ALBERT R. MANN LIBRARY AT CORNELL UNIVERSITY THE GIFT OF Isabel Zucker class '26 uS^a "NIVERSITV LIBRARY 3 1924 067 949 028 Cornell University Library The original of this bool< is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924067949028 LEGENDS, tf ByRICS. EMBRACING THE ^oPft-Tsore of tFie pfar^t iHvIi2g4o'T]' Br RJC&JIRP FOliK^Ki), 9^- 1884. [^// Jiis^kts Sesenied.'] PKEFJICE. AVING, some few years ago, been associated in the conducft of a journal devoted to horticulture, I amassed for literary purposes much of the material made use of in the present volume. Upon the discontinuance of the journal, I re- solved to classify and arrange the plant lore thus accumulated, with a view to its subsequent publication, and I have since been enabled to enifich the colleiJtion with much Con- tinental and Indian lore (which I believe is quite unknown to the great majority of EngUsh readers) from the vast store to be found in Signor De Gubernatis' volumes on plant tradition, a French edition of which appeared two years ago, under the title of La Mythologie des Plantes. To render the present work comprdiensive and at the same time easy of reference, I have divided the volume into two seflions, the first of which is, in point of fa(5l, a digest of the second; and I have endeavoured to enhance its interest by introducing some few reprodudtions of curious illustrations per- taining to the subjetfls treated of. Whilst preferring no claim for anything beyond the exercise of considerable industry, I would state that great care and attention has been paid to the revision of the work, and that as I am both author and printer of my book, I am debarred in that dual capacity from even palUating my mistakes by describing them as "errors of the press." In tendering my acknowledgments to Prof. De Gubernatis and other authors I have consulted on the various branches of my subjedl, I would draw attention to the annexed list of the principal works to which reference is made in these pages. RICHARD FOLKARD, Jun. Cricklewood, August, /SS4. pnacIpaP ©^^orfty S^eferresL to. Adams, H. C. ' Flowers ; their Moral, Language, and Poetry ' Albertui Magnus. De Mirabilibus Mundi. Aldravandus. Ornitkohgia. Bacon, Lord. ' SylfraiTon/. Gathering the SelAgo (drawn by Louis Absolon) .... Cover. The Garden of Eden (Parkinson's Paradisus) . . . Frontispiece. Yggdrasill, the Mundane Ash (Finn Magnusen) 2 Relics of the Crucifixion (Maundevile's Travels) .... 45 The Tree of Judas Iscariot (MaundevUis Travels) 49 Iks. 'BARtnA.ci.Y. TVi-EE. ( Aldrovandi Ornithologia) iiS The Goose Tree ( Gerard^ s Herbal) 119 The Barometz, or Vegetable Lamb (Zahn) 121 The Lamb Tree (Maundevile's Travels) 122 Dead Sea Fruit (Maundevile's Travels). 125 The Stone Tree (Gerard^s Herbal) 126 Arbor Secco, or the Withered Tree (Maundevile's Travels) . . 131 The Miraculous Tree of Tiberias (MaundeviUs Travels) . , . 132 Father Garnet's Straw (Apology of Eiid<2mon Joannes) ... 135 Pious Birds and Olives (Maundevile's Travels) 143 The Passion Flower of the Jesuits (Parkinson's Paradisus) . . 182 The Tree of Death (Maundevile's Travels) 190 The Granadilla, or Passion Flower (Zahn) 487 The head and tail pieces on pp. xiii., xxiv., i, 8, 20, 21, 26, 40, 64, 74, u6, 136, 1641 175, 200, 592, and 610, are reproductions from originals in old h?vbals, &c. d^ part tFie iJlrx^t. 'W iNTi^ODacTion. HE analogy existing between the vegetable and animal worlds, and the resemblances between human and tree life, have been observed by man from the most remote periods of which we have any records. Primitive man, watching the marvellous changes in trees and plants, which accu- rately marked not only the seasons of the year, but even the periods of time in a day, could not fail to be struck with a feeling of awe at the mysterious invisible power which silently guided such wondrous and incomprehensible opera- tious. Hence it is not astonishing that the early inhabitants of the earth should have invested with supernatural attributes the tree, which in the gloom and chill of Winter stood gaunt, bare, and sterile, but in the early Spring hastened to greet the welcome warmth-giving Sun by investing itself with a brilliant canopy of verdure, and in the scorching heat of Summer afforded a re- freshing shade beneath its leafy boughs. So we find these men of old, who had learnt to reverence the mysteries of vegetation, forming conceptions of vast cosmogonic world- or cloud-trees over- shadqwing the universe ; mystically typifying creation and regene- ration, and yielding the divine ambrosia or food of immortahty, the refreshing and life-inspiring rain, and the mystic fruit which imparted knowledge and wisdom to those who partook of it. So, xiv. pfant Tsofe, TsegeT^tsy, and Tsijnq/', again, we find these nebulous overspreading world-trees connedled with the mysteries of death, and giving shelter to the souls of the departed in the solemn shade of their dense foliage. Looking upon vegetation as symbolical of life and generation, man, in course of time, connedted the origin of his species with these shadowy cloud-trees, and hence arose the belief that human- kind first sprang from Ash and Oak-trees, or derived their being from Holda, the cloud-goddess who combined in her person the form of a lovely woman and the trunk of a mighty tree. In after years trees were almost universally regarded either as sentient beings or as constituting the abiding places of spirits whose existence was bound up in the lives of the trees they inhabited. Hence arose the conceptions of Hamadryads, Dryads, Sylvans, Tree-nymphs, Elves, Fairies, and other beneficent spirits who peopled forests