as if he had read the fateful writing on the wall, and interpreted it. His gaze was bent with intense concentration upon Hildegarde's face ; one would have said that he was willing bis own life to substitute • itself for hers. But he was isolated from the rest of the world ; nothing coming thence could reach him. ' She'll come to all right ; give her air and a whiff of hartshorn ! ' cried out Burlace, encouragingly. ' Don't you fret, old man ; there's no danger ! ' ' Poor boy ! ' murmured Catalina, with a secret smile ; ' it was a shame to spoil his happy evening. It was so pretty to see their delight in each other ! ' Ralph rose to his feet, lifting Hildegarde lightly in his arms ; the throng of spectators fell back, and he carried her out of the room, accompanied by Conrad. Burlace was about to accompany them, when Catalina arrested him by a glance. 136 THE SPECTRE OF THE CAMERA 1 We won't make too much fuss about it,' she said, speaking partly to him and partly to the company. ' My step-daughter is ac- customed to these attacks ; she is delicate, and studied too hard in the convent. She will be as well as ever to-morrow, and her brother and Ralph are quite competent to take care of her.' 'I trust it will prove as unimportant as Madame Hertrugge thinks,' observed one of the professors, beside whom I happened to be standing. 'At the same time it did not appear to me like an ordinary fainting fit. A new disease has been diagnosed lately, very obscure and difficult in its features ; it is heralded by abrupt spells of unconsciousness, accompanied by certain peculiar symptoms, which I seemed to recognise in the present case. We are endeavouring to investigate its origin by the aid of the microscope ; but, so far, without any very satisfactory results. If A DRAMATIC TRIUMPH 137 one could only mate experiments on- the human subject ! I wish some disposition, looking that way, could be made of criminals convicted of capital offences.' ' Is the disease you speak of fatal ? ' I inquired. 'No cure has yet been discovered,' he replied. ' Its duration is from two to three days. It appears to be painless, and produces little 01* no change in the external aspect of the subject, nor has dissection yet afforded any conclusive evidence as to 'the precise cause of death in the circumsiances.' The guests were taking their leave. Cata- lina was bidding them good-bye, with a com- fortable smile and cheery word for each. ' What a woman she is ! ' I heard someone say. ' She is much more anxious about that poor girl than she pretends ; but she will' not allow her guests to be discomposed ! ' At last, my time came to say good-night. 138 THE SPECTRE OF THE CAMERA 1 What ! ' exclaimed Catalina, smilingly, ' are you, too, going to allow yourself to be frightened away ? I shall owe Hildegarde a grudge for this ! ' ' You must permit me to say that you have managed this affair admirably,' I returned. ' It has been an artistic and personal success. And yet — there are so many slips between the cup and the lip — I hardly know whether my congratulations may not be even now premature. Have you no misgivings ? ' ' Come to-morrow ! ' she said, holding out her hand. I took her hand. It was warm, firm and soft. Her eyes were clear, composed, triumphant. She felt no remorse, still less any fear. She was perfectly natural. She had met with an obstacle, and she had re- moved it. She had suffered a rebuff, and she had requited it. All is fair in love and war. A DRAMATIC TRIUMPH 139 It was a long time before I saw her again, under very different circumstances. But, among all the times and phases in which I have seen her, the picture of her in my memory, as she appeared at this moment, remains most distinct. It was the most characteristic ; there was more in it than in anv other, of the real woman that she was. 140 THE SPECTRE OF THE CAMERA CHAPTER IX. THE PENTAGON. I called at the Hertrugge's house on the following day, to inquire as to the condition of Hildegarde, and was informed by the servant that she was still in bed. I saw none of the inmates, and as Ralph was not to be found in his own lodgings, I inferred that he also was with her. I then attempted to get hold of Burlace, but although I had good grounds for believing that he was in his room when I went to see him, his presence was denied at the door. Nothing remained but to wait for news to come to me. On the evening of the third day, as I was standing on the old bridge that connects the THE PENTAGON 141 Altstadt with, the Neustadt, looking down at the current which eddies for ever against the stone abutments, some one entered the little semi-circular recess that I occupied, and stood beside me. I looked up at him — it Was Ralph — and was about to ask him how Hildegarde.was, but his face apprised me that a calamity had happened. ' She is dead,' he said, after a moment, ' and I am on my way to London. I do- not care to stay for the funeral.' ' What did she die of ? ' I asked, mechan- ically. ' Of a disease affecting the circulation. I believe it has not been classified yet. .Among the many new inventions nowadays, there are some new diseases.' ' But it is recognised as a disease? ' < Yes.' ' How did she get it ? 142 THE SPECTRE OF THE CAMERA ' As she might have caught a cold, or the smallpox. By the act of God, as the lawyers would say.' ' What shall you do in London? ' 'Go to a hotel, I suppose. I have no plans. There is nothing to be done but to wait. How to make the time pass most quickly is the question. It is becoming tedious already.' ' How are Conrad and — ' I hesitated. ' Conrad and Catalina are very well, I believe,' he answered, speaking, as he had done from the first, in an apathetic and list- less tone, as of a man physically and mentally weary, but no longer a prey to any emotion. He added presently, ' Catalina had no reason to be my friend, or Hildegarde's either ; but I am bound to say she has been kind and sym- pathetic throughout. Conrad seems to dislike her ; but her only fault, as far as I can see, is THE PENTAGON 143 that she is herself, and that is one common to all of us.' We leaned side by side upon the stone parapet, looking down at the stream. I did not think it expedient to make any remarks ' proper to the occasion.' Hildegarde was dead ; Ralph's life was a blank ; I was sorry. We both knew these facts, and talking about them would benefit neither of us. What he had said about Catalina had evidently been sincerely meant, but it surprised me. For though it was true that I had never told him of her attempted crime at Schandau, yet I had not expected Conrad to be as reticent ; and if he had known that, he would scarcely have failed to suspect her hand in this case also. Why had not Conrad told him ? Did Conrad himself acquit her ? 1 could not believe it ; his silence must have had some motive which I was not in a position to understand. - At 144 THE SPECTRE OF THE CAMERA all events, since he had not spoken, I had no cue to speak. I contented myself, therefore, with making some suggestions looking towards my joining him, in the course of a few weeks, in London, I had previously made up my mind to leave Dresden after he and Hildegarde were married. I had spent over three years in somewhat de- sultory studies, and I did not care to remain after my chief friend had departed. Ealph made no objection to the proposal, though neither did he profess any particular gratifica- tion at it. His ailment at present was in- ability to care for anything. Our talk, fre- quently interrupted by silences, drifted into generalities, and finally he roused himself and said he must be going. Curiosity prompted me to say, at the last moment, ' Are you sorry that you met her ? ' ' Oh, no,' he said slowly. ' I shall meet her again. I feel no absolute separation ; if THE PENTAGON 145 I die, I shall accommodate myself to it. The conviction that our parting is only temporary makes it easier to bear in one way — the higher way ; but harder in another. As it is, I count the days ; but one does not count towards eternity.' ' And are you no more inclined than you were to try the resources of Spiritism ? ' He shook his head. ' I certainly don't wish to have Hildegarde parodied by the first wandering disembodied courtesan who happens to scent my bereavement. That would be the way to lose her. As long as I keep her image sacred in my soul, I am safe ; but if I allow it to be manipulated and polluted by sensual impostors — I might as well have cast her living body before a herd of swine.' ' But what if there be no future life ? ' I persisted. ' Then there is no life at all. And if our belief that there is a life here be an illusion, L 146 THE SPECTRE OF THE CAMERA then it would be only reasonable to expect the illusion to continue after the illusion of death. I have no anxieties on that score.' "We shook hands, and went our several ways. I saw him cross the bridge, with his measured, but elastic step, and a slight swing of his shoulders from side to side, that would have revealed him to me among a thousand. Gradually the throng on the sidewalk inter- vening, rendered him indistinguishable ; and I plodded home in low spirits, and with gloomy forebodings. I do not belong to that numerous and re- spectable class who derive a certain gentle satisfaction from funerals. When my friends die, I would rather think of them as they were, and as I hope and believe they are, than associate them with any thought of the effigy in the undertaker's box. Accordingly, I made up my mind not to go to Hildegarde's funeral; Ealph himself had avoided the dis- THE PENTAGON 147 mal ceremony, and I had no reason to suppose that Conrad would notice my absence, or be flattered should I be present. Moreover, I did not like the idea of meeting Catalina there ; whether her look should be undisguised triumph, or of hypocritical grief, it would be equally unlovely. So I sent a note to Conrad, saying that I should be out of town on the day of the solemnity, and expressing the regret I sincerely felt at his sister's death. To my surprise, he appeared at my lodgings the next morning. He seemed in his usual spirits, and, indeed, imported a lightsome tone into the conversation that Etruck somewhat discordantly on my ear. ' Unless you really have business that demands your absence from town to-morrow, my dear fellow,' said he, ' don't think it necessary to go on this account. Believe me, I fully understand your reluctance to put in an appearance on the occasion ; if I had my 148 THE SPECTRE OF THE CAMERA way, I would willingly omit the ceremony altogether. If people believe in a future life, they ought to be glad, instead of sorry, at the death of a friend ; or if they feel a selfish sorrow, they ought, as Christians, to suppress the exhibition of it. If, on the other hand, they believe that death finally ends all, what is the use of lamenting the irrevocable? Let them put it out of their minds as promptly as possible, lest they invite the unpleasant reflection that they themselves will soon be blotted out of existence also.' ' I am not altogether of your way of thinking,' I replied. ' It is right to pay respect to the memory of the dead. We would desire it when our own times come.' ' Ah, that is the point ! ' exclaimed Conrad, smiling. ' Stroke me, and I'll stroke you ! But how absurd it is ! Of what avail to your dead flesh and bones will my conventional respect be — or any other respect for that THE PENTAGON 149 matter? As for your soul, if you concede yourself a soul, it will have other things to claim its attention than the length of its earthly acquaintances' faces and the breadth of their hatbands. No! the whole business is the remains of a savage superstition, to the effect that the ghosts of the dead haunted the scene of their