PR \2049 Sis Wa { Cornell Mniversity Library BOUGHT WITH THE INCOME FROM THE. SAGE ENDOWMENT FUND THE GIFT OF Henry W. Sage. - 1891 | ; 1 a. AANWU ee oe OLIN LIBRARY—CIRCULATION — Cornell Univ. “Toni 924 Lew Blashaige oe ys Og 8 oh GMs 4 Goce Bo; a ho oy on ) f faa a hes wate a retvnate ©, t a Pea LG, HIS loth, eS Lim wa oN mse 1. ey 5A 1 ie dad a; ae lies Se as ee Gb cs tothe aOKIe FRONTISPIECE TO THEOPHILA (CANTO V, P. 66, OF ORIGINAL REDUCED FROM I0) INCHES By 53) MINOR POETS OF THE CAROLINE PERIOD VOL. I CONTAINING CHAMBERLAYNE’S PHARONNIDA AND ENGLAND’S JUBILEE BENLOWES’ THEOPHILA AND THE POEMS OF KATHERINE PHILIPS AND PATRICK HANNAY EDITED BY GEORGE SAINTSBURY, M.A. OXFORD AT THE CLARENDON PRESS 1905 Y \_) \- { £ Be 4 M.A. HENRY FROWDE, PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON, EDINBURGH NEW YORK AND TORONTO OLIN LIBRARY—CIRCULATION GENERAL INTRODUCTION A GREAT English critic, Mr. Matthew Arnold, and a great French man of letters, Mérimée, though they might not agree in all points agreed in one—in disparaging and discountenancing the study of minor literature. Mr. Arnold’s utterances on the subject (or some of them, for they are numerous and sometimes inconsistent) are probably well known to most readers of this book ; of Mérimée’s, his qualification of the praise which it was impossible for him to refuse to Ticknor’s History of Spanish Literature, with blame for the inclusion of the zzmerus, may serve as a sufficient example. Both are formidable antagonists: and Goethe, from whom it is not im- probable that both derived at least support for their opinion, and who notoriously, in his later days at any rate, held it himself, will seem to most people, no doubt, an antagonist more formidable still. But one of the cardinal principles of literary as of other knight-errantry is that the adventurer is not to be too careful—if he is to be careful at all—of the number, or of the individual prowess and reputation, of his adversaries. The greater and the more they are, the greater his success if he triumphs, the less his discredit if he succumbs— when his case is the right and theirs is the wrong. I have no doubt that in this respect Goethe and Mérimée and Mr. Arnold were wrong. It is not difficult to trace various causes of their error, the chief of which are that all three were in a certain sense disenchanted lovers of Romanticism ; that Romanticism, as it was bound to do by mere filial piety, enjoined the study of a// literature ; and (further) that none of them had any special bent towards literary history. Mr. Arnold regarded all history with an impartial dislike; Goethe probably did not find this kind scientific enough: and Mérimée, though no mean historical student in his own way, was a student of manners, of politics, of archaeology rather than of literature. Yet there can be no doubt that from the point of view of literary history, and not from that point only, the neglect of minorities is a serious, and may be a fatal mistake. It is a mistake which used to prevail in the elder offspring of Clio herself ; but in most of her family it has been long outgrown. There is even at the present day, perhaps, a danger of too much attention being paid to small things—the complaint is all but unanimous that the document is killing the historian. Literary history, however, isa very youthful member of the historical household: it is not, in any fully developed condition, much more than two hundred years old, and its classics are few and disputed. Most of those which could pretend to the (iii) a2 General Introduction position have been constructed on the very principle here attacked ; such a book as Taine’s, for instance, deliberately ignores whole schools, whole periods, whole departments, and is even extremely eclectic and anomalous in its treatment of principals. Yet it surely should not require much argument to show that this proceeding is not only absolutely unscientific, but inartistic in the last degree from one point of view, and perilous to the last degree from another. Even in the sphere of inorganic or inanimate or irrational things no reasonable physicist would care to generalize from a single example, or a few, leaving many unexamined. And the expressions of the human mind and sense in art are infinitely more individual and individually differentiated than chunks of the same rock, or blooms of the same flower, or specimens of the same animal race. Every fresh example may—it may almost be asserted that every fresh example does—give the rule with a difference; and by far the larger number of these differences are at least illustrative. From the confinement of the attention to a few examples, however brilliant and famous, come hasty generali- zations, insufficient exposition, not seldom downright errors. Nor is it enough that the historian, as he too seldom does, should have made an examination, more or less exhaustive, for himself; it is desirable that the opportunity of controlling, checking, illustrating that examination should be in the hands of the student. This opportunity, in regard to the poets now collected, few students who have noteasy access to the very largest libraries can possibly have enjoyed. The invaluable collection of Chalmers—which ought long ago to have been supplemented by a similar corpus for the late eighteenth and early nineteenth centuries—contains a very fair number of mid-seventeenth century poets, but not one of those here presented. Nor has any one of them enjoyed the good fortune— I do not for a moment insinuate that any one has deserved it—of Herrick, who was himself omitted by Chalmers. The best and largest thing here given, Chamberlayne’s Pharonnida, was indeed reprinted by Singer eighty years ago: but his edition is now scarce and dear. Very few of the others have been reprinted at all, and in every case the familiar adjectives just used apply to the reprints where they exist. As for the originals, though the extreme collector’s mania point has not been yet reached in their case, as in that of the books of the period immediately preceding and some (especially first editions of plays) of a later time, yet most of them are exces- sively costly—twenty or thirty shillings, or two or three pounds having to be given for small duodecimos of large print. And what is more, copies are not to be obtained on the asking even at these fancy prices. To collect the texts which we here propose to give would cost anything from twenty to fifty pounds in money, and I really do not think it would be an exaggeration to say that it might cost from twenty to fifty weeks, if not months, in (iv) General Introduction time. And while it is certainly not extravagant to say that most students have neither too much time nor too much money at command, it is not, I think, illiberal to say that at least some collectors who have plenty of both do not exactly collect for the purposes of study, So far, little answer is likely to be attempted ; but there remains a different set of objections to face. ‘Are these things wor/ collecting and reprinting?’ it may be asked—‘Is either the prodesse or the delectare likely to be got from them?’ Nor do I propose to answer this in the lofty manner of some, by saying that knowledge is knowledge, and to be striven for, and imparted, putting all questions of profit or of delectation aside. This (to split the old commendation) may be ‘the most orgilous’ fashion of defence; but it is not ‘the best, perhaps, and it is certainly not the most prudent, especially as there are divers others. The importance of the matter here given for the proper comprehension of English literary history is really great. It may be best classed and indicated under three heads, those of Versification, Diction, and Subject. In Versification, the poems here set before the reader, being mostly in rhyme, do not illustrate one of the main features of their period, that disintegration or disvertebration of blank verse which the contemporary plays display so remarkably. But their exposition of the rhymed couplet of the period comes very close to this: and indeed, as contrast-pendant, practically forms part of the same subject. We give here, in the forefront of the book, the greatest poem, in bulk and merit alike, which was ever written in this particular form of heroic: and the special /ztroduction to Pharon- nida will be found to contain some further remarks on the matter. It is sufficient here to say that what this poem shows on the great scale many others show more or less:—the conflict of the two principles of ‘stop’ and exjyambement which goes on everlastingly in this province of English Prosody. When the couplet? first ‘emerges from the heap’ (to use Guest’s excellent but for himself rather damaging phrase on a more general point) its examples are almost necessarily ‘stopped ’—as in the Orison of Our Lady, in Hampole and elsewhere—because the fact of the writer having no more to say in the space almost of itself determined his limita- tion to ten feet. But when Chaucer first took it up as a poetic medium and vehicle on the great scale, his genius could not fail, whether consciously or not, to discover the double capacity of the metre. He has sometimes been claimed as a great exemplar of enjambement; but as a matter of fact he is quite as great a one of the stopped couplet when he chooses: and neither Dryden nor ' These remarks, necessarily made here obtter, the writer hopes to develop in a History of English Prosody, on which he has been for some time engaged. The observation is made simply to guard them against the supposition of being idle or random dicta. (v) General Introduction Leigh Hunt could have been under the slightest difficulty in learning from him and quoting from him examples of the form which each preferred. The remarkable instances of ‘ clench’ and ‘stop’ which are found in Mother Hubberd’s Tale could escape no careful reader of Spenser: and those who like to discover literary anticipations and ‘false dawns’ have had no difficulty in finding many others in Elizabethan poetry. In particular, those final couplets of Fairfax s stanzas which had such a great influence on Waller and his followers, necessarily take the stopped form asa rule, and sometimes equal in emphasis anything in Pope himself. But the dramatic model of the rhymed couplet, very frequently used and never quite expelled by blank verse in its palmiest days, as necessarily inclined to overlapping : and both the pregnancy of thought and the rather undisciplined exuberance of Jacobean and Caroline times favoured the same tendency. This, undoubtedly, caught or lent contagion from or to the other tendency to licence in blank verse itself. The sliding, slipping flow of Wither and Browne was consequently most alluring, in decasyllables and octosyllables alike: and for some time very few writers even tried to resist the allurement. Chamberlayne himself, and Shakerley Marmion earlier, are the chief of not a few who have displayed the sin and its solace. There is indeed no doubt of either. Hardly any metrical device so well deserves the hackneyed praise of ‘linked sweetness long drawn out’ as these verse-paragraphs, punctuated by rhyme as well as pause, when they are successful. Nothing so well enables us to understand Milton’s otherwise almost unintelligible wrath with the rhyme he had managed so exquisitely as the same paragraphs, or rather paragraph-heaps, when they are not successful. And the odds are undoubtedly rather against their succeeding. Even Keats, a greater poet by far than any one here presented, and endowed with a miraculous finger for poetic music, cannot always— cannot very often—keep them straight or curl them satisfactorily. They encourage themselves by their own transgression: the poet who drinks of them will almost certainly drink to excess. And there is nothing for it, as Keats himself found, but one or other of the astringent antidotes which Milton and Dryden respectively applied. Yet, as we have seen in the nineteenth century, from Keats himself to Mr. William Morris, poetry will turn to them, and will not be denied the indulgence. Nay, there is the curious fact that, after Keats had discarded the decasyllabic exjambement of Endymion, he fell back upon the octosyllabic exjambement of the £ve of St. Mark, and would obviously have done great things in it had he had time. It is, therefore, by no means an unimportant thing, in the interests of the history of English Prosody and of English Literature, that the documents of this period of unbridled overlapping should be put completely within the reach of the student and reader :—first, that (vi) General Introduction he may understand and appreciate them in themselves; secondly, that he may understand and appreciate the reaction against them ; thirdly, that he may understand and appreciate the new reaction to something like them more than a century later. They have a great deal to teach us; they are a ‘source’ or a main part of one; they cannot be dismissed, except by the most short-sighted impatience, as things dead and obsolete. The newer tendency to extend the view of literature laterally, and take in what other nations and other languages are doing, is valuable and to be encouraged, but not at the expense of retrospection and of the maintenance of continuity in the study of particular literatures. Nowhere is it truer that the thing that hath been shall be than in this field: nowhere are the ancestral heirlooms—less as well as more precious—to be more carefully treasured and looked up from time to time. The other points chiefly noticeable in regard to Versification are two—the practice of irregular ‘ Pindaric’ metres, and the peculiar tone and colour of the ‘common measure’ and the quatrain of eights. The popularity of Cowley was sure to encourage the practice of the first, but Cowley’s own addiction to it was, of course, only an instance, not a cause, of the general fondness for it. This fondness was also itself, no doubt, but a sort of evidence of discontent or want of skill with previously popular metrical arrangements, like the restless liberties taken with the Spenserian stanza by poets from the Fletchers to Prior. We have nothing of the very first excellence to promise in this form—nothing like the best of Crashaw or of Vaughan—certainly nothing equal to that splendid anonymous piece + which Mr. Bullen discovered in the Christ Church Library. But it must be remembered that Cowley himself is by no means invariably or even very often successful with it, and that its apparent promise of numeros lege solutos is the most treacherous and dangerous of deceits. The poet (or perhaps hardly the poet but the verse-writer) thinks he has got rid of an incumbrance, when he has in reality thrown away the staff that supports his steps and the girdle that strengthens his loins. Only masters of euphony and harmony can really triumph with these irregular arrangements which require such a transcendental regularity. Nay more, we know from the remarkable example of Tennyson’s early verse, and its effect on Coleridge, that the very masters themselves cannot always appreciate others’ mastery in it. So that, in our range of sixty yearsand more from Patrick Hannay to Ayres, we shall not see many successes here: yet the lesson of their absence will not be idle or superfluous. But the third and last general metrical ‘ colour’ of this verse is the most satisfactory ; it is indeed one of the principal evidences in English poetry of the almost incomprehensible blowing of the wind of the spirit in a particular direction for a certain space of time. Whether it was the special accomplishment of Ben Jonson, the 1 ¢Vet if His Majesty, Our Sovereign Lord,’ &c. (vii) General Introduction greatest single tutor and teacher of the verse of the mid-seventeenth century, or whether this accomplishment itself was but the first and greatest instance of a prevalent phenomenon, it would be uncritical rashness to attempt to decide. But what is certain is that the new, the wonderful, the delightful cadences which we find in such mere anonymities as— Thou sent’st to me a heart was crowned, I took it to be thine: But when I saw it had a wound I knew that heart was mine. A bounty of a strange conceit ! To send mine own to me— And send it in a worse estate Than when it came to thee! or in Marvell’s magnificent— My love is of a birth as rare As ’tis, for object, strange and high— It was begotten by Despair Upon Impossibility. meet us often here, even in the warblings of the mild if matchless muse of ‘Orinda.’ Some of course will say, according to their usual saying, that it is the thought which is charming in both these —that it is the Caroline conceit, not the Caroline cadence, which is so bewitching. Let us distinguish. The thought, the conceit, is caressing: but it would be perfectly possible so to put it that it should not have this rushing soar, this dying fall ; and it would not be very hard to get the soar and fall with much less fantastically gracious fancies. In fact, we should have to go to these very Carolines to borrow them. Nobody, except by imitation, has got it since; nobody had it before. It is only when one appreciates it that it becomes evident how some of those thus gifted managed also to strike out (quite casually it would seem) the matchless /z Memo- viam variation of eights, which also dates from this time, and which carries its own music so indissolubly bound up in it that only violence, or dulness unspeakable, can effect a divorce between them. If these notes—not exactly wood-notes but notes of a slightly sophisticated yet exquisitely tempered society—came first into existence a little before the accession of the first Charles, they hardly survived the death of the second, under whom very worth- less and unpoetical persons still, in some strange fashion, were able to produce them, while later, very respectable and even poetical persons were unable to produce them at all. We shall not, indeed, find any of the very best examples of them here; those very best examples are so irresistibly and so universally charming that they have, in almost all cases, long ago served as passports to at least the modified general knowledge given by anthologies. I can promise (viii) General Introduction my readers no Herrick, nor even any Sedley or Aphra Behn. But the purpose of the collection will be fully attained by showing that in lesser degree, the gift prevailed:—that even the minor poet had it, that it was an appanage and a privilege not of the individual but of the time. Not until such points as these have been mastered— with the result and reward of being able to distinguish what is of the time and what of the individual—is a real grasp of the history of literature and especially of poetry possible. The process corrects at once the extreme determinism of the Taine school, and the extreme individualism which will not look at filiations and groups and milieux at all; it turns the student, if he will be turned, into a scholar who can appreciate, and a lover who can understand. In point of Diction the authors here given add a good deal to the word- and phrase-book of the period; and I have thought it worth while to draw attention to some of these additions in the several Introductions, and to all the more remarkable ones in the glossarial notes. The general tendency is double: and the evidences of this duplicity are perhaps more striking than those in most of the better known poetry of the time, though not more so than those in its slightly more accessible, but not really much more generally read, drama. One set is in the direction of a sort of new ‘aureate’ diction—of ‘inkhorn terms’ corresponding to those of which the mighty chief of contemporary prose-writers, Sir Thomas Browne, is so prodigal. Chamberlayne, though not quite so lavish of them, is a thorough contemporary of Browne’s in his ‘enthean’ and his ‘astracisms.’ But, as is well known, all Jacobean and Caroline writers, from Bacon and Greville to Thomas Burnet, succumb to this temptation, the indulgence in which was no doubt a main cause of the imminent reaction to ‘a naked natural way of speaking, though some of the greatest men on that side, notably Dryden, never quite relinquished their fondness for ‘traduction’ and the like. This indulgence is certainly more pardonable in poetry than in prose, where also it is not unpardonable to some tastes; it only becomes so when (as, it must be confessed, often happens) it is either pushed to the verge of the burlesque in itself or associated with grotesque and vernacular locutions. Benlowes is a particular offender in this way ; but it can hardly be said that any one of the Caroline minors is entirely to be trusted to escape the danger and the offence. Yet the better of these zzws’tata may be regarded with a little affectionate regret by those who hold that in language, as elsewhere, the old motto ‘keep a thing, its use will come’ has its value ; and that it is hardly possible for any tongue to be too rich or too hospitable provided only its treasures or its guests do not underlie the reproach of barbarism. There is a charm in such a phrase as ‘ the epact of the heart’ which none but word-lovers and thought-lovers know. The other tendency connectsitself forwards rather than backwards 1 In the anonymous song, ‘ Why should I wrong my judgement so?’ (ix) General Introduction in respect of development, though one of its sources is to be sought in an earlier age. It is the indulgence in familiar and slovenly forms of speech which grew upon writers during the later years of the seventeenth century, and against which Swift, at the beginning of the next, delivered his famous onslaught in the Za¢ler. This, as has been said, is particularly painful when it is found in close proximity to the ‘aureate’ phrases just discussed; but its worst instances possess an offensiveness which is independent and intrinsic, and which is perhaps the great drawback to the enjoyment of this poetry. These take the most slipshod conversational contractions —not merely such as ‘they’re’ for ‘they are,’ and ‘she’s’ for ‘she is, but such as the horrors, now luckily obsolete even in conversation, of ‘do’s,’ not for ‘does’ but for ‘do his,’ ‘th’ castle’ for ‘the castle,’ ‘b’ the’ for ‘by the,’ and the like. In some cases, of course, a mere slur of the voice will get over the difficulty: but in many it will not. And the result is then one of the most jarring grains of sand between the teeth, one of the most loathsome flies in the ointment. Some of the passages where it occurs are utterly ruined by it ; there are none, I think, where it is not a more or less serious draw- back to the poetic pleasure. It is noticeable more or less in all the poets of the time except Milton, whose ear saved him, almost if not quite invariably, from anything that cannot be resolved into a toler- able trisyllabic foot: and it continued for a long time after our strict period. Even Dryden is not proof against it, in the verse of his plays, though he too was kept by his genius from often (not from sometimes) committing it in his strictly poetic verse. Of the others, persons not represented here as different as Crashaw and Marvell, persons represented here as different as Chamberlayne and Benlowes, are almost indiscriminately guilty of it}. This always uncomely and sometimes hideous and horrible fault was at least partly due to a wrong theory, not of Diction itself but once more of Versification—to the strange delusion (first put into words by Gascoigne, who laments what he thought the fact thirty or forty years before the beginning of our time, and finally formulated by Bysshe twelve or fifteen beyond the end of it) that, either universally or inall but a very few trivial song metres, English prosody admitted of nothing but disyllabic feet. It was to get back the ten syllables into the heroic line, the eight into the ‘short’ line (as Butler calls it) and no more, that these abominable Procrustean tortures were committed. It is possible—the contrary may seem indeed zypossible —that the fantastic combinations of consonants sometimes produced, were not intended to be pronounced as they are printed—that, as was observed above, a saving slur was allowed. But in some cases at least no sleight of tongue with the actual syllables is itself possible: the verse simply cannot be made euphonious by any acrobatism of 1 It is to the credit of ‘J. D.,’ the introducer of Joshua Poole’s English Parnassus, that he protests against mere ‘apostrophation,’ as he calls it. (x) General Introduction pronunciation. And it is not surprising that, in order to get rid of it, Dryden tended more and more to the rigid decasyllable, with an occasional indulgence in the complete Alexandrine when he could not suit himself with lessroom. Never till Shenstone, and then only by a kind of timid suggestion, was the ‘dactyl’ (of course it was not as a rule a dactyl at all) allowed back into English heroic or blank verse ; and during this period of proscription there was practically no alternative between inconvenience and cacophony for those poets who were not consummate masters. Hardly one of ours deserves that grudgingly-to-be-allotted description, and accordingly they nearly all succumb. Yet again, there is special interest of Subject about not a few of the poets and poems here given ; and this has not, like the others, been in any great part anticipated by previous collections and editions. Of the ‘Heroic Poem’ on which the mind of the late sixteenth and the whole of the seventeenth century was so much set, only Davenant’s Gondibert, the most popular example doubtless of the kind at its own time, has been hitherto accessible with any ease ; and Gondibert, though the most considerable English piece save one in bulk, has the disadvantage of having been written by aman who is not single-minded in his ideas of poetry, who with much of the actual has more of the coming taste and fashion. Here we give, not only Pharounida the queen of the whole bevy, but some others, of much less merit and importance no doubt, but still constituting a body of evidence and not a mere isolated example. Of the kind itself something is said in the /utroduction to Chamberlayne’s romance: but something more may fitly, and almost necessarily must, be said here. It is, for the reasons just now hinted at and others, not at all a well-known kind; and with all the abundance of monographs—German, American, and English— on English Literature which the last few decades have seen, no one has yet summoned up courage to take it with its analogues, the ‘Heroic Prose Romance,’ and the ‘ Heroic Play,’ for thorough and synoptic treatment. Except in cases which break through and above its limitations, such as Milton’s Paradise Lost, which, be it “remembered, takes to itself the actual style and title’, or as Cowley’s Davideis, it is a kind which incurs the familiar dangers of sitting (or attempting to sit) on two stools. Starting from the theory and practice of Tasso, who wished to effect a modus vivendt between the Virgilians and the partisans of Ariosto, and from the doctrine of Scaliger that the Aethiopica of Heliodorus was a perfect prose epic, writers, first in Italy and Spain, then in France, and almost contemporaneously in England, endeavoured to secure the variety, the freedom to some extent, and the sentimental and story- telling attractions of the Romance, with something of the majesty, unity, and prestige of the Epic. They very seldom achieved these 1 At the close of the prefatory note on ‘ The Verse.’ (xi) General Introduction latter; and if like Milton they did, it was almost necessarily at the cost and to the neglect of the former. The smaller ‘ Heroic’ poems are often mere narrative love-pieces, scarcely more than lyric in appeal, though unwisely divesting themselves of the lyric charm in form. But Pharonnida is much more than this, and though, no doubt, the versification and the diction subject it to risks which need not necessarily have been run, yet, to some extent, the Heroic Poem might not do unwisely to choose Chamberlayne as its champion. At any rate, the greater and smaller examples here presented will supply materials for information and judgement on two points of literary history and criticism, neither of which is without very considerable interest and importance. In the first place, we have here a definite species (or chapter) of the general class (or history) of Verse-Narrative. This, even in ancient times, had some difficulty in subjecting itself to the rigid theory of Epic Unity. The /iad obeys this pretty fairly—which is the less wonderful inasmuch as the theory was certainly deduced from the //ad, if not from the //zad alone. But the Odyssey and even the Aeneid have to take the benefit of all sorts of subterfuges in order to comply with it: and disastrous as is the shipwreck of ancient epic generally, we can see from writers like Nonnus on the one hand and Statius on the other, that orthodoxy was by no means universal if it was even general. Mediaeval verse knew nothing of it, and the mighty genius of Ariosto flouted it unceremoniously not to say wantonly. An intending verse tale-teller, in the middle of the seventeenth century, might well ‘not know what to think of it’ even in face of Tasso and Spenser, much more of Marini and Chiabrera and the French ‘long poem’ writers from Ronsard to Chapelain. Either because of such bewilderment, or for other reasons, he generally fortified himself with certain things; a punctilious extravagance of sentimental interest, often suggesting the tone of the Amadzs cycle; a curious nomenclature of a rococo-Romance kind which has perhaps some indebtedness to the same source; intricately and almost violently entangled adventures, revolutions, discoveries, and the like. In many cases it seems to have been more or less a chance whether he wrote in prose or in verse. In fact (and this brings us to the second point), the kind supplies another important link or chapter in the history of Fiction generally. Very much of it, one might almost be sure, would not have been written in this form if the prose-novel had taken forms more definite and variously available. And yet it is necessary to repeat the ‘almost.’ For the verse-novel itself, we must remember, has made its appearance as late as the nineteenth century in some very notable examples in English. It may almost claim Sordello and The Princess ; it may quite claim Festus, and Aurora Leigh, and Lucile and Glenaveril. If Mr. William Morris led verse-narrative (xii) General Introduction back to more natural ways, it does not follow that it will always abide in them. At any rate, here are examples—little known, not so little worth knowing,—of one of the forms which it has taken in the past of English poetry and English literature. That this form has been much neglected hitherto is certainly not a reason for continuing the neglect. It certainly zs a reason for repairing it in the most important point, the provision of the actual materials for study. To these considerations of direct interest and importance, from the point of view of the history of literature, there remain to be added some of an indirect kind. Most, though not all, of the writers here reprinted were forgotten during the eighteenth century ; but some at least of them were of note in the seventeenth, and more than one has been a power of this or that moment during the last hundred years. The influence which they—or rather the spirit which they exhibit—exerted upon Dryden has sometimes been exaggerated, but more generally over- looked: and itis a matter of real and great importance. It is not merely that he mentions ‘ Orinda’ with admiration! and Cleveland with contempt?; nor that he confesses, in somewhat other but closely allied matter, how conceit and bombast and ‘alembicated’ metaphysicalities for a long time were the Delilahs of his imagina- tion®. It is not merely that the Lines on Lord Hastings are in existence to show that he could as a boy out-Benlowes Benlowes and out-catachresis Cleveland himself. From these first puerilities to those almost last and almost noblest lines where he addresses— [The] daughter of the rose, whose cheeks unite The differing titles of the Red and White, he is the servant of misguiding or rightly guiding fantasy—a fantasy at the worst the by-blow and bastard of older Furor Poeticus, at the best its Jegitimate offspring. It is this quality which differentiates him from the mere prose-and-sense versifiers, and which is so unfortunately missed by those who cannot appreciate him because they appreciate Milton, just as others cannot appreciate Keats because they appreciate Byron. And our poets are almost the last, except a few well-known exceptions, for a hundred years, to show the constant presence of this will-o’-the-wisp which does not always lead astray, and which is at any rate better than darkness, and perhaps than common daylight. So, too, how appreciate the justice (in this case one may be frank enough to say the injustice) of Mac Flecknoe, when the songs that Flecknoe actually sang are more unknown than those to which Browne (forgetful of Seip’ dye viv and its music) made the famous reference? How apportion the 1 In the ‘Anne Killigrew’ Ode, viii. 162. 2 In the Essay of Dramatic Poesy. 3 Dedication of The Spanish Friar. (xiii) General Introduction office of the true critic and that of the mere satirist in Butler without having 7heophila before us? How fully comprehend the to us rather incomprehensible wrath and ridicule with which Addison and others pursue the childish, but not wholly unamiable, practice of making verses in the shape of altars, and candle- sticks, and frying-pans, without a full collection of the original offences ? The other source of interest referred to is less equivocal. There is no doubt that some of these seventeenth-century writers were extremely influential in the Romantic Revolt of the nineteenth. They could not but be so, inasmuch as they were precisely the persons against whom the neoclassic poets—the ‘school of prose and sense ’—had themselves revolted. The poetic blood of these old martyrs was the necessary seed of the new Church, and not only the seed but the fostering soil and the kindly fertilizer. That Keats must have had direct obligations to Pharonnida has never been matter of doubt since people began to study Keats scriously ; but there is fair reason to believe that he knew others of our collection. One ceases to think his famous and very ugly rhyme of ‘favour’ and ‘behaviour’ a mere cockneyism, when one finds it in Shakerley Marmion. Not, of course, that it may not be found elsewhere, but that both in subject and execution Cupid and Psyche is exactly one of the poems which Keats is most likely to have read, enjoyed, and followed. Southey’s relish of Paronnida is cited in the proper place, as is Campbell’s, which caused, more surprisingly to those who know Jeffrey only at second hand, Jeffrey’s. Sir Egerton Brydges, whose influence was much greater than is perhaps now generally appreciated, paid much attention to the writers of this time and class in the Cenxsura Literaria: and the invaluable Retrospective Review did what it could to reintroduce them, whilst Singer, if he had met with more encouragement, would probably have reprinted more of them than he actually did. No one can mistake —as a result no doubt not of any ‘ plagiarism’ nor even of following in the sense too commonly understood by the collectors of parallel passages, but of kindred in spirit,and perhapsofactual familiarity —the resemblances to the poetry of these, as of other seventeenth-century men, which are found in early nineteenth-century poets like Beddoes and Darley, not to mention the ‘Spasmodics’ and other outlying groups or individuals. It is impossible to imagine a better antidote or alterative to Blackmore and Glover than Chamberlayne ; to the average minor poet of the eighteenth century than Benlowes or Katherine Philips or even Philip Ayres. Even the extremest minority is worn with a difference: and with a difference which is still agreeable and refreshing. ‘Agreeable and refreshing.’ Dulce refrigerium! It sounds better in Latin, though the sense is pretty exactly the same: and the Latin phrase at least expresses the charm of these writers perhaps as well as any that could be (xiv) General Introduction invented. There is no need to relinquish a jot of the pedagogic or, if the shibboleth of the day be preferred, the ‘ scientific’ arguments and claims just advanced ; but in a matter of art, and especially of poetical art, they can never be quite victoriously decisive. ‘Is the delight here?’ is a question which anybody has the right to ask at any moment, and it moves the case into another court. But there is no difficulty in giving the affirmative answer though, of course, that answer must itself be subject, like all such, to the yet further, and in this case final tribunal of individual taste. Some people will not like even Chamberlayne, much less Benlowes and the rest ; it has even been admitted that they can find reasons for not liking, if they choose to seek them. But it must be remembered that in Art, and especially in Poetry, the potency of the negative and the potency of the affirmative in replies to this question are utterly different in weight and scope. The negative is final as regards the individual ; Ze has a right to dislike if he does dislike, though there may be subsequent questions as to his competence. But it is not in the least final as to the work in question. It is (let it be granted) not good for Az; it does not follow that it is not good in itself. Now the affirmative carries with it results of a very different character. Zhzs is final in regard to the work as well as to the reader. That which should be delectable has delighted in one proven and existing case : and nothing—not the crash of the world— can alter the fact. It has achieved—though the value of the achievement in different cases may be different. From this point of view, few of the poets now presented need fall back on the mere scholastic-historic estimate: though one or two may have to do so. Puzzling as it may be to extract and define the essence of the charm which is found in almost every page of Chamberlayne and which is not so rare elsewhere, the examples already referred to will show that that charm itself has been felt by persons whose competence is too certain, and whose idiosyn- crasies are too various, to permit the poohpoohing of it as an effect of, crotchet, or engouement, or simple bad taste. The fact is that it is as genuine as it is elusive, and almost as all-pervading as it is sometimes faint and felt from far. If it can be explained in any way it is by the constant presence of the worship of Imagination, and of the reward which Imagination bestows upon even her most mistaken worshippers. Sometimes they are mistaken enough; they confuse their Goddess with a Fancy which is not even ‘Fancy made of golden air’ but an earthy Fancy bedizened with tinsel. But the better Fancy is only Imagination a little human- ized, and even the worst has something not quite alien from the divine. As we come closer to the confines of the period, it is most curious to see the last flutters and flashes of the wings of this Fancy as she takes her leave in such things as Ayres’s Fair Beggar, and his Lydia Distracted. Earlier, she is always with us, (xv) General Introduction and Imagination herself not seldom. There are who like not these for companions, no doubt ; for those who do, let us cut short this ushership at once and allow the music to begin}. GEORGE SAINTSBURY. 1 Nore To IntRopuction. The principles of editing which have been adopted can be very shortly set forth. In all cases, whether the texts have been set up from reprints, as in a few cases, or from the originals, as in most, they have been carefully collated with these originals themselves and all important variations noted, and where necessary explained. The spelling has been subjected to the very small amount of modernization necessary to make it uniform with the only uniformity which is at all possible. At this time no texts were printed with very antique spelling, and some pre- sent for whole pages nothing that is not modern, except an occasional capital Initial. A very few readers might prefer the reproduction of anomalous and contradictory archaisms ; but these would certainly repel a much larger number, and interfere with the acquaintance which it is desired to bring about. With regard to punctuation, the fantastic and irregular clause- and sentence-architecture of the time hardly admits of a strict application of any system. This is partly remedied, or at least recognized, in the originals by an extremely liberal use of the semicolon, which has been generally re- tained, except where meansof improvementare obvious. Glossarial notes have been added where they seemed necessary or very desirable, but with a sparing hand ; and notes, explanatory of matter, with a hand more sparing still. The object constantly kept in view by the editor has been the provision, not of biographical, bibliographical, or com- mentatorial minutiae, but of a sufficient and trustworthy text for the student and the lover of literature. (Unforeseen and unavoidable circumstances have hitherto prevented the accomplishment of the collation of Hannay. TI trust to complete it shortly and to give the results, if any, in Vol, II.—G, 8.) (xvi) CONTENTS PAGE GENERAL INTRODUCTION ; s é ‘ é ‘ ‘ dil WILLIAM CHAMBERLAYNE ‘ ; és ‘ ‘ 4 i . I Introduction. ‘ ‘ : ‘ F ‘ ‘ ‘i ‘ ‘ 3 PHARONNIDA. Dedication, &c. . ; ‘ ‘i i 5 ‘ . 14 Book I 6 ‘ , ‘ : e . 3 r ji ‘ « IF Book II. : ‘ 2 we hy ‘ ‘ ‘ ‘ ‘ » 73 Book III . : ; 4 : ‘ : é é ‘ ; . 124 Book IV . é : ‘ é ; : i 5 : ‘ . 181 Book V_ . A : : . : ; . e z ; + 237 ENGLAND’S JUBILEE . ; A ‘ ‘ . . 4 3 » 296 EDWARD BENLOWES. p ‘ ; ‘ ‘ j , j + 305 Introduction. ‘ : 5 ; ‘ : ; ; ; . 307 THEOPHILA. Preface, Commendatory Poems, &c. . : : » 315 The Prelibation to the Sacrifice. Canto I . ; ‘ ‘ » 335 Theophila’s Love-Sacrifice. Summary, &c. . ‘ : : + 342 Canto II. The Humiliation . ‘ : ‘ ‘ : » 346 Canto III. The Restoration % ‘ : 5 : : » 353 Canto IV. The Inamoration . . ‘ ‘ . i : 361 Canto V. The Representation.. 3 ‘ ‘ ‘ . 368 Canto VI. The Association 2 ‘ ‘i ‘ é ¥ » 375 Canto VII. The Contemplation . 2 ‘ ' : ; . 382 Canto VIII. The Admiration . . 389 Canto IX. The Recapitulation. (Hecatombe IX. Recapitulatio) 397 Prelibatio ad Theophile Amoris Hostiam. Quz unica Cantio a Domino Alex. Rosseo in Carmen Latinum conversa est. Cantio I . 2 ‘ 3 ‘ é ‘ i é . . 409 Theophilz Amoris Hostia. Cantio III. Latino Carmine donata. Restauratio . , ‘ ‘ , ‘ ‘ 2 ‘ : » 417 The Vanity of the World é ; ‘ ; ‘ ‘ 5 » 424 Canto X. The Abnegation . : 3 : ; ; ‘ » 426 Canto XI. The Disincantation . % , ‘ , 7 » 433 The Sweetness of Retirement. Canto XII. The Segregation » 445 The Pleasure of Retirement. Canto XIII. The Reinvitation . ort Theophilza Amoris Hostia. Cantio VII. A Domino Jeremia Colliero in versus Latiales Traducta. Contemplatio d . 464 THE SUMMARY OF WISDOM. 5 : : 5 ; ‘ . 473 A POETIC DESCANT UPON A PRIVATE MUSIC-MEETING ; . 482 ( xvil ) b Contents KATHERINE PHILIPS. . Introduction : Preface and Caniimendatony Posnis The Table POEMS . ‘ : : ‘ Appendix. Songs from Pompey PATRICK HANNAY Introduction PHILOMELA. Commendatory Poems, &c. . Philomela, the Nightingale SHERETINE AND MARIANA. Dedication, &c, Canto I Canto II ‘ A Happy HUSBAND Dedication, Commendatory Poets, &e, . A Happy Husband: or, Directions for a Maid to lings her “Mate ELEGIES ON THE DEATH OF OUR LATE SOVEREIGN, QUEEN ANNE, WITH EPITAPHS SONGS AND SONNETS . ( xviii ) PAGE 485 486 490 504 507 610 613 615 616 621 643 645 659 675 677 680 695 709 Pharonnida: HEROICK POEM. BY WILLIAM CHAMBERLAINE Of Shafesbury in the County of Dorcet, "Tone Yuden wohAd ARyad trupotow Oblate Hom. Oayff. Lib. XIX, LONDON, Printed for Robert Clavell atthe Sign of the | Stags-bead neer St. Gregortes Church in St. Pauls Church-yard, 1 68 9. ‘ewmmeson: [Two vols. in one of 258 and 215 pp. respectively. The print and leading of these is quite different, the first having small type and thirty- four lines to the page, the second a larger letter and twenty-six or. twenty-eight lines. ] INTRODUCTION TO WILLIAM CHAMBERLAYNE THE extreme scantiness of our biographical knowledge ! of the author of Pharonnida has not, even in recent or comparatively recent years, been compensated by any fullness of critical or general acquaintance with his works, He was even more unfortunate than Herrick as regards the time at which he came and his chances of popularity: and his kind of work was a great deal less likely to recommend itself to future generations. That the original edition is very rare indeed, and that Singer’s reprint eighty years ago was published in no very great numbers, and is now far from common or cheap, are facts which no doubt have had a good deal to do with the general neglect: but criticism is not quite blameless in the matter. That Langbaine should have seen nothing in Paronnida is indeed itself nothing ; if there ever has been anything which may possibly have ruffled the smoothness of Shakespeare’s brow since his death, it must have been Langbaine’s admiration. That the eighteenth century should have left our poet not contemptuously but utterly alone is not wonderful : for his system of versification is simply anathema to the orthodoxy of which Bysshe was the lawgiver and which Johnson did not disdain to profess. Southey, who read Pharonnida early and might have been expected to like it, has indeed left a pleasant tribute ®. But the author of an elaborate and useful argument, with extracts, in the Retrospective Review *, which no doubt served as shoehorn to draw on Singer’s reprint, gives very little criticism, and that little by turns extravagant and grudging. I have myself a very great admiration for Chamberlayne, but I fear I could not, except 1 It is practically limited to what can be found in the prefatory matter of his poem, with a very few external contributions—as that he was born in 1619; practised as a physician at Shaftesbury; died there on Jan. 11, 1679, and was buried; his son, Valentine, putting up a monument to him. Pharonnida appeared (London: R. Clavell), with a portrait (?generally absent), in 1659. The tragi-comedy of Love's Victory, which accompanies it in Singer’s reprint, but (as a play) is not given here, had been published the year before, and was reprinted in 1678, with alterations, as Wits Led by the Nose, a title not obviously applicable. At the Restoration, Chamberlayne published a short poem of some interest, England's Jubile(e], which has never, I think, been reprinted, but which is given at the end of Pharonnida. 2 In a note to The Vision of the Maid of Orleans (Poems, one vol. edition, p. 79), he gives a considerable extract from Pharonnida’s remarkable dream in Book I, Canto v, and speaks of the author as ‘a poet to whom I am indebted for many hours of delight.’ But even he, while acknowledging ‘an interesting story, sublimity of thought, and beauty of expression,’ excepts against ‘the uncouth rhymes, the quaintest conceits, and the most awkward inversions.’ 3 I, pp. 21-48, with a further article on Love's Victory, pp. 258-71. (3) B2 William Chamberlayne as regards the inequality, say that ‘his main story is carried on with deep and varied interest and developed with great but unequal power,’ or grant ‘individuality’ to ‘the character of Almanzor.’ On the other hand, to speak of the ‘involved and inharmonious’ diction, and still more of ‘the poverty and insignificance of the rhyme,’ is as excessive in the other direction, though it may not be utterly untrue: and the remark about the rhyme in particular shows that the critic had not grasped Chamber- layne’s system. We can come together again on ‘richness of imagery,’ ‘impassioned and delightful poetry,’ &c. The first person to do some real justice to Pharonnida was Campbell in his Specimens, which again give not much criticism and chiefly praise the story—the weakest part—but provide admirable selections, the perusal of which stirred Jeffrey himself to admiration and desire for more. Of late years things have been better’, but even yet the poem is far too little known, and the hope of extending the knowledge of it was one of my main motives in suggesting and planning this edition. The points of interest from which Pharonnida can be regarded are neither few nor unimportant. In the first place it is, with Davenant’s much better known but far inferior Gondzbert, the chief English example of that curious kind the ‘Heroic poem’—the romanticized epic which, after the deliberations of the Italian critics and the example of Tasso, spread itself over Europe in the late sixteenth century and held the field for the greater part of the seventeenth. With something of the late romance of the Amadis type in it, this poem had a good deal of intended reference to the Aenezd ; but perhaps linked itself most of all to the prose Aethiopica of Heliodorus, which attracted great attention from the Renais- sance and had been pronounced by Scaliger himself the model of a prose epic. The resemblance, indeed, between Paronnida and the type of the Greek romance generally is very strong—in the prominence and persistent persecutions of the heroine, in the constant voyages and travels, alarums and excursions, ambushes and abductions, and, it may be added, in the very subordinate position of Character. Indeed Chariclea and some of her sisters are much less open to Pope’s libel than the good Pharonnida and the bad Amphibia of our poem. An even greater attraction to some readers is its position at the very end (indeed, in a sort of appendix to the great volume) of Elizabethan verse, in conception, in versification, and in phrase. Like the whole body of this verse, from Spenser downwards, it is of imagination (or at worst of fancy) all compact: the restraints of prose and common sense are utterly alien to it. Its author has passed from the merely ‘conceited’ ‘ Mr. Gosse in From Shakespeare to Pope did, perhaps, most to draw attention once more to Chamberlayne. (4) Introduction to the ‘metaphysical’ stage; and if his excursions into the az dela do not reach the sublimity or the subtlety of Donne, the flaming fantasy and passion of Crashaw, they leave very little to desire in their fidelity to the Gracianic motto Ex Wada Vulgar. The immense length of his verse paragraphs (to be referred to further) is closely connected with this intricacy and excursiveness of thought, and so no doubt, at least according to the present writer’s idea, is the ‘impassioned and delightful’ poetry. But so also is the extreme incoherence not merely of the story as a whole, but, and still more, of its component incidents and episodes. It is, of course, impossible not to think of Sordel/o in reading it: and I should say myself that the poem which has rather absurdly become a proverb for incomprehensibility in the proper sense of the word, is much the more easily comprehensible of the two. Mr. Browning’s thought pursues the most astonishing zigzags and whirligigs and shifts, but it is solid: and you can, if you are nimble enough, keep your clutch on it. Chamber- layne’s constantly sublimes itself off into a kind of mist before making a fresh start as a solid, at quite a different point from that at which it was last perceived in that condition. So, too, with the versification. Although it is, of course, quite possible to trace the stopped and stable couplet, not merely in drama but in narrative and miscellaneous poetry, from Spenser and Drayton and Daniel downwards, the general tendency of the Elizabethan distich had been towards an undulating eajambement, and this had grown much stronger, both in octosyllable and decasyllable, with strictly Jacobean poets like Wither and Browne. But Chamberlayne serpentines it to a still greater extent. Indeed, it is impossible not to discern in him something akin to that extraordinary unscrewing of blank verse itself which is noticeable in his dramatic contemporaries, and which might have disvertebrated English verse altogether if it had not been for the tonic, in different forms, of Milton and Dryden. The ‘poverty and insignificance’ of rhyme, on which our Retrospective friend is so severe, are of course deliberate. The rhymes are intended, not as a stop-signal at the end of the couplet, but as an accompanying music to the run of the paragraph. Unfortunately the possession of this accompaniment is too likely to dispense a poet from that attention to varied pause, and to careful selection of value in individual words, with which the blank verse paragrapher cannot dispense if he is to do anything distinguished. It would be interesting if one could know whether Milton ever heard of Pharonnida, but I think I do know what he would have said of it. It is not insignificant that his nephew Phillips, while mentioning the unimportant Aodert Chamberlain, says nothing about William in a tale of Caroline poets which descends to ‘ Pagan’ Fisher and Robert Gomersal. But, for all its dangers and all its actual lapses, it (5) William Chamberlayne makes a medium frequently delightful even if we had not Lxdymion, and more, not less, seeing that we have that. It is in his diction, using that word widely to include composition and grammar, that Chamberlayne’s state is least gracious. His ugliest fault he shares with most of his contemporaries, even with Dryden occasionally, and it is so ugly that it constitutes perhaps the most serious drawback to the enjoyment of him by modern readers. Partly owing to that gradual vulgarization of the language which Dryden arrested to some extent, but which it is a redeeming merit of the eighteenth century in prose and verse to have cauterized—but partly also to the prevailing critical error as to the strictly syllabic character of English verse, Pharonnida swarms with things like ‘in’s hand,’ ‘t’ the coach,’ ‘Perform ’t.’. These uglinesses cannot always (as, by the way, they generally can in Dryden) be smoothed away by printing in full and allowing trisyllabic feet; they are too often ‘in grain.’ Very much more tolerable, but occasionally unsatisfactory, is his indulgence, generally a repeated indulgence, in such words as remora, enthean, catagraph, astracism. And disapproval must begin again, not so much in regard to the licentiousness of his syntax—for English grammar, after all, is made by good English writers, and not vice versa—as to the extraordinary haphazardness of syntax, phrase, and composition alike. I do not wish to burden this introduction with extracts of any length, but those who turn to the passage about the governor of the fort in Book II, Canto ii, lines 123-132, will find a capital example of our poet at his very worst. It is perhaps well that this worst should be got over beforehand, so that things like it may not possess the additional disgust of surprise. But it must be admitted that the greatest danger in reading him is lest the reader, by too frequent occurrence of these choke-passages, may be tempted to skip, and that in the lack of ordonnance which has been noted, he may find himself hopelessly befogged at the point where he alights from his skipping-pole. As if all this were not enough, Chamberlayne has multiplied his obstacles of commission by an omission which nearly all of his few critics have noticed, but which none of them has fully followed out. We know from his own words at the end of the Second Book that the poem was thus far written, but broken off, at the second battle of Newbury in October, 1644. And whether its author resumed it at once after the complete disaster of the Royal arms next year, or earlier, or later}, it was certainly not published for fifteen years afterwards. This would, in itself, render inconsistencies and gaps likely enough: but it would not account for the 1 It has been thought, from bibliographical peculiarities in the original, that the ‘ast part was printed later than the rest. The last volume (see note on reverse of half- title) is certainly quite different in typography and arrangement from the first. (6) Introduction extraordinary imcuria which Chamberlayne constantly displays. One would imagine not merely that he had never read his MS. through, but that he had never taken the trouble to read his proofs: a process which could hardly have failed to reveal to the most careless author some, if not all, of the discrepancies of nomenclature, &c. In the first few pages he calls one of his characters indifferently ‘ Ariamnes’ and ‘ Aminander,’ but here this slip of the pen is so glaring that it hardly misleads. A little later he puts the careful (the careless will not mind) hopelessly out, by transferring the name ‘ Aphron’ to one ‘ Andremon,’ both persons having already appeared and being entirely distinct. He never seems to know whether his main scene of action is in the Morea (where it certainly opens) or in Sicily ; and there may, perhaps, be corroborative evidence of some passing intention to change the whole vexwe from Greece to Italy in his calling the same person at one time an ‘ Epirot’ and at another a ‘ Calabrian.’ Although the exits and the entrances of his characters are very complicated, and sometimes correspond at long intervals, he will (there is an example at I. iv. 109) omit to name them, and describe them in such a round- about fashion that anybody but a very wary and attentive reader must be, at least for a time, at sea. Finally, as indeed Thackeray and others have done, he will kill and bring alive again with the completest non- chalance. At least, though his phrase is constantly enigmatic, it is hard to understand the lines at IV. i. 192, where, in reference to the wicked Amphibia and her paramour Brumorchus, it is said that the prince ‘refers Their punishment to death’s dire messengers,’ in any other sense than that both were executed. Yet at V. ili. 360 Amphibia is still alive, still a lady in waiting to Pharonnida, and in case to execute the crowning treason of the story which kills the princess’s father and very nearly brings herself to the scaffold as his murderess. This being the case and the ‘arguments’ prefixed by the author being almost useless}, it may be well to present a brief analysis, canto by canto, of a poem which one tolerably practised reader had to read three times before its general subject was at all clearly imprinted on his mind. Book I, Cantoi®. Aminander [Ariamnes], a Spartan lord, hunting on the shore of the Gulf of Lepanto, sees a naval combat between Turks and Christians ; and when the combatants, wrecked by a squall, are still fighting on the beach, rescues the Christian heroes Argalia and Aphron. Canto ii. Another lord, Almanzor, the villain of the piece, finds two damsels, Carina and Florenza, ina wood. He offers violence to Florenza, * The abstract in the Retrospective Review is a little scrappy and capricious. * Observe the five books, and the five cantos in each. This was one of the curious ‘heroic’ punctilios, to bring the construction nearer to the five acts of Drama. (7) William Chamberlayne and her lover, Andremon, though coming in time to save her, falls before his sword. But Argalia, who has been sleeping near, is waked by the scuffle, takes her part, and severely wounds Almanzor, despite the succour of his friends. Forces come up, and, appearances being against Argalia, take him into custody. Canto iii. He is conveyed to the capital, where, according to the custom of the country, it is the duty of the king’s daughter, Pharonnida, whose mother is dead, to preside over the tribunal. She falls in love with Argalia at first sight, but he is condemned, receiving three days’ respite as an Epirot, a citizen of an allied state, which is confirmed by ambassadors from Epirus then present. Canto iv. This is however not sufficient to obtain his pardon: and he is about to suffer when Aminander reappears with Florenza herself, who tells the whole story. Argalia is set at liberty and is about to depart with the ambassadors (who have become ‘Calabrians’ and who have told what they know of his origin) when a fresh adventure happens. Molarchus the Morean (now Sicilian) admiral, who has been charged to convoy the envoys, invites the king, princess and court on board his flag-ship and makes sail, having formed a design to carry off Pharonnida. This he does, though there is a fierce fight on board, by throwing her into a prepared boat and making off, while the crew do the same, having previously scuttled the ship. Argalia, however, with the help of his friend Aphron, though at the cost of the latter’s life, secures one of the boats, rescues the king, and lands on a desolate island, where they find that Molarchus has conveyed Pharonnida to a fortress. Argalia, always fertile in resource, makes a ladder of the tack- ling of some stranded boats, scales the walls, slays Molarchus, and rescues the princess. Canto v tells of a halcyon time at Corinth, where Pharonnida and Argalia, who is captain of her bodyguard, fall more and more deeply in love with one another, till the usual romance-mischance of a proposed betrothal to a foreign prince interrupts it: and the book finishes with this agony further agonized by Argalia’s appointment on the very embassy destined to reply favourably to the Epirot suitor. In Book II, Canto i we return to Almanzor, who forms a plot to abduct the princess, succeeds at first by turning a masque into a massacre, but is defeated by the rising of the country people, who half ignorantly rescue her. But her ravisher, in Canto ii, thinking he has gone too far to retreat, sets up a rebellion and garrisons the castle of a city named Alcithius, which the king at first retakes, but which only serves him as a place of refuge when Almanzor has beaten him in the field. He has just time to send to Epirus for help before the place is invested. (8) Introduction Canto iii, It is almost reduced by famine, and the besieged are meditating the forlorn hope of a sally when Zoranza the Epirot prince arrives with a large army, the vanguard of which, commanded by Argalia and supported from the castle, disperses the rebel forces, though not at first completely. After a glowing interview between the lovers the hero has to expel the remnant of the foe from a strange cavern-fastness where he finds a secret treasury with mysterious inscription. Canto iv. Another interval of war. The unwelcome suitor is called off by troubles at home: and the lovers (Argalia still commanding the princess’s guard) enjoy discreet but delightful hours in an island paradise. Canto v. Episode of two Platonic-Fantastic lovers, Acretius and Philanta, on whom a practical joke is played. Intrigues of Amphibia, who excites the king’s jealousy, and induces him to send Argalia at the head of a contingent to Epirus. After pathetic parting scenes, Argalia leaves Pha- ronnida, and the poet ‘leaves the Muses to converse with men,’ that is to say to fight the Roundheads at Newbury. Book III, Canto i opens with a semi-episode of the rival loves of Euriolus and Mazara for Florenza, and Mazara’s consolation with Carina, Florenza’s companion at her original appearance. In Canto ii the princess, unwarily reading aloud a letter from Argalia with her door open, is overheard by her father, who is furiously angry and sends letters of Bellerophon to the Prince of Syracuse [Epirus] as to Argalia. Zoranza, nothing loth, makes Argalia captain of the fortress Ardenna, with a secret commission to the actual governor to make away with him. He is saved from death for the moment by a convenient local supersti- tion, and carried off (still prisoner) by an invading fleet, which fails to capture Ardenna. But Pharonnida is strictly imprisoned in the castle of Gerenza, In Canto ii Argalia, after a rapid series of adventures at sea and in Rhodes, is captured by the Turkish chief Ammurat and sent to his wife Janusa in Sardinia to be tortured and executed. But Janusa falls in love with him, and this and the next Canto contain the best known and perhaps the most sustained chapter of the poem, Argalia being not merely ‘Like Paris handsome and like Hector brave,’ but also like Joseph chaste. ‘The passage having ended happily for him, tragically for Janusa and her husband, he seizes ships, mans them with Christian slaves, rescues the Prince of Cyprus from a new Turkish fleet, returns to the Morea, and after a time resolves, aided by his Cyprian friend, to release Pharonnida. In this, at first, they succeed. Book IV, Canto i. Episode of Orlinda and the Prince of Cyprus. Pharonnida and Argalia enjoy a new respite in a retired spot, but are (9) William Chamberlayne attacked by outlaws, who wound Argalia and carry off the princess. Their chief is Almanzor, who in Canto ii tries to force Pharonnida to accept him by threats, and immures her in a living tomb from which she is rescued by Euriolus (mentioned before) and Ismander, on whom and Aminda there is fresh episode continued into Canto iii by entrances of certain persons named Vanlore 1, Amarus, and Silvandra, but not concluded. The rest of Canto iii, Canto iv, and Canto v contain an account of Argalia’s recovery, and long conversations, in which he reveals what he knows of his youth to a friendly hermit. Book V, Canto i. Meanwhile Pharonnida has retired to a monastery and is about to take the veil (has actually done so after a fashion) when Almanzor attacks the convent and once more carries her off, but surrenders her to her father that he may obtain his own pardon and plot further. Canto ii. Argalia goes to Aetolia, of which he is the rightful heir, and fights his way to his own. Canto iii. He is however rejected as suitor and attacked by his rival Zoranza. But Almanzor procures both this prince’s murder and that of King Cleander (who is never named till very late in the story). Then Pharonnida in Canto iv undergoes her last danger, and in Canto v is finally freed by Argalia as her champion from Almanzor, whom he at last slays, and from all her other ills by marriage with her deliverer. Now for my part I am entirely unable to pronounce this ‘one of the most interesting stories ever told in verse” As a whole it is romance ‘“common-form,’ of by no means a specially good kind, only heightened - by the telling in a few passages—the dream, the story of Janusa, the entombment of the heroine, and two or three others. I would, as Blair’s typical person of bad taste said of Homer, ‘as soon read any old romance of knight-errantry,’ and would a great deal sooner read most of them for the story. If anybody agrees with Pope that ‘the fable is the soul or immortal part of poetry,’ Chamberlayne is not the poet for him. But he is, if not ¢Ae poet, a poet and little less than a great one, for those who enjoy the ‘ poetic moment,’ the ‘ single-instant pleasure’ of image and phrase and musical accompaniment of sound. The extraordinary abundance of these things is the solace of those sins of his in ovdonnance and versification and diction which have been so frankly and amply acknowledged above. It is hit or miss with him, no doubt: and equally without doubt, he misses too often—far oftener than a poet of the School of Good Sense would do. But he hits not only much oftener than the poet of good sense would do, 1 It will be observed that Chamberlayne’s nomenclature, mainly of the odd rococo- romantic type popular in seventecnth-century literature, is still more oddly mixed. This particular name must have been a favourite, for it recurs in Love's Victory. ( 10 ) Introduction but also as the poet of good sense rarely does at all. He is far too careless of what he says, and of its exact meaning, and of the concatenation thereof with other meanings. But he always tries, in the great adverb of the Italian Platonist-critic Patrizzi, to say it poeticamente, or as Hazlitt (who certainly did not know Patrizzi) unconsciously translates it, ‘in a poetical way.’ Chamberlayne’s sky and landscape are occasionally very dark—it is difficult to find one’s way about under the one and across the other: but both are constantly lighted up by splendid shooting-stars. The road through his story is as badly laid, made, and kept, as road can be: but fountains and wildflower banks are never long wanting by its sides, and it occasionally opens prospects of enchanting beauty. There is at least not disgrace of incongruity in this eulogy, for Chamberlayne’s own style is nothing if not starry and flowery. His metaphors and similes and imagery generally for atmospheric phenomena, and especially for Night and Day, are inexhaustible : ‘Day’s sepulchre, the ebon-archéd night Was raised above the battlements of light,’ he writes here; there ‘And now the spangled squadrons of the night Encountering beams had lost the field to light.’ And again: ‘The day was on the glittering wings of light Fled to the western wild, and swarthy night In her black empire throned.’ And again: “Now at the great’st antipathy to-day The silent earth oppressed with midnight lay, Vested in clouds black as they had been sent To be the whole world’s mourning monument’ ;— passages which could be added to almost indefinitely. Nor is his imagination limited, according to Addison’s rule, to ‘ideas furnished by sight’: there is more than this in the phrase ‘ Desire, the shady porch of Love,’ analogues of which will be found in almost every page. In fact Pharonnida is simply a Sinbad’s Valley of poetic jewels, though here as there it may be a little difficult to get at them. The practice of filling Introductions with extracts instead of leaving the reader to find them for himself is, I have said, an objectionable one. But I may take the middle course and instance as more than purple patches :—the picture of Argalia at the bar (I. iii. 165 sq.); Pharonnida’s dream, already mentioned (I. vy. 153 8q.), one of the longest and finest of the bursts ; the mystic chamber in the outlaw’s cavern (II. iii. 480 sq.) ; Pharonnida’s island (II. iv. 129 sq.) ; the close of Book III, Canto i and the beginning of the next Canto where (11) William Chamberlayne she reads the letter; the valley of Florenza’s home, and the lovers’ sojourn there. These are but a few, and the reader will find plenty more for himself. One point, uninteresting to some, will be of the very highest interest to others; and that is what may be called the Battle of the Couplets in Pharonnida. It is, as has been said, the last, and in more senses than one the greatest, of poems written in that ‘enjambed’ and paragraphed variety of the heroic, which was driven out and replaced by its rival a very few years afterwards, when that rival had secured the assistance of Dryden. But as everybody ought to know, the stopped dissyllabic couplet itself is of an ancient house, though its supremacy was modern. It made perhaps the very first appearance in the scattered couplets of Hampole and others before Chaucer. It is very much less absent from Chaucer himself than those who call the metre of £xdymion Chaucerian appear to imagine; Spenser shows himself a master of it in Mother Hubberd’s Tale, and it is abundant not merely in the dramatists but in the non-dramatic Elizabethans. Ben Jonson seems to have thought it the best of all metres; but, above all, the tails of Fairfax’s stanzas, from which so many of the later seventeenth- century poets learnt, are full of it. Chamberlayne, who was not much more than ten years older than Dryden, could not miss it unless he had set himself the sternest rules of self-criticism : and, as we have seen, he never criticized himself at all. Even the few examples given in this Introduction will show its presence: but much more remarkable ones, both of the completed couplet and of the Drydenian single line which helps to constitute and clench it, will be easily found by the inquirer. Just at the beginning such a formation as “From all the warm society of flesh’ is unmistakable in its tendency, though it actually forms part of a couplet very much ‘enjambed.’ There is no need to draw the moral of ‘Dropt as their foes’ victorious fate flew by To shew his fortune and their royalty.’ or ‘Rebellion’s subtle engineer might sit To wreck the weakness of a female wit.’ or ‘The vexed Epirots who for comfort saw Revenge appearing in the form of law.’ These are the single spies which forerun the battalions. I have no desire to expatiate in these Introductions, or to take up room better occupied by the too long neglected texts 3 and there remains little that it is desirable and less that it is necessary to say. Chamberlayne’s other work of substance, his play of Zove’s Victory, contains many fine passages in the serious blank verse, most of which will be found extracted in the article upon it in the same volume of the feetrospective Review ; (12) Introduction nor is even the comic part, though it shares the ribaldry and the crudity common in such productions, devoid of some of Chamberlayne’s audacious felicities of expression. If that supplementary Dodsley, which has long been wanted, should ever appear, the piece should certainly find a place there: but it is out of our way. His poem to the King at the Restoration may be worth subjoining to Pharonnida. On the whole he is not quite so much of an ‘awful example’ as even his panegyrists, Campbell and others, used to make him. At his date, and with the idiosyncrasy shown by the fact that he spent at least fifteen years over his poem as it was, it was practically impossible that he should in any case have devoted to it the critical Medea-sorcery which made perfect things of such very imperfect ones as the original Palace of Art and the original Lady of Shalott. He might, of course, not have written it at all, and he might possibly have written it in the other vein of stopped couplet, epigrammatic clench and emphasis, and more suppressed conceit. In either case it would not be what it is. We should have lost (in words of its own) ‘acquaintance with Pharonnida.’ And by some that acquaintance would not willingly be relinquished for the possession not merely of one but of a dozen long poems, written in the strictest and most savourless orthodoxy of Le Bossu and La Harpe’. 