and dwelt in individual trees — not only in the Old World, but in the dense woods of North America, where the Mik-amwes, like Puck, has from time immemorial frolicked by moonlight in the forest openings. Hence, also, sprang up the morbid notion of trees being haunted by demons, mischievous imps, ghosts, nats, and evil spirits, whom it was deemed by the ignorant and superstitious necessary to propitiate by sacrifices, offerings, and mysterious rites and dances. Remnants of this superstitious tree-worship are still extant in some European countries. The Irminsul of the Germans and the Central Oak of the Druids were of the same family as the Asherah of the Semitic nations. In England, this primeval ' superstition has its descendants in the village maypole bedizened with ribbons and flowers, and the Jack-in-the-Green with its attendant devotees and whiriing dancers. The modern Christ- mas-tree, too, although but slightly known in Germany at the beginning of the present century, is evidently a remnant of the pagan tree-worship; and it is somewhat remarkable that a similar tree is common among the Burmese, who call it the Padaytha-Un. This Turanian Christmas-tree is made by the inhabitants of towns, who deck its Bamboo twigs with all sorts of presents, and pile its roots with blankets, cloth, earthenware, and other useful articles. The wealthier classes contribute sometimes a Ngway Padaytha, or silver Padaytha, the branches of which are hung with rupees and ^nffoc^uoiton, xv. smaller silver coins wrapped in tinsel or coloured paper. These trees are first carried in procession, and afterwards given to monasteries on the occasion of certain festivals or the funerals of Buddhist monks. They represent the wishing-tree, which, according to Burmese mythology, grows in the Northern Island and heaven of the nats or spirits, where it bears on its fairy branches whatever may be wished for. The ancient conception of human trees can be traced in the superstitious endeavours of ignorant peasants to get rid of diseases by transferring them to vicarious trees, or rather to the spirits who are supposed to dwell in them; and it is the same idea that impels simple rustics to bury Elder-sticks and Peach-leaves to which they have imparted warts, &c. The recognised analogy between the life of plants and that of man, and the cherished superstition that trees were the homes of living and sentient spirits, undoubtedly influenced the poets of the ancients in forming their conceptions of heroes and heroines metamorphosed into trees and flowers ; and traces of the old belief are to be found in the custom of planting a tree on the birth of an infant ; the tree being thought to symbolise human life in its destiny of growth, producftion of fruit, and multiplication of its species ; and, when fully grown, giving shade, shelter, and protedlion. This pleasant rite is still extant in our country as well as in Germany, France, Italy, and Russia ; and from it has probably arisen a custom now becoming very general of planting a tree to comme- morate any special occasion. Nor is the belief confined to the Old World, for Mr, Leland has quite recently told us that he observed near the tent of a North American Indian two small evergreens, which were most carefully tended. On enquiry he found the reason to be that when a child is born, or is yet young, its parent chooses a shrub, which growing as the child grows, will, during the child's absence, or even in after years, indicate by its appearance whether the human counterpart be ill or well, alive or dead. In one of the Quadi Indian stories it is by means of the sympathetic tree that the hero learns his brother's death. In the middle ages, the old belief in trees possessing intelli- gence was utilised by the monks, who have embodied the conception xvi. pfant Isore, h&g&r^f, anel Isijrio/. in many mediaeval legends, wherein trees are represented as bending their boughs and offering their fruits to the Virgin and her Divine Infant. So, again, during the flight of the Holy Family into Egypt, trees are said to have opened and concealed the fugitives from Herod's brutal soldiery. Certain trees (notably the Aspen) are reputed to have been accursed and to have shuddered and trembled ever after on account of their connedlion with the tragedy of Calvary ; while others are said to have undergone a similar doom because they were attainted by the suicide of the traitor Judas Iscariot. Seeing that the reverence and worship paid to trees by the ignorant and superstitious people was an institution impossible to uproot, the early Christian Church sought to turn it to account, and therefore consecrated old and venerated trees, built shrines beneath their shade, or placed on their trunks crucifixes and images of the Blessed Virgin. Legends connecTting trees with holy personages, miracles, and sacred subjecfts were, in after years, freely disseminated ; one of the most remarkable being the marvellous . history of the Tree of Adam, in which it is sought to connedt the Tree of Paradise with the Tree of Calvary. Evelyn summarises this misty tradition in the following sentence : — " Trees and woods have twice saved the whole world : first, by the Ark, then by the Cross ; making full amends for the evil fruit of the tree in Paradise by that which was borne on the tree in Golgotha." In course of time the flowers and plants which the ancients had dedicated to their pagan deities were transferred by the Christian Church to the shrines of the Virgin and sainted personages ; this is especially noticeable in the plants formerly dedicated to, Venus and Freyja, which, as being the