corporeal existence, and exe- cuted vengeance upon those who failed to express a proper poignancy of grief at their departure. Given the superstition, the cere- mony was at least intelligible ; but that it should survive the superstition is idiotic ! ' ' Possibly the superstition had some basis in fact,' I remarked. He gave me a peculiar, quick glance, the significance of which I did not comprehend. It was as if he were questioning how far I spoke seriously. ' That, at any rate, is not the prevailing impression,' he returned presently, ' nor does ISO THE SPECTRE OF THE CAMERA it seem likely, on the face of it, that the ghost of Hildegarde could make itself very terrible to anybody.' I made no answer, and, after a pause, he said, ' However, I didn't come here to discuss funerals in the abstract, but to beg a little favour of you.' ' I shall be glad of the opportunity of doing you one.' ' It is simply to walk over to my house with me for a moment. I have something I particularly want to show you. No ! ' he added, with another smile, ' you will not see my beloved step-mother. Her grief is far too absorbing to admit of her being visible even to you. So — will you come? ' I put on my hat and accompanied him to his house. Opening the door with his pass- key, he conducted me through a passage to another door, on passing through which I found myself in his study. THE PENTAGON 151 I had never before been admitted to this room, and I looked round me with some curiosity. It was singularly bare of the ordinary appurtenances to the retreat of a student. There was not a single book to be seen anywhere, nor any writing materials. The walls were of plaster, tinted a dull red ; no pictures decorated them, but in their stead there were sundry geometrical diagrams drawn with black and white lines. They conveyed no meaning to my mind. The ceiling was blue, of the same tone as the walls ; and there were waving lines of some obscure pattern traced on it. On a table, poised upon a slender stand, stood what I at first took to be a solid sphere of crystal ; it was in reality a spherical globe, filled with a transparent liquid, from which, occasionally, proceeded rays of pure azure light. The plan of the roox» was a pentagon. On the floor at the north end was a block of solid metal, apparently iron ; it also 152 THE SPECTRE OF THE CAMERA was pentagonal in shape, and a yard in di- ameter and a foot in thickness. From the ceiling directly above it was suspended the largest horse-shoe magnet I ever saw. A half- open cupboard revealed some steel and silver instruments, some glass tubes and retorts, and several bottles of various sizes containing coloured liquids. Finally, the angle of the eastern corner of the room was concealed by a voluminous curtain of black velvet ; and in the western angle, behind the glass sphere, was a full-length plate mirror, in a broad black frame. ' Now we are at home ! ' observed Conrad, closing the door behind me. ' No one can enter here without my consent. You may say that nobody would care to on any terms ; but I can be pretty comfortable here, in my own way, when I choose. Sit down and try a cigarette. I will be ready in a moment.' He passed behind the black curtain as he spoke, and I seated myself in a chair and lit THE PENTAGON 153 one of the cigarettes he had offered me, wondering the while what his object could have been in bringing me there. But the flavour of the cigarette was highly agreeable ; it had an effect upon the mind at once sooth- ing and clarifying. I have sometimes awak- ened in the hour before dawn and found my intellectual faculties in a similarly calm and potent state. The smoke from the burning tobacco, rising in the still air of the room, was drawn by imperceptible currents into strangely graceful lines and figures, recalling those which the stricken chords of a piano produce in fine sand, sifted over a sheet of paper and placed within the instrument. I remember ascribing the phenomenon at the time to some subtle influence proceeding from the great magnet. I sat with my head thrown back against the cushioned chair, abstractedly watching these shifting forms, until I could almost im- 154 THE SPECTRE OF THE CAMERA agine that they were observing some intelli- gible principle in their movements. I was j ust in the mood to weave some fanciful extrava- ganza upon this notion, when my attention was diverted by Conrad's voice, and looking round, I saw him standing beside the curtain, with his hand upon it He beckoned me to approach. I rose and went to him at once, and passing behind the fold of the curtain that he held aside for me, I found myself in a sort of shrine, lighted in some manner not obvious to me, but with a very soft and pleasing radi- ance. This radiance was concentrated on a sofa, set against the wall ; and on the sofa, clad in the same feathery white dress that she had worn at her betrothal party, lay the figure of Hildegarde, asleep. I5S CHAPTER X. LIFE AND DEATH. ' What have you done ? ' I exclaimed, with an involuntary impulse, turning from this spectacle to gaze in Conrad's face. I felt as if I had been unawares entrapped into as- sisting at some uncanny exhibition of necro- mancy. Conrad's green eyes sparkled. 'Afterlife's fitful fever, she sleeps well, does she not ? ' he said, in an ironic tone. ' What disturbs you, my dear fellow ? Have you ever seen a more beautiful cadaver ? ' ' Is this Hildegarde, or an image ? ' said I. I had been greatly startled, and I believe there was an idea in my mind that Conrad I5& THE SPECTRE OF THE CAMERA had made an effigy of his sister in wax. Either that, or some mystery. He gave a slow laugh. ' That is the ques- tion that divides critical opinion at present,' he replied. ' Is this all there is left when we die ? or is it but an image of what has been ? What think you ? ' I looked more steadily at the figure, and finally, overcoming my first reluctance, bent down and examined it. There could be no doubt that it was no waxen image, but simply the dead body of Hildegarde, neither more nor less. It lay in so natural a pose, however, and the illusion of quiet sleep was so perfect, that I could not help expecting to see the bosom rise in a long breath, and the great eyes open. But the dead never return to life, though it sometimes seems as if they easily might. { The difference is not so great, after all,' remarked Conrad, replying, as he often did, to LIFE AND DEATH 157 my thought instead of to anything I had said. ' She seems to sleep ; and if you imagine that it is sleep and nothing more, does it not amount to the same thing ? ' ' You had better ask Ealph that question,' I replied. 'Ealph is not ready yet to be philoso- phical,' said he, smiling. ' He was inclined to be extravagent in his first demonstrations, and, it was for that reason that I persuaded bim to leave at once. "When the first shock is over, he will be safe ; and then he can return and look at her without risk.' ' He has no thought of returning,' I said, ' and even if he did, the body would be in its grave, and decay have set in.' ' There will be no decay in this case,' re- turned Conrad. ' I have made a pretty tho- rough study of the science of embalming, and I can affirm that I have not only fathomed all the secrets known to the ancients on that sub- 158 THE SPECTRE OF THE CAMERA ject, but I have made several independent dis- coveries of my own. This body might remain precisely in its present condition — barring ac- cidents, of course — for an indefinite number of centuries. She would be still fresh and young when Ralph is tottering on the extreme verge of old age ; and he might return in some future reincarnation (if the Buddhist theory be true), and still find her as you see her at this moment.' 1 It is an ugly thought,' said I. ' I rather wish that the body might disappear as soon as the soul leaves it. At all events, let it return to dust as soon as the process of nature allows. What possible object can there be in keeping it ? ' ' In the majority of cases there would be no object, and my opinion would agree with yours. But as regards Hildegarde, there are other considerations. I am interested in cer- tain rather curious investigations touching the LIFE AND DEATH 159 connection between the soul and the body. There are facts that seem to indicate that so long as the body is preserved in its inte- grity, the soul cannot altogether abandon it. Ordinarily, the soul soon passes into states where all possibility of communica- tion with it ceases ; but, on the hypothesis to which I allude, it might not be so inacces- sible.' ' This is horrible ! ' I exclaimed. ' Do you mean to say that your scientific curiosity would lead you to bind the soul of your own sister to the neighbourhood of the world from which death has liberated her ! It would be impious ! What end could justify it?' ' You had better ask Ralph that question, he replied, repeating my own words of a few minutes before. ' And if that be not enough you might make the inquiry of my beloved step-mother, Catalina ! ' 160 THE SPECTRE OF THE CAMERA I stared at the man with an emotion not far removed from absolute fear. ' Do you seriously pretend to such powers as these ? ' I asked. ' I can hardly be said to claim a power, if I avail myself of natural laws,' said he, com- posedly ; ' and whether those laws be generally recognised or not, does not alter the case. What I have just suggested does not approach the abnormal so closely as did the incident that occurred at Schandau a few weeks ago.' I turned away, feeling a little giddy, though whether by reason of the tenor of Conrad's remarks, or for some more concrete cause, I bardly know. But Conrad took me gently by the arm, and led me out of the shrine. ' Your nerves are a little off their centre,' he said, pleasantly, ' but luckily I have some- LIFE AND DEATH 161 thing here that will set you right in a moment. Come, sit down here.' As he spoke, I felt a rush of cold air over my head and neck. I was sitting, not on the chair, as before, but on the pentagonal block of iron at the upper corner of the room. The rush of air came from above, apparently from the magnet. For a moment I felt a stifling sensation, and tried to rise and cry out, but I could do neither ; an irresistible weight pressed me downward, and my muscles would not obey my will. I thought I was dying, and felt the agony of it ; but then, in an instant, the agony and struggle was over, and a delicious sense of lightness and power took their place. The cold rush of air was no longer cold, but had an exquisite, vivifying effect, as if life itself, from the pure original source, were pouring into my veins. The vitality thus communicated, though intense, was calm and deep ; it prompted to no M 163 THE SPECTRE OF THE CAMERA physical activity, but caused thought and consciousness to enter an interior plane, where they acquired an immense development of scope and penetration. I sat still, and seemed to possess the world. From my present point of view, looking from the upper or northern angles of the pen-, tagonal room toward the opposite or southern side, the whole room appeared to arrange itself in a significant manner. The geometrical dia- grams were no longer a mere complexity of unmeaning lines, but combined to form the words of a secret, whose purport solved the ratio between man and nature. The subtile angles of the walls, so perplexing at the first impression, now strengthened the expression of the mystic diagrams, and also suggested that semblance of life in inanimate objects which one finds in the architectural systems of mediasval Italy. A delicate gray film of perfumed smoke, LIFE AND DEATH 163 similar to that which I had lately drawn from the cigarette, began to climb upwards from some