1 Most of the few accounts of Chamberlayne mention a prose version of Pharonnida, entitled Evomena, or The Noble Stranger, which appeared, four years after his death, in 1683 (London: Norris). One naturally imagines—the present editor certainly did so till he read it—a book of length @ la Scudery. The actual work is « tiny pamphlet containing some seventy small pages of large print, but adorned with a fresh Pindaric motto’ (tiva Oedy, tiv’ Apwa, tiv’ dvépa Kxedadjcouer ;) and a dedication to Madam Sarah Monday. The earlier cantos are paraphrased with some fullness; the bulk of the story is altogether omitted. As Pharonnida becomes Eromena, so does Argalia take the alias of Horatio. The thing, which acknowledges no indebtedness, is worthless enough; and only curious because of the admixture of Chamberlayne’s own original and highly poetic phrases with the flattest prose. (13) To the Right Worshipful Sir William Portman, Baronet? HONOURED SIR, Though, by that splendour ? with which the bountiful hand of fortune, illustrated by the more excellent gifts of nature, hath adorned you, to the illuminating the hopes of all your expecting friends, I might justly fear these glow-worms of fancy may be outshone, to the obscurity of a con- temptible neglect ; you being like, ere long, to prove that glorious luminary, to whose ascending brightness the happiest wits that grace the British hemisphere, like Persian priests pros- trated to the rising sun, will devote the morning sacrifices of their muses: yet, animated by your late candid reception of my more youthful labours, whose humble flights, having your name to beautify their front, passed the public view unsullied by the cloudy aspect of the most critic spectator, I have once more assumed the bold- ness to let the infirmities of my fancy take sanctuary under the name of so honoureda patron. Thoughmyabilities could not clothe her in such robes as would render her a fit companion for your serious studies, yet I hope her dress is not so sordid, but she may prove an acceptable attendant on your more vacant hours. For my subject (it being heroic poesy) it is such as the wiser part of the world hath always held in a venerable esteem; the ex- tracts of fancy being that noble elixir, which heaven ordained to immortalize their memories, whose worthy actions, being the products of that nobler part of man—the soul, are by this made almost commensurate with her eter- nity ; which otherwise, (to the sorrow of succeeding ages, who are in debt for much of their virtue to a noble emulation of their glorious ancestors), had either terminated in a circle of no larger a diameter than life; or, like short-breathed ephemeras, only sur- vived a while in the airy region of dis- course. This, sir, having been the past for- tune of our predecessors; and, as the pregnant hopes of your blooming spring promises ° the world, like to be yours in the future; yours, when both the splendid beauties of your most glorious palace, and the lasting structure of your marble dormitory, time shall have so levigated, that the wanton winds dally with their dust ; I doubt not but to find you so much a Meecenas, as to affect the eternizing of your name, more from the lasting lineaments of learning than those vain phainomena of pleasures, which are the low delights of more vulgar spirits. Though I confess these papers be- neath the serious view, which a wit, acuated with the best adjuncts of art, will, ere long, render the ordinary re- creations of your progressive studies, yet, as in relation to the latitude for which they were calculated, I hope they may not appear unworthy a ' This was the sixth Baronet (1641?-90), who succeeded to the title in 1648, and matriculated at All Souls in the very year of the appearance of Pharonnida, He was a great Tory, and captured Monmouth ; but joined William of Orange. * Orig. ‘splendor,’ on the strength of which, I suppose, Singer has altered ‘honoured’ before, and ‘labours’ just below, to the same form, though they were correct in text. almost every case. * Singer altered ‘promises’ to ‘ promise’ and ‘serenities’ to ‘serenity.’ I shall, therefore, print -owr throughout, following the original in But these false concords are too constant in Chamberlayne, and too often made certain by the rhyme to be mere slips of pen or press. I have therefore restored the original forms: as also in al cases (oversights excepted) where the reprint of 1820 unnecessarily changes ‘in’? to fon,’ &e. (14) Dedication present supervisal ; it being intended (like the weak productions of the early spring) but for the April of your age; where, though my hopes tell me it may subsist, whilst irrigated by those balmy dews of passion which are the usual concomitants of youth ; I am not guilty of so unbecoming a boldness, as to think it fit to stand the heat of your more vigorous maturity, when the me- ridian altitude of your comprehensive judgement shall have attained so near an universality of knowledge, as the sun, when in its apogzeum, doth of light; that being only hindered by a comparatively punctillo of earth, as the powerful energies of noble souls are, by the upper garments of their mortality, from being at once ubiqui- tary blessings. Shaftesbury, May 12, 1659. Fortified by these considerations with the hope of your acceptance, and assured that prefixing your name is an amulet of sufficient power to preserve me from the contagion of censure, I have, with an unruffled confidence, given these papers a capacity of being publicly viewed. If their being liked attain but near the dimensions of your being beloved, it will co-equate the knowledge the world shall have of them, that being so universal; as the serenities ' of your bliss is the happiness of your nearest relations, so is it much of the hopes of those that only know you at a remoter distance: And shall be still the prayer of, Sir, Your devoted Servant, WILLIAM CHAMBERLAYNE, The Epistle to the Reader SINCE custom obliges me to give a welcome at the gate, I shall not be so irregular as not to meet that com- mon civility with a fair compliance. And though, like the passive elements, I lie open to all the incongruity of aspects, (of which I have some reason to doubt, the most powerful may be found in a disdainful opposition), yet, like the noblest of active creatures— light, I shall not think myself sullied by every vapour; nor solicit his ac- quaintance that cannot so long spare his eyes from beholding more active vanities. I have always held it a solecism for entertainers to be beggars; and, al- though by exposing these papers to the public view I must consequently expect variety of censures, should be loath to descend so low to court the applause of every reader; from whose various genii I am necessitated to take such welcome, as affection in most, though judgement in some, shall incline them to give. For the first of which, as their censures are doubtful, so their calumnies are small-—not of weight 1 See previous note. (15 ) sufficient to balance the indifferent temper of my thoughts: but for the latter (since looked upon as competent judges) though their sentence may be formidable, I shall beg no further favour than what their ability thinks fit to bestow; only, for what they may justly except against, could rather wish that, whilst these papers were private, I had had their advice to reform, than now they are published, their censure to condemn. Fortune hath placed me in too low a sphere to be happy in the acquaintance of the age’s more celebrated wits: where- fore, wonder not that I appear un- ushered in with a train of encomiums, which though, I confess, if from know- ing and judicious friends, add a lustre to the author’s ensuing labours ; yet the custom of these times often makes them appear as ridiculous asa splendid and beautiful front to an empty and contemptible cottage. I have made bold with the title of heroic, but have a late example? that deters me from disputing upon what grounds I assumed it: if it suits not 2 No doubt the Preface to Gondibert. William Chamberlayne with the abilities of my pen, yet it is no unbecoming epithet for the emi- nence of those personated in my poem. For the place of my scene, manner of composure, and the like, (though in prefaces they often find an immature discovery, and, perhaps, but acuate an appetite to what, on further progress, may prove but a distasteful banquet), I hold them so impertinent, that, if will and leisure serve you to read, you may suddenly, with more advantage, satisfy yourself; if not, omit them as strangers to your other affairs, and not to be understood but in their own dialect. I have done with all that in pro- bability may prove my readers, and now a word to such, whom I presume will be none; for they are desired to do no more than the epistle, it being fit to serve them. Like vagabonds, let them enter no farther than the gate; —I mean, all squint-eyed sectaries, from the spawn of Geneva to the black brood of Amsterdam; together with some rascals of a lower rank, such as usurp the abused title of Sons of Art, and, with an empty impudence, en- deavour to pollute those immaculate virgins ; whilst the other, with an ex- alted villany, sully the celestial beauties of divine truth. For the first of which, the preposterous genius of the times hath so far favoured them, that now nothing is more vendible than the surreptitious offsprings of their imag- ined wit : every stationer’s shop afford- ing pregnant examples of it, in big bulked volumes of physic, astrology, and the like, by these indigent vermin ; either to satisfy their clamorous wants, or enhance their esteem in the vulgar opinion, basely prostituted to every illiterate spectator; whilst truth, and a guilty conscience, tells them nought is their own but the hyperbolical titles ; which, to discerning eyes, appear but the glorious outsides to tainted sepul- chres, in which their detected villany shall be abominated by more knowing posterity. These cry down all things of this nature for subjects of inutility, not tending to the improvement of (16 ) science, which, in the most genuine construction of it, hath no enemy from which her ruin is more formidable than from them. But for my more dangerous sceptic, (who yet is so much like the foal of an ass, that he appears to the world with his spleen in his mouth), I mean my pretended zealous censurer, from whom in me it were an overweening boldness to expect civility; since, (though not for the nature, which he understands not, yet for the name, which he hath only heard of), he is so much an enemy to the muses, that should the seraphic strains of majestic David, or the flaming raptures of elegiac Jere- miah, appear to the world in their pristine and unpolluted purity, his ignorance would extend to so vast an error, to censure them of levity. But as no man will esteem the sun less glorious, for that the hated owl avoids its sight; so I presume none, except their own deluded followers, will betray so palpable a dearth of judgement, as to bear the less esteem to majestic poetry, for the illiterate scandal of flattering ignorance. Poesy, (if justly meriting to be invested in that glorious title) being so attractive a beauty that it doth rather, like an Orphean harmony, draw that emblem of a beast, the unpolished clown, to a listening civility, than, like Circe’s enchantments, change the more happily educated to a swinish and sordid leth- argy. But her defence being a burthen which already stands firm on so many noble supporters, whose monuments will remain till time itself shall be lost in eternity, I need not add my weak endeavours to illustrate a Beauty which the wiser world already admires. Now, though she want the applause of some, attribute it not to the defect, either of her excellency, or their judgement; but to that various dress of humours, where- with nature hath chequered the uni- verse, Concluding with that honour of ancient Thebes— Teprvdv & ev dvOpamots toov ércerat ovder. Pindarus in Olympiorum octavo. W.C. PHARONNIDA BOOK I. Canto I’ THE ARGUMENT From sea’s wild fury, and the wilder rage Of faithless Turks, two noble strangers freed, Let courtesy their grateful souls engage To such a debt as doth obstruct their speed: Where they, to fill those scenes inactive rest Would tedious make. in fair description saw, How Sparta’s Prince, for his queen’s loss opprest, Found all those ills cured in Pharonnida*. THE earth, which lately lay, like nature’s tomb, Marbled in frosts, had from her pregnant womb Displayed the fragrant spring ; when, courted by A calm fresh morning, ere heaven’s brightest eye Adorned the east, a Spartan lord, (whom fame, Taught from desert, made glorious by the name Of Aminander), with a noble train, é Whose active youth did sloth, like sin, disdain, Attended, had worn out the morning in Chase of a stately stag; which, having been 10 Forced from the forest’s safe protection to Discovering plain, his clamorous foes had drew Up to a steep cliff’s lofty top; where he, As if grown proud so sacrificed to be To man’s delight, ’mongst the pursuing cry, Who make the valleys echo victory, Sinks weeping; whilst exalted shouts did tell The distant herds—their ancient leader fell. The half-tired hunters, their swift game stopt here By death, like noble conquerors appear 20 To give that foe, which now resistless lies, With their shrill horns his funeral obsequies ; Which whilst performing, their diverted sight Turns to behold a far more fatal fight— 1 These headings were in orig. ‘The First Book. Canto the First,’ &c., in two lines. So, too, each verse paragraph begins with an indented couplet. 4 This initial passage may deserve a note which I shall not repeat, though it describes a process frequently necessary. Singer read ‘ Were they’ for ‘Where they,’ but kept the comma of the orig. at ‘rest’ and inserted none at ‘they’ or ‘make,’ while he did insert an apostrophe at ‘scenes.’ His text thus becomes unintelligible, which mine, I hope, is not. 8 sloth, like] Orig. ‘sloth-like.’ (17) c William Chamberlayne [Boox I That since-famed gulf, (where the brave Austrian made The Turkish crescents an eternal shade Beneath dishonour seek) Lepanto, lay So near, that from their lofty station they, A ship upon whose streamers there were fixt The Christian badge, saw in fierce battle mixt With a prevailing Turkish squadron, that With shouts assault what now lay only at That feeble guard, which, under the pretence Of injuring others, seeks its own defence. Clear was the day, and calm the sea so long, Till now the Turks, whose numbers grew too strong For all that could no other help afford But human strength, within their view did board The wretched Christians ; to whose sufferings they Can lend no comfort, but what prayers convey To helpful heaven; by whose attentive ear, Both heard and pitied, mercy did appear In this swift change :—A hollow wind proclaims Approaching storms, the black clouds burst in flames, Imprisoned thunder roars, and in a shower, Dark as the night, dull sweaty vapours pour Themselves on the earth, to enrich whom nature vents The ethereal fabric’s useless excrements, Whose flatuous pride, as if it did disdain Such base descents, rolling the liquid plain Into transparent mountains, hurls them at The brow of heaven, whose lamps, by vapours that Their influence raised, are crampt; whilst the sick day Was languishing to such a night, as lay O’er the first matter, when confusion dwelt In the vast chaos, ere the rude mass felt Heaven’s segregating breath—but long this fierce Conflict endures not, ere the sun-beams pierce The scattered clouds, which, whilst wild winds pursue, Through sullied air in reeking vapours flew. In this encounter of the storm, before Its sable veil let them discover more Than contained horror, a loud dreadful shriek, Piercing the thick air, at their ears did seek For trembling entrance: being transported by Uncertain drifts, rent sails and tackling fly Amongst the towering cliffs,—a sure presage That adverse winds did in that storm engage Some vessel, which did from her cordage part, With such sad pangs—as from the dying heart Convulsions tear the fibres. But the day, Recovering her lost reign, made clearer way 27 seek] Orig. ‘seeks.’ « (38) 30 40 50 60 Canto T] Pharonnida For a more sad discovery. They behold The brackish main in funeral pomp unfold The tiophies of her cruelty. Her brow, Uncurled with waves, was only spotted now With scattered ruins; here, engaged within The ruffled sails, some sad souls that had been, For life long struggling, tired, at length are forced To sink and die; yonder, a pair, divorced 80 From all the warm society of flesh, With cold stiff arms embrace their fate ;—the fresh And tender virgin in her lover’s sight, The sea-gods ravish, and the enthean light Of those bright orbs, her eyes, which could by nought But seas be quenched, t’ eternal darkness brought. Whilst pitying these, a sudden noise, whose strange Confusion did their passion’s object change, Assaults their wonder; which, by this surprise Amazed, persuades them to inform their eyes 9° With its obscure original: when, led By sounds that might in baser souls have bred A swift aversion, clashing weapons they Might soon behold—upon the sands that lay Beneath the rock a troop of desperate men, Unstartled with those dangers (which e’en then Their ruined ship and dropping garments showed Heaven freed them from—what mercy had bestowed) Let their own anger loose; which, flaming in A fatal combat, had already been 100 In blood disfigured: but when now so near Them drawn, that every object did appear In true distinction, they, with wonder raised To such a height as poets would have praised Their heroes in, a noble Christian saw, Whose sword (as if, by the eternal law Of Providence, to punish infidels, Directed) with each falling stroke expels A Turk’s black soul: yet valour, being opprest By multitudes, must have at length sought rest 110 From death, had not brave Ariamnes, by His hunters followed, brought him victory ; Whilst the approaching danger did exclude E’en hope, the last support of fortitude. The desperate Turks, that chose the sea to be Their sad redeemer of captivity, Though from that fear they fled to death, had now Upon the shore left none life could allow 84 enthean] This, a rather favourite word with Chamberlayne and his contem- poraries, ought not to have become obsolete; for we have no single equivalent to ‘ divinely inspired’ or ‘ furnished.’ ( 19 ) C2 William Chamberlayne [Book I But motion to; though, stopped by death such store, All the escaped appeared, but such as bore 120 The fatal story of destruction to Their distant friends. When now a serious view, By Ariamnes and that noble youth, (Whose actions, honoured as authentic truth, Made all admire him), of their pitied dead With sorrow took, one worthy soul unfled From life they found, which, by Argalia seen, With joy recals those spirits that had been In busy action lost; but danger, that Toward the throne of life seemed entering at ‘130 Too many wounds, denies him to enlarge The stream of love, as noble Virtue’s charge To him, her follower. Ariamnes, by His goodness and their sad necessity Prompted to pity, fearing slow delays As danger’s fatal harbinger, conveys The wounded strangers to the place where he His palace made the throne of charity. ’Twas the short journey ’twixt the day and night, The calm fresh evening, time’s hermaphrodite, 140 The sun, on light’s dilated wings, being fled, To call the western villagers from bed, Ere at his castle they arrive, which stood Upon a hill, whose basis, fringed with wood, Shadowed the fragrant meadows; thorough which A spacious river, striving to enrich The flowery valleys with whatever might At home be profit, or abroad delight, With parted streams that pleasant islands made, Its gentle current to the sea conveyed. 150 In the composure of this happy place Wherein he lived, as if framed to embrace So brave a soul as now did animate It with his presence, strength and beauty sate Combined in one: ’twas not so vastly large, But fair convenience countervailed the charge Of reparations, all that modest art Affords to sober pleasure’s every part, More for its ornament; but none were drest In robes so rich, but what alone exprest 160 Their master’s providence and care to be, A prop to falling hospitality. For he, not comet-like, did blaze out in This country sphere what had extracted been From the court’s lazy vapours, but had stood There like a star of the first magnitude, With a fixed constancy so long, that now, Grown old in virtue, he began to bow (20 ) Canto I] Pharonnida Beneath the weight of time; and, since the calm Of age had left him nothing to embalm His name but virtue, strives in that to be The glorious wonder of posterity: Each of his actions being so truly good, That, like the ground where hallowed temples stood, Although by age the ruins ruined seem, The people bear a reverend esteem Unto the place; so they preserve his name— A yet unwasted pyramid of fame. Rich were his public virtues, but the price Of those was but the world to Paradise, Compared with that rare harmony that dwells Within his walls; each servant there excels All but his fellows in desert; each knew— First, when,—then, how his lord’s commands to do; None more enjoyed than was enough, none less, All did of plenty taste, none of excess ; Riot was here a stranger, but far more, Repining penury; ne’er from that door The poor man went denied, nor did the rich E’er surfeit there; ’twas the blest medium which, Extracted from all compound virtues, we Make, and then Christian Mediocrity. Within the compass of his spacious hall, Stood no vain pictures to obscure the wall, Which useful arms adorned; and such as when His prince required assistance, his own men, Valiant and numerous, managed to defend That righteous cause, but never to attend A popular faction, whose corrupted seed Hell did engender, and ambition feed. His judgement, that, like life’s attendant—sense, To try each object’s various difference, Fit mediums chose, (which he made virtue), here Beholding (though these wandering stars appear Now in their greatest detriment) the rays OF perfect worth, he to that virtue pays Those attributes of honour, which unto Their births, though now in coarse disguise, was due. To Aphron’s wounds successful art applies Prevailing medicines, whilst invention flies To the aphelion of her orb to seek Such modest pleasures as might smooth the cheek Of ruffled passion ; which, being found, are spent To cure the sad Argalia’s discontent : Which, long being lost to all delight, at length Revives again his friend’s recovered strength. 192 Christian] This must be in the sense of ‘christen’ ; so Singer. (21) 190 200 210 William Chamberlayne [Book I They, having now no remora to stay Them here but what their gratitude did pay To his desires, (whose courtesy had made Those bonds of love with as much zeal obeyed 220 As those which duty locks), preparing are To take their leave; even in whose civil war Whilst they contend with courtesies, as sent To rescue, when his eloquence was spent, Brave Aminander, with such haste as shewed His speed to some supreme injunction owed Such diligence, a messenger brings in A packet, which that noble lord had been Too frequently acquainted with to fear The unseen contents, which opened did appear— 230 A mandate from his royal master to Attend him ere the next day’s beauties grew Deformed with age; which honoured message read, To banish what suspicion might have bred In’s doubtful friends, he, the enclosed contents, With cheerful haste, unto their view presents. Their fear thus cured by information, he, That his appearance in the court might be More glorious made by such attendants, to Incite in them a strong desire to view 240 Those royal pastimes, thus relates that story, Whose fatal truth transferred the Morea’s glory So often thither. ‘’Twas, my honoured friends, My fate (’mongst some that yet his court attends) Then to be near my prince, when what now draws Him to these parts did prove at once the cause Of joy and grief. Not far from hence removed The vale of Ceres lies, where his beloved Pharonnida remains; a lady that Nature ordained for man to wonder at, 250 She not being more the comfort of his age Than glory of her sex: but I engage Myself to a more large discovery, which Thus take in brief-—When youth did first enrich Beauty with manly strength, his happy bed Was with her royal mother blest; who fed A flame of virtue in her soul, that lent Light to a beauty, which, being excellent, In its own sphere by that reflection shone So heavenly bright—perfection’s height of noon 260 Dwelt only there. Some years had circled in Time’s revolutions, since they first had been Acquainted with those private pleasures that Attend a nuptial bed, ere she did at Lucina’s temple offer; whose barred gate, Once open flow, both their good angels sate (22) Canto I] Pharonnida In council for her safety. Hopes of a boy, To be Morea’s heir, fill high with joy The ravished parents ; subjects did no less, In the loud voice of triumph, theirs express. 270 ‘But when the active pleasures of their love, Which filled her womb, had taught the babe to move Within the morys mount, preceding pains Tell the fair queen, that the dissolving chains, Nature enclosed it in, were grown so weak That the imprisoned infant soon would break Those slender guards. The gravest ladies were Called to assist her, whose industrious care Lend nature all the helps of art, but in Despair of safety send their prayers to win 280 Relief from heaven, which swift assistance lent To unload the burthen; but those cordials sent By harbingers, with whom the fair queen fled To deck the silent dwellings of the dead, And lodge in sheets of lead; o’er which were cast A coverlet of the spring’s infants past From life like her—e’en whilst Earth’s teeming womb, Promised the world, and not a silent tomb, That beauteous issue. But those nymphs, which spun Her thread of life, the slender twine begun 290 Too fine to last long, undenied by The ponderous burthen of mortality ; Beneath whose weight, she sinking now to death, The unhappy babe was by the mother’s breath No sooner welcomed into life before She bids farewell; of power to do no more But, whilst her spirits with each word expires, Thus to her lord express her last desires.— “Receive this infant from thy dying queen, Name her Pharonnida.”—At which word between 300 His trembling arms she sunk; and had e’en then Breathed forth her soul, if not recalled again By their loud mournings from the icy sleep, Which, like a chilling frost, did softly creep Through the cold channels of her blood to bar The springs of life; in which defensive war, The hasty summons, sent by death, allow Her giddy eyes, whose heavy lids did bow Toward everlasting slumber, no more light Than what affords a dim imperfect sight,— 310 Such as the troubled optics, being by Dying convulsions wrested, could let fly 273 morys] Orig. ‘mory,’ qu. ‘ivory’? The orig. looks like a misprint, and ‘ivory mount’ is a favourite Elizabethanism. 278 care] Again, a note on Chamberlayne’s singular habit of putting a plural noun to a singular verb may serve once for all. (23) Wilham Chamberlayne [Book I Thorough their sullied crystals, to behold Her woeful lord, whilst she did thus unfold Her dying thoughts :—“O hear, O hear, (quoth she) I do By all our mutual vows conjure thee to Let this sweet babe—all thou hast left of me, Within thy thoughts preserve my memory. And since, poor infant, she must lose her mother, To beg an entrance here, oh let no other 320 Have more command o’er her than what may bear An equal poise with thy paternal care. This, this is all that I shall leave behind ; An earnest of our loves here thou may’st find, Perhaps, my image may’st behold, whilst I, Resolving into dust, embraced do lie By crawling worms—followers that nature gave To attend mortality, whilst the tainted grave Is ripening us for judgement. O my lord, Death were the smile of fate, would it afford 330 Me time to see this infant’s growth, but oh! I feel life’s cordage crackt, and hence must go From time and flesh,—like a lost feather, fall From th’ wings of vanity, forsaking all The various business of the world, to see What wondrous change dwells in eternity.” ‘This said, she faintly bids farewell, then darts An eager look on all; but, ere she parts, E’en whilst the breath, with which in thin air slips Departing spirits, on her then cold lips 340 In clammy dews did hang, she of them takes Her last farewell, whilst her pure soul forsakes Its brittle cabinet, and those orbs of light, That swam in death, sunk in eternal night. ‘Thus died the queen, Pharonnida thus lost, Ere knew, her mother, when her birth had cost A price so great, that brought her infancy In debt to grief, until maturity Ripened her age to pay it. After long And vehement lamentation, such whose strong 350 Assaults had almost shook his soul into A flight from the earth, her father doth renew His long lost mirth, at the delight he took In his soul’s darling ; whose each cheerful look Crimsoned those sables, which e’en whilst he wore, A flood of woes his head had silvered o’er, Had not this comfort stopt them, which beguiles Sorrow of some few hours; those pretty smiles That drest her fair cheeks, like a gentle thief, Stealing his heart through all the guards of grief. 360 315 The first Alexandrine. But the duplication of ‘O hear’ may be a slip. (24) CanTo I] Pharonnida ‘But when that time’s expunging hand had more Defaced those sable characters he wore For sorrow’s livery o’er his soul, and she, Having out-grown her tender infancy, Did now (her thoughts composed of heavenly seed) To guide her life no other guardian need, But native virtue; for her calm retreat, When burthened Corinth was with throngs replete, He chose this seat, whose venerable shade, (Waving what blind antiquity had made) 370 For sacred held, is not so slighted, but A custom, ancient as our law, hath shut Hence (as the hateful marks of servitude) All that unbounded power did e’er obtrude On suffering subjects; which this happy place Fits so serene a blessing to embrace As is this lady: whose illustrious court, Though now augmented by the full resort Of her great father’s train, doth still appear This happy kingdom’s brightest hemisphere. 380 ‘A hundred noble youths in Sparta bred, Of valour high as e’er for beauty bled, All loyal lovers, and that love confined Within the court, are for her guard assigned. But what (if aught in such an orb of all That’s great or good may low as censure fall) The court hath questioned, is—the cause that moved The prince to give a party so beloved Into his hands that leads them; being one, Whose birth excepted, (that being near a throne), 390 Those virtues wants, on whose foundation, wise Considerate princes let their favours rise. Like the abortive births of vapours, by Their male-progenitors enforced to fly Above the earth their proper sphere, and there Lurk in imperfect forms, his breast doth bear Some seeds of goodness, which the soil, too hot With rank ambition, doth in ripening rot. Yet, though from those that praise humility He merits not, a dreaded power, (which he 400 Far more applauds) raised on the wings of’s own Experienced valour, hath so long been known His foes’ pale terror, that ’tis feared he bends That engine to the ruin of his friends, Whose equal merits claim as much of fame As e’er was due to proud Almanzor’s name. ‘Yet what may raise more strong desires to see Her court than valour’s wished society, Is one unusual custom, which the love Of her kind father hath so far above 410 (25 ) William Chamberlayne [Boox I All past example raised—that, for the time He here resides, no cause, although a crime Which death ‘attends, but is by her alone Both heard and judged, he seeming to unthrone His active power, whilst justice doth invest His beauteous daughter; which, to the opprest, Whose hopes e’en shrunk into despair, hath in That harsh extreme their safe asylum been: So that e’en those that feared the event could now Mix their desires,—the custom would allow 420 Her reign a longer date. But that I may Illustrate this by a more full survey Of her excelling virtues, no pretence Of harsh employment shall command you hence, Till you have been spectators of that court, Whose glories are too spacious for report.’ The noble youths, beholding such a flame Of virtue shewn them through the glass of Fame, First gaze with wonder on it, which ascends Into desire, a rivulet which ends 430 Not till its swelling streams had drawn them through All weak excuses, and engaged them to Attend on Ariamnes: when, to show How much man’s vain intentions fall below Mysterious fate, e’en in the height of all Their full resolves, her countermands thus call Back their intentions, by a summons that The uncertain world hath often trembled at.— The late recovered Aphron, whether by Too swift a cure, life’s springs, being raised too high, 440 Flowed to a dangerous plethora, or whe’er Some cause occult the humours did prepare For that malignant ill, did, whilst he lay In tedious expectation of the day Shook with a shivering numbness, first complain Through all his limbs of a diffusive pain: Which, searching each to find the fittest part For its contagion, on the labouring heart Fixes at length; which, being with grief opprest, By the extended arteries to the rest 450 O’ the body sends its flames. The poisoned blood Through every vein streams in a burning flood; His liver broils, and his scorched stomach turns The chyle to cinders; in each cold cell burns The humid brains. A violent earthquake shakes The crackling nerves, sleep’s balmy dew forsakes The shrivelled optics; in which trembling fits, *Mongst tortured senses, troubled Reason sits So long opprest with passion, till at length, Her feeble mansion, battered by the strength 460 (26 ) Cano T] Pharonnida Of a disease, she leaves to entertain The wild chimeras of a sickly brain. And, what must yet to’s friend’s affliction add More weights of grief, their courteous host, which had Stayed to the latest step of time, must now Comply with those commands, which could allow No more delays, and leave Argalia to Be the sole mourner for his friend, which drew (As far as human art could guess) so near His end, that life did only now appear 47° In thick, short sobs,—those frequent summons that Souls oft forsake their ruined mansions at. THE END OF THE FIRST CANTO. Canto II THE ARGUMENT Whilst here Argalia in a calm retreat Allays the sorrow felt for’s sickly friend, Two blooming virgins near him take their seat, Whose harmless mirth soon finds a hapless end. The fairest seized on, and near ruined by Impetuous lust, had not Andremon’s speed Protected her, till from his fall drawn nigh The same sad fate the brave Argalia freed. TuaT sad slow hour, which Art e’en thought his last, With the sharp fever’s paroxysm past, Sick Aphron’s spirits to a cool retreat, Beneath a slumber, life’s remotest seat, Was gently stol’n, which did so long endure, Till, in that opiate quenched, the calenture Decayed forsakes him, leaving nought behind, But such faint symptoms as from time might find An easy cure; which, though no perfect end Is lent to th’ care of his indulgent friend, 10 Yet gives him so much liberty, that now Fear dares, without his friendship’s breach, allow Sometime to leave him slumbering, whilst that he Contemplates nature’s fresh variety. The full-blown beauties of the spring were not By summer sun-burnt yet, though Phoebus shot His rays from Cancer, when, prepared to expand Imprisoned thoughts from objects near at hand To eye-shot rovers, freed Argalia takes A noon-tide walk through a fair glade, that makes 20 Her aged ornaments their stubborn head Fold into verdant curtains, which she spread (27) Wilham Chamberlayne [Boox I In cooling shadows o’er the bottoms ; where A crystal stream, unfettered by the care Of nicer art, in her own channel played With the embracing banks, until betrayed Into a neighbouring lake ; whose spacious womb Looked at that distance like a crystal tomb Framed to inter the Naiades. Not far From hence an oak, (whose limbs defensive war 30 ’Gainst all the winds a hundred winters knew, Stoutly maintained), on a small rising grew, Under whose shadow whilst Argalia lies, This object tempts his soul into his eyes— A pair of virgins, fairer than the spring ; Fresher than dews, that, ere the glad birds sing The morning’s carols, drop; with such a pace As in each act showed an unstudied grace, Crossing the neighbouring plain, were now so near Argalia drew, that what did first appear 40 But the neglected object of his eye, More strictly viewed, calls fancy to comply With so much love, that, though no wilder fire Ere scorched his breast, he here learnt to admire Love’s first of symptoms. To a shady seat, Near that which he had made his cool retreat, Being come, beneath a spreading hawthorn they, Seating themselves, the sliding hours betray From their short lives, by such discourse as might Have made e’en Time, if young, lament his flight. 50. Retired Argalia, at the sight of these, Though no obscener vanity did please His eyes, than anch’rites are possest with, when Numb’ring their beads, or from a sacred pen Distilling Heaven’s blest oracles, yet he, Wondering to find such sweet civility Mixt with that place’s rudeness, long beholds That lovely pair, whose every act unfolds Such linked affections as wise nature weaves In dearest sisters; but their form bereaves 60 That thought ere feathered with belief: although, To admiration, Beauty did bestow Her gifts on both, she had those darlings drest In various colours ;—what could be exprest By objects, fair as new created light; By roseal mixtures, with immaculate white ; 40 drew, 122 withdrew] Another not-to-be-repeated note may call attention here to Chamberlayne’s singular liberties with preterite and past participle. In the first of these two instances one is actually tempted to read ‘ where ' which, as it happens, makes ordinary grammar. But it is evidently not the sense, and ‘drew '= ‘drawn’ as ‘ with- drew’ =‘ withdrawn.’ 66 roseal] Singer putidé ‘roseate,’ thereby effacing a delightful word and substituting a very inferior one. (28) Canto I] Pharonnida By eyes that emblemed heaven’s pure azure, in The youngest nymph, Florenza, there was seen ; To which she adds behaviour far more free, Although restrained to strictest modesty, 70 Than the more sad Carina, who, if there Were different years in that else equal pair, Something the elder seemed; her beauty—such As Jove-loved Leda’s was, not praised so much For rose’ or lily’s residence, though they Did both dwell there, as to behold the day Lose its antipathy to night; such clear And conquering beams, so full of light, to appear Thorough her eyes, showed like a diamond set, To mend its lustre, in a foil of jet. 80 Nor doth their dress of nature differ more In colour than the habits which they wore, Though fashioned both alike; Florenza’s, green As the fresh Spring, when her first buds are seen To clothe the naked boughs; Carina’s, white As Innocence, before she takes a flight In thought from cold virginity. Their hair, Wreathed in contracting curls beneath a fair But often parting veil, attempts to hide The naked ivory of their necks—that pride go Of beauty’s frontispiece. On their heads sate Lovely, as if unto a throne of state From their first earth advanced, two flowery wreaths, (From whose choice mixture in close concord breathes The fragrant odour of the fields), placed by Them in such order, as antiquity Mysterious held. Being set, to pass away The inactive heat of the exalted day, They either tell old harmless tales, or read Some story where forsaken lovers plead 100 Unpitied causes, then betwixt a smile And tear bewail passion should ere beguile Poor reason so; at length, as if they meant To charm him who, far from each ill intent, So near them lay, melting the various throng Of their discourse into a well-tuned song ; Whose swift division moulds the air into Such notes, as did the spheres’ first tunes out-do. Argalia, in his labyrinth of delight To action lost, had drawn the veil of night, 110 In quiet slumbers, o’er his heavy eyes: Locked in whose arms whilst he securely lies, Lest the mistakes of vain mortality The brittle glass of earth should take to be Perfection’s lasting adamant, this sad Chance did unravel all their mirth—There had (29) William Chamberlayne [Boox I Some of the prince’s noblest followers, in That morning’s nonage, led by pleasure been Far from their sphere—the court; and now, to shun The unhealthy beams of the reflected sun, 120 Whilst it its shortest shadows made, were to The cool protection of the woods withdrew: In which retreat, as if conducted by Their evil genius, (all his company An awful distance keeping) none but proud Almanzor, in those guilty groves which shroud The hapless virgins, enters; who so near Him sitting, that soon his informing ear Thither directs his eye. Unto his view Ere scarce thought obvious, swiftly they withdrew, 130 But with untimely haste. His soul, that nurst Continual flames within it, at the first Sight kindles them, ere he discovers more Than difference in the sex; such untried ore, Hot heedless lust, when made by practice bold, T’ th’ flame of passion ventures on for gold. But when drawn nearer to the place he saw Such beauties, whose magnetic force might draw Souls steeled with virtue, custom having made His impious rhetoric ready to invade, 140 He towards them hastes, with such a pace as might Excuse their judgements, though in open flight They strove to shun him, but in vain; so near Them now he’s drawn, that the effects of fear Obscuring reason, as if safety lay In separation, each a several way From danger flies; but since both could not be By that secure, whilst her blest stars do free The glad Carina from his reach, the other He swiftly seizes on: hot kisses smother 150 Her out-cries in the embryo, and to death Near crushed virginity, ere, from lost breath, She could a stock of strength enough recover To spend in prayers. The tempting of a lover, Mixt with the force of an adulterer, did At once assail, and with joined powers forbid All hopes of safety; only, whilst Despair Looked big in apprehension, whilst the air Breathed nought but threatenings; promising him to pay For’t in her answers, she doth lust betray 160 Of some few minutes, which, with all the power Of prayer, she seeks to lengthen; sheds a shower Of tears to quench those flames. But sooner might 122 withdrew] See note on p. 28. 138 force] So Singer for ‘form,’ which I think quite possible. ( 30) CANTO II] P, haronn ida Hell’s sooty lamp extinguished be; the sight Of such a fair, but pitiful aspect, When lust assails, wants power to protect. By this hot parley, whilst she strove to shun His loathed embraces, the thronged spirits run To fortify her heart, but vainly seek For entrance there, being back into her cheek 170 Sent in disdainful blushes: now she did Entreat civility, then sharply chid His blushless impudence; but he, whose skill In rhetoric was pregnant to all ill, Though barren else, summons up all the choice Of eloquence, that might produce a voice To win fair virtue’s fortress, though her chaste Soul, armed against those battering engines, past That conflict without danger; when, enraged By being denied, with passion that presaged 180 A dangerous consequence, his fierce eyes fixt On hers, that, melting with pale terror, mixt Floods with their former flames, her soul’s sad doubt He thus resolves—‘ Unworthy whore, that, out Of hate to virtue, dost deny me what Thou freely grant’st to every rude swain that But courts thee in a dance—think not these tears Shall make me waive a pleasure, that appears Worth the receiving. Can your sordid earth Be honoured more than in the noble birth 190 Of such a son, as, wouldst thou yield to love, Might call thee mother, and hereafter prove The glory of your family? From Jove, The noblest mortals, heretofore that strove To fetch their pedigree, thought it no stain So to be illegitimate; as vain Is this in thee, there being as great an odds ’Twixt you and us, as betwixt us and gods.’ Trembling Florenza, on her bended knees, Thus answers him :—‘ That dreadful power that sees 200 All our disveloped thoughts, my witness be You wrong my innocence; I yet am free From every thought of lust. I do confess The unfathomed distance ’twixt our births, but less That will not make my sin; it may my shame The more, when my contaminated name Shall in those ugly characters be shown To the world’s public view, that now is known B’the blush of honesty; whose style, though poor, Exceeds the titles of a glorious whore— 210 Attended, whilst youth doth unwithered last, With envied greatness; but, frail beauty past Into a swift decay, assaulted by (31) William Chamberlayne [Boox I Rottenness within, and black-mouthed calumny Without, cast off, blushing for guilt, the scorn Of all my sex. My mother would unborn Wish her degenerate issue, my father curse The hour he got me. As infection worse Than mortal plagues, each virgin, that hath nought To glory in but what she with her brought 220 Into the world—an unstained soul, would fly The air I breathe; cast whores being company For none but devils, when corrupted vice A wilderness makes Beauty’s paradise. To this much ill, dim-eyed mortality A prospect lends; but what, oh! what should be When we must sum up all our time in one Eternal day, since to our thoughts unknown, Is only feared; but if our hallowed laws Are more than fables, the everlasting cause, 230 Twill of our torment be. If all this breath, Formed into prayers, no entrance finds, my death Shall buy my virgin-freedom, ere I will Consent to that, which, being performed, will kill My honour to preserve my life, and turn The unworthy beauty, which now makes you burn In these unhallowed flames, into a cell Which none but th’ black inhabitants of hell Will e’er possess. Those private thoughts, which give, If we continue virtuous whilst we live 240 On earth, our souls commerce with angels, shall Be turned to furies, if we yield to fall Beneath our vices thus. O! then take heed— Do not defile a temple; such a deed Will, when in labour with your latest breath, With horror curtain the black bed of death.’ Though prayers in vain strove to divert that crime He prosecutes, yet, to protract the time, She more had said, had not all language been Lost in a storm of’s lust; which, raging in 250 His fury, gives a fresh assault unto Weak innocence: for mercy now to sue— To hope—seems vain; robustious strength did bar The use of language, which defensive war Continuing, till the breathless maid was wrought Almost beneath resistance, just heaven brought This unexpected aid. A lowly swain, Whose large possessions in the neighbouring plain Had styled him rich, and powerful which to improve, To that fair stock, his virtue added love ; 260 257 lowly] Orig. ‘lovely,’ which again is quite possible, though the words are often confounded in the very bad printing of the original. ( 32 ) Canto II] Pharonnida Which, (un)to flattery since it lost its eyes, The world but seldom sees without disguise. This sprightly youth, led by the parallels Of birth and fortune—whate’er else excels Those fading blessings—to Florenza, in His youth’s fresh April, had devoted been, With so much zeal, that what that heedless age But dallied with, (like customs which engage Themselves to habits), ere its growth he knew, Love, equal with his active manhood, grew; 270 Which noble plant, though, in the torrid zone Of her disdain, ’t had ne’er distemper known, Yet oft those sad vicissitudes doth find, For which none truly loved that ne’er had pined. Which pleasing passion, though his judgement knew How to divert, ere reason it out-grew, It often from important action brought Him to those shades, where contemplation sought Calm solitude; in whose soft raptures, Love, Refining fancy, lifts his thoughts above 280 Those joys, which, when by trial brought t’ the test, Prove Thought’s bright heaven dull earth, when once possest. Whilst seated here, his eyes did celebrate, As to those shades Florenza oft had sat Beneath kind looks; to ravish that delight, The tired Carina, in her breathless flight Come near the place, assaults his wonder in That dreadful sound, which tells him what had been Her cause of fear; which doleful story’s end, Arrived t’ the danger of his dearest friend, 290 Leaves him no time for language, ere, winged by Anger and love, his haste strives to outfly His eager thoughts. Being now arrived so near Unto the place, that his informing ear Thither directs his steps, with such a haste, As nimble souls, when they are first uncased, From bodies fly, he thither speeds; and now Being come, where he beheld with horror how His better angel injured was, disputes Neither with fear nor policy—they’re mutes 300 When anger’s thunder roars=—but swiftly draws His falchion, and the justice of his cause Argues with eager strokes, but spent in vain ’Gainst that unequal strength, which did maintain The more unlawful; all his power could do, Is but to show the effects of love unto Her he adored, few strokes being spent before His feeble arm, of power to do no more, 261 (un)to] Altered from ‘to’ by Singer. Iam not sure that Chamberlayne would not have risked the double trochee ‘ Which, td | flatté | ry.’ ( 33 ) D William Chamberlayne [Boox I Faints with the loss of blood; and, letting fall The ill-managed weapon, for his death doth call, By the contempt of mercy, so to prove A sacrifice, slain to Florenza’s love. The cursed steel, by the robustious hand Of fierce Almanzor guided, now did stand Fixed in his breast, whilst, with a purple flood, His life sails forth 7 the channel of his blood. This remora removed, the impious deed No sooner was performed, but, ere the speed Florenza made (though to her eager flight Fear added wings) conveyed her from his sight, His rude hand on her seizes. Now in vain She lavished prayers, the groans in which her slain Friend breathes his soul forth, with her shrieks, did. fill The ambient air, struck lately with the still Voice of harmonious music. But the ear Of penetrated heaven not long could hear Prayers breathed from so much innocence, yet send Them back denied; white Mercy did attend Her swift delivery, when obstructing fear Through reason let no ray of hope appear. Startled Argalia, who was courted by Her pleasing voice’s milder harmony Into restrictive slumbers, wakened at Their altered tone, hastes to discover what Had caused that change; and soon the place attains, Where, in the exhausted treasure of his veins, Andremon wallows, and Florenza lies, Bathed in her tears, ready to sacrifice Her life with her virginity; which sight Provoked a haste, such as his presence might Protect the trembling virgin; which perceived By cursed Almanzor, mad to be bereaved O’ the spoils of such a wicked victory As lust had then near conquered, fiercely he Assails the noble stranger; who, detesting An act so full of villany, and resting On the firm justice of his cause, had made His guiltless sword as ready to invade As was the other’s, that had surfeited In blood before. Here equal valour bred In both a doubtful hope; Almanzor’s lust Had fired his courage, which Argalia’s just Attempts did strive to quench. The thirsty steel Had drunk some blood from both, ere fortune’s wheel Turned to the righteous cause. That vigour which Through rivulets of veins spread the salt itch Of feverish lust before, was turned into A flame of anger; whilst his hands did do (34) 310 320 330 35° Canto IT] Pharonnida What rage doth dictate, fury doth assist With flaming paroxysms, and each nerve twist 360 Into a double strength: yet not that flood, Which in this ebullition of his blood Did through the channels boil till they run o’er With flaming spirits, could depress that store Of manly worth, which in Argalia’s breast Did with a quiet even valour rest ; Moving as in its natural orb, unstrained By any violent motion; nor yet chained By lazy damps of faint mistrust, but in Danger’s extreme, still confident to win 370 A noble victory; or, i’ the loss of breath, If his fate frowned, to find an honoured death. Filled with these brave resolves, until the heat Of their warm fury had alarums beat T’ the neighbouring fields, they fought; which tumult, by Such of Almanzor’s followers as were nigh The grove reposed, with an astonishment That roused them, heard, they hasten to prevent The sad effects that might this cause ensue, Ere more of danger than their fear they knew. 380 Arrived e’en with that fatal minute, he Who against justice strove for victory, With such faint strokes that their descent did give Nought but assurance that his foe must live A happy conqueror, they usurp the power Of Heaven—revenge ; and, in a dreadful shower Of danger, with their fury’s torrent strive To o’erwhelm the victor: but the foremost drive Their own destruction on, and fall beneath His conquering sword, ere he takes time to breathe 390 Those spirits, which, when near with action tired, Valour breathed fresh, fast as the spent expired. Here rash Araspes and bold Leovine, Two whose descent i’ the nearest collateral line Unto Almanzor’s stood, beholding how His strength decayed must unto conquest bow In spite of valour, to revenge his fate With so much haste, attempt, as if too late They’d come to rescue, and would now, to shun His just reproof, by rashness strive to run 400 To death before him, finding from that sword Their life’s discharge; which did to him afford Only those wounds, whose scars must live to be The badges of eternal infamy. But here, o’erwhelmed by an unequal strength, The noble victor soon to the utmost length Had life’s small thread extended, if not in The dawn of hope, some troops, (whose charge had been, (a5) D2 Wilham Chamberlayne [Book I Whilst the active gentry did attend the court, To free the country from the feared resort 410 Of wild bandits), these, being directed by Such frighted rurals as employment nigh The grove had led, arriving at that time When his slain foes made the mistaken crime Appear Argalia’s, soon by power allay That fatal storm; which done, (a full survey Of them that death freed from distress being took), Them, through whose wounds Life had not yet forsook Her throne, they view; ’mongst whom, through the disguise Of’s blood, Almanzor, whose high power they prize 420 More than discovered innocence, being found, As Justice had by close decree been bound To espouse his quarrels; whilst his friends convey Him safely thence, those ponderous crimes they lay Unto Argalia’s charge, whose just defence Pleads but in vain for injured innocence. Now, near departing, whilst his helpful friends Bore off Almanzor, where he long attends The cure of’s wounds, though they less torment bred Than to behold how his lost honour bled ; 430 The sad Florenza comes to take her last Leave of her lost Andremon, ere she past That sad stage o’er. To his cold clammy lips Joining her balmy twins, she from them sips So much of death’s oppressing dews, that, by That touch revived, his soul, though winged to fly Her ruined seat, takes time enough to breathe These sad notes forth :—‘ Farewell, my dear, beneath The ponderous burthen of mortality My fainting spirits sink. Oh! mayest thou be 440 Blest in a happier love; all that I crave Is, that my now departing soul may have Thy virgin prayers for her companions, through Those gloomy vaults, which she must pass, unto Eternal shades. Had fate assigned my stay, Till we'd together gone, the horrid way Had then been made delightful; but I must Depart without thee, and convert to dust, Whilst thou art flesh and blood: I in a cold Dark urn must lie, whilst a warm groom doth hold 450 Thee in thy nuptial bed; yet there I shall— If fled souls know what doth on earth befal,— Mourn for thy loss, and to eternity Wander alone. The various world shall be Refined in flames; Time shall afford no place For vanity, ere I again embrace Society with flesh; which, ere that, must Change to a thousand forms her varied dust, ( 36 ) Canto II] Pharonnida What we shall be, or whither we shall go, When gone from hence—whe’er unto flames below, 460 Or joys above—or whe’er in death we may Know our departed friends, or tell which way They went before us—these, oh! these are things That pause our divinity. Sceptred kings, And subjects die alike, nor can we tell, Which doth in joy, or which in torments dwell. Oh, sad, sad ignorance! Heaven guide me right, Or I shall wander in eternal night, To whose dark shades my dim eyes sink apace. Farewell, Florenza! when both time and place 470 My separated soul hath left, to be A stranger masked in immortality, Think on thy murthered friend; we now must part Eternally! the cordage of my heart That last sigh broke.’ With that the breath, that long Had hovered in his breast, flew with a strong Groan from that mortal mansion; which beheld By such of’s friends whom courtesy compelled To that sad charge, the bloodless body they With sad slow steps to’s father’s home convey. 480 THE END OF THE SECOND CANTO. Canto III THE ARGUMENT The brave Argalia, who designed to raise Through all approaching ills his weighty fate, In smooth compliance that harsh guard obeys, Who towards his death did prosecute their hate: To death, which here unluckily had stained Maugre his friends, the ill-directed sword Of justice, had not secret love obtained More mercy than the strict laws dare afford. Low in a fruitful pasture, where his flocks Cloud with their breath those plains, whose leafy locks Could hardly shadow them—those meadows need No shearing—where in untold droves did feed His bellowing herds, of which enough did come Each day to’s yoke to serve a hecatomb, Lay old Andremon’s country farm: in which, Happy till now, being made by fortune rich, And goodness honest; from domestic strife Still calm and free; the upper robes of life, 10 466 in joy] Altered by Singer from ‘enjoy,’ plausibly, but perhaps idly. ( 37 ) William Chamberlayne [Boox I Till withered, he had worn; to ease whose sad And sullen cares less bounteous nature had Lent him no numerous issue—all he’d won By prayer, confined unto his murthered son, The blasted blossom of whose tender age, When blooming first, taught hope how to presage Those future virtues, which, interpreted By action, had such fruitful branches spread, That all indulgent parents wished to be Immortalized in blest posterity, 20 Had seen in him; who, innocently good, Still let his heart by’s tongue be understood, In such a sacred dialect, that all Which verged within deliberate thought did fall, Towards heaven was graced, and in descent did prove To’s parents duty, and to’s neighbours love. This hopeful youth, their age’s chief support, Whose absence, though by’s own desires made short, Their love thought tedious, having now expired His usual hours, the aged couple tired 30 With expectation, to anticipate His slow appearance, to their mansion’s gate Were softly walked, where coolly shadowed by An elm, which, planted at his birth, did vie Age with his lord; whilst their desires pursue Its first design, they with some pleasure view Their busy servants, whose industrious pain Sweats out diseases in pursuit of gain. All which, although the chiefest pleasure that Their thoughts contain—whose best are busied at 40 The mart o’ the world, such small diversion lent The aged pair, that his kind mother, spent With a too long protracted hope, had let F’en that expire, had not his father set Props to that weakness, and, that mutual fear Which filled their breasts, let his sound judgement clear, By the proposing accidents that might, Untouched, detain their darling from their sight. But many minutes had not left their seals On the records of time, ere truth reveals Her horrid secrets.—A confustd noise First strikes their ears, which suddenly destroys Its own imperfect embryocs, to transfer Its object to that nearer messenger O’ the soul—the eyes, whose beamy scouts convey A trembling fear into their souls, whilst they, That bore their murthered son, arrived to tell Their doleful message; which so fierce storm fell 33 Were] Singer, officiously, ‘ Had.’ ( 38) Canto IIT] Pharonnida Not long in those remoter drops, before, Swelled to a deluge, the swift torrent bore 60 The bays of reason down, and in one flood Drowned all their hopes. When purpled in his blood Yet pale with death—untimely death, she saw Her hopeful son, grief violates the law Of slower nature, and his mother’s tears In death congeals to marble: her swoln fears, Grown for her sex a burthen far too great, Had only left death for her dark retreat. Although from grief’s so violent effects, Reason, conjoined with manly strength, protects 70 His wretched father, at that stroke his limbs Slack their unwieldly nerves, faint sorrow dims His eyes more than his age, his hands bereft His hoary head of all that time had left Unplucked before; nor had the expecting grave Gaped longer for him, if they then had gave His passion freedom—his own guilty hand Had broke the glass, and shook that little sand That yet remained into thin air, that so, Unclogged with earth, his tortured ghost might go 80 Beyond that orb of atoms that attend Mortality ; and at that journey’s end Meet theirs, soon as swift Destiny enrols Those new-come guests within the sphere of souls. By these sad symptoms of infectious grief, Those best of friends that came for the relief Of sorrow’s captives, being by that surprised They hoped to conquer, sadly sympathized With him in woe, till the epidemic ill, Stifling each voice, drest sorrow in a still go And dismal silence: in which sad aspect, None needing robes or cypress to detect A funeral march, each dolefully attends, To death’s dark mansion, their lamented friends. Where, having now the earthy curtain drawn O’er their cold bed, till doomsday’s fatal dawn Rally their dust, they leave them; and retire To sorrow, which can ne’er hope to expire In just revenge, since kept by fear in awe— Where power offends, the poor scarce hope for law. i00 By sad example to confirm this truth— From innocent and early hopes of youth Led toward destruction, let’s return to see That noble stranger, whose captivity, Like an unlucky accident, depends On this sad subject. By the angry friends Of those accused, which in that fatal strife To death resigned the charter of their life, (39 ) > William Chamberlayne [Boox 1 He’s brought unto the princess’ palace; where That age, (whose customs knew not how to bear 110 Such sails as these have filled with pride), was placed The seat of justice; whose stern sword defaced Not Pleasure’s smoothest front, since now ’twas by Her fair hand guided, whose commanding eye, If armed with anger, seemed more dreadful then The harshest law e’er made by wrathful men. Here, strictly guarded, till the important crime, Which urged her to anticipate the time By custom known, had called her forth to that Unwilling office, still unstartled at 120 The frowns of danger, did Argalia lie An injured captive; till, commanded by The stern reformers of offended law, He hastes t’ the bar; where come, though death ne’er saw A brow more calm, or breast more confident, To meet his darts, yet since the innocent Are stained with guilt, when, in contempt of fate, They silent fall, he means to meet their hate With all that each beholder could expect From dying valour, when it had to protect 130 An envied stranger, left no more defence But what their hate obscures—his innocence. The clamorous friends of Aphron, backed by those Which knew his death the only mean to close Almanzor’s bleeding honour, to the fair And pitiful Pharonnida repair, With cries of vengeance; whose unwelcome sound She by her father’s strict command was bound To hear, since that those rivulets of law, Which from the sea of regal power did draw 140 Their several streams, all flowed to her, and in That crystal fountain, pure as they had been From heaven dispensed ere just Astrea fled The earth, remained; yet such aversion bred In her soft soul, that to these causes, where The law sought blood, slowly as those that bear The weight of guilt, she came; whose dark text she Still comments on with noble charity. High mounted on an ebon throne, in which The embellished silver shewed so sadly rich, 150 As if its varied form strove to delight Those solemn souls which death’s pale fear did fright, In Tyrian purple clad, the princess sate, Between two sterner ministers of fate, Impartial judges, whose distinguished tasks Their varied habit to the view unmasks. 133 Aphron] Mistake for ‘ Andremon.’ 149 in] Singer alters to ‘on.’ ( 40 ) Canto IIT] Pharonnida One, in whose looks, as pity strove to draw Compassion in the tablets of the law, Some softness dwelt, in a majestic vest Of state-like red was clothed; the other, dressed 160 In dismal black, whose terrible aspect Declared his office, served but to detect Her slow consent, if, when the first forsook The cause, the law so far as death did look. Silence proclaimed, a harsh command calls forth The undaunted prisoner, whose excelling worth, In this low ebb of fortune, did appear Such as we fancy virtues that come near The excellence of angels—fear had not Rifled one drop of blood, nor rage begot 170 More colour in his cheeks—his soul in state Throned in the medium, constant virtue, sat, Not slighting, with the impious atheists, that Loud. storm of danger, but, safe anchored at Religious hope, being firmly confident Heaven would relieve whom earth knew innocent. All thus prepared, he hears his wrongful charge (Envy disguising injured truth) at large, Before the people, in such language read, As checked their hopes in whom his worth had bred 180 Some seeds of pity; and to those, whose hate Pursued him to this precipice of fate, Dead Aphron’s friends, such an advantage gave, That Providence appeared too weak to save One so assaulted: yet, though now depressed E’en in opinion, which oft proves the best Support to those whose public virtues we Adore before their private guilt we see, His noble soul still wings itself above Passion’s dark fogs; and like that prosperous dove, 190 The world’s first pilot for discovery sent, When all the floods that bound the firmament « O’erwhelmed the earth, Conscience’ calm joys to increase, Returns, fraught with the olive branch of peace. Thus fortified from all that tyrant fear E’er awed the guilty with, he doth appear The court’s just wonder in the brave defence Of what, (though power, armed with the strong pretence Of right, opposed), so prevalent had been, T’ have cleared him; if, when near triumphing in 200 Victorious truth, to cloud that glorious sun, Some faithless swains, by large rewards being won 162 detect] For the sake of rhyme, no doubt. It can just be interpreted as= ‘remove the concealment from,’ ‘extract.’ 183 Aphron] Mistake as before. (47) William Chamberlayne To spot their souls, had not, corrupted by His foes, been brought, falsely to justify Their accusations. Which beheld by him, Whose knowledge now did hope’s clear optics dim, He ceased to plead; justly despairing then, That innocence ’mongst mortals rested, when Banished her own abode; so thinks it vain To let truth’s naked arms strive to maintain The field ’gainst his more powerful foes. Not all His virtues now protect him, he must fall A guiltless sacrifice, to expiate No other crime but their envenomed hate. An ominous silence—such as oft precedes The fatal sentence—whilst the accuser reads His charge, possessed the pitying court, in which Presaging calm Pharonnida, too rich In mercy, Heaven’s supreme prerogative, To stifle tears, did with her passion strive So long, till what at first assaulted in Sorrow’s black armour, had so often been For pity cherished, that at length her eyes Found there those spirits that did sympathize With those that warmed her blood, and, unseen, move That engine of the world, mysterious love, The way that fate predestinated, when ’Twas first infused i’ the embryo; it being then That which espoused the active form unto Matter, and from that passive being drew Divine ideas; which, subsisting in Harmonious Nature’s highest sphere, do win, In the perfection of our age, a more Expansive power; and, nature’s common store Still to preserve, unites affections by The mingled atoms of the serious eye. Whilst Nature’s priest, the cause of each effect, Miscalled disease, endeavours to detect Its unacquainted operations in The beauteous princess, whose free soul had been Yet guarded in her virgin ice, and now A stranger is to what she doth allow Such easy entrance—by those rays that fall From either’s eyes, to make reciprocal Their yielding passions, brave Argalia felt, E’en in the grasp of death, his functions melt To flames, which on his heart an onset make For sadness, such as weaker mortals take Eternal farewells in. Yet in this high Tide of his blood, in a soft calm to die, His yielding spirits now prepare to meet Death, clothed in thoughts white as his winding-sheet. ( 42 ) [Book I 210 220 230 240 250 Canto IIT] Pharonnida That fatal doom, which unto heaven affords The sole appeal, one of the assisting lords Had now pronounced, whose horrid thunder could Not strike his laurelled brow ; that voice, which would Have petrified a timorous soul, he hears With calm attention. No disordered fears Ruffled his fancy, nor domestic war Raged in his breast; his every look, so far 260 From vulgar passions, that unless amazed At Beauty’s majesty, he sometimes gazed Wildly on that as emblems of more great Glories than earth afforded, from the seat Of resolution his fixed soul had not Been stirred to passion, which had now begot Wonder, not fear, within him. No harsh frown Contracts bis brow, nor did his thoughts pull down One fainting spirit, wrapt in smothered groans, To clog his heart. From her most eminent thrones 270 Of sense, the eyes, the lightning of his soul Flew with such vigour forth, it did control All weaker passions, and at once include With Roman valour Christian fortitude. Pharonnida, from whom the rigid law Extorts his fate, being now enforced to draw The longest line she e’er could hope to move Over his face, that beauteous sphere of love, Unto its great’st obliquity, she leaves Him, in his winter solstice, and bereaves 280 Love’s hemisphere of light, not heat; yet, oft Retreating, wished those stars, fate placed aloft In the first magnitude of honour, might Prove retrograde; so their contracted light Might unto him part of their influence In life bestow, passion would fain dispense So far with reason, to recal again The sentence she had past: but hope in vain Those false suggestions moves. His jailors are The undaunted prisoner hurrying from the bar, 290 His fair judge rising, the corrupted court Upon removing, all the ruder sort Of hearers rushing out, when, through the throng, Kind Ariamnes (being detained so long By strict employment) comes; at whose request The court their seats resuming, he addrest Himself t’ the princess in a language that, (Whilst all Argalia’s foes were storming at), E’en on her justice so prevails, that he Reprieved till all hope could produce, to free 300 257 petrified] Orig. ‘ putrefied,’ which I shall not say that Chamberlayne could not have meant. 2gi corrupted] Apparently in the derivative sense of ‘broken up. ( 43 ) Wilham Chamberlayne [Boox 1 Her love’s new care, might be examined by His active friend; who now, being seated nigh Pharonnida, whilst all attentive sate, The stranger’s story doth at large relate. Pleased at this full relation, near as much As grieved to see those jewels placed in such A coarse cheap metal, which could never hold The least proportion with her regal gold, Pharonnida had now removed, if not Thus once more stayed :—The rumour, first begot 310 From this sad truth, had, with the common haste Of ill, arrived where his disease had placed Aphron, whose ears, assaulted now with words Of more infection than that plague, affords Room for the stronger passion: though offended, To leave a hold it had at first intended To keep till ruined, the imprisoned blood, And spirits are unfettered, by that flood To wash usurping grief from off that part Where most she reigned; but they, drawn near the heart, 320 And finding enemies too strong to be Encountered, mix in their society ; Which, thus supplied with auxiliaries, in Contempt of weakness, (when he long had been Languishing, underneath a tedious load Of sickness), sends him from his safe abode, ’Mongst dangers which in death’s black shape attend His bold design, to seek his honoured friend. Come on the spur of passion to the court, A flux of spirits from all parts resort 330 To prompt his anger, which abruptly broke Forth in this language :—‘ Do not, sirs, provoke A foreign power thus far—I speak to you That have condemned this stranger—as to do An act so opposite to all the law Of nations,—here within your realm to draw Blood that’s near and allied unto the best Of an adjacent state. If this request Of mine too full of insolence appear, We are spirits nobly born, and we are near 340 Enough to have’t, whatever crime’s the cause Of this harsh sentence, tried by our own laws.’— This bold opposer of stern justice (here Pausing to see what clouds there did appear 313 Aphron] The real Aphron. 315 offended] Another exemplary note may call attention to this characteristic instance ° of Chamberlayne’s syntax. ‘Offended’ and ‘it’ can only refer to‘ disease,’ or ‘ plague,’ though they have not the least grammatical connexion therewith or with anything else. For though grammar permits junction with ‘the imprisoned blood,’ sense forbids. 337 near] Singer alters to ‘so near,’ without any need. ( 44) Canto IIT] Pharonnida In that fair heaven, whose influence gnly now Could light to’s friend’s declining stars allow), To free the troubled court, which struggled in A strange dilemma, had commanded been To a more large discovery, if not by His pitying friend discharged in a reply, 350 Doubting how far irregular boldness had Provoked just wrath. Argalia thus unclad Amazement’s dark disguise :—‘To you that awe This court’ (with that kneels to Pharonnida) ‘I now for mercy flee, that scorn to run From my own doom, so I might have begun The doubtful task alone; but here to leave My friend, from whom your justice did receive This bold affront, in danger, is a crime That not approaching death, which all my time 360 Too little for repentance calls, can be A just excuse for; let me then set free His person with your doubts, and joined to those What both their varied stories may compose.— ‘For what this noble lord, whose goodness we First found in needful hospitality, From him hath differed in, impute it not To either’s error ; both reports begot From such mistakes, as nature made to be The careful issues of necessity : 370 That fatal difference, whose vestigia stood, When we Epirus left, fresh filled with blood, By league so lately with Calabria made, Being composed, that fame did not invade Our ears with the report, till we had been By a disguise secured; which, shaded in, Whilst fearing danger, we ne’er thought to leave Till safe at home. Thus, what did first deceive Kind Aminander, you have heard; and now, Without the stain of boasting, must allow 380 Me leave to tell you, that we there have friends, On whom the burthen of a state depends.’ When, to the court’s just wonder, thus far he, With such unshaken confidence as we Pray on the expanded wings of faith, displayed His soul’s integrity, the royal maid, Whom a repented destiny had made His pitying judge, endeavouring to evade That doom’s harsh rigour, grants him a reprieve, Till thrice the sun, returning to relieve 390 352 wrath] I have tried various punctuations for this passage, but it defies all. The sense is clear enough, however. 