choicest as well as the most popular, became, in honour of the Virgin Mary, Our Lady's plants. Vast numbers of flowers were in course of time appropriated by the Church, and consecrated to her saints and martyrs — the seletftion being governed generally by the fadl that the flower bloomed on or about the day on which the Church celebrated the saint's feast. These appropriations enabled the Roman Catholics to compile a complete calendar of flowers for every day in the year, in which each flower is dedicated to a particular saint, ion, xvii. But if the most beautiful flowers and plants were taken under the protection of the Church, and dedicated to the memory of her holiest and most venerated members, so, also, certain trees, plants, and flowers — which, either on account of their noxious properties, or because of some legendary associations, were under a ban — became relegated to the service of the Devil and his minions. Hence we find a large group of plants associated with enchanters, sorcerers, -wizards, and witches, many of which betray in their nomenclature their Satanic association, and are, even at the pre- sent day, regarded suspiciously as ill-omened and unlucky. These are the plants which, in the dark days of witchcraft and super- stition, were invested with mysterious and magical properties, — the herbs which were employed by hags and witches in their heathenish incantations, and from which they brewed their potions and hell- broths. Thus Ben Jonson, in his fragment, ' The Sad Shepherd,' makes one of his charadlers say, when speaking of a witch : — " He knows her shifts and haunts, And all her wiles and turns. The venom'd plants Wherewith she kills ! where the sad Mandrake grows, Whose groans are dreadful ! the dead-numming Nightshade ! The stupefying Hemlock ! Adder's-tongue ! And Martagan ! " The association of plants with magic, sorcery, and the black art dates from remote times. The blind Norse god Hodr slew Baldr with a twig of Mistletoe. In the battles recorded in the Vedas as being fought by the gods and the demons, the latter employ poisonous and magical herbs which the gods counteradl with counter-poisons and health-giving plants. Hermes presented to Ulysses the magical Moly wherewith to nullify the effedts of the potions and spells of the enchantress Circe, who was well acquainted with all sorts of magical herbs. The Druids professed to know the secrets of many magical plants which they gathered with mysterious and occult rites. The Vervain, Selago, Mistletoe, Oak, and Rowan were all said by these ancient priests and law- givers to be possessed of supernatural properties ; and remnants of the old belief in their magical powers are still extant. In works on the subjedt of plant lore hitherto published m England, scarcely any reference has been made to the labours in xviii. pfant Isore, IsegeT^t)/, oriel Isi^naf. the field of comparative mythology of Max Miiller, Grimm, Kuhn, Mannhardt, De Gubernatis, and other eminent scholars, whose erudite and patient investigations have resulted in the accumulation of a vast amount of valuable information respedting the traditions and superstitions connedted with the plant kingdom. Mr, Kelly's interesting work on Indo-European Tradition, published some years ago, dealt, among other subjedls, with that of plant lore, and drew attention to the analogy existing between the myths and folk-lore of India and Europe relating more especially to plants which were reputed to possess magical properties. Among such plants, peculiar interest attaches to a group which, according to Aryan tradition, sprang from lightning — the embodiment of fire, the great quickening agent: this group embraces the Hazel, the Thorn, the Hindu Sami, the Hindu Palasa, with its European congener the Rowan, and the Mistletoe: the two last-named plants were, as we have seen, employed in Druidic rites. These trees are considered of good omen and as protedtives against sorcery and witchcraft : from all of them wishing-rods (called in German Wunschelmthen) and divining-rods have been wont to be fashioned — magical wands with which, in some countries, cattle are still struck to render them prolific, hidden springs are indicated, and mineral wealth is discovered. Such a rod was thought to be the caduceus of the god Hermes, or Mercury, described by Homer as being a rod of prosperity and wealth. All these rods are cut with a forked end, a shape held to be symbolic of lightning and a rude efiigy of the human form. It is interesting to note that in the Rigveda the human form is expressly attributed to the pieces of Asvattha wood used for kindhng the sacred fire — a purpose fulfilled by the Thorn in the chark or instrument employed for producing fire by the Greeks. Another group of plants also connedled with fire and lightning comprises the Mandrake (the root of which is forked like the human form), the Fern Poly- podium Filix mas (which has large pinnate leaves), the Sesame (called in India Thunderbolt-flower), the Spring-wort, and the Luck-flower. The Mandrake and Fern, like King Solomon's Baharas, are said to shine at night, and to leap about like a Will-o'- the-wisp: indeed, in Thuringia, the Fern is known as Irrkraut, or JnfrocluGfion, xix. Misleading Herb, and in Franche Comte this herb is spoken of as causing belated travellers to become light-headed or thunder-struck. The Mandrkke-root and the Fern-seed have the magical property of granting the desires of their possessors, and in this respedl re- semble the Sesame and Luck-flower, which at their owners' request will disclose treasure-caves, open the sides of mountains, clefts of rocks, or strong