concealed point behind me, and, mar- shalled by the magnetic influence, to move in sinuous courses across the dull blue of the ceiling. I presently perceived that these smoke wreaths harmonised by a sort of affi- nity with the eccentric curves that were in- scribed overhead, and draped them, as it were, in aerial substance, as flesh drapes the human skeleton. Meanwhile, the room gradually darkened, or appeared to do so to my eyes ; but the darkness did not prevent the forms on the walls and ceiling from continuing to be visi- ble, though this may have been due merely to the existence of the impression already pro- duced on the retina. The effect of the dark- ness, at all events, was to cause the solid sides of the room, and the roof above, to seem to dissolve and melt away, until I felt like one M 2 1 64 THE SPECTRE OF THE CAMERA poised in the depths of space ; but instead of terror, the situation wrought in me an un- speakable exhilaration and security. I recog- nised in the diagrams, the orbits of the plane- tary system, in •which wheeled several worlds whereof science has given no account ; they were at immeasurable distances, outwardly estimated ; but, gazing at them with the eye of thought, I could in a moment perceive every detail of their glorious structure and economy. The smoke wreaths bent down- ward and took shape as the great spirits of the elements ; they held their awful counte- nances averted, but I saw that the iron penta- gon on which I sat was upheld at each corner by their right hands. Whither they bore me I know not, or whether they but held me mo- tionless in the centre of the universe. I had no fear ; only perception. All was still veiled in a transparent gloom ; but presently a light like a star was LIFE AND DEATH 165 kindled in the west, and gaining power, began to send forth azure streamers like those of the Polar lights, which throbbed and fell and rose again, increasing more and more, until the planets, and the long arcs of their courses, and the remote recesses of the heavens, and the forms of the awful spirits that encom- passed me, were flooded and glorified with the great radiance, and emerged like the soul from the mysterious womb of prenatal being into the living existence of humanity. Accom- panying this change was a sound of music, growing and multiplying, sweet as the warb- ling of iEolian harps, and strong as the thun- der of oceans plunging over bottomless preci- pices. Every sense dilated and vibrated, receiving and concentrating the infinity of sights and sounds in the scope of individual intelligence ; so that I was the universe, and the universe was I. With the recognition of this truth the 166 THE SPECTRE OF THE CAMERA vision of space receded, the outlines of the spirits vanished, and the harmonious tumult of the music culminated in a voice, loud and yet still, speaking the creative word : ' Come forth, and be ! ' I was again in the penta- gonal chamber, sparkling now with the azure lustre of the crystal globe, which kindled the magnetic currents into living rainbows. Looking in the mirror, I saw the black curtain reflected there tremble and part, and from within emerged the form of Hildegarde, dead no longer, but alive and erect. Her eyes had the distraught expression of one aroused from deep sleep. There stood she who had died three days before, breathing and conscious. I saw her image in the glass, but I could not turn my head to see the reality which the glass reflected. Her eyes bent themselves upon me, and recognition slowly dawned in them. She seemed about to speak ; but, as her lips LIFE AND DEATH 167 parted, they grew pale, and her eyelids quivered and dropped. The black curtain waved, and she sank backwards and vanished behind its folds. I heard a long sigh, and nothing more. The azure lustre of the globe grew dim and dimmer, and faded out utterly. There were whispers and soft sweeping movements, and light echoes like departing footsteps. Then came a confused whirring in my brain, growing louder and louder, and again the sickening tremor of the heart, and the struggle for breath. I crouched down, and pressed my hands over my face. 'You are all right again now,' said the voice of Conrad, speaking in a brisk and cheerful tone. ' Perhaps the current may have been a little too strong. The effects are very similar to those of hashish, are they not?' 168 THE SPECTRE OF THE CAMERA I looked up. Everything was as it had been at first. But Conrad's face was as white as a sheet, and his green eyes scintil- lated with conscious power. 169 CHAPTER XL LED BY A SPIRIT. As soon as I could complete my arrangements to do so, I left Dresden and went to London, What I had experienced in Conrad's chamber may have been partly or wholly a dream or illusion of the senses, similar to the visions of opium and hashish eaters, as Conrad him- self had intimated. And though I sometimes inclined to this view, at other times I could not reconcile it with the intensity and per- manence of the effect produced upon me. No doubt I had fallen into an abnormal state, and much of the surroundings of the event were pure hallucination. The cigarette which Conrad had given me may have been drugged; i7o THE SPECTRE OF THE CAMERA and I could only conjecture what might be the effects upon the brain of such magnetic or electric currents as his arrangements enabled him to produce. But the two central events of the experience, — that I had seen Hildegarde dead, and had afterwards seen her to all appearances alive, — these things I could not dislodge from my mind. I could not but believe that Conrad — for what end it was vain to ask — was indulging in practices which in old times would have brought him to the stake. Whether his results were achieved by sheer witchcraft, or by some development of the principle of galvanism, were questions into which I did not care to enter ; in either case I considered them brutal and unholy, and I was resolved to tell the whole story to Ralph. He could claim, and would doubtless enforce the right to protect the remains of his dead mistress from outrage. At any rate, I felt bound, as his friend, to let him know LED BY A SPIRIT 171 what was going on, and so place him in a position to take what course he might deem best. The funeral took place before I left town, and though I did not attend as an invited guest, I took means to satisfy myself that Hildegarde's body was in the coffin, and that the coffin was safely deposited in the hand- some tomb which the late Mr. Hertrugge had had built for the accommodation of himself and his posterity. This was so far satisfactory, though, of course, the gates of the sepulchre would be no barrier to a man like Conrad, either physically or morally. Ralph had given me his London address, and I called there the evening of my arrival ; but he had left several days before. London is a bad place to hunt for a person in ; but I hap- pened to know that his bankers were the same as mine, so the next morning, I made inquiries there. I then learned that Ralph had joined 172 THE SPECTRE OF THE CAMERA an expedition commissioned to ' develop ' certain unknown regions of Central Africa ; and his steamer was already several hundred miles on her way to her outward port. I had a passing impulse to go after him, for I was feeling rather unsettled myself; but I thought better of it upon reflection. It was a hundred to one that I should not overtake him ; and even if I should chance to run across him in the wilds of the Zambesi, and spin my yarn to him, it would hardly be within his power to take up his march forthwith to Dres- den, nor to get any satisfaction when he arrived there. Accordingly, I gave up all thoughts of the matter, contenting myself by addressing a letter to him at Natal, on the chance of his finding it there ; and then I allowed the whole subject to sink into the latent regions of memory, and occupied myself with other pursuits and interests. The very first rumours that came to hand LED BY A SPIRIT 173 concerning Ralph's expedition, after it had passed beyond the limits of regular communi- cation, were to the effect that it had met with disaster. A tribe, supposed to be friendly, had turned out quite the reverse, and the ex- plorers had all been murdered. Such was the information supplied by a native attached to the expedition, who came back alone to Natal. Nobody believed that the catastrophe was quite as bad as that ; the native un- doubtedly exaggerated ; the European mem- bers of the expedition were more likely to have been carried into captivity than slaughtered. But practically, one fate was about as bad as the other ; for although, on the one hand, captivity admits a chance of escape, yet on the other hand a man who is dead has no further suffering and ignominy to endure. Though I did not admit it to myself, I presently came to the conclusion that Ralph was dead. It was painful to think of him as 174 THE SPECTRE OF THE CAMERA a captive ; and it was a fascinating subject of speculation whether his spirit had met Hildegarde's in the other world, and had found happiness with her. My affairs took me to the United States ; I remained there over a year, chiefly in the western and north-western regions. I came into business relations with some English capitalists, who were interested in mining stock, and at length I found it expedient to return to London to confer with them. Reach- ing New York on my way eastwards, I put up at a hotel near Madison Square (my travel- ling expenses were defrayed by the English syndicate), and after a shave and a change of clothes, I walked out under the trees of the square. It was late of a warm June afternoon. In the centre of the square were benches, sur- rounding a circular fountain basin. I sat down on one of these benches, noticing as I did so the preoccupied attitude of its only LED BY A SPIRIT 175 other occupant, a lean, athletic, middle-aged man, with a short stiff beard, and black hair, partly grizzled. A wide-brimmed Panama sombrero was pulled down over his forehead ; he leaned forward, with his elbows on his knees, and his chin in his hands, gazing in- tently at — nothing. I took him to be a wealthy Cuban or Mexican, meditating over the lost Spanish empire, or wondering how Dolores was getting along in his absence. I suppose I looked at him rather oftener than he thought necessary, for he suddenly roused himself and turned an impatient glance upon me. But his expression at once changed, and he said with a smile : ' You are at your old tricks still ! Is there anything in the world that can escape your eyes and your knowledge? ' ' You are not Ralph. Merlin ! ' I said. ' No,' he answered, ' but I used to be.' I will not attempt to detail our talk ; I 176 THE SPECTRE OF THE CAMERA am finishing a story, not beginning one. He told me how his party had been attacked ; how he was wounded and captured ; how he had been assigned as a slave to a certain powerful chief; how he had ultimately ac- quired such ascendancy over the chief and the tribe, that he was requested to take the reins of government into his own hands, to which he assented ; and to marry the retiring chiefs daughter, to which he demurred. He drew an amusing picture spretce injuries formce, — how the sable queen pursued him with her spite and jealousy, — ' my ill-luck followed me even to mid Africa ! ' he added with a smile, — until she made his life a burden to him ; and whereas, but for her, he might have settled down to pass the rest of his life among these savages, as it was, he determined to escape. The story of this retreat of one man through a thousand or more miles of pathless and hos- tile country was at least as interesting as the LED BY A SPIRIT 177 celebrated Anabasis of tbe Ten Thousand described by Xenopbon. And