379 Aminander] i. e. Ariamnes, 383 court’s] Orig. ‘court,’ not quite impossibly, (45) William Chamberlayne [Boox I Night’s drooping sentinels, had circled in So many days. In which short time, to win The fair advantage of discovering truth, Old Aminander, active as fresh youth In all attempts of charity, to know From what black spring those troubled streams did flow, Hastes toward Andremon’s; whilst Pharonnida, Active as he toward all whence she might draw A consequence of hope, lays speedy hold On this design :—Commissioned to unfold 400 Their master’s love toward her, there long had been Ambassadors from the Epirot in Her father’s court; whose message, though it might Wear love’s pure robes, yet, in her reason’s light, Seems so much stained with policy, that all Those blessings, which the wise foresaw to fall As influence from that conjunction, she Opposes as her stars’ malignity. Proud of this new command, with such a haste As those that fear more slow delays may waste 410 Their precious time, the ambassadors attain The princess’ court; where come, though hoped in vain, Only expect a speedy audience ; they, That frustrated, are soon taught to betray More powerful passions :—the first glance o’ the eye They on the prisoners cast, kind sympathy Proclaimed,—love gave no leave for time to rust Their memories—both the old lords durst trust Eyes dimmed with tears, whilst their embraces give A sad assurance there did only live 420 Their last and best of comforts. Which beheld By those from whom kind pity had expelled All thoughts of the vindictive law, they strive By all the power of rhetoric to drive Those sad storms over; which good office done, They each inform the prince, which was the son Of nature, which adoption; withal tell how, By their persuasions moved, they did allow Them time to travel, which disasters had So long protracted; for some years, with sad 430 And doubtful hopes, they had in vain expected Their wished return, but that their stars directed Their course so ill, as now near home to be O’ertaken with so sad a destiny. — Since such a sorrow could be cured by none, They sadly crave the time to mourn alone. THE END OF THE THIRD CANTO, 398 draw] In this rhyme, which is common, it is more likely that ‘draw’ was pronounced ‘ dra’’ than that ‘Pharonnida’ became ‘ Pharonnidavw.’ 412 hoped] Orig. ‘hope.’ (46) CANTO IV] Pharonnida Canto IV THE ARGUMENT At length the veil from the deluded law, With active care by Aminander took, The startled court in their own error saw How lovely truth did in Argalia look. The story of our youth discovered, he, His merits yet in higher pitch to raise, Morea’s prince doth from a danger free, Which unto death his noblest lords betrays. Tuat last sad night, the rigid law did give The late reprieved Argalia leave to live, Was now, wrapt in her own obscurity, Stolen from the stage of time, when light, got free From his nocturnal prison, summons all Almanzor’s friends to see the longed-for fall Of the envied stranger; whose last hour was now So near arrived, faint hope could not allow So much of comfort to his powerful’st friend As told her fears—she longer might suspend 1a His fatal doom. Mournful attendants on That serene sufferer, all his friends are gone Unto the sable scaffold that’s ordained, By the decree of justice, to be stained With guiltless blood; all sunk in grief—but she, Who by inevitable destiny Doomed him to death, most deep. Dull sorrow reigns In her triumphant; sad and alone remains She in a room, whose window’s prospect led Her eye to the scaffold, whither, from the bed 20 Where sorrow first had cast her, she did oft Repair to see him; but her passion’s soft Temper, soon melting into tears, denies Her soul a passage through o’erflowing eyes. Often she would in vain expostulate With those two subtle sophisters that sate Clothed in the robes of fancy, but they still O’erthrow her weaker arguments, and fill Her breast with love and wonder; passion gave Such fierce assaults, no virgin vow could save 30 Her heart’s surrender—she must love and lose In one sad hour; thus grief doth oft infuse Those bitter pills, where hidden poisons dwell, In the smooth pleasures of sweet oxymel. Argalia’s friends, that did this minute use As if the last of mortal interviews, 28 o’erthrow] Orig. ‘o’erthrew.’ (47) Witham Chamberlayne [Boox I Had now reversed their eyes, expecting nought But that stroke’s fall, whose fatal speed had brought Him to eternal rest; when by a loud And busy tumult, as if death, grown proud, 40 Expected triumphs, to divert their sight, They from the scaffold’s lofty station might, Within the reach of an exalted voice, Behold a troop, who (as the leader’s choice, Confined to strait necessity, had there Enrolled all comers, if of strength to bear Offensive arms) did first appear to be Some tumult drest in the variety Of sudden rage: for here come headlong in A herd of clowns, armed as they then had been 50 From labour called; near them, well ordered ride (As greatness strove no longer to divide Societies) some youths, brave as they had Been in the spoils of conquered nations clad. This sudden object, first obstructing all Their court’s proceedings, prompts their doubts to call Their absent prince; who, being too wise for fear’s Uncertain fictions, with such speed appears As checks the tumult; when, to tell them who Had from their homes the frighted people drew, 69 I’ the van of a well-ordered troop rides forth Loved Aminander, whose unquestioned worth, That strong attractive of the people’s love, Expunged suspicion: whilst his troops did move With a commanded slowness to inform The expecting prince, from whence this sudden storm Contracted clouds, he to his view presents Andremon’s friends; whose looks—the sad contents Of sorrow, with a silent oratory Beg pity, whilst he thus relates their story.— 70 ‘That we, great prince, we, whom a loyal fear To strict obedience prompts, dare thus appear Before your sacred person, were a sin Mercy would blush to own, had we not been Forced to offensive arms, by such a cause As tore the sceptre-regulated laws Forth of your royal hand, to vindicate This suffering stranger, whom a subtle hate, Not solemn law, pursued. I here have brought Such witnesses as have their knowledge bought So At the expense of all their joy, whom I Found so confined, as if their misery Were in their houses sepulchred ; a sad And general sorrow in one dress had clad So many, that their only sight did prove— Lost virtue caused such universal love. ( 48 ) Canto IV] Pharonnida To free this noble youth, whose valour lent A late protection to this innocent But injured maid, they, unconstrained, had here Implored your aid, had not too just a fear, go Caused from some troops, raised by a wronged pretence Of your commands, checked their intelligence, With such illegal violence that I Had shared their sufferings, if not rescued by These following friends, whose rude conjunction shows It was no studied plot did first compose So loose a body. But, lest it appear In me like envy, should I strive to clear This doubtful story, here are those, (with that Calls forth Andremon’s friends), instructed at 100 The dearest price, which, by discovering truth, Will not alone rescue this noble youth From falling ruin—but, lest he retreat Into rebellion, force before this seat A man, whose power the people thought had been To punish vice, not propagate a sin.’ Having thus far past toward discovery, here The grave lord ceased: and, that truth might appear From its first fair original, to her Whose virtue, Heaven’s affected messenger, 110 Commands attention, the more horrid part Of his relation leaves. And here, vain Art, Look on and envy, to behold how far Thy strict rules (which our youth’s afflictions are) Nature transcends, in a discourse which she, With all the flowers of virgin modesty, Not weeds of rhetoric, strewed; to hear her miss, Or put a blush for a parenthesis, In the relating that uncivil strife, Which her sad subject was—so near the life 120 Limns lovely virtue, that, that copy whence Art took those graces, she doth since dispense T’ the best of women. Fair Pharonnida, Taught by that sympathy, which first did draw Those lovely transcripts of herself, although Varied as much as humble flowers, that grow Dispersed in shady deserts, are from those That nice art in enamelled gardens shows ; Yet, like bright planets which communicate To earth their influence, from exalted state 130 She now descends to cherish virtue in Those lovely nymphs, whose beauties, though they’d been Yet in the country clouded from report, Soon grow the praise or envy of the court. Emboldened by that gracious favour shown To these fair nymphs, to prosecute their own ( 49 ) E William Chamberlayne [BooK I Most just complaints, Andremon’s wretched friends, With prayers perceive that mercy which descends, O’er all their sufferings, on the expanded wings Of noble pity; whose fair hand first brings 140 Argalia from the sable scaffold, to Meet those rewards to his high merits due, Not only in what death’s dark progress stays, But life’s best joy—an universal praise Acquired from just desert. Next she applies Herself to those poor burthened souls, whose eyes Look e’en on comforts through their tears, the dead Andremon’s mourners ; whose lost joy, though fled For ever from those wintring regions, yet As much received as sorrow would permit 150 Souls so opprest; the splendid court they leave With thankful prayers. And now called to receive His sin’s reward Almanzor is, whose shame, Its black attendant, when b’ his hated name He’d oft been summoned, prompts him to deny That legal call; which being an act too high For a depending power to patronise, To shun feared justice’ public doom, he flies His prince’s mandates, an affront that sent Him to’s desert—perpetual banishment. 160 This comet lost in clouds of infamy, The court, which had too long been burthened by His injured power, with praises entertain Impartial justice; whilst to call again Those pleasures which had in this interval Of law been lost, the prince, convening all That shared those sufferings, as the centre whence Joy spread itself t’ the court’s circumference, Crowns all their wishes, which, by that bright star In honour’s sphere—the auspicious princess, are 170 Exalted to their highest orbs. Her love Unto Argalia, though it yet must move As an unnoted constellation, here Begins its era, which, that’t might appear Without suspicion, she disguises in The public joy. Which, ’mongst those that had been His serious mourners, to participate, That kind Epirot, who first taught his fate The way to glory, comes; to whom he now Was on those knees merit had taught to bow, 180 With as much humble reverence as if all The weights of nature made those burthens fall A sacrifice to love, fixed to implore Its constant progress, but he needs no more 178 Epirot] Observe the jumble with ‘Calabrian,’ 1. 189. (50) Canto IV] Pharonnida For confirmation, since his friend could move But the like joy, where nature taught to love. Passion’s encounter, which too high to last, Into a calm of thankful prayers being past, The prince from the Calabrian seeks to know By what collateral streams he came to owe 190 Such love unto a stranger—one that stood Removed from him i’ the magnetism of blood ; Whom thus the lord resolves :—‘ When blooming in The pride of youth, whose varied scenes did win Time on the morning of my days, a while, To taste the pleasures of a summer’s smile, I left the court’s tumultuous noise and spent Some happy time blest with retired content, In the calm country, where Art’s curious hand, As centre to a spacious round of land, 200 Had placed a palace, in whose lovely dress, The city might admire the wilderness ; Yet, though that ill civility was in Her marble circle, Nature’s hand had been As liberal to the neighbouring fields, and deckt Each rural nymph as gaudy, till neglect Or slovenly necessity had drawn Her canvass furrows o’er their vales of lawn. ‘Near this fair seat, fringed with an ancient wood, A fertile valley lay, where scattered stood 210 Some homely cottages, the happy seats Of labouring swains, whose careful toil completes Their wishes in obtaining so much wealth To conquer dire necessity; firm health, Calm thoughts, sound sleeps, unstarted innocence, Softened their beds, and, when roused up from thence, Suppled their limbs for labour. Amongst these, My loved Argalia, (for till fate shall please His dim stars to uncurtain, and salute His better fortune with each attribute 220 Due to a nobler birth, his name must be Contracted into that stenography) Life’s scenes began, amongst his fellows that There first drew breath, being true heirs to what, Whilst all his stars were retrograde and dim, Unlucky fortune but adopted him. “Whilst there residing, I had oft beheld The active boy, whose childhood’s bud excelled More full-blown youths, gleaning the scattered locks Of new-shorn fields amongst the half-clad flocks 230 Of their unripe but healthful issue; by Which labour tired, sometimes I see them try The strength of their scarce twisted limbs, and run A short breathed course; whose swift contention done, (51) E2 William Chamberlayne [Boox I And he (as in each other active sport) With victory crowned, they make their next resort T’ the spring’s cheap bounties; but what did of all His first attempts give the most powerful call Both to my love and wonder was, what chanced From one rare act:—The morning had advanced 240 Her tempting beauties to assure success To these young huntsmen, who, with labour less Made by the pleasure of their journey, had The forest reached, where, with their limbs unclad For the pursuit, they follow beasts that might Abroad be recreation, and, when night Summoned them home, the welcomest supply Both to their own and parents’ quality. An angry boar, chafed with a morning’s chase, And now near spent, was come so near the place, 250 Where, though secured, on the stupendous height Of a vast rock they stood, that now no flight Could promise safety; that wild rage, which sent Him from the dogs, his following foes, is spent In the pursuit of them; which, to my grief, Had suffered ere we could have lent relief, Had not Argalia, e’en when danger drew So near as death, turned on the beast, and threw His happy javelin; whose well-guided aim, Although success it knew not how to claim 260 From strength, yet is so much assisted by Fortune, that, what before had scorned to die By all our power when contending in Nice art, the honour of that day to win To him alone, falls by that feeble stroke From all his speed; which seen, he, to provoke His hastier death, seconds those wounds which in Their safety are by those with terror seen, That had escaped the danger, and e’en by Us that pursued with such amaze, that I, 270 Who had before observed those rays of worth Obscured in clouds, here let my love break forth In useful action, such as from that low Condition brought him where I might bestow On him what art required, to perfect that Rare piece of nature which we wondered at. From those whom I, ’mongst others, thought to be Such whose affection the proximity Of nature claimed, with a regret that showed Their poverty unwillingly bestowed 280 238 give the most powerful call] This is Singer’s mending of the orig. repetition ‘did give the powerful call.’ 280 bestowed ] This bewildering Chamberlaynean construction seems = ‘ Of those from whom I, thinking them to be, &e., had procured.’ But in this as in hundreds of future (52) Cano IV] Pharonnida So loved a jewel, had procured the youth— His foster father, loath to waive a truth That in the progress of his fate might be Of high account, discovers unto me The world’s mistake concerning him, and thus Relates his story :—“ He was brought to us, (Quoth the good man) some ten years since, by two Who (could men be discovered to the view Of knowledge by their habits) seemed but such As Fortune’s narrow hand had gave not much 290 More than necessity requires to be Enjoyed of every man, whom life makes free Of Nature’s city; though their bounty showed To our dim judgements, that they only owed Mischance for those coarse habits, which disguised What once the world at higher rates had prized. I’ the worst extreme of time, about the birth O’ the sluggish morning, when the crusted earth Was tinselled o’er with frost, and each sprig clad With winter’s wool, I, whom cross Fortune had 300 Destined to early labours, being abroad, Met two benighted men, far from the road, Wandering alone; no skilful guide their way Directing in that infancy of day, But the faint beams of glimmering candles, that Shone from our lowly cottage windows, at Which marks they steered their course: one of them bore This boy, an infant then, which knew no more Than Nature’s untrod paths. These, having spied Me through the morning’s mists, glad of a guide, 310 Though to a place whose superficial view Lent small hopes of relief, went with me to Mine own poor home; where, with such coarse cheap fare As must content us that but eat to bear The burthens of a life, refreshed, they take A short repose; then, being to forsake Their new-found host, desire with us to leave The child, till time should some few days bereave OF the habiliments of light. We stood Not long to parl, but, willing to do good 320 To strangers so distressed, were never by Our poverty once tempted to deny. My wife, being then a nurse, upon her takes The pretty charge, and with our own son makes Him fellow-commoner at the full breast, And partner of the cradle’s quiet rest. Now to depart, one that did seem to have The near’st relation to the infant gave instances the reader must take his own choice of several doubtfully possible inter- pretations, (53 ) Wilham Chamberlayne [Boox I Him first this jewel, (at which word they showed One which upon Argalia was bestowed 330 By those that left him), then, that we might be Not straitened by our former poverty, Leaves us some gold, by which we since have been Enabled to maintain him, though not in That equipage, which we presume unto His birth (although to us unknown) is due. This done, with eyes that lost their light in tears, They take their leaves; since when, those days to years Are grown, in which we did again expect They should return; but whether ’t be neglect 340 Or else impossibility detain Them from his sight, our care hath sought in vain.” ‘Having thus plainly heard as much as Fate Had yet of him discovered, I, that late Desired him for his own, now for the sake Of ’s friends, (whate’er they were), resolved to take Him from that barren rudeness, and transplant So choice a slip where he might know no want Of education; with some labour, I Having obtained him, till virility 330 Rendered him fit for nobler action, stayed Him always with me, when my love obeyed His reason; and then, in the quest of what Confined domestics do but stumble at— Exotic knowledge, with this noble youth, To whom his love grew linked, like spotless truth To perfect virtue,—sent him to pursue His wished design, from whence this interview First took its fatal rise:’—And here the lord, That a more full discovery might afford 360 Them yet more wonder, shows the jewel to Sparta’s pleased prince ; at whose most serious view The skilfullest lapidaries, judging it, Both for its worth and beauty, only fit To sparkle in the glorious cabinet Of some great queen, such value on it set, That all conclude the owner of ’t must be Some falling star, i’ the night of royalty, From honour’s sphere, the glories of a crown To vaunt, the centre of our fears, dropt down. 379 And now the court, whose brightest splendour in These fatal changes long eclipsed had been, Resumes its lustre; which to elevate, With all the pleasures of a prosperous state, For that contracted span of time designed For th’ prince’s stay, fancies are racked to find 367 owner] Orig. ‘honour,’ a strange mistake elsewhere repeated. (54) CANTO IV] Pharonnida New forms of mirth, such whose invention might Inform the ear, whilst they the eye delight. All which, whilst to the less concerned they lent A flux of joy, yet lost their first intent— 380 To please the princess; who from mirth did move Eccentrical, since first inflamed with love, Which did soon from her fancy’s embryon grow A large-limbed tyrant; when, prepared to go, She sees Argalia, who, engaged to attend The ambassadors, here soon put an end To what, e’en from those unto love unkind, Must now force tears ere it a period find. That time expired——ordained to terminate Her father’s stay, and so that splendid state 390 That yet adorned the princess’ court, to show How much he did for’s frontiers’ safety owe Unto those moving citadels—a fleet, His mandates call each squadron for to meet Within Lepanto, in whose harbours lay Those ships that were ordained for a convey To the Calabrian’s messengers; who now, With all that love or honour could allow To noble strangers, being attended by The brightest glories of two courts, draw nigh 400 A royal fleet, whose glittering streamers lent Dull waves the beauties of a firmament : Amongst which numbers, one, too stately far For rough encounters of defacing war, Whose gilded masts their crimson sails had spread In silken flakes, advanced her stately head, High as where clouds condense, where a light stands, Took for a comet by far distant lands; For cabins—where the imprisoned passenger Wants air to breathe,—she’s stored with rooms that were 410 So fair without, and yet so large within, A Persian sophi might have revelled in Their spacious hulks. To this, Molarchus, he Whom greatness, joined to know ability, Had made Sicilia’s admiral, invites The royal train; where, with whate’er delights (Although invention all her stock had spent) Could be upon that liquid element Prepared their welcome; whilst, at every bowl A health inters, the full-mouthed cannons troul 420 A peal of thunder, which in white waves drowned, The softer trumpets do their dirges sound. Now in the full career of mirth, whilst all Their thoughts in perpendiculars did fall 414 know] One conjectures ‘known,’ but the other is more like our author. (55) William Chamberlayne [Boox I From honour’s zenith, none incurvated With common cares—parents that might have bred A sly suspicion; whilst neglective mirth Keeps all within, from their deep bed of earth Molarchus hoist his anchors, whilst that all The rest lay still, expecting when his call 430 Commands their service: but when they beheld His spread sails with a nimble gale were swelled ; An oppressed slave, which lay at rest before, Was, with stretched limbs, tugging his finny oar ; Conceiving it but done to show the prince That galley’s swiftness, let that thought convince Fear’s weak suggestions, and, invited by Their tempting mirth, still safe at anchor lie. But now, when they not only saw the night Draw sadly on, but what did more affright 440 Their loyal souls—the distant vessel, by Doubling a cape, lost to the sharpest eye, For hateful treason taxing their mistake, With anchors cut and sails spread wide they make The lashed waves roar. Whilst those enclosed within The galley, by her unknown speed had been Far more deceived—being so far conveyed, Ere care arrives to tell them they’re betrayed Through mirth’s neglective guards. Who now, in haste With anger raised, in vain those flames did waste 450 In wild attempts to force a passage to The open decks, whither before withdrew Molarchus was; who now prepared to give That treason birth, whose hated name must live In bloody lines of infamy. Before They could expect it, opening wide the door That led them forth, the noble captives fly To seek revenge; but, being encountered by An arméd crew, so fierce a fight begin, That night’s black mantle ne’er was lined within 460 With aught more horrid; in which bloody fray, The subtle traitor, valiant to betray— Though abject else, unnoted, seizing on The unguarded princess, from their rage is gone, Through night’s black mask, with that rich prize into A boat, that, placed for that design, was drew Near to the galley; whose best wealth being now Thus made their own, no more they study how To save the rest—all which for death designed. The conquered rebels soon their safety find 470 429 hoist] Singer ‘hoists,’ but it is no doubt preterite. 434 oar] Orig. and Singer ‘ore,’ which must be wrong. In anybody but Chamber- layne we should expect ‘ And oppressed slaves’ with no ‘ was.’ (56 ) Canto IV] Pharonnida From other boats, but first, that all but she O’the royal train secured by death might be, So large a leak in the brave vessel make, That thence her womb soon too much weight did take For her vast bulk to wield, which, sinking now, No safety to her royal guests allow. The ship thus lost, and now no throne but waves Left the Sicilian prince, just Heaven thus saves His sacred person :—Amongst those that fought For timely safety, nimble strength had brought 480 Argalia and his following friend so near One of the boats, in which, secured from fear, The rebels sailed, that now they both had took A hold so sure, that, though their foes forsook Their oars to hinder ’t, spite of all their force, Argalia enters; which, a sad divorce From life, as he by strength attempts to rise From falling wounds, unhappily denies The valiant Aphron; who, by death betrayed From time and strength, had now left none to aid 490 His friend, but those attending virtues, that, Ne’er more than now, for th’ world to wonder at, Brave trophies built. With such a sudden rage, As all his foes did to defence engage, Those bolder souls that durst resist, he had From their disordered robes of flesh unclad ; Which horrid sight forced the more fearful to Such swift submission, that, ere fear outgrew His hope, assisted by that strength which bought Their lives’ reprieve, their oars reversed had brought 500 Him back t’ the place, in which the guilty flood Was stained with fair Sicilia’s noblest blood. Assisted by those silver streams of light The full-faced moon shot through the swarthy night On the smooth sea, he first his course directs Toward one, whose robes, studded with gems, reflects Those feeble rays, like new-fallen stars; he there Finds Sparta’s prince, then sinking from the sphere Of mortal greatness in the boundless deep, To calm life’s cares in an eternal sleep. 510 From unexpected death, the grave’s most grim And ghastly tyrant, having rescued him— With as much speed, as grief’s distractions, joined To night’s confusion, could give leave, to find More friends, before that all were swallowed by The sea, he hastes; when, being by chance brought nigh Dead Aphron’s father, to be partner in Their cares, who, as they only saved had been 475, bulk] Singer, as elsewhere, arbitrarily prints ‘ Aulk,’ which is possible but by no means necessary. (57) Witham Chamberlayne [Boox I To mourn the rest, he from the rude sea saves Him, to be drowned in sorrow’s sable waves. 520 Now in the quest of that deserving lord, Whose goodness did to’s infancy afford Life’s best of comforts—education, he, To balk that needless diligence, might see At one large draught the wide waves swallow all Who vainly did till that sad minute call To Heaven for help; which dismal sight, beheld By those that saved by accident, expelled Their own just fears—for them to entertain As just a grief. Their needful time in vain 530 They spend no longer in their search, but, though Unwieldy grief yet made their motion slow, Haste from that horrid place, where each must leave Such valued friends. Numbers that did receive Their blood, descended to nobility, From th’ royal spring, here the grieved prince might see Interred in the ocean; the Epirot lord, His late found son, whom love could scarce afford A minute’s absence; nor’s Argalia less Engaged to grief—to leave whom the distress 540 Of’s youth relieved; but what from each of these Borrowed some streams of sorrow, to appease A grief which since so many floods hath cost— The noble Aminander here was lost. Rowed with such speed as their desire, joined to That fear which from the conquered rebels drew A swift obedience, being conducted by A friendly light, their boat is now drawn nigh A rocky island; in whose harbour they Found where the boat that had outsailed them lay, 550 Drawn near the shore: but all the passengers Being gone, the sight of that alone confers No other comfort than to inform them that The ravished princess had been landed at That port; which by their sailors they are told Belongs unto a castle, kept to hold That island, though but one unnoted town, T’ the scarce known laws of the Sicilian crown. This heard b’ the prince, who formerly had known ‘That castle’s strength, being vexed (although his own) 560 That now ’twas such ; leaving the vessel, they, Protected by night’s heaviest shades, convey Themselves into a neighbouring cottage, where The prince, who now externally did bear No forms of greatness, left to his repose. Argalia, whilst night’s shadows yet did close 558 Sicilian] i.e. Morean. (58) Canto IV] Pharonnida Discovering eyes, hastes back t’ the harbour; whence, To give the royal fleet intelligence ©’ the king’s distress, he sends forth all but one, Whose stoutness had best made his valour known, 570 Of those which, conquered by his sword, are now By bounty made too much his own, to allow E’en slight suspicion room. This being done, That valour, though with love ’twere winged, might run On no rash precipice, assisted by That skilful seaman, from some ships that lie Neglected, ’cause by time decayed, he takes So much o’ the tackling, as of that he makes Ladders of length sufficient to ascend The castle walls; which, having to defend 380 Them nought but slave security, is done With so much ease, that what’s so well begun They boldly second, and first entering in A tower, (which had b’ the prudent founder been Built to command the haven’s mouth, which lay Too low for th’ castle), where, when come, all they Found to resist, is one poor sentry, bound In sleep, which soon by death is made more sound. To lodge the prince in that safe place, before His active valour yet attempted more, 590 The gate’s secured that led t’ the castle. He, Protected by that night’s obscurity, By a concealed small sally-port is to Its strength soon brought; when now prepared to view More dreadful dangers, in such habit clad, As by the out-guard’s easy error had, Soon as a soldier, gave him entrance, come T’ the hall he is: there being informed by some O’ the drowsy guards, where his pretended speed Might find Molarchus, to perform a deed, 600 That future ages (if that honour’s fire Lose not its light), shall worthily admire, His valour hastes :—Within a room,—whose pride Of art, though great, was far more glorified By that bright lustre the spectators saw, Through sorrow’s clouds, in fair Pharonnida,— He finds the impious villain, heightened in His late success to such rude acts of sin, That servile baseness, the low distance whence He used to look, grew saucy impudence. 610 Inflamed Argalia, who at once beholds Objects to which the soul enlarged unfolds Its passions in the various characters Of love and anger, now no more defers The execution of his rage, but in So swift a death, as if his hand had been (59 ) Wilham Chamberlayne [Boox I Guided by lightning, to Molarchus sent His life’s discharge; which, with astonishment, Great as if by their evil angels all Their sins had been displayed, did wildly fall 620 Upon his followers; whom, ere haste could save, Or strength resist, Argalia’s sword had gave Such sudden deaths, that, whilst amazements reigned O’er all, he from the heedless tumult gained That glorious prize—the royal lady; who, In all assaults of fears, not lost unto Her own clear judgement, as a blessing sent From Heaven, (whilst her base foes confusion lent That action safety), follows that brave friend, Whose sword redeemed her, till her journey’s end, 630 Through threatening dangers, brought her to that place Where, with such passion as kind wives embrace Husbands returned from bondage, she is by Her father welcomed into liberty. Thus rescued, whilst exalted rumours swelled To such confusion as from sense expelled Reason’s safe conduct, whilst each soldier leaves His former charge, fear’s pale disease receives This paroxysm :—The fleet, which yet had in A doubtful quest of their surprised prince been, 640 Directed hither with the new-born day, Their streamers round the citadel display ; Which seen by them that, being deluded by The dead Molarchus, to his treachery Had joined their strength, guilt, the original Of shame, did to defend the platform call Their bold endeavour; but, when finding it Too strongly manned for undermining wit Or open strength to force, despairing to Be long secure, prompted by fear, they threw 630 Themselves on mercy; which calm grace, among Heaven’s other blessings, whilst it leads along The prince toward victory, made his conquest seem— Such as came not to punish, but redeem. THE END OF THE FOURTH CANTO, ( 60 ) CANTO V] Pharonnida Canto V THE ARGUMENT The grateful prince, to show how much he loved This noble youth, whose merit’s just reward Too great for less abilities had proved, Makes him commander of his daughter’s guard. Where seated in the most benign aspect Kind love could grant to fair Pharonnida, A sacred vision doth her hopes detect, Whose waking joys his absence doth withdraw. FREED from those dangers which this bold attempt Made justly feared, whilst joy did yet exempt Those cares, which, when by time concocted, shall His kingdom to a general mourning call, Sparta’s pleased prince, with all the attributes E’er gratitude learned from desert, salutes That noble youth, which, even when hope was spent, Kind Heaven had made his safety’s instrument, By acts of such heroic virtue, that, Whilst all the less concerned are wondering at, 19 The grateful prince in all the noble ways Of honour, lasting as his life, repays. By whose example the fair princess taught, To shadow love (her soul’s most perfect draught) In friendship’s veil, so free a welcome gave The worthy stranger, that all prayer durst crave, Though sacrificed in zeal’s most perfect fire, Seemed now from Heaven dropt on his pleased desire. Some days spent here, whilst justice vainly sought That treason’s root, whose base production, brought 20 Unto an unexpected period in Molarchus’ death, with him had buried been To future knowledge—all confessions, though In torments they extracted were, bestow Upon their knowledge, being the imperfect shade Of supposition, which too weak to invade EF’en those whose doubtful loyalty looked dim, The prudent prince, burying mistrust with him, Leaving the island with’s triumphant fleet, On the Sicilian shore prepares to meet 30 That joy in triumph which, a blessing brought, His loyal subjects with their prayers had sought. To cure those hot distemperatures, which in His absence had the court’s quotidian been, The princess’ guard (as being an honour due To noble valour) having left unto ( 6r ) William Chamberlayne [Boox I That worthy stranger, whose victorious hand Declared a soul created for command, The prince departs from his loved daughter’s court To joyful Corinth; where, though the resort 40 Of such as by their service strove to express An uncorrupted loyalty made less That mourning, which the kingdom’s general loss Claimed from all hearts, yet, like a sable cross, Which amongst trophies noble conquerors bear, All did some signs o’ the public sorrow wear. But leaving these to rectify that state This fever shook, return to whom we late Left gently calmed—that happy pair, which in Desire, the shady porch of love, begin 50 That lasting progress, which ere ended shall So oft their fate to strong assistance call. Some months in happy free delights—before Passion got strength enough to dictate more Than Reason could write fair—they’d spent; in which Slumber of fancy, popular love grown rich, Soon becomes factious, and engages all The powers of Nature to procure the fall Of the soul’s lawful sovereign. Either, in Each action of the other’s, did begin 60 To place an adoration—she doth see Whate’er he doth, as shining majesty Beneath a cloud, or books, where Heaven transfers Their oracles in unknown characters ; Like gold yet unrefined, or the adamant Wrapt up in earth, he only seemed to want Knowledge of worth. Her actions in his sight Appear like fire’s feigned element, with light, But not destruction, armed; like the fair sun, When through a crystal aqueduct he’th run 70 His piercing beams, until grown temperate by That cooling medium, through humility, Shuns her majestic worth. In either’s eyes, The other seemed to wear such a disguise As poets clothed their wandering gods in, when In forms disguised they here conversed with men. But long this conflict of their passions, ere Resisted, lasts not; when, disdained to bear Those leaden fetters, the great princess tries To quench that fire 7? the embryo, ere it rise 80 To unresisted blazes—but in vain; What her tears smother are by sighs again Blown into flames, such as, since not to be By aught extinguished, her sweet modesty Strives to conceal, nor did them more betray Than by such fugitives as stole away (62) CANTO V] Pharonnida Through her fair eyes, those sally-ports of love, From her besiegtd heart, now like to prove (Had not her honour called the act unjust) So feeble to betray her soul’s best trust ; Her flames being not such as each vulgar breast Feels in the fires of fancy, when oppressed With gloomy discontents; her bright stars sate Enthroned so high, that, like the bays of Fate, It stopped the current of the stream, and, to The sea of honour, love’s fresh rivers drew. Thus whilst the royal eaglet doth, 7 the high Sublimer region of bright majesty, Upon affection’s wings still hover, yet, Loath to descend, on th’ humble earth doth sit ; 100 Her worthy lover, like that amorous vine, When crawling o’er the weeds, it strives to twine Embraces with the elm, he stands; whilst she Desires to bend, but, like that love-sick tree, By greatness is denied. He that ne’er knew A swelling tumour of conceit, nor flew, Upon the waxen wings of vain ambition, A thought above his own obscure condition, Thinks that the princess, by her large respect Conferred on him, but kindly doth reflect 110 His father’s beams; and, with a reverent zeal Sees those descending rays, that did reveal Love’s embassies, transported on the quick Wings of that heart-o’ercoming rhetoric, Instructing that the weakness of his eye, Dazzled with beams of shining majesty, Might, for too boldly gazing on a sight So full of glory, be deprived of light— Stifling his fancy, till it turned the air That fanned his heart to flames, which pale despair 120 Chilled into ice soon as he went about With them to breathe a storm of passion out. But vain are all these fears—his eagle sight Is born to gaze upon no lesser light Than that from whence all other beauties in The same sphere borrow theirs; he else had been Degenerate from that royal eyrie whence He first did spring, although he fell from thence Unfledged, the growing pinions of his fame Wanting the purple tincture of his name 130 And titles—both unknown; yet shall he fly, On his own merit’s strength, a pitch as high, Though not so boldly claimed, and such as shall Enhance the blessing, when the dull mists fall go 95 It] Singer, again arbitrarily, ‘They.’ For ‘bays’ in this sense see inf. IT. v. 174. ( 63 ) William Chamberlayne [Boox I From truth’s benighted eyes, whispering in His soul’s pleased ear—her passion did begin Whilst all the constellations of her fate, Fixed in the zenith of bright honour, sate ; Whilst his, depressed by adverse fortune, in Their nadir lay—even to his hopes unseen. 140 Whilst thus enthean fire did lie concealed With different curtains, lest, by being revealed, Cross fate, which could not quench it, should to death Scorch all their hopes, burned in the angry breath Of her incenséd father—whilst the fair Pharonnida was striving to repair The wakeful ruins of the day, within Her bed, whose down of late by love had been Converted into thorns, she having paid The restless tribute of her sorrow, staid 150 To breathe awhile in broken slumbers, such As with short blasts cool feverish brains; but much More was in hers—A strong pathetic dream, Diverting by enigmas Nature’s stream, Long hovering through the portals of her mind On vain phantastic wings, at length did find The glimmerings of obstructed reason, by A brighter beam of pure divinity Led into supernatural light, whose rays As much transcended reason’s, as the day’s 163 Dull mortal fires, faith apprehends to be Beneath the glimmerings of divinity. Her unimprisoned soul, disrobed of all Terrestrial thoughts, like its original In heaven, pure and immaculate, a fit Companion did for those bright angels sit, Which the gods made their messengers to bear This sacred truth, seeming transported where, Fixed in the flaming centre of the world, The heart o’ the microcosm, ’bout which is hurled 170 The spangled curtains of the sky, within Whose boundless orbs, the circling planets spin Those threads of time, upon whose strength rely The ponderous burthens of mortality. An adamantine world she sees, more pure, More glorious far than this,—framed to endure The shock of dooms-day’s darts, in which remains The better angels of what earth contains, Placed there to govern all our acts, and be A medium ’twixt us and eternity. 180 Hence Nature, from a labyrinth half above, Half underneath, that sympathetic love, 141 thus] Singer ‘ this,’ ( 64) CANTO V] Pharonnida Which warms the world to generation, sends On unseen atoms; each small star attends Here for his message, which received, is by Their influence to the astral faculty That lurks on earth communicated ; hence Informing Forma sends intelligence To the material principles of earth— Her upper garments, Nature’s second birth. 190 Upon each side of this large frame, a gate Of different use was placed—At one there sate A sprightly youth, whose angel’s form delights Eyes dimmed with age, whose blandishments invites Infants i’ the womb to court their woe, and be By his false shape tempted to misery. Millions of thousands swarm about him, though Diseases do each minute strive to throw Them from his presence; since, being tempted by His flattering form, all court it, though they lie 200 On beds of thorns to look on’t, saving some More wretched malcontents, that hither come With souls so sullen, that, whilst Time invites Them to his joys, they shun those smooth delights. This, the world’s favourite, had a younger brother Of different hue, each more unlike the other Than opposite aspects; antipathy Within their breast, though they were forced to be Almost inseparable, dwelt. This fiend A passage guarded, which at the other end ato O’ the spacious structure stood; betwixt each gate Was placed a labyrinth, in whose angles sate The Vanities of life, attempting to Stay death’s pale harbingers, but that black clew, Time’s dusky girdle, Fate’s arithmetic, Grief’s slow-paced snail, Joys more than eagle-quick,— That chain whose links composed of hours and days,— Thither at length spite of delay conveys The slow-paced steps of Time. There always stood Near him one of the triple sisterhood, 220 Who, with deformity in love, did send Him troops of servants, hourly to attend Upon his harsh commands, which he, from all Society of flesh, without the wall, Down a dark hill conveyed; at whose foot stood An ugly lake, black as that horrid flood, Gods made by men did fear. Myriads of boats On the dark surface of the water floats, 216 Grief’s slow-paced snail] Singer has altered this to ‘Griefs, slow, snail-paced,’ which, from what follows, an ordinary writer might more probably have written. But it by no means follows that Chamberlayne did not deliberately write the other. ( 65 ) F William Chamberlayne [Book 1 Containing passengers, whose different hue Tell them that from the walls do trembling view 230 Their course—that there’s no age of man to be Exempted from that powerful tyranny. A tide, which ne’er shall know reflux, beyond The baleful stream, unto a gloomy strond, Circled with black obscurity, conveys Each passenger, where their torn chain of days Is in eternity peeked-up. Between These different gates, the princess having seen Life’s various scenes wrought to a method by Disposing angels, on a rock more high 240 Than Nature’s common surface, she beholds The mansion house of Fate, which thus unfolds Its sacred mysteries :—A trine without A quadrate placed, both those encompassed in A perfect circle, was its form; but what Its matter was—for us to wonder at— Is undiscovered left ; a tower there stands At every angle, where Time’s fatal hands, The impartial Parcae, dwell.—lI’ the first she sees Clothe, the kindest of the Destinies, 250 From immaterial essences to cull The seeds of life, and of them frame the wool For Lachesis to spin; about her fly Myriads of souls that yet want flesh to lie Warmed with their functions in, whose strength bestows That power by which man ripe for misery grows. Her next of objects was that glorious tower, Where that swift-fingered nymph that spares no hour From mortal’s service, draws the various threads Of life in several lengths—to weary beds 260 Of age extending some, whilst others in Their infancy are broke; some blacked in sin, Others the favourites of heaven, from whence Their origin, candid with innocence ; Some purpled in afflictions, others dyed In sanguine pleasures ; some in glittering pride, Spun to adorn the earth, whilst others wear Rags of deformity; but knots of care No thread was wholly freed from. Next to this . Fair glorious tower was placed that black abyss 270 Of dreadful Atropos, the baleful seat Of death and horror; in each room replete With lazy damps, loud groans, and the sad sight Of pale grim ghosts—those terrors of the night. 237 peeked] This odd word (‘ peeckt” in orig.) suggests (1) ‘peak’ in the Shake- spearean sense of ‘peak and pine,’ (2) the same in that of ‘brought to a point,’ ‘ finished off,’ (3) ‘picked.’ It seems to recur below (II. v. 383) in ‘night-peect,’ which Singer has altered to ‘ specked.’ 250 Clothe] Sic in orig. ( 66 ) Canto V] Pharonnida To this, the last stage that the winding clew Of life can lead mortality unto, Fear was the dreadful porter, which let in All guests sent thither by destructive Sin. As its firm basis, on all these depends A lofty pyramid, to which each sends 280 Some gift from Nature’s treasury to Fame’s Uncertain hand. The hollow room with names And empty sounds was only filled, of those For whom the Destinies ’dained to compose Their fairest threads; as if but born to die— Here all Ephemeras of report did fly On feeble wings, till, being like to fall, Some faintly stick upon the slimy wall, Till the observant antiquary rents Them thence to live in paper monuments ; 2g0 In whose records they are preserved to be The various censures of posterity. I’ the upper room, as favourites to Fate, There only Poets, rich in fancy sate ; In that beneath—Historians, whose records Do themes unto those pregnant wits afford ; Yet both preparing everlasting bays To crown their glorious dust, whose happy days Were here spent well. Beneath these, covered o’er With dim oblivion’s shadows, myriads more, 300 Till dooms-day shall the gaudy world undress, Lay huddled up in dark forgetfulness. All which, as objects not of worth to cast A fixed eye on, the princess’ genius past In heedless haste, until obstructed by Visions, that thus fixed her soul’s wandering eye. A light, as great as if that dooms-day’s flame Were for a lamp hung in the court of Fame, Directs her—where on a bright throne there sate Sicilia’s better Genius: her proud state 310 (Courted by all earth’s greatest monarchs) by Three valiant knights supported was, whose high Merits, disdaining a reward less great, With equal hopes aimed at the royal seat; Which since all could not gain, betwixt her three Fair daughters both her crown and dignity Is equally bestowed, by giving one To each of them. When the divided throne Had on each angle fixed a diadem, Her vision thus proceeds :—The royal stem 320 284 ’dained] Orig. ‘dained,’ which looks like ‘deigned.’ But the sense shows that Chamberlayne must have further shortened the more usual contraction ‘’sdained.’ 289 rents] Of course ‘rends,’ for the sake of rhyme. Chamberlayne interchanges d and ¢ endings freely, as ‘reverend’ for ‘ reverent,’ (67) “ William Chamberlayne That bore her father’s crown, to view first brings Its golden fruit—a glorious race of kings, Led by the founder of their fame, their rear Brought by her father up; next, those that bear Epirus’ honoured arms, the royal train Concluding in Zoranza ; this linked chain Drawn to an end, the princes that had swayed Argalia’s sceptre, fill the scene, till, stayed By the Epirot’s sword, their conquered crown From aged Gelon’s hoary head dropt down At fierce Zoranza’s feet. This she beholds With admiration, whilst hid truth unfolds Itself in plainer objects :—The distressed Atolian prince again appears, but dressed In a poor pilgrim’s weed; in’s hand he leads A lovely boy, in whose sweet look she reads Soft Pity’s lectures; but whilst gazing on This act, till lost in admiration, By sudden fate he seemed transformed to what She last beheld him, only offering at Love’s shrine his heart to her Idea. There Joy had bereaved her slumbers, had not fear Clouded the glorious dream—A dreadful mist, Black as the steams of hell, seeming to twist Its ugly vapours into shades more thick Than night-engendering damps, had with a quick But horrid darkness veiled the room; to augment Whose terror, a cloud’s sulphury bosom, rent With dreadful thunder-claps, darting a bright But fearful blaze through the artificial night, Lent her so much use of her eyes—to see Argalia grovelling in his blood, which she Had scarce beheld ere the malignant flame Vanished again. She shrieks, and on his name Doth passionately call; but here no sound Startles her ear but hollow groans, which drowned Her soul in a cold sweat of fears. Which ended, A second blaze lends her its light, attended With objects, whose wild horror did present Her father’s ghost, then seeming to lament Her injured honour. In his company The slain Laconian’s spirit, which, let free From the dark prison of the cold grave, where In rusty chains he lay, was come to bear Her to that sad abode; but, as she now Appeared to sink, a golden cloud did bow From heaven’s fair arch, in which Argalia seemed, Clad in bright armour, sitting, who redeemed Her from approaching danger ; which being done, The darkness vanished, and a glorious sun ( 68 ) [Book I 339 349 359 360 37° Canto V] Pharonnida OF welcome light displayed its beams; by which, A throne the first resembling, but more rich In its united glory, to the eye Presents its lustre, where in majesty, The angels that attend their better fate Placed her and brave Argalia—In which state, The unbarred portals of her soul let fly The golden slumber, whose dear memory Shall live within her noble thoughts, until, Treading o’er all obstructions, fate fulfil 380 These dark predictions, whose obscurity Must often first her soul’s affliction be. When now the morning’s dews—that cool allay Which cures the fever of the intemperate day,— Were rarified to air, the princess, to Improve her joy in private thoughts, withdrew From burthensome society within A silent grove’s cool shadows—what had been Her midnight’s joy to recollect. In which Delightful task, whilst memory did enrich 390 The robes of fancy, to divert the stream Of thoughts, intentive only on her dream, Argalia enters, with a speed that showed He unto some supreme commander owed That diligence ; but, when arrived so near As to behold, stopped with a reverent fear, Lest this intrusion on her privacies Might ruffle passion, which now floating lies In a calm stream of thought. He stays till she By her commands gave fresh activity 400 To his desires, then with a lowly grace, Yet such to which Pride’s haughty sons gave place For native sweetness, he on’s knee presents A packet from her father, whose contents, If love can groan beneath a greater curse ‘Than desperation, made her sufferings worse Than fear could represent them—’twas expressed In language that not wholly did request, Nor yet command consent; only declare His royal will, and the paternal care 410 He bore his kingdom’s safety, which could be By nought confirmed more than affinity With the Laconian prince, whose big fame stood Exalted in a spacious sea of blood, On honour’s highest pyramid. His hand Had made the triple-headed spot of land One of her stately promontories bow Beneath his sword, and with his sceptre now 413 Laconian] This should be ‘Epirot,’ but Chamberlayne, as the reader has been warned, uses these appellations almost at random. ( 69 ) William Chamberlayne [Boox I He at the other reaches; which, if love But gently smile on’s new-born hopes, and prove 420 Propitious as the god of war, his fate Climbs equal with his wishes. But too late That slow-paced soldier bent his forces to Storm that fair virgin citadel, which knew, Ere his pretences could a parley call, Beneath what force that royal fort must fall. Enclosed within this rough lord’s letter, she Received his picture, which informed her he Wanted dissimulation (that worst part Of courtship) to put complements of art 430 On his effigies ; his stern brow far more Glorying i’ the scars, than in the crown he wore, His active youth made him retainer to The court of Mars, something too long to sue For entrance into Love’s; like mornings clad In grizzled frosts ere plump-cheeked Autumn had Shorn the glebe’s golden locks, some silver hairs Mixed with his black appeared; his age despairs Not of a hopeful heir, nor could his youth Promise much more; the venerable truth 440 Of glorious victories, that stuck his name For ornament i’ the frontispiece of fame, Together with his native greatness, were His orators to plead for love: but where Youth, beauty, valour, and a soul as brave, Though not known great as his, before had gave Love’s pleasing wounds, Fortune’s neglected gain In fresh assaults but spends her strength in vain.. With as much ease as souls, when ripened by A well-spent life, haste to eternity, 430 She had sustained this harsh encounter, though Backed with her father’s threats, did it not show More dreadful yet—in a command which must Call her Argalia from his glorious trust ; Her guardian to a separation in An embassy to him, whose hopes had been Her new-created fears. Which sentence read By the wise lady, though her passions bred A sudden tumult, yet her reason stays The torrent, till Argalia, who obeys 460 The strictest limits of observance to Her he adored, being reverently withdrew, Enlarged her sorrows in so loud a tone, That ere he’s through the winding labyrinth gone So far, but that he could distinctly hear Her sad complaints, they thus assault his ear :— ‘Unhappy soul! born only to infuse Pearls of delight with vinegar, and lose (70) Canto V] Pharonnida Content for honour; is’t a sin to be Born high, that robs me of my liberty? 470 Or is’t the curse of greatness to behold Virtue through such false optics as unfold No splendour, ’less from equal orbs they shine? What heaven made free, ambitious men confine. In regular degrees. Poor Love must dwell Within no climate but what’s parallel Unto our honoured births; the envied fate Of princes oft these burthens finds from state, When lowly swains, knowing no parent’s voice A negative, make a free happy choice.’— 480 And here she sighed; then with some drops, distilled From Love’s most sovereign elixir, filled The crystal fountains of her eyes, which e’er Dropped down, she thus recalls again—‘ But ne’er, Ne’er, my Argalia, shall these fears destroy My hopes of thee: Heaven! let me but enjoy So much of all those blessings, which their birth Can take from frail mortality ; and earth, Contracting all her curses, cannot make A storm of danger loud enough to shake 490 Me to a trembling penitence; a curse, / To make the horror of my suffering worse, Sent in a father’s name, like vengeance fell From angry Heaven, upon my head may dwell In an eternal stain; my honoured name With pale disgrace may languish; busy fame My reputation spot; affection be Termed uncommanded lust ; sharp poverty, That weed which kills the gentle flower of love, As the result of all these ills, may prove 500 My greatest misery,—unless to find Myself unpitied. Yet not so unkind Would I esteem this mercenary band, As those far more malignant powers that stand, Armed with dissuasions, to obstruct the way Fancy directs; but let those souls obey Their harsh commands, that stand in fear to shed Repentant tears: I am resolved to tread These doubtful paths, through all the shades of fear That now benight them. Love! with pity hear 510 Thy suppliant’s prayers, and when my clouded eyes Shall cease to weep, in smiles I’ll sacrifice To thee such offerings, that the utmost date Of Death’s rough hands shall never violate.’ Whilst our fair virgin sufferer was in This agony, Argalia, that had been Attentive as an envied tyrant to Suspected counsels, from her language drew (7) William Chamberlayne So much, that that pure essence, which informs His knowledge, shall in all the future storms 520 Of fate protect him, from a fear that did Far more than death afflict, whilst love lay hid In honour’s upper region. Now, whilst she Calmly withdraws, to let her comforts be Hopes of ’s return, his latest view forsook His soul’s best comfort, who hath now betook Herself to private thoughts; where, with what rest Love can admit, I leave her, and him blest In a most prosperous voyage, but happier far In being directed by so bright a star. 530 THE END OF THE FIRST BOOK, (72) BOOK II. Canto I THE ARGUMENT Still wakeful guilt, Almanzor’s rebel sin, Taking advantage of unguarded mirth, Which now without mistrust did revel in The princess’ court, gives thence new treason birth. By treachery seized, and through night’s shades conveyed, She had for ever in this storm been lost, Had not its rage by such rude hands been staid, That safety near as much as danger cost. THEsE hell-engendered embryos, which had long Lay hid within Almanzor’s breast, grown strong, Now for delivery strive; clandestine plots, Ripened with age and lust, dissolve the knots Wherein his fear had fettered them, and fly Beyond the circle of his loyalty. Since his deserts made him a stranger to His princess’ court, he’d lived like those that do Fly that pursuing vengeance which attends A rebel’s acts, seen only to such friends, 10 Whose blemished honour suffering in his fall, Assist his rising, though they venture all By that unlawful act, on paths that may Precipitate to ruin. The dark way Had long been sought for, consultations did Whisper rebellion in soft airs, forbid To live in louder language, until, like Inevitable thunder, it could strike As swift, as secret, and as sure as those, Heaven’s anger hurls through all that durst oppose. 20 In all the progress of that dark design, Whose unseen engines strove to undermine That power, which since Heaven doth in kings infuse, None but unhallowed rebels durst abuse, Time, treason’s secret midwife, did produce No birth like this.—Such friends, as often use Had taught him their soul’s characters, he makes Sharers of’s guilt; but, whilst he troubled takes A care to fit each smaller wheel unto This fatal engine, those black powers, that do 30 Assist such dark designs, a moving spirit Supply it with. Although Almanzor’s merit Purchased few friends, yet had his tempting gold Corrupted some, ’mongst which it surest hold (73 ) Witham Chamberlayne [Boox II Upon Amphibia took; a lady who, Before Florenza’s sweeter virtues drew Her favour to a better object, swayed The princess’ choice affections; she, betrayed By glittering charms, persuades her thoughts—no deed For guilt is branded, whose attempts may feed 40 Ambition’s malice, and at one blow give Envy and avarice a hope to live, Pleased with their ruin, whose fair merits dwell High in those thoughts from whence she justly fell. To rack revenge unto as large extent As hate could wish, what hell could ne’er invent Without assistance of a female wit— Man’s first betrayer—all that seemed but fit From treason’s close embrace to propagate Revenge, she lights him. What, though close as Fate 50 When parling with the Destinies, is by Her counsel acted, swift as stories fly From vulgar tongues, her treachery makes known To the bold rebel; whose intentions grown Hence ripe for action, when his secret guilt A strong retreat had for rebellion built, By laying the foundation on ’t in those Who, since by want or envy made the foes T’ the public peace, are soon persuaded by Their princess’ fall to cure that malady. 60 This platform laid—some, whose wise valour he By practice knew adorned with secrecy, Amongst the number of his guilty friends, Selected in its first attempt, attends Treason’s dark walks, which, now more secret by Night’s dismal shadows made, had brought them nigh The princess’ palace. Through the hemisphere’s Dark curtain now the big-bulked roof appears, And dappled windows showed their several light, Like rich enamel in the jet of night. 70 All rocked in sweet security they found By Fate’s false smiles, triumphant mirth had crowned The glorious train, whose height of joy could taste No poison of suspicion, each embraced His free delights, yet feared no snake should lie Lurking within those flowers. Amidst which high Divine flames of enthean joy, to her That levelled had their way, a messenger Makes known their near approach; for which before She had prepared, and veiled the pavement o’er 80 In thin, but candid innocence. Accurst By all that e’er knew virtue! oh, how durst 45 pul Singer ‘wreak,’ which seems unnecessary. 57 on’t] Singer ‘of't,’ which loses an idiom. (74) CaNTo I] Pharonnida Thy envy turn these comic scenes into So red a tragedy as must ensue Thy guilt’s stenography, which thus writes fate In characters of blood! But now too late *Tis to repent ; when punishment wrought fair Shows thy foul crimes, thou only may’st despair. Leaving this fiend to hatch her vipers here, Let’s breathe awhile, although in full career, go Stay on the brow o’ the precipice to view The court’s full joys; which, being arrived unto Their zenith, seemed, to fate-discerning eyes, Like garlands wore before a sacrifice. The cornucopiae, from the tables now Removed by full-fed rurals, did allow Time for discourse, as much as modest mirth Durst stretch her wings; crowned cups gave lusty birth To active sports; the hearth’s warm bounties flame From lofty piles, and in their pride became 100 The lustre of the roof. To glorify Which yet imperfect festival, the eye That lent to this large body light divine, Pharonnida, at whose adoréd shrine These sacrifices offered were, appears Within the hall, and with her presence clears Each supercilious brow,—if hopes to see What’s now enjoyed suffered such there to be. The princess on her honoured throne reposed, A fancy-tempting music first unclosed 1190 The winding portals of the soul; which done, Four swains, whose time-directed knowledge won Attention with credulity, by turn Sicilia’s annals sung, and from the urn Of now almost forgotten truth did raise Their fame—those branches of eternal bays: Which sober mirth, preparatives unto More active sports, continuing, whilst the new Model of treason was disguising in A mask ordained to candy o’er their sin, 120 To gild those pills of poison with delight, And strew with roses deadly aconite, Was now drawn near an end, when from without A murmuring noise of several sounds about The palace gates was heard; which suddenly, Dissolving to an antic harmony, Proclaims their entrance, whose first solemn sight, In dreadful shapes, mixed terror with delight. In the black front of that slow march appears A train, whose difference both in sex and years 130 94 wore] Orig. ‘were.’ g9 hearth’s] Orig. ‘ hearts.’ (75) William Chamberlayne [Boox II Had spoke confusion, if agreement in Their acclamation had no prologue been. A dance, where method in disorder lay, Where each seemed out, though all their rules obey, Was first in different measures trod ; which done, Twelve armed viragoes, whose strange habit won More admiration than their beauty, led As many captive satyrs; in the head O’ the Amazonian troop, a matron, by Two younger nymphs supported till come nigh 140 Pharonnida’s bright throne, presents the rest— Her issue; who externally exprest So many fair-souled virtues, born to be Protectors of their mother— Chastity, Who wants their help, although supported by Her weaker daughters—Fear and Modesty. Those obscene vices, whose rude hands betray Nature’s deformities forced to obey Their brave opposing virtues, did appear I’ the captive satyrs ; who being now brought near, 150 A dreadful music’s heard without, whose sound Did gentler airs in their first births confound. Which being a signal to that act of blood That soon ensues, whilst all expecting stood Some happier change, the false viragoes drew Their swords, and with a speedy fury slew The struggling knights, who thus disguised had been, With the more horror to be murthered in Their royal mistress’ sight, whose shrieks did tell What trembling guests within her breast did dwell. 160 Sudden and cruel was the act; yet stands Not treason here; but whilst their purpled hands Yet reeked in blood, their guilty souls to stain With blacker sins, her weak defenders slain, Rush toward the trembling princess, who now lies Betrayed by the soul’s janitors—her eyes, To passions insupportable, which grown A burthen to her spirits, all were flown T’ the porch of death for rest. If souls new fled From tainted bodies, that have surfeited 170 On studied sins, could be discerned when they, Unarmed with penitence, are hurled away By long-armed fiends—less pale, less horrid would Their guilty looks appear. Confusion could Not live in livelier emblem; each appears To fly the danger, but about him bears Its pale effects—so passengers forsake A sinking ship; such strong convulsions shake 172 hurled] Another would probably have written ‘ whirled’ or ‘ haled.’ ( 76 ) Canto I] Pharonnida Surpriséd forts; so dooms-day’s trumpet shall Startle the unprepared world, when all 189 Her atoms in their then worn robes shall be Ravished in flames to meet eternity. The unguarded princess, being by all forsook But poor Florenza, both from thence are took, Whilst neither in that horrid agony Beheld their danger, and transported by Almanzor to his coach, which near attended On his assured success; who now, befriended With the protecting darkness, hastes away, Swift as desire, with the fair trembling prey. 190 Those few opposing friends, whose will was more Than power to relieve her, overbore By the victorious rebels, did in vain Attempt her rescue; which, since fruitless slain, Her martyrs fall leaving their lives to be An evidence of dying loyalty, Success attends thus far; but Fortune now Left off to smile on villany, her brow Contracted into frowns, she swiftly sent This countermand :—Her followers, having spent 200 Their own endeavours to no purpose, raise In haste the neighbouring villages; nor stays The swift alarum, till it had outfled The speed Almanzor made. Roused from his bed, And warm embraces of his wife, by those Which had outrun the danger of their foes, The drowsy villager in trembling haste Snatches such arms as former fear had placed Fit to defend ; with which, whilst horn-pipes call In tones more frantic than a bacchinal, 210 They stumble to their rendezvous, which none But only by the louder cries had known. This giddy multitude, which no command Knew, but what rage did dictate, hovering stand, Like big swoln clouds drove by a doubtful wind, Uncertain where to fall: one cries ‘Behind The greatest danger lies’; some like his choice, And speedily retreat, until a voice More powerful, though from the like judgement sprung, Persuades them on again; some madly rung 320 The jarring bells—as far from harmony As their opinions; all which disagree About the place whence the alarums come: One cries—the princess’ court; until struck dumb By a more terrifying fool that swears The next port is surprised, toward which he stares, 209 horn-pipes] Orig. ‘ horn-fzes.' Car) William Chamberlayne [Boox II To see the beacon’s blaze, but is from far Deceived b’ the light of an ascending star. So many shapes bear their weak fancies, that All would do something, but there’s none knows what. 230 In this strange medley of confusion, they That could command, want such as would obey, To exercise their power; each thinks his own Opinion best, so must perform ’t alone, Or else remain, as hitherto they had, Busy in doing nothing. In which mad Fit of distracted fury, like to fight, For want of foes, amongst themselves, the night, Grown grey with age, foreshowed her death; when each, Thinking that now he’d done enough to teach 240 An active soldier vigilance in spending A night abroad, which they will call defending Their prince and country from a danger, but What’t was they know not, swearing ’t shall be put In the next chronicle, they disunite Their ne’er well-jointed forces, and a flight, Rather than march t’ the several hamlets take, From whence at first, being scarce half awake, Not so much clothed, their heedless haste had sent Them only noise and number to augment. 250 One troop of this disbanded company, Which, though but few, more than could well agree To march together, by mistake being cast Into a narrow strait, met, as they past, The coach that bore the princess, being by those That stole her guarded: the mad rout oppose Their further passage, not because they thought Them to be those their ignorance had sought In their late meeting—the antipathy ' ’Twixt them and th’ gentry is enough to be 260 That quarrel’s parent, whose event shall make Their prince and country blessed in their mistake. Startled from .all his temperate joys with this Unlooked-for remora i’ the road of bliss, Enraged Almanzor vows to ford the flood O’ the present danger, or with his own blood Augment the stream. With that he flies among Those that are nearest of the numerous throng, Who, when they found what difference was between Their clubs (blunt as their valours) and the keen 270 Edge of his sword, would have fell back, but are Forced on by those behind, who, being far 256 oppose] Orig. ‘t’ oppose.’ 262 mistake] One suspects, in this and other passages, satire on the very ineffectual ‘Clubmen’ of the Western counties in the Rebellion. 265 vows] Orig. ‘rows.’ (78 ) Canto I] Pharonnida From danger, fear it not. Thus some are forced .To fight, till their unwilling souls, divorced From their cold lodgings, made their peace. But here, Whilst he a conqueror reigns, ingenious fear Taught them that durst no nearer come, to do Most mischief at a distance; climbed unto The rock’s inequitable clifts, from thence They shower down stones that equally dispense 286 Danger ’mongst friends and foes. Had she not been Defended by her coach, their princess in This storm had perished; or, had fear of death Unfixed her thoughts, she’d spent that precious breath Now sacrificing in her prayers to be From their wild rage delivered safe; but she, Oppressed with lethargies of sorrow, lends No ear to this rude fight, on which depend So much of fate,—danger appears to lie Not more in the disease than remedy. 290 Whilst the opposed Almanzor now had near Hewed forth his way through all of them, appear More company by their loud clamours drew Unto their timely aid. Now danger grew Horrid and threatening, till the impetuous shower, Wetting the wings of the fierce rebel’s power, Clog all his hopes of flight, unless he leave His trembling prey behind him. To bereave Him of his last of hopes, he sees his train Begin to droop. With those that yet remain 300 He thinks it time, whilst undiscovered, to Secure himself; which difficult to do, At length (though not unwounded) he alone Breaks through their forces, blest in being unknown ; Else had their battered weapons spared to shed The blood of others, and had surfeited On his, which, adding knowledge to the fire Of rage, they had most reason to desire. The unsuccessful rebel thus secured By speedy flight, his train not long endured 310 The circling danger, which from each side sends Symptoms so deadly, all their strength defends Not the rude torrent, nor their prayers could calm Their foes’ stern rage. Sweet mercy’s healing balm Is the extraction of brave spirits, which, By innate valour rarified, enrich With that fair gem the triumphs of success, Whilst cowards make the victors’ glory less— Their highest flame of rage being but dull earth Fired into tyranny, the spurious birth 320 279 clifts] This word does double duty for ‘ cliff’ and ‘cleft.’ (79 ) William Chamberlayne [Book II Of a precedent fear, whose baseness knows No calm, but what from others’ danger grows. And now the field, scoured by the beastly rage O’ the savage clowns, had left no foe to engage A life, nor could their policy persuade Them to let one survive, till he had made The plot discovered. With rude haste they crush Their trembling souls out, and all weapons blush In part o’ the blood; so many hands had gave Them hurtless wounds, that the expecting grave 330 Needs only take their bones, for madly they Had minced their flesh for the vulture’s easier prey. This victory gained, they haste t’ the coach, and thence ‘The unknown princess take, no large expense Of prayers, poured from Florenza’s fears, could be So powerful to obtain civility. She tells them whom their rage profanes, and by Their princess’ name conjures them; but the high Exalted outcries drown her voice, till one, Who had the rape of the sad lady known, 349 When first performed, did with a louder voice Proclaim her there; and, having first made choice Of a more civil company to oppose The uncivil clowns, rescues her; and then shows How near their heedless rage had cast away The glorious prize of that victorious day. From fainting slumbers raised, the princess, now Secure in their discovery, taught them how To turn their fury into zeal, and show, By serving her, the allegiance that they owe 35° Her royal father. To the palace come, Rewarding all, she there commands that some Stay for her guard; but soon that order grew A troublesome obedience, none would to His cottage whilst that any staid within The palace gates. But long they had not been Thus burthensomely diligent, ere, on A new design, each struggles to be gone From ’s former charge; a messenger is sought, Who to the court must post, but each one thought 360 Himself of most ability, so all Or none must go; yet, ere the difference fall Into a near approaching quarrel, he Who rescued her, the princess chose to be Her messenger. Euriolus, (for so The youth was called), disdaining to be slow Where such commands gave wings, with speed unto The court was come; but busy fame outflew 349 their] Orig. ‘her.’ ( 80 ) Canto I] . Pharonnida His eager haste, and ere’s arrival spread Some scattered fragments of the news, which bred 379 Suspicion of that doubtful truth, from whence His message leads to doleful confidence. THE END OF THE FIRST CANTO. Canto II THE ARGUMENT Freed from suspicion by a cause that tells His injured prince, Almanzor’s guilt exceeds His great’st mistrust—from thence just anger swells, Till for that fever the whole nation bleeds. Armies united in a dreadful haste From distant places sad spectators bring, To see by fortune justice so defaced, The subjects here pursue a conquered king. Morea’s prudent prince, whose fears had been Before this message but like truths wrapped in Dark oracles, now, with a sense enlarged Beyond imperfect doubts, no longer charged His judgement with dilemmas, but, in all The haste indulgent love, when by the call Of danger frighted, could procure, without Staying to let slow counsel urge a doubt Which might but seem a remora unto His fixed desires, having together drew 10 His guard, was marching; when, in such a haste As breathless speed foreshowed they had been chased By some approaching danger, such as were Too full of truth and loyalty to bear Rebellion longer than their thoughts could be Eased of the burthen by discovery, Arrive at th’ court with this sad news—that by Almanzor, who, forgetting loyalty, Had seized Alcithius’ castle, they were drove To fly their country, since that there he strove 20 To raise an army, by whose strength he might To the sword’s power subject the sceptre’s right. By this sad news startled out of his late Fixed resolutions, the vexed prince, whose fate Had not through all the progress of his reign Darted so many plagues, to entertain Them now with strength unballast, calls in haste His late neglected council, and embraced rt Morea’s] ‘Morea’ again: it was Sicilia at II. i. rrq. ( 81) G Witham Chamberlayne [Boox II This sudden, but mature advice—that he Should with such forces as could soonest be 30 Prepared for service, having only seen Pharonnida, possess that strait between The castle and the mountains ; from whose rude Inhabitants, which Nature did include Within those rocks, rebellion soonest might Grow to a dangerous tumour: the dim light Of scarce discernéd majesty, so far Being from them removed, that, lest a war Enforced him to command their aid, they ne’er Heard of his mandates; being more fit to bear 40 The weight of armour on their bodies, than Of taxes on estates—so small that, when With all the art of industry improved, For want were kept, but not for ease beloved. Through paths that no vestigia showed, to these, As being retained or lost with greatest ease, Since naturally unconstant, comes the king. Not much too late, majestic rays did bring Props to their wavering faith that yet remained Unclad in lawless arms; some being gained 50 Unto Almanzor, whose revolt had brought That freedom, those, whose subtle plots long sought For innovations, wished. The sickly state, In sad irruptions—such as future fate, From sacred truths, speaks deadly symptoms in— Relaxes all that order which had been Till now her cement; the soft harmony Of peaceful contracts, sadly silenced by That discord in whose flames the kingdom burned, Had all their measures into marches turned. 60 Through’t his dominions speedy orders flew For raising troops; whilst, with such haste as new- Shorn meadows, when approaching storms are nigh, Tired labourers huddle up, both parties try To levy armies. The sad scholar throws His books aside, and now in practice shows His studied theorics; the stiff labourer leaves T’ the half-shorn fields the uncollected sheaves To female taskers, and exchanged his hook Into a sword; each busy trade, that took 70 Pains in the nicer ornaments of peace, Sit idle till want forced them to increase The new-raised troops; that ornament o’ the hall, Old armours, which had nothing but a wall Of long time saved from the invading dust, From cobwebs swept, though its enamel rust Stick close, and on the unpractised soldier put, Forth of their breasts, nor fear, nor danger shut. (82 ) CANTO IT] Pharonnida Yet, with an army of this temper in Haste huddled up, the wandering prince had been 80 Enforced to fight, had not his just cause brought Some loyal gentry, such whose virtue sought Truth for reward, unto his side; with which He now advances, more completely rich In noble valour, than’s rebellious foes In numerous troops. No enemies oppose His speedy march, till being now come near Alcithius’ fort, Almanzor’s timely fear Hurries him thence. His better fate depends On larger hopes: unto such constant friends 90 As equal guilt by sympathy secured, To them he leaves the castle; and assured Them of relief, with what convenient speed Those of his faction (which did only need His presence to confirm rebellion by An injured power) could draw their armies nigh. As hence he marches, each successful hour Augments his strength, till the unlawful power Trebled his injured prince’s. But as they Who carry Guilt about them, do betray 100 Her by her sister, Fear, so these, whose crimes Detected, durst not, in more peaceful times, Look justice in the face, and therefore now Stood veiled in arms against her, fearing how She might prevail ’gainst power, march not till A greater strength their empty bosoms fill With hope—a tumour which doth oft dilate The narrow souls of cowards, till their fate Flatter them into ruin, then forsakes Them in an earthquake, whose pale terror shakes 110 Base souls to flight, whilst noble valour dies Adorned with wounds, fame’s bleeding sacrifice. Almanzor’s doubtful army, since that here The threatening storm at distance did appear Locked in a calm, possessed with confidence, Slowly their squadrons moves; but had from thence Not a day’s journey marched, before the sad News of Alcithius’ desperate danger had Paled o’er their camp; which whilst the leaders strove To animate, Almanzor faster drove 120 On those designs, which, prospering, might prevent It from surrender; but the time was spent Too far before. The governor that kept It now against his prince, too long had slept In the preceding down of peace, to be Awakened into valour. Only he Had seen’t kept clean from cobwebs, and perhaps The guns shot off, when those loud thunderclaps ( 83 ) G2 William Chamberlayne [Boox Il Proclaimed a storm of healths; yet, till he saw The threatening danger circularly draw 130 An armed line about him, in as high A voice as valour could a foe defy, He clothes his fears, which shook the false disguise Off with the first assault, and swiftly flies To’s prince’s mercy ; whose pleased soul he found Heightened to have his first attempt thus crowned With victory, which nor made his army less, Nor steeped in blood, though travailed to success. To this new conquest, as a place whose strength He best might trust, if, to a tedious length, 140 Or black misfortune, the ensuing war His fate should spin, his choicest treasures are, Together with her in whose safety he Placed life itself, brought for security. This done, that now no slow delays might look Like fear, he with his loyal army took The field ; in which he’d scarce a level chose To rally ’s army, ere his numerous foes Appear o’ the tops of the adjacent hill, Like clouds, which, when presaging storms, do fill 150 Dark southern regions. In a plain that lay So near that both the armies’ full survey Might from the clifts on which Alcithius stands Be safely viewed, were the rebellious bands Of ’s enemies descending, on each side Flanked by a river which did yet divide Him from the prince; who, having time to choose What ground to fight on, did that blessing use To’s best advantage. On a bridge, which by Boards closely linked had forced an unity 160 Betwixt the banks, his army passed. He now Within a plain, whose spacious bounds allow, Together with a large extension, all An ancient leader could conyenient call. Removed no tedious distance from his rear Stood a small town, which, as the place took care How to advance so just an interest, might Be useful—when, tired in the heat of fight, Strength lost in wounds should force some thither by Wants which a camp’s unfurnished to supply. 170 More near his front, betwixt him and the plain Through which Almanzor led his spacious train, On a small hill, which gently rose as though 137 nor] Orig. ‘nere,’ which for ‘never,’ is not impossible. In the next line one suspects ‘excess’: but with Chamberlayne, more than with others, the least probable is the most likely. 149 tops] Singer ‘top,’ which seems unnecessary. ( 84) Canto IT] Pharonnida Its eminence but only strove to show The fragrant vale, how much nice art outwent Her beauties in her brow’s fair ornament, A splendid palace stood; which, having been Built but for wanton peace to revel in, Was as unfit for the rough hand of war As boisterous arms for tender virgins are. 180 To this, since now of consequence unto The first possessor, had both armies drew. Commanded parties, which ere night shut in Light’s latest rays, did furiously begin The first hot skirmish; which, continuing till Dark shadows all the hemisphere did fill, To such as fear or novelty had sent T’ the hills’ safe tops, such dreadful prospect lent. By the swift rising of those sudden fires, In whose short close that fatal sound expires, 190 Which tells each timorous auditor—its breath, To distant breasts, bears unexpected death, That, whilst their eyes direct their thoughts unto Their danger whom reward or honour drew To the encounter, all the uncouth sight Affords—to horror turns that strange delight. These circling fires drawn near their centre, in Such tumult as armies engaged begin Death’s fatal task, a dreadful sound surprised The distant ear. Danger, that lay disguised 200 In darkness yet, now, as if wakened by The conquerors’ shouts, so general and so high, That it e’en drowned the clamorous instruments Of fatal war, her veil of sables rents From round the palace, by that horrid light Which her own turrets through the steams of night In dreadful blazes sent, discovering both The shadowed armies ; who, like mourners loath To draw too near their sorrow’s centre, while Their friends consume, surround the blazing pile, 210 In such a sad and terrible aspect, That those engaged in action could neglect Approaching danger, to behold how they Like woods grown near the foot of Aitna lay, Whilst the proud palace from her sinking walls In this sharp fever’s fiery crisis falls. But now the night, as wearied with a reign So full of trouble, had resigned again The earth’s divided empire, and the day, Grown strong in light, both armies did display 220 203 it] Singer ‘they,’ as he usually reads in such cases. But ‘it’ is idiomatic and probable. (85 ) William Chamberlayne [Boox II To their full view, who to the mountain (in Sad expectation of the event) had been Early spectators called. Here, seated nigh Their female friends, old men, exempted by Weakness from war’s too rough encounters, show Those colours which their active youth did know Adorn the field, when those that now engage, Like tender plants kept for the future age, In blooming childhood were ; ’mongst this they tell What heroes in preceding battles fell, 230 Where victory stooped to valour, and where rent From brave desert by fatal accident ; Then, ere their story can a period have, Show wounds they took, and tell of some they gave. This sad preludium to an action far More dismal past, the unveiled face of War Looks big with horror: now both armies draw ‘So near, that their divided brothers saw Each other’s guilt—that too too common sin Of civil war. Rebellious sons stood in 240 Arms ’gainst their fathers clad; friends, that no cross Could disunite, here found the fatal loss Of amity, and as presaging blood I’ the worst aspect, sad opposition, stood : One was their fashion, form, and discipline ; Strict heralds in one scutcheon did combine The arms of both armies—yet all this must be By war’s wild rage robbed of its unity. Whilst like sad Saturn, ominous and slow, Each army moved, some youths, set here to grow, 250 By forward actions, stately cedars to Adorn Fame’s court, like shooting stars were flew, So bright, so glittering, from the unwieldy throng Of either army ; which, being mixed among Each other, in a swift Numidian fight, Like air’s small atoms when discovering light Betrays their motions, show; some hours had past In this light skirmish—till now, near war’s last Sad scene arrived, as the distressed heart calls, Before the body death’s pale victim falls, 260 Those spirits that dispersed by actions were, Back to their centre, their commander’s care Summons these in; that so united strength Might swiftly end—or else sustain the length Of that black storm, where yet that danger stood, Which must ere long fall in a shower of blood. A dismal silence, such as oft attends Those that surround the death-beds of their friends 240 Rebellious) Orig. ‘ Rebellion’s,’ nescio an recte. ( 86 ) CanTo II] Pharonnida In the departing minute, reigns throughout Both armies’ troops; who, gathered now about 270 Their several standards, and distinguished by Their several colours, such variety Presents the eye with, that, whilst the sad thought Beholds them but as fallen branches brought To the decay of time, their view did bring In all the pleasures of the checkered spring ; Like a large field, where being confined unto Their several squares—here blushing roses grew, There purpled hyacinths, and, near to them, The yellow cowslip bends its tender stem, 280 T’ the mountain’s tops, the army, marching low Within the vale, their several squadrons show. This silent time, which by command was set Aside to pay confession’s needful debt To oft-offended Heaven, whose aid, though gave Ere asked, yet, since our duty is to crave, Expects our prayers. The armies, from their still Devotion raised, declare what spirits fill Their breast, by such an universal joy, As, to get young, and not the old destroy, 290 Each had by beauteous paranymphs been led, Not to rough war, but a soft nuptial bed. That fatal hour, by time, which, though it last Till fixed stars have a perfect circle past, We still think short, to action brought; which now So near approached, it could no more allow The generals to consult, although there need Nought to augment, when valour’s flame doth feed High on the hopes of victory, the rage Of eager armies. Ere their troops engage, 300 Their several leaders all that art did use, By which loud war’s rough rhetoric doth infuse Into those bodies, on whose strength consists Their safety, souls whose brave resolves might twist Them into chains of valour, which no force, Than death less powerful, ever should divorce. The prince, as more depending on the just Cause that had drawn his sword, which to distrust Looks like a crime, soonest commits the day To Fate’s arbitrement. No more delay 310 Comforts the fainting coward,—a sad sound Of cannon gave the signal, and had drowned The murmuring drum in silence; Earth did groan In trembling echoes; on her sanguine throne, High mounted, Horror sits; wild Rage doth fill Each breast with fury, whose fierce flames distil 273 presents] Singer, as always where he notices, ‘present.’ I think it well to draw occasional but not constant attention to this. ( 87 ) William Chamberlayne [Boox II Life through the alembics of their veins: that cloud Of dust, which, when they first did move, a shroud Of darkness veiled them in, allayed with blood, Fell to the earth; whose clefts a crimson flood Filled to the brim, and, when it could contain No more, let forth those purple streams to stain The blushing fields, which being made slippery by The unnatural shower, there lets them sink and die; Whose empty veins rent in this fatal strife, Here dropped the treasure of exhausted life. In sad exchange of wounds, whilst the last breath, E’en flying forth to give another death, Supports the fainting spirits, all were now Sadly employed; armed Danger could allow In this loud storm of action, none to stand Idle spectators; but each busy hand Labours, in death’s great work, his life to sell At rates so dear—that foe by which he fell, To boast his gain, survives not. But now, in This mart of death, blind Fortune doth begin To show herself antagonist unto Less powerful Justice. In the common view Of Reason, which by the external shape Of actions only judges, no escape From their desert—captivity, was left The rebels’ army, but the unmanly theft Of secret flight to some, protected by Their fellows’ loss; when, in a rage as high As if it had attempted to outroar The battle’s thunder, a rude tempest, bore From southern climates on the exalted wings Of new-raised winds, a change so fatal brings T’ the royal army, that from victory’s near Successful pride, unto extremes which fear Did ne’er suggest, it brought them back to view Their glorious hopes thus sadly overthrew.— A strong reserve, raised by his friends to be Almanzor’s rescue, if that victory Seemed to assist the juster part, was now Brought near the river; which endeavouring how To ford, they there unwillingly had been Detained, till strength had proved but useless in The prince’s conquest, if the swelling flood, Whose added streams, too strong to be withstood, Had not in that impetuous torrent tore That bridge which passed the royal army o’er; Whose severed boats born down the river made So sad a change, that, whilst their foes invade 317 veins] Orig. ‘reins’ which, again, is quite possibly not wrong. ( 88 ) 330 340 35° 360 Canto II] Pharonnida Their rear on them, the late lamented loss Forbid the others when dispersed to cross The waves by dangers, which in each breast bred Terrors as great as those from whence they fled. The valiant army, like life’s citadel— The heart, when nought but poisonous vapours swell 370 Every adjacent part, long struggling in Death’s sharp convulsions, out of hopes to win Aught there but what buys the uncertain breath Of future fame at the high price of death; At length, not conquered, but o’erburthened by A flood of power, in night’s obscurity, When dreadful shadows had the field o’erspread, As darkness were a herse-cloth for the dead, That this day’s losses might not grow too great For reparation, by a hard retreat, 380 Attempt to save such of their strengths, as, since Enforced to fly, might safely guard the prince From dangers; which could but his foes have viewed, Their motions all had unto death pursued. In this distress, from that vast sea of blood— The field where late his army marshalled stood— The wretched prince retires; but with a train So small, they seemed like those that did remain After a deluge. Where the river’s course, Stopped with dead bodies, ran with smallest force, 390 He ventures o’er the flood, whose guilty waves Blushes in blood. Some few, whom Fortune saves To attend on him, alike successful by That bold adventure, whilst the prince doth fly To guard Alcithius, by his mandates are, Since the disasters of this fatal war Forced him to seek for more assistance, sent To the Epirot. Striving to prevent Those wild reports, that, on the quick belief Of female fear, might be imposed by grief, 400 He hastes to bear the sad report to her, Whose sorrow’s lost to see the messenger. 368 whence] Singer, in an arbitrary mood of book-grammar, ‘ which.’ THE END OF THE SECOND CANTO. ( 89 ) William Chamberlayne [Boox II Canto III THE ARGUMENT Through the dark terrors of a dreadful night, The prince to’s daughter comes with flying speed; From dangers, great as those he feared in flight, Is by Argalia’s forward valour freed. Who having with successful fortune gave His master freedom, their joint strength pursue Their flying foes unto an uncouth cave, In whose vast womb Fate’s dark decrees they view. Tus last retreat, which seemed but to defer Danger by being Honour’s sepulchre, Attained in haste; there, calming all the strife Of various passion, since her father’s life Paid all the tears she owed his losses, he His virtuous daughter found, prepared to be No sad addition to his sorrow by * The faults of female imbecility — Untimely tears; but with a confidence High as e’er taught brave valour to dispense To With sad disasters, armed to entertain The worst of ills: to ease the wounded’s pain, Or stop their blood, those hands which once she thought Should have to victors Triumph’s garlands brought, Are now employed; yet, that her acts may be The best examples to posterity, Her present ill, she with such strength withstood— Its power was lost in hopes of future good. Precipitated from a throne to be Subjected by a subject’s tyranny ; 20 To want their pity—who of late did know No peace, but what his influence did bestow; With sad presaging fears, to think his fair, His virtuous daughter, his rich kingdom’s heir, Like to be ravished from his baffled power— A trophy to a rebel conqueror ; With such afflicting griefs as did exclude The comforts of his passive fortitude, Oppressed the prince: when now an army, led By their pursuing enemies, o’erspread 30 The circling fields, and brings their fear within The reach o’ the eye. Heightened with hope to win That now by parl, which, ere the sad success Of battle made their conquered numbers less, He feared in fight; the confidently bold Almanzor, in a scroll that did unfold (90 ) Canto II] Pharonnida A language, whose irreverent style affords Far more of anger than his soldiers’ swords Had ere stirred fear within his prince’s breast, His fixed intentions thus in brief exprest :— 40 GREAT SIR, No airy tumour of untamed desire, Nursed my ambition, prompts me to aspire To any action that may soar above My birth or loyalty ;—it was the love I bore your virtuous daughter that first clad Me in defensive arms, which never had Been else unsheathed, though’t had been to defend Me from injustice—should your sword extend Its power to tyranny; but, failing in 590 That first attempt, ere streams of blood had been Shed in addition to those drops, my hand Had broke my sword as guilty, had this land To whom I owe for the first air I breathed, Not washed the stain in tears, and since unsheathed It in the name of Justice. To their good, Which trembling on uncertain hopes hath stood, Whilst fearing foreign governors, I have Added my love, and satisfaction crave For both, before a greater ill may fall, 60 To make our sufferings epidemical— By being slaves to some proud tyrant, that In politic ambition reaches at A kingdom by professed affection, and Marries your daughter, to command your land. This scroll, spotted with impudence, received By the vexed prince, whom passion had bereaved Of politic evasions, he returns A swift defiance; but his high rage burns Nought but his own scorched breast—the fainting fire, 70 Quenched by constraint, wants fuel to blaze higher Than flashy threatenings, which, since proved a folly, Sink in the ashes of melancholy ; For which his ablest council could prepare No cordial of advice—they rather share With him in sorrow, whose harsh burthen grows Not lighter by the company of those That now lend hearts to bear it. Only in This sullen cloud’s obscurity, this sin Of their nativity, the noble soul 80 Of the undaunted princess did control 37 irreverent] Orig. ‘ irreverend.’ 43 my] ‘by’? 73 Singer inserts ‘his’ before melancholy, but Chamberlayne may have accented the antepenultimate, without scruple as to the rhyme. (or ) William Chamberlayne [Boox II The harshest lectures of her stars, and sate Unshaken in this hurricane of fate ; Calming her father’s hot adversity With dews of comfort, taught him how to be Prince of his passions—a command more great Than his that trembles in a regal seat. The enemy, that vainly had till now Toiled forth their strength, no more endeavours how By force to conquer; some small time, they knew, go Would, with the bloodless sword of famine, do More than their cannon could.—The meagre fen Already grew tyrannical, his men, Like walking ghosts, wait on their prince, and stand For shadows on their platforms; not a hand, But was unnerved with want; yet, whilst each part Languished toward death, each bosom held a heart, Which, though most large, could never empty be, Being doubly filled with grief and loyalty ; Amongst both which, hope for a part puts in— Too As the supporter of what else had been A burthen insupportable, and spoke This pleasing language—That the royal oak, Beneath whose winter fortune now they stood, Pining for want—the withered underwood That all his miseries dropped on—yet they shall, Whene’er his brighter stars again do call His fortune into light, be comforted By his kind shadow; which shall those, that fled Him in this sad extreme, then leave to be II0 Scorched in the rays of angry majesty. Reduced unto this pitied exigence, Yet, by his honour, which could not dispense With aught that like suspicion looked, detained From what by parl might have their freedom gained, The loyal sufferers, to declare how far They fear declined; those mourning weeds of war, Whose sight a desperate valour doth betray, Black ensigns, on their guarded walls display. When to augment their high resolves, with what 120 Their valour was to pity softened at, After, with all those coarse, though scarce cates, they By sparing, first attempted to betray Time till relief with, they’d been fed till now There nought remained, that longer could allow Life further hopes of sustenance, to do An act so great, all ages to ensue, Shall more admire than imitate; within The hall appears their sovereign, leading in His hand the princess; whose first view, though drest 130 In robes as sad as sorrows e’er exprest, (92) Canto III] . Pharonnida Was but the frontiers of their grief to what, When nearer seen, whilst sorrow silenced at So sad an object, might for death be took, Made solemn grief like grave religion look. Whilst all thus in sad expectation stand Of future fate, disdaining to command Those whom an equal sorrow seemed to make His fellow sufferers, the sad prince thus spake His fixed resolves :—‘ Brave souls, whose loyal love, 140 Oppressed by my unhappy woes, must prove Part of my grief, since by my wretched fate Forced with my own life to precipitate Your’s into danger; from whose reach, (since by No crime—until the love of loyalty Become a sin—you are called guilty), yet Seek some evasion: ’tis not you that sit Upon the throne he aims at, nor doth here A rival in Pharonnida appear. No, ’tis our lives, our lives, brave subjects, that 150 His bold ambition only reaches at ; By this pretence—what to my daughter, love, To ’s country, ’s pity called,—could he remove Those now but small obstructions soon would grow, To’s pride united, till it overflow All limits of a subject’s duty by Rebellious reach, usurpéd tyranny. ‘Go then, and let not my unhappiness , Afflict you more 7’ the shadow of distress: "Twill like warm comfort swell my soul, to know 160 That to his favour you for safety owe. Did not those sacred canons, that include All virtue in a Christian’s fortitude, Obstruct our passion’s progress, we, ere this, In death had made the haughty rebel miss The glory of his conquest; which since now Denied, although unwieldly age allow Not strength to sell my life at such a rate Honour aims at, yet shall the slow debate, E’en in my fall, let the world know I died, 170 Scorning his pity, as they hate his pride.’ Here stopped the prince; when, as if every breast One universal sorrow had possest, Grief (grown into more noble passion) broke The attentive silence, and thus swiftly spoke Their resolutions :—‘On, on, and lead Us unto death, no critic eye shall read Fear through the optics of our souls; but give Command to act—here’s not a heart durst live Without obedience.’ Comforted with this 180 Rich cordial, from his sorrow’s dark abyss (93) William Chamberlayne [Boox II Raised to resolves, whose greatness equalled all His former glory, by their fatal fall To darken the ensuing day, the prince Gives a command to all his train—that since Their own free votes elected death, they now With souls that no terrestrial thought allow A residence, ’gainst the next morn prepare That wished-for freedom with himself to share. All sadly sat, expecting but that light 190 Whose near approach must to eternal night Their last conductor be. A sudden, still, And doleful silence, such as oft doth fill The room where sick men slumber, when their friends Stand weeping by, to contemplation bends Their busy thoughts; within each troubled breast, Being to leave the mansion she’d possessed So long, yet with so short a warning, all Her faculties the frighted soul did call Forth of the bosom of those causes, in 200 Whose form they’d fettered to their crasis been, To join those powers (yet strong in living breath) For her assistance in the grasp of death. The whispering trumpet having called them by Such sharp notes, as, when powerful foes are nigh Retreating, parties use, all-swiftly rise From bended knees, and the last sacrifice They e’er expect to pay to Heaven, until Their soul’s last gasp the vocal organs fill. Concluded was the last sad interview, 210 The prince was marched, Pharonnida withdrew. And now, all from the opened ports were in A swift march sallying, had their speed not been Thus swiftlier stopped :—Those scattered horse that fled The battle to the Epirot’s court had sped So well in their embassage, that the prince, Whom the least negligence might now convince Of want of love, proud of so fair a chance To show ’s affection, swiftly doth advance With a vast army toward them. Lest the fear 220 Prevailing danger, ere their strength come near To their necessitated friends, might force Them to unworthy articles, some horse Selected are, whose swifter speed might, by A desperate charge broke through their foes, supply Their fainting friends. The much desired command Of these few men, committed to the hand Of brave Argalia, (ne’er more blest than now In serving the fair princess), did allow His sword so fair a field to write the story 230 Of honour in, that his unblasted glory (94) Canto II] Pharonnida Beyond this day shall live—outlive the reach Of long-armed envy, and those weak souls teach, That fear the frowns of Fate, in spite of all, Heroic Virtue sits too high to fall. With the day’s close they take their march, and, ere The silver morning on her brow did bear The burnished guilt o’ the sun’s warm rays, arrive In view o’ the place. When Fortune, that did strive To crown their hopes, had wrapped the earth in thick 240 And heavy mists, the sluggish morning, sick Of midnight surfeits, from her dewy bed Pale and discoloured rose. This curtain spread To veil their plot in, they assault their foes ; Which when surprised could not themselves dispose Fit for resistance, but whilst some did fly From the distracting danger, others die To their neglect a sacrifice. The swift Alarum, like a rude wind’s circling drift, Hurries confusion through the field, and shook 250 The trembling soldier; some unclad forsook Their half-fired cabins; death’s large gripe did take Whole troops that destiny ordained to wake No more till dooms-day, and in’s march prevents The unition of unrallied regiments. This frighted language of confusion heard By those o’ the castle, which were now prepared For their last desperate sally, swiftly draws Them to assist their friends; and though the cause, Being yet unknown, was only thought to be 260 Some private jar grown to a mutiny ; Or else the noise the enemy had made, When all their force was drawing to invade Them in their works: howe’er they stand not to Consult with reason, but, as striving who Shall first encounter death, each several hand Sought for his own from those that did withstand His rage-directed strength. Their cannon in A funeral peal went off, whose steam had been Their covert to the camp; where finding such 270 A wild confusion, they assisted much The fortune of the day, which now was grown Indubitable—they might call their own A glorious conquest. The thick sulphury cloud, Whose dismal shade did that destruction shroud, Rent with those thunder claps, dissolved into A shower of blood; what she vouchsafed to do, Fortune lends light to show them. Having left Their camp, whilst darkness did protect a theft 255 unition] Singer ‘ union,’ which seems to me rather a bad emendation. (95) William Chamberlayne [Boox I That only stole dishonour, which they were 280 Now in an open flight enforced to bear, They see Almanzor’s broken troops o’erspread The neighbouring fields: those clouds of men that fled, Being pursued by companies so smail, That they appeared but like those drops that fall After a storm. Yet, as the labouring heart Long struggles for that life, which doth depart From the less noble members to lend aid To her in death’s pale conflict, having staid Some of his best commanders, hoping by 290 Their valour to recall the rest, with high Undaunted force, Almanzor doth oppose His enemy’s pursuit, till like to enclose Him in, disdaining the reproachful end He must expect, no longer stands to attend The glimmering light of hope: the field he leaves To conquering Argalia, but deceives Him of himself—the prize most sought for; which When lost beyond recovery, he grown rich In shining honour, that, like sun-beams placed 300 Within a field of gules, by being defaced, Had beautified his armour. That dark mist, Which did at first such contradictions twist, That he both curst, and blest it—one, ’cause ’t did Aid his design, the other, ’cause it hid. His heaven of beauty in their dewy bed Had left the blushing roses, and was fled Upon the wings o’ the wind. With wonder now Discovered colours taught each party how To know their friends. The royal standard in 310 The prince’s party had developed been, By that fair signal to discover who Was present there. But ere Argalia to That place arrived, Pharonnida, who had, Whilst desperation all her beauties clad In the pale robes of fear, heard all the loud Shock of the conflict; but, until the cloud Removed his fatal curtain, never knew How near the hour of her delivery drew ; That being dissolved, through those which grief had raised 3 In her fair eyes, did see, and seeing praised Just Heaven which sent it. Each of those that Fought for her she commends; but wonders at, Although unknown, the lightning valour she Saw in Argalia, whilst with just rage he Unravels nature’s workmanship—a rent Which were a sin, if not a punishment, i 0 304 did] The text, which is probable and characteristic enough, is Singer's. Orig. one cause did’ and in next line ‘ cause’ without apostrophe. (96 ) Canto IIT] Pharonnida And from the slender web of life did send Forth rebels’ souls, fast as each busy fiend That wait their fall transport them. Fain she would, 330 Ere known, conceit ’twere he, but how he should Come there, and so attended, did exceed Imagination. Thus whilst her hopes feed On strange desires, being come near unto The coach wherein she sat, prepared to do His love’s oblations, he that face disarms ; Which, when beheld, by those attractive charms, Within the centre of her best desires, Contracted all her hopes, whose life expires Soon as they’re crowned with wished success. Too great 340 A distance parts them yet—she leaves her seat, And flies to his embraces, but concealed Her passion in his merit, being revealed To him alone, whose better judgement knew, That, in those spirit-breathing beams that flew Through the fair casements of her eyes, did move The secret language of an ardent love. This conflict of her passions, which had been Fought betwixt fear and hope, was settled in A silent joy, that from her noble breast 350 Struggled for passage; whilst Argalia, blest Above his hopes, in burning kisses seals His service on her virgin hand, that steals From thence new flames into her heart; which ere Fed with desire, e’en whilst she did prepare To entertain those welcome guests, appears The prince, who now, thawed from the icy fears Of desperation, was come there to give Thanks to his unknown friends; but words did live Within a place too barren to bestow 360 That fruitful zeal, whose plenty did o’erflow His eyes, those clouded orators, which till Disburthened did capacious passion fill. This moist gale o’er, when now they had awhile Melted in joy, clothing it with a smile, He thus unfolds his comfort: ‘ Blessed Fates, You have out-tried my charity, he hates All real virtue, that confesses not My care of thee was but an unknown spot To this large world of satisfaction’—Here 370 Kind sorrow stopped his voice again. When fear Their enemies might rally, and i’ the bud Blast all their blooming joys, even whilst the blood Reeked on his sword, leaving their eyes to pay Pursuing prayers, Argalia posts away, 330 wait, transport] Singer, with his usual well-intentioned officiousness, ‘waite’ and ‘transports.’ (97) H William Chamberlayne But finds his foes dispersed, excepting one Stout regiment, whose desperation, grown To valour, spite of all pursuers, made Good their retreat; till forced at length to shade Themselves from the pursuing danger in A deep dark cave, whose spacious womb had been Their receptacle, when unlawful theft Was their profession. In this place they'd left Their dearest pledges, as most confident Those dark meanders would their loss prevent. These stout opposers being protected here, Before Argalia brought his army near, Had fortified the narrow pass, and now Presume of safety, since none else knew how Without their leave to enter. Hemmed about With all the castle foot, his horse sent out To clear the field, the careful general sees ; Then every quarter made secure, he frees His own from all suspected danger. While This busy siege did better things beguile Of some few steps of time, the prince arrives, To see the leaguer, where each captain strives With entrance to be honoured: but in vain The subtle engineer here racks his brain; The mountains yield not to their cannon shock, Nor mine could pierce the marble-breasted rock. Thus whilst they lay despairing e’er to force A place so difficult, with some few horse Only attended, the vexed prince surrounds The spacious hill, whose uncouth sight confounds His ablest guides; making a stand to view A promontory, on whose brow there grew A grove of stately cedars, from a dark And hidden cleft, proud of so rich a mark, Some muskets are discharged ; which missing, by A desperate sally’s seconded. To fly The danger thorough such a dreadful way As now they were to pass, was not to stay But hasten ruin; though too weak, in fight More safety lay, than an unworthy flight. But valour, like the royal eagle by A cloud of crows o’ermastered, less to die With honour, had no refuge left; and that Here each plebeian gains. When, frighted at The unusual clamour, with such troops as were Most fit for speed, Argalia was come there— Arrived even with that minute which first saw His prince a captive. Now the rebels draw Back to their private sally-port, but are 415 an] Singer ‘ in’ perhaps unnecessarily, ( 98 ) [Boox II 39° 400 420 Canto IIT] Pharonnida Too speedily pursued to enter far Within their dark meanders, ere o’ertook By their enraged foes, who had forsook Their other stations, and to this alone Drew all their forces, entering the unknown And horrid cave, whose troubled womb till then 430 Ne’er such a colic felt. Argalia’s men, Following so brave a leader, boldly tread Through the rock’s rugged entrails; those that fled, Though better skilled in their obscure retreat, No safety find. The cave’s remotest seat Was now the stage of death; together thronged, After their swords had life’s last step prolonged, There all the villains in despair had died, Had not the fear their prince in such a tide Of blood might have been shipwrecked; whom to save, 440 A general pardon to the rest is gave. And now the dreadful earthquake, which had turned The rock to 4tna, could its top have burned With subterranean fires, being ceased; the prince, Desirous by his knowledge to convince Those word-deep wonders, which report had spread Of that strange cave, commands some to be led By an old outlaw, whose experience knew The uncouth vault’s remotest corners, to Those seats of horror. Which performed, and word 450 Returned again, the dangen did afford Subject for nobler spirits; forthwith he, Attended by Argalia, goes to see What had affrighted them. The dreadful way Through which he passed, being steep and rugged, lay Between two black and troubled streams, that through The cleft rock rolled with horrid noise, till to An ugly lake, whose heavy streams did lie Unstirred with air, they come, and there are by That black asphaltos swallowed. A strange sound 460 Of yelling dragons, hissing snakes, confound Each trembling auditor; till comforted By bold Argalia venturing first to tread On stones, which did like ruined arches lie Above the surface of the lake, he’s by Their aid brought to an ancient tower, that stood Fixed in the centre of the lazy flood :— Its basis founded on a rock, whose brow, With age disfigured into clefts, did now With loud and speedy ruin threaten to 470 Crush all beneath it; round about it flew On sooty wings such ominous birds as hate The cheerful day; vipers and scorpions sate Circled in darkness, till the cold damp breath (99 ) H 2 William Chamberlayne [Boox II Of near concreted vapours, singed to death B’ the numerous light of torches, which did shine Through the whole mountain’s convex, and refine Air with restraint corrupted, forcing way By conquering flames recalls the banished day. Come now to a black tower, which seemed to be 480 The throne of some infernal deity, That his extended laws reaches unto The brazen gate, whose folded leaves withdrew Assaults their eyes with such a flux of light, That, as the dim attendants of the night In bashful duty shun the prince of day, So their lost tapers unto this give way ; Whilst it, with wonder that belief outgrew, Transports their sights to the amazing view Of so much beauty, that the use of sense 490 Was lost in more than human excellence. A glorious room, so elegantly fair In’ts various structure, that the riotous heir O’ the eastern crescent that might choose to be The theatre of shining majesty, They now behold; yet than its mighty strength, Which had preserved such beauty from the length Of Age’s iron talons, there appear More rare perfections—the large floor, of clear Transparent emeralds, lent a lustre to 500 The oval roof; whose scarce seen ground was blue, Studded with sparkling gems, whose brightness lent The beauties of the vaulted firmament To all beneath their beams; the figured walls, Embossed with rare and antic sculptury, calls For th’ next observance: though the serious eye, The way to truth in secret mystery Here having lost, lets the dark text alone, To view the beauties of a glorious throne, Which, placed within the splendid room, did stand 510 Beneath an ivory arch, o’er which the hand Of art, in golden hieroglyphics, had The story of ensuing fate unclad, But vainly, since the art-defective times Struck nought but discords on those well-tuned chimes. Upon the throne, in such a glorious state As earth’s adortd favourites, there sate The image of a monarch, vested in The spoils of nature’s robes, whose price had been A diadem’s redemption; his large size, 520 Beyond this pigmy age, did equalize The admired proportion of those mighty men, Whose cast-up bones, grown modern wonders, when Found out, are carefully preserved to tell ( 1co ) Canto III] Pharonnida Posterity—how much these times are fell From Nature’s youthful strength ; if [’t] be not worse, Our sin’s stenography, the dwarfish curse Ordained for large-sized luxury. Before The throne, a lamp, whose fragrant oils had more Perfumed the room than all the balmy wealth 530 Of rich Arabia, stood ; light, life, and health, Dwelt in its odours, but what more contents The pleased spectators, that fair hand presents The rest t’ the view :—the image to declare Of whom the effigies was, on’s front did bear A regal crown, and in his hand sustained A threatening sceptre; but what more explained Antiquity’s mysterious dress was seen In a small tablet; which, as if ’t had been Worth more observance than what Fate exprest 540 In unknown figures, he did gently rest His left hand on, as if endeavouring by That index to direct posterity, How in their wonder’s altitude to praise The deeper knowledge of those wiser days, By reading in such characters as Time Learned in her nonage—this—in antic rhyme, When striving to remove this light, It princes leaves involved to night, The time draws near, that shall pull down 550 My old Morea’s triple crown ; Uniting, on one royal head, What to disjoin such discord bred: But let the more remote take heed, For there’s a third ordained to bleed; For when I’m read, not understood, Then shall Epirus’ royal blood, By ways no mortal yet must know, Within the Aetolian channel flow. This strange inscription read, not only by 560 The prince, but those whom wonder had drawn nigh The sacred room, their fancies’ civil war Grows full of trouble; ’tis a text so far Beyond a comment, that their judgements, in Enigmas mazed, had long let motion been In epileptic wonder lost, until (As that alone contained their dreaded ill) The greater part with joined consents advise To have the lamp removed, since in it lies, If those lines prove prophetic, the linked fate 570 Of all Ietian princes. Which debate 549 to] Singer ‘in.’ 571 Ietian] In the extraordinary confusion of proper names, which has been already noticed, it would probably be quite vain to guess at this. ( 101 ) William Chamberlayne [Book II Being carried in the affirmative, the rest Drew back, whilst bold Argalia forward prest ; But’s thus soon staid ;—the stone, on which he stept Next, was by art so framed, that it had kept Concealed an engine’s chiefest spring, which, by The least weight touched, in furious haste let fly Unpractised wheels, and with such vigour strook The sceptre on the long-lived lamp—it shook Its crystal walls to dust ;—not thunder’s strong 580 Exagitations, when it roars among Heaps of congested elements, a sound More dreadful makes. But what did most confound Weak trembling souls, was the thick darkness that Succeeds the dying flame; which wondering at, Whilst all remain, art’s feeble aids supply The lamp’s lost virtue with new lights, but by Cold damps so darkened, that contracted night Scorned their weak flames, showing that hallowed light Contained more sacred virtues. Now, as Fate 590 Had only to that hour prolonged the date Of all within, a sudden change, to dust The mighty body turns ; consuming rust Had ate the brazen imagery, and left No sign of what till then safe from the theft Of time remained ; darkness had repossessed The sullen cave to an eternal rest; In the rude chaos of their ashes, all Art’s lively figures in an instant fall. Pleased with the sight of these strange objects more —_ 600 Than with war’s dangers he was vexed before, , The prince with all his train of conquerors now Is gone to teach the expecting army how To share their wonder; but not far from thence Removes, before confirmed intelligence Acquaints him with the Epirot’s march; who in His swift advance so fortunate had been, That falling on such as the morning’s flight Flattered with hope, they there met endless night At unawares: but of these added numbers 610 Was cursed Almanzor none; yet Justice slumbers I’ the prosecution of his unripe fate, Which must more horrid sins accumulate : Before cut off, his clamorous guilt must call For vengeance louder, and grow hectical With custom, till the tables of his shame Into oblivion rot his loathtd name. THE END OF THE THIRD CANTO. ( 102 ) Canto IV] Pharonnida Canto IV THE ARGUMENT From war's wide breaches, whence his brave friends had With victory brought him, the old prince arrived In safety, whilst fear punishes the bad, Rewards that virtue which his cause revived. In which brave act, Argalia’s merits met With a reward that e'en desert outgrew, Whilst him it the fair princess’ guardian set, The root on which love’s fruit to ripeness grew. Twat too inferior branch, which strove to rise With the basilic to anastomize, Thus drained, the state’s plethoric humours are Reduced to harmony ; that blazing star, Which had been lifted by rebellious breath To’s exaltation, in the House of Death Now lay oppressed. Which victory complete, Leaving his army where before the seat O’ the rebels was, his entertainment by The welcome harbinger of victory ro Before prepared, the pleased Epirot goes With an exalted joy to visit those His goodness, whilst unknown, relieved; where he Such noble welcome finds, as not to be Imagined but by grateful souls that know The strength of courtesy, when ’twould o’erflow Those merits, which, whilst love incites to praise Our friend’s deserts, to pyramids we raise. The narrow confines of Alcithius’ wall, Which kept them safe from dangers past, too small 20 Grows for that present triumph, that blots out All thoughts of grief, but what are spent about Thanksgiving for delivery ; -which they do Perform in sports, whose choice delights might woo Cold anchorites from their sullen cells. The earth, The air, the sea, all, in a plenteous birth, Exhausted their rich treasuries to pay Tribute to their desires; which, could Time stay Her chariot wheels from hurrying down the hill Of feeble nature, man’s vain thoughts would fill 30 With subaltern delights, most highly prized, Till the conclusion, Death, hath annalized The doubtful text with what lets mortals know Their blooming joys must drop to shades below. 29 Her] Singer alters, on general principles, to ‘ His.” But Chamberlayne is so eccentric that he might have imagined Time as feminine, which is not at all unthinkable. ( 103 ) Wilham Chamberlayne [Boox II That great eclipse of glory’s rays, within Whose shades sad Corinth had benighted been, Since, like a widowed turtle, first she sate A moumer for her wandering prince’s fate ; Now, like the day’s recovered reign, breaks forth In fuller lustre. All excelling worth, 40 That honoured virtue, or loved beauty, placed, Her ornaments, with their appearance graced Those public triumphs she prepares to meet The princes in; in every splendid street The various pride of Persia strove to outvie Rich English wool dipped in the Tyrian dye: Each shop shines bright, and every merchant shows How little to domestic toil he owes, By the displaying beauteous wardrobes, where The world’s each part may justly claim a share: 50 Though what in all art’s stiff contention lent Most lustre, was the windows’ ornament— Fair constellations of bright virgins, that, Like full-blown flowers, first to be wondered at, Display their beauties, but that past withal, Tempt some kind hand to pluck them ere they fall. Their entrance in this triumph made, whilst now Each busy artist is endeavouring how To court their fancies, Time’s small stock to improve, The grave Epirot, whose designs toward love 60 Yet only by ambition led, had made His first approach so seeming retrograde By state’s nice cautions, and what did presage More ill—the inequality of age, That when converse his private captive led, His largest hopes on the thin diet fed Of a paternal power ; assisted by Whose useful aid, with all the industry Of eager love, he still augments that fire Which must consume, not satisfy desire. so But, as occasion warned him to prevent Unequal flames, he but few days had spent In love’s polemics, ere unpractised art, From this calm field to war’s more serious part Is sadly summoned. Those large conquests he Had triumphed in, whilst glorious victory Waited on’s sword, too spacious to be kept ‘ Obedient whilst that glittering terror slept In an inactive peace, disclaiming all The harsh injunctions of proud victors, fall 80 Off from’s obedience ; and to justify Their bold revolt, to the unsafe refuge fly Of a defensive power. To crush whose pride, With such a force as an impetuous tide ( 104 ) Canto IV] Pharonnida Assaults the shore’s defence, he’s forced to take A march so sad, as souls when they forsake The well-known mansions of their bodies to Tread death’s uncertain paths, and there renew Acquaintance with eternity; perplexed To hear those new combustions, but more vexed With love’s proud flames burning. In which we'll leave Him on his hasty voyage, and receive A smile from the fair princess’ fate ; which, till Enjoyment stifles strong desire, will fill The tragic scene no more, but, with as sad A progress to her hopes, as ever had Poor virgin to the throne of Love, will frame Those harsh phylacteries, which in Cupid’s name She must obey, unless she will dispense With sacred vows, and martyr innocence. These storms blown o’er, and the Epirot gone, Her father, that till now had waited on His entertainment, with a serious eye Looks o’er his kingdom’s wounds, and doth supply Each part, which in this late unnatural war Was grown defective. Unto some that are Not lethargized in ill he gently lays Refreshing mercies; sometimes, danger stays From an approaching gangrene, by applying Corroding threats; but unto those that, flying All remedies prescribed, had mortified Their loyalty, stern justice soon applied The sword of amputation: which care past, As ‘twas his greatest, so becomes his last— Pharonnida he places, where she might At once enjoy both safety and delight. Her thoughts’ clear calm, too smooth for th’ turbulent And busy city, wants that sweet content The private pleasures of the country did Afford her youth; but late attempts forbid All places far remote: which to supply, He unto one directs his choice, that by Its situation did participate Of all those rural privacies, yet sate Clothed in that flowery mantle, in the view O’ the castle walls, which, as placed near it to Delight not trouble, in full bulk presents Her public buildings’ various ornaments. This beauteous fabric, where the industrious hand Of Art had Nature’s midwife proved, did stand Divided from the continent b’ the wide Arms of a spacious stream, whose wanton pride In cataracts from the mountains broke, as glad Of liberty to court the valley, had ( 105 ) go 100 TIO 120 130 William Chamberlayne [Book II Curled his proud waves, and stretched them to enclose That type of paradise, whose crown-top rose From that clear mirror, as the first light saw Fair Eden ’midst the springs of Havilah ; So fresh as if its verdant garments had Been in the first creation’s beauties clad, 140 Ere, by mistaking of the fatal tree, That blooming type of blest eternity, Subjected was, by man’s too easy crime, Unto the sick vicissitudes of time. Nor was she in domestic beauty more Than prospect rich—the wandering eye passed o’er A flowery vale, smooth, as it had been spread By nature for the river’s fragrant bed. At the opening of that lovely angle met The city’s pride, as costlier art had set 150 That masterpiece of wit and wealth to show— Unpolished nature’s pleasures were below Her splendid beauties, and unfit to be Looked on, ’less in the spring’s variety : Though from the palace where in prospect stood All that nice art or plainer nature would, If in contention, show to magnify Their power, did stand, yet now appeared to vie That prospect which the city lent; unless, Diverted from that civil wilderness, 160 The pathless woods, and ravenous beasts within, Whose bulk were but the metaphors for sin, We turn to view the stately hills, that fence The other side o’ the happy isle, from whence All that delight or profit could invent For rural pleasures, was for prospect sent. As Nature strove for something uncouth in So fair a dress, the struggling streams are seen, With a loud murmur rolling ’mongst the high And rugged clifts; one place presents the eye 170 With barren rudeness, whilst a neighbouring field Sits clothed in all the bounteous spring could yield Here lovely landscapes, where thou might’st behold, When first the infant morning did unfold The day’s bright curtains, in a spacious green, Which Nature’s curious art had spread between Two bushy thickets, that on either hand Did like the fringe of the fair mantle stand, A timorous herd of grazing deer; and by Them in a shady grove, through which the eye 180 Could hardly pierce, a well-built lodge, from whence The watchful keeper’s careful diligence 162 bulk] Singer ‘ bulks’ obviously but perhaps unnecessarily. 170 clifts} Orig. ‘clefts’ as often, ( 106 ) Canto IV] Pharonnida Secures their private walks; from hence to look On a deep valley, where a silver brook Doth in a soft and busy murmur slide Betwixt two hills, whose shadows strove to hide The liquid wealth they were made fruitful by, From full discoveries of the distant eye. Here, from fair country farms that had been Built *mongst those woods as places happy in 190 Their privacy, the first salutes of light Fair country virgins meet, cleanly and white As were their milky loads: so free from pride, Though truly fair, that justly they deride Court’s nice contentions, and by freedom prove More blest their lives—more innocent their love. Early as these, appears within the field The painful husbandman, whose labour steeled With fruitful hopes, in a deep study how To improve the earth, follows his slow-paced plough. 200 Near unto these, a shepherd, having took On a green bank placed near a purling brook Protection from the sun’s warm beams, within A cool fresh shade, truly contented in That solitude, is there endeavouring how On’s well-tuned pipe to smooth the furrowed brow Of careful Want, seeing not far from hence His flock, the emblems of his innocence. Where the more lofty rock admits not these Domestic pleasures, Nature there did please 210 Herself with wilder pastimes ;—on those clifts, Whose rugged heads the spacious mountain lifts To an unfruitful height, amongst a wild Indomitable herd of goats, the mild And fearful cony, with her busy feet, Makes warmth and safety in one angle meet. From this wild range, the eye, contracted in The island’s narrow bounds, would think’t had been T’ the world before, but now were come to view An angel-guarded paradise ; till to 220 A picture’s first rude catagraph the art Of an ingenious pencil doth impart Each complement of skill: or as the court To the rude country; as each princely sport That brisks the blood of kings, to those which are The gross-souled peasant’s rude delight—so far These objects differ: here well-figured Nature Had put on form, and to a goodly stature, On whose large bulk more lasting arts were spent, Added the dress of choicest ornament. 230 189 farms] Chamberlayne, who always spells ‘alarum’ ‘alarm,’ apparently gave ‘farm’ the sound of ‘ farum.’ ( 107 ) William Chamberlayne [Boox Il The stately mount, whose artificial crown The palace was, to meet the vale stole down In soft descents, by labour forced into A sliding serpentine, whose winding clew An easy but a slow descent did give Unto a purling stream; whose spring did live, When from the hill’s cool womb broke forth, within A grotto; whence before it did begin To take its weeping farewell, into all The various forms restrictive Art could call 240 Her elemental instruments unto Obedience by, it courts the admiring view Of pleased spectators—here, exalted by Clear aqueducts, in showers it from those high Supporters falls ; now turned into a thin Vapour, in that heaven’s painted bow is seen; Now it supplies the place of air, and to A choir of birds gives breath, which all seemed flew From thence for fear, when the same element, With such a noise as seas imprisoned rent 250 Including rocks, doth roar: which rude sound done, As noble conquerors who, the battle won, From the loud thunders of impetuous war To the calm fields of peaceful mercies, are By manly pity led; so, Proteus-like, Returned from what did fear or wonder strike, The liquid nymph, resuming her own shape Within a marble square, a clear escape, Till from her winding stream the river takes Still fresh supplies, from that fair fountain makes. 260 Upon those banks which guarded her descent, Both for her odour and her ornament, Lilies and fragrant roses there were set ; To heighten whose perfume, the violet And maiden primrose, in their various dress, Steal through that moss, whose humble lowliness Preserves their beauties ; whilst Aurora’s rose, And that ambitious flower that will disclose The full-blown beauties of herself to none Until the sun mounts his meridian throne, 270 (Like envied Worth, together with the view Of the beholders), being exposed unto Each storm’s rough breath, in that vicissitude Find that their pride their danger doth include, When scorched with heat or burthened with a shower, From blooming beauty sinks the fading flower ; ‘Though here defended by a grove that twined Mutual embraces, and with boughs combined, Protects the falling stream, which it ne’er leaves, Till thence the vale its flowery wealth receives. 280 ( 108 ) CANTO IV] Pharonnida Placed as the nobler faculty to this Of vegetation, like an emphasis Amongst the flowers of rhetoric, did stand The gorgeous palace; where Art’s curious hand Had, to exceed example, centred in One exact model what had scattered been— But as those fragments which she now selects, The glory of all former architects. Here did the beauties of those temples shine, Which Ephesus or sacred Palestine 290 Once boasted in; the Persian might from this Take patterns for his famed Persepolis ; This, which had that fair Carian widow known, Mausolus’ tomb had ne’er a proverb grown, But been esteemed, after her cost, by her That did erect, a homely sepulchre. Though to describe this fabric be as far Above my art as imitations are Beneath its worth, yet if thy Fancy’s eye Would at its outside glance, receive it by 300 This cloudy medium.—On a stately square, Which powerful art forced to a level where The mountain highest rose, compassed about With a thick grove, whose leafy veil let out Its beauties so, ’tis at a distance seen, A silver mount enamelled o’er with green, The shining palace stood; whose outward form Though such as if built for perpetual storm, Yet in that strength appeared but armed to be Beauty’s protector: whose variety, 310 Though all met in an artful gracefulness, In every square put on a several dress. The sides, whose large balcones conveyed the eye T’ the fields’ wild prospects, were supported by A thousand pillars; where in mixture shone The Parian white and red Corinthian stone, Supporting frames, where in the like art stood Smooth ivory mixed with India’s swarthy wood: All which, with gold, and purer azure brought From Persian artists, in mosaics wrought, 320 The curious eye into meanders led, Until diverted by a sight that bred More real wonder.—The rich front wherein By antic sculpture, all that ere had been The various acts of their preceding kings, So figured was; no weighty metal brings 296 erect] Singer supplies ‘’t'—‘erect—’t’ But though Chamberlayne certainly does not go out of his way to avoid these uglinesses, one need not go out of one’s way to insert them. 324 antic] ‘antic’ of course =‘ antique.’ ( 109 ) William Chamberlayne [Boox II Aught to enhance its worth, Art did compose Each emblem of such various gems—all chose Their several colours—Under a sapphire sky Here cheerful emeralds, chaste smaragdi lie— 330 A fresh green field, in which the arméd knights Were all clad in heart-cheering chrysolites, With rubies set, which to adorn them twist Embraces with the temperate amethyst ; For parts unarmed—here the fresh onyx stood, And Sardia’s stone appeared like new-drawn blood ; The Proteus-like achates here was made For swords’ fair hilts, but for the glittering blade, Since all of rich and precious gems was thus Composed, was showed of flaming pyropus : 340 And lest aught here that’s excellent should want, The ladies’ eyes were shining adamant. These glorious figures, large as if that in Each common quar these glittering gems had been By sweaty labourers digged, united by Successful art, unto the distant eye Their mixed beams with such splendid lustre sent, That comets, with whose fall the firmament Seems all on fire, amazes not the sight With such a full and sudden flux of light. 350 As lines extended from their centre, hence Unto the island’s clear circumference, Four flowery glades, whose odoriferous dress Tempted the weary to forgetfulness, Cutting the mountain into quadrants, led Into the valley—Pleasure’s humbler bed. Where come, if Nature’s stock can satisfy The fancy at the fountains of the eye, *Twas here performed, in all that did include What active mirth or sacred solitude 360 Could happy call-—Groves never seen b’ the eye O’ the universe, whose pleasing privacy Was more retired from treacherous light than those, To hide from Heaven, Earth’s first Offender chose. When Contemplation, the kind mother to All thoughts that e’er in sacred rapture flew Toward celestial bowers, had here refined The yet imperfect embryos of the mind; To recreate contracted spirits by The soul’s best medicine—fresh variety, 370 An easy walk conducts them unto all That active sports did e’er convenient call. All which, like a fair theatre b’ the bank O’ the river verged, was guarded by a rank Of ancient elms; whose lofty trunks, embraced By clasping vines, with various colours graced ( 110 ) Canto IV] Pharonnida Their spreading branches—Whose proud brows, being crowned With stately walks, did from that ample round The well-pleased eye to every place convey, That in the island’s humble level lay. 380 To guard her court, a hundred gentlemen, Such as had glorified their valour, when Tried in her father’s wars, attended; which, Commanded by Argalia, did enrich His merit with such fair reward, that all His better stars, should they a synod call, Those fires convened ne’er with more glorious light Could clothe his hopes; his fortune’s dim-eyed night Enflamed to noon, and the fair princess blest By the same power; for though his fate invest 390 His noble soul within the obscure mask Of an unknown descent, his fame shall ask, In time to come, a chronicle, and be The glory of that royal family From whence he sprung. But ere he must attain The top of Fortune’s wheel, that iron chain, By whose linked strength it turns, too oft will grate Him with most hot afflictions; his wise fate Digs deep with miseries, before it lays The ground-work of his fame, which then shall raise, 4c0 On the firm basis of authentic story, To him eternal pyramids of glory. Thou that art skilled in Love’s polemics here Wish they may rest awhile; and though drawn near A sadder fate, if Pity says—too rath ’Tis to let Sorrow sad the scene, we’ll bathe Our pen awhile in nectar, though we then Steep it in gall again. The Spring did, when The princess first did with her presence grace This house of pleasure, with soft arms embrace 410 The Earth—his lovely mistress—clad in all The painted robes the morning’s dew let fall Upon her virgin bosom; the soft breath Of Zephyrus sung calm anthems at the death Of palsy-shaken Winter, whose large grave— The earth, whilst they in fruitful tears did lave, Their pious grief turned into smiles, they throw Over the hearse a veil of flowers; the low And pregnant valleys swelled with fruit, whilst Heaven Smiled on each blessing its fair hand had given. 420 Becalmed on this pacific sea of pleasure, No boisterous wave appearing, the rich treasure Of Love, being ballast with content, did fear No threatening storm, so safe a harbour near, 400 ground-work] Orig. ‘ ground-fork’ not perhaps possibly. 416 lave] Orig. ‘leave’ which is obviously worth noting. ( x11 ) William Chamberlayne [Boox I As the object whence it sprung. Such royal sports, As take their birth from the triumphant courts Of happy princes, did contract the day To pitied beauty ; Time steals away On downy feet, whose loss since it bereaves Them of no more than what new birth receives 430 From the next teeming day, by none is thought Worth the lamenting. Sometimes, rocked i’ the soft Arms of the calmest pleasures, they behold A sprightly comedy the sins unfold Of more corrupted times; then, in its high Cothurnal scenes, a lofty tragedy Erects their thoughts, and doth at once invite, To various passions, sorrow and delight. Time, motion’s aged measurer, includes Not more, in all the hours’ vicissitudes, 440 Than their oft changing recreations ; that, When the sun’s lofty pride sat smiling at The earth’s embroidered robes, or Winter’s cold And palsied hand did those fresh beauties fold Up in her hoary plush, each season lends Delights of ’ts own—such a beguiled time spends Its stock of hours unwasted on, in chaste Though private sports. Here happy lovers past Fancy’s fresh youth, whose first attempts did prove Too innocent for th’ sophistry of love ; 450 There scornful beauty, or the envious eye Of jealous rivals, ne’er afflicts—all by An equal and a noble height so blest, Pride none had raised, nor poverty depressed. THE END OF THE FOURTH CANTO. Canto V THE ARGUMENT Whilst serene joy sat smiling in her court, As shadows to illustrate virtue by. Fantastic Love becomes the princess’ sport, Whose harsher dictates she ere long must try. For now suspicion, Virtue’s secret foe, Fired with Argalia’s just-deserved fame, Makes her great father think each minute slow, Till separation had allayed the flame. Lest that her court, which seems composed of all ‘That’s great or good, the o’erweening world should call Perfection’s height—a word which, whilst on earth, Vain as Delight, only from name takes birth— ( «12 ) Canto V] Pharonnida In this the largest and most glorious sphere Wer greatness moved in, some few stars appear To virtue retrograde. The informing spirit— Love, by whose motion on the pole of merit This bright orb turned, e’en ’mongst these heroes finds A pair of followers, whose imperfect minds Transgressed his dictates; and, though no offence So full of guilt as foul incontinence Durst here approach, by ways less known unto What love intends, those various figures drew, Whose aspects ne’er more near conjunction move, Than eyes—the slight astronomy of love. That new Platonic malady, the way By which imperfect eunuchs do betray Nature’s diseases to contempt, whilst by Such slight repast they strive to satisfy Love’s full desires, which pines or else must crave More than thin souls in separation have, Being lately by some sick fantastics brought But near the Court, within it long had sought For residence, till entertained by two Whose meeting souls no more distinction knew Than sex, a difference which, whilst here it grows Toward Heaven, it to corporeal organs owes. But since that these so uncouth actors here But as intruders on the scene appear, Ere in their story we engulph too far, Let’s first behold them in their character. If e’er thy sober reason did submit To suppling Mirth, that wanton child of Wit, Beholding a Fantastic, drest in all His vain delights, what’s analogical To our Acretius then conceive thou’st seen ; Though if compared, those short to him had been As transcripts are to copies: to complete A humorist, here Folly had chose a seat ’Mongst more than vulgar knowledge, and might pass The same account an academic ass Makes of his father’s four-year charge, when he Frights villagers with shreds of sophistry. ’Mongst foreign parts, of which, like Coriate, He’d run through some, he had acquired to prate By privilege; and, as if every nation Contributed, is in each several fashion ; Which, like their tongues, all so imperfect find, That both disguised his body and his mind. Though self-conceit, vain youth’s fantastic crime, Made him steal singly from the front of time, I’ the medium, which but seldom proves the seat For lust’s wild fire or zeal’s reflected heat, (113 ) I William Chamberlayne [BooK II He amorous grows; and doubting to prevail, For all his wings caught Pegasus b’ the tail, And being before with Cupid’s engines fired, From his posteriors doubly was inspired. She that at first this sympathetic flame Inspired him with, the court knew by the name 60 Of Philanta ; to whom, all would impair Their skill, that gave the epithet of fair, Except Acretius,—since her beauty fit For praises was, where paralleled by wit. Yet now, although time’s sad discovery tells— Her Autumn’s furrows were no parallels In Beauty’s sphere, those youthful forms being grown So obsolete, scarce the vestigia’s shown: A native pride and strange fantastic dress, More admiration than e’er comeliness 70 Could do, acquires. She formerly had been A great admirer of romances, in Whose garb she now goes drest; a medley piece Made up of India, Turkey, Persia, Greece, With other nations, all enforced to be Comprised within five foot’s stenography. Her wit, that had been critical, and ranged ’Mongst ladies’ more than the ushers’ legs, was changed To gratify; and every word she said, An apophthegm unto the chamber-maid, 80 From whom, her long experienced knowledge in Some of the female mysteries of sin, Had gained the applause of being skilled in all That could prevent decaying beauty’s fall. Acretius and she, being such a pair As Nature when tired with more serious care For recreation made, instructed by Their meeting natures’ secret sympathy, Soon learn to love; but, as if now too wise For youth’s first dictates, Love’s loose rules comprise go In such strict bounds, that each the object saw Of their desires, like sacred things, some law, Fear made obeyed, forbids the world to use, Lest the adored enjoyment should abuse Into contempt; nor are their meetings in Those plainer paths—which their nice art calls sin— At all performed ;—that, the dull road unto The bridal bed; this, the fantastic clew To a delight, which doth in labyrinths sit, None e’er beheld while they preserved their wit. 100 Like wanton Jove committing secret rapes On mortal beauties, they transmute their shapes At every interview; now, in a dress Resembling an Arcadian shepherdess, (114) Canto V] Pharonnida She in the woods encounters him, whilst he, Armed like a furious knight, resolved to be Her ravisher, approaches, but, being by Her prayers charmed into pity, there doth lie Fettered in soft embraces; now he must Turn hermit, and be tempted unto lust By her, a lady errant; like distressed Lovers, whose hopes by rigid friends oppressed Pine to despair, they now are wandering in Unhaunted groves, whose pensive shades had been So oft their shady veil, that every tree, In wreaths where love lay wrapped in mystery, Held their included names—a subtile way To the observant courtiers to betray Their serious folly, which, from being their own Delight, was now the sport o’ the pages grown ; The pleasant offsprings of whose wanton wit Disturb their peace, that, though secured they sit In shady deserts, with as much of fear, As wandering ladies, when the giant’s near, They’re still possessed; less terrible were all The dreadful objects, Amadis de Gaul Or wittier Quixote from their enemies E’er met, than was the fear-of a surprise By those which did such strict observance take. They thus their folly the court’s laughter make.