doors, and in fadt render useless all locks, bolts, and bars, at will. The Spring-wort, through the agency of a bird, removes obstacles by means of an explosion caused by the eledlricity or lightning of which this plant is an embodiment. Akin to these are plants known in our country as Lunary or Moonwort and Unshoe- the-Horse, and called by the Italians Sferracavallo — plants which possess the property of unshoeing horses and opening locks. A Russian herb, the Rasrivtrava, belongs to the same group : this plant fradlures chains and breaks open locks — virtues also claimed for the Vervain {Eisenkraut), the Primrose (Schlusselhlume), the Fern, and the Hazel. It should be noted of the Mistletoe (which is endowed by nature with branches regularly forked, and has been classified with the lightning -plants), that the Swedes call it " Thunder-besom," and attribute to it the same powers as to the Spring-wort. Like the Fly-Rowan {Flog-wnn) and the Asvattha, it is a parasite, and is thought to spring from seeds dropped by birds upon trees. Just as the Druids ascribed peculiar virtues to a Mistletoe produced by this means on an Oak, so do the Hindus especially esteem an Asvattha which has grown in like manner upon a Sami {Acacia Suma). It is satisfa(5tory to find that, although the Devil has had certain plants allotted to him wherewith to work mischief and destrucftion through the agency of demons, sorcerers, and witches, there are yet a great number of plants whose special mission it is to thwart Satanic machinations, to protedt their owners from the dire eSe€is of witchcraft or the Evil Eye, an^ to guard them from the perils of thunder and lightning. In our own country, Houseleek and Stonecrop are thought to fuliil this latter fundtion ; in Westphalia, the Donnerhraut (Orpine) is a thunder protedlive; in the Tyrol, the Alpine Rose guards the house-roof from lightning; and in the Netherlands, the St. John's Wort, gathered before XX. pfant bore, TsegcT^/, mii. Tsijr'lc/. sunrise, is deemed a proteaion against thunderstorms. This last plant is especially hateful to evil spirits, and in days gone by was called Fuga iamonum, dispeller of demons. In Russia, a plant, called the Certagon, or Devil-chaser, is used to exorcise Satan or his fiends if they torment an afflicted mourner ; and in the same country the Prikrit is a herb whose peculiar province it is to destroy calumnies with which mischief-makers may seek to inter- fere with the consummation of lovers' bliss. Ol:her plants induce concord, love, and sympathy, and others again enable the owner to forget sorrow. Plants connedled with dreams and visions have not hitherto received much notice; but, nevertheless, popular belief has attri- buted to some few — and notably the Elm, the Four-leaved Clover, and the Russian Son-trava — the subtle power of procuring dreams of a prophetic nature. Numerous plants have been thought by the superstitious to portend certain results to the sleeper when forming the subjetH; of his or her dreams. Many examples of this belief will be found scattered through these pages. The legends attached to flowers may be divided into four classes — the mythological, the ecclesiastical, the historical, and the poetical. For the first-named we are chiefly indebted to Ovid, and to the Jesuit Rene Rapin, whose Latin poem De Horiorum Culium contains much curious plant lore current in his time. His legends, like those of Ovid, nearly all relate to the transformation by the gods of luckless nymphs and youths into flowers and trees, which have since borne their names. Most of them refer to the blossoms of bulbous plants, which appear in the early Spring; and, as a rule, white flowers are represented as having originated from tears, and pink or red flowers from blushes or blood. The ecclesiastical legends are principally due to the old Catholic monks, who, while tending their flowers in the quietude and seclusion of monastery gar- dens, doubtless came to associate them with the memory of some favourite saint or martyr, and so allowed their gentle fancy to weave a pious fidtion wherewith to perpetuate the memory of the saint in the name of the flower. For many of the historical le- gends we are also indebted to monastic writers, and they mostly pertain to favourite sons and daughters of the Church. Amongst ^nffo^uclTon. xxi. what we have designated poetical legends, must be included the numerous fairy tales in which flowers and plants play a not un- important part, as well as the stories which connedt plants with the doings of Trolls, Elves, Witches, and Demons. Many such legends, both English and foreign, will be found introduced in the following pages. It has recently become the fashion to explain the origin of myths and legends by a theory which makes of them mere symbols of the phenomena appertaining to the solar system, or metaphors of the four seasons and the different periods in a day's span. Thus we are told that, in the well-known story of the transforma- tion of Daphne into a Laurel-bush, to enable her to escape the importunities of Apollo (see p. 404), we ought not to conceive the idea of the handsome passionate god pursuing a coy nymph until in despair she calls on the water-gods to change her form, but that, on the contrary, we should regard the whole story as simply an alle- gory implying that " the dawn rushes and trembles through the sky, and fades away at the sudden appearance of the bright sun." So, again, in the myth of Pan and Syrinx (p. 559), in which the Satyr pursues the maiden who is transformed into the Reed from which Pan fashioned his pipes, the meaning intended to be con- veyed is, we