when, at last, he could exclaim with the old Greeks : ' Thalassa ! Thalassa ! ' he found himself on a part of the coast very remote indeed from that on which he had landed nearly eighteen months before. He had fallen in with a Portuguese vessel bound for Ceylon, on a rambling roundabout voyage ; she was run down in mid-ocean by a British liner on the way to Australia ; at Melbourne he had taken passage on an American ship going to Hono- lulu, and thence he had journeyed by the regular steamer to San Francisco, and so across the continent to the bench in Madison Square where I found him. This tale, as related by Kalph, was of ab- sorbing and various interest, and lasted us back to the hotel, through dinner and well into the evening. But, all along, I had a feeling that Ralph was leaving something out, N 178 THE SPECTRE OF THE CAMERA and that this something, moreover, embodied the real gist of the whole matter. Again and again, there came a gap, or an abrupt transi- tion in the narrative ; or he would begin a sentence, and leave it uncompleted, and say another thing altogether. Now, I wanted the whole story. ' Are you going to complete your circuit of the earth ? ' I asked him. ' I am on my way to London ; and we might run over from there to Dresden, and look up Conrad.' The room — my sitting room at the hotel — was almost dark ; we had not lighted the gas, and the only light came through the transom over the door. At the moment I spoke, I noticed a faint but unmistakable per- fume in the room, as of some ethereal spice. Ralph had made no reply to my suggestion ; and after his silence had lasted a minute or two, I turned to see whether he had fallen asleep. ZED BY A SPIRIT 179 No ; he was not asleep. He was sitting erect in his chair, leaning a little forward. In the dim light I could see that his great gray- eyes were wide open, and the heavy black brows somewhat lifted. There was a sort of solemn ecstasy in his expression ; his gaze was directed intently towards the eastern corner of the room, which was occupied by nothing that I could see but a tall mahogany wardrobe. It was not at the warbrobe that Ralph was gazing, nor at anything else visible to normal eyesight. His whole soul was in the look ; and he was utterly unconscious of me, and of everything material in his sur- roundings. His lips moved ; he seemed to be speaking, but with an inward voice that car- ried no sound. He moved his head as if signifying assent ; a moment later the rapt expression faded out ; the peculiar fragrance ceased to be perceptible ; he passed his hands across his eyes, shifted his position in his K 2 i So THE SPECTRE OF THE CAMERA chair, and said with a half laugh, ' I'm afraid you think me dull company ? ' ' Anything but that ! ' I replied. ' But — ■ we were not alone just now.' ' Did you see anything ? ' he demanded, so quickly and imperatively as to show that he was deeply startled. ' I did not see what you did,' returned I, ' but I saw you see it.' He got up, struck a match, lit the gas, and took a turn or two about the room. ' Well,' he said at length, resuming his chair, 'you have stood so near me in certain crises of my life, that I may as well let you into my secret — especially as you have probably half guessed it already. But there is more to it than that. For the last year, or thereabouts, I have sus- pected that I am insane ; I should be nearly certain of it, but that I am neither more nor less insane than I was at the beginning. Now LED BY A SPIRIT 18 1 I shall be very glad to have the dispassionate opinion of a man like you on my case. 'Just now, I saw Hildegarde and con- versed with her. I saw her as plainly as I now see you, though the gas was not lighted then. By no test that I am able to devise could I distinguish between her reality and yours, for instance. I see her, I hear her, she is even sensible to my touch — or so it seems to me. During her presence, no doubt enters my mind that it is not Hildegarde, her very self; and yet, immediately before and after, I am as well aware as you are that the thing is utterly impossible. Hildegarde's body has been for nearly two years in the grave ; her spirit must long since have passed through the spiritual world, and entered heaven as an angel. Therefore this vision must be a sheer mental hallucination, not based on any spiritual truth, but a spectre of insanity. I i82 THE SPECTRE OF THE CAMERA have argued it out a hundred times, and can come to no other conclusion.' ' This is not the first time you have seen her, then ? ' ' No, not by many. Her appearances have been the central fact of my life since I first resolved to escape from my African prin- cipality and come home. Indeed, it was she who, the first time I saw her, urged me to go. I was sitting at the door of my hut ; all the others were asleep ; the forest was still, except for the distant roaring of a lion. I had been, thinking that, my life being so objectless and valueless, I might as well live it in one way as another, and that it would perhaps be best to marry this black princess who had so set her heart upon me, and breed a race of savage kings who should live and rule and die innocent of the triumphs and shames of our civilisation. Then I looked up ; and out of the darkest aisle of the tropic LED BY A SPIRIT 183 wood I saw Hildegarde come towards me. She came quite close to me, with her eyes upon mine ; I was neither amazed nor afraid ; it was as if I had expected her. She raised her right hand, on which was the opal ring I gave her, and pointed to the east. " You must leave this and go, Ralph," she said. " I will tell you the day when you must start, and 1 will guide you to the sea." I answered that I would be ready ; and she passed to my left round the corner of the hut, As soon as she was gone, the amazement and fear came ; I sprang up to follow her, but I could not find her. For two days I waited, and she did not return. I began to say to myself that I had dreamed. But on the third night I slept ; and in the midst of my sleep I felt a touch on my face, and she was there. I arose and followed her ; we passed through the village ; she showed me my course by the stars, and suddenly I was alone. But I went on till 184 THE SPECTRE OF THE CAMERA morning ; and if ever I got astray from the path, I fancied I felt a touch directing me aright. So it was for many days, and I came to trust in her as the sailor trusts to his com- pass. Often she warned me of perils that would otherwise have destroyed me. I gained the coast, as you know, and reached this place by devious routes. To-night she told me that my journey was not ended yet ; I am still to go eastward, and now in your company. And yet — all this is insanity ! ' ' But you are not insane,' I replied ; ' you are not even suffering from monomania. Monomaniacs cannot reason about their in- firmity, or perceive that it is abnormal. Your experience cannot be explained on that ground.' ' There is no other explanation, however,' remarked he. ' There are hundreds of thousands of persons who will assure you that the thing is LED BY A SPIRIT 185 in accordance with known principles of life. They will tell you that the spirits of the dead can revisit those they love, to warn and guide them. They would regard your case as a model example of their belief. Why should not you believe.it too? ' ' Sooner than accept that theory,' replied Ealph, ' I prefer the alternative of my own insanity. The spirits that respond to our invitations are but the complement of our own foolish and impious curiosity. They, are the undigested fragments of humanity, swim- ming in the cosmic stomach, as yet neither cast irrevocably to waste, nor taken up into the blood of heaven. Hildegarde is not such an one ; nor, if she were, should I recognise her, or she me. I was clear on that head long before this experience began, and I can- not abandon my conviction now, to gratify a personal longing.' ' Is there nothing in the Buddhistic creed 1 86 THE SPECTRE OF THE CAMERA to meet your want?' I asked. ' Do you put no faith in their analysis of man? Might not this apparition be the astral form of Hilde- garde, which her love projects towards you? ' Ralph shook his head. ' I am not compe- tent to judge of the Hindoo philosophy,' he remarked ; ' but even if their scheme has any truth in it, it would not apply to this case. The astral form is the emanation and emis- sary of a living human being. Hildegarde being dead, has, according to them, passed into the state of Devachan, there to remain until the period of her next incarnation ; and whatever of her so-called fourth principle remains in the astral light, would be inca- pable of any independent action. But Conrad and I have often discussed the whole subject, and I never could feel any assurance that the entire Buddhistic system is anything more than an ingenious and supple series of inventions to meet each difficulty as it arises.' LED BY A SPIRIT 187 Hereupon I felt that if there were ever to be a time when the story of my experiences with Conrad was to be of any avail to Ralph, that time was now come. Accordingly, I began with the mysterious episode at Schan- dau ; I recounted, in passing, my conversa- tion with Burlace about Catalina's interest in his investigation of disease germs ; and pointed out the sinister light which, in my opinion, it seemed to cast upon Hildegarde's sudden seizure by one of these very diseases. I spoke of Catalina's scarcely disguised ac- knowledgment of the justice of my suspicions, and her defiant attitude. Then I described Conrad's strange lightsomeness of demeanour, his half-jesting conversation, his invitation to me to visit his study, — and the sight I beheld behind the black curtain. Ralph had listened, thus far, without a movement or response of any kind, even when I suggested that Hildegarde had been 1 88 THE SPECTRE OB THE CAMERA poisoned by her step-mother. He was never wont to be disturbed by the irrevocable. But at this point I perceived a change in the manner of his listening ; his breathing, now held back to hear, and now taken in a quick sigh ; and the slight involuntary shift- ings of his attitude, betrayed how strained was his attention. I went on to portray, as best I could, the extraordinary phantasma- goria that had followed in the pentagonal chamber, culminating in the appearance of Hildegarde herself, in her habit as she lived ; her seeming recognition of me, and how, before she could speak, the hand of death had fastened on her once more. ' I did not know what to think of it then, and I don't know now,' I concluded. ' But since hearing your story, I cannot help think- ing that Conrad may have some explanations to make which it would be worth your while to listen to.' LED BY A SPIRIT 189 ' Possibly ! ' murmured Ealph, absently ; ' possibly ! ' Presently he got up and took bis bat. ' I must think over this,' he said. ' There may be a chance yet for my sanity. And yet it might be wiser to leave that in doubt, and go no further ! ' igo THE SPECTRE OF THE CAMERA CHAPTER XII. TWO MEN. The next day but one, Ralph, and I were passengers on a steamship of the Bremen line. These steamers stop at Southampton. I left the vessel at that port, and went on by rail to London. Ralph was to continue the voyage to Bremen, and then proceed to Dresden. I expected to be detained in London a week. After that, I promised Ralph that I would follow him to the Saxon capital. He made a point of this ; he seemed anxious to have a friendly supporter at hand. On the trip over, we had uniformly avoided the topic that must have been upper- TWO MEN 191 most in his mind. "We conversed on general matters ; and I noticed that Kalph's character had mellowed and deepened since the old Dresden days. His intellectual strength