— Near to the island’s utmost verge did lie Retired e’en from Heaven’s universal eye, A deep dark vale; whose ‘night-concealing shade By a fresh river’s silver stream was made So sweetly cool, it often did invite Pharonnida to meet the smooth delight Of calm retirement there. Where, to impart With Nature’s bounty all that liberal Art Thought fit for so remote a pleasure, stood A grotto, where the macrocosm’s cold blood Ran more dispersed in various labyrinths then It circulates within the veins of men. Hither the inventive lovers, who long sought Some way which Fancy ne’er her followers taught To express their serious folly in, repair, Oft as the sun made the insalubrious air Unfit for publick walks. To entertain Them here with what exceeded all their vain Delights before,—newly erected by Successful art, each various deity Old Fancy placed the sea’s commanders, here They with delight behold; but when drawn near They saw, i’ the midst o’ the blue-eyed Tritons, placed Neptune’s and Thetis’ chariot—yet not graced ( 115 ) 12 Tic 120 140 150 William Chamberlayne [Boox IL With their unfinished figures, this they took For so much favour, as they had forsook Their thrones to give them place. But what adds yet More to the future mirth, they swiftly fit Themselves with habits, such as art had drew Its fancies in—both of their robes being blue 160 Enchased with silver streams; their heads, with fair Dishevelled periwigs of sea-green hair, Were both adorned; circling whose crowns they wore Wreathed coronets of flags; his right hand bore A golden trident; hers, yet hardly red, As if new plucked from the sea’s frothy bed, A branch of coral.—But whilst here they sit Proudly adorned, both void of fear as wit, The gates o’ the grotto swiftly shutting in, A torrent, such as if they’d seated been 170 At Nile’s loud cataracts, by ways (before Unseen) breaks forth; by which the engine bore From its firm station, floats aloft, and, by A swift withdrawing of those bays which tie Floods from commerce, is wafted forth into A spacious pool; where the bold artist drew The unfathomed sea’s epitome within A circling wall, but such as might have been A pattern to Rome’s big-bulked pride, when they Showed sea’s loud battles for the land’s soft play. 180 Our amorous humorists, that must now appear, This narrow sea’s commanders, shook with fear, Sit trembling—whilst the shrill-voiced Tritons sound Their crooked shells, whose watery notes were drowned B’ the lofty laughter of that troop, they saw Their pleased spectators; for Pharonnida, Being now with all her beauteous train come to Behold this pageant, taught them how to view A shame as dreadful as their fear, which yet Was full of horror; for though safe they sit 190 T’ the floating chariot, yet the mounting waves So boisterous grew, that e’en great Neptune craves Himself relief, till frighted from all sense By second dangers :—From that port from whence They sallied forth, two well-rigged ships are now Seen under sail, whose actions taught them how Sea fights are managed, in a method that They being too near engaged to tremble at, By fear’s slow conduct to confusion led, Fall from their thrones; and through the waves had fled 200 From shame to death, had they not rescued been By swift relief—a courtesy that, in Its first approach, though welcomed—when they come To stand the shock o’ the court’s loud mirth, as dumb ( 116 ) CANTO V] Pharonnida As were the fishes they so late forsook, Makes Mercy court them in a dreadful look. But, leaving these to pay with future hate Each courtier’s present mirth, a sadder fate Commands my pen no longer to attend On smooth delights, before it gives an end 210 To that ephemera of pleasure; which, Whilst a free conversation did enrich Their thoughts, too fast did ripen in the breasts OF both our royal lovers, whose fate rests Not long in downy slumbers, ere it starts In vain phantasmas—Hope herself departs In a distracted trembling. Their bright sphere Of milder stars had now continued clear So long, till what their smiling influence drew From the unthankful earth contracted to 220 A veil of clouds; whose coolness, whilst some praised, Obscured those beams by which they first were raised. Hell’s subtle embryos—the ingratitudes Of cursed Amphibia, whose disguise includes Mischief’s epitome, had often strook In secret at their envied joys, which took Ne’er its effects till now. So heavenly free The virtuous princess was from what could be Of human vice, she knew not to mistrust It in another, but thinks all as just 230 As her own even thoughts; wherefore, without Oppressing of her soul with the least doubt Raised from suspicion, she dares let her see She loved Argalia, though it could not be Yet counted more than what his merits might Claim as desert. But this small beam of light, Through the prospective of suspicion to Envy’s malignant eye conveyed, to do An act, informs the cursed Amphibia, that Makes love lament for what she triumphed at. 240 Since virtue, Heaven’s unspotted character, On the beloved Argalia did transfer Merits of too sublime a height to be Shadowed with vice—from that flower’s fragrancy She sucks her venom; and, from what had built His glory, now intends to raise his guilt. For though the prince no engines need to move ‘His passion’s frame, but just desert—his love— Her close endeavours are to heighten ’t by Praises that make affection jealousy ; 250 Whose venom, having once possessed his soul, It swiftly doth, like fatal charms, control 237 prospective] Singer ‘ perspective,’ unnecessarily. (117 ) William Chamberlayne [Boox I Reason’s fair dictates; and although no fear From such well-ordered actions could appear To strengthen it, Argalia’s merits caused Some sad and sullen doubts, such as, when paused Awhile upon, resolve their cure must be— Their cause removed—though in that action he From his breast’s royal mansion doth exclude The noblest virtue—generous gratitude. 260 To cure this new-felt wound, and yet not give Strong arguments—great virtues cannot live Safe in corrupted courts—the poison’s sent In gilded pills——A specious compliment, To call him from his calm and quiet charge, Pretends by new additions to enlarge His full-blown fame, to an extent as far As valour climbs in slippery heights of war : Which now, though calmed in’s own dominions, by A friendly league invites him to supply 270 The stout Epirot with an army that, Though rich in valour, more was trembled at For being commanded by Argalia, than Composed of Sparta’s most selected men. As if no grief could be commensurate Unto their joys, but what did blast their fate In its most blooming spring: our lovers were, When first assaulted by the messenger Of this sad news, sate, in the quiet shade— A meeting grove of amorous myrtles, made 280 To veil the brow of a fair mount, whose sides A beauteous robe of full-blown roses hides ; In such discourse, the flying minutes spending, As passion dictates, when firm vows are ending Those parles by which love toward perfection went In the obliging bliss of full consent. The fatal scroll received, and read until She finds their parting doom; the spring-tides fill Her eyes, those crystal seas of grief—she stops— Fans with a sigh her heart, then sheds some drops 290 Upon the guilty paper. Trembling fear Plucks roses from her cheeks, which soon appear Full-blown again with anger—red and white Did in this conflict of her passions fight For the pre-eminence. Which agony Argalia noting, doubtful what might be The cause of so much ill, he in his arms Circles his saint; with all the powerful charms Of love’s soft rhetoric, her lost pleasure strives To call again ;—but no such choice flower thrives, 300 279 sate] Singer ‘set’: but I am not sure that the other is not right. ( 118 ) Canto V] Pharonnida Though springs of tears thither invite this rest, In the cold region of her grief-swollen breast. Long had she strove with grief’s oppressive load Ere sighs make way for this:—‘Is thy abode Become the parent of suspicion? Look On this, Argalia, there hath poison took Its lodging underneath these flowers, whose force Will blast our hopes—there, there, a sad divorce *Twixt our poor loves is set, ere we more near Than in desires have met.’ As much of fear, 310 As could possess his mighty soul, did shake His strenuous hand, whilst ’twas stretched forth to take The letter from Pharonnida. Which he Having looked o’er, and finding it to be An honourable policy to part Them without noise, he curtains o’er his heart, Pale as was hers with fear, in a disguise Which, though rage drew his soul into his eyes, So polished o’er his passion—to her grief, His own concealed, he thus applies relief :— 320 ‘ Dear virtuous princess, give your reason leave But to look through this cloud, which doth receive Its birth from nought but fear.—This honour, which Your royal father pleases to enrich My worthless fortunes with, will but prepare Our future happiness.—The time we spare From feeding on ambrosia, will increase Our wealthy store, when the white wings of peace Shall bear us back with victory; there may, Through the dark chaos of my fate, display 330 Some beam of honour; though compared with thine (That element of living flame) it shine Dim as the pale-faced moon, when she lets fall Through a dark grove her beams :—thy virtues shall Give an alarum to my sluggish soul, Whene’er it droops; thy memory control The weakness of my passions. When we strive T’ the heat of glorious battle, I’ll revive My drooping spirits with that harmony Thy name includes—thy name, whose memory 340 (Dear as those relics a protecting saint Sends humble votaries) mentioned, will acquaint My thoughts with all that’s good. Then calm again This conflict of thy fears, I shall remain Safe in the hail of death, if guarded by Thy pious prayers—Fate’s messengers that fly On wings invisible, will lose the way, Aimed at my breast, if thou vouchsafe to pray 345 hail] Singer ‘ vale’—a possibly right but rather large change. (119 ) William Chamberlayne [Boox II To Heaven for my protection.—But if we Ne’er meet again—yet, oh! yet let me be 350 Sometimes with pity thought on.’ At which word His o’ercharged eyes no longer could afford A room to entertain their tears; both wept, As if they strove to quench that fire which kept Light in the lamps of life, whose fortunes are T’ the House of Death, whilst Mars the regal star. Some time in silent sorrow spent, at length The fair Pharonnida recovers strength, Though sighs each accent interrupted, to Return this answer :—‘ Wilt, oh! wilt thou do 360 Our infant love such injury—to leave It ere full grown? When shall my soul receive A comfortable smile to cherish it, When thou art gone? They’re but dull joys that sit Enthroned in fruitless wishes; yet I could Part, with a less expense of sorrow, would Our rigid fortune only be content With absence; but a greater punishment Conspires against us—Danger must attend Each step thou tread’st from hence; and shall I spend 370 Those hours in mirth, each of whose minutes lay Wait for thy life? When Fame proclaims the day Wherein your battles join, how will my fear With doubtful pulses beat, until I hear Whom victory adorns! Or shall I rest Here without trembling, when, lodged in thy breast, My heart’s exposed to every danger that Assails thy valour, and is wounded at Each stroke that lights on thee—which absent I, Prompted by fear, to myriads multiply. 380 —But these are Fancy’s wild-fires, we in vain Do spend unheard orisons, and complain To unrelenting rocks—this night-peekt scroll, This bill of our divorcement, doth enrol Our names in sable characters nought will Expunge, till death obliterate our ill.’— ‘Oh! do not, dear commandress of my heart, (Argalia answers), let our moist eyes part In such a cloud as will for ever hide Hope’s brightest beams ;—those deities that guide 390 The secret motions of our fate will be More merciful, than to twist destiny In such black threads. Should Death unravel all The feeble cordage of our lives, we shall, 356 Mars] i.e. Mars is in the ascendant. Chamberlayne dares these clashes of s imperturbably. 383 night-peekt] Singer ‘night-speckt.’ But we have had this odd word ‘ peekt,’ ‘peect,’ &c. before. ( 120) Canto V] Pharonnida Spite of that Prince of Terrors, in the high And glorious palace of Eternity, Being met again, renew that love, which we On earth were forced, before maturity Had ripened it, to leave. I the numerous throng Of long departed souls, that stray among 400 The myrtles in Elysium, I will find Thy virgin ghost; and whilst the rout, inclined To sensual pleasures here, refining are In purging flames, laugh at each envious star Whose aspect, if ill sited at our birth, With poisonous influence blasts the joys of earth.’ ‘Oh! waste not (cries the princess) dear time in These shadows of conceit—the hours begin To be ’mongst those inserted that have tried The actions of the world, which must divide 410 Us from our joy. The sea through which we sail Works high with woe, nor can our prayers prevail To calm its angry brow—the glorious freight Of my unwelcome honours hangs a weight Too ponderous on me for to steer the way ' Thy humbler fortunes do; else, ere I’d stay To mourn without thee, I would rob my eyes Of peaceful slumbers, and in coarse disguise, Whilst love my sex’s weakness did control, Command my body to attend my soul— 420 My soul, my dear, which hovering near thee, not Midnight alarums, that appear begot By truth, should startle: ’twixt the clamorous camp, Lightened with cannons, and the peaceful lamp That undisturbed here wastes its oil, I know No difference, but what doth from passion flow, Whose close assaults do more afflict us far, Than all the loud impetuous storms of war.’ ‘We must, we must (replies Argalia) stand This thunderbolt, unmoved,—since his command— 430 Whose will confirms our law. Happy had we, Great princess, been, if in that low degree, From whence my infancy was raised, I yet Had lived a toiling rural; then, when fit For Hymen’s pleasures, uncontrolled I’d took Some homely village girl, whose friends could look After no jointure for to equalize Her portion but my love; no jealous eyes Had waited on our meetings, we had made All our addresses free; the friendly shade 440 Cast from a spreading oak, as soon as she Had milked her cows, had proved our canopy ; Where our unpolished courtship had a love As chaste concluded, as, from the amorous dove ( 121 ) William Chamberlayne [Boox II Perched near us, we had learned it. When arrived Unto love’s zenith, we had, undeprived By disagreeing parents, soon been led To church b’ the sprucest swains ; our marriage-bed, Though poor and thin, would have been neatly drest By rural paranymphs, clad in the best 450 Wool their own flocks afforded. In a low And humble shed, on which we did bestow Nought but our labour to erect, we might Have spent our lusty youth with more delight Than glorious courts are guilty of; and, when Age had decayed our strength, grown up to men, Beheld our large coarse issue. Our days ended, Unto the church been solemnly attended By those of our own rank, and buried been Near to the font that we were christened in. 460 Whilst I in russet weeds of poverty Had spun these coarse threads, shining majesty Would have exhausted all her stock to frame A match for thy desert—some prince, whose name The neighbouring regions trembled at, from whom The generous issue of thy fruitful womb Might have derived a stock of fame to build A future greatness on, such as should yield Subjects of wonder to the world.’ About To interrupt him, ere he had drawn out 479 This sad theme, she began to speak, but by Night’s swift approach was hindered. Now drew nigh The time of his departure. Whilst he bleeds At thought o’ the first, a second summons speeds His preparations to the city, where That big-bulked body, unto which his care Must add a soul, was now drawn up, and staid Only to have his wished commands obeyed. His powerful passion, love’s strict rules respecting More than bright honour’s dictates, yet, neglecting 480 All summons, staid him till he’d sacrificed His vows to her, whose every smile he prized Above those trivial glories. Ere from hence He dares depart, each, with a new expense Of tears, pays interest to exacting Fate For every minute she had lent of late Unto poor Love, whose stock since not his own, Although no spendthrift, is a bankrupt grown. Look how a bright and glorious morning, which The youthful brow of April doth enrich, 49° Smiles, till the rude winds blow the troubled clouds Into her eyes, then in a black veil shrouds Herself, and weeps for sorrow—so wept both Our royal lovers—each would, and yet was loath ( 122 ) Canto V] Pharonnida To bid farewell, till stubborn time enforced Them to that task. First his warm lips divorced From the soft balmy touch of hers; next parts Their hands, those frequent witnesses o’ the heart’s Indissoluble contracts; last and worst, Their eyes—their weeping eyes—(O fate accurst, 500 That lays so hard a task upon my pen— To write the parting of poor lovers) when They had e’en lost their light in tears, were in That shade—that dismal shade, forced to begin The progress of their sorrow.—He is gone. Sweet sad Pharonnida is left alone To entertain grief in soft sighs; whilst he ’Mongst noise and tumult, oft finds time to be Alone with sorrow, though encompassed by A numerous army, whose brave souls swelled high 510 With hopes of honour ;—lest Fame’s trump lost breath, Haste to supply ’t by victory or death. But, ere calmed thoughts to prosecute our story, Salute thy ears with the deserved glory Our martial lover purchased here, I must Let my pen rest awhile, and see the rust Scoured from my own sword; for a fatal day Draws on those gloomy hours, whose short steps may In Britain’s blushing chronicle write more Of sanguine guilt than a whole age before— 520 To tell our too neglected troops that we In a just cause are slow. We ready see Our rallied foes, nor will’t our slothful crime Expunge, to say—Guilt wakened them betime. From every quarter the affrighted scout Brings swift alarums in; hovering about The clouded tops of the adjacent hills, Like ominous vapours, lie their troops; noise fills Our yet unrallied army; and we now Grown legible, in the contracted brow 530 Discern whose heart looks pale with fear. If in This rising storm of blood, which doth begin To drop already, I’m not washed into The grave, my next safe quarter shall renew Acquaintance with Pharonnida.—Till then, I leave the Muses to converse with men. THE END OF THE SECOND BOOK. (123 ) BOOK III. Canto I THE ARGUMENT Beneath the powerful tyranny of love, Whilst the fair princess weeps out every star In pleasure’s sphere, those dark clouds to remove, All royal pastimes in it practised are. Amongst whose triumphs, that her train might lend Her their attendance in the shades of grief, Passion brings some so near 9 fatal end, That timely pity scarce affords relief. SoME months now spent, since, in the clouded court Of sad Pharonnida, each princely sport Was with Argalia’s absence masked within Sables of discontent, robes that had been Of late her chiefest dress: no cheerful smile E’er cheered her brow; those walks which were erewhile The schools where they disputed love, were now Only made use of, when her grief sought how To hide its treacherous tear: the unfilled bed O’ the widow, whose conjugal joy is fled, To I’ the hot and vigorous youth of fancy, to Eternal absence, sooner may renew (Though she for tears repeated praises seeks) The blooming spring of beauty on her cheeks. When bright-plumed Day on the expanded wings Of air approaches, Light’s fair herald brings No overtures of peace to her; each prayer In pious zeal she makes, a pale despair In their celestial journey clogs. But long Her feeble sex could not endure these strong 20 Assaults of passion, ere the red and white, Vanquished, from beauty’s throne had took their flight, And nought but melancholy paleness left To attend the light of her dim eyes—bereft Of all their brightness; pining agues in The earthquake of each joint, leaving within The veins more blood than dwelt in hers which beat The heart’s slow motions with a hectic heat. Long passion’s tyrant reigns not, ere this change Of mirth and beauty, letting sorrow range 30 Beyond the circle of discretion, in Her father that suspicion which had been Kindled before, renewing, he removes His court to hers; but the kind visit proves ( 124 ) Pharonnida A paroxysm unto that strong disease Which combats in her blood. No mirth could please Her troubled soul, since barred society With all its better angels—gone to be Attendant on Argalia; she beholds Those studied pleasures which the prince unfolds His love and greatness in, with no delight More smooth than that a sullen anchorite, Which a harsh vow hath there enforced to dwell, Sees the cold wants of his unhaunted cell. Amongst these sports, whose time-betraying view Ravished each pleased spectator, the fair clew Contracts some sable knots, of which my pen Is only one bound to unravel. When War had unclasped that dreadful book of hers, Where honoured names in sanguine characters Brave valour had transcribed, fair virtue fixed Euriolus in honour’s orb, and mixed Him with the court’s bright stars: but he who had, Whilst unregarded poverty had clad His virtues in obscurity, learned how To sail in fortune’s boisterous storms, is now By her false smiles becalmed and sunk, before Desert (bound thither) touched love’s treacherous shore. I’ the playful freedom of their youth, when she Was only a fair shepherdess, and he A humble swain, he truly did adore The fair Florenza; but aspired no more, Since poverty clogged love’s ambitious wing, Than by his private muse alone to sing Her praise—with such a flame of wit, that they Which have compared, say, envied Laura may Look pale with spleen, to hear those lines expressed, Though in her great Platonic raptures dressed. But now his worth, by virtue raised, did dwell High as his hopes, and that a parallel To hers appearing; either’s merits had A climax to preferment, and thus clad Virtue in honour’s robes; which equal fate Gave his affection language to relate What their disparity kept dumb: nor did Those motions find acceptance, such as chid Them for presumption, rather ’twas a frost Of virgin ice, than fire of pride that crost His masculine desires; her eyes unfold So much of passion, as by them she told Who had most interest in her heart, which she From all brave rivals his resolves shall be. 76 chid] Orig. ‘hid.’ ( 125 ) 49 59 60 80 William Chamberlayne [Boox III *Mongst those, Mazara, one whose noble blood Enriched the gems of virtue, though they stood In honour’s altitude, was chief; nor could A nobler choice, were her affections ruled By worth, commend her judgement,—his fresh youth Being crowned with virtues which might raise a truth Above hyperboles ; his nature mild, As was the gall-less dove, yet not the wild 90 And furious lion, when provoked, could have More daring valour; an untimely grave, Whilst it i the embryo was, to every vice, But unto virtue a fair paradise ; Whose weedless banks no pining winter knew Till death the influence of warm life withdrew. That sympathy of meeting virtues, which Did both their souls with equal worth enrich, ’Twixt him and brave Euriolus had tied A league not to be broke,—could Love divide 100 His blessings amongst friends; but that of all ' Our passions brooks no rival: Fear may call Friends to partake of palsies, Anger strives To fire each neighbouring bosom, Envy thrives By being transplanted, but a lover’s pure Flames, though converted to a calenture, Unwillingly with the least flame will part— Although to thaw another’s frozen heart. Few ’mongst the observant wits o’ the court yet knew (Though it with twisted eye-beams strengthened grew 110 At every interview, and often dropped Some tears to water it) whose love ’twas stopped Mazara’s suit. Euriolus, to her Whose melting pity only could confer A cure, unlocks the secret; whilst the other, More confident to win, ne’er strives to smother A passion so legitimate, but, by All actual compliments, declares how high He prized her virtues: but this worthy’s fate Fixed him in love’s intemperate zone; too late 120 The pining fruit was sown, the spring so far Being spent, its days were grown canicular, Scorching all hopes, but what made able were By fruitful tears—love’s April showers,—to bear Neglect’s untimely frosts; which oft have lost, In bloomy springs, the unhappy lover’s cost. When this accomplished youth, whose tongue and pen, With negatives more firm and frequent then Cursed usurers give impoverished clients, oft Had been repulsed, truth for discovery brought 130 128 then] ‘then’ for ‘ than’ as often. ( 126 ) CANTO I] Pharonnida This accident—Within the royal court Of bright Pharonnida, a full resort Of valiant knights were met, convened to try Whose valour fortune meant to glorify. Of which selected number there was one, Who, though a stranger, virtue soon made known To all, ’cause feared of most; his valour had, Before the first triumphant day unclad The silver-vested hemisphere, been oft Clothed in the ornaments of honour—brought On fame’s fair wings from the opposing part, Uncresting them to crown his high desert. But now, when this new constellation near Its zenith drew in honour’s hemisphere, Called thither by deciding lots, the brave Euriolus appears, whom victory gave In the first shock success, and placed his name In the meridian altitude of fame; Where, though the valiant stranger prove no foe So fortunately valiant to o’erthrow The structure of his fate, yet his close stars Now sink a mine, to which those open wars But easy dangers were. Mazara, in His crest, a scarf that formerly had been Known for Florenza’s, seeing, jealous love Converted into rage, his passions move Above the sphere of reason, and, what late Was but a gentle blaze, by altered fate, Fires to a comet, whose malignant beams Foretold sad ills, attending love’s extremes. Loath to betray his passions in so great A breach of friendship, to a close retreat Mazara summons forward rage; yet in The stranger’s name, whose fortune might have been The parent of a private quarrel, sends To call Euriolus, (who now attends Nought but triumphant mirth), unguarded by Applauding friends, in secret fight to try What power did him from threatening danger guard, When public fame was victory’s reward. This fatal scroll received by him that thought It real truth, since passion might have sought In him the same delay, a swift consent Returns his answer. But the message went So far from its directed road, that, ere It reached Mazara’s, loose neglect did bear It to Carina’s ear ;—a lady that In silent tears her heart had offered at His virtue’s shrine, yet with such secret zeal, Her eyes forbid their Cupids to reveal (127 ) 140 150 160 170 180 William Chamberlayne [Boox III That language of her heart. She knew that in Florenza’s sea of merits, hers had been Shipwrecked and lost; yet, with a soul as far From envying her, as hating him, this war Of factious passions she maintains, and since Reason now wanted language to convince Those headstrong rebels, she resolves to be, Though ruined, ruled by their democracy. The information her officious maid Had from Mazara’s careless page betrayed, 190 Assures Carina—the preceding night, Such horse and armour as the stranger knight Euriolus had conquered in, had been By his most cautious diligence within A not far distant wood, in whose black shade He meant his fury should his foe invade, Lodged by his master. Which discovered truth, Frightening her tears from the swift chase of youth And beauty into froward age, to meet Sorrow in private shades, withdraws the sweet 200 But sad Carina, who resolves to spend Her sighs unnoted by her dearest friend. This in Florenza, who foresaw that nought But passions more than common could have wrought So swift a change, works high; who, that she might Displume these ravens ere the babes of light Smile in their weeping mother’s face, prepares To see Carina: who, with wakeful cares, (Her sad companions) by her friend surprised, No longer in their ebon veil disguised 210 Her thoughts’ pure candour; but with looks that did Seem to implore assistance, whilst they chid Her own indulgent nature, shows her how Preposterous love made her to passions bow, Whose fruit, since none of her first planters came From forward man, could be but female shame. This, with its fatal author, known, to free Her friend from shame, herself from cruelty, Unto Mazara, whose firm love attends Her least commands, incensed Florenza sends. 220 Whose zeal-transported soul no sooner hears That welcome sound, but, though presaging fears Prompt him to stay, lest haughty honour fall, Ruined by fame, he lets her standards fall Before commanding love, and goes to wait On’s honoured mistress. But this sly deceit Of hope no cordial proves unto the sad Carina’s grief; the long experience had Of his affection to Florenza, tells Her doubtful soul, those even parallels 230 ( 128 ) Canto I] Pharonnida Could not by all her friend’s persuasions be Wrested into the least obliquity. Which sad mistrust did love precipitate On paths whose danger frights protecting fate. Assured the combat’s hour drew on, and that Mazara’s love-sick soul was offering at Florenza’s shrine, and by that willing stay Might be enforced some minutes to delay The time, in which his readier opposite Expected him, she, being resolved to write 240 Affection in her blood, with love’s wild haste Makes toward the lists; there finds his armour placed Within the dark shade of an ancient wood, In whose black breast that place of horror stood Where they appoint to meet, like those of fate Obscure and dark, by beasts and birds that hate The light alone frequented; but love had Displumed fear’s haggars: being resolved, she clad Beauty’s fair pearl, where smooth delights did dwell, I the rough-cast mould of that Cyclopian shell. 250 But that no arms nor bounding steeds affright, Where love’s fair hand hath valour’s passport writ, Here we should pause, and pity her that now Fancy beholds, whilst she is learning how To manage stubborn steel within her sleek And polished hand, through devious paths to seek For doubtful dangers, such whose horrid shape On man’s best judgement might commit a rape. Her swift conductor, love, ere this had brought Her to the place, where passion had not sought 260 Long for the object of her hate, ere she Her valiant brother, that was come to be His fame’s protector, sees, but so disguised In’s arms, that both, with envy unadvised By knowledge, an unthought-of guilt prepare In blood to meet. Their foaming horses were Now freed from the commanding rein, and in Their full career; but love in vain to win The field from valour strives, her eager haste But argues such an envy as did waste 2470 Itself in weak attempts; which, to the length Of power extended, falls beneath the strength Of her victorious foe, whose fortune had In robes of joy, what he must weep for, clad. Conquered Carina, now dismounted, lay 248 haggars] It is a pity that ‘haggars’ has been allowed to become obsolete : for we want something answering to the French afres. At the same time, the word may be used in a sense closer to the usual one of ‘haggard,’ in relation to the person, — ‘ those who are made wild and haggard by fear.’ _In either case, of course, the poet has the ‘untamed hawk’ in mind : and, perhaps, nothing else. ( 129 ) K William Chamberlayne [Boox IIt Struggling for life; whose fortress to betray Toward nature’s tyrant, death, her blood transports False spirits through their purple sallyports. Her brother, with an anger that was grown Into disdain, his fury should be shown 280 On such resistless subjects, ere he knows How much of grief his soul to sorrow owes For this unhappy act, from ’s finished course Was now returning, not by strength to force The harsh commands of tyrant victors, but By calm advice a bloodless end to put To that ill-managed quarrel: but before He there arrives, to make his sorrows more When truth unveils their dark design, a knight, With haste as speedy as the secret flight 290 Of wrath when winged from angry Heaven, he saw, Bolted into the lists; who soon did draw Too near, in sober language to dispute Their fatal quarrel. Both with rage grown mute, Disdaining conference, found no place for words Amidst the mortal language of their swords ; Which, the first shock passed o’er and lances broke, In haste took place, and at each furious stroke Unbayed the fountains of their blood, to stain With purple guilt the flower-enamelled plain. 300 Whilst each did thus with silent rage employ An art-directed fury to destroy The other’s strength, the bordering shadows weep In trickling dews, and with sad murmurs keep Time with the hollow and ill-boding note Sent from a fatal raven’s stretched-out throat, Which from an old oak’s withered top did sing A baleful dirge. But these sad omens bring No terror to their busy thoughts, which were Too much employed in action, to take care 310 For any danger more remote than what With the next stroke might fall. Perceiving that Their horses faint, they both dismount, and do On equal terms the fight on foot renew, Till a cessation, from the want of breath Not valour, was enforced. The veil, which death Contracted from those steams his reeking blood Breathed forth its spirits in, already stood Over Mazara’s eyes, which clouded sees Not that approach of night; his trembling knees 320 Stagger beneath their fainting load, which in- T’ the grave had dropped, had not their fury been, When its last heat was with life’s flame near spent, From further rage restrained by accident. Some of the lost Carina’s frighted friends, ( 130 ) CANTO I] Pharonnida Fearing those ills which desperate love attends, Spending that morning in the fruitless quest Of her had been, and now (their hopes distrest With vain inquiries) to communicate Their grief returning were; which secret fate 330 To interpose through dark meanders brought Neglect, to find what care in vain had sought. Whilst yet no more than brave humanity Prompts them to part a quarrel that might be Defiled with blood, which, if not shed in wars, With murder stains what it doth gild with scars, They toward them haste, even in that critical And dangerous minute when Mazara’s fall, With victory’s laurels to adorn his crest, His valiant friend had robbed of future rest, 340 Had not this blest relief of innocence, The one from death, the other from expense Of tears, restrained, before revenge had found So much of guilt as might his conscience wound. His high-wrought rage stopped by too many hands To vent its heat, Euriolus now stands, Shook with the fever of his anger, till Those friends, which saw Mazara grown so ill With wounds to gasp for breath, by giving way For air, they to the victor’s view betray 350 His best of friends. At which afflicting sight, Cursing the cause of that unhappy fight, His sword as guilty thrown aside, he hastes To his relief; in which kind act none wastes Their friendly help: life, as but stolen from pain Behind the veil of death, appears again On Nature’s frontiers; whose returning flame, Though scarce of strength to warm, looked red with shame, When he so many well-known friends beheld, Sad witnesses, how much his passion swelled 360 Above the banks, where reason should have staid, When to that meeting it his friend betrayed. Their veils of steel removed, each now beholds What shame and wonder in firm contracts folds. Amazed stands brave Euriolus to see, None but his friend—his honoured friend—should be The parent of that quarrel; shame confounds Mazara more, and from internal wounds, Though like the Red Sea’s springs his other bled, Perhaps less danger, but more torment bred. 370 Both now by his unforced confession knew Whose equal-honoured beauty ’twas that drew Them to this fatal combat, whose event Him near the grave on love’s vain errand sent. 372 equal-honoured] Orig. ‘ equalled-honoured.’ ( 131 ) K 2 Witham Chamberlayne [Boox III Friendship renewed in strict embraces, they Are now arrived where weak Carina lay, So faint with love’s phlebotomy that she, Masked in forgetful slumbers, could not see Approaching shame; which, when discovered, sticks Life’s fair carnations on her death-like cheeks. 380 Hasting to see what over-forward rage That unknown stranger’s weakness did engage In that unhappy quarrel, they beheld, At the first glance, an object that expelled Into the shades of sorrow’s wilderness All temperate thoughts :—his sister’s sad distress, Wrought by his arm whose strength betrayed her near The grave, did to Euriolus appear, Dreadful as if some treacherous friend had shown Those flames in which his scorched companions groan. 390 Nor did Mazara, though but prompted by Pity, that tender child of sympathy, With less relenting sorrow live to see Love’s bloody trophies, though unknown to be By his victorious beauty reared. To save From the cold grasp of an untimely grave So ripe a virgin, whilst her brother stands Unnerved with grief, amongst the helpful hands Of other friends are his employed, till, by Their useful aid, fled life returns to try 400 Once more the actions of the world, before It shot the gulf of death; but on the shore Of active Nature was no sooner set, But that, together with the light, she met Her far more welcome lover. Whom whilst she Beholds with trembling, Heaven, resolved to free A suffering captive, turns his pity to So much of passion, as ere long love grew On the same stem; whose flowers to propagate, She in these words uncurtains mystic fate :— 410 ‘Forbear your aid, brave sir, and let me die, Ere live the author of a prodigy That future times shall curse! Yet pardon me, Dear brother, Heaven will ne’er impute to thee The guilt of blood—twas my unhappy love Which raised this storm; which, if my prayers may prove In death successful, let me crave of you, Dear sir, to whom I long have borne a true But indiscreet affection, that from hence, For poor Carina’s sake, for this expense 420 Of tears and blood, you would preserve those dear Respects of friendship, that did once appear Confirmed betwixt you; and, although my fate Unto the worst of ills precipitate ( 132 ) CaNnTo I] Pharonnida My fame and life, oh! let my name not be Offensive to your ear. This, this for me, Ts all you shall perform.’-—Which spoke, she’d let Her hovering soul forth, to have paid the debt Of nature to the grave, had not she been By some assisting friends, whilst dropping in, Staid at the last step, and brought back to meet The bridal pair, no single winding sheet. This doubtful combat ended, they are to The court conveyed; where Fame, upon this new Text commenting, in various characters Transcribes her sense :—some this bold act of hers Term unbecoming passion, others brave, Heroic love. But what most comfort gave To cured Carina, was, that this lost blood Had proved love’s balm, and in a purple flood Washed from her heart grief’s sable stains; for now Merit had taught her dear Mazara how To prize her virtuous love, and for its sake Its cabinet her heart’s best temple make. Thus passion’s troubled sea had settled in A smooth and gentle calm, had there not been Unhappily, to blast their sweet content, Not long before an act, for th’ banishment Of all such courtiers, made, as should, without A licence from the council, fight about : Whatever private quarrel. But not this Mazara or his new choice frights—their bliss Stood on more firm foundations than the court’s Uncertain favours were: whose glorious sports Although he left, it was not to retire To sullen cares; what honour could require, A state, which called him her unquestioned lord, Without depending favours did afford. But whilst we leave this noble lover, by This mandate freed from what before did tie Unto a troublesome attendance, we From brave Euriolus are forced to be With sorrow parted, since the general love His virtue had obtained, wants strength to move The ponderous doom. Ere his impoverished heart, Grown poor in streams, could from life’s springs impart Warm blood enough for his pale cheeks to drink A health to beauty, he’s enforced to think Of that sad theme of parting; on whose sense His grieved soul dictates sighs, yet could dispense Even with its harshest rigour, were there but Any exception in it, that might put 472 exception] Orig. ‘acception.’ ( 133 ) 430 440 460 47° William Chamberlayne [BooK III Out parting with Florenza, that though he Were shrunk into his former poverty, Calling the rugged frowns of Fate, would bear A brow unclouded with Ambition’s care. But he must go:—not all the rhetoric Of tempting love could plead against the quick Approach of time; whose speedy motion now Only some slippery minutes did allow 480 Their parting tears: in whose exalted flood, Had reason not with future hopes withstood The rising stream, Love’s summer fruits had been, O’erwhelmed with grief, for ever buried in A deluge of despair; but that, whilst she, With such sad looks as wintering Scythians see The sun haste toward the arctic pole, beholds His slow departure, glimmering hope unfolds Twilight, which now foretells their frozen fear— Day may return to Love’s cold hemisphere. 490 THE END OF THE FIRST CANTO. Canto II THE ARGUMENT The princess, by unlucky accident, Having Love’s secret embassies betrayed To her great father, by that action spent That stock of hope which promised future aid. His rage being to such rash extremes inflamed, That he, whose mandates none durst disobey, As if his power were of such acts ashamed, Shrinks from ’t himself, and poorly doth betray. Ir angry Age, the enemy to love, Tells thy grave pride—thy judgement is above What with contempt, although it injure truth, Thy spleen miscalls the vanity of youth ; If harsh employment, gross society, That feast of brutes, make thee an enemy To love, the soul’s commercive language, then Remove thy eye, whilst my unenvied pen, That long to passion hath a servant been, Confines the fair Pharonnida’s within To These paper limits. Frozen still she lies Beneath opposing passions ; her bright eyes, Arg. 8, ’t himself] Orig. ‘ itself.’ 1 Age] Orig. ‘Aid,’ which is of course pure nonsense and betrays, only more distinctly than many other misprints, the fact that the copy was set up from dictation, and never ‘ read.’ ( 134) Canto IT] Pharonnida Those stars whose best of influence scarce had power To thaw what grief congealed into a shower Of heart-disburthening tears, their influence spend In sorrow’s polar circles, and could lend No light to beauty’s world. I the vigorous reign Of this pale tyrant, whilst she did remain Unlightened with a beam of comfort, in A bower being set, that formerly had been 20 Her seat when she heard the unhappy news Of parting with Argalia; whilst she views She blames the guiltless shadows, who, to ask Pardon, in trembling murmurs did unmask Their naked limbs, and scattered at her feet The fragrant veil; in’s death-bed sat the sweet But pining rose, each grass its heavy head, Laden with tears, did hang, whilst her eyes shed A pattern to instruct them. Hence, whilst she Looks thorough on a way conceived to be 30 The same her lord marched with his army when He left Gerenza, with a haste more then A common traveller, she sees one post Towards her court, whose visage had not lost Its room within her memory—he’s known Argalia’s page. And now, each minute grown A burthen to her thoughts that did defer A nearer interview, the messenger Arrives, and to her eager view presents His master’s letters: whose enclosed contents 40 Are now the object her expecting soul Courts with desire, nor doth she long control Their forward haste—a diamond being by The messenger returned, whose worth might vie Price with an Indian fleet when it sails slow With ’ts glittering burthen, Though each word o’erflow With joy, whilst her inquisitive discourse Was on this pleasing theme, time did enforce The page’s swift departure; who, with all Affected epithets that love can call 50 To gild invention, when it would express Things more sublime than mortal happiness, Is gone to carry his expecting lord What pleasure could, when rarified, afford. Whilst this sweet joy was only clothed in fresh Blossoms of hope, like souls ere mixt with flesh, She only by desire subsisted; but Now to her chamber come, and having shut The treacherous door, from the conjugal seal The white-lipped paper freed, doth soon reveal 60 32 Gerenza] I follow Singer in adopting this form. The orig. wanders between ‘Ghirenza,’ ‘Ghieranza,’ &c. ( 135 ) William Chamberlayne [Boox I] Love’s welcome embassies.—She reads, and, by Each line transported to an ecstasy, In fancy’s wild meanders lost the way She rashly entered; faint desire would stay At every word in amorous sighs to breathe A love-sick groan, but she is yet beneath The mount of joy, and must not rest until Her swift-paced eye had climbed the flowery hill ; Which now passed lightly o’er, with an intent Of a review to its best ornament, 70 His name, she comes; which whilst bathed in the balm Of fragrant kisses, from joy’s gentle calm She thus is startled—A redoubled groan, That sign of neighbouring sorrow, though unknown From whence, affrights her soul; but she too soon, Too sadly knows the cause. The height of noon Raged in reflected heat, when, walking in Those outer rooms, her father long had been In expectation of her sight; but not Finding her there, a golden slumber got 80 The start of ’s meditations: to comply With whose calm council, he did softly lie Down on a stately couch, whose glittering pride A curtain from the public view did hide. Where, having plucked from off the wing of Time Some of her softest down, the dews, that climb In sleep to stop each ventricle, begin To steal a soft retreat: hovering within His stretched-out limbs sleep’s vapours lie; his hand Rubs from his eyes those leaden bolts that stand g° Over their heavy lids; which scarce was done, When first surprised Pharonnida begun ‘lo read her letter, and by that sad chance Betray her love. Passion strove to advance Her father from his lodging when he first Heard the discovery, but though anger thirst For swift revenge, yet policy persuades Him to hear further, ere his sight invades Her troop of pleasures. Whose thin squadrons broke By what she’d heard, before she could revoke 100 Her vanquished spirits, that were fled to seek Protection in her heart, robbing her cheek Of all the blood to waft in; whilst she stands A burthen to her trembling legs, her hands Wringing each other's ivory joints, her bright Eyes scattering their distracted beams, the flight O’ the curtain from her father’s angry touch, Discovers whence that groan, which caused so much Her wonder, came. Grief and amazement strives Awhile with love, which soon victorious drives 110 ( 136 ) Canto IT] Pharonnida Those pale guests from her cheeks; unto whose aid Her noble heart, secure from being betrayed By its own strength, did send a quick supply Of its warm blood; her conscience knows not why To fear, ‘cause knows no guilt, nor could have been By love so virtuous e’er drawn near a sin. But as the evening blushes for the rude Winds of the ensuing day, so fortitude, Upon the lovely roses that did grow Within her face, a deeper dye bestow 120 Than fear could e’er have done, and did presage The ensuing storm’s exagitated rage. . Silent with passion, which his eyes inflamed, The prince awhile beholds her, ere he blamed The frailty of affection; but at length, Through the thick throng of thoughts, armed with a strength Which crushed the soft smiles of paternal love, He thus begins: ‘And must, oh, must that prove My greatest curse, on which my hopes ordained To raise my happiness? Have I refrained 130 The pleasures of a nuptial bed, to joy Alone in thee, not trembled to destroy My name, so that, advancing thine, I might Live to behold my sceptre take its flight To a more spacious empire? Have I spent My youth till, grown in debt to age, she hath sent Diseases to arrest me, that impair My strength and hopes e’er to enjoy an heir Which might preserve my name, that only now Must in our dusty annals live; whilst thou 140 Transfer’st the glory of our house on one, Which, had not I warmed into life, had gone, A wretch forgotten of the world, to the earth From whence he sprung? But tear this monstrous birth Of fancy from thy soul, quick as thou’dst fly Descending wrath, if visible,—or I Shall blast thee with my anger, till thy name Rot in my memory; not as the same That once thou wert behold thee, but as some Dire prodigy, which to foreshow should come 150 All ills, which through the progress of my life Did chance, were sent. I lost a queen and wife, Thy virtuous mother, who for her goodness might Have here supplied, before she took her flight To heaven, my better angel’s place; have since Stood storms of strong affliction ; still a prince Over my passions until now—but this Hath proved me coward. Oh! thou dost amiss 132 not] Singer ‘nor’ perhaps unnecessarily. ( 137 ) William Chamberlayne [Book III To grieve me thus, fond girl. With that he shook His reverend head; beholds her with a look 160 Composed of grief and anger, which she sees With melting sorrow: but resolved love frees Her from more yielding pity. To begin The prologue to obedience, which within Her breast still dwelt, though swayed by love, she falls Prostrate at ’s feet; to his remembrance calls Her dying mother’s will, by whose pale dust, She now conjures him not to be unjust Unto that promise, with which her pure soul Fled satisfied from earth, as to control 170 Her freedom of affection. Rather she Desires her interest in his crown might be Denied her, than the choice of one to sway It in her right. She urges how it may Be by his virtue far more glorified Whom she had chose, than if by marriage tied To any neighbouring prince, who only there Would rule by proxy, whilst his greater care Secured his own inheritance. She then Calls to remembrance who relieved him when 180 Distressed within Alcithius’ walls; the love His subjects bore Argalia, which might prove Her choice their happiness; with all, how great A likelihood it was—but the retreat Of royalty to a more safe disguise, Had showed him to their state’s deluded eyes So mean a thing. Love’s boundless rhetoric About to dictate more, he with a quick And furious haste forsakes the room, his rage Thus boiling o’er:—‘ And must my wretched age 190 Be thus by thee tormented? But take heed, Correct thy passions, or their cause must bleed Until he quench the flame.’ At which harsh word He leaves the room, nor could her strength afford Her power to rise; which whilst she strives to do, Her memory adding more’ weights unto The burthen of her thoughts, her soul opprest Sinks in a pale swoon, catching at the rest It must not yet enjoy; swift help lends light, Though faint and glimmering, to behold what night 200 Of grief o’ershadowed her. You that have been, Upon the rack of passion, tortured in The engines of forbidden love, that have Shed fruitless tears, spent hopeless sighs to crave A rigid parent’s fair aspect, conceive What wild distraction seized her. I must leave 206 distraction] Orig. ‘destruction.’ ( 138 ) Canto II] Pharonnida Her passion’s volume only to be read, Within the breasts of such whose hearts have bled At the like dangerous wounds. Whilst she sits here Amazed with grief, know that no smiles appear 210 To smooth her father’s angry brow: yet to None he unfolds his thoughts, but, bent to do Whate’er his rage should dictate, to appease This high-wrought storm, which turned into disease Each motion of the brain, he only takes Scorn and revenge, to whose ill counsel shakes The quiet of the soul, to be his guides Thorough those night-specked walks, whose shadow hides The languished beams of love. Awhile their strong Ingredients boil in’s blood, before they throng 220 The scattered thoughts into a quintessence Of poisonous resolutions. First from thence There sprung this black disaster to attend Argalia’s fortune—He doth forthwith send A secret messenger t’ the warlike prince Of Syracuse, to let him know that since He sent those forces to assist him in His war, their general, that till late had been The darling of his love, by arguments Too strong was proved a traitor, whose intents 230 Aimed at his crown and life. To aggravate His spleen the more, he writes him word—their fate On the same ominous pinions flew, if that He proved successful. Having warmed him at This flame of passion, he concludes with—‘ Sir, You guess my meaning, I would have no stir About dispatching of him, for he’s grown Strong in affection, and may call his own The hearts of half my kingdom. Let this give Your justice power; he’s too much loved to live.’ 240 The startled Syracusan having read These bloody lines, which had not only bred A new, but nourished growing envy in His mighty soul—a stranger to all sin— So full of guilt, as to dissemble till The new made general’s just deserts did fill Fame’s still augmented volume, and was grown More legible than what he called his own. What in a rival prince had been a high And noble emulation, kindled by 250 A smaller star, blasts virtue. He beholds His lightning valour, which each hour unfolds Examples for posterity, destroy What, though he trembled at, creates no joy Within his sullen soul; a secret hate By envy fed, strives to unhinge his fate ( 139 ) William Chamberlayne [Boox III From off its lofty pyramids, and throw What merit raised unto a place more low Than their first step to glory: yet, whilst nought But honour was engaged, disdain ne’er sought 260 For life-excluding corrosives; but love Bearing a part, two suns might sooner move In the same sphere, than that hot guest endure A rival flame. Desert could not secure Worth thus besieged; yet this accurst intent Dares not unveil itself. The army sent By him from fair Gerenza, ere the sun Performed his summer’s progress, had begun To garrison their weary force within Such towns as their own valour first did win 240 From the retired Aetolians. Ere this task Was fully ended, curtained in the mask Of merit’s lawful claim, reward, there came A large commission, which Zoranza’s name Had made authentic—That the government Of Ardenna, a town whose strength had spent The baffled foe whole fields of blood, should be Conferred on him. By the vicinity O’ the place freed from a tedious journey, in The city he arrives; and, what had been 280 Sent from his prince, presents those mandates that Informed the governor: who, frighted at The strange commands, lets a pale guilt o’ertake His swift resolves, till glorious hopes did shake Those mourning robes of conscience off; and, in The purple garments of a thriving sin, Shadows his trembling soul, lest she appear Shook with a cold fit of religious fear. The discomposure of his look, which did Appear the birth of discontent, forbid 290 Suspicion of a blacker sin. That night, As being the last of’s charge, he did invite Argalia to remain his guest, the next Promising to be his; yet seeming vext To leave the place, though only to conceal His dark design, that did itself reveal To none but some selected soldiers, by Whose help he meant to murther him. To vie Its benefits with the day’s, night had bestowed Refreshing slumbers upon all that owed 300, It to the last day’s labour; when, without Fear of approaching danger, hemmed about With guards of honest valour, all his train, Save such as mere necessity detain, 269 force] Orig. ‘ fort.’ 277 whole] Orig. ‘ whose.’ ( 140 ) Canto IT] Pharonnida Lodged in the city, fearless Argalia in The castle lies: where having tempted been By midnight revels, full crowned cups, to be Betrayed from reason to ebriety, But nought prevailing, he at length is led, Like an intended sacrifice, t’ the bed 310 Ordained to be his last, until the earth Within her womb afford him one. The birth O’ the morn grew near her slow approach, ere all Those engines, by whose strength they meant his fall, Could be prepared. The governor, that held The helm of this black mischief, had expelled The poisonous guilt of staining his own sword With blood, providing villains that abhorred No sin’s contagion, though revenge did wait On every guilty step. That evening’s bait 320 Their liquid mirth had laid, although it took No use of reason from his soul, had shook Its labouring faculties into a far More sudden slumber ; which composed the war Of wandering fancy in a harmony Of the concordant humours, until, by The sudden noise of those ordained to be His murderers, he wakes. Amazed to see His chamber so possessed, he catches hold On one of them, but finds his strength controlled 330 By the assistance of the other: in The embryo of this treachery, ere their sin Was past to execution, he conjures Them to forbear so black a deed, assures Them of rewards, greater than hope could call A debt from him that basely sought his fall. But deadly silence had barred up the gates Of every voice; those cursed assassinates Prepared for action were; but Heaven prevents That aged sin of murdering innocents 340 With miracles of mercy. There was found Not long before an ancient story, crowned With a prophetic honour, that contained This sacred truth :—‘When Ardenna is stained With treachery, in friendship’s veil disguised, Her sable tower shall be by foes surprised.’ This known, but misconceived, to cozen Fate, They did unwounded bear without the gate The now resistless lion, that did lie, Like that brave prince o’ the forest, fettered by 350 A crew of trembling hunters. To the brow Of a high promontory, that did bow Its black clifts o’er the clamorous waves, they had Conveyed the noble youth. The place a sad (141) Wilhiam Chamberlayne [Boox lI And dismal horror wore; the grim aspects Of lowering rocks the grey-eyed sea reflects In ugly glaring beams; the night-raven beats His rusty wings, and from their squalid seats The baleful screech-owls fly, to bear their parts In the sad murmur of the night. Those hearts 360 Custom had steeled with crimes, perhaps had been Here frighted to repentance, had not sin, Assisted by the hands of avarice, drawn The bridge of reason, and obscured the dawn Of infant goodness. To redeem the time Astonishment had lost, towards their crime They now themselves precipitate; the hand Ordained to ruin that fair structure, and Unravel his life’s even thread, prepares To strike the fatal blow; but He that dares 370 Obstruct commanded villany forbid The further progress of their guilt, and chid That pale sin in rough language of a strange Confused sound, striking their ears—did change The ominous dirges of the night into A various noise of human voices. Who Durst in that secret place approach, ’twas now Too late to think on; the rock’s spacious brow Was clouded o’er with men, whose glittering arms Threatened destruction, ere their swift alarms 380 Could summon sleep’s enfeebled aid. Whilst they Forsake their prisoner, who becomes a prey To the invaders, seeking safety in Their flight, they fall before him that had been Ordained to speedier ruin; entering at The open sallyport, they give by that Rash act directions to the foe that mixed Promiscuously with them, and now had fixed Their standards on the gates. The castle, in Feverish alarums sweating, did begin 390 To ease her fiery stomach, by the breath O’ the full-mouthed cannon: ministers of death In this hot labour busily distils Extracted spirits; noise and tumult fills The frighted city, whose fired turrets lent A dismal light. But the assailants spent Their blood in vain, the soldiers that had been At the first trembling fit distracted in Confusion’s giddy maze, had rallied now Their scattered spirits, and were seeking how 400 To purge dishonour’s stains in the bright fire Of rage-contracted valour. To retire 393, 4 distils, fills] Singer corrects both false concords—things which, it may be well to repeat just once, Chamberlayne certainly commits knowingly in some places. ( 142 ) Canto IT] Pharonnida Unto their ships in safety, now is all The invaders hope for; but so many fall In that attempt, it leaves no triumph due To Fortune’s temple. By this winding clew Of various fate, Argalia only finds That stroke of death deceived; no hand unbinds His corded arms, but that which meant to lay Bondage as hard; so corrosives do stay 410 A gangrene, fed by springs of poisonous blood, When reaching at the heart, as these withstood The cataracts of death. With tyrants more Indomitable than the sea that bore Their black fleet, leave our hero to untie This knotty riddle of his fate, whilst, by The ignis fatuus of a fancy led, With slow-paced feet through other paths we tread. The tumults of the city silenced in A peaceful calm ; what the effects had been 420 Of those loud clamours, whilst all seek to know, Argalia’s loss makes giddy wonder grow Into suspicion—that this act might be Some stratagem o’ the governor, to free Himself from a successor. But those sly Darts of mistrust were rendered hurtless by His prince’s mandates, whose envenomed hate That spurious birth had made legitimate.. Yet swift revenge affronts his treason in Its full career; his master, having been 439 By him informed of a surprisal where All sounds but death affrighted, could not bear The burthen of his fears, and yet not sink Deeper in sin. Ere the poor wretch could think On aught but undeserved rewards, he, by A brace of mutes being strangled, from the high But empty clouds of expectation drops, To let the world know what vain shadow props Those blood-erected pyramids that stand On secret murder’s black and rotten sand. 440 When thus the Syracusan had secured His future fame, passion, that still endured A strong distemperature, slept not until The story of their crossed design did fill Palermo’s prince’s ear. Argalia’s loss Was now the ball that babbling Fame did toss Thorough the court; upon whose airy wing, Reaching the island, it too soon did bring The heavy news, disguised in robes more sad Than truth, to her, whose stock of virtues had 450 444 crossed] Orig. ‘crosse’: and ‘ cross’ is not at all impossible. 445 Palermo’s] ‘ Palermo’ introduces a fresh confusion of scene. ( 143 ) William Chamberlayne [Boox III Been ventured on that sea of merit. In Such forms of grief, as princes that have been Hurled from the splendent glories of a throne Into a dungeon, her great soul did groan Beneath the weights of grief: the doleful tale Had thunder-struck all joy; her spirits exhale Their vigour forth in sighs, and faintly let That glorious fabric, unto which they’re set Supporters, fall to the earth. Yet sorrow stays Not in this frigid zone, rude grief betrays 460 Her passions to her father’s jealous ear, Who, fearing least Argalia’s stars might clear Their smoky orbs, and once more take a flight From death’s cold house, by a translated light, To separate from sorrow, and again, In fortune’s house, lord of the ascendant reign ; He doubts that island’s safety, and from thence Removes her with what speedy diligence Fear could provoke suspicion to. Her train, Shook with that sudden change, desire in vain 470 The island’s pleasure, ere they know how much Their fates must differ. As it oft in such Unlooked for changes happens, each man vents His own opinion ;—some said, discontents Of the young princess; others, that the season O’ the year was cause: but though none know his reason, All must obey his will. The pleasant isle, Whose walks, fair gardens, prospects, did beguile Time of so many happy hours, must now, A solitary wilderness whose brow 480 Winter had bound in folds of ice, be left To wail their absence; whilst each tree, bereft Of leaves, did like to virgin mourners stand, Clothed in white veils of glittering icelets, and Shook with the breath of those sharp winds that brought The hoary frost. The pensive birds had sought Out springs that were unbarred with ice, and there Grew hoarse with cold; the crusted earth did wear A rugged armour; every bank, unclad With flowers, concealed the juicy roots that had 490 Adorned their summer’s dress; the meadows’ green And fragrant mantle, withering, lay between The grizly mountain’s naked arms ;—all grows Into a swift decay, as if it owes That tribute unto her departure, by Whose presence ’twas adorned. Seated did lie, Within the circuit of Gerenza’s wall, Though stretched to embrace, a castle, which they call 474 said] Orig. ‘did.’ 486 frost] ‘Frost’ is Singer’s correction for ‘fish’ which cannot be right, and was probably suggested by ‘birds.’ (144 ) Canto IT] Pharonnida The prince’s tower—a place whose strength had stood Unshook with danger.—When that violent flood 300 Of war raged in the land hither were brought Such, if of noble blood, whose greatness sought From treacherous plots extension ; yet, although To those a prison, here he did bestow His best of treasure: briefly, it had been Unto the Spartan kings a magazine Since first they ruled that kingdom, and, whene’er A war drew near them, their industrious care Made it their place of residence. The hill *Twas built upon, with’s rocky feet did fill 510 A spacious isthmus; at its depth a lake, Supplied b’ the neighbouring sea let in to make The fort the more impregnable, with slow But a deep current running, did bestow A dreadful prospect on the bended brow O’ the hill; which, covered with no earth, did bow Its torn clifts o’er the heavy stream. The way That led to it was o’er a bridge, which they That guard it did each night draw up; from whence A steep ascent, whose natural defence 320 Assisted by all helps of art, had made The fatal place so dangerous to invade— Each step a death presented. Here when he Had placed his daughter, whose security Rocks, walls, nor rivers warranted, without A trusty guard of soldiers hemmed about The walls less hard than they. Those gentlemen That on her happier court attended, when Argalia did command them, as too mild Were now discharged ; their office on a wild 30 Band of those mountain soldiers, who had in His last great war most famed for valour been, Being conferred ; and these, lest they should be Forced by commands into civility, Bestowed upon the fierce Brumorchus; one Whose knotty disposition nature spun With all her coarsest threads, composing it For strength, not beauty, yet a lodging fit For such a rough unpolished guest as that Black soul; whose dictates it oft trembled at E40 In feverish glooms, whose subterranean fire Inflamed that ill-formed chaos with desire Its vigour to employ in nought of kin To goodness, till ’twas better tempered in The prince’s court; where, though he could not cast His former rudeness off, yet having past 540 oft] Orig. ‘ ought,’ another, no doubt, of the slips of ear. ( 145 ) L William Chamberlayne [Boox III The filing of the courtiers’ tongues, at length It thus far wrought him—he converts that strength To’s prince’s service, which till then had lay In passion’s fetters, learning to obey 550 The gentle strokes of government. Though bred In savage wildness, nurst with blood, and fed With hourly rapine, since he had forsook Those desert haunts a firm obedience took Hold on’s robustious nature, not to be By that effeminate wanton, Flattery, Stroked to a yielding mildness. Which being known To the mistrustful prince, whose passions, grown So far above the reach of reason that Her strength could not support them, bending at 560 Their own unwieldy temper, sunk into Acts that his milder thoughts would blush to do, Make him from all his nobler captains choose Forth this indomitable beast. To use So harsh a discipline unto the sole Heir to his crown, a lady that did roll More virtues on the spindle of her life, Than Fate days’ length of thread, had raised a strife So high in his vexed subjects’ blood, that all Murmur in secret; but there’s none durst call 570 His prince’s acts in question: to behold Her prison through their tears, and then unfold Their friends a veil of sorrow, is the most Their charity durst do. But that which crost Distressed Pharonnida above the grief Of her restraint, or aught but the belief Of her Argalia’s death, is—now to be Barred, when she wants it most, society With sorrowful Florenza, whilst she staid, The partner of her secrets, now betrayed 580 By false Amphibia to her father, and Banished the court, retiring, to withstand The storms of greatness, to her father’s own Poor quiet home; which, as if ne’er she’d known The beauties of a palace, did content Her even thoughts, at leisure to lament In pensive tears her wretched mistress’ fate, Whose joys eclipsed, converts her robes of state To mourning sables. What delights the place Was capable of having, to deface 590 The characters of grief, her father strives To make them hers; but no such choice flower thrives In the cold region of her breast,—she makes Her prison such as theirs, whose guilt forsakes All hopes of mercy. The slow-footed day, Hardly from night distinguished, steals away {146 ) Canto II] Pharonnida Few beams from her tear-clouded eyes, and those A melancholy pensiveness bestows On saddest objects. The o’ershadowed room, Wherein she sat, seemed but a large-sized tomb, 600 Where beauty buried lay; its furniture Of doleful black hung in it, to inure Her eyes to objects like her thoughts. In which Night-dress of sorrow, till a smile enrich Impoverished beauty, I must leave her to Her sighs, those sad companions! and renew His fatal story, for whose love alone She dares exchange the glories of a throne, THE END OF THE SECOND CANTO. Canto III THE ARGUMENT From treachery, which two princes’ annals stained, The brave Argalia by protecting fate Delivered, land on Rhodes’ fair isle attained, Being there elected champion for their state. In which design, although with victory blest, The common fate him soon a prisoner makes To a proud Turk, beneath whose power distressed, His virtue proffered liberty forsakes, THROUGH the dark paths of dusty annals, we, Led by his valour’s light, return to see Argalia’s story ; who hath, since that night Wherein he took that strange distracted flight From treacherous Ardenna, performed a course So full of threatening dangers, that the force Of his protecting angel trembled to Support his fate, which cracked the slender clew Of destiny almost to death. His stars, Doubting their influence when such horrid wars 10 The gods proclaimed, withdrew their languished beams Beneath heaven’s spangled arch. In pitchy streams The heavy clouds unlade their wombs, until The angry winds, fearing the flood should fill The air, their region where they ruled, did break Their marble lodgings ; nature’s self grew weak Arg. 3, on] Orig. ‘ or,’ and I would not undertake that Chamberlayne’s restless and unconventional thought did not understand by ‘land’ ‘continent’ or ‘main,’ and suggest a sort of parenthesis of correction. 15 their] Singer ‘the region,’ to some positive loss. (147 ) L2 Witham Chamberlayne [Boox III With these distemperatures, and seemed to draw Toward dissolution; her neglected law Each element forgot—the imprisoned flame, When the clouds’ stock of moisture could not tame 20 Its violence, in sulphury flashes break Thorough the glaring air; the swoln clouds speak In the loud voice of thunder; the sea raves And foams with anger, hurls his troubled waves High as the moon’s dull orb, whose waning light Withdrew to add more terror to the night. When the black curtain of this storm that took The use of art away, had made them look For nought but swift destruction, being so vain For th’ mariners to row that the proud main 30 Scorned to be lashed with oars, to ease distress, The night forsook them: but a day no less Dreadful succeeds it; by whose doubtful light The wretched captives soon discover right Near them a Turkish navy; to whose aid The renegadoes (having first displayed Their silver crescents) join. Nor did they meet That help untimely ; a brave Rhodian fleet Set forth from those, the Christian bulwarks, to Obstruct the Turks’ invasions, was in‘ view. 40 To meet the threatening danger, which ’twas then Too late to waive, that miracle of men, The brave Argalia, chained unto an oar, Is with a thousand noble captives more Forced to assist damned infidels. And now The well-armed fleets draw near, their swift keels plough The ocean’s angry front. First, they salute Each other with their cannon; those grown mute, Come to more desperate fight ; unfriendly bands Unite their vessels; the fierce soldier stands 50 Firm on his hatches, whilst another boards His active enemies, whose ship affords No room for such unwelcome guests, but sends Their scattered limbs into thin air; each bends His strength to’s foe’s destruction. Plunging in Which bloody sweat, the Rhodians’ hopes had been Lost with their fleet, had not kind fortune smiled Thus on their fear.—Whilst action had beguiled Each soul of passive cares, Argalia sees A way to unlock his rusty chain, and frees 60 Himself and fellows from their bank; which done, Those that continued at their oars did run The vessel from the rest, and, ere unto Their sight betrayed, the trembling pirates slew. 34 right] Orig. ‘night.’ ( 148 ) Canto IJ] Pharonnida Then, closing with their unsuspicious foes, I’ the vigour of the fight, they discompose Their well-ranged fleet, and such confusion strook Into the van, to see their rear thus shook With an unlooked for hurricane, that in A fearful haste the numerous Turks begin 70 To stretch their fins and flee. But all their speed Was spent in vain, Argalia’s hand had freed So many captives, that their galleys must Unto the winds’ uncertain favour trust, Or else, becalmed, but feebly crawl before Their eager foes, who both with sail and oar Chased them to ruin. Glorious victory Thus to the Christian party being by A stranger purchased, with such high applause As those that rescue a declining cause 80 From the approach of ruin, welcomed, he Is now received into th’ society Of the brave Christian order, But they not Long joyed in victory, ere the Turk, to blot The stains of being conquered out, had made A mighty army ready to invade The valiant Rhodians; where Argalia shows So brave a spirit, their whole army owes His valour for example. The Turks had oft Made desperate onslaughts on the isle, but brought go Nought back but wounds and infamy; but now, Wearied with toil, they are resolved to bow Their stubborn resolutions with the strength Of not-to-be-resisted want. The length OQ’ the chronical disease extended had To some few months, since, to oppress the sad But constant islanders, the army lay Circling their confines. Whilst this tedious stay From battle rusts the soldier’s valour in His tainted cabin, there had often been, TOO With all variety of fortune, fought Brave single combats, whose success had brought Honour’s unwithered laurels on the brow Of either party; but the balance now, Forced by the hand of a brave Turk, inclined Wholly to them. Thrice had his valour shined In victory’s refulgent rays, thrice heard The shouts of conquest, thrice on’s lance appeared The heads of noble Rhodians, which had strook A general sorrow ’mongst the knights. All look 110 89 oft] Orig. ‘ought.’ There can be no doubt about the right word in meaning, but it is an interesting point in the History of Rhyme, whether ‘brought’ was pro- nounced ‘broft,’ with the sound of ‘cough,’ or whether ‘oft’ was forced, in a plusquam-Spenserian fashion, to suit the eye. ( 149 ) William Chamberlayne [Book III Who next the lists should enter; each desires The task were his, but honour now requires A spirit more than vulgar, or she dies The next attempt, their valour’s sacrifice ; To prop whose ruins, chosen by the free Consent of all, Argalia comes to be Their happy champion. Truce proclaimed until The combat end, the expecting people fill The spacious battlements, the Turks forsake Their tents, of whom the city ladies take 120 A dreadful view, till a more noble sight Diverts their looks. Each part behold their knight With various wishes, whilst in blood and sweat They toil for victory. The conflict’s heat Raged in their veins, which honour more inflamed Than burning calentures could do; both blamed The feeble influence of their stars that gave No speedier conquest ; each neglects to save Himself—to seek advantage to offend His eager foe. The dreadful combat’s end 130 Nought but their loss of blood proclaims; their spirits In that reflux of heat and life inherits Valour’s unconquered throne. But now so long The Turks’ proud champion had endured the strong Assaults of the stout Christian, till his strength Cooled on the ground, with ’s blood, he fell at length Beneath his conquering sword. The barbarous crew O’ the villains, that did at a distance view Their champion’s fall, all bands of truce forgot, Running to succour him, begin a hot 140 And desperate combat with those knights that stand To aid Argalia, by whose conquering hand Whole squadrons of them fall: but here he spent His mighty spirit in vain, their cannons rent His scattered troops, who for protection fly T’ the city gates; but, closely followed by Their foes, did there for sad oblations fall To dying liberty. Their battered wall Groaned with the wondrous weight of lead, and in Its ruins hides her battlements ; within 150 The bloody streets the Turkish crescents are Displayed, whilst all the miseries of war Raged in their palaces. The common sort Of people make the barbarous soldier sport In dying, whilst those that survive them crave Their fate in vain; here cruelty did save And mercy only kill, since death set free Those happier souls from dire captivity, At length the unrestrained soldier tires, Although not satisfies his foul desires, 160 ( 150 ) Canto III] Pharonnida With rapes and murder. When, amongst those poor Distressed captives that from thence they bore, Argalia lies in chains, ordained to die A sacrifice unto the cruelty Of the fierce bashaw, whose loved favourite in The combat late he slew; yet had not been In that so much unhappy, had not he, That honoured then his sword with victory, Half-brother to Janusa been,—a bright But cruel lady, whose refined delight, Her slave, though husband, Ammurat, durst not Ruffle with discontent. Wherefore to cool that hot Contention of her blood, which he foresaw That heavy news would from her anger draw, To quench with the brave Christian’s death, he sent Him living to her, that her anger, spent In flaming torments, might not settle in The dregs of discontent. Staying to win Some Rhodian castles, all the prisoners were Sent with a guard into Sardinia, there To meet their wretched thraldom. From the rest Argalia severed, soon hopes to be blest With speedy death, though waited on by all The hell-instructed torments that could fall Within invention’s reach. But he’s not yet Arrived to’s period, his unmoved stars sit Thus in their orbs secured.—It was the use O’ the Turkish pride, which triumphs in the abuse Of suffering Christians, once, before they take The ornaments of nature off, to make Their prisoners public to the view, that all Might mock their miseries. This sight did call Janusa to her palace window, where, Whilst she beholds them, love resolved to bear Her ruin on her treacherous eye-beams, till Her heart infected grew; their orbs did fill, As the most pleasing object, with the sight Of him whose sword opened a way for th’ flight Of her loved brother’s soul. At the first view Passion had struck her dumb, but when it grew Into desire, she speedily did send To have his name; which known, hate did defend Her heart, besieged with love; she sighs, and straight Commands him to a dungeon; but Love’s bait Cannot be so cast up, though to deface His image in her soul she strives. The place For’s execution she commands to be ’Gainst the next day prepared; but rest and she Grow enemies about it: if she steal A slumber from her thoughts, that doth reveal ( 151 ) 170 180 190 210 William Chamberlayne [Boox II Her passions in a dream; sometimes she thought She saw her brother’s pale grim ghost, that brought His grisly wounds to show her, smeared in blood, Standing before her sight, and, by that flood Those red streams wept, imploring vengeance; then, Enraged, she cries—Oh, let him die. But when Her sleep-imprisoned fancy, wandering in The shades of darkened reason, did begin To draw Argalia’s image on her soul, Love’s sovereign: power did suddenly control 220 The strength of those abortive embryoes, sprung From smothered anger. The glad birds had sung A lullaby to night, the lark was fled, On drooping wings, up from his dewy bed, To fan them in the rising sun-beams; ere Whose early reign, Janusa, that could bear No longer locked within her breast so great An army of rebellious passions, beat From Reason’s conquered fortress, did unfold Her thoughts to Manto, a stout wench, whose bold 230 Wit, joined with zeal to serve her, had endeared Her to her best affections. Having cleared All doubts with hopeful promises, her maid, By whose close wiles this plot must be conveyed To secret action, of her council makes Two eunuch-panders; by whose help she takes Argalia from his keeper’s charge, as to Suffer more torments than the rest should do, And lodged him in that castle, to affright And soften his great soul with fear. The light, 240 Which lent its beams unto the dismal place In which he lay, without presents the face Of horror smeared in blood—A scaffold, built To be the stage of murder, blushed with guilt Of Christian blood, by several torments let From the imprisoning veins. This object set To startle his resolves if good, and make His future joys more welcome, could not shake The heaven-built pillars of his soul, that stood Steady, though in the slippery paths of blood. 250 The gloomy night now sat enthroned in dead And silent shadows, midnight curtains spread The earth in black for what the falling day Had blushed in fire, whilst the brave prisoner lay Circled in darkness; yet in those shades spends The hours with angels, whose assistance lends Strength to the wings of Faith, which, mounted on The rock of hope, was hovering to be gone Towards her eternal fountain, from whose source Celestial love enjoined her lower course. 260 ( 152 ) Canro IIT] Pharonnida Whilst in this holy ecstasy, his knees’ Descent did mount his heart to Him that sees His thoughts developed ; whilst dull shades opprest The drowsy hemisphere ; whilst all did rest, Save those whose actions blushed at day-light, or Such wretched souls whose sullen cares abhor Truce with refreshing slumbers; he beholds A glimmering light, whose near approach unfolds The leaves of darkness. Whilst his wonder grows Big with amazement, the dim taper shows 270 What hand conveyed it thither; he might see False Manto entered, who, prepared to be A bawd unto her lustful mistress, came, Not with persuasive rhetoric to inflame A heart congealed with death’s approach, but thaw Him from the frozen rocks of rigid law With brighter constellations, that did move In spheres, where every star was fired with love. The siren, yet to show that she had left Some modesty, unrifled by the theft 280 Of mercenary baseness, sadly wept— Her errand’s prologue ; but guilt was not kept Within the curtain long, she only sate A mourner for the sickness of his fate Until esteemed for pitiful, and then Prescribes this remedy :—‘ Most blest of men Compose thy wonder, and let only joy Dwell in thy soul; my coming’s to destroy, Not nurse thy trembling fears. Be but so wise To follow thy swift fate, and thou may’st rise 290 Above the reach of danger. In thy arms Circle that power, whose radiant brightness charms Fierce Ammurat’s anger, when his crescents shine In a full orb of forces. What was thine Ere made a prisoner, though the doubtful state Of the best Christian monarch, will abate Its splendour, when that daughter of the night, Thy feeble star, shines in a heaven of light. If life or liberty, then, bear a shape Worthy thy courting, swear not to escape 300 By the attempts of strength, and I will free The iron bonds of thy captivity.’ A solemn oath, by that Great Power he served, Took and believed, his hopes no longer starved In expectation. From that swarthy seat Of sad despair, his narrow jail, replete With lazy damps, she leads him to a room, In whose delights Joy’s summer seemed to bloom ; There left him to the brisk society Of costly baths and Corsic wines, whose high 310 ( 153 ) William Chamberlayne [Book III And sprightly temper from cool sherbets found A calm allay. Here his harsh thoughts unwound Themselves in pleasure, as not fearing fate So much, but that he dares to recreate His spirits, by unwieldy action tired, With all that lust into no crime had fired. By mutes, those silent ministers of sin, His sullied garments were removed, and in Their place such various habits laid, as Pride Would clothe her favourites with, she means to hide 320 From those deformities, which, accident, On Nature’s issue, striving to prevent Form’s even progress, casts, when she would twine That active male with matter feminine. Unruffled here by the rash wearer, rests Fair Persian mantles, rich Sclavonian vests. The gaudy Tuscan, or transmuted shape Of the fantastic French—the British ape, The grave and constant Spaniard, all might here Find garments, such as princes would appear 330 To grace their honoured nuptials in, or tell Strangers how much their treasure doth excel. Though on this swift variety of fate He looks with wonder, yet his brave soul sate Too safe within her guards of reason, to Be shook with passion: that there’s something new And strange approaching after such a storm, This gentle calm assures him ; but the form Of pleasure softens not that which the other And worse extreme not with fear’s damps could smother. 340 He flies not with the rugged separatist Pleasure’s smooth walks, nor doth, enjoying, twist Those threads of gold to fetters; he dares taste All mirth, but what religion’s stock would waste. His limbs, from wounds but late recovered, now Refreshed with liquid odours, did allow Their suppled nerves no softer rest, but in Such robes as wore their ornament within, Veiled o’er their beauty. Linen, smooth and soft As Phoenix’ down, and whiter than what’s brought 350 From furthest China, he puts on; and then, What habit custom made familiar, when Clothed in his own, makes choice of for to be Most honoured of that rich variety. In an Italian garb t’ the doublet clad, Manto, lust’s swift and watchful spy, that had With an officious care attended on That motion, entering, hastes him to be gone gi2 allay} Orig. ‘ally.’ ( 154 ) Canto III] Pharonnida Toward more sublime delights. Which though a just And holy doubt proclaim the road of lust, 360 Knowing his better angel did attend Upon each step, he ventures to descend The dreadful precipice so far, until The burning vale was seen, then mounts the hill Of heaven-bred fortitude, from whence disdain Floods of contempt on those dark fires did rain. His guilty conduct now had brought him near Janusa’s room; the glaring lights appear Thorough the window’s crystal walls; the strong Perfumes of balmy incense, mixed among 37° The wandering atoms of the air, did fly; Sight’s nimble scouts yet were made captive by A slower sense, as if but to reveal What breathed within, those fugitives did steal Thorough their unseen sallyports, which now Were useless grown; The open doors allow A free access into the room, where come, Such real forms he saw as would strike dumb Their Alcoran’s tales of paradise; the fair And sparkling gems i’ the gilded roof impair 380 Their tapers’ fires, yet both themselves confess Weak to those flames Janusa’s eyes possess. With such a joy as bodies that do long For souls, shall meet them in the doomsday’s throng, She that ruled princes, though not passions, sate Waiting her lover, on a throne whose state Epitomized the empire’s wealth; her robe, With costly pride, had robbed the chequered globe Of its most fair and orient jewels, to Enhance its value; captive princes, who 39° Had lost their crowns, might here those gems have seen That did adorn them: yet she trusts not in These auxiliary strengths, her confidence In her own beauty rests, which no defence Of chastity ere yet withstood; and now She scorns to fear it, when her power did bow Unto a slave condemned, that ne’er could look To see the light, but whilst some torment took The use of eyes away. Whilst he draws near By her command, no less it did appear 400 Her wonder, to behold his dauntless spirit, Than his, what virtue to applaud as merit. Placed in a seat near her bright throne, to stir His settled thoughts, she thus begins :—‘ From her Your sword hath so much injured, as to shed Blood so near kin to mine, that it was fed 367 conduct] ‘Conduct’ for ‘conductress’ may just deserve a note because of the odd reversal of meaning involved. 383, 4 Blake! 398 light] Orig. ‘sight. ( 135 ) William Chamberlayne [Boox III By the same milky fountains, and within One womb warmed into life, is such a sin I could not pardon, did not love commit A rape upon my mercy: all the wit 410 -Of man in vain inventions had been lost, Ere thou redeemed ; which now, although it cost The price of all my honours, I will do :— Be but so full of gratitude as to Repay my care with love. Why dost thou thus Sit dumb to my discourse? It lies in us To raise or ruin thee, and make my way Thorough their bloods that our embraces stay.’ This on the spur of passion spoke, she strains His hand in hers; where feeling the big veins 420 Beat with intemperate heat, conceiving it The strokes of lust, to aggravate the fit Into a paroxysm of guilt, she shows More than with modesty, how much she owes To Nature’s treasure, for that ill-spent stock Of beauty she enjoyed :—Her eyes unlock Two cabinets of sparkling diamonds, which The even foils of ebon brows enrich With a more orient brightness; on her cheek The roses, conquering the pale lily, seek 430 To counterfeit a blush, but vanquished shame Submits to love, in whose insulting flame The modest virgin a sad martyr dies, And at Fame’s wounds bleeds—Passion’s sacrifice ; Nature’s embossed work, her soft swelling breasts, Those balls of living ivory, unprest Even with the weight of tiffany, displays Whiteness that shamed the swan’s: the blood, that strays In azure channels over them, did show By their swelled streams, how high the tide did flow 440 Wherein her passions sailed; the milky way, Love's fragrant valley that betwixt them lay, Was moist with balmy dew, extracted by The busy spirits that did hovering fly Thorough her boiling blood, whose raging flame Had scorched to death the April flowers of shame. To charm those sullen spirits that within The dark cells of his conscience might have been Yet by religion hid—that gift divine, The soul’s composure, music, did refine 450 The lazy air; whose polished harmony, Whilst dancing in redoubled echoes, by A wanton song was answered, whose each part Invites the hearing to betray the heart. 434 bleeds] Orig. ‘bled.’ ( 156 ) CANTO III] Pharonnida Having with all these choice flowers strewed the way That leads to lust, to shun the slow delay Of his approach, her sickly passions haste To die in action. ‘Come (she cries) we waste The precious minutes. Now thou know’st for what Thou’rt sent for hither, which if active at, 460 Thou only liv’st in my esteem.’ And then, Oh, impudence! which from the worst of men Might force a blush, she swiftly hastes to tread Within lust’s tropics, her polluted bed. And here, black sinner, thou, whose blood’s disease, Of kin to hell’s, wants numbers to appease Its flaming calenture, blush to behold A virgin virtue spotless leaves unfold In youthful volume, whilst thy ripe years, spent In lust, hath lost thy age’s ornament. 440 In this, as hot and fierce a charge of vice, As, since he lost the field in Paradise, Man ever felt, the brave Argalia sits, With virtue cooled in passion’s feverish fits: Yet at life’s garrisons his pulses beat In hot alarums, till, to a soft retreat Called by that fair commandress, spite of all Beauty’s prevailing rhetoric, though he fall Ruined beneath her anger, he by this Unwelcome language her expected bliss 480 Converts to rage:—‘ And must my freedom then At such a rate be purchased? Rather, when My life expires in torments, let my name Forgotten die, than live in black-mouthed fame, A servant to thy lust. Go, tempt thy own Damned infidels to sin, that ne’er had known The way to virtue: not this cobweb veil Of beauty, which thou wear’st but as a jail To a soul pale with guilt, can cover o’er Thy mind’s deformities; a tainted whore 490 Conscience proclaim thee will, when thou shalt sit, Shook with this spotted fever’s trembling fit. Rent from these gilded pleasures, send me to A dungeon dark as hell, where shadows do Reign in eternal silence; let these rich And costly robes, the gaudy trappings which Thou mean’st to clothe my sin in, be exchanged For sordid rags. When thy fierce spleen hath ranged Through all invented torments, choose the worst To punish my denial; less accursed 500 I so shall perish, than if by consent I’d taught thy guilty thoughts how to augment 470 hath] Singer, as usual, changes to ‘ have.’ ( 157 ) William Chamberlayne [Boox 111 Their sins in action, and, by giving ease To thy blood’s fever, took its loathed disease.’ To have the spring-tide of her pleasures, swelled By lust’s salt waters, thus by force expelled Back to confusion’s troubled sea, had made Such troops of passion ready to invade An ill-defended conscience, that her look, Like a cast felon’s out of hopes o’ the book, 510 Was sad with silent guilt. The room she leaves To her contemner, who not long receives The benefit of rest; she that had been The prologue unto this obstructed sin, With six armed slaves was entered, thence to force Him to his dismal jail: but the divorce Of life from those which first approached, joined to The others’ flight, had put her to renew That scattered strength, had not that sacred tie, His solemn oath, from laurelled victory 520 Snatched the fair wreath, and, though brave valour strives To reach at freedom through a thousand lives, At her command more tamely made him yield, Than conquered virgins in the bridal field. THE END OF THE THIRD CANTO. Canto IV THE ARGUMENT Anger, improved by lust’s enormous flame, Fires vexed Janusa with such sad extremes Of rage, that her sweet sex’s native shame Is scorched to death in those prodigious beams. Which whilst they to her angry lord betray Her honour’s loss, such tumults in him breed, That both their deaths must serve for an allay ; Whose sudden fall our Christian champion freed. Our noble captive, to fair Virtue’s throne In safety passed, though through Lust’s burning zone, Finds in his dungeon’s lazy damps a rest More sweet, though with the heavy weights opprest Of iron bondage, than if they had been Love’s amorous wreaths, Janusa’s arms, within Whose ivory circles he had slept. But she, Her grief composed of all malignity, Lust’s flames unquenched converts to, whilst they burn, Black thoughts within her breast—the beauteous urn 10 510 hopes o’ the book] i.e. ‘ benefit of clergy.’ ( 158 ) Canto IV] Pharonnida Of lust’s corruption. Sometimes anger flies Above the sphere of reason, and there dies With tears extinguished ; she breathes curses in Her soul’s pale agony, such as had been More deadly than infectious damps if not Strangled in the embryo,—dead before their hot Poison could work upon her fancy more Than spleenful thoughts, which were recalled before Ripened for execution. Now she steeps Her down in tears, a flood of sorrow weeps, 20 Of power, if penitent, to expiate Youth’s vigorous sins; but all her mourning sate Beneath a darker veil than that which shades Repentant grief, since sin but wished invades The soul with that which leads to horror, when Grief for sins past brings into light again: One through a sea of trouble leads the way To a safe harbour, the other casts away Poor shipwrecked mortals, when by death’s swift stroke Life’s feeble hold is from Hope’s anchor broke. 30 So far the fair Janusa in this sad Region of grief had gone, till sorrow had That fever turned, upon whose flaming wings At first lust only sat, to one which brings Death’s symptoms near her heart; which had so long Beneath the burden groaned, until the strong Disease had wrought up all the blood within Her cheeks into consuming flames; the skin Had lost its soft repose of flesh, and lay On nought but bones, whose sharpness did betray 40 Their macerated nerves ; the rose had lost His ensigns in her cheeks, and though it cost Pains near to death, the lily had alone Set his pale banners up; no brightness shone Within her eyes’ dim orbs, whose fading light, Being quenched in death, had set in endless night, Had not the wise endeavours of her maid, The careful Manto, grief’s pale scouts betrayed By sly deceit: knowing if she should want Health, until cured by that exotic plant, 50 The captive’s love, what lust at first did burn With inflammations might a gangrene turn. Although she cures not, yet gives present ease By laying opiates to the harsh disease. A letter, which did for uncivil blame His first denial, in the stranger’s name Disguised, she gives her; which, with eyes that did O’erflow with joy, read o’er, had soon forbid Grief’s sullen progress, whose next stage had been O’er life’s short road, the grave—death’s quiet inn. Go (159 ) William Chamberlayne [BooK III From whose dark terror, by this gleam of light, Like trembling children by a lamp’s weak light Freed from night’s dreadful shadows, she’d embraced Sleep, Nature’s darkness, had not joy defaced Those sooty characters, and on the wings Of airy hope—that wanton bird which sings As soon as fledged—advanced her to survey The dawning beauties of a longed-for day. But ere this pyramid of pleasure to Its height arrives, with ’s presence to undo 70 The golden structure, dreadful Ammurat From ’s floating mansion safely landed at The city’s port, impatient love had brought In an untimely visit: ere swift thought, Fettered with guilt, could from his eager eye By an excuse to sanctuary fly, He enters, and she faints! In which pale trance His pity finds her, but to no such chance Imputes the cause; rather conceives it joy, Whose rushing torrent made her heart employ 80 Its nimble servants, all her spirits, to Prevent a deluge, which might else undo Love’s new-made commonwealth. But whilst his care Hastens to help, her fortune did declare Her sorrow’s dark enigma: from her bed The letter drops—which, when life’s army fled Their frontier garrisons, neglected had Been left within ’t ;—this seen, declares a sad Truth to the amazed bassa, though ’twere mixt With subtle falsehood. Whilst he stands, betwixt 90 High rage and grief distracted, doubtful yet In what new dress to wear revenge, the fit Forsakes Janusa; who, not knowing she Detected stood of lust’s conspiracy ’Gainst honour’s royal charter, from a low Voice strains a welcome, which did seem to flow From fickle discontent, such as the weak Lungs breathe the thoughts in whilst their fibres break. To counterfeited slumbers leaving her, He’s gone, with silent anger to confer ; 100 And, though rage lives in fire, the fury lies Unseen through the false optics of his eyes. With such a farewell as kind husbands leave Their pregnant wives, preparing to receive A mother’s first of blessings, he forsakes The room, and into strict inquiry takes The wretched Manto; who, ere she could call Excuse to aid, surprised, discovers all Her sin’s black art, from whose dark theorems he This method draws:—That night, designed to be 110 ( 160 ) Canto IV] Pharonnida Lightened with lust’s hot triumphs, he pretends Commanded absence, yet the false stroke bends But towards that guard, ere, by a swift reverse Brought back, his soul’s sly scouts had gained commerce With all those enemies to honour, by Whose aid Janusa ruins chastity. Placed by false Manto in a closet, which, Silent and sad, had only, to enrich Its roof with light, some few neglected Leams Sent from Janusa’s room, which serve as streams 120 To waft intelligence ;—here he beheld, Whilst she, who with his absence had expelled All thoughtful cares, was with her joy swelled high As captives are when called to liberty. Her linen, like a princely bride’s that meets In the soft folds of her first nuptial sheets Perfumed and costly ; her fair bed was more Adorned than shrines, whose saints rich kings adore ; Incense, in smoky curls, climbs to the fair Roof, whilst choice music rarifies the air: 130 Each element, in more perfection here Than in their first creation, did appear, Yet lived in harmony ;—the winged fire lent Perfumes to the air, that, to moist cordials pent In crystal vials, strength; and those impart Their vigour to that ball of earth, the heart. The nice eye here epitomized might see Rich Persia’s wealth, and old Rome’s luxury. But now, like Nature’s new made favourite, Who, until all created for delight 140 Was framed, did ne’er see paradise, comes in Deceived Argalia, thinking he had been Called thither to behold a penitent Arming for death, not heaven’s choice blessings, spent On th’ vanities of life; but mirth soon gives That thought its mortal wound, and shows she lives Beyond that dark sphere—where her joys did move As if her eyes alone gave laws to love; Where beauty’s constellations all did shine As if no cross aspect could e’er untwine 150 Their clasped conjunctions, which did seem to guide Old nature’s steps, till from their zenith’s pride, By virtue, the soul’s motion, which the world In order keeps, into confusion hurled: For here gay Vanity, though clothed in all Her gaudy pageants, lets her trophies fall Before bright virtue’s throne. With such a high Heroic scorn as aged saints, that die Heaven’s favourites, leave the trivial world, he slights That gilded pomp; no splendent beam invites 160 ( 161 ) M William Chamberlayne [Boox II] His serious eye to meet their objects in An amorous glance: reserved as he had been Before his grave confessor, he beholds Beauty’s bright magic, while its art unfolds Great love’s mysterious riddles, and commands Captive Janusa to infringe the bands Of matrimonial modesty. When all Temptation fails, she leaves her throne to fall, The scorn of greatness, at his feet: but prayer, Like flattery, expires in useless air, 170 Too weak to batter that firm confidence Their torment’s thunder could not shake. From hence Despair, love’s tyrant, had enforced her to More wild attempts, had not her Ammurat, who, Unseen, beheld all this, prevented by His sight the death of bleeding modesty. Made swift with rage, the ruffled curtain flies His angry touch—he enters—fixed his eyes, From whence some drops of rage distil, on her Whose heart had lent her face its character. 180 Whilst he stood red with flaming anger, she Looks pale with fear ;—passion’s disparity, In such extremes as nature’s laws require, ’Twixt earth’s cold centre and the air’s circling fire, Dwelt in their troubled breasts; his wild eyes stood, Like comets when attracting storms of blood, Shook with portentous sadness, whilst hers sate Like the dull earth, when trembling at the fate Of those ensuing ills—heavy and fixt Within their orbs. Passions thus strangely mixt, 199 No various fever e’er created in The frenzied brain, when Sleep’s sweet calm had been From her soft throne deposed. This lightning past, Thunder succeeds; as burning mountains cast But horrid noise after their flaming smoke, So having paused, his dreadful voice thus broke The dismal silence :—‘ Thou prodigious whore, The curse of my nativity, that more Afflicts me than eternal wrath can do Spirits condemned—some fiends instruct me to 200 Heighten revenge to thy desert; but so I should do more than mortals may, and throw Thy spotted soul to flames. Yet I will give Its passport hence; for think not to outlive This hour, this fatal hour, ordained to see More than an age before of tragedy.’ She that fell from a firmament of pride To fortune’s lowest region, and there died 207-220. A remarkable and almost unique example of a passage where poetry is absolutely ‘above grammar,’ ( 162 ) Canto IV] Pharonnida A sad example to ensuing times— That honour’s altitude supports not crimes, 210 When in their stretched extensions reaching to Justice, which can through reversed optics view Giants, though pigmy sins do oft appear, Like the dim moon, more great, because more near; Sins that, till fear their guilt did aggravate, Wore virtue’s frontispiece, since now too late To hope for life, in their own monstrous form Encounter reason’s guards, till the big storm Of various passions all were settled in Dregs of despair. When, fearing tears should win 220 The victory of anger, Ammurat draws His cimetar, which had in blood writ laws For conquered provinces, and with a swift And cruel rage, ere penitence could lift Her burthened soul in a repentant thought Towards Heaven, sheathes the cold steel in her soft And snowy breast. With a loud groan she falls Upon the bloody floor, half breathless, calls For his untimely pity; but perceiving The fleeting spirits with her blood, were leaving 230 Her heart unguarded, she employs that breath Which yet remained, not to bewail her death, But beg his life that caused it—on her knees Struggling to rise. But now calmed Ammurat frees Her from disturbing death, in’s last great work, And thus declares some virtue in a Turk.— ‘T have, brave Christian, by perusing thee In this great act of honour, learnt to be Too late, thy slow-paced follower: this ring (with that Gives him his signet) shall, when questioned at 240 The castle-guards, thy safety be. And now I see her blood’s low water doth allow Me only time to launch my soul’s black bark Into death’s rubric sea—for to the dark And silent region, though we here were by Passion divorced, fortune shall not deny Our souls to sail together. From thy eyes Remove death’s load, and see what sacrifice My love is offering.’ With that word, a stroke Pierces his breast, whose speedy pains invoke 250 Death’s opiates to appease them. He sinks down By’s dying wife, who, ere the cold flood drown Life in the deluge of her wounds, once more Betrays her eyes t’ the light; and though they bore The weight of death upon their lids, did keep Them so long open, till the icy sleep Began to seize on him, and then she cries— ‘Oh see, just Heaven! see, see my Ammurat dies, ( 163 ) M 2 William Chamberlayne [Boox III To wander with me in the unknown shade Of immortality—But I have made 260 The wounds that murdered both: his hand that gave Mine, did but gently let me blood to save An everlasting fever. Pardon me, My dear, my dying lord! Eternity Shall see my soul washed white in tears; but oh! I now feel time’s dear want—they will not flow Fast as my stream of blood. Christian, farewell ! Whene’er thou dost our tragic story tell, Do not extenuate my crimes, but let Them in their own black characters be set 270 Near Ammurat’s bright virtues, that, read by The unpractised lover, which posterity, Whilst wanton winds play with our dust, shall raise On beauty’s throne, the good may justice praise By his example, and the bad by mine From Vice’s throne be scared to Virtue’s shrine.’ And here the speed Death’s messengers did make To hurry forth their souls, did faintly shake Her words into imperfect accents. ‘This,’ She cries, ‘is our last interview’—a kiss 280 Then joins their bloodless lips—each close the eyes Of the other, whilst the parting spirit flies Mounted on both their breaths, the latest gasp They e’er must draw. Whilst with stiff arms they clasp Each other’s neck, Argalia through a cloud Of liquid sorrow did behold the proud Triumphs of death in their untimely fate: He sees great Ammurat for a robe of state Grovelling in blood, the fair Janusa lie, Purpled in death, like polished ivory 290 Dipped in vermilion; the bright crystals, that Her soul in conquering flames looked thorough at, Both quenched and cooled in death. But time did lend His tears scarce passage, till a drop could end Its journey o’er his cheeks, before a page, Whose cruelty had far out-grown his age, Enters in haste; and with an anger that, Though indiscreet, at wrongs seemed kindled at, In wounds did on the bassa’s body vent A spleen that death’s discharge could not content. 300 This seen, Argalia, to whom all must be Offence that injures fair humanity, Stops the vain torrent, and a nearer way ‘To just revenge directs the angry boy: Who, by unfolded truth, now lets him know, His rage to that uncivil height did grow, Not from a childish spleen, but wrongs that he, A Christian, suffered in captivity. ( 164 ) CanTo IV] Pharonnida Assured by this confession that he might Be useful, more than in a secret flight, 310 Argalia bids him, in his bassa’s name, A mandate write for some of worthiest fame, *Mongst all the Christian citizens, and those To send the guard for, ere the morning rose On the black ruins of the night. This done, Before that time the victory had won Of opportunity; their warders slain, Each Christian captive from his rusty chain His bold hand frees, and by their happy aid, The gates being first secured, with ease dismayed 320 The drowsy garrison, from whom they found But weak resistance ;—some soft sleep had bound To beds of ease, intemperate riot kept Others more vainly waking; here one slept Between a mistress’ arms, and there another, Stole to a private catamite, did smother Delight in whispers; in which loose garb found, Ere time rolls up what slow neglect unwound, Even in security’s soft lap surprised, They met grim death in pleasure’s shape disguised. 330 All now being slain but feeble eunuchs and Poor trembling maids, the new but valiant band Of late, freed captives crown the walls, from whence They saw the soldiers’ wicked diligence In finding those which the false mandate had Designed for ruin general: as sad The city’s sorrows were; a desolate And silent horror unregarded sate In the empty streets, which action had not filled Yet with employment. But when day did gild 340 The ebony of night, to hear the rude Murmur that did from the mixed multitude Open together with their doors, assures Argalia, that their fear, which yet secures That handful of insulting tyrants, might, With anger being charged home, be put to flight With a reserve of hope; whilst every breast Was swelled with stifled spirits ; whilst, opprest With silent grief, helpless spectators, they Saw those they once for virtue did obey— 350 Their reverend senators, whose silvered heads Age now made fit for ease, forced from their beds By feverish power’s rude fits, whose heat, not all The juleps of their tears, though some drops fall From Beauty’s lovely blossoms, cool—Their rage Neglected youth slights like unreverent age. 343 open] Orig. ‘opened.’ ( 165 ) William Chamberlayne [Boox Ill But when the conquering captives, by the brave Argalia rescued from the castle, gave Bright victory’s signal; when they saw each lance The bleeding head of a grim Turk advance, 360 Anger, like unobstructed love, breaks forth In flaming haste. Yet here the want of worth And valour ’mongst the city herd, had drove Them all to death’s dark fields, if, whilst they strove With that stout band of Janissaries, they Had not been by Argalia taught the way To victory; who in a sally meets Retreating fear when creeping from the streets T’ the vain protection of their doors. And now, His conquering sword having taught all to bow 370 Beneath its burnished splendour, since the high Applause o’ the loudest acclamations fly Beneath his worth, a general vote elects Him for their prince: but his brave soul affects Not so sublime a burthen, knowing they, Bred under a democracy, obey Contracted power; but harshly he returns All to their senate, who of late, like urns, Nought but the useless ashes did contain Of their own laws, which were by conquest slain. 380 But his refusal, where acceptance not Envy could say Ambition had begot, But new plants virtue; who from thence did take The deeper root, and ’mongst the throng did make That choice so epidemical, that he, For valour feared, loved for humility. The people’s prayer, those humble shrubs that owe For safety to power’s cedars, join to grow Shadowed beneath his merit, and create Him prince o’ the senate; who, their doubtful state 390 Requiring strong allies, a fleet prepared, To seek those princes who their danger shared. Which ready, with a prosperous gale of wind, He, though employed by honour, sails to find Out Love’s rich Indies; and, with ’s white-winged fleet, Hastens Palermo’s nearest port to meet. THE END OF THE FOURTH CANTO. 363 herd] Orig. ‘ heard.’ ( 166 ) Canto V] Pharonnida Canto V THE ARGUMENT With prosperous sails moved from Sardinia’s shore, Argalia safe doth now from danger set The Cyprian prince, who, though so large in score With noble friendship, soon repays the debt. In Sparta’s court they're now arrived, where he That life he saved ventures, to save him in An act so great—it sets the princess free, Who for his sake had long a prisoner been. WuHILst with bent oars Argalia’s squadrons move, Like the light wings of Time’s physician, Love, Who steered his course, and now had safely drawn Him through the Ionian waves, when by the dawn jOf a still morning, whose pale sickly light, Yet bounded in the ebony of night, Showed like a dull quicksilver foil spread o’er The world’s great glass, whose even surface bore Within their view two galleons, whom they saw, Like timorous hares base hunters give no law, 10 Chased by a nimble numerous fleet. Drawn near, Christians the chased, the chasers Turks appear ; Which, like a shoal of smaller fishes made So bold by number that they durst invade The big-bulked whale, on every side assails The slow-paced fleet: who, since not strength prevails Against such odds, their fiery spirits spent In thunder, which had from their broadsides sent The last great groan for power’s decease, and they, Not their foe’s terror, but good fortune, lay. 20 Whilst cramped in this convulsion of their fear, Which honour gilding, made despair appear The child of fortitude, they all prepare Bravely to die, Argalia’s squadrons bear Up with the wind; and ere the Turk’s proud fleet, Deceived by their own crescents, fear to meet, A danger, like a hurricane, falls in Destruction ; which was suffered whilst unseen. So wealthy merchants, whose returning cost A storm on the pacific sea hath lost, 30 Fall from the arms of hope: sudden and swift As inundations, whose impetuous drift Swallows a sleeping city up, had they Lost the firm hold of victory, and lay Sad captives in their own lost ship—for flight Saves few, where all in hopes of conquest fight. Fair victory made more bright by accident, (Even when despair hope’s wasted stock had spent), ( 167 ) William Chamberlayne [Book ILI Those that were rescued from their soft prayers raise, To pay Heaven’s tribute in their louder praise: 40 Which oft-neglected debt discharged, they gave, Allayed with thanks, to him, whose hand did save— A miracle in their delivery—all Deserved applause, that can when mounted, fall TY the circle of humanity. To kiss Those hands which plucked him from the black abyss Of death, their brave commander goes; where he Discovered by majestic courtesy Such real forms of worth, that he was grown Rich in esteem before more fully known. 50 But long truth stands not veiled in a disguise Of ignorance, ere they are taught to prize His friendship at a higher rate, by seeing Their active valour had been blest in freeing The Cyprian prince; for such he was, and then Bound for Morea. This made public, when Acquaintance had taught love more boldness, he, All that discretion would permit to be Lodged in the closet of a friendly breast, Tells to Argalia: who, though in his best 60 Of hopes a rival knowing him, was in Love too secure to harbour envious sin. Their prosperous fleet, ere Time’s short steps had trod In hours a full day’s journey, safely rode At anchor in Gerenza’s bay; from whence, When known, their cannons in a loud expense Proclaim their welcome. The acquaintance that The Cyprian’s father, ere his youth staid at Its summer solstice, with Cleander had, Revives i’ the son’s embraces, which the glad 70 City 7’ the triumphs echoes, ere ’twas known That his resolves were such—as love was grown The wishes of the people’s throng, who thought That that unpolished prince Zoranza brought Unequal strength of merit, ere to win The fort Pharonnida lodged virtue in. When first they entered the admiring court, Fame (wise men’s care, but the fools’ busy sport) Making the ear the eye’s wise harbinger, By learning first their virtues, did confer 80 More honour on their persons. They beheld I the Cyprian prince heroic worth, yet swelled With no ambitious tumour; calm and free As wholesome air, when its ubiquity Breathes healthful blasts, were his smooth thoughts—to all Most sweetly affable, but few could call 69 Cleander} Cleander, seldom if ever named before, is the King, Pharonnida's father. ( 168 ) Canto V] Pharonnida His love familiar; his youth had not Yet learnt rough war, although from precept got Its useful rudiments, and by valour shows Future command may pay what action owes go To speculation: by the grave sad man, Whose counsel could conspiracies unspan When ready to give fire, he is beheld As one whose virtues far his years excelled, And might, when at maturity, afford Length to the sceptre from ’s victorious sword. From this young prince, Heaven’s hopeful blossom, they, Pleased but not satisfied, their souls convey On those winged messengers—their eyes, unto Manly Argalia; finding there a new Teo And various form of worth :—on’s brow did sit Reserved discretion reconciled to wit; Serious and grave his carriage, yet a face Where Love’s fair shrine did Wisdom’s temple grace ; His scars, those broad seals which protecting fate His future safety signed in, on him sate Not to deform, but until age remain, Like maids of honour placed in Beauty’s train. True worth dwelt in the other, but in this Brave hero’s breast had her metropolis. 110 The Cyprian’s safety and Sardinia’s brave Redemption, were the passports which fame gave Unto his travelling praise; which, fled in haste Through the ears’ short stages, in each breast had placed A love of ’s worth; which wise men softly praise Whilst the loud throng to acclamations raise. Not long these true-born sons of honour in Palermo’s court remain, ere, what had been The cause which had the youthful Cyprian drew From ’s father’s court, white fame presents unto 120 Busy inquirers. Which design from all— Those swift but weak recruits, good wishes—call, Except from some it most concerned ; ’mongst which Cleander staggers unresolved. The rich And powerful kingdom, which affinity With Cyprus promised, was a prize to be Valued before Epirus’ wealth, who, though Of late victorious, yet could never grow Up to that glorious height. This thought, the most Of all that e’er obstructed love, had crost 130 Zoranza’s hopes, had not his wishes been, Though covetously vast, confined within ‘The other’s merits; amongst which the chief Opposes first itself, and, the relief, Whispers in ’s soul, that had been thence brought by Him, when his state wept blood for liberty. ( 169 ) William Chamberlayne [Boox III This in the scale of justice seemed as large As love’s dimensions, till a second charge Of thoughts proclaim the Cyprian’s power to do The same if in necessity sought to; 140 Which blames becoming gratitude, as, in Relation to servility, a sin In the great soul of princes, who can be, If they remain in debt for courtesy, But captives in the throne—too oft the cause Why meritorious subjects mect the law’s Harsh rigour for reward, when their deserts, Many and great, o’erfill their princes’ hearts. Before Cleander’s gravity had laid This tempest of his passions, fame betrayed 150 Their cause to the Epirot prince, who hears The Cyprian’s welcome; which his various fears But briefly comment on, before, without More slow delays than what were spent about The swiftest preparations, he intends To visit fair Pharonnida, and ends His journey, ere a thought unwinged with love Could lead him forth of ’s court: which haste did prove His passions stronger than the strength of age Appeared to promise. What it might presage, 160 To see at once two royal strangers in Their glorious court, which both employed had been About one amorous errand, strangely did Affect the citizens ; whose fears, forbid The public stage, in private whispers tells What danger lay betwixt those parallels. Yet, in the opposition of those stars That shine in passion’s sphere, Love’s civil wars Had no field army; all his power did rest Within the private garrisons o’ the breast, 170 Which, though besieged by sly suspicion, made No verbal sallies, but prepare to invade Beauty’s bright province. Yet, each only had A single visit given unto the sad Sweet object of their hopes, and thence received A welcome, such as neither had bereaved The other’s hopes—both rather finding cause Of cold despair. Cleander pleads the laws Of nature and free choice, to wave his own Engagements to Zoranza ; which had blown 180 Love’s sickly flame with the tempestuous breath Of anger forth, had not those thoughts to death I’ the bud been doomed. Whilst thus his passions slept In Love’s soft arms, the noble Cyprian kept A distance ’twixt his hopes and wishes by The staid Epirot’s interest :—both rely (172 ) CANTO V] Pharonnida On their own merits, and Love’s doubtful fate Makes subject to the monarchy of Fate. But whilst this busy combat of the heart On equal terms is fought, time bent to part 190 The royal champions. Through the obscure ports Of dark disguise into Love’s field resorts A third brave combatant, whose merit had (Though not i’ the armour of great titles clad) By parley won that maiden fort, which they, Although they scaled on golden mountains, lay Before in vain. Argalia, though within Gerenza’s court, had yet a stranger been, More than in fame and big report, to her Whose best of thoughts wore his soul’s character: 200 And yet, although a virgin’s bashful grace Concealed her own, for to behold that face So much in debt t’ the people’s praises, to Her window oft the royal maid had drew; Where, whilst his eyes did waste their beams in vain To pierce those stubborn walls that did contain Rich Love’s unvalued treasure, she beholds His brave deportment; which, since strange, unfolds New volumes of unprinted joy, which she (Sorrow affording so much liberty) 210 Oft with delight looks o’er, beholding in ’t Argalia’s virtues in a different print. But his wise fate, even when his prayer grew weak In faith, did through hope’s cold antarctic break In a long summer’s day.—His noble friend, The princely Cyprian, did so largely spend His stock of eloquence in’s praise, when he Last saw divine Pharonnida, that she, Although from no remoter cause than springs From virtue’s public love, tells him—he brings 220 His next best welcome with his friend: which, proud To be observant in, when time allowed A visit, he performs. Now to the court, Beauty’s dull cloister, which no thronged resort Of clients fill they’re come; the surly guard, Those wakeful dragons, did without reward Let in that danger in disguise, which had Met death i’ the entrance, if in that unclad. The way that cleft the scowling rock being by A thousand steps ascended, they 7’ the high 230 Clifts find the royal eaglet, trying that Bright eye of her fair soul, discretion, at The fiery beams of anger, which were shot From her majestic father. Being got 187, 8 fate] The first ‘fate’ should of course be ‘state.’ (171 ) William Chamberlayne [Book HI Once more to breathe his soul upon that hand Where love’s first vows, sealed with his lips, did stand, (Knowledge inflaming passion’s fever), like Unpractised saints, which miracles do strike Into a reverend zeal, he trembling takes That holy relic, which a cold fear shakes 240 In that warm touch. Her eyes’ fair splendour shone Like bright stars in heaven’s trepidation, Shook with the general motion, though betwixt The spheres of love and wonder they stood fixt In their own orbs, and their united beams Centred on him; yet (like dead friends which dreams Imperfectly present) his lovely form, As mariners when land is through a storm With doubtful joy descried, she sees: but yet Knowledge had met with no prospective fit 250 To guide her through the dark disguise unto The road of truth ;—his valour was in new Habiliments of honour clothed, and scars Made her love’s heaven adorned with unknown stars. But whilst her recollecting spirits were All busied—his idea to compare With what she saw, a sudden glance of the eye Develops truth ; that jewel, which was by His first protector left, is seen, by which Hope, near impoverished with despair, grows rich 260 In faith, heaven’s tenure. But the rushing tide O’erflows so much, that love’s fresh rivers glide Over weak Nature’s banks,—she faints, and in A silent joy contracted what had been By love dilated: from which giddy trance To rescue her, Argalia doth advance To charge those troops of passions, which o’er her Had proved victorious ; nor did Fate defer The conquest long, ere she displays again Beauty’s fair banner in Love’s ivory plain. 270 The imprisoned spirits freed, the blood in haste, Fearing her love had Wisdom’s throne defaced, To Beauty’s frontiers flies; so mornings weep And blush together, when they oversleep Themselves in night’s black bed. Though fear’s dull charms, Whilst in the circle of Argalia’s arms, Like dream’s fantastic visions, vanish in Her waking joys; yet, knowing they had been Betrayed into a stranger’s view, they both Stood mute with passion, till the Cyprian, loath 280 To add more weights unto affliction, by Imping Love’s wings with noble courtesy, Fans off the southern clouds of fear, and thus Calms the loud storm :—‘ Doubt’ not, because to us, (172) CANTO V] Pharonnida Fair princess, Love’s mysterious riddles are By accident resolved, the factious war Shall be renewed; such base intelligence Traitors and spies give, when the dark offence Starts at discovery. If my service may Be useful, know I sooner dare betray My sins t’ the world, than your intentions to A smooth seducer. This rare interview May be my wonder—-but shall never prove My guilt, though all the stratagems of Love Lay open to my heart, which, though unskilled In his polemics, yet with truth is filled.’ Since now too late to seek protection by A faint denial, the wished privacy Their room afforded, gives them leave to lead His apprehension where conceit did read The story of Love’s civil wars: whose rage, Since treaty could not calm, makes him engage His stock of power in their defence, and end His passion’s progress to let Love attend On Friendship’s royal train; what not the force Of earth’s united beauties could divorce ; Nor wealth’s, nor honour’s strong attractions draw To other objects; by that holy law Informed, as hateful sacrilege, doth fly The bold intrusion on love’s hierarchy. With joy assured of such a powerful friend, The hopeful lovers sadder cares suspend, To lay the platform of their safety by A fair escape. But fear doth oft untie The golden webs of fancy. When they come To name the means, invention, then struck dumb, Startles into distraction; no smooth stroke Of soft-palmed flattery could ere provoke Sleep in her watchful dragons, nor no shower Of ponderous gold pierce through her sable tower— The harsh commander of her surly guard, Wakeful as foaming Cerberus, and hard As Parian quars, a heart that could not melt In love’s alembic; the slave never felt His darts but when lust gave the wound, and then, Seared with enjoying, the blood stops again, And leaves behind the fever; which disease Now in him raged. Amphibia, that could please None but a sympathizing nature, in His blood had both disease and medicine been,— With lust’s enchantments, thick loose glances, first Breeding a calenture, whose sickly thirst Consenting sin allays again. But long This monster thrives not in the dark, ere, strong (173 ) 290 300 310 320 330 William Chamberlayne [BooK III By custom grown, with impudence he dares Affront unveiled report, and boldly bears Himself above those headstrong torrents, by Whose streams harsh censure grew to calumny. Which careless pride did unobstruct the way, Through which to liberty love’s progress lay. 340 A short delay, which lets not fancy rest In idle thought, their actions did disgest Into a method. The succeeding night To that great day, by whose triumphant light Their annual feasts her birth did celebrate, The time designed. Which done, to stroke rough fate Into a calm, Argalia first finds out Despised Florenza, then employed about Coarse housewifery in the dull country, where She soon became a partner of his care ; 350 Prepares for safety with a diligence Whose privacy pays lavish time’s expense. Now from night’s swarthy region rose that day, ’>Gainst which Invention taught her babes the way To level at delight, though she flew high As monarchs’ breasts. Beauty and valour vie Each other in a conquering pride within A spacious field, that oft before had been The theatre of martial sports; each knight, Whom the desire of honour did invite 360 By her swift herald, Fame, were met; and all, Whom the respects of either part did call To the Epirot’s or young Cyprian’s part, Repair unto their tents, which, rich in art, Adorned both sides o’ the stately lists, and lent Their beauties to be prospect’s ornament. Near to the scaffold every seat was filled With bright court beauties, ladies that did gild Youth, Nature’s throne of polished ivory, in Pride—there but greatness, though low fortune’s sin. 370 Ranged next to these the city madams, that Came both to wonder and be wondered at, Fine as on their first Lady-days, did sit Comparing fashions, to commend their wit; Besides the silk-worms’ spoils, their husbands’ gain, Jewels they wore, like eyes in beauty’s wane Grown dim with age, so dim, that they did look As if they’d been from plundered Delphos took ; Although that sprung from faction, yet each face Was all set form, hardly affording place 380 342 disgest] Sic in orig.; and perhaps worth keeping, the pronunciation being even now hardly obsolete as a vulgarism. 366 be] Singer ‘the’ for ‘be.’ It is not at all improbable, considering his system of versification, that Chamberlayne wrote ‘be th’,’ ( 174 ) CANTO V] Pharonnida For a stolen smile, save when some ticklish lord Strikes sail, which they could wish should come aboard. Below, near to the over-heated throng, Sweet country beauties, such as ne’er did wrong Nature with nicer art, were seated ; where Though big rude pride cast them in honour’s rear, Yet in Love’s province they appeared to have Command from their acknowledged beauty gave ; Humble their looks, yet Virtue there kept state, And made-e’en Envy wish to imitate Their fashions—not fantastic, yet their dress Made gallantry in love with comeliness. Whilst here the learned astronomers of love Observed how eyes, those wandering stars, did move, And thence with heedful art did calculate Approaching changes in that doubtful state ; The princess, like the planet of the day, Comes with a lustre forth that did betray The others’ beams into contempt, and made The morning stars of meaner beauties fade, Sadly confessing by their languished light, They shone but when her absence made it night. Stately her look, yet not too high to be Seen in the valleys of humility ; Clear as Heaven’s brow was hers, her smiles to all, Like the sun’s comforts, eptdemical ; Yet by the boldest gazer, with no less Reverence adored, than Persians in distress Do that bright power, who, though familiar by An airy medium, still is throned on high. Lest the ungoverned multitude which raise Their eyes to her, should in their lavish praise From zeal to superstition grow, they ’re now Drawn off—the entered combatants allow Their eyes no further leisure, but beginning Their martial sports, with various fate were winning Bright victory’s laurels. But I here must let Honour in their own stories live, the debt I owe to promise but extends unto The fortune of our royal lovers; who, Though both concerned in this, have actions far More full of fate approaching. That bright star Which gave Argalia victory here, scarce shows Its spangled records, unto which he owes Far more sublime protection, yet it lends Vigour to that bright planet which attends His future fortune, and discovers all His astracisms in rising cosmical. Followed with acclamations, such as made The troops of envy }tremble to invade (175 ) 409 410 420 430 William Chamberlayne [Boox IIL His conquering fame, he leaves the field ; and by Cleander, with rewards of victory First honoured in the public view, is brought From thence to meet delicious mirth in soft Retired delights; which in a spacious flood, From princes’ breasts to tenify the blood Of the blunt soldiers, hastes; whose dull souls swelled With airy pleasures had from thought expelled All sullen cares, and levelled paths unto Designs which did to their neglect ensue. 440 The black-browed night, to court the drowsy world, Had put her starry mantle on, and hurled Into the sea (their spacious-breasted mother) Her dark attendants; silent sleep did smother Exalted clamours; and in private meets The busy whisperer, sporting ’twixt his sheets. Veiled in which shady calm, Argalia, by The noble Cyprian only in his high Attempt assisted, now prepares to free The great preserver of his liberty. 450 Come to the bridge, that to secure the sleep O’ the careless guard, which slender watch did keep, Finding it drawn, the depth and ugly look O’ the heavy stream had from the Cyprian took All hopes of passage, till that doubt did end In greater fear—the danger of his friend ; Who, with a courage high as if in that He’d centred all the world did tremble at In his precedent victories, had cast Himself t’ the mercy of the stream, and past 460 In safety o’er, though nets enough were spread On her dark face to make his death’s cold bed. Giving his spirits leave to fortify His heart with breath, he then ascends the high Opposing clifts, which in an ugly pride Threatened beneath her ruined scales to hide That rising flame of honour. Being come To the other side, a sentry, but struck dumb With sleep’s prevailing rhetoric, he finds ; Upon whose keys he seizes, and then binds 470 His sluggish limbs, ere full awake, conveys Him to a place whence no loud cry betrays The sounds of danger to his fellows, that Revelled in louder mirth. Unstartled at 433, 4 brought] This couplet confirms the view of the pronunciation of ‘ brought,’ taken above. 436 tenify] This unusual word should of course be ‘ tenuify’ and was very probably written so. Singer, in next line, ‘ haste.’ 466 scales] ‘Scales’ no doubt in sense of ‘staircase.’ (176 ) CANTO V] Pharonnida The river’s depth, the wondering Cyprian now Crossed the united bridge, and, being taught how By imitation to slight danger, goes With his brave friend toward their careless foes. Not far were they advanced before they hear Approaching steps; a soldier was drawn near, 480 Which to relieve the other came, but shared In his misfortune ere he had prepared To make resistance; which attempt succeeds So equal to their wishes, that there needs No more to strengthen faith. By the command O’ the will’s best leader, reason, both did stand Awhile to view their danger ;—through a way Narrow and dark their dreadful passage lay ; The rugged rock upon each side so steep, That, should they ’ve missed, no trembling hold could keep 490 Them from the grasp of death: to add to this More forms of horror, from the dark abyss Which undermined the rock’s rough sides, they hear A hollow murmur; the black towers appear Flanked with destruction, every part did hold Peculiar terror, but the whole unfold, Through the black glass of night, a face like that Which chaos wore, ere time was wakened at The first great fiat—or, could aught appear More dark and dreadful, know ’twas emblemed here. 500 Safe passed through the first steps of danger, they Now to the main guard come; whom they betray By a soft knock—of all conceived ’t had been The voice their sentry called for entrance in. Their errand undisputed, postern-gates Are open thrown, at which the royal mates Both rushing in, strangely amaze them ; but Now being entered, ’twas too late to shut The danger forth, nor could confusion lend Their trembling nerves a strength fit to defend 510 By opposition. In base flight lay all Their hopes of life, which some attempting fall On the dark road of death, but few escape To show their fellows danger’s dreadful shape. Whilst here, like powerful winds that dissipate Infectious damps, in unobstructed state Their valour reigned, to tell them that the way Which led unto the princess’ freedom lay Yet through more slippery paths of blood, with haste Wild as their rage, Brumorchus’ brothers, placed 520 That guard’s commanders, enter. Loose neglect, Which drew them thence, since cause of that effect, They now redeem with speed. Riot had not Unnerved their limbs ; although their blood grew hot (177) N William Chamberlayne [Boox III With large intemperate draughts, the fever yet I’ the spirits only dwelt, till this rude fit On the stretched heart lays hold in flames, which had Scorched valour’s wings if not in judgement clad. Here, though their numbers equal were, yet in A larger volume danger had not been 530 Often before presented to the view Of the brave champions; as if she had drew With doubtful art lines in the scheme of fate For them and their proud foes, pale virtue sate Trembling for fear her power should not defend Her followers, ’gainst that strength which did attend Those big-bened villains’ strokes. Beneath whose force The Cyprian prince had felt a sad divorce Of Nature’s wedlock, if, when sinking in The icy sleep, Death’s wide gorge had not been 540 Stopped by a stroke from fierce Argalia, sent To aid him when in his defence he’d spent His stock of strength. Freed by which happy blow From Janus’ guard, since now his friend lay low, Near Death’s dark valley, he contracts his power To quench the other’s lamp of life: a shower Of wounds lets fall on’s enemy, which now Clogged his soul’s upper garments, and allow His eyes’ dim optics no more use of light, Than what directs him in a staggering flight. 550 Yet in the darkness of approaching death, In mischief’s sables, that small stock of breath That yet remains, to clothe, he suddenly Gives fire unto a cannon that was by Wise care ordained to give intelligence, When big with danger fear could not dispense With time’s delays. The princess, that within Her closet had that fatal evening been Retired and sad, whilst strong-winged prayer acquaints Her flaming zeal with Heaven’s whole choir of saints, 560 Thus startled by the treacherous thunder, all Her yet unnumbered stock of beads lets fall ’Mongst those that prayer had ranked, and did implore In one great shriek deliverance ; to her door Hastes to behold the danger of those friends On whose success love’s fortress—hope, depends. Where being come, her eyes’ first progress met Her prayers’ reward, e’en whilst his sword was wet With blood, the balm of victory. But long The ecstasies of fancy, though more strong 570 Than sacred raptures, last not, all was now Too full of noise and tumult to allow 544 Janus’ guard] ‘ Janus’ guard’ I suppose means that if he had had to face the two, he would have had to look both ways at once, to prevent being attacked behind. ( 178 ) CANTO V] Pharonnida A room for passion’s flow: disputes within The schools of action, loud alarums in The castle court and city raged; all were Huddled into confusion ; some prepare To fly what others with an ignorance As great (though bolder) to oppose advance. Here had our heaven-protected lovers lost What such large sums of prayer and tears had cost, Had not the torrent of the people’s throng, When rushing towards the castle, by a strong Voice—danger, been diverted, to prevent A hungry flame which, in the Cyprian’s tent Begun, had spread its air-dilated wings Over the city: whose feared danger brings On them a worse distemperature than all Their last nights surfeits. Whilst proud turrets fall In their own ashes, the discordant bells, Ordained to call for aid, but ring their knells That in a drunken fury, half-awake, First their warm beds, and then their lives forsake ; For to destruction here big pride had swelled, Had not night’s errors been by day expelled. With swift calls frighted, but more terrified At their sad cause, fear being his doubtful guide, The stout Epirot to Cleander’s court Repairs ; and there amongst a thick resort Of subjects, finds the prince distracted by Those epidemic clamours that did fly From every part o’ the city. To appease Whose fury whilst he goes, the sharp disease In flames feeds on her ruined beauty, and Mounts on insulting wings; which to withstand, The mazed inhabitants did stop its flight With the whole weight of rivers, till that light, Which an usurper on the sooty throne Of darkness sat, vanished, or only shone From their dim torches’ rays. The prince thus staid In’s hasty journey till the flames allayed Lent safety to the city, by it gave The royal fugitives the time to save Themselves by flight from those ensuing ills, Whose clamorous scouts, rude sounds, the stirred air fills. Descended to the garden’s postern gate, A place where silence yet unruffled sate (A night obscure and an unhaunted way, Conspiring their pursuers to betray To dark mistakes) with silent joy, which had All fear’s pale symptoms in love’s purple clad, Close as that bold Attempter, whose brave theft Was sacred fire, the walks behind them left, (179 ) N2 580 59° 600 610 620 William Chamberlayne Argalia hastes unto the castle moat With his rich prize, there a neglected boat, Half-hid amongst the willow beds, finds out ; In which Pharonnida, that nought could doubt Whilst her successful lover steered, passed o’er To meet the safety of a larger shore. THE END OF THE THIRD BOOK. ( 180 ) BOOK IY. Canto I THE ARGUMENT Whilst noise and tumult fill the court, the sad Orlinda, to lament alone retired, Finds the brave Captain in death’s symptoms clad, Whose perfect health her friendly care acquired. The scouts with an unwelcome emptiness Of news returned; the princess’ secret flight Yet well succeeds, but now in sad distress Finds a black morning to that dismal night. Wuen Fear, like an unskilful pilot in A storm distracted, long in vain had been Placed at the helm of Action, whilst those rude Waves raised by greater winds, the multitude, Swelled with uncertain counsels, all met in A thick and dangerous confluence ; those within The castle, by a hotter passion to A high-wrought fury startled, did undo Those links of counsel, which the other broke With corrosives of fear, by the rude stroke 10 Of heedless anger; whose uncivil strife Had robbed revenge of justice, and each life That here was in death’s inundations spilt, Shed but to aggravate a private guilt, Had not the prince, whose anger’s flame they feared More than grim death, to appease the storm appeared. Beat from the out-works of their hopes, all in A busy tumult are employed within The princess’ lodgings; but there only find Their knowledge by her secret flight struck blind, 20 Stumbled on errors. No characters, but what The wasteful hand of death had scattered at The guard, inform them; and even those seem left The weak opposers of successful theft, Dropt as their foe’s victorious fate flew by, To show his fortune and their loyalty. Leaving which late warm tenements of breath, Without once throwing up that bed of death, Their grave-clothes o’er them, every active friend Hastes toward her search, whilst suffering females spend 30 The hours (grown slow since burdened by their fears) In prayers, whose doubts they numbered by their tears. Arg. 3, Captain] Singer ‘Cyprian’ which is no doubt correct in sense, but by no means necessary. Arg. 8 finds] Orig. ‘ find.’ ( 181 ) William Chamberlayne [Boox IV But amongst all of those that sacrificed Tears to her loss, sorrow had most disguised Lovely Orlinda, the fair sister to The vexed Messenian; who, with love that grew From equal attributes of honour, in The parallels of beauty placed, had been In this restraint of liberty so long Her pleased companion, that her grief too strong 40 For comfort grown, to mourn her absence she, Forsaking all her friends’ society, Whilst seeking of some shady grove, is brought To one whose veil, black as her darkest thought, Appeared so much a stranger to the light, That solitude did thither soon invite The pensive Iady: who, whilst entering, by A deep groan’s sound diverted, turns her eye Toward one, who, near the utmost ebb of life Disguised in’s blood, was with the latest strife 50 Of death contending. At the dreadful view Of which sad object she, retreating to Some of her maids, who, fearing to intrude Whilst she appeared intending solitude, A distance kept; made bold by number, now Return to see if life did yet allow A room for help, or, if his soul were fled, To let their care entomb the helpless dead. Arrived so near, that through the rubric veil Of’s blood they saw how life did yet prevail 60 O’er death’s convulsions, they behold one lie, Whose wounds, an object for their charity, Soon drew them nearer in such trembling haste, As if they feared those Iavish springs would waste Life’s stock too fast. Where come, with linen soft And white as were those hands that thither brought That blessing, having gently wiped away His blood, his face discovered did betray Him to their knowledge. For the Cyprian prince All soon conclude him, whose desert e’er since "0 That court she knew, had to Orlinda proved A dear delight ; yet she ne’er knew she loved, Till her soft pity and his sad distress, Conspiring to betray that bashfulness Whose blushes scorched that tender plant, did now, Even in their fortune’s roughest storm, allow It leave to grow safe, since yet passing by No other name but noble charity. By all the nimblest stratagems which Art Her learnt from Nature, striving to impart So The best of mortal blessings, health, unto Her royal patient, praised Orlinda grew ( 182 ) Canto I] ‘Pharonnida So high in his deserved esteem, that, though Posterity doth to his friendship owe ‘For their most perfect copy, knowing she Too much adored Pharonnida to be Her base betrayer, when his health’s advance Gave way for language, every circumstance Declares which was in that so fatal night The sad preludiums to her secret flight. go By which when she, whose love (though full of fire) Yet lay raked up in a remote desire, Unstirred by hope, with joy had learned that he, More than what friendship patronized, was free From all affection to the princess; in Her eyes, which unto then had clouded been, Love, with as bright and pure a flame as e’er Did in the shades of modesty declare Passion, breaks forth. Which happy signs by him Whose heart her eyes, e’en whilst they shone most dim, 100 With mutual flames had fired ;—that loyal love, Which fate in vain shall struggle to remove, Begins with flames as innocently bright As the first rays of new-created light. But stay, rash reader! think not they are led Through these smooth walks unto their nuptial bed ; But now, behold that their misfortune prove, Which thou hast wept for if thou e’er didst love, A separation. The suspicion, that Sparta’s vexed king (when first distempered at 110 His daughter’s loss) did of this stranger prince Justly conceive, persuades him now, that since Not found within the Cyprian court, that he Who had been vainly sought abroad might be Yet lodged at home. Which supposition bred So strict a search, that, though the silent dead Not silenter than her attendants were, Yet kind Orlinda, whom a pious care Prompted to save what she did yet possess, Whilst seeking with a lover’s tenderness 120 How to secure him, doth at length convey Her roving fancy to this hopeful way.— Not ‘long before, though now ’twere silenced in Domestic ills, report had busied been In the relating of the sad distress Of a brave Lybian prince; whom Heaven, to bless With an eternal crown, in midst of all His youth’s fresh glories, by a powerful call Summons to serve her: and that faith, which he Had from the early dawn of infancy 130 Sucked from the great Impostor of the East, Though now by time opinion’s strength increast, ( 183 ) William Chamberlayne [Book IV Spite of a people’s prayers or father’s threats, Wholly forsaking ; which revolt begets So much aversion, pity could invent Nought easier than perpetual banishment, To punish what their faith, mistaken in Its object, terms a black apostate’s sin. Disguised in such a dress as pity might Expect to encounter so distressed a wight As was that wandering prince, attended by No train but what becomes the obscurity Of such a fortune, to the Spartan court Amindor comes; where, though the thick resort Of well-known friends might justly make him fear Some treacherous eye, knowledge could ne’er appear Through that black veil his happy art had took, To make him like a sun-burnt Lybian look. Yet what engaged them more than safety in Prayers to Heaven, his person had now been Not long the wonder of the court, before His fairer virtues, which adorned him more Than the other could disguise, did justly prove The happy object of the prince’s love: Whose influence, whilst it him to power did raise, Taught by reflex the people how to praise That fair election, till the pyramid, Raised to his fame, had fixed its lofty head Above the clouds of fortune. Yet not this Fate’s fairest smile, a lover’s best of bliss— A free commerce (which unsuspected might, Though long and pleasant as the summer’s light, Be ne’er disturbed) with fair Orlinda, gives Content such fullness, that although he lives To all unknown but her alone, in that Enjoyed more than ambition e’er aimed at. And now from all the fruitless diligence Of inquisitions, and the vain expense Of time, returned were every troop that had Through forlorn hopes been active in the sad Search of Pharonnida; which ending in A just despair, some that till then within The castle walls had (though as vainly) sought Their sorrow forth, before the grieved prince brought Brumorchus; whom they in a small lodge, where, Secured by solitude, the household care Of locks and bolts were vain, unsought, they found In the soft bands of grief’s best opiate bound, Sleep ; who, though throned within her ebon seat, From lust’s hot field appears but his retreat 150 now] Orig. ‘not.’ ( 184 ) 140 150 160 170 180 Cano I] Pharonnida When tired with action; for besides him they, Where ’s poison’s antidote, Amphibia, lay Locked up in’s arms, beheld. The air, with all Their voices struck, at length had raised a call That drowned their sleeping thunder; from the bed Brumorchus starting struggles to have fled The shameful danger, whilst Amphibia creeps Beneath her sheets’ protection, but nought keeps Pursuing vengeance back. They ’re took and brought Before the prince; who, startled at the thought 190 Of such a complicated crime, refers Their punishment to death’s dire messengers. The yet successful lovers, long ere this Safely arrived at their first stage of bliss, Florenza’s low and envied roof, did there, Since speed was now the fairest child of care, Stay only to exchange their horse, and take With her a guide whose practic skill could make Their untrod paths familiar. Through a low Dark vale, where shade-affecting weeds did grow 200 Eternal strangers to the sun, did lie The narrow path, frequented only by The forest tyrants, when they bore their prey From open dangers of discovering day. Passed through this desert valley, they were now Climbing an easy hill, where every bough Maintained a feathered chorister to sing Soft panegyrics, and the rude winds bring Into a murmuring slumber; whilst the calm Morn on each leaf did hang her liquid balm, 210 With an intent, before the next sun’s birth, To drop it in those wounds which the cleft earth Received from’s last day’s beams. The hill’s ascent, Wound up by action, in a large extent Of leafy plains, shows them the canopy Beneath whose shadow their large way did lie. Which being looked o’er, whilst thankful praise did pay Their debts to Heaven, they thence with a convey Of prayers, those swift ambassadors, did send A hopeful glance toward their large journey’s end. 220 These short surveys past, since the place assures A safe repose, to cool the calentures Of feverish action, down a way that led From Pleasure’s throne unto her fragrant bed, A rank of laurels, spreading to protect The flowery path which not unpruned neglect Robbed of delight, they passed; the slow descent Soon brings them where her richest ornament 218 ‘Convey’=convoy. ( 185 ) William Chamberlayne (Although with art unpleited) Nature in A lovely landscape wore, that once had been Sacred to the island’s fruitful goddess. Here Whilst they behold the infants of the year YT’ the spring’s unsullied livery clad, the fair And large-limbed trees preparing to repair Autumn’s spent stock, from out a humble hill A tributary fountain did distil The earth’s cold blood, and murmuring conveys It on a bed of pebbles, till it pays Her debts to the neighbouring river; near to it Full choruses of feathered heroes sit Amidst their willow mansions, to whose ease Their shrill notes call the sportive Dryades. Whilst by the brightest glories of that age This royal robe, worn in a hermitage, Is seen with such a silent sad delight As smoothes the furrows of an anchorite, Their solemn walk had brought them to a green Skirt of that mantle, fairly spread between Two mossy rocks, that near the crystal flood Appendices to larger mountains stood. Near which they saw, with mournful majesty A heap of solitary ruins lie, Half sepulchred in dust, the bankrupt heir To prodigal antiquity, whose fair Composures did, beneath time’s pride sunk low, But dim vestigia of their beauty show. Yet that it might unreverend gazers tell It once was sacred, Ceres’ image, fell From a throne’s splendour, did neglected lie, Sunk with her temple to deformity. Dark gloomy groves, which holy altars shade With solitude, such as religion made Full of an awful reverence, and drew The ravishing soul from the world’s wandering view, Circled the sacred valley: into one Of which our royal lovers were alone Retired, in private solitude to pay Sleep’s forfeitures, whilst the bright bloomy day Sweats the hydroptic earth; but joy denies That sullen guest an entrance in their eyes— Their eyes, which now like wandering planets met After a race of cross aspects, and set Within a firmament of beauty, thence On Love’s cold region dropped their influence ; Warmed by whose vigour, springs of pleasure had, Watering their cheeks, those fields in roses clad. [Book IV 230 240 269 229 unpleited] Singer ‘unplighted.’ But I should rather take the orig, as =‘un- pleated,’ i. e. not ‘folded up in,’ ‘complicated with.’ ( 186 ) Canto I] Pharonnida Fear, that till now had made them languish in A dangerous hectic, or at best had been But eased with intervals, which did include Ambiguous hopes in time’s vicissitude, 280 Ceased to usurp; yet (though the throne expelled) A large command in Reason’s empire held, Leading those parties which wise counsel sent Close ambuscadoed dangers to prevent: Nor could the conduct fail, assailed by aught Within the circuit of extended thought ; Deliberation, the soul’s wary scout, Being still employed to lead fresh parties out ’Gainst the known enemies of hope. But here Black troops of danger, undiscerned of fear, 290 Assaults unrallied Fortitude, whilst she Slept ’mongst the rose-beds of security, Exalted far above the gross mistakes Of vulgar love—clothed in such thoughts as shakes Ripe souls from out their husks of earth to be Picked up by angels, joy’s stenography In their embraces met; nat with less strength Of love (though yet not to be wrought at length) Than that which meets in nuptial folds when they Reap Heaven’s first blessing, in their bload’s allay 300 Met their full seas of passion; yet both, calm As Virtue’s brow, their blood but warmed like balm To pour in sorrow’s wounds, not boiled into A scum of lust; the world’s first man did woo The blushing offspring of his side, the first Unpractised virgin, with as great a thirst Of blood as theirs, when, in the safe defence Of paradise, each act was innocence. Here whilst their sweet employment was discourse, Taught in the school of virtue, to divorce 310 Those maiden brides, their twisted eye-beams, Sleep, Which flies the open gates of care, did creep In at their crystal windows, to remove The lamp of joy filled with the oil of love. The princess’ spirits, fled from the distress Of action into forgetfulness, Having the curtains drawn, Argalia’s head Softly reposing on her lap, that bed Of precious odours, there receives awhile A rest, for sweetness—such as saints beguile 320 Time [with] in their still dormitories, till Heaven’s summons shall their hopes on earth fulfil. Removed from them, feeding his horses in A well-fleeced meadow, which that age had seen 321 ‘with’ is Singer’s insertion, no doubt rightly. ( 187 ) William Chamberlayne [Book IV Till then ne’er lose its summer robe before Russet with age he put it off, and wore A glittering tissue furred with snow, did lie Their careful guide, secured ; till frighted by A dreadful noise of horse, whose rushing wakes Him to behold—what seen, with terror shakes 330 Off sleep’s declining weights, in such a strange Amaze as (forts surprised) the scared guards change Their swords for fetters: flying he looks back On the steel-fronted troop, till at his back Approaching danger, gathering in a cloud Of death, o’erwhelms him ; frighting with its loud Exalted clamours from their then closed eyes— Love’s altars, sleep’s intended sacrifice. Shook from their slumber with the first salutes Of light to meet their ruin, thick recruits 340 Of brave resolves into Argalia’s breast Had swiftly summoned; but the princess’ rest Exchanged for wild amazement: in which sad Restraint of spirits, life with beauty had Fled to the silent region, if not by Her royal friend supported; who, the high Pitch of exalted anger, whilst he draws His sword to vindicate their righteous cause, Descends to comfort her. Thinking those troops Her father’s messengers, his brave soul stoops 350 Not to request a favour; but although Their multitude, in hope’s account outgrow Life, more than those diseases which attend On age’s cold extreme, he dares defend Love, though, by vigour of supreme commands, Deprived of favour’s mercenary bands. Prompted by power, that sovereign antidote ’Gainst Nature’s poison, baseness, and by rote, Not Art’s fair rules, taught lessons of defence, These dregs of men, not having more pretence 360 Than what from riot was extorted, in Unwieldy throngs the conquest strive to win From single valour. Not the powerful prayer Of her, whose voice had purified the air To a seraphic excellence, the sweet Heaven-loved Pharonnida, could come to meet Pity in this rude wilderness ; her words, Losing their form in the wild air, affords Their busy souls no heedful leisure, but With wilder passions the soul’s portals shut. 370 That sober friend to happy solitude, Silence, which long those blest shades did include, By rude noise banished from her solemn throne, Did in a deep and hollow echo groan ; (188 ) CaNTo I] Pharonnida Whilst the brave champion, whose own worth did bring Assistance, yet had in a bloody ring Strewed death’s pale triumphs, and in safety stands The dangerous business of so many hands, All which had in the grave joined palms, if by One stroke, that index unto victory, 380 His sword, had not with sudden breaking proved Traitor t’ the strength by whose command it moved. Robbed of this safe defence, valour’s brave flame In vain is spent; that pyramid of fame, Built by his hand o’er Love’s fair temple, now Even in the view of’s saint, is forced to bow Beneath an earthquake. His commanding soul, In this sharp conflict striving to control Nature, rebellious to her power, lets fly In vain the piercing lightning of the eye, 390 Whose dark lids, drooping in a death-like close, Forbid high fury thundering on his foes. He falls, and from each purple sallyport Of wounds, tired spirits, in a thick resort, Fly the approach of death; in which wild trance, His eyes did their declining lights advance Above their gloom of darkness, to convey The last faint beam of nature’s falling day To his distressed Pharonnida. But she, In clouds of sorrow lost, was gone to be 400 Close mourner for his rigid fate beneath A pale swoon’s shady veil, and could not breathe One sigh to welcome those sick guests, nor lend A beam to light them to their journey’s end. Which being deprived of, in death’s dark disguise Forgetful shadows did obscure his eyes. Branded with an ignoble victory, His base oppressors, staying not to try. Whe’er fire remain in life’s dark lamp, forsake Their bleeding shame, and only with them take 410 The trembling ladies; whose amazement yet Grief’s flood-gates shuts in a distracting fit Of wilder passions: circled in which cloud She’s hurried thence; and, ere that damp allowed Light through her soul’s prospectives, had passed o’er Much of the desert, and arrived before A barren rock’s proud front; which, being too steep For the laborious traveller, a deep Dark vault did pierce, whose dismal black descent Safe passage to a distant valley lent. 420 With slow ill-boding steps this horrid way O’ercome, they meet the beauties of the day 409 ‘Whe'er’ is Singer’s reading, and very likely ; but the ‘where’ of the original is not quite impossible. ( 189 ) William Chamberlayne [Book IV Within the pregnant vale, a place that showed Some art had pruned what nature’s hand bestowed. No earth-encumbering weeds, but wholesome plants, Such as relieve the winter of our wants, Were here in comely order placed; each tree, Tired with his fruitful burden, stoops to be Eased by the lowliest hand; for want of which Their feeble stems had dropped them to enrich 430 Their pregnant mother. This civility, Proclaiming more than art had meant to be The dress of deserts, did at first appear As if those useful blessings had, for fear That wasteful man should ravish them to feed His luxury, fled thither: none that need Such thrifty joys, in the circumference O’ the valley seeming to have residence. All whose exalted pride did terminate The levelled eye, was a round hill that sate 440 As centre to the golden vale; come near To which, what did externally appear A rock in ivy dressed, being entered, shewed The beauties of a gorgeous palace, hewed Out of the living stone, whose vaulted breast Had by the union of each part exprest The strength of concord. The black rock was all Tinselled with windows, over which did fall Thin ivy wreaths, like cobweb veils that shade The sallyports of beauty, only made 450 To cool, not darken, and on those that sit Within bestow a shady benefit. They being drawn near, a sad old man that sate Unwilling porter, from the spacious gate Withdrew the verdant curtain.—She is now Entered the castle, where, could fear allow Her eyes that liberty, she had surveyed Buildings, whose strength with beauty joined, betrayed Time’s modern issues to contempt, and by A lasting glory praised antiquity. 460 But pleasure spreads her baits in vain; she sate Beneath the frozen arctic of her fate, Whilst he, from whose aspect she only felt Delightful heat, in’s winter-solstice dwelt. More to depress her sinking spirits, she Too soon finds cause to think that gravity She met in the entrance but the reverend shade Of injured worth, which accident had made Stoop to that bondage ;—virtue drooping in His furrowed cheeks, as if disposed, she’d been 470 Thither confined within the walls, to let Imperious vice her painted banners set. ( 190 ) CANTO I] Pharonnida A troop of wild bandits, villains whose guilt Shunned public haunts, Heaven’s private blessings spilt There in luxurious riot, which grown bold By toleration, durst t’ the light unfold Vice’s deformedst issues ; nought b’ the name Of sin being known, but sin’s betrayer, shame: In such a loose intemperance as reigns In conquered cities, when the soldier’s pains With spoils of peace is paid, they lived. ’Mongst these Some few unhappy women, kept to appease Lust’s tumults, she beheld; whose looks betrayed A sickly guilt, and made the royal maid, Amidst her grief’s cold symptoms, blush to see How pale they looked with lust’s deformity. Whilst these are viewed, with such a change as that Poor village drunkards are enforced to at An officer’s approach, when the night grows Deep as their draughts, she sees them all compose Their late wild looks; nor was this dress of fear In vain put on, Almanzor did appear— Dreaded Almanzor, who on them had built A power, which though by unsuccessful guilt Banished t’ the desert, forced their wants to be The helpless sufferers of his tyranny. Passed through the fear-disperséd throng, he’s to The princess come; where, startled at the view Of majesty, shrinks back. Unsteady haste, Which brought him there but to view beauties placed Within the reach of’s lust, assaulted by Objects that both to love and loyalty Had proved him an apostate, to retreat Within a blush attempts; but that’s too great A friend to bashful virtue, in that face, Whose heart deposes her, to sprinkle grace. Ruffled with this recoil of spirits, in Such troubled haste as novices begin New conned orations, he himself applies To the injured lady; whose brave spirit flies Not what see feared, but with the brave defence Of scorn opposes blushless impudence, Crushing the embryos of that language, in Whose guilty accents he attempts to win Opinion’s favour, and by that redeem What former guilt had lost in her esteem. Contemned with such a look as princes cast On overbold usurpers, he is past The first encounter of her eye, and she Turned in disdain, to show her great soul free 473 bandits] Note the accent of band:tti preserved in ‘bandits,’ {191 ) 480 490 500 510 520 William Chamberlayne [BooK IV From low submission ; by which fired into A sullen anger, he resolves to mew The royal eaglet, until freedom grow A favour, whose fair streams might overflow Those barren fields of indesert, in which His fortune pines—lest this fair prize enrich The cursed soil, and on its surface place The long-abstracted beams of princely grace. She to the narrow confines of a room Restrained, to let his muffled thoughts resume 530 Their calm composture, counsel’s throne, he goes Aside, and on that doubtful text bestows The clearest comment of his judgement; yet Falls short of truth, and must contented sit To know her there, though not the accident Which from her father’s glorious court had sent Her so ill guarded: but referring that To time’s discovery, he, transported at What was a truth confirmed, within the wide Arms of his hope, grasps what aspiring pride 540 Or lust’s loose rhetoric, when youth’s vigorous fire Beauty hath kindled, prompts him to desire. Yet by two several paths to tread that way, His crimes’ dark roads, lust and ambition, lay, The poor Florenza, that long since had been The trembling object of the baser sin, To make his sly access to either free From the other’s thoughts, must from her lady be In this dark storm removed ; he fearing less That counsel aiding virtue in distress, 550 Though wanting strength the battle to maintain, Might countermine the engine of his brain. To this sad separation leaving them, Whom innocence had licensed to condemn Fortune’s harsh discipline, Almanzor goes, Fate’s dark enigmas, by the help of those That took her, to unveil; but ‘twas a work Too full of subtle mystery :-—A Turk, Her brave defender, by those garments which Rash fear had only rifled to enrich 560 Nice inquisition, seemed. By which betrayed To dark mistakes, his policy obeyed Domestic counsels ; and by subtle spies, Whose ears were more officious than their eyes, Soon from the love-sick lady’s close complaints His wiser knowledge with their cause acquaints. THE END OF THE FIRST CANTO. 526 lest] Orig. ‘least,’ is here as not seldom = ‘unless.’ 541 vigorous} Orig. ‘ rigorous,’ possibly. ( 192 ) Canto II] Pharonnida Canto II THE ARGUMENT From all the hopes of love and liberty O’erwhelmed in the vast ocean of her grief, The wretched princess is constrained to be A prisoner to her youth’s first dreadful thief— The cursed Almanzor ; in whose dismal cell She comments on the various texts of grief In every form, till from the tip of hell, When seeming darkest, just Heaven sent relief. DISTRACTED in the agony of love, Pharonnida, whose sad complaints did prove Her sorrow’s true interpreters, had made Argalia’s name, wrapped up in sighs, invade The ears of an unseen informer ; whence, Almanzor’s thoughts, delivered from suspense, Shake off their doubtful dress of fears, and teach Hypocrisy by paths untrod to reach The apex of his hopes. What not the fear Of ills, whilst her own interest did appear 10 The only sharer, could perform, he now Presumes affection to her friend would bow With low submission, if by that she might Aid his dim stars with a reserve of light. With frequent visits, which on sin’s dark text Wrought a fair gloss, Almanzor oft had vext The calmer passions of the princess in- To ruffled anger ; but when all could win No entrance on her favour, fury tries A harsher corrosive—Stern power denies 20 Her even of those poor narrow comforts which Her soul’s dark region, that was only rich In sorrow’s sables, could possess. Withdrew Were all those slippery parasites that knew To her no pity, but what did reflect The rays o’ the tyrant’s favour, whose neglect Taught them the lesson of disdain, whilst she Her practised soul trained in humility. Pensive as an unpractised convert, in A bath of tears she shadowed lies within 30 The unfrequented room; a curtain-bed Her close retreat, till light’s fair angel fled Are. 7 tip] ‘Jip?’ : ; : 20 denies] ‘denies of’ is a characteristic blending—‘ deprives of’ and ‘ denies.’ 3r curtain-bed] Singer ‘curtained,’ but ‘curtain-bed ’ (cf. ‘arm-chair’) is quite prob- able, ( 193 ) o William Chamberlayne [Book IV The swarthy region. But whilst here she lies, Like in a dark lantern that in black disguise Circles imprisoned light. ....... Grief from the sullen world concealed: to turn The troubled stream—as if the silent urn Of some dead friend, to private sorrow had Summoned her hither, entered was a sad And sober matron; in her hands she bore 40 A light, whose feeble rays could scarce restore The sick successor of the day unto A cheerful smile. Sad pilgrims, that renew Acquaintance with their better angels by Harsh penitence, have of humility Less in their looks than she ;—her habit showed Like costly ruins that for fashion owed To elder pride, in whose reversion she Appeared, the noble choice of charity. This shadow of religious virtue drawn 50 Near her disordered bed, a sickly dawn Of light breaks through the princess’ clouded eyes To meet the welcome object; the disguise Of sorrow, which at first appearance sate Fixed on her brow, a partner of her fate Making her seem. Nor was the fancy crushed In the infancy of faith, fair truth first blushed For verbal crimes. Near to the bed reposed Where the sad lady lay, she thus disclosed Her cause of entrance :—‘ Cease, fair stranger, to 60 Monopolize a sorrow, which not you Here share alone; pity, instructed by Experience in the rules of misery, Hath brought me from complaining of my own To comfort thine. This castle once hath known Me for its mistress, though it now behold Me (in the dress of poverty grown old) Despised and poor, the scorn of those that were Nursed into life by my indulgent care.’ This, in her tears’ o’erflowing language spoke, “0 Persuades the pensive princess to revoke Depraved opinion’s doom, confessing she Wedded not grief to singularity. But comfort in the julep of her words Was scarce dissolved, ere a reply affords Conceived requital, striving to prevent The oft more forward thanks. ‘Rise to content, Fair soul, (she cries); be but so wise to let Sick passion die with just neglect, I’ll set Thy dropped stars in their orbs again. I have, 80 Forced by command, a late attendance gave Unto a wounded stranger, that remains (194 ) CanTo II] Pharonnida Within this castle in the heavy chains Of cruel bondage ; from whose weight unless Your love redeem him, dark forgetfulness Will draw the curtains of the grave about His dull mortality, and the sick doubt Of hope resolve in death. This evening I Overheard his heavy doom, from which to fly He hath no refuge but your mercy ; which Stripped of light passion, must be clothed in rich But graver robes of reason, when it sits In council how to reconcile the fits Of feverish love—when, being most propense To passion’s heat, a frost of abstinence Benumbs it to a lethargy. In brief, ’Tis he, whose prosperous tyranny the chief Command within this castle gave, that in His swift destruction doth attempt to win Free passage to enjoying you, then prove He friend to him that begs you to change love For now more useful pity, and so save A life that must no longer live to crave, If now denied. This ring’ (with that presents A jewel, that, when love’s first elements The harmony of faith united, she Gave to confirm her vows) ‘he sends to be A note that he denies whate’er was made Authentic, when your mixed vows did invade Unwilling Heaven, which in your sufferance shows We may intend, but wiser powers dispose.’ Pharonnida, whose fears confirmed, did need No more to wound a fancy that did bleed At all the springs of passion, being by The fatal present taught, whose liberty Her love’s exchange must purchase, with a sad Reverse of the eye beholding it, unclad Her sorrow thus:—‘And did, oh, did this come By thy commands, Argalia? no; by some Unworthy hand thou’rt robbed of it—I know Thou sooner wouldst be tempted to let go Relics of thy protecting saint.—Oh, cease, Whate’er you are, to wrong him; the calm peace He wears to encounter death in, cannot be Scattered by any storm of fear. Would he, That hath affronted death in every shape Of horror, tamely yield unto the rape Of’s virgin honour, and not stand the shock Of a base tyrant’s anger? But I mock My hopes with vain phantasms; ’tis the love He bears to me, carries his fear above tor He] So orig. and Singer. Emendation is not easy. ( 195 ) 02 go 100 120 130 William Chamberlayne [Book IV The orb of his own noble temper to An unknown world of passions, in whose new Regions ambitious grown, it scorns to fall Back to its centre—reason, whither all The lines of action until now did bend From ’s soul’s circumference. Yet know, his end, If doomed unto this cursed place, shall tell The bloody tyrant that my passing bell Tolls in his dying groans, and will ere long 140 Ring out in death—if sorrow, when grown strong As fate, can raise the strokes of grief above The strength of nature; which if not, yet love Will find a passage, where our souls shall rest In an eternal union—whilst opprest With horror, he, by whose commands he dies, Falls to the infernal powers a sacrifice. ‘If that your pity were no fiction, to Betray my feeble passions, and undo The knots of resolution, tell my friend— 150 I live but to die his, and will attend Him with my prayers, those verbal angels, till His soul’s on the wing, then follow him, and fill Those blanks our fate left in the lines of life Up with eternal bliss, where no harsh strife Of a dissenting parent shall destroy The blooming springs of our conjugal joy.’ Vexed by this brave display of fortitude To sullen anger, with a haste more rude Than bold intrusions, lust’s sly advocate 160 Forsakes her seat, and though affronts too late Came to create a blush, yet passion had Her cheeks in red revenge’s livery clad ; Her eyes, like Saturn’s in the house of death, Heavy with ills to come; her tainted breath Scattering infectious murmurs: with a look Oblique and deadly, the cursed hag forsook That ebon cabinet of grief, and hastes To tell Almanzor how his passion wastes More spirits in persuasion’s hectic, than 170 If power had quenched ambition’s fever when *Twas first inflamed with hope, whose cordials prove Oft slow as opiates in the heat of love. This, with a heat that spoiled digestion, by The angry tyrant heard, rage did untie The curls of passion, whose soft trammels had Crisped smooth hypocrisy ; from which unclad, Developed nature shows her unfiled dress Rough as an angry friend, by no distress Of beauty to be calmed. Since sly deceit 180 Virtue had now unmasked, no candid bait ( 196 ) Canto IT] Pharonnida Conceals his thoughts, which soon in public shows From what black sea those mists of passion rose. Day’s sepulchre, the ebon-archéd night, Was raised above the battlements of light; The frenzied world’s allaying opiate, sleep, O’ertaking action, did in silence steep The various fruits of labour, and from thence Recovers what pays for her time’s expense: In which slow calm, whilst half the drowsy earth 190 Lay in the shade of nature, to give birth Unto the burthen of sick fancy—fear, Groans, deep as death’s alarums, through her ear Fly toward the throne of reason, to inform The pensive princess, that the last great storm Of fate was now descending, beyond which Her eyes, o’erwhelmed in sorrow, must enrich Their orbs with love no more, but in the dawn Of life behold her friend’s destruction drawn, Since threatened danger sad assurance gives— 200 In those deep groans he now but dying lives. More swiftly to destroy the falling leaves Of blasted hope, with horror she receives, By a convey of wearied light, that strook Through rusty gates, intelligence which shook The strength of fortitude—There was a room, Deep and obscure, where, in a heavy gloom, The unstirred air in such a darkness dwelt As masked Egyptians from Heaven’s vengeance felt, Till by the struggling rays of a faint lamp 210 Forced to retreat, and the quicksilver damp Shed on the sweaty walls, which hid within That glittering veil, worn figures that had been The hieroglyphic epitaphs of those Which charity did to the earth dispose In friendship’s last of legacies, except What is to cure loose fame’s diseases kept. Here, ’mongst the ruins of mortality, In blood disfigured, she beholds one lie, Who, though disguised in death’s approach, appears 220 By’s habit, that confirmer of her fears Her gentle love, alone and helpless, in The grasp of death, striving in vain to win The field from that grim tyrant; who had now Embalmed him in his blood, and did allow Him no more spirits, but what in that strife Served to groan out the epilogue of life, And then depart Nature’s cold stage, to be Sucked up from time into eternity. When thus the everlasting silence had 230 Locked up his voice, and death’s rude hand unclad ( 197 ) William Chamberlayne [Book IV His hovering soul, whose elemental dress Is left to dust and dark forgetfulness ; When Nature’s lamps being snuffed to death, he lay A night-pieced draught of once well-modelled clay: With such a silent pace as witches use To tread o’er graves, when their black arts abuse Their cold inhabitants, his murderers were Entered the vault, from the stained floor to bear The cold stiff corpse ; which having softly laid 240 In’s doomsday’s bed, unto the royal maid, Whose beauty, in this agony defaced, Grief’s emblem sat, with eager speed they haste. Either a guilty shame, or fear to be Converted by her form’s divinity, Made them choose darkness for protection; in Whose hideous shade, she of herself unseen Is hurried thence unto that dreadful place Where he entombed lay, whom she must embrace In death’s dark lodgings; and, ere life was fled, 250 Remain a sad companion of the dead— Confining beauty, in youth’s glorious bloom, To the black prison of a dismal tomb: Where, fast enclosed, earth’s fairest blossom must Unnaturally be planted in the dust ; Where life’s bright star, Heaven’s glorious influence, Her soul, in labour with the slow suspense Of lingering torments, must expecting lie, Till famine Nature’s ligatures untie. And can, oh, can we never hope to save 260 Her that’s in life a tenant to the grave! Can aught redeem one that already lies Within the bed of death, whose hot lust fries In the enjoyment of all beauties that The aged world ere had to wonder at! To feed whose riot, the well-tempered blood, That sanguine youth’s smooth cheek mixed with a flood Of harsh distemperatures, o’erflows, and brings Some to their lodgings on the flaming wings Of speedy fevers; whilst the others creep 270 On slow consumptions, millions from the steep And dangerous precipice of war: some in A stream of their own humours that have been Swelled to a dropsy, being even pressed to death By their own weight ; whilst others part with breath From bodies worn so thin, they seemed to be Grown near the soul’s invisibility. But whither strays our fancy? have we left The woful lady in a tomb, bereft 261 to] Singer, unnecessarily and I think unwisely, ‘of.’ ( 198 ) Canto IT] Pharonnida Of all society, and shall I let 280 My wandering pen forsake her? Such a debt Would bankrupt pity. The undistinguished day, Whose new-born light did but e’en then display Its dewy wings, when first she was confined To the dark tomb, was now grown almost blind With age, when thus through Fate’s black curtain broke Unlooked-for light: that darkness—which did choke All passages by which the thin air held Commerce with neighbouring rooms, being now expelled By the dim taper’s glimmering beams—let fall 290 Part of the rays through an old ruined wall That fenced an ugly dungeon, where the night Dwelt safe as in the centre. By the sight Of which unlooked-for guest, some prisoners, who Had there been staid, even till despairing to Be e’er released, in eager fury tries To force their way, where their directing eyes, Led by the light, should guide them ; come at length Where, with time’s burden tired, the building’s strength, Losing its first firm union, was divorced 300 With gaping clefts, an easy strength enforced Those feeble guards: but come into the room Where, o’er the living lady’s sable tomb, Hung the directing light, they there in vain For further passage seeking, were again To the black dungeon, horror’s dismal seat, In sad despair making their slow retreat. Now near departing, a deep doleful groan Reversed their eyes, amazement almost grown To stupefaction stays them, whilst they hear 310 New sighs confirm their wonder, not their fear ; Till thus Euriolus, whose bold look spoke The braver soul, the dismal silence broke. ‘Whate’er thou art that hoverest here within This gloomy shadow, speak what wrong hath been Thy troubled ghost’s tormentor? art thou fled From woe to stir the dust o’ the peaceful dead ? Or com’st from sacred shadows to lament Some friend’s dead corpse, which this dark tenement Hath lodged in dust?’ The trembling lady, hearing 320 A human voice again, and now not fearing The approaches of a greater danger, cries :— ‘Whate’er you are, fear mocks your faith; here lies A woful wretch entombed alive, that ne’er Must look on light again; my spirit were Blest if resolved to air, but here it must A sad companion, in the silent dust, To loathed corruption be, until the pale Approaching fiend, harsh famine, shall exhale, ( 199 ) William Chamberlayne [Boo IV In dews of blood, the purple moisture, that 330 Fed life’s fresh springs :—but none shall tremble at My doleful story, ’tis enough that Fate Hath for this tomb exchanged a throne of state.’ To active pity stirred, the valiant friends Attempt her rescue, but their labour ends In fruitless toils, the ponderous marble lies With too much weight to let the weak supplies Of human strength remove ’t; which whilst they tried To weary sweats, kind fortune lends this guide To their masked virtue—The informing ear 340 Proclaims approaching steps, which ushered fear Into Ismander’s breast; but his brave friend, The bold Euriolus, resolved to end By death or victory their bondage, goes Near to the gate, where soon were entered those Which in Pharonnida’s restraint had been The active engines of that hateful sin, With them, that hag whose cursed invention had Revenge in such an uncouth dressing clad. Whilst her Ismander seized, and with a charm 350 Of nimble strength commands, the active arm Of fierce Euriolus, directed by Victorious valour, purchased liberty By strokes whose weight to dark destruction sunk His worthless foes, and sent their pale souls, drunk With innocent blood, staggering from earth, to be Masked in the deserts of eternity. This being beheld by her whose hopes of life With them departed, she concludes the strife Of inquisition by directing to 360 An engine, which but touched would soon undo That knot which puzzled all their strength, and give The captive princess hopes again to live Within the reach of light ; whose beams, whilst she Unfolds her eyes—those dazzled stars, to see, Dark misty wonder in a cloud o’erspread His faith that raised her from that gloomy bed, Amazed Euriolus ; whose zeal-guided eyes Soon know the princess through grief’s dark disguise. Could his inflamed devotion into one 370 Great blast of praises be made up, ’t had gone Toward heavenly bowers on the expanded wings Of his exalted joy; nor are the springs Of life less raised with wonder in the breast Of’s royal mistress, whose free soul exprest 331 none] Orig. ‘now.’ 357, 378 masked] Both these passages illustrate, in the same word ‘masked,’ Chamberlayne’s curious locution. The first passage looks quite wrong; the second helps to gloss the word as =‘ bewildered,’ ‘ out of themselves.’ ( 200 ) Canto IT] Pharonnida As much of joy as, in her clouded fate, With reason at the helm of action sate. Here had they, masked in mutual wonder, staid To unriddle fate, had not wise fear obeyed Reason’s grave dictates, and with eager speed Urged their departure; for whose guide they need No more but her directions, who then lay Taught by the fear of vengeance to obey Their just demands. By whom informed of all That might within the castle’s circuit fall With weights of danger, and taught how to free Confined Florenza, to meet liberty They march in triumph, leaving none to take Possession there, but her whose guilt would make The torment just, though there constrained to dwell Till death prepared her for a larger hell. Whilst sleep’s guards, doubled by intemperance, reigned Within the walls, with happy speed they gained The castle’s utmost ward; and furnished there With such choice horses, as provided were For the outlaws’ next day’s scouts, a glad adieu Of their loathed jail they take. Ismander knew Each obscure way that in their secret flight Might safely promise; so that sullen night Could not obstruct their passage, though, through ways So full of dark meanders, not the day’s Light could assist a stranger. Ere the dawn O’ the wakeful morn had spread her veils of lawn O’er the fair virgins of the spring, they ’re past That sylvan labyrinth, and with that had cast Their greatest terror off, and taught their eyes The welcome joys of liberty to prize. And now the spangled squadrons of the night, Encountering beams, had lost the field to light, The morning proud in beauty grown, whilst they With cheerful speed passed on the levelled way By solitude secure ; of all unseen, Save early labourers that resided in Dispersed poor cottages, by whom they’re viewed With humble reverence, such as did delude Sharp-eyed suspicion, they are now drawn near Ismander’s palace; whose fair towers appear Above the groves, whose green enamel lent The neighbouring hills their prospects’ ornament. A river, whose unwearied bounty brings The hourly tribute of a thousand springs From several fragrant valleys here, as grown So rich, she now strove to preserve her own 381 Urged] Orig. ‘urge.’ { 201 ) 400 410 420 William Chamberlayne [BooK IV Streams from the all-devouring sea, did glide Betwixt two hills, which Nature did divide To entertain the smiling nymph, till to An entrance where her silver eye did view A wealthy vale she came—a vale in which All fruitful pleasures did content enrich ; Where all so much deserved the name of best, 430 Each, took apart, seemed to excel the rest. Rounded with spacious meads, here scattered stood Fair country farms, whose happy neighbourhood, Though not so near as justling palaces Which troubled cities, yet had more to please By a community of goodness in That separation. Nature’s hand had been To all too liberal, to let any want The treasures of a free inhabitant ; Each in his own unracked inheritance 440 Where born expired, not striving to advance Their levelled fortunes to a loftier pitch Than what first styled them honest, after rich ; Sober and sweet their lives, in all things blest Which harmless nature, living unopprest With surfeits, did require; their own flocks bred Their homespun garments, and on that they fed Which from their fields’ or dairies’ plenteous store Had fresh supplies: what fortune lent them more Than an indifferent mean, was sent to be 450 The harbingers of hospitality. Fair virgins, in their youth’s fresh April drest, Courted by amorous swains, were unopprest By dark suspicion, age’s sullen spies, Whose spleen would have the envious counted wise Love was religious here, and for to awe Their wilder passions, conscience was their law. More to complete this rural happiness, They were protected from the harsh distress Of long-winged power by the blest neighbourhood 460 Of brave Ismander; whose known greatness stood Not to eclipse their humble states, although It shadowed them when injured power did grow To persecution, by which means he proved— Not feared for greatness, but for goodness loved. Which gentle passion his unhappy loss Had soured to grief, and made their joy their cross. But now their antidote approaches, he From heavy ‘bondage is returned to be 435 Which troubled cities] In another writer one might suspect ‘ Jn troubled cities’ or ‘ Which trouble cities.’ But it is quite like Chamberlayne to aétract his verb into the form of ‘stood’ and ‘had,’ { 202 ) Canto IT] Pharonnida Their joyful wonder. At his palace gate 470 Being now arrived, his palace, that of late With’s absence dimmed in her most beauteous age, Stood more neglected than a hermitage, Or sacred buildings, when the sinful times To persecution aggravate their crimes: But being entered, sadder objects took Those outside wonders off; each servant’s look Spoke him a sullen moumrer, grave and sad Their sober carriage, in no liveries clad But doleful sable, all their acts like those 480 Of weeping wives, when they t’ the grave dispose Their youthful husbands. Yet all these were but Imperfect shadows of a sorrow, put In distant landscape, when to trial brought Near his fair Ammida’s; whose grief had sought As dark a region for her sad retreat As desperate grief e’er made pale Sorrow’s seat : In sacred temples the neglected lamp So wastes its oil, when heresies do cramp Religion’s beams ; with such a heavy look 490 Monarchs deposed behold themselves forsook By those that flattered greatness; shut from all Those glorious objects of the world that call Our souls in admiration forth, her time Being spent in grief, made life but Nature’s crime. The rough disguise of time, assisted by The meagre gripe of harsh captivity, Had now expunged those characters by which Ismander once was known, and even the rich In love and duty rendered strangers to 500 Their honoured master; from whose serious view Neglective grief withdraws them, so that he An unknown pilgrim might have gone to be Theirs and his own afflicter, had that fear Not thus been cured:—A spaniel, being of dear Esteem to Ammida, since the delight Of her Ismander once, come to the sight Of’s first protector, stays not till a call Invites acquaintance, but preventing all The guides of reason by the sleights of sense, 510 Fawning on’s master, checks the intelligence Of’s more forgetful followers. Which being seen By an old servant (whose firm youth had been Spun out amongst that family, till by Grave age surprised), it led his sober eye To stricter observations, such as brought Him near to truth, and on contracted thought Raised a belief, which though it durst conclude ‘Nought on the dark text, yet, i’ the magnitude ( 203 ) William Chamberlayne [Boox IV Of hope exalted, by his joy he hastes 520 To’s mourning mistress, tells her that she wastes Each minute more she spends in grief, if he Dares trust his eyes to inform his memory. Contracted spirits, starting from the heart Of doubtful Ammida, to every part Post through the troubled blood ; a combat, fought Betwixt pale fear and sanguine hope, had oft Won and lost battles in her cheeks, whilst she, Leaving her sullen train, did haste to see Those new-come guests. But the first interview 530 Unmasks Ismander ; winged with love she flew To his embraces: ’twas no faint disguise Of a coarse habit could betray those eyes Into mistakes, that for directors had Love’s powerful optics ; nuptial joys unclad In all their naked beauties—no delight So full of pleasure, the first active night Being but a busy and laborious dream Compared with this—this, that had swelled the stream Of joy to fainting surfeits; whose hot strife 540 Had overflowed the crimson sea of life, If not restrained by a desire to keep What each had lost in the eternal sleep. But now, broke through the epileptic mist Of amorous rapture, rallied spirits twist Again their optic cordage; whose mixed beams Now separate, and on collateral streams Dispersed expressions of affection bore To each congratulating friend, that wore Not out those favours with neglect, but by 550 A speedy, though unpractic sympathy, Met their full tide of bliss. Glad Fame, which brings Truth’s messages upon her silver wings In private whisper hovers for awhile Within the palace ; every servant’s smile Invites a new spectator; who from thence (Proud to be author of intelligence So welcome) hastes, till knowledge ranged through all, Diffusive joy made epidemical : For though that noble family alone 360 Afforded pleasure a triumphant throne, Yet frolic mirth did find a residence In every neighbour's bosom. They dispense With their allegiance to their labour, and Revel in lusty cups; the brown bowls stand With amber liquor filled, whose fruitful tears Dropped loved Ismander’s health, till it appears In sanguine tincture on their cheeks. All now Had if not calmed their passions, smoothed a brow ( 204 ) Canto II] Pharonnida To temporize with pleasure. The sad story 570 Of his own fortune, and that age’s glory, Pharonnida, whilst each attentive dwells On expectation, brave Ismander tells. THE END OF THE SECOND CANTO. Canto III THE ARGUMENT From the sad consort of her silent grief The princess doth with pleasing wonder hear Poor Vanlore’s fate, and the unjust relief Which his unworthy father freed from fear. Whose hell-deep plots, the dregs of avarice Had so defiled, that whilst he seeks for aid, His subtlety, masked on the road of vice, By his presumed assistant is betrayed. ComPosINnG time did now begin to slack The reign of mirth; exalted joy shrunk back From pleasure’s summer-solstice, and gave way For more domestic passions to obey An economic government ; which brought Loose fancy on the wings of serious thought Back to her sober home, in that to find Those several burthens that were left behind In the career of mirth; amongst which number, Pharonnida, that had let sorrow slumber, 10 In the high room of joy, awakes again That clamorous elf, which she must entertain At beauty’s cost. Yet in this dark retreat, From pleasure’s throne to sorrow’s dismal seat, She finds a sweet companion; one that had, By fatal love opposed, with loss unclad Delight of all his summer-robes, to dress Her trembling soul in sables of distress. The sad Silvandra (for surviving fame Hath on record so charactered her name) 20 Being sister to returned Ismander, in This flourish of triumphant joy had been So much eclipsed with grief, that oft her tears Dimmed beauty’s rays, whilst through them she appears A fit companion for the princess to Twist those discourses with, whose mourning clew Led through the labyrinth of their lives. They oft, In shades as secret as their closest thought 2 reign] Orig. ‘rain,’ Singer ‘rein.’ The curious thing is that both, as well as the text, are possible. ( 205 ) William Chamberlayne [Book IV With pensive paces meeting, sit and tell Stories so sad, that nought could parallel— 30 But love and loss; a theme they both had been By rigid power made hapless students in. One eye-bright morning tempting them to take The start of time, soon as the lark did wake, Summons them from the palace to the side Of a small wood, whose bushy crest, the pride Of all the flowery plains, they chose to be *Gainst the invading sun their canopy. Reposed beneath a full-grown tree, that spread His trembling arms to shade their fragrant bed, 40 They now are set; where for awhile they view The distant vale, whilst contemplation grew Pregnant with wonder, whose next prosperous birth Had been delight, had they not sent their mirth In sad exchange, whilst tears did usher in Silvandra’s fate; who, weeping, did begin, With such a look as did command belief, The late-past story of a present grief. ‘In yonder fields (with that directs her eye To a black fen, whose heavy earth did lie 50 Low in a dark and dirty vale) is placed Amarus’s castle, which though now defaced More by the owner’s covetous neglect Than time’s rough strokes, that strength, which did protect Once its inhabitants, being now but made Use of when want doth with weak prayers invade The gates, being thought sufficient—if they keep The poor at bay, or, whilst his stiff hinds sleep, Their labouring beasts secure. But I, alas, Blush to discover that this miser was 60 Father to my dead Vanlore, and to her Whose living virtues kind Heaven did confer As blessings on my brother; but the sun Ne’er saw two sweeter streams of virtue run From such a bitter fountain. This accurst And wretched man (so hated that he durst Scarce look abroad, fearing oppression would Be paid with vengeance, if he ever should Fall into the hands of those whose faces he Ground with extortion, till the injury 50 Fear clothed like justice), venturing once to view A manor, whose intemperate lord outgrew In debts the compass of a bond, besides His common guard of clowns, fellows whose hides Served for defensive armour, he commands His son’s attendance ; who, since from his hands Racked tenants hoped for ease, he thought that they Would for that hope with reverent duty pay. ( 206 ) Canto IIT] Pharonnida But vain mistakes betray opinion to A fatal precipice, which they might view 80 TP the objects of each glance; one side affords Large plains, whose flocks—the wealth of several lords, By him contracted, but the spoils appears Of beggared orphans, pickled in their tears ; Farms for whose loss poor widows wept, and fields, Which being confined to strict enclosure, yields To his crammed chests the starving poor man’s food ; For private ends robbing their public good, With guilt enclosed those ways which now had brought Him by some cottages, whose owners bought go Poor livelihoods at a laborious rate From his racked lands; for which pursuing Hate Now follows him in curses: for in that They yet take vengeance; till arriving at The thicker-peopled villages, where, more bold By number made, the fire of hate takes hold On clamorous women, whose vexed husbands thirst I’ the fever of revenge; to these, when first They kindled had the flame, swiftly succeeds More active men, such as resolved their deeds, 100 Spite of restrictive law, should set them free From the oppressors of their liberty. ‘His son, the noble Vanlore, to appease The dangerous fury of this rash disease, Spends all his stock of rhetoric, but in Fruitless attempts. His rustic guard had been At the first onset scattered, and were now Posting for safety; whilst his son, taught how By frequent injuries to entertain Anger’s unusual guests, shows it in vain, 110 Though brave attempts of valour, by whose high Unhappy flame whilst circling foes did die Unworthy hecatombs for him, at length Engaged him had beyond the power of strength, Though backed by fortune to redeem; which when Beheld by those whose characters of men In rage was lost, they wildly persecute Revenge, till life, nature’s harmonious fruit, Was blasted to untimely death.’—And here Her fatal story in its full career, 120 The memory of him, who died to be The people’s curse and crime of destiny, Grief did obstruct, whilst liquid passion feeds Her crystal springs; which stopped, she thus proceeds :— ‘His brave defender now retreating to The road to death, whilst he did vainly sue go owners] Orig. ‘ honours.’ ( 207 ) William Chamberlayne [Book 1V For undeserved remorse, Amarus lies Their fury’s object ; in whose wild disguise, Whilst giddy clouds of dark amazement dwell O’er his dim eyes, the exalted tumult fell 130 In a black storm of danger; in whose shade They drag him thence,—that fury, being made Wise by delays, might study torments great As was their rage; but in their wild retreat They thus are stopped :—A wandering knight that near The place approached, directed by his ear How to inform his eye, arrives to see The wretched trophies of this victory ;— A dying son, whose latest beams of light Through death’s dim optics bids the world good night, —r40 With looks that did so black a sorrow limn— He frowned on earth though Heaven did smile on him; Hurried from thence by unrelenting hate, A living father of more woful fate. ‘Pity, that brave allay of manly heat, Persuades the noble stranger to entreat A parle with rage; which, being denied, he then Attempts to force; and since their ablest men Were wounded in the former conflict, soon Successful proves. Like mists 7’ the pride of noon, 150 Being huddled into hurtless clouds, they fly Before his fury, till from reach of the eye Shrunk to the wood’s protection ; where, whilst each, With such a fear a sanguine guilt did teach The world’s first murderer, seeks for safety, he Retreating leaves the scattered herd—to be Their own afflicters; and hastes thence to find Him to whom fortune proved so strangely kind In his approach, as by his sword to be, When hope lost anchor, blest with liberty. 160 Come to the place where old Amarus lay With fear so startled, that he durst betray Life through no motion; yet he’s followed by That train of cowards, which, though they did fly The danger, when they saw their foes pursued, On the reward—the victory, intrude ; Whose easy spoils, those invitations to A coward’s daring, such a distance drew Them from their homes, that they with labour were Recalled from rifling enemies to bear 170 Their feeble masters off—Amarus lying As weak with fear as Vanlore was with dying. ‘Before the black obstructions of the night Did interpose, they were arrived i’ the sight O’ the castle’s ruined walls, a place whose hue, Uncouth and wild, banished delight unto ( 208 ) Canto III] Pharonnida Uncomely profit, and at distance gives A sad assurance—that its owner lives By men so hated, and by Heaven unblest, As he enjoyed not what he there possest. 180 ‘Come to the front of the house, whose dirt forbid A cleanly entrance, he sees pavements hid With heaps of rubbish—time’s slow hand let fall From the neglected ruins of the wall; Green arbours, pleasant groves, all which were now Swiftly dismantling to make way for th’ plough; Only his barns, preservers of that store Detained with curses from the pining poor, Their upper garments of warm thatch did wear So thick to keep them dry, whilst thin and bare 199 E’en his own lodging stood; the hall, first built To have that wealth, which he in sparing spilt, Spent there in hospitality, ne’er by More heat warmed than a candle gave, did lie Moulded with lazy damps—the wall o’ergrown With moss and weeds—unhaunted and alone The empty tables stood; for never guess Come there, except thin bankrupts, whom distress Spurred on with sharp necessity to crave Forbearing months, which he, when bribed, forgave. 200 Hence, by a rude domestic led, he goes To view the cellar, where, like distant foes Or buildings in a new plantation, stand The distant barrels, yet from all command But his own keys exempted. To bestow A welcome on him, which he ne’er did show To man before, led by a rusty slave, Whose iron limbs, rattling in leather, gave Alarums to the half-starved rats, he here Is by Amarus visited; whose fear 210 That place should too much suffer, soon from thence Sounds a retreat to supper, where the expense Became a usurer’s purse: yet what was by Sparing defective, neatness did supply, A virtue, where repining penury Prepares, unusual; but he soon did see Whence it proceeds—The sad sweet Ammida Whom shame and grief attempted to withdraw From public view, was by her father’s call, To crown that entertainment, brought; whose all 220 178 owner] Orig. again ‘honour.’ The constant occurrence of this suggests not merely dictation, as observed before, but a probably Irish dictater. 197 guess] Singer boldly prints ‘guests,’ which the sense of course requires. But ‘ guess ‘is in original, and I leave it to the reader to decide whether the sense, or the rhyme, or the pronunciation is to yield the place. ( 209 ) 2 William Chamberlayne [Boo IV Was else so bad, it the first visit might Repented make, not to the next invite. ‘Here, with afflicted patience, he had spent Some few, but tedious days, whose slow extent Behind his wishes flagged, ere he had seen Vanlore interred, whose obsequies had been In secret huddled up, but then prepares To take his leave ; when adverse fate, that shares Double with man’s intentions, in the tart Of’s full resolves opposing, claims her part 230 By harsh command :—A dangerous fever, that Threatened destruction ere arriving at Its distant crisis, and on flaming wings, Posts through the blood ; whose mass infected brings Death’s banners near the fort of life, which in Acute distempers it attempts to win From Nature’s guards, had not the hot assault By youth sustained, made Death’s black army halt Whilst marching to the grave—the swift disease Like a proud foe repulsed, forced to give ease 240 By slow retreats; yet of those cruel wars Left long remaining bloodless characters. ‘But ere the weak Euriolus (for he This hapless stranger was) again could be By strength supported, base Amarus, who Could think no more than priceless thanks was due For all his dangerous pains, more beastly rude Than untamed Indians, basely did exclude That noble guest: which being with sorrow seen By Ammida, whose prayers and tears had been 250 His helpless advocates, she gives in charge To her Ismander—that till time enlarge Her then restrained desires, he entertain Her desolate and wandering friend. Nor vain Were these commands, his entertainment being Such as observant love thought best agreeing To her desires. But here not long he staid, Ere fortune, prompted by his wit, obeyed That artful mistress, and reward obtains By fine imposture for firm virtue’s pains. 260 The gout, that common curse of slothful wealth, With frequent pain had long impaired the health Of old Amarus, who, though else to all Griping as that, for ease was liberal. From practised physic to the patient’s curse— Poor prattling women, or impostors worse— Sly mountebanks, whose empty impudence Do frequent murders under health’s pretence, 261. Although I have barred myself from frequent annotation on matter, the following passage may deserve an invitation to observe the poet’s professional spirit. ( 200 ) Canto IIT] Pharonnida He all had tried, yet found he must endure What, though some eased, none perfectly could cure. 270 Oft had his judgement, purse, and patience been Abused by cheats, yet still defective in The choice of men; which error known unto My brother and Euriolus, they drew Their platform thus :—Euriolus, clad in An antic dress, which showed as he had been Physician to the Great Mogul, first by Ismander praised at distance, doth apply Himself unto Amarus; where, to enhance The price of’s art, he first applauds the chance 280 That had from distant regions thither brought Him to eclipse their glory, who had sought For ’t in his cure before, then seconds that With larger promises; which, tickled at, Amarus vies with his, threatening to break His iron chests, and make those idols speak His gratitude, though, locked with conscience, they To his own clamorous wants had silent lay. ‘Some common medicines which the people prize, Cause from their knowledge veiled in slight disguise, 290 Applied to’s pain, and those assisted by Opinion, whose best antidotes supply The weak defects of art, he soon attains So. much of health, that now his greatest pains Had been the engaged reward, had he not been By future hopes kept from ungrateful sin So far, that in performing action he Exceeds his passion’s prodigality— Large promises, with such performance, that, Whilst his deluders smile and wonder at, 300 Thus speaks its dark original. To show Euriolus how fortune did outgrow Desert in his estate, he was one day From th’ castle walls taking a pleased survey Of spacious fields, whose soils, made fertile by Luxurious art, in rich variety Still youthful nature clothed ; which, whilst he views, An old suspicion thus his tongue renews :— ‘“ How blest, my worthy friend, how blest had I Been in my youth’s laborious industry 310 T’ have seen a son possessed of this! But now, A daughter’s match a stranger must endow With what I’ve toiled to get; and what is more My torment, one that, being betrothed before My son’s decease, wants an estate to make Her marriage blest. But knew I how to shake This swaggerer off, there lives, not far from hence, One that to match her to were worth the expense (211) P2 William Chamberlayne [Boox IV Of my estate; his name is Dargonel— A wary lad, who, though his land do swell 320 Each day with new additions, yet still lives Sparing and close, takes heed to whom he gives, Or whom he lends, except on mortgage, by Whose strength it may securely multiply. This worthy gentleman, with wise foresight Beholding what an object of delight Our linked estates would be, hath, since I lost My heir, been in’s intention only crost By this Ismander, whom though I confess A braver man, yet since a fortune less, 330 Ne’er must have my consent; only since by Her contract I have lost the liberty Of second choice, unless I vainly draw Myself in danger of the o’erbusy law, I want some sound advice that might inform Me how to rid him, yet not stand a storm Broke from his rage. Although my daughter love Him more than health, I shall command above Her feeble passions, if you dare impart So much of aid from your almighty art 340 As to remove this remora.”—And here He stopped, yet lets a silent guilt appear In looks that showed what else the theme affords He’d have conceived, as being too foul for words. Which seen by him whose active wit grew strong In friendship’s cause, as loath to torture long His expectations, thus their streams he stays With what at once both comforts and betrays :— ‘Raise up your spirits, my blest patron, to Sublime content, Heaven sent me to renew 350 Your soul’s harmonious peace; that dreadful toy Of conscience wisely waived, you may enjoy Uninterrupted hopes. Yet since we must Be still most wary where we’re most unjust, Let’s not be rash; swift things are oft unsure, Whilst moles through death’s dark angles creep secure. Then, since it’s full of danger to remove Betrothed Ismander, whilst his public love, By your consent raised to assurance, may A granted interest claim—first let us stay 360 His fury and the people’s censures by A nuptial knot, whose links we will untie, Ere the first night confirms the hallowed band, By ways so secret, that death’s skilful hand Shall work unknown to fate, and render you To the deluded world’s more public view, 329 whom] Singer ‘ who,’ obliterating attraction and not quite conciliating the more rigid grammar. ( 212) CANTO III] Pharonnida A real mourner, whilst your curtained thought Triumphs to be from strict engagements brought. Besides the veiling of our dark design Like virtue thus, this plot will sink a mine 370 Whose wealthy womb in ample jointure will Bring much of dead Ismander’s state, to fill The vast desire of wealth. This being done, I with prevailing philtres will outrun Sorrow’s black bark, which whilst it lies at drift, Ill so renew her mirth, no sigh shall lift Its heavy sails, which in a calm neglect Shall lie forgot ; whilst what’s not now respect To Dargonel, shall soon grow up to be, Like Nature’s undiscovered sympathy, 380 A love so swift, so secret, all shall pause At its effects, whilst they admire the cause.” ‘This by Amarus, with belief which grew Into applause, heard out, he doth renew With large additions what he’d promised in His first attempts. Then hasting to begin The tragic scene, which must in triumph be Ushered to light, his known deformity Of wretched baseness for awhile he lays Aside, and by a liberal mirth betrays 3.90 Approaching joy; which, since incited by His wishes, soon lifts Hymen’s torches high As their exalted hopes. The happy pair, Dear to indulgent Heaven, with omens fair As were their youthful paranymphs, had been In the hallowed temple taught without a sin To taste the fruits of paradise; and now The time, when tedious custom did allow A wished retirement, come, preparing are To beautify their beds, whence that bright star, 400 Whose evening’s blush did please the gazers’ eyes, Eclipsed in sorrow, is ordained to rise. But such whose superficial veil opprest Only her friends, whose knowledge were not blest With the design, which to our proscript lovers Euriolus with timely zeal discovers. The morning opens, and the wakened bride, By light and friends surprised, attempts to hide Her bashful beauty, till their hands withdrew The curtains, which betrayed unto their view 410 Ismander cold and stiff. Which horrid sight, Met where they looked for objects of delight, At first a silent sad amazement spread Through all the room, till Fear’s pale army fled In sad assurance ; Sorrow’s next hot charge Began in shrieks, whose terror did enlarge ( 213 ) William Chamberlayne Infectious grief, till, like an ugly cloud That cramps the beauties of the day, grown proud In her black empire, Hymen’s tapers she Changes to funeral brands, and, from that tree That shadows graves, pulls branches, which, being wet In tears, are where love’s myrtles flourished set. Their nuptial hymns thus turned to dirges, all In sad exchange let cloudy sable fall O’er pleasure’s purple robes, whilst from that bed, Whence love oppressed seemed, to their sorrow, fled To death for refuge, sadly they attend T’ the last of homes—his tomb—their sleeping friend : Who there, with all the hallowed rights that do Betray surviving friendship, left unto Darkness and dust, they thence with sober pace Return ; whilst shrouded near that dismal place Euriolus conceals himself, that so, When Sleep, whose soft excess is Nature’s foe, Hath spent her stupefactive opiates, he Might ready to his friend’s assistance be. ‘And now that minute come, which, to comply With Art’s sure rules, gives Nature leave to untie Sleep’s powerful ligatures, his pulses beat The blood’s reveille, from whose dark retreat The spirits thronging in their active flight, His friend he encounters with the early light ; By whose assistance, whilst the quiet earth Yet slept in night’s black arms, before the birth O’ the morn, whose busy childhood might betray Their close design, Ismander takes his way Toward a distant friend’s, whose house he knew To be as secret as his love was true. There whilst concealed e’en from suspicion he In safety rests, Euriolus, to free Her fear’s fair captive, Ammida, hastes back To old Amarus; who, too rash to slack Sorrow’s black cordage by degrees that might Weaken mistrust, lets mirth take open flight Into suspected action, whilst he gives To Dargonel, who now his darling lives, So free a welcome that he in’t might read, If love could not for swift succession plead, Power should command; yet waives the exercise Of either, till his empiric’s skill he tries. Who now returned, ere Dargonel, that lay Slow to attempt since certain to betray, Had more than faced at distance, he pretends To close attempts of art, whose wished-for ends, Ere their expecting faith had time to fear, In acts which raised their wonder did appear.— ( 214) [Book IV 420 440 45° 460 Canto IIT] Pharonnida ‘Love, which by judgement ruled, had made desert In her first choice the climax to her heart, By which it slowly moved; now, as if swayed By heedless passion, seems to have betrayed 470 At one rash glance her heart, which now begins To break through passion’s bashful cherubins, Spreading, without a modest blush, the light Of morning beauty o’er that hideous night Of all those dull deformities that dwell, Like earth’s black damps, o’er cloudy Dargonel. Who, being become an antic in the mask Of playful love, grows proud, and scorns to ask Advice from sober thought, but lets conceit Persuade him how his worth had spread that bait ; 480 Which sly Amarus, who presumed to know From whence that torrent of her love did flow, With a just doubt suspecting, strives to make His thoughts secure, ere reason did o’ertake Passion’s enforced career. Nor did his plot Want an indulgent hope; like dreams, forgot In the delights of day, his daughter shook Off grief’s black dress, and in a cheerful look Promised approaching love, no more disguised Than served to show strict virtue how she prized 490 Her only in applause ; whose harmony Still to preserve, she is resolved to be, If secret silence might with action dwell, Swift as his wish, espoused to Dargonel. ‘More joyed than fettered captives in the year Of Jubilee, Amarus did appear Proud with delight; in whose warm shine, when’s haste Had with officious diligence embraced Euriolus, he, waving all delays, To Dargonel the welcome news conveys ; 500 Who, soon prepared for what so long had been His hope’s delight, to meet those joys within The sacred temple, hastes. The place they chose For Hymen’s court, lest treacherous eyes disclose The bride’s just blushes, was a chapel, where Devotion, when but a domestic care, Was by his household practised; for the time— ’Twas ere the morn blushed to detect a crime. ‘ All thus prepared, the priest conducting, they With sober pace, which gently might convey 510 Diseased Amarus in his chair, they to The chapel haste: which now come near, as through The ancient room they pass, a sad deep groan Assaults their ears; which, whilst with wonder grown Into disease they entertain, appears A sad confirmer of their doubtful fears— ( 215 ) William Chamberlayne [Boox IV Ismander, whom but late before they had Followed t’ the grave, his lively beauty clad In the upper garments of pale death. Which sight The train avoiding by their speedy flight, 520 Except the willing bride, behind leave none But lame Amarus; who, his chair o’erthrown By his affrighted bearers, there must lie Exposed to fear, which, when attempts to fly, Through often struggling, proved his labour vain, He grovelling lies unseen to entertain. ‘Thus far successful, blest Ismander, thence Conveys his lovely bride, whilst the expense Of time being all laid out in fear, by none He was observed. Amarus long alone 530 Lying tormented with his passions, ere His frighted servants durst return to bear Their fainting master off; but being at length, When greater numbers had confirmed the strength Of fortitude, grown bold, entering again The room, which yet fear told them did retain The scent of brimstone, there they only found Their trembling master, tumbling on the ground. Horror, augmented by internal guilt, Had in his conscience’s trepidations spilt 540 Both prayers and tears, which, since Heaven’s law they crost, For human passions in despair were lost. Obscured in whose black mists, not daring to Unclose his eyes, fearing again the view Of that affrighting apparition, he Is hurried from that dreadful place, to be Their mirth, whom he (for fiends mistaking) cries For mercy to, scarce trusting of his eyes, When they unfolded had discovered none But such whom long he’d for domestics known. 550 ‘Yet to torment him more, before these fears Wholly forsake him, in his room appears Some officers; whose power, made dreadful by The dictates of supreme authority, As guilty of Ismander’s death, arrest Him for his murderer. By which charge opprest More than before with fear, he, who now thought On nought but death, to a tribunal brought, Ere asked, confesses that foul crime, for which He this just doom receives :—Since to enrich 560 What had before wealth’s surfeit took, this sin Was chiefly acted, his estate, fallen in T’ the hands of justice, by the judge should be From hence disposed of; then, from death to free 556 charge] Orig. ‘change.’ ( 216 ) Canto IIT] Pharonnida His life, already forfeited, except Murdered Ismander, whom he thought had slept In’s winding sheet, his hopeless advocate Should there appear. In which unhappy state The wretch, now ready to depart, beholds This glorious change ;—Ismander first unfolds 570 Himself and her, who, bound by Nature’s laws, Implore his pardon ere they plead his cause ; Which done, the judge, that his lost wealth might be No cause of grief, unmasking, lets him see Euriolus, by whom from th’ worst of sin To liberal virtue he’d deluded been,’ THE END OF THE THIRD CANTO. Canto IV THE ARGUMENT Whilst we awhile the pensive lady leave Here a close mourner for her rigid fate, Let's from the dark records of time receive The manner how Argalia waived the hate Of his malignant stars; which, when they seem To threaten most, through that dark cloud did lead Him to a knowledge of such dear esteem, — He his high birth did there distinctly read. FREED from the noise o’ the busy world within A deep dark vale, whose silent shade had been Religion’s veil, when blasted by the beams Of persecution, far from the extremes Of solitude or sweaty labour, were Some few blest men, whose choice made Heaven their care, Sequestered from the throngs of men to find Those better joys, calms of a peaceful mind. Yet though on this pacific sea, their main Design was Heaven, that voyage did not restrain 10 Knowledge of human arts, which as they past They safely viewed, though there no anchor cast ; Their better tempered judgements counting that But hoodwinked zeal, which blindly catches at The great Creator’s sacred will, without Knowing those works that will was spent about ; Which being the climax to true judgement, we Behold stooped down to visibility In lowliest creatures, Nature’s stock being nought But God in’s image to our senses brought. 20 In the fair evening of that fatal day, By whose meridian light love did betray (217) William Chamberlayne [Boox IV’ Engaged Argalia near to death, was one Of these, Heaven’s happy pensioners, alone, Walking amongst the gloomy groves, to view What sovereign virtues there in secret grew, Confined to humble plants ; whose signatures Whilst by observing, he his art secures From vain experiments. Argalia’s page, Crossing a neighbouring path, did disengage His serious eye from Nature’s busy task, To see the wandering boy, who was to ask The way; for more his youth’s unprompted fear Expects not there, to the blest man drawn near. But when, with such a weeping innocence As saints confess those sins which the expense Of tears exacted, he had sadly told What harsh fate in restrictive wounds laid hold Of ’s worthy master, pity, prompted by Religious love, helps the poor boy to dry His tears with hopes of comfort; whilst he goes To see what sad catastrophe did close Those bloody scenes, which the unequal fight Foretold, before fear prompted him to flight. Not far they’d passed ere they the place had found Where, grovelling in a stream of blood, the ground His purple bed, the wearied prince they see Struggling with death: from whose dark monarchy Pale troops assail his cheeks, whilst his dim eyes, Like a spent lamp, which, ere its weak flame dies, In giddy blazes glares, as if his soul Were at those casements flying out, did roll, Swifter than thought, their blood-shot orbs; his hands Did with death’s agues tremble; cold dew stands Upon his clammy lips; the springs of blood, Having breathed forth the spirits, clotted stood On that majestic brow, whose dreadful frown Had to death’s sceptre laid its terror down. The holy man, upon the brink o’ the grave Finding such forms of worth, attempts to save His life from dropping in, by all his best Reserves of art; selecting from the rest Of his choice store an herb whose sovereign power No flux of blood, though falling in a shower Of death, could force; which gently bruised, and to His wound applied, taught Nature to renew Her late neglected functions, and through short Recruits of breath, made able to support His blood-enfeebled body, till they reach The monastry, where nobler art did teach yo monastry] Chamberlayne probably meant this spelling. ( 218 ) 30 49 50 69 Canto IV] Pharonnida Their simple medicines to submit to those Which skill from their mixed virtues did compose. Life, which the unexpected gift of Fate Rather than Art appeared, in this debate Of death prevailing, in short time had gained So much of strength, that weakness now remained The only slothful remora that in His bed detained him. Where, being often seen By those whom art alike had qualified For his relief, as one of them applied 80 His morning medicines to a spacious wound Fixed on his breast, he that rare jewel found Which, in his undiscerning infancy There hung by’s father, fortune had kept free From all her various accidents, to show How much his birth did to her favour owe. Shook with such silent joy as he had been In calm devotion by an angel seen, The good old man, his wonder rarified Into amazement, stands: he had descried go What, if no force had robbed him of it since Twas first bestowed, none but his true-born prince ° Could wear, since Art, wise Nature’s fruitful ape, Ne’er but in that had birth which bore that shape. Assured by which, with unstirred confidence He asks Argalia—Whe’er he knew from whence, When Nature first did so much wealth -impart To earth, that jewel took those forms of art? But being answered—That his infancy, When first it was conferred on him, might be 100 The excuse of’s ignorance; that voice alone Confirms his aged friend: who, having known As much of fortune, as in Fate’s dark shade His understanding legible had made, From weak Argalia, to requite him leads Knowledge where he his life’s first copy reads ia Oe A ee ae ROB "Twas, unhappy prince! (For such this story must salute you, since Told to confirm ’t a truth) my destiny 110 When youth and strength rendered me fit to be My dearest country’s servant, placed within Mantinea’s glorious court; where, having been Made capable by sacred orders, I Attained the height of priestly dignity, Being unto him, whose awful power did sway That crown, in dear esteem; but honour’s day, Which gilded then the courtly sphere, sunk down, I lost my mitre in the fall o’ the crown. Sad is the doleful tale; yet, since that in 120 ( 219 ) William Chamberlayne [Book IV Its progress you may find where did begin Your life’s first stage, thus take it-—When the court, Stifled with throngs of men, whose thick resort Plenty and peace called thither, being grown Sickly with ease, viewed, as a thing unknown, Danger’s stern brow, which even in smiling fates Proves a quotidian unto wiser states ; Whilst Pride grew big, and Envy bigger, we, Sleeping i’ the bed of soft security, Were with alarums wakened.