are told, that the blustering wind bends and breaks the swaying Rushes, through which it rustles and whistles. Prof. De Gubernatis, in his valuable work La Mythologie des Plantes, gives a number of clever explanations of old legends and myths, in ac- cordance with the ." Solar " theory, which are certainly ingenious, if somewhat monotonous. Let us take, as an example, the German story of the Watcher of the Road, which appears at page 326. In this tale a lovely princess, abandoned for a rival by her attractive husband, pines away, and at last desiring to die if only she can be sure of going somewhere where she may always watch for him, is transformed into the waj^side Endive or Succory. Here is the Professor's explanation :— " DoeS not the fatal rival of the young princess, who cries herself to death on account of her dazzling husband's desertion, and who even in death desires still to gaze on him, symbolise the humid night, which every evening allures the sun to her arms, and thus keeps him from the love of his bride, who xxii. pPant Tsore, laeg&tfb/, cmS. feijrlo/'. awakens every day with the sun, just as does the flower of the Succory?" These scientific elucidations of myths, however dex- terous and poetical they may be, do not appear to us applicable to plant legends, whose chief charm lies in their simplicity and appo- siteness; nor can we imagine why Aryan or other story-tellers should be deemed so destitute of inventive powers as to be obliged to limit all their tales to the description of celestial phenomena. In the Vedas, trees, flowers, and herbs are invoked to cause love, avert evil and danger, and neutralise spells and curses. The ancients must, therefore, have had an exalted idea of their nature and properties, and hence it is not surprising that they should have dedicated them to their deities, and that these deities should have employed them for supernatural purposes. Thus Indra con- quered Vritra and slew demons by means of the Soma ; Hermes presented the all-potent Moly to Ulysses ; and Medea taught Jason how to use certain enchanted herbs ; just as, later in the world's history, Druids exorcised evil spirits with Mistletoe and Vervain, and sorcerers and wise women used St. John's Wort and other plants to ward off demons and thunderbolts. The ancients evi- dently regarded their gods and goddesses as very human, and therefore it would seem unnecessary and unjust so to alter their tales about them as to explain away their obvious meaning. Flowers are the companions of man throughout his life — his attendants to his last resting place. They are, as Mr. Ruskin says, precious always " to the child and the girl, the peasant and the manufadturing operative, to the grisette and the nun, the lover and the monk." Nature, in scattering them over the earth's surface, would seem to have designed to cheer and refresh its inhabitants by their varied colouring and fragrance, and to elevate them by their wondrous beauty and delicacy ; from them, as old Parkinson truly wrote, "we may draw matter at all times, not onely to magnifie the Creator that hath given them such diversities of forms, sents, and colours, that the most cunning workman cannot imitate, .... but many good instru(5tions also to our selves ; that as many herbs and flowers, with their fragrant sweet smels do comfort and as it were revive the spirits, and perfume a whole house, even so such men as live vertuously, labouring to do good, ^nfroc^uclion. xxiii. and profit the Church, God, and the common wealth by their pains or pen, do as it were send forth a pleasing savour of sweet instrudtions." The poet Wordsworth reminds us that " God made the flowers to beautify The earth, and cheer man's careful mood ; And he is happiest who hath power To gather wisdom from a flower. And wake his heart in every hour To pleasant gratitude." In these pages will be found many details as to the use of these beauteous gems of Nature, both by the ancient races of the world and by the people of our own generation; their adaptation to the Church's ceremonial and to popular festivals ; their use as portents, symbols, and emblems ; and their employ- ment as an adornment of the graves of loved ones. Much more could have been written, had space permitted, regarding their value to the architedl and the herald. The Acanthus, Lotus, Trefoil, Lily, Vine, Ivy, Pomegranate, Oak, Palm, Acacia, and many other plants have been reproduced as ornaments by the sculptor, and it is a matter of tradition that to the majestic aspe(5l of an avenue of trees we owe the lengthy aisle and fretted vault of the Gothic order of architedture. In the field of heraldry it is noticeable that many nations, families, and individuals have, in addition to their heraldic badges, adopted plants as special symbols, the circumstances of their adoption forming the groundwork of a vast number of legends : a glance at the index will show that some of these are to be discovered in the present work. Many towns and villages owe their names to trees or plants ; and not a few English families have taken their surnames from members of the vegetable kingdom. In Scotland, the name of Frazer is derived from the Strawberry-leaves {/raises) borne on the family shield of arms, and the Gowans and Primroses also owe their names to plants. The Highland clans are all distinguished by the floral badge or Suieachantas which is worn in the bonnet. For the most part the plants adopted for these badges are evergreens ; and it is said that the deciduous Oak which was selefled by the Stuarts was looked upon as a portent of evil to the royal house. The love of human kind for flowers