and mastery were as signal as before, but his eagerness and love of conflict were gone ; and he no longer looked forward to the world's future and his own, as he was used to do. He seemed more willing to learn than to teach. He spent much time in reverie. The masculine sternness of his face was, at such periods, touchingly softened ; I could read in its lines something of his experience that he had never told me ; the thoughts and emo- tions that had turned his hair gray before its time. But again, I caught from his eyes a light of unfulfilled purpose and anticipation. There was still something for him to do or suffer — God knew what. One of the first persons I met in London was Burlace. He was altered, and for the 192 THE SPECTRE OF THE CAMERA worse. His loud, obstreperous voice had be- come morose and complaining ; his face was pale and relaxed ; his bearing, instead of being aggressive and brisk, was sullen and lurching ; when I saw him he was slouch- ing down the Strand with a short pipe hanging from the corner of his mouth ; and I had not heard him speak a dozen words before I surmised that he had been too familiar with gin. However, he seemed glad to see me, and as anxious to talk as if he had been restricted to his own company for months, I tried to postpone the interview until such time as he should be in a less liquorish humour ; but he would not be put off, and dragged me down a side alley to a dingy little inn, where he assured me I could get the best Hollands in town. ' I know the folks here,' he remarked, ' and they keep a special tap for me.' So we had Hollands and birds-eye tobacco and dirt. TWO MEN 193 And Burlace said, ' Say, old man, here's a c'nundrum. Am I married or single ? ' ' You may see double,' I replied, ' but you were made for a bachelor, and you are one.' ' When you said I was made for a bachelor, you did not think I had lived to be married — did you, now ? But married I am, all the same, though it's true I've lived a bachelor ever since.' ' Come,' I said, ' you don't know what you're saying.' He struck his great paw on the table. ' I am married, I tell you — to Catalina, widow of the late Herman Hertrugge, of Dresden. If you don't believe it, go there and find out. She can't deny it — God damn her ! ' He stared at me with inflamed eyes, and wagged his head. ' Where is your wife ? ' I inquired. ' In Hell, for all I know ; but when I saw her last she was in her drawing-room in Dres- o 194 THE SPECTRE OF THE CAMERA den. Look here, old man, you've always been a friend of mine ; I'll tell you the story.' I need not reproduce any further the manner of his speech ; but his story was strange enough. He had proposed to Catalina on the day before Hildegarde's betrothal reception, and she had agreed to marry him after her step-daughter's wedding should have taken place, ' if she lives to be wedded ! ' she had added, in a jesting way. He knew the terms of the will, and un- derstood her to mean that she would marry him any way. After Hildegarde's death he reminded her of her promise, and the day was fixed. The wedding was to be a quiet one, in the bride's house ; Conrad had shown himself well disposed to the affair, and all looked pros- perous. The guests came ; the priest called the bride and groom before him, and pro- nounced the words that made them man and wife. But no sooner had the final vows been spoken, than Catalina uttered a terrible shriek, TWO MEN 195 and fainted. Every one was disconcerted; only Conrad retained his presence of mind ; he explained to the guests that his step-mother had been labouring under considerable nervous excitement during several days previous, and that this was a not unnatural culmination of her condition. The decks having been thus cleared, Catalina was taken to her room, and presently revived. She still manifested unac- countable agitation ; and when her new hus- band ventured to propose that they should get into their carriage and begin their wedding journey, she trembled so violently that he feared another fainting fit, and post- poned the matter until the afternoon. By that time, Catalina seemed to have recovered her nerve ; she put on her travelling dress and came down-stairs, laughing at her late indis- position, and declaring that she had never felt better. The carriage was at the kerb ; she came out leaning on her husband's arm, and 196 THE SPECTRE OF THE CAMERA his heart was overflowing with delightful an- ticipations. The footman opened the carriage door, and Catalina's foot was on the step. There was nothing at all in the carriage except the cushions ; but Catalina suddenly stopped and grew as rigid as iron, and the hand which Burlace held in his became icy- cold. She made no outcry, but her face assumed an expression that made even Bur- lace's lusty blood run cold. Her lips parted, and she seemed to gasp for air ; then a tremor shook her from head to foot, and she fell back in her husband's arms. He thought she had died of a stroke of the heart, and, with the assistance of the footman, carried her back into the house. He and Conrad worked over her for an hour, and at last succeeded in bring- ing her back to consciousness. But now her courage and self-control seemed utterly broken down ; she was as weak and garrulous .as an invalid child ; she exhibited terror whenever TWO MEN 197 Burlace approached her, and shuddered when he addressed her. She either could or would not give any explanation of her state. Even- ing came on, and it was necessary to give up all idea of starting on their trip that day. Catalina remained in her room in charge of a nurse, and Burlace, refusing Conrad's offer of a cot-bed in the library, went to an hotel and spent his wedding night there. The next morning he presented himself at the house, and was told that his wife would see him. He went to her room, and found her propped up with pillows on her bed. She was alone, and signed to him to sit down. He drew up a chair, but she begged him in a ner- vous tone not to sit so near. She told him that she could never live with him as his wife. She evaded giving any definite or comprehensible reason for this decision, but said that any attempt to fulfil her marriage duties would, she was well con- 1 98 THE SPECTRE OF THE CAMERA vinced, result in her death.. He pressed her energetically to be more explicit ; she became pitifully agitated, and the words that fell from her seemed to mean, if they meant anything, that she fancied herself to have committed some hideous crime, and that she had received a ■warning from the grave. He expostulated, entreated, even stormed and raged, in vain. He swore that he would take her with him by force, at which she burst into an hysteric laugh, and asked him if he were stronger than death ? Later, she offered to make any ar- rangement as regarded money matters that he chose to suggest, even to surrendering three- fourths of her fortune ; but with this Burlace would have nothing to do. He would have her or nothing. He left her at last, she being in a condition of semi-collapse, and he in a frame of mind half way between the murderous and the suicidal. He rambled about the streets all day and night ; the morning following he TWO MEN 199 came back to the house, determined to enforce his rights. He was met by Conrad, who told him that Catalina had left Dresden. He said that he believed her mind was affected ; that she appeared to imagine she was haunted or pursued by a malignant spirit. ' So far as I can make out,' Conrad had added, ' she has got a notion that she was somehow instru- mental in bringing about the death of my sister Hildegarde, and she goes so far as to allude to you as if you were her accomplice in the affair. It is ridiculous, of course ; and her ad- hering to it is evidence of her mental unsound- ness.' Conrad had gone on to say that Cata- lina had extracted a promise from him not to reveal to Burlace the place of her retreat ; but he held out hopes .that she would, if allowed to remain in quiet for awhile, regain her equipoise, and that their married felicity would then resume an uninterrupted course. Bur- 2oo THE SPECTRE OF THE CAMERA lace, utterly worn out in brain and body, was unable to struggle any longer ; he gave Con- rad an address where to write to him in case of any favourable change ; then he threw him- self into a train and came to London. ' And I've been here ever since,' he added, emptying his fourth glass of Hollands, and staring sullenly at the dregs in the bottom. { But I understand the whole damned swindle now. She was in love with that fellow Ealph Merlin, and she is scheming to get him. It's all very clever and cunning. Maybe she did murder Hildegarde ; I remember she came one day to look through my microscope ; and there was some stuff about that would have poisoned half Dresden, and no one the wiser. The girl was in her way, and it would be natural enough. I don't know where Ralph is ; but if ever I find that he has been within reach of her I'll squeeze the life out of her white throat with these fingers of mine ! ' He TWO MEN 201 held them up before me, in his sullen, drunken rage. ' But all that about her being haunted, and her fainting and shrieking, — that was all lies and humbug. They had made a fool of me between 'em ; but the end has not come yet. Look here ! do you know where Ralph is ? ' He thrust his face abruptly into mine as he asked the question, as if he were ready to suspect me of being in the ' plot' against him. Although I did not attach much weight to his maunderings, and was rather disposed to think that a dose of Ralph might prove a good thing for him, I prevaricated to the extent of reminding him that Ralph's death had been reported a year ago, and that if he had re- turned to life since, I had seen no mention of it in the newspapers. But Burlace had by this time lost the faculty of holding a conse- cutive train of thought ; he diverged on one topic after another, and finally broke into sobs, and called me to witness how he wor- 202 THE SPECTRE OF THE CAMERA shipped Catalina. ' I don't care what she did,' he cried, sticking his big knuckles in his eyes, like a schoolboy ; ' if she had cut the girl's throat with a carving-knife, I'd have married her just as quick. I love her ; and when that's said, everything's said — isn't it ? She might be as wicked as she likes. What's wickedness, what's morality, I'd like to know ? Do you remember my thermometer? I believe in nothing ; you know that ; not in God, nor Devil. But I loved that woman as no one else ever loved her, or ever will. She'll find it out some day. I'd have stood by her in anything, no matter what — good or bad. I'm a good fellow, too, — or I was, before this happened. I'm a drunkard and a good-for- nothing loafer now ; I know that as well as you do ; and she did it. Well, that's all right. Have some more gin ? Where are you stopping here ? ' I gave him my address, not expecting him TWO MEN 203 to remember it, and soon after left him. What he had said of himself was true ; he was a man of good natural abilities, and no mean accomplishments. But he believed in nothing ; and therefore a woman had been able to ruin him. A few days later I received a letter from Ralph, with the Dresden post-mark. ' Come here as soon as you can leave your business,' he wrote. ' I have seen Conrad ; in fact, he met me at the train, and seemed to have known I was coming. You know his foible is to seem to know everything beforehand ; and certainly he has queer gifts. I have told him nothing of my experience ; but some things he has said appear to indicate that he is somehow cognisant of it. I believe Cata- lina is in Dresden, or not far away from it ; I have not seen her, and don't suppose I shall. Conrad tells me she was married to Burlace, but has never lived with him ; I don't know 204 THE SPECTRE OF THE CAMERA the reason of either fact. Next week, Conrad intends to have some sort of a reception at his house. I have a notion that this occasion will have an especial significance for me ; and I want you to be present.' After alluding to some other subjects, he said, ' I have had no visions since arriving here ; but nevertheless there has been a constant sense of Hilde- garde's proximity. I feel as if I should learn more about her soon ; and yet I feel as if it might be best, both for her and for me, if I left Dresden at once and for ever. But if so, I lack the resolution to act upon the im- pression. I shall see the matter to its end, let it issue how it will. And I depend on you.' I arrived in Dresden on the morning of the day of Conrad's proposed reception. I was driven to the Hotel Bellevue ; but finding it full, I told the kutscher to take me to the Hotel de Saxe. There, somewhat to my per- TWO MEN 205 plexity, I found rooms already engaged for me, and a note from Conrad, asking me to give him the pleasure of my company that evening. 2o6 THE SPECTRE OF THE CAMERA CHAPTER XIII. AN EXPERIMENT. The time appointed for me to present myself at Conrad's was an hour or so earlier than for the other guests ; and when I entered I found only him and Ralph. I had met the latter earlier in the day. Conrad greeted me with much cordiality. ' Ralph and. I have been at our old work,' he said, laughing ; ' we have resumed our duel in the realms of the transcendental. My con- viction is that life has a much closer relation to the body than extremists on the other side are willing to admit. The body, we are agreed, is the direct creation of the soul, and only in- directly that of God — I am availing myself of AN EXPERIMENT 207 my opponent's terminology — whose proper activity begins and ends with the soul only. God produces only what is, namely, man the spirit ; and His creative attitude towards this spirit results in what appears to be, namely, the body of man, and the rest of the material universe. Now, my point is this : — what we call the mortal life of a person is the persist- ence, for a certain period in the case of that person, of this result of a creative attitude which is permanent as regards mankind at large. In other words, though man is con- stantly incarnate, individual human beings are constantly disincarnating, or, as we say, dying. The question then arises, what is the cause of this individual disincarnation, and can it be arrested?' ' Individuals die, because individuals are born,' said Ealph ' Mankind does not die, because there was never a time when it did not exist.' 208 THE SPECTRE OF THE CAMERA Conceding that for the moment,' returned Conrad, ' the more practical problem remains, can death be arrested? If the body only seems to be, at best, why may not that seem- ing be indefinitely prolonged? Is it not true that death is, essentially, a change in the soul, — the arrival of a moment when one. phase of its activity terminates, and another phase begins ? Evidently, then, if we wish to post- pone death, we must direct our efforts first to the soul. We must devise some means by which the soul can be induced or compelled to delay entering upon its second phase, and to continue in its first or physical one. Are you bold enough to affirm that such a fact is beyond the skill of human science? ' ' Suppose the body to have been blown to atoms by an explosion,' I began ; but he in- terrupted me with a laugh. ' I adm^t technical difficulties in such a case,' said he ; ' though less, perhaps, as re- AN EXPERIMENT 209 gards the physical than the spiritual predica- ment ; for do not our friends, the spiritualists, tell us tales about " materialising " spirits ? But take the case that the body, at the mo- ment of the change, is substantially sound, though (let us say) it has been attacked by a fatal disease, — or, to speak more philosophic- ally, the soul has suffered from certain delu- sions which are reflected on the physical plane as derangement of bodily function, or disin- tegration of tissue. My contention would be that the correction of this delusion would restore the soul (and, as a corollary, the body) to a normal state, and re-establish physical life.' ' Well,' said Ealph — and he threw a pecu- liar glance at me as he spoke — ' that seems to be a sufficiently ingenious theory. Have you any practical illustrations to adduce in support of it?' ' It is hardly fair to tempt me to discredit p 210 THE SPECTRE OF THE CAMERA my good logic with, imperfect facts,' returned Conrad, laughing again ; ' but are you really desirous to push, the matter to a test? ' ' To be frank with you,' Ralph rejoined, ' I do desire it, and I do not. If such a thing as you propose can be done, I hold it to be a profanation of the most unmitigated sort, — the black art in its worst form. At the same time, I am weak enough to put you to the proof ; if you can do it, let it be done.' ' Your invitation might be more cordial,' remarked Conrad, lightly. ' As to the black art, my dear Ralph, you know it is not at all in my line. My investigations, such as they are, have been strictly on the lines laid down by Nature. I am only a beginner in science ; but I think I have one advantage over scien- tific men in general, in that I recognise and make my account with both sides of Nature, instead of with the physical side exclusively. Study of the one throws light upon the other, AN EXPERIMENT 211 and speculations on the spirit suggest experi- ments on the body. But you shall judge for yourself; and, by the way, I have a right to expect indulgence in this case, from you especially. Step into my study.' He led the way, and we followed. The pentagonal chamber looked much as it did when I had seen it last ; but now a handsome antique chest of carved oak rested upon the iron pentagon beneath the great magnet. It was secured by three massive locks. ' This chest,' observed Conrad, ' has not been opened since I closed it nearly two years ago. You have only my word for this ; but I will say that I have no object in deceiving you. Here are the keys,' he added, taking them from a hook on the wall ; ' will you oblige me, Ralph, by unlocking the thing, and lifting the lid ? ' Ralph hesitated a moment, as if summon- ing his resolution. Then he took the keys j?2 212 THE SPECTRE OF THE CAMERA from Conrad's hand, and turned them, one after the other, in the locks. After another pause, he grasped the edges of the lid with both hands, and flung it back with such vio- lence that it was torn from its hinges, and fell with a crash to the floor. A powerful aromatic odour immediately filled the room. The coffer was filled to the brim with some substance resembling amber, in pieces about the size of a raisin. It was from this, apparently, that the pleasant odour emanated. But what struck me particularly was the fact that this odour, though much stronger, was the same that I had noticed in my room in New York, at the time when Ralph was visited by the vision of Hildegarde ; and I perceived that Ralph recognised it also, and his face flushed red. He looked at Conrad with a sort of fierceness. ' What is this ? ' he demanded. ' Play me no tricks.' AN EXPERIMENT 213 'It's merely a variety of aromatic gum,' returned Conrad, in a matter-of-fact tone, ' which I placed here on account of its puri- fying and preservative qualities. It lies, as you see, in a shallow tray, and can be removed without trouble.' He suited the action to the word, lifting out the tray, which he laid to one side. The space beneath appeared to be closely packed with folded cloths, of the tex- ture of fine lawn, and having a pale, yellow hue, probably due to some solution in which they had been steeped. As Ealph remained motionless, Conrad proceeded to remove these cloths one by one, until he had uncovered a long object, of roughly cylindrical shape, swathed in a covering of heavy linen, sewn up lengthwise down the centre. Its out- lines conveyed the suggestion of the human form. ' Have either of you a pen-knife ? ' in- quired Conrad. ' We shall have to rip open 214 THE SPECTRE OF THE CAMERA this covering in order to come at what is inside.' Kalph still made no sign. I took my knife from my pocket, and, at a nod from Conrad, cut the thread of the seam from end to end. The covering fell apart. There was a filling of dried rose leaves within ; but these sifted down on either side, and revealed — what, of course, I had all along expected to see — the pure, pale countenance of Hildegarde. ' What do you think ? ' said Conrad, ap- pealing to me, as a sculptor might ask my opinion of his statue. ' I can see no change ; can you ? ' ' None ! ' said I. ' And. indeed, after the lapse of these two years, she seemed as fresh and untouched as on the day when she stood beside Ralph as his betrothed wife. The skin seemed soft and pliant ; the long eyelashes, resting on the AN EXPERIMENT 215 cheeks, needed but a thought to lift them ; and the curved line between the lips would melt at a breath. And yet, for two years, no breath had passed them, nor had any light visited the eyes. ' What say you, my friend ? ' asked Conrad, regarding Ralph curiously. ' It is a wonderful piece of work,' he re- turned, in a measured voice. ' Not so warm as a painting, nor so ideal as sculpture ; but the Egyptians themselves could not have done better. Of what use is it ? ' ' Her soul might find a use for it,' re- marked the other, with a smile. ' What God has parted cannot be reunited,' said Ralph, coldly. ' But you loved her, did you not ? and love, if all reports be true, is stronger than death. Will you test the proverb ? ' ' No ; not even if I knew that love could work the miracle. She and I will meet here- 216 THE SPECTRE OF THE CAMERA after ; but I should not deserve her love, if, for the sake of comforting my few years of earth, I called her back from heaven.' These words were spoken in a low voice, Weighted with emotion ; and as he spoke, he turned away. Conrad shrugged his shoulders. ' That is well said, Ralph,' he observed ; ' but, after all, you are moralising over what you believe to be an impossibility. If you were convinced that she would rise up at your Word, like Lazarus in the New Testament, I fancy the word would not be wanting. Well, then, since love refuses, let us see what science can do ! I have more faith than you, though this is an experiment based, hitherto, upon theory alone.' He stepped to the upper corner of the room and touched a small disk embedded there ; and immediately there followed a gentle whispering sound which I dimly re- AN EXPERIMENT 217 membered, and the great magnet began to discharge its vital energy. The invisible current swept downwards on the peaceful face beneath it; and we, who stood apart, felt something of the exhilarating coolness. The dried leaves of the roses that were heaped along the sides of the figure were stirred ; and it seemed to me that some of them lost their dryness, and that their original softness and colour came back to them. Conrad kept his strange eyes rivetted on the face in the coffer with an intensity of gaze that almost seemed to emit a visible ray. Ralph's eyes were downcast, and partly averted ; but he was evidently struggling against a terrible attraction ; the tender, human instincts of his nature were fighting against the barrier of principle and reason. Time both flies and stands still at such junc- tures ; the great magnet vibrated ; and now it was beyond doubt that some of the petals 2i8 THE SPECTRE OF THE CAMERA of the roses were as fresh as when first shaken from the stem. But the peaceful face was peaceful and unresponsive still. Those moments of suspense were exhaust- ing, even to me, who