would seem to be shared by many members of the feathered tribe. Poets have sung of the XXIV. pPatit Isore, Iseg&r^f, dnl. Tsijrie/. passion of the Nightingale for the Rose and of the fondness of the Bird of Paradise for the dazzling blooms of the Tropics: the especial liking, however, of one of this race — the Amhlyomis inor- nata — for flowers is worthy of record, inasmuch as this bird-gardener not only ere<5ts for itself a bower, but surrounds it with a mossy sward, on which it continually deposits fresh flowers and fruit of brilliant hue, so arranged as to form an elegant partem. We have reached our limit, and can only just notice the old traditions relating to the sympathies and antipathies of plants. The Jesuit Kircher describes the hatred existing between Hemlock and Rue, Reeds and Fern, and Cyclamen and Cabbages as so intense, that one of them cannot live on the same ground with the other. The Walnut, it is believed, dislikes the Oak, the Rowan the Juniper, the White-thorn the Black -thorn ; and there is said to be a mutual aversion between Rosemary, Lavender, the Bay-tree, Thyme, and Marjoram. On the other hand, the Rose is reported to love the Onion and Garlic, and to put forth its sweetest blooms when in propinquity to those plants ; and a bond of fellowship is fabled to exist between a Fig-tree and Rue. Lord Bacon, noticing these traditionary sympathies and antipathies, explains them as simply the outcome of the nature of the plants, and his philosophy is not difficult to be understood by intelligent observers, for, as St. Anthony truly said, the great book of Nature, which contains but three leaves — the Heavens, the Earth, and the Sea — is open for all men alike. Vhjim WW, LEGENDS, ;iND hJBJQS- CHAPTER I. iJfte ©)l^ot^^W7e&f of tfte oKneler^f/-. T is a proof of the solemnity with which, from the very earliest times, man has invested trees, and of the reverence with which he has ever regarded them, that they are found figuring prominently in the mythology of almost every nation; and despite the fact that in some instances these ancient myths reach us, after the lapse of ages, in distorted and grotesque forms, they would seem to be worthy of preservation, if only as curiosities in plant lore. In some cases the myth relates to a mystic cloud-tree which supplies the gods with irhmortaMruitTin others to a tree which impgrts~"fo""m arikind w isdom an^STTaiowledge ; in others to a tree which is the source and fuuftlaiir~bf alTHfe ; and in others, again, to the actual desc ent of_ manTmignffom~aritKropological or parent trees. In one cosmogony — that of the Iranians — the first human paiF are represented as having grown up as a single tree, the fingers or twigs of each one being folded over the other's ears, till t^e time came when, ripe for separation, they became two sentient beings, and were infused by Ormuzd with distinct human souls. But besides these trees, which in some form or other benefit and populate the earth, there are to be found in ancient myths records of illimitable trees that existed in space whilst yet the elements of creation were chaotic, and whose branches over- shadowed the universe. One of the mythical accounts of the creation of the world represents a vast cosmogonic tree rearing its enormous bulk from the midst of an ocean before the formation of the earth had taken place ; and this conception, it may be remarked, B pPant Isore, lae-ger^f, ari3. teyrie/". is in consonance with a Vedic tradition that plants were created three ages before the gods. In India the idea of a primordial cosmogonic tree, vast as the world itself, and the generator thereof, is very prevalent ; and in the Scandinavian prose Edda we find the Skalds shadowing forth an all-pervading mundane Ash, called Yggdrasill, beneath whose shade the gods assemble every day in council, and whose branches spread over the whole world, and even reach above heaven, whilst its roots penetrate to the infernal regions. This cloud-tree of the Norsemen is thought to be a S)rmbol of universal nature. The accompanying illustration is taken from Finn Magnusen's pictorial representation of the Yggdrasill miyth, and depicts his conception of Re Horde ©WorPeL-lTree. According to the Eddaic accounts, the^Ash Yggdrasilljs the greatest and best of_all trees. One of its stems springs from the central primordial abyss — from'the subterranean source of matter — runs up through the earth, which it supports, and issuing out of the celestial mountain in the world's centre, called Asgard, spreads its branches over the entire universe. These wide-spread branches are the aethereal or celestial regions ; their leaves, the clouds ; their buds or fruits, the stars. Four harts run across the branches of the tree, and bite the buds : these are the four cardinal winds. Perched upon the top branches is an eagle, and between his eyes sits a hawk : the eagle S3fmbolises the air, the hawk the wind-still aether. A squirrel runs up and down the Ash, and seeks to cause strife between the eagle and Nidhogg, a monster, which is con- stantly gnawing the roots : the squirrel signifies hail and other atmospherical phenomena ; Nidhogg and the serpents that gnaw the roots of the mundane tree are the volcanic agencies which are constantly seeking to destroy earth's foundations. Another stem springs in the warm south over the aethereal Urdar fountain, where the gods sit in judgment. In this fountain swim two swans, the progenitors of aU that species : these swans are, by Finn Magnusen, supposed to t3rpify the sun and moon. Near this fountain dwell three maidens, who fix the lifetime of all men, and are called Norns : every