was but an onlooker. The possibility that hung in the balance was of such gigantic significance — the very mean- ing of human existence seeming to hinge upon it — that the mind shrank from contem- plating it. And now that the experiment had gone so far, success and failure appeared alike terrible. Suddenly, Conrad raised both his arms, with the hands open and prone, and brought them downwards, and then again upwards, with a slow, sweeping movement. He was standing near the foot of the coffer, so that the gesture was as if he had caught some invisible substance in the air, and driven it over the dead girl, from her feet to her head. He repeated this gesture three times ; and at AN EXPERIMENT 219 the same moment the discharge from the magnet ceased, the rushing sound was heard no more, and the chamber became as still as an Egyptian tomb in the heart of a hill. Conrad's arms fell to his sides ; he shi- vered, and a grayish pallor crept over his features, in which appeared lines that made him look like an old man. The experiment, then, had failed. Ralph raised his head and looked sternly and scornfully at him. ' You yourself deserve to die,' he said ; ' but you have dragged me into your own humiliation, and I am not worthy to inflict your punishment.' Conrad cast a haggard glance at the corpse. ' I would gladly have died to succeed,' he muttered. ' Be thankful that you did not succeed ; what are you, or any man, to turn law into chaos, and gain a victory over Nature ! ' 220 THE SPECTRE OF THE CAMERA But, all in an instant, an electric shock seemed to run through Conrad, and set his soul on fire. An awful ecstasy of triumph glared out of his face. His hair bristled on his head, and he gnashed his teeth together. ' See ! see ! ' he shrieked, tossing his arms aloft and stamping his feet on the floor. ' I have not failed ! She lives ! she lives ! Ha ! ha ! ha ! Ralph — Ralph Merlin ? Whose is the victory now ? ' Ralph stepped forward, and bent a long look into the coffer. Then he grasped Conrad with hands of iron. ' Hush ! hush ! ' he said, in a deep voice. ' If God has permitted this thing, let us meet it with reverence ; it may mean the greatest blessing, or the greatest curse, of time ! ' And even as he spoke, Hildegarde opened her eyes, and sat erect. She seemed per- plexed ; but, meeting Ralph's eyes, she smiled as if reassured. 221 CHAPTER XIV. ON ONE CONDITION. The emotion of wonder is one of the most vehement of all ; and it is also one of the most transitory. Imagination revels in it, but the mind cannot tolerate it ; and no sooner has a marvel taken place, than we compel it, willy-nilly, into some sort of ac- cordance with the routine of experience. If we could not do this, we should probably . lose our reason altogether. Nature abhors not a vacuum more than does human nature a miracle. That first sharp stab of amazement, when my eyes saw her who had lain dead for two years return to life, lasted but a few blind mo- 222 THE SPECTRE OF THE CAMERA ments. It took but those few moments for me to raise and readjust my whole conception of law and order. Law and order still existed, and were as immutable as ever ; it was my view of them that had changed. By the time Hildegarde had gained her feet, and had uttered the first few words of her new life, I had accommodated myself to the situation, and nothing remained but the agreeable ex- citement of an interesting novelty. Of course, other elements entered into the emotions of Ralph and Conrad, to whom the event was quite as much personal as general in its bearings. But it was at once perceived by all of us that Hildegarde must be intro- duced only by the most circumspect degrees to the knowledge of what had befallen her ; and for a while we were sufficiently occupied in parrying her questions and managing her curiosity. She remembered having been taken suddenly ill ; she recalled a darkened room ON ONE CONDITION 223 and the hushed voice of nurses ; and the last circumstance in her recollection was of Con- rad's saying to her, ' Now, I will put you to sleep.' He had several times exercised this power over her, and she had soon felt herselt succumbing to the influence. The rest was a blank. But how had she got into that box ? what were the rose-leaves there for ? and how happened it that Ralph, in the space of a few hours, had contrived to grow a beard and to get gray hairs ? These things required ex- planation ; and who was to explain them ? ' That was a good sleep you gave me, Conrad,' she remarked. ' I was very ill before ; I thought I might be going to die ; but now I am better and stronger than I ever was ; and all in such a little while ! ' What is a little while ? What a thing time is, to be sure ! It was moving to observe Ralph's profound preoccupation with her, — his tremulous, almost 224 THE SPECTRE OF THE CAMERA speechless emotion, — and her happy uncon- sciousness of anything stranger than his beard. No shadow remained on her mind of the great gulf which she had crossed, and crossed again. She had brought with her no tidings of the other world ; and yet she had been there, and had experienced what no other human being had done. Conrad had drawn Ealph aside, and con- versed with him a few minutes ; and then he beckoned to me, and I followed him out of the room. ' We may as well leave the lovers to explain themselves to each other,' he said. He had quite recovered from the wild burst of excitement with which he had greeted the success of his experiment, just when all had seemed to be lost. ' I may as well tell you,' he went on, ' that I have made all arrange- ments to have them married this evening. There are several reasons for this, and at all ON ONE CONDITION 225 events their betrothal has lasted quite long enough. The guests will be here in a few minutes. To avoid complications", I have invited only such persons as are unac- quainted with the peculiar circumstances, and have heard nothing of my sister's reputed death.' ' Did she die, indeed ? ' I asked. ' Really, my dear fellow, I can hardly tell you. According to all precedent she did. But you shall hear just how the matter stands. Catalina, as you have no doubt sur- mised, under cover of scientific curiosity, visited Burlace in his laboratory, and secured some of the microscopic germs that he was investigating. Nothing is easier than to ad- minister these germs in the food or drink ; and neither the victim nor the physician can prove that a crime has been committed ; a disease has established itself, and it runs its course, which, in this instance, was bound to Q 226 THE SPECTRE OF THE CAMERA be fatal ; but there is no trace of murder outside the mind of the murderer. 'After making trial of all recognised means of combating the disease, I saw that the girl must die. Then I resolved to put to the test a theory which I had speculated upon long before. I waited until she was almost in the act of death ; another ten minutes would have seen the end. I had magnetised her several times previously, both to relieve small ailments to which she was occasionally subject, and also, now and then, for certain purposes of my own. Therefore, she was completely under what is called my magnetic control. I put forth the influence, and though there was more resistance on her part than I had expected to find, she yielded at last, and fell into the trance. ' I argued that as long as she remained in this condition — which, to one unfamiliar with its peculiar symptoms, is indistinguishable ON ONE CONDITION 227 from death — the action of the poison on her system would be arrested. And not only might it be arrested ; it might, after a certain lapse of time, disappear altogether, the germs themselves becoming devoid of life. As to this last, however, I was probably mistaken. My subsequent study of the germs tends to show that they are practically indestructible, once they have got a lodgment in the body. But be that as it may, I was perfectly suc- cessful in the other matter. The progress of the disease stopped short at the instant she fell into the trance ; and it has remained inactive from that day to this.' ' You have kept her in a trance for two years ? ' ' Certainly ; and she might have continued so indefinitely. Meanwhile, she was pro- nounced dead ; her body was put in the coffin, and her funeral was duly solemnised. A few weeks later, without attracting any a2 228 THE SPECTRE OF THE CAMERA attention, I had her conveyed to my rooms, and placed her in the coffer where you saw her to-day. She has lain there ever since. You saw what occurred this evening. And that, in brief, is the history of the case.' It was a strange history ; but it seemed to me that the strangest features of it had been omitted, and that Conrad was designedly slurring over these features. What about the apparition that I had seen emerge from behind the black curtain in the pentagonal chamber? And what of those visitations which had guided Ralph from the centre of Africa round the world? Nor was I by any means satisfied that an ordinary trance would present the same characteristics as this of Hildegarde's. The body would dry up and perish in much less time than two years. "When I questioned Conrad on these points, he answered somewhat evasively. ' The phenomena you speak of were pro- ON ONE CONDITION 229 bably entirely imaginary,' he said. ' At all events, Low can there be any connection between them, and the experiment I wag describing? ' ' I don't know what the connection is, but there is one ; and I believe that it was of your making. I have not forgotten Schandau.' ' You must bear in mind that very little is understood of the real nature of trance,' he finally remarked. ' The body is wholly quiescent, but the spirit and the principles intermediate between that and the body may possess a greater freedom and activity than before. Nothing would be dispersed or dissipated, as is the case in actual death ; but a being would exist in the astral light, pos- sessing some qualities nearly allied to the physical, and yet capable of passing from place to place with the rapidity and docility of thought. Now, there seems to be a special 230 THE SPECTRE OF THE CAMERA relation between the trance-being and the will or thoughts of the magnetiser. Possibly it retains no will of its own, or but little. In that case it would be in a measure subject to the will and thought of the magnetiser, when strongly concentrated and exerted, and would be present in any place on which his attention was fixed. But really, the whole question is so obscure that I am perplexed about it my- self. As to the condition of the body after so long a lapse of time, I may fairly take some credit to myself for it,' he added, with a smile. ' That affair of the magnet and pentagon is an invention, or at least an adap- tation, of my own. Some elements enter into its construction that do not appear on the surface ; and you have felt as well as seen something of its powers. Of course, it was not that that restored Hildegarde to life, — or, if you prefer it, roused her from her trance. Its effect was physical merely ; it refreshed ON ONE CONDITION 231 the body, and prepared it for its inhabitant. It was by reversing the passes that had en- tranced her, that I succeeded in bringing her round, — though I confess there was a moment when I felt a trifle uneasy over the result.' ' I fancied you looked a little bit put out just then ; though I thought you seemed pleased just afterwards. But there is one thing about this business, Conrad,' I added, dropping the ironic vein, ' that seems to me to counterbalance all you have gained. The germs of the poison, you say, cannot be de- stroyed. If that be so, Hildegarde has only a reprieve. The return of life will be to her but a return of death, and the more tragic because it is a return. In how many days, or hours, this will come to pass, you probably know better than I ; but if you have not provided against it, I don't know why you are not a worse murderer than Catalina,' 232 THE SPECTRE OF THE CAMERA 'I have had it under consideration con- stantly almost since the first,' he returned, rather gloomily; ' and though I have not quite cleared up the difficulty, yet I have at least ensured the prolongation of Hildegarde's life indefinitely, — provided that she observes cer- tain easy conditions.' ' What are they ? ' ' They involve only her remaining always within a few hours' journey of this place. The poison in her system is not likely to be quiescent more than two or three days ; and as soon as it begins to act, she must again be thrown into the trance, and afterwards sub- jected to the influence of the great magnet. This treatment is indispensable, and it will probably have to be repeated at regular in- tervals. But the annoyance is slight, and, in view of the result, I don't imagine that either she or Ralph will object. And now,' he broke off, ' our guests are beginning to ON ONE CONDITION 233 arrive. The clergyman "will be here imme- diately, and I must prepare the lovers for the happiness in store for them.' He went out, and left me to my medita- tions, which were not of an entirely roseate hue. I had acquired the impression that Conrad had some ulterior end in view in all this, which was not of a wholly unselfish character, andi t seemed to me that the neces- sity of constantly renewing Hildegarde's vita- lity, and of subjecting her at such short inter- vals to the absolute control of her brother, might prove more irksome than he seemed to anticipate. But I tried to hope for the best. In the drawing-room several persons were already assembled. I had met none of them before, and it was evident that they had been summoned chiefly to act as witnesses of what was about to take place. Conrad entered, escorting the clergyman, a youngish man, 234 THE SPECTRE OF THE CAMERA with an amiable and feeble face. A lawyer was also in attendance to oversee the prepara- tion and signing of the marriage contract! Finally, Ralph came in, with Hildegarde on his arm. I presume that Hildegarde had by this time been made acquainted with the facts of her condition. Her face, always extremely sensitive in reflecting the states of her spirit, wore an expression of wistful solemnity, tem- pex*ed with the tenderness of an exalted love, that somehow brought tears to my eyes. Ralph, on the other hand, had a look about him that was quite new to me, and that I did not altogether like. The colour in his face was warm, and his eyes lively and bright ; a smile hovered constantly about his mouth, and he kept looking at Hildegarde with glances that were not merely lover-like, but idolatrous, and even seemed to express a sen- suousness of feeling that was out of keeping ON ONE CONDITION 235 with my friend's depth and gravity of charac- ter. He rather avoided my eye, and when I congratulated him, he said, ' We owe everything to Conrad. Science and humanity ought to unite in canonising that man. I can never excuse myself for the way in which I spoke to him to-day. But I see the error of my way, and am not likely to make such an ass of myself again. Is not the mere flesh and blood of such a woman as that worth a thousand souls ? ' ' Is she immortal? ' returned I. 'What is immortality?' said he, with a short laugh. ' We know what is, but who can tell what may be ? ' The clergyman advanced ; the couple took their places beside each other ; the guests gathered round, and the words of the covenant were uttered. Conrad stood behind the bride, and as the ceremony ended, his figure seemed to grow taller and dilate, as if some long-de- 236 THE SPECTRE OF THE CAMERA sired triumph had at last been won. What "was the meaning of it? The papers remained to be signed. Ralph wrote his name first. Then Hildegarde took the pen in her hand. As she laid it down again, having affixed her signature, the door at the end of the room opened, and Catalina entered. 237 CHAPTER XV. MARRIAGE. Her appearance was entirely unexpected by everybody save Conrad ; bis face at Once took on an expression of malicious satisfaction. And in a moment I realised the whole signi- ficance of the event. He had inflicted upon this woman a revenge as ingenious as it was overwhelming. Having first convinced her of Hildegarde's death, at the same time leading her to suppose that he was wholly unsuspicious of her agency in it, he had put her in a position where she fancied herself free to marry without prejudice to the terms of her husband's will. The mo- tives that induced her to yield to Buflace's 238 THE SPECTRE OF THE CAMERA suit, though love could scarcely have been one of them, were still urgent enough to make the act comprehensible. But it was not a part of Conrad's scheme to permit her to profit by Burlace's protection. Whether he had any hand in the mysterious occurrences that kept them apart, and what, precisely, those occur- rences were, you can probably conjecture as easily as I. But Hildegarde was not dead ; she was alive ; and she was not separated for ever from Ralph ; she was his wife. Therefore, not only was Catalina deprived of her fortune and thrown helpless on the world, but she was compelled to behold her rival's triumph and felicity, which she had staked and lost her own salvation to prevent. She did not at first see Hildegarde, and Conrad immediately stepped forward to greet her with a great manifestation of cordiality. He held her in conversation for a few minutes, MARRIAGE 239 and then led her up the room, saying, in a voice that all might hear : ' Ralph, and Mrs. Merlin, our celebration would have been incomplete if my step -mother had not kindly consented to come and offer you her congratulations.' Catalina stopped short, as if she had run against a wall in the dark. Her black eyes wavered for a moment, but finally fixed them- selves upon Hildegarde in a ghastly stare. Then, with her hands outstretched, she drew nearer, step by step. Her face, though beau- tiful still, was awful to look upon at that crisis. She had not passed unscathed through these two years ; there were lines around her mouth and beneath her eyes that suggested tortured nerves, and vain attempts to drug them into insensibility. And these traces were dread- fully emphasised by the emotion of the junc- ture. She crept toward her rival as if controlled 240 THE SPECTRE OF THE CAMERA by a mixture of terror and desperate curiosity. At length, when within arm's reach, she doubtfully extended one hand, until the trem- bling finger-tips came in contact with Hilde- garde's shoulder. Probably she had imagined that the girl was but a spectre, and would vanish at a touch. Had Conrad, then, made this innocent spirit the helpless instrument of his malignity? But when Catalina realised that here was no spectral illusion, but actual flesh and blood, she emitted a sharp breathing sound from her throat, and fell back a step, pressing her hands against her temples. Her eyes rolled in their sockets. After standing so for a while, she began to laugh softly. Oh, surely the cruelest vengeance might have been sated by that piteous spectacle ! The shock and be- wilderment had been too great for her already failing nerves, and she was going mad before our eyes. MARRIAGE S41 The deep absorption of this episode had kept our attention from a confused noise out- side the door. But now the door was flung open, and a heavily-built man, hatless, with disordered dress and flushed face, half stag- gered and half stalked into the room. It was Will Burlace, savage with drink, and with a passion smouldering in his bloodshot eyes that was not due to drink alone. How had he come there? He must have followed me secretly from London, his morbid suspicions having suggested some new plot on foot against him. His glance singled out Catalina at once, and Ralph standing near her ; and it was plain that he deemed his suspicions fully justified. ' I knew where I should find you, and how I should find you,' he said, as he came to- wards his wife. ' You thought you could pull the wool over my eyes, but I'm not E 342 THE SPECTRE OF THE CAMERA such a fool. I'll settle with you now. You wouldn't give an honest man your heart, but I'll cut it out of your white body, my dear ! ' It was doing Ralph injustice ; but so it was, that he was the last man whom I ex- pected to see step forward to protect Catalina. And yet he was the only one who would. Burlace had a knife in his hand. Catalina lacked either the intelligence or the will to try to escape. Ralph caught the wrist of Burlace's right hand, which held the knife ; and instantly they were engaged in a desperate struggle. It recalled to my memory that tussle of theirs, years ago ; but that was in play, and this was deadly earnest. Burlace, besides his superior weight, had the fury of his jealous and murderous rage to enforce him ; Ralph seemed to me somewhat less quick and supple than of yore, and twice or thrice I saw him MARRIAGE 243 wince, as if from a sharp pain. I had forgot the assegai wound that he had received in Africa. Burlace bore him back, and I thought he was overcome. But, by a feint, Ralph threw him off his balance ; and then, in a flash, the knife flew from the other's hand ; the two whirled round, and came to the floor with a crash that shook the room. Burlace was un- dermost, and he lay stunned. Ralph rose, but painfully, with a pallid face, and pressing his hand against his side. His old wound had opened, and he was bleeding internally. He lay in great suffering all that night ; and the next morning it was evident that he must die. Hldegarde did not leave him, and it seemed to me that as his strength failed, she also drooped and faded. She looked thin and frail, and her flesh was almost trans- parent. But the love in her eyes glowed e2 244 THE SPECTRE OF THE CAMERA stronger than ever, and instead of grief, she appeared to be inspired with an inward spiri- tual joy. Conrad had been observing her critically ; and at length he told Ealph plainly that the old poison had already recommenced its fatal work on her, and that it would be necessary to apply the remedy without delay. Ealph took her hand in his, and regarded her steadily. ' You hear what your brother says ? ' he said. ' All is well with us,' she replied ; ' I want no change.' ' But your life depends upon it, • Hilde- garde.' ' No — not my life,' answered she. ' All that I have done has been for you, Hildegarde ! ' Conrad exclaimed. ' I have loved you, I have avenged you, I have brought you back to life. Will you leave me now, and render it all vain ? ' MARRIAGE 245 'I must stay with niy husband,' was her reply. ' Let it be so, Conrad,' said Ralph, at last, ' For my part, I am well content with this conclusion. It was all wrong — what you at- tempted, and I acquiesced in. Had I lived I should have lowered myself, and perhaps her also. There is a wisdom and kindness greater than any we know of. Our little efforts to gain power and wield it — what do they amount to, after all ? The worst grief that nature brings us is not very grievous ; but we have no mercy on ourselves,' ' You are a fool ! ' said Conrad sullenly, turning away. Ralph and Hildegarde both died that night. The bodies were put in coffins, and left in the pentagonal chamber. But when the bearers went to remove them, it was found that Hildegarde's coffin contained only a few handfuls of fragrant white dust. At first, I 246 THE SPECTRE OF THE CAMERA suspected Conrad of some subtle practice, but I have since come to the conclusion that this was a mistake. 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