day they draw water from the spring, and with it sprinkle the Ash in order that its branches may not rot and wither away. This water is so holy, that everything placed in the spring becomes as white as the film within an egg-shell. The dew that falls from the tree on the earth men call honey-dew, and it is the food of the bees. The third stem of Yggdrasill takes its rise in the cold and cheerless regions of the north (the land of the Frost Giants), over the source of the ocean, typified by a spring called Mimir's Well, in which wisdom and wit lie hidden. Mimir, the owner of this spring, is full of wisdom because he drinks ra»«)ifP, tfie Nunc^ane Uree, From Finn Magnusens ' EddaUmn: [tu face page Jfie ©yoi-fa—lTFie/ of tfta J\na\enff. of its waters. One day Odin came and begged a draught of water from the well, which he obtained, but was obliged to leave one of his eyes as a pledge for it. This myth Finn Magnusen thinks signifies the descent of the sun every evening into the sea (to learn wisdom from Mimir during the night) ; the mead quaffed by Mimir every morning being the ruddy dawn, that, spreading over the sky, exhilarates all nature. ITfie Jfincju ©Y\^oi'Pi_-irree. The Indian cosmogonic tree is the symbol of vegetation, of universal life, and of immortality. In the sacred Vedic writings it receives the special names of Ilpa, Kalpadruma, Kalpaka-tam, and Kal- pavriksha, on the fruits of which latter tree the first men sustained and nourished life. In its quality of Tree of Paradise, it is called Panjdta ; and as the ambrosial tree — the tree yielding immortal food — it is known as Amiita and Soma. This mystic world-tree of the Hindus, according to the Rigveda, is supernaturally the God Brahma himself; and all the gods are considered as branches of the divine parent stem — the elementary or fragmentary form of Brahma, the vast overspreading tree of the universe. In the Vedas this celestial tree is described as the Pippala (Peepul), and is alluded to as being in turns visited by two beauteous birds — the one feeding itself on the fruit (typifying probably the moon or twilight) ; the other simply hovering, with scintillating plumage, and singing melodiously (typifying perhaps the sun or daybreak). Under the name of Ilpa (the Jamhoa, or Rose-apple) the cos- mogonic tree is described as growing in the midst of the lake Ara in Brahma's world, beyond the river that never grows old, from whence are procured the waters of eternal youth. Brahma imparts to it his own perfume, and from it obtains the sap of vitality. To its branches the dead cling and climb, in order that they may enter into the regions of immortality. As the Kalpadruma, Kalpaka-taru, and Kalpavriksha, the Indian sacred writings describe a cloud-tree, which, by its shadows, pro- duced day and night before the creation of sun and moon.. This cosmogonic tree, which is of colossal proportions, grows in the midst of flowers and streamlets on a steep mountain. It fulfils all desires, imparts untold bliss, and, what in the eyes of Buddhists constitutes its chief sublimity, it gives knowledge and wisdom to humanity ; in a word it combines within its mystic branches all riches and all knowledge. As the Soma, the world-tree becomes in Indian mysticism a tree of Paradise, at once the king of all trees and vegetation, and the god Soma to be adored. It furnishes the divine ambrosia or essence of immortality, concealed sometimes in the clouds, some- times in the billows of the soft and silvery light that proceeds from the great Soma* the great Indu, the moon. Hence this mystic B— a '4 pfant Tsora, Tsege^/, oriel teyricy. tree, from the foliage of which drops the life-giving Soma, is sometimes characterised as the Hindu Moon-Tree. Out of this cosmogonic tree the immortals shaped the heaven and the earth. It is the Tree of Intelligence, and grows in the third heaven, oyer which it spreads its mighty branches ; beneath it Yama and the Pitris dwell, and quaif the immortalising Soma with the gods. At its foot grow plants of all healing virtue, incorporations of the Soma. Two birds sit on its top, one of which eats Figs, whilst the other simply watches. Other birds press out the Soma juice from its branches. This ambrosial tree, besides dropping the precious Soma, bears fruit and seed of every kind known in the world. Ufie ©Y^oi-fsL-lTFee of tfte Siuc^c^fi^f^. The Sacred Tree of Buddha is in the complex theology of his followers represented under different guises : it is cosmogonic, it imparts wisdom, it produces the divine ambrosia or food of im- mortality, it yields the refreshing and life-inspiring rain, and it affords an abiding-place for the souls of the blessed. The supernatural and sacred Tree of Buddha, the cloud-tree, the Tree of Knowledge, the Tree of Wisdom, the Ambrosia-tree, is covered with divine flowers ; it glows and sparkles with the brilliance of all manner of precious stones ; the root, the trunk, the branches, and the leaves are formed of gems of the most glorious description. It grows in soil pure and delightfully even, to which the rich verdure of grass imparts the tints of a peacock's neck. It receives the homage of the gods ; and the arm of Mayi (the mother of Buddha) when she stretches it forth to grasp the bough which bends towards her, shines as the lightning illumines the sky. Beneath this sacred tree, the Tree of Knowledge, Buddha, at whose birth a flash of light pierced through all the world, sat down with the firm resolve not to rise until he had attained the knowledge which " maketh free." Then the Tempter, Mira, advanced with his demoniacal forces : encircling the Sacred Tree, hosts of demons assailed Buddha with fiery darts, amid the whirl of hurricanes, darkness, and the downpour of floods of water, to drive him from the Tree. Buddha, however, maintained his position unmoved ; and at length the demons were compelled to fly. Buddha had conquered, and in defeating the Tempter Mara, and obtaining possession of his Tree of Knowledge, he had also obtained pos- session of deliverance. Prof De Gubernatis, in explaining this myth, charadterises the tree as the cloud-tree : in the clouds the heavenly flame is stored, and it is guarded by the dark demons. In the Vedic hymns, the powers of light and darkness fight their great battle for the clouds, and the ambrosia which they contain ; this is the identical battle of Buddha with the hosts of Mira. In the cloud-battle the ambrosia {amrita) which is in the clouds is won; the enlightenment and deliverance which Buddha wins are Ef\e ©yorfi_-ir7ie/- of tfte eKridlen?/-, also called an ambrosia; and the kingdom of knowledge is the land of immortality. There is a tradition current in Thibet that the Tree of Buddha received the name of Tdrdyana, that is to say, The Way of Safety, because it grew, by the side of the river that separates the world from heaven ; and that only by means of its overhanging branches could mankind pass from the earthly to the immortal bank. The material tree of Buddha is generally represented either under the form of the Asvattha (the Ficus religiosa), or of the Udumbara (the Ficus glomerata), which appeared at the birth of Buddha ; but in addition to these guises, we find it also associated with the Asoka (Jonesia Asoka), the Palasa [Butea frondosa), the BhcLnuphala {Musa sapientum), and sometimes with the Palmyra Palm {Borassus flahelliformis). Under one of these trees the ascetic, Gautama Buddha, one momentous night, went through successively purer and purer stages of abstradlion of consciousness, until the sense of omniscient illumination came over him, and he attained to the knowledge of the sources of mortal suffering. That night which Buddha passed under the Tree of Knowledge on the banks of the river Nairanjand, is the sacred night of the Buddhist world. There is a Peepul-tree {Ficus religiosa) at Buddha G&yk which is regarded as being this particular tree : it is very much decayed, and must have been frequently renewed, as the present tree is standing on a terrace at least thirty feet above the level of the surrounding country. Hfte ^ranlai^ ©Y/orfiL-lTFee, The world-tree of the Iranians is the Haoma, which is thought to be the same as the Gaokerena of the Zendavesta. This Haoma, the sacred Vine of the Zoroastrians, produces the primal drink of immortality after which it is named. It is the first of all trees, planted in heaven by Ormuzd, in the fountain of life, near another tree called the " impassive " or " inviolable," which' bears the seeds of every kind of vegetable life, Both these trees are sitiiated in a lake called Vouru Kasha, and are guarded by ten fish, who keep a ceaseless watch upon a lizard sent by the evil power, Ahriman, to destroy the sacred Haoma. The " inviolable " tree is also known both as the eagle's and the owl's tree. Either one or the other of these birds (probably the eagle) sits perched on its top. The moment he rises from the tree, a thousand branches shoot forth ; when he settles again he breaks a thousand branches, and causes their seed to fall. Another bird, that is his constant companion, picks up these seeds and carries them to where Tistar draws water, which he then rains down upon the earth with the seeds it contains. These two trees— the Haoma and the eagle's or "inviolable" — would seem originally to have been one. The -lizard sent by Ahriman to destroy the Haoma is known to .the pFanC Taore, Taegzr^/, dnS. Isijrio/'. Indians as a dragon, the spoiler of harvests, and the ravisher of the Apas, or brides of the gods. Peris who navigate the celestial sea. Hfte aM/^ijriarj ^acreiL ©Tree. In intimate connection with the worship of Assur, the supreme deity of the Assyrians, " the God who created himself," was the Sacred Tree, regarded by the Assyrian race as the personification of life and generation. This tree, which was considered coeval with Assur, the great First Source, was adored in conjunction with the god ; for sculptures have been found representing figures kneeling in adoration before it, and bearing mystic offerings to hang upon its boughs. In these sculptured effigies of the Sacred Tree the simplest form consists of a pair of ram's horns, surmounted by a capital composed of two pairs of rams' horns, separated by horizontal bands, above which is a scroll, and then a flower resembling the Honeysuckle ornament of the Greeks. Sometimes this blossoms, and generally the stem also throws out a number of smaller blossoms, which are occasionally replaced by Fir-cones and Pomegranates. In the most elaborately-portrayed Sacred Trees there is, besides the stem and the blossoms, a network of branches, which forms a sort of arch, and surrounds the tree as it were with a frame. The Phoenicians, who were not idolaters, in the ordinary acceptation of the word — inasmuch as they did not worship images of their deities, and regarded the ever-burning fire on their altars as the sole emblem of the Supreme Being, — paid adoration to this Sacred Tree, effigies of which were set up in front of the temples, and had sacrifices offered to them. This mystic tree was known to the Jews as Ashemh. At festive seasons the Phoenicians adorned it with boughs, flowers, and ribands, and regarded it as the central object of their worship, Hfie MotRcr ©Trie of tftc