—Faction had, 130 To show neglect’s deformities, unclad That gaudy monster, whose first dress had been The night-pieced works of their unriper sin ; And those that in contracted fortunes dwelt, Calmly in favour’s shadow, having felt The glorious burthen of their honour grown Too large for all that fortune called their own, Like fishes which the lesser fry devour, Pride having joined oppression to their power, Preyed on the subject, till their load outgrew 140 Their loyalty, and forced even those that knew Once only to obey, in sullen rage To mutter threats, whose horror did presage That blood must in domestic jars be spilt, To cure their envy, and the people’s guilt. ‘These seeds of discord, which began to rise To active growth, by the honourable spies Of other princes seen, had soon betrayed Our state’s obscure disease, and called, to aid Ambitious subjects, foreign powers ; whose strength, 150 First but as physic used, was grown at length Our worst disease, which, whilst we hoped for cure, Turned our slow hectic to a calenture. ‘A Syracusan army, that had been Against our strength often victorious in A haughty rebel’s quarrel, being by Success taught how to ravish victory Without his aid, which only useful proved When treason first for novelty was loved, Seizing on all that in’s pretended cause 160 Had stooped to conquest, what the enfeebled laws In vain attempted, soon perform, and give The traitor death from what made treason live: This done, whilst their victorious ensigns were Tanned by Fame’s breath, they their bold standards bear Near to our last hopes;—an army which, Like oft-tried ore, disasters made more rich 133 ‘ Night-picced,’ ‘secretly combined,’ is quite Chamberlaynian; but the word say have been that odd ‘ night-peeked ’ which we have had before. ( 220 ) Canto IV] Pharonnida In loyal valour than vast numbers, and By shaking fixed those roots on which did stand Their well-elected principles ; which here, 170 Opprest with number, only did appear In bravely dying, when their righteous cause, Condemned by Fate’s inevitable laws, Let its religion—virtue—valour—all That Heaven calls just, beneath rebellion fall. ‘Near to the end of this black day, when none Was left that durst protect his injured throne; When loyal valour, having lost the day, Bleeding within the bed of honour lay ; Thy wounded father, when his acts had shown 180 As high a spirit as did ever groan Beneath misfortune, is enforced to leave The field’s wild fury, and some rest receive In faithful Enna; where his springs of blood Were hardly stopped, before a harsher flood Assails his eyes:—Thy royal mother, then More blooming than Earth’s full-blown beauties when Warmed in the ides of May, her fruitful womb Pregnant with thee, to an untimely tomb, Her fainting spirits, in that horrid fright 199 Losing the paths of life, from time, from light, And grief, steals down: yet ere she had discharged Her debts to death, protecting Heaven enlarged Thy narrow lodging, and that life, which she Lost in thy fatal birth, bestowed on thee— On thee, in whom those joys, thy father prized More than loved empire, are epitomized. ‘And now, as if the arms of adverse fate Had all conspired our ills to aggravate Above the strength of patience, we are by 200 Victorious foes, before our fear could fly To a remoter refuge, closed within Unhappy Enna; which, before they win, Though stormed with fierce assaults, the restless sun His annual progress through the heavens had run ; But then, tired with disasters which attend A slow-paced siege, unable to defend Their numbers from resistless famine, they With an unwilling loyalty obey The next harsh summons, and so prostrate lie 210 T’ the rage or mercy of their enemy. But ere the city’s fortune was unto This last black stage arrived, safely withdrew T’ the castle’s strength thy father was, where he, Though far from safety, finds the time to be Informed by sober counsel how to steer Through this black storm; love, loyalty, and fear, ( 221 ) William Chamberlayne [Boox IV Had often varied judgements, but at last Into this form their full resolves were cast. ‘To cool hot action, and to bathe in rest 220 More peaceful places, darkness dispossest The day’s sovereignty; to usher whom Into her sable throne, a cloud’s full womb, Congealed by frigid air, as if that then The elements had warred as well as men, In a white veil came hovering down—to hide The coral pavements; but forbid b’ the pride O’ the conqueror’s triumphs, and expelled from thence As that which too much emblemed innocence— Since that the city no safe harbour yields, 230 It takes its lodging in the neighbouring fields ; Which, mantled in those spotless robes, invite The prince through them to take his secret flight. ‘In sad distress leaving his nobles to Swallow such harsh conditions as the view Of danger candied o’er, from treacherous eyes Obscured in a plebeian’s poor disguise, His glorious train shrunk to desertless I— The sad companion of his misery ; He, now departing, thee, his infant son, 240 Heir to his crown and cares, ordained to run This dangerous hazard of thy life before Time taught thee how thy fortune to deplore When venturing on this precipice of fate, We slowly sallied forth, ‘twas cold and late ; The drowsy guard asleep, the sentries hid Close in their huts did shivering stand, and chid The whistling winds with chattering teeth. When now A leave as solemn as haste would allow, Of all our friends, our mourning friends, being took, 250 We, like the earth, veiled all in white, forsook Our sallyport; whilst slowly marching o’er The new-fallen snow, thee in his arms he bore. Whilst this imposture made the scared guards, when They saw us move—then make a stand again, Either to think that dallying winds had played With flakes of snow, or that their sight betrayed Their fancy into errors; we were past The reach of danger, and in triumph cast Off, with our fears, what had us safety lent, 260 When strength refused to save the innocent. The eager lover hugs himself not in Such roseal beds of joy, when what hath been His sickly wishes is possessed, as we, Through watchful foes arrived to liberty, 263 roseal] Singer again ‘roseafe,’ which is even worse than before, because it would simply mean a ‘pink’ bed, not a ‘bed of roses.’ ( 222 ) Canto IV] Pharonnida Embrace the welcome blessing. First we steer Our course towards Syracuse, whose confines near The mountain stood, upon whose cloudy brow Poor Enna did beneath her ruins bow. ‘ The stars, clothed in the pride of light, had sent Their sharp beams from the spangled firmament, To silver o’er the earth, which being embost With hills, seemed now enamelled o’er with frost ; The keen winds whistle in the justling trees, And clothed their naked limbs in hoary frieze ; When, having paced some miles of crusted earth, Whose labour warmed our blood, before the birth O’ the sluggish morning from his bed had drawn The early villager, the sober dawn Lending our eyes the slow salutes of light, We are encountered with the welcome sight Of some poor scattered cottages, that stood IT the dark shadow of a spacious wood That fringed an humble valley. Towards those, Whilst the still morn knew nought to discompose Her sleepy infancy, we went; and now, Being come so near, we might discover how The unstirred smoke streamed from the cottage tops ; A glimmering light from a low window stops Our further course: we’re come to a low shed, Whose happy owner, ne’er disquieted With those domestic troubles that attend On larger roofs, here in content did spend Fortune’s scant gifts; at his unhaunted gate Hearing us knock, he stands not to debate With wealthy misers’ slow suspicion, but Swift, as if ’twere a sin to keep it shut, Removes that slender guard. But when he there Unusual strangers saw, with such a care As only spoke a conscious shame to be Surprised, whilst unprovided poverty Straitened desire, he starts; yet entertains Us so, that showed by an industrious pains He strove to welcome more. Here being by Their goodness and our own necessity Tempted awhile to rest, we safely lay Far from pursuing ill; yet since the way To danger by suspicion lies, we still Fear being betrayed by those that meant no ill, Since oft their busy whispers, though they spring From love and wonder, slow discoveries bring. ‘Being now removing, since thy tender age Threatened to make the grave its second stage, 291 owner] Here again in orig. the misprint, or misprision, of ‘ honour.’ ( 223 ) 280 290 300 310 William Chamberlayne [Book IV If thence conveyed by us, whose fondest love Could to thy wants but fruitless pity prove: T’ enlarge thy commons though increase our fears, To those indulgent rurals, who for tears Had springs of milk to feed thee, thou remain’st An infant tenant; for thy own name gain’st What since thou hast been known by; which when we 320 Contracted had to the stenography, Some gold, the last of all our wealth, we leave To make their burden light; which they receive With thankful joy, amazed to see those bright Angels display their strange unwonted light In poverty’s cold region, where they had Been pined for want, if not by labour clad. ‘When age should make thee capable to tell Thy wonder how thy infancy had fell From honour’s pyramids, a jewel, which 330 Did once the splendour of his crown enrich, About thy neck he hangs; then breathing on Thy tender lips a parting kiss, we’re gone— Gone from our last delight, to find some place Dark as our clouded stars, there to embrace Unenvied poverty, in the cold bed Of sad despair; till on his reverend head, Once centre to a crown, grief makes him wear A silver frost, by frequent storms of care Forced on that royal mount, whose verdure fades, 342 Ere Time—his youth’s antagonist, invades. ‘Not far, through dark and unknown paths we had Wandered within those forests, which, unclad By big winds of their summer’s beauteous dress, Naked and trembling stood, ere fair success, Smiling upon our miseries, did bring Us to a crystal stream, from whose cold spring, With busy and laborious care, we saw A feeble hermit stooping down to draw An earthen pot, whose empty want supplied 330 With liquid treasure, soon had satisfied His thirsty hopes: who now returning by A narrow path, which did directing le Through the unfrequented desert, with the haste Of doubtful travellers in lands laid waste By conquering foes, we follow, till drawn near To him whom innocence secured from fear, 319 gain'st] Orig. ‘against,’ which Singer duly corrected, as he did nearly all such And I should like to observe that the notes in which I have sometimes differed with him imply no slight to the very great care and intelligence which he bestowed on our text. 341 This is Singer’s reading. The orig. has ‘Time by,’ and] am not sure that, as in some other cases, it is not right. If it is, ‘youth’s antagonist’ would be 4ge, Time’s general inthe attack, I do not think this is unlike Chamberlayne. ( 224 ) Canto IV] Pharonnida Disburthening of his staff, he sits to rest What was with age and labour both opprest. ‘Our first salutes when we for blessings had 360 Exchanged with him; being set, we there unclad All our deformed misfortunes, and, unless A kingdom’s loss, developed our distress. Which heard with pity, that he safely might Be the directing Pharos, by whose light We might be safely guided from the rocks Of the tempestuous world, his tongue unlocks A cabinet of holy counsel; which More than our vanished honour did enrich Our souls (for whose eternal good was meant 370 This cordial) with the world’s best wealth, content, Content, which flies the busy throne, to dwell With hungry hermits in the noiseless cell. ‘More safe than age from the hot sins of youth, Peaceful as faith, free as untroubled truth, Being by him directed hither, we Long lived within this narrow monastry ; Whose orders, being too strict for those that ne’er Had lost delight i’ the prosecuting care Of unsuccessful action, suited best 380 With us whose griefs compared taught the distrest To slight their own, as guests that did intrude On reason in the want of fortitude, That brave supporter, which such comfort brings, That none can know but persecuted kings. ‘The purple-robe, his birth’s unquestioned right, For the coarse habit of a carmelite Being now exchanged; and we retired from both Our fears and hopes, like private lovers, loath When solved from the observant spy, to be 390 Disturbed by friends, from want or greatness free, Secure and calm, we spent those happy days, In nought ambitious, but of what might raise Our thoughts towards Heaven, with whom each hour acquaints, In prayer more frequent than afflicted saints, Our happy souls; which here so long had been Refining, till that grand reward of sin, Death, did by Age, his common harbinger— Proclaim ’s approach, and warned us to defer For the earth’s trivial business nought that might 400 Concern eternity, lest life and light, Forsaking our dark mansions, leave us to Darkness and death, unfurnished of a clew Which might conduct, when time shall cease to be, Through the meanders of eternity. 362 Here, as elsewhere, ‘unless ’=‘ except,’ 391 from] Orig. ‘for.’ ( 225 ) Q Wilham Chamberlayne [Book IV ‘Thy pious father, ere the thefts of age, Decaying strength, should his stiff limbs engage In an uneasy rest, to level all Accounts with heaven, doth to remembrance call A vow, which though in hot affliction made, 410 Whilst passion’s short ephemeras did invade His troubled soul, doth now, when the disease Time had expunged, from solitary ease Call him again to an unwilling view Of the active world, in a long journey to Forlorn Enna; unto whose temple he Had vowed, if fortune lent him liberty, Till tired with the extremes of weary age, The cheap devotion of a pilgrimage. THE END OF THE FOURTH CANTO. Canto V THE ARGUMENT To the grave author of this happy news The pleased Argalia with delight did hear, Till, whilst the fatal story he pursues, He brings his great soul near the gates of fear By letting him in full discovery know The dreadful danger that did then attend His royal sire; who to his sword must owe For safety, ere his sad afflictions end. ‘FORSAKING now our solitary friends, Whose prayers upon each slow-paced step attends, From danger by a dress so coarse exempt, As wore religion to avoid contempt, Through toils of many a tedious day, at last We Enna reach; where when his vows had past The danger of a forfeiture, and we, That debt discharged to heaven, had liberty To look abroad, with sorrow-laden eyes We view those ruins in whose ashes lies of) Sad objects of our former loss, not then Raked up so deep, but old observant men, When youths were in procession led, could tell Where towers once stood, and in what fights they fell; Which to confirm, some in an aged pride Show wounds, which then though they did wisely hide As signatures of loyal valour, they, Now unsuspected, with delight display. ‘Hence when commanded by the wane of light, We sought protection from approaching night 20 ( 226 ) Pharonnida In an adjacent monastry; where we, The wandering objects of their charity, Although by all welcomed with friendly zeal, Found only one whose outside did reveal So much of an internal worth, that might To active talk our clouded souls invite From grief’s obscure retreats; his grave aspect, Though reverend age dwelt with unpruned neglect, Seemed dressed with such a sacred solitude, As ruined temples in their dust include. ‘My royal master, as some power divine Had by instinct taught great souls how to twine, Though ’mongst the weeds of poverty, with this Blest man consorting ; whilst their apt souls miss, In all their long discourse, no tittle set For man’s direction in Heaven’s alphabet ; Whilst controverted points, those rocks on which Weak faiths are shipwrecked, did with gems enrich Their art-assisted zeal, a sudden noise, Clamorous and loud, in the soft womb destroys That sacred infant ;—The concordant bells Proclaim a joy, which larger triumph tells To be of such a public birth, that they In quiet cells for what they late did pray In tears—the soul’s o’erflowing language, now (Being by example’s common rule taught how) They vary passions, and in manly praise Their silent prayers to hallelujahs raise. By swift report informed that this day’s mirth From the proclaiming of their prince took birth, These private mourners for the public faults Of busy nations, by the hot assaults Of triumph startled from their gravity, Prepare for joy; all but grave Sophron: he Then with the pilgrim prince, who both were sate Like sad physicians when the doubtful state O’ the patients threatens death :—the serious eye Of Sophron as a threatening prodigy Viewing that flattering smile of Fate, which they Of shallower souls praised as approaching day. ‘When both, their souls from active words retired Awhile had silent sat, the prince desired To know the cause why in that triumph he Of all that convent found the time to be With thoughtful cares alone ; whom Sophron gave This satisfaction :—‘ Worthy sir, I have In the few hours of our acquaintance found In you such worth, ’twould question for unsound My judgement, if unwilling to impart A secret, though the darling of my heart.— ( 227) Q2 30 40 5° 60 7° William Chamberlayne [Book IV Know then, this hapless province, which of late Faction hath harassed, a wise prince, whom Fate Deprived us of, once ruled; but so long since, That age hath learned from time how to convince The hot enormities of youth, since we With such a ruler lost our liberty. For though at first, (as he alone had been Our evil genius, whose abode brought in All those attendant plagues), our fortune seemed To calm her brow, and captive hope redeemed 80 In the destruction of our foes, which by A hot infection were enforced to fly From conquest near obtained: yet we, to show That only ’twas our vices did o’erthrow The merits of his weaker virtues, when Successful battles had reduced again Our panting land from all external ill, Domestic quarrels threatened then to kill What foreign powers assailed in vain, and made Danger surprise, which trembled to invade. 90 For many years tossed by the uncertain wind Of wild ambition, we had sailed to find Out the Leucadian rocks of peace; but in A vain pursuit: for we so long had been A headless multitude, the factious peers Oppressing the injured commons, till our fears Became our fate, few having so much left Unsequestered, as might incite to theft Even those whom want makes desperate ; all being spent On those that turn to th’ worst of punishment Too What wore protection’s name—villains that we, Enforced, maintained to Christian tyranny I’ the injured name of justice, such as kept Litigious counsels, for whose votes we wept, From punishment so long, till grown above The blinded people’s envy or their love. ““ But lately these prodigious fires, that led Us through the night of anarchy, being fled At the approach of one, who since hath stood Fixed like a star of the first magnitude, IIo Diffusive power, which then was only shown In faction’s dress, being now rebellion grown, By the uniting of those atoms in One haughty peer, ambitious Zarrobrin ; Whose pride, that spur of valour, when’t had set Him in the front of honour’s alphabet, The sole commander of those forces whence Our peace distilled, and in as large a sense As subjects durst, whilst loyal, hope to have Adorn their tombs, the highest titles gave 120 ( 228 ) CANTO V] P haronnida Of a depending honour ; to repay Their easy faiths that levelled had the way Unto his greatness, that command he made The steps by which he struggled to invade A throne, and in their heedless votes include Unnoted figures of their servitude. ‘“ When with attempts, frequent as fruitless, I With others, whose firm love to loyalty Time had not yet expunged, had oft in vain Opposed our power; which found too weak to gain 130 Our country’s freedom, we, as useless, did Retire to mourn for what the Fates forbid To have redressed. Since when, his pride being grown The people’s burthen whilst he urged his own Ambitious ends, he hath, to fix their love On principles whose structure should not move, Unless it their allegiance shook, brought forth Their prince, whose father’s unforgotten worth Did soon command their full consent, and he, For treason feared, made loved for loyalty. 140 But since that ’mongst observant judgements, this So sudden change might stand in doubt to miss A fair construction, to confirm ’t he brings An old confessor of their absent king’s, The reverend Halophantes; one whose youth Made human hearts submit to sacred truth So much, that now, arrived to graver age, He (like authentic authors) did engage The people’s easy faith into a glad Belief—that, when his youth’s afflictions had 150 Unthroned their prince, he in that fatal night, Wisely contracting his imagined flight, As roads unto destruction leaving all Frequented paths, did in the night’s silence call At’s unfrequented cell; where, entertained With all the zeal that subjects, which have gained From gracious sovereigns, study to express A virtue in, which thrives by the distress Of an afflicted patron’s, he betrays Inquiring scouts, till some expunging days 160 Make them forsake their inquisition in Despair to find: which vacancy did win Time to bestow his infant burthen where Some secret friends did with indulgent care Raise him from undiscerning childhood, to Be such as now exposed unto their view.” ‘Thy father, who with doubtful thoughts had heard This story, till confirmed in what he feared, Starts into so much passion as betrays Him, through the thick mask of those tedious days 170 ( 229 ) William Chamberlayne [Boox IV Time had in thirty annual journeys stept, To Sophron; who, when he awhile had wept A short encomium to good fortune, in Such prostrate lowliness as seemed—for sin To censure guiltless ignorance, he meets His prince’s full discovery; whom he greets With all the zeal, such whose uncourtly arts Make tongues the true interpreters of hearts, To those wise princes whom they know to start At aguish flattery, as if indesert 180 Ushered it in:—Those that know how to rate Their worth, prize it by virtue, not by fate. ‘With arguments, which to assist he made Reason’s firm power Passion’s light scouts invade, He had so oft the unwilling prince assailed, That importunity at length prevailed On his resolves ; from peaceful poverty, His age’s refuge, hurrying him to be Once more an agent unto fortune in Uncertain toils. Whose troubles to begin, 190 Leaving his prince to so much rest as those Whose serious souls are busied to compose Unravelled thoughts into a method, now Sophron forsakes him, to discover how His fellow-peers of that lost party stand Disposed for action, if a king’s command Should give it life; all which he finds to be So full of yet untainted loyalty, That in a swift convention they prepare By joining judgements to divide their care. 200 From distant places, with such secret haste As did declare a flaming zeal, though placed In caution’s shadow, old considerate peers, Such whose light youth the experienced weight of years Had long since ballast with discretion, met To see their prince, and to discharge the debt Of full obedience. Each had with him brought His state’s surviving hope, snatched from the soft Hands of lamenting mothers, that to those, If fit for arms, they safely might dispose 310 The execution of those councils, which Their sober age with judgement did enrich. ‘In Sophron’s palace, which being far removed From the street’s talking throngs, was most approved For needful privacy, these loyal lords, Whose faithful hearts—the infallible records The heedless vulgar (whose neglective sin Had lost the copies of allegiance in 179 To those} Singer ‘ Do,’ of which I fail to make sense. ( 230 ) CANTO V] Pharonnida This interregnum) trust to—being met, To shun delays, man’s late-repented debt, 220 The prince with speed appears; whom no disguise Of youth’s betrayer, time, could from their eyes Long undiscovered keep: through the rough veil Of age, or what more powerful did prevail On beauty’s ruins, they did soon descry The unquenched embers of a majesty, Too bright for time to hide with curtains less Dark than that mansion of forgetfulness, The grave, which man’s first folly taught to be The obscure passage to eternity. 230 “That their example might be precept to Unknowing youth, with all the reverence due To awful princes on their thrones, the old Experienced courtiers kneel; by which grown bold In their belief, those of unriper age Upon their judgements did their faith engage So far, that they in solemn vows unite Their yet concordant thoughts, which, ere the flight Of time should leave the day behind, desired To live in action. But this rising fire 240 Of loyal rage, which in their breasts did burn, The thankful prince thus gently strives to turn Into a milder passion, such as might Not scorch with anger, but with judgement light.— ‘“ How much ’tis both my wonder and my joy, That we, whom treason studied to destroy With near as much of miracle, as in The last of days lost bodies, that have been Scattered amongst the elements, shall be Convened i’ the court of immortality. 250 Depressed with fortune, and disguised with age, (Sad arguments, brave subjects, to engage Your loyal valour!) I had gone from all My mortal hopes, had not this secret call Of Heaven, which doth with unknown method curb Our wild intention, brought me to disturb Your peaceful age, whose abler youth had in Defending me exposed to ruin been. I had no more, my conscience now at rest, With widows’ curses, orphans’ tears opprest ; 260 No more in fighting fields, those busy marts Where honour doth for fame with death change hearts, 246 we] Left entirely ‘in the air,’ for the reader to supply ‘are now convened’ or something similar. . 259 had] Similarly deprived of ‘been.’ I note these two because, little as Cham- berlayne seems to have revised the earlier books, he appears to have left this last part even more in ostrich-fashion. (231 ) William Chamberlayne [Boox IV Beheld the sad success of battles, where Proud victors make youth’s conquest age’s care ; But, hid from all a crown’s false glories, spent, Like beauteous flowers, which vainly waste the scent Of odours in unhaunted deserts, all My time concealed till withered age should fall From that short stem of nature—life, to be Lost in the dust of death’s obscurity. 240 ‘““When in the pride of youth my stars withdrew Their influence first, J then had stood with you Those thunderbolts of fate, and bravely died, Contemning fortune, had that feverish pride Of valour not been quenched in hope to save My infant son from an untimely grave. But he, when from domestic ills conveyed In safety, being by treacherous fate betrayed, Either by death or ignorance, from what His stars, when kindled first, were pointed at, 280 Either lives not, or else concealed within Some coarse disguise, whose poverty hath been So long his dull companion, till he’s grown Not less to us than to himself unknown. ‘All this being weighed in Reason’s scale, is there Aught in ’t can tempt decrepit age to bear Such glorious burthens, which if fortunate In the obtaining of, in Nature’s date Can have no long account, ere I again What I had got with danger, kept with pain, 290 Summoned by Death—the grave’s black monarch, must With sorrow lose? Yet since that Heaven so just, And you so loyal I have found, that it Might argue fear, if I unmoved should sit At all your just desires, I here, 7’ the sight Of Heaven declare, together with my right, To prosecute your liberties as far As justice dares to patronize a war.” ‘This, with a magnanimity that showed His youth’s brave spirits were not all bestowed goo On the accounts of age, had to so high A pitch of zeal inflamed their loyalty, That in contempt of slow-paced counsels they Did, like rash youth, whose wit wants time’s allay, Haste to unripe engagements, such as found The issue weak, whose parents are unsound. ‘All, to those towns where neighbourhood had made Them loved for virtue, or for power obeyed, Whilst each with his peculiar guard attends His honoured prince, employ their active friends ; 310 Who having with collecting trumpets made Important errands ready to invade ( 232 ) Canto V] Pharonnida The people’s censure, for a theme to fame— Their long-lost prince’s safe return proclaim : Which, though at first a subject it appeared Only for faith, when circumstance had cleared The eye of reason, from each nobler mind The embraces of a welcome -truth did find. In public throngs, whilst every forward friend Spoke his resolves, his sullen foes did spend 320 Their doubts in private whispers; by exchange Of which they found hate had no further range Than close intelligence, whose utmost bounds Ere they obtain, the useful trumpet sounds No distant summons, but close marches to His loyal friends; whom now their foes might view In troops, which if fate favour their intents, Ere long must swell to big-bulked regiments. Through country towns, and cities’ prouder streets, The murmuring drum in busy marches meets 330 Such forward valour—husbandmen did fear The earth would languish the succeeding year For want of labourers ; nor could business stop The straitened ’prentice, who, the slighted shop Left to his angry master (who must be Forced to abridge his seven years’ tyranny), Changes the baser utensils of trade For burnished arms, and by example made More valiant, scorns those shadows which they feared More than rough war, whilst ’mongst the city’s herd. 340 ‘To regiments from scattering bands being grown, From that to armies, whose big looks made known Those bold designs, which justice feared to own, Though her’s till placed in Power’s imperial throne, They now toward action haste. Which to begin, Whilst castles are secured, and towns girt in With arméd lines, whose palisadoes had Whole forests of their whispering oaks unclad ; The prince, his mercy willing to prevent Approaching danger, by a herald sent 350 To Zarrobrin, commands him to lay down His arms, and, as he owed unto his crown A subject’s due allegiance, to appear, Before a month was added to that year, Within his court; which now, since action gave Life to that body whose firm strength did save His life—by treason levelled at, was in His moving camp. But this too weak to win 358 this] Here either ‘is’ might be absorbed or ‘being’ left out. Singer apparently thought the former was the case and put a semi-colon at ‘rebel.’ I think the latter more Chamberlaynian, and prefer acomma. Cf. ‘But come’ znjra, l. 365. ( 233 ) William Chamberlayne [Book IV The doubtful rebel, since his lawful right Swords must dispute, the prince prepares to fight. 360 ‘Proud Zarrobrin, who had by late success Taught Syracuse how to avoid distress By seeking peace, like a black storm that flies On southern winds, which in a tumult rise From neighbouring seas, was on his march. But come So near the prince, that now he had by some Of’s spreading scouts made full discovery where His army lay, whose scarce discovered rear Such distance from their well-armed van appeared, That such, whose judgements were with numbers feared, 370 Making no further inquisition, fled— By swift report their pale disease to spread. Disturbing clouds, which rather seemed to rise From guilt than fear, spread darkness o’er the eyes O’ the rebels, who, although by custom made To death familiar, wish their killing trade In peace concluded; and with murmurs, nigh Grown to the boldness of a mutiny, Question their own frail judgements, which so oft Had life exposed to dangers, that had brought 380 No more reward than what preserved them still The slaves unto a proud commander’s will. To stop this swift infection, which, begun In lowly huts, to lofty tents had run, Sly Zarrobrin, who to preserve the esteem Of honour, least liberality might seem The child of fear, with secret speed prevents What he appears to slight—their discontents, As if attending, though attended by Their young mock-prince, whose landscape royalty 390 Showed only fair when viewed at distance, he Passing with slow observant pace to see Each squadron’s order, he confirms their love With donatives, such as were far above Their hopes if victors; then, to show that in That pride of bounty he’d not strove to win Assistance by unworthy bribes, he leads Them far from danger, since his judgement reads In long experience—that authentic story, Whose lines have taught the nearest way to glory— 400 That soft delays, like treacherous streams, which by Submitting let the rash intruder try Their dangerous depth, to an unwilling stay His fierce pursuers would ere long betray: Whose force, since of the untutored multitude, By want made desperate and by custom rude, Would soon waste their unwieldy strength ; whilst they, Whom discipline had taught how to obey, ( 234) Canto V] Pharonnida By pay made nimble and by order sure, Would war's delays with easier wants endure. 410 ‘This sound advice meeting with sad success From the pursuing army, whose distress, From tedious marches being too clamorous grown For’s friends’ estates to quiet, soon was shown In actions such, which though necessity Enforced on virtue, made their presence be To the inconsiderate vulgar, whose loose glance For virtue takes vice glossed with circumstance, Such an oppression, that comparing those Which fled with mildness, they behold as foes, 420 Only their ruder followers, whom they curse— Not that their cause, but company was worse. ‘When thus their wants had brought disorder in, And that neglect whose looser garb had been At first so shy, that what was hardly known From business then, was now to custom grown ; This large-limbed body, since united by No cement but the love to loyalty, Loses those baser parts, such as to please Unworthy ends turned duty to disease, 430 Retaining only those whose valour sought No more reward than what with blood they bought. But here,—to show that slumbering Justice may, Oppressed with power, faint in the busy day Of doubtful battlk—when their valour had So many souls from robes of flesh unclad Of his brave friends, that the forsaken prince, Whose sad success taught knowledge to convince The arguments of hope, unguarded, left Unto pursuing foes, was soon bereft 440 Of all that in this cloud of fortune might, By opposition or unworthy flight, But promise safety ; and, when death denied Him her last dark retreat, to raise the pride Of an insulting foe, is forced to see The scorn of greatness in captivity. ‘Yet with more terror to limn sorrow in His mighty soul, such friends, as had not been By death discharged in fatal battle, now Suffered so much as made even fear allow 450 Her palest sons to seek in future wars Brave victory, got by age’s honour—scars, Or braver death—that antidote of shame, Whose stage none pass upon the road of fame; Those that fared best being murdered, others sent With life to more afflicting banishment.’ 436 flesh] Orig. ‘fresh.’ 447 limn] Orig. ‘limb.’ ( 235 . William Chamberlayne When thus by him, whose sacred order made The truth authentic, from his fortune’s shade Argalia was redeemed; the prelate, to Confirm his story, from his bosom drew 460 The jewel, which having by ways unknown To him that wore it opened, there was shown By wit contracted into art, as rare As his that durst make silver spheres compare With heaven’s light motion, an effigies, which His royal sire, whilst beauty did enrich His youth, appeared in such epitome, As spacious fields are represented by Rare optics on opposing walls, where sight Is cozened with imperfect forms of light. 470 When with such joy as Scythians, that grow proud Of day, behold light gild an eastern cloud, Argalia long had viewed that picture, in Whose face he saw forms that said his had been Drawn by that pattern, with such thanks, as best The silent eloquence of looks exprest, The night grown ancient ere their story’s end, With solemn joy leaves his informing friend. 465-467 which... appeared] ‘In which’ or ‘displayed’ would of course be required by precisians. THE END OF THE FOURTH BOOK. ( 236 ) BOOK V. Canto I THE ARGUMENT Tired with afflictions, in a safe retreat From the active world, Pharonnida is now Making a sacred monastry her seat; __ Where, near approaching the confirming vow, A rude assault makes her a prisoner to Almanzor’s power; to expiate whose sin, The subtle traitor swiftly leads her to The court, where she had long a stranger been. HERE harsh employments, the unsavoury weeds Of barren wants, had overrun the seeds Of fancy with domestic cares, and in Those winter storms shipwrecked whate’er had been My youth’s imperfect offspring, had not I, For love of this, neglected poverty— That meagre fiend, whose rusty talons stick Contempt on all that are enforced to seek Like me a poor subsistence ’mongst the low Shrubs of employment ; whilst blest wits, that grow Io Good Fortune’s favourites, like proud cedars stand, Scorning the stroke of every feeble hand, Whose vain attempts, though they should martyr sense, Would be repulsed with big-bulked confidence: Yet blush not, gentle Muse! thou oft hast had Followers, by Fortune’s hand as meanly clad, And such as, when time had worn envy forth, Succeeding ages honoured for their worth. Then though not by these rare examples fired To vain presumption, with a soul untired 20 As his, whose fancy’s short ephemeras know No life—but what doth from his liquor flow, Whose wit, grown wanton with Canary’s wealth, Makes the chaste Muse a pandress to a health, Our royal lovers’ story I’ll pursue Through Time’s dark paths; which now have led me to Behold Argalia, by assisting Art Advanced to health, preparing to depart From his obscure abode, to prosecute Designs, which, when success strikes terror mute 30 With ‘pleasing joy, shall him the mirror prove Of forward valour, glossed with filial love. But let us here with prosperous blessings leave Awhile the noble hero, and receive ( 237 ) William Chamberlayne [Book V From Time’s accounts the often varying story Of her whose love conducted him to glory, Distressed Pharonnida; whose sufferings grown Too great for all that virtue ere had known From human precepts, flies for refuge to Heaven’s narrowest paths, where the directing clew 40 Of law, to which the earth for order owes, Lost in zeal’s light, a useless trouble grows. Returned were all the messengers, which she Had at the first salutes of liberty To seek Argalia sent: but since none brought Her passion’s ease, sick Hope no longer sought Those flattering empirics; but at Love’s bright fires Kindling her zeal, with sober pace retires From all expected honours, to bestow What time her youth did yet to Nature owe, 50 A solemn recluse, by a sacred vow Locked up from action, whilst she practised how, By speculation safely to attain What busier mortals doubtfully do gain. Within the compass of the valley, where Ismander’s palace stood, the pious care Of elder times had placed a monastry, Whose fair possessors, from life’s tumults free, In a calm voyage towards Heaven—their home, there spent The quiet hours, so sweetly innocent, 60 As if that place, that happy place, had been Of all the earth alone exempt from sin ; Some sacred power ordaining (when ’twas given) It for the next preparing school to heaven, From whence those vestals should, when life expires, Be for supplies advanced to heavenly choirs. Lost to the world in sorrow’s labyrinths, here Pharonnida, now out of hope to clear This tempest of her fate, resolves to cast Her faith’s firm anchor: but before she passed 40 The dangerous straits of a restrictive vow, She, to such friends as judgement taught her how To prize, imparts it; ’mongst which few, the fair Silvandra, whom lost love had taught despair, With sad Florenza, both resolve to take The same strict habit, and with her forsake The treacherous world. But to disturb this clear Stream of devotion, soon there did appear Dissuading friends—Ismander, loath to lose So loved a guest, whilst she’s of power to choose, 80 Together with the virtuous Ammida, Spend their most powerful arguments to draw Her from those cold thoughts, that her virtue might, Whilst unconcealed, lend weaker mortals light. { 238 ) CANTO I] Pharonnida Long had this friendly conflict lasted, ere Her conquered friends, whom a religious care Frighted from robbing Heaven of saints, withdrew To mourn her loss; yet ere they left her to Her cloistered cell, Ismander, to comply With aged custom, calls such friends whom nigh Abode had made familiar, to attend His royal guest. Some hasty days they spend In solemn feasting, where each friend, although Clothed as when they at triumphs met, did show A silent sadness, such as wretched brides, When the neglected nuptial robe but hides The cares of an obstructed love, before Harsh parents wear. The mirthless feast passed o’er, The noble virgins, in procession by The mourning train, unto the monastry Slowly conducted are; each led by two Full-breasted maids, whom Hymen, to renew The world’s decaying stock, his joys to prove By contracts summoned to conjugal love. These as they passed, like paranymphs which led Young beauties to espouse a maidenhead, With harmony, whose each concording part Tickled the ear, whilst it did strike the heart With mournful numbers, rifling every breast Of their deep thoughts, thus the sad sense exprest. I. To secret walks, to silent shades, To places where no voice invades The air, but what ’s created by Their own retired society, Slowly these blooming nymphs we bring To wither out their fragrant spring ; For whose sweet odours lovers pine, Where beauty doth but vainly shine: Cuo. Where Nature’s wealth, and Art’s assisting cost, Both in the beams of distant Hope are lost. II. To cloisters where cold damps destroy The busy thoughts of bridal joy ; To vows whose harsh events must be Uncoupled cold virginity ; To pensive prayers, where Heaven appears Through the pale cloud of private tears ; These captive virgins we must leave, Till freedom they from death receive : Cuo. Only in this remote conclusion blest, This vale of tears leads to eternal rest. ( 239 ) 99 100 1IO 120 130 William Chamberlayne [Book V ITI. Then since that such a choice as theirs, Which styles them the undoubted heirs To Heaven, ’twere sinful to repent ; Here may they live, till beauty spent In a religious life, prepare Them with their fellow-saints to share Celestial joys, for whose desire They freely from the world retire: Cuo. Go then, and rest in blessed peace, whilst we Deplore the loss of such society. 140 Through all the slow delays of love arrived To the unguarded gate, Friendship, that thrived Not in Persuasion’s rhetoric, withdraws Her forces to assist that juster cause— Prayers for their future good—with which whilst they Are taking leave, the unfolded gates give way For the blest votaries’ entrance, whom to meet, A hundred pair of maids, more chastely sweet Than flowers which grow untouched in deserts, were Led by their abbess; to whose pious care 150 These being joined, with such a sad reverse Of eyes o’erflowing, (as the sable herse Close mourners leave, when they must see no more Their coffined dead), their friends are from the door With eager looks, woe’s last—since now denied A further view—departs unsatisfied. This last of duties, which the dearest friend Ought to perform, brought to successful end ; For here no custom with a dowry’s price At entrance paid, nursed slothful avarice ; 160 They’re softly led through a fair garden where Each walk was by the founder’s pious care, For various fancies, wanton imagery, © To catch the heart, and not to court the eye, Adorned with sacred histories. From hence T’ the centre of this fair circumference, The fabric come, the roving eye, confined Within the buildings, to enlarge the mind In contemplation, saw where happy art Had on the figured walls the second part 170 Of sacred story drawn, in lines that had The world’s Redeemer, from His first being clad In robes of flesh, presented to the view Through all His passions, till it brought Him to 156 departs] Singer, on general grammatical principles as usual, ‘depart.’ But he does not seem to have noticed that, if any alteration is made, a participle is required for ‘are.’ Chamberlayne would not have hesitated to write ‘are departed’ and I am not sure that he would have hesitated to scan ‘depart'd.’ ( 240 ) CANTO I] Pharonnida The cross, that highest seal of love, where He A sinless offering died, from sin to free The captived world, which knew no other price But that to pay the debts of paradise. Passed through this place, where bleeding passion strove Their melting pity to refine to love, 180 They ’re now the temple entered; where, to screen Their thoughts yet nearer Heaven, whom they had seen I’ the entrance scourged, contemned, and crucified, They there beheld, though veils of glory hide Some part of the amazing majesty, In His ascension, as when raised to be, For them that hear His death freed from the hate Of angry Heaven, the powerful advocate. Besides these bold attempts of art that stood To fright the wicked, or to prompt the good, 190 Something more great, more sacred, than could by Art be expressed, without the help of the eye Reached at the centre of the soul; from whence To Heaven, our raised desires’ circumference, Striking the lines of contemplation, she, Wrapped from the earth, is, in an ecstasy Holy and high, through faith’s clear optic shown Those joys which to departed saints are known. Before those prayers, which zeal had tedious made, With their last troops did conquered Heaven invade, 200 The day was on the glittering wings of light Fled to the western world, and swarthy night In her black empire throned; from silver shrines The kindled lamps through all the temple shines With dappled rays, that did to the eye present The beauties of the larger firmament. In which still calm, when all their rites were now So near performed, that the confirming vow Alone remained, a sudden noise, of rude And clamorous sound, did through the ear intrude ato On their affrighted fancies, in so high A voice, that all their sacred harmony, In this confusion lost, appeared so small, As if that whispered which was made to call. Although the awful majesty that here Religion held, the weak effects of fear With faith expelled, yet when that nearer to Their slender gates the murmuring tumult drew, The abbess sends not to secure, but see Who durst attempt what Heaven from all kept free 220 By strictest law, save those unhallowed hands That follow curses whilst they fly commands: But they being entered, ere the timorous scout Could notice give, fear, which first sprung from doubt, (24) R William Chamberlayne [Boox V Being into wild confusion grown, from all Set forms affrights them; whilst at once they call For Heaven’s protecting mercy, to behold That place where peaceful saints used to unfold Heaven’s oracles, possessed with villains that Did ne’er know aught but want to tremble at, 230 Which looked like those that with proud angels fell, And to storm Heaven were sent in arms from Hell; Converts that scene, where nothing did appear But calm devotion, to ‘distracting fear. Amazed with horror, each sad vot’ress stands, Whilst sacred relics drop from trembling hands ; Here one whose heart with fear’s convulsions faint, Flies to the shrine of her protecting saint ; By her another stands, whose spirits spent In passion, looks pale as her monument: 240 One shrieks, another prays, a third had crossed Herself so much, ill angels might have lost The way to hurt her, if not taught to do ’t, Cause she t’ the sign too much did attribute. The royal stranger, by her fear. pursued, To the altar fled, had with mixed passion viewed This dreadful troop, whilst from the temple gate They passed the seat where trembling virgins sat Free from uncivil wrongs, as if that they That entered had been men prepared to pray, 250 Not come to ravish ; from which sight her fear Picks flowers of hope, but such as, they drawn near, From fancy’s soft lap, in a hurricane Of passion dropped her prayers and tears in vain, As words in winds, or showers in seas, when they Prepare for ruin the obstructed way To pity, which her stock of prayers had cost, In the dark shade of sudden horror lost. Seized on by two o’ the sacrilegious train, Whose black disguise had made the eye in vain 260 Seek to inform the soul, she and the poor Florenza, whilst their helpless friends deplore With silent tears so sad a loss, are drew From the clasped altar in the offended view Of their protecting saints ; from whose shrines in A dismal omen dropped whate’er had been With hopes of merit placed. Black sulphury damps With swift convulsions quenched the sacred lamps, The fabric shakes, and, as if grieved they stood To circle guilt, the walls sweat tears of blood. 270 Shrieks, such as if those sainted souls, that there Trod Heaven’s straight paths, in their just quarrel were 271 sainted] Orig. ‘ fainted ’—of course a mere ‘literal’ for the long s. ( 242 ) Canto I] Pharonnida Rose from their silent dormitories to Deter their foes, through all the temple flew. But here in vain destroying angels shook The sword of vengeance, whilst his bold crimes struck ’Gainst heaven in high contempt; with impious haste, Snatched from the altar, whilst their friends did waste Unheard orisons for their safety, they Unto the fabric’s utmost gate convey 280 Their beauteous prizes, where with silence stood Their dreadful guard, which, like a neighbouring wood, When vapours tip the naked boughs in light, With unsheathed swords through the black mists of night A sparkling terror struck, with such a speed As scarce gave time to fear what would succeed To such preceding villanies. Within Her coach imprisoned, the sad princess, in A march for swiftness such as busy war Hastes to meet death in, but for silence far 290 More still than funerals, is by that black troop, With such a change as falling stars do stoop To night’s black region, from the monastry Hurried in haste; by whom, or whither, she Yet knows no more than souls departing, when Or where to meet in robes of flesh again. The day salutes her, and uncurtained light Welcomes her through the confines of the night, But lends no comfort; every object that It showed her, being such as frighted at, 300 The prince of day, grieved he’d no longer slept, To shun, shrunk back beneath a cloud, and wept. When the unfolded curtains gave her eyes Leave to look forth, a troop, whose close disguise Were stubborn arms, she only saw, and they So silent, nought but motion did betray The faculties of life; by whom being led, In such a sad march as their honoured dead Close mourners follow, she, some slow-paced days ’Mongst strangers passing, thorough stranger ways 310 At both amazed, at length, unfathomed by Her deepest thought, within the reach of the eye Her known Gerenza views; but with a look From whence cold passion all the blood had took, And in her face, that frozen sea of fear, Left nought but storms of wonder to appear. Convened within the spacious judgement-hall Of Reason, she ere this had summoned all Her weaker passions to the impartial bar Of moral virtue, where they sentenced are 320 310 thorough] Orig. ‘ through,’ contrary to contemporary practice where this metrical value is required. ( 243 ) R2 William Chamberlayne [Boox V Only to an untroubled silence ; in Which serious act whilst she had busied been, She is, unnoted, ere the fall of day Brought by her convoy to a lodge that lay Off from the road, a place, when seen, she knew Ere his rebellion had belonged unto Her worst of foes, Almanzor; which begins At first a doubt, whose growing force soon wins The field of faith, and tells her timorous thought, Her father’s troops would ne’er have thither brought 330 Her, if designed to suffer, since that he Knew those more fit for close captivity. But long her reason lies not fettered in These cross dilemmas; the slow night had been With tedious hours passed o’er, whilst she by none But mutes, no less unheard than they’re unknown, Is only waited on; by whom, when day To action called, she veiled, is led the way To the attending convoy, who had now Varied the scene ;—Almanzor, studying how 340 To court compassion in his prince, dares not At the first view, ere merit had begot A calm remission of rebellious sin, Affront an anger which had justice been In his confusion; his arms he now behind, As that which might too soon have called to mind His former crimes, he leaves, and for them took, To gain the aspect of a pitying look, A hermit’s homely weed: his willing train, By that fair gloss their liberties to gain, 350 Rode armed; but so, what for offence they bore, Was in submission to lay down before The throne of injured power, to cure whose fear Their arméd heads on haltered necks appear. Near to the rear of these, the princess in A mourning litter, close as she had been In a night-march unto her tomb, is through The city’s wondering tumults led unto The royal palace, at whose gates all stay, Save bold Almanzor; whom the guards obey 360 For his appearing sanctity so much, That he unquestioned enters, and, thought such As his grave habit promised, soon obtained The prince’s sight; where with a gesture feigned To all the shapes of true devotion, he By a successful fiction comes to be Esteemed the true converter of those wild Bandits, which, being by their own crimes exiled, 345, 347 he] One of these is of course superfluous and the first is not even necessary for the metre. (244) CANTO I] Pharonnida In spite of law had lived to punish those Which did the rules of punishment compose. These being pardoned, as he’d took from thence Encouragement, veiled under the pretence Of a religious pity, he begins, In language whose emollient smoothness wins An easy conquest on belief, to frame A sad petition; which, although in name It had disguised Pharonnida, did find So much of pity as the prince, inclined To lend his aid for the relief of her Whose virtue found so fair a character In his description, it might make unblest That power which left so much of worth distrest. Though too much tired with private cares to show In public throngs, how much his love did owe To suffering virtue; yet since told that she Was too much masked in clouds of grief to be The object of the censuring court, he to The litter goes, whose sable veil withdrew, With wonder, that did scarce belief admit, Shadowed in grief, he sees his daughter sit, His long-lost daughter, whom unsought, to be Thus strangely found, to such an ecstasy Of joy exalts him, that his spirits by Those swift pulsations had been all let fly With thanks towards Heaven, had not the royal maid With showers of penitential tears allayed Those hotter passions, and revoked him to Support her griefs, whose burthen had outgrew The powers of life, but that there did appear Kind Nature’s love to cure weak Nature’s fear. In this encounter of their passions, both With sorrow silent stood, words being loath To intrude upon their busy thoughts, till they In moist compassion melted had away His anger’s fever and her frozen fears In nature’s balm, soft love’s extracted tears: Like a sad patient, whose forgotten strength Decayed by chronic ills, hath made the length Of life his burthen, when near death, meets there Unhoped-for health; so from continual care, The soul’s slow hectic, elevated by This cordial joy, the slothful lethargy Of age or sorrow finds an easier cure Than the unsafe extreme, a calenture. Nor are these comforts long constrained to rest Within the confines of his own swelled breast, Ere its dismantled rays did in a flight, Swift as the motions of unbodied light, ( 245 ) 380 39° 400 410 William Chamberlayne [Book V Disperse its epidemic virtues through The joyful court ; which now arrived unto 420 Its former splendour, Heaven’s expected praise Doth on the wings of candid mercy raise: Which spreading in a joyful jubilee To all offenders, tells Almanzor he Might safely now unmask; which done, ere yet Discovered, at the well-pleased prince’s feet, Humbled with guilt, he kneels; who, at the sight As much amazed as so sublime. a flight Of joy admitted, stands attentive to What did in these submissive words ensue. 430 ‘Behold, great sir, for now I dare be seen An object for your mercy, that had been Too dreadful for discovery, had not this Preceding joy told me no crime could miss The road of mercy, though, like mine, a sin The suffering nation is enveloped in. Sunk in the ocean of my guilt, I’d gone, A desperate rebel, waited on by none But outlaws, to a grave obscure, had not Relenting Heaven thus taught me how to blot 440 Out some of sin’s black characters, ere I Beheld the beams of injured majesty.’ This, in his passion’s relaxation spoke, Persuades the prince’s justice to revoke Its former rigour. By the helpful hand Of mercy raised, Almanzor soon did stand Not only pardoned, but secured by all His former honours from a future fall, Making that fortune, which did now appear Their pity’s object, through the glass of fear 450 With envy looked on; but in vain, he stood Confirmed in love’s meridian altitude, The length of life from Honour’s western shade, Except in new rebellion retrograde : Which plotting leave him, till the winding clew Of fancy shall conduct your knowledge to Those uncouth vaults; and mounting the next story, See virtue climbing to the throne of glory. THE END OF THE FIRST CANTO. 426 prince’s] Singer, nodding, ‘princess’.’ In orig. these words are often inter- changed. ( 246 ) CaNTO IT] Pharonnida Canto II THE ARGUMENT Leaving Pharonnida to entertain The various passions of her father, we Must now return to see Argalia gain That power by which he sets his father free. From the command of haughty rebels, who By justice sent to a deserved death, Argalia takes the crown, his merits’ due, And the old prince in peace resigns his breath, RETURNED to see what all the dark records Of the old Spartan history affords I’ the progress of Argalia’s fate, I found The chained historian here so strictly bound To follow truth, although at danger’s cost, No silent night, nor smoky battle lost The doubtful road ; which often did appear Through floods of faction filled with storms of fear, Obscure and dark to the belief of that Less guilty age; though then to tremble at 10 Rome’s bold ambition, and those prodigies Of earth, their tyrants, to inform their eyes, Left mourning monuments of ill, but none Like what they now attempt, a sin unknown To old aspirers, which should have been sent Some ages forward for a precedent To these, with whom compared, their crimes had been, Though past to act, but weak essays of sin. With such a speed as the supplies of air, Fearing a vacuum, hasten to repair 20 The ruptures of the earth, at our last view We left revived Argalia posting to Etolia’s distant confines; where arrived, He found their army, whose attempts had thrived, Since he Epirus had forsook, so far Advanced, that now the varied scene of war, Transferred to faithless Ardenna, was there Fixed in a siege, whose slow approaches were The doubts of both. The city pines for fear Remote supplies might fail, which drawn so near, 30 The circling army knows, that either they Must fly from conquest near obtained, or stay To meet a danger, which by judgement scanned, Their strength appears unable to withstand. Whilst thus their pensive leaders busied are In cross dilemmas, as by public war He meant to meet revenge in private, to Their camp Argaiia comes; a camp which knew ( 247) William Chamberlayne [Book V Him by the fair wrought characters of fame So well, that now he needs no more than name 4o Himself to merit welcome, all mistrust Being cleared by them which left, as too unjust To be obeyed, the false Epirot’s side, When by his loss made subject to the pride Of stranger chiefs; these for their virtue praised, For number feared, to such a height had raised Applauding truths of him, that Zarrobrin, Conjoined to one he trembled at whilst seen In opposition, slights what did of late Appear a dreadful precipice of fate. 50 Lest poor employments might make favour show Like faint mistrust, he doth at first bestow On the brave stranger the supreme command Of some choice horse, selected to withstand The fierce Epirot’s march ; whose army, ere The slow A®tolians could their strength prepare Fit to resist, if not by him withstood, With ease had gained a dangerous neighbourhood. But he, whose anger’s thunderbolts could stay, Though hurled from clouds of rage, if the allay 60 Of judgement interposed, here finding nought More safe than haste, ere his secure foes thought Of opposition, strongly had possessed A strait in which small troops had oft distressed Large bodied armies, until brought so low, Those they contemned did liberty bestow. Whilst stopped by this unlooked-for remora, The baffled army oft had strove to draw Argalia from his safe retreats, but found His art of more advantage than his ground; 70 In the dead age of unsuccessful night A forward party, which had learned to fight From honour’s dictates, not commands, being by Youth’s hasty guide, rash valour, brought so nigh Argalia’s troops, that in a storm which cost Some lives, they many noble captives lost : Amongst which number, as if thither sent By such a fate as showed Heaven’s close intent Pointed at good, Euriolus appears First a sad captive: but those common fears 80 Soon, whilst in conflict with his passions, rest On the wished object of his long inquest— Admired Argalia, to whose joy he brings As much of honour, as elected kings Meet in those votes, which so auspicious prove, They light to honour with the rays of love. Having from him in full relation heard Pharonnida yet lived, whom long he feared (248 ) CANTO I] Pharonnida Beyond redemption lost, they thence proceed To counsels, whose mature results might breed go Their heedless foes confusion ; which, since they That now were captives bore the greatest sway In the opposing army, proves a task So free from danger, death did scarce unmask The face of horror in a charge, before Argalia’s name, echoed in praises o’er The rallied troops, summons from thence so large A party, that the valour of a charge In those that stood were madness, which to shun, Base cowards taught brave fighters how to run. 100 This easy conquest gained, ere Zarrobrin Was with his slower army drawn within The noise o’ the battle, to such vast extent Of fame, high virtue’s spreading ornament, Had raised Argalia’s merits, that the pride Of his commander wisely laid aside For such advantage, to let Honour stand On her own basis, the supreme command Of all the strangers in his camp to him He freely gives; a power which soon would dim 1I0 His, if ere by some harsh distemper placed In opposition, but his thoughts embraced In all suspicion’s darkest cells no fiend So pale as fear; fixed on the sudden end Of high designs, he looks on this success As the straight road to future happiness. With such a speed as prosperous victors go To see and conquer, when the vanquished foe Retreats from honour, the tolian had Followed success, till that fair hand unclad 120 The sunk Epirot of his strength; and now, Secured from foreign ills, was studying how To cure domestic dangers: which since he The weak foundation of his tyranny Had fixed in sand but only cemented With loyal blood, such just contempt had bred In the age’s deep discerning judgements, that The unsettled herd, ere scarcely lightened at Those sober flames, like ill-mixed vapours break In blustering murmurs forth ; which, though too weak 130 To force his fortune on the rocks of hate, With terror shook the structure of his fate. Like wise physicians, which, when called to cure Infectious ills, with antidotes make sure Themselves from danger; since hypocrisy Could steal no entrance to affection, he Leads part of ’s army for his guard, that they, Where mines did fail, by storm might force a way. ( 249 ) William Chamberlayne But since he doubts constrained domestics, though Abroad obedient, might, when come to know From burthened friends their cause of grief, forsake Unjust commands, his wiser care did take Argalia and his stranger troops, as those Which, unconcerned, he freely might dispose To wind up all the engines of his brain, So guilt was gilded with the hopes of gain. By hasty marches being arrived with these Within /Etolia, where his frowns appease Those bubbles that, their Neptune absent, would Have swelled to waves ; ere his hot spirits cooled Were with relaxing rest, he visits him, The weak reflex of whose light crown looks dim T’ the burnished splendour of his blade, that set Him only there to be the cabinet Of that usurped diadem; which he, Whose subtle arts in clouded brows could see The heart’s intended storms, beheld without His unstrained reach, until the people’s doubt, Which yet lived in the dawn of hope, he saw O’ershadowed with the forms of injured law. Though Time, that fatal enemy to truth, Had not alone robbed the fresh thoughts of youth O’ the knowledge of their long lost prince, but been, Even unto those that had adored him in His throne, Oblivion’s handmaid; yet left by Some power occult, that in captivity Forsakes not injured monarchs, there remained In most some passions, which first entertained At Pity’s cost, at length by Reason tried Grew so much loved, that only power denied Them to support his sinking cause. Which seen By Zarrobrin, whose tyranny had been At first their fear, and now their hate, he brings His army, an elixir, which to kings Transforms plebeians, by the strength of that To bind those hands that else had struggled at Their head’s offence ; which wanting power to cure, They now with grief’s convulsions must endure. A court convened of such whose killing trade The rigid law so flexible had made, That their keen votes had forced the bloodiest field To the deep tincture of the scaffold yield ; Forth of his uncouth prison summoned by The rude commands of wronged authority, An object which succeeding ages, when But spoke of, weep, because they blushed not then, The prince appears—a guarded captive in That city where his morning star had been ( 250 ) [Book V 140 150 160 180 Canto II] Pharonnida Beheld in honour’s zenith; slowly by Inferior slaves, which ne’er on majesty, 190 Whilst uneclipsed, durst look, being led to prove Who blushed with anger, or looked pale with love. By these being to a mock tribunal brought, Where damned rebellion for disguise had sought The veil of justice, but so thinly spread, Each stroke, their envy levelled at his head, Betrayed black Treason’s hand, couched in that vote Which struck with law to cut Religion’s throat. From a poor pleader, whose cheap conscience had Been sold for bribes, long ere the purple clad 200 So base a thing, their calm-souled sovereign hears Death’s fatal doom; which when pronounced, appears His candour, and their guilt: the one exprest By a reception, which declared his breast Unstirred with passion; the other struggling in Their troubled looks, which showed this monstrous sin, That this damned plot did to rebellion bear, Even frighted those that treason’s midwives were. Hence, all their black designs encouraged by The levelled paths of prosperous villany, 210 High-mounted mischief, stretched upon the wing Of powerful ill, pursues the helpless king To the last stage of life, a scaffold; whence, With tears, cheap offerings to his innocence, Such of his pitying friends as durst disclose Their passions, view him ; whilst insulting foes, Exalted on the pyramids of pride By long-winged power, with base contempt deride Their sorrow, and his sufferings whom they hate, Had followed near the period of his fate ; 220 Which being now so near arrived, that all With various passion did expect the fall Of the last fatal stroke, kind Heaven, to save A life so near the confines of the grave, Transcends dull hope by so sublime a flight, That dazzled faith, amazed with too much light, Whilst ecstasies of wonder did destroy Unripe belief, near lost the road of joy. Even with the juncture of that minute when The axe was falling, from those throngs of men 230 Swayed by’s command, Argalia, with a speed That startled action, mounts the stage, and freed The trembling prince from death’s pale fear; which done, To show on what just grounds he had begun So brave, so bold an action, seizes all That knowledge or suspicion dares to call 235 action] Singer reads ‘act, he,’ But the nominative is quite easily supplied from * mounts.’ ( 251 ) Wilham C hamber layne [Book V The tyrant’s friends. The guilty tyrant, who, Whilst he doth from his distant palace view This dreadful change, with a disdain as high As are his crimes, being apprehended by 240 Argalia’s nimble guards, is forced to be Their sad conductor to a destiny So full of horror, that it hardly lies In’s foes to save him for a sacrifice From their wild rage, who know no justice but What doth by death a stop to fury put. From noiseless prayers and bloodless looks being by The bold attempters of his liberty Raised to behold his rescue; heedless fear, Hatched by mistake, from those that bordered near, 250 Had with such swiftness its infection spread, That the more distant, knowing not what bred The busy tumult, in so wild a haste, As vanquished troops which at the heels are chased Fly the pursuing sword, they madly run To meet those dangers which they strove to shun: In which confusion none o’ the throng had been Left to behold how justice triumphed in Revenge’s throne, had not a swift command, By power enabled, hastened to withstand 260 That troubled torrent which the truth outgrew, Until their fears’ original they knew. The onset past, Argalia, having first Secured the tyrant, for whose blood the thirst Of the vexed people raged, he mounted on That scaffold whence his father should have gone A royal martyr to the grave, did there By a commanded silence first prepare The clamorous throng to hear the hidden cause Which made him slight their new-created laws. 270 Then, in that mart of satisfaction which With knowledge doth the doubtful herd enrich, The public view, he freely shows how far Through Fortune’s deserts the auspicious star Of Heaven’s unfathomed providence had led Him—from the axe to save that sacred head ; Whose reverend snow his full discovery had In the first dress of youthful vigour clad, Could constant Nature sympathize with that Reviving joy his spirits panted at. 280 His son’s relation, seconded by all That suffering sharer in his pitied fall, Mantinea’s bishop, knew, joined to the sight Of that known jewel, whose unwasted light Had served alone to guide them, satisfies The inquisition e’en of critic eyes ( 252) CanTo II] Pharonnida With such a fullness of content, that they, Each from his prince being lightened with a ray Of sprightly mirth, endeavoured to destroy Their former grief in hope of future joy: 290 Which to attain to, those whose counsels had The land in blood, and then in mourning clad, Called forth by order to confession, there Are scarce given time the foulness to declare Of their past crimes, before the people’s hate, That head-strong monster, strove to anticipate The sword of vengeance, and in wild rage save The labour of an ignominious grave To every parcel of those rent limbs that, When but beheld, they lately trembled at. 300 Such being the fate of falling tyrants, when Conquering, the fear, conquered, the scorn of men. But here lest inconsiderate rage should send Their souls to darkness, ere confession end Their tragic story, hated Zarrobrin, With that unhappy boy whose crown had been Worn but to make him capable to die A sacrifice to injured liberty, Rescued by order from the rout,.is to A public trial brought; where, in the view 310 Of all the injured multitude, the old Audacious traitor did t’ the light unfold His acts of darkness, which discovered him They gazed on, whilst unquestioned power did dim Discerning wits, but a dull meteor—one By hot ambition mounted to a throne, By an attractive policy, which when Its influence failed, back to that lazy fen, His fortune’s centre, hurling him again, The only star in honour’s orb would reign. 320 This sly impostor, seconded by that Rebellious guilt his actions offered at In all its bold attempts, had kindled in The late supporters of unprosperous sin So high a rage, that in wild fury they, Their anger wanting what it should obey— A sober judgement, stands not to dispute With the slow law, but with their strength confute All tending to delay ; like torrents broke Through the imprisoning banks, to get one stroke 330 At heads so hated, all rush in, until Their severed limbs want quantity to fill A room in the eyes’ receiving beams. This done, With blood and anger warmed, they wildly run To search out such whom consanguinity Had rendered so unhappy, as to be ( 253 ) William Chamberlayne [Book V Allied to them: all which, with rage that styled Beasts merciful, and angry soldiers mild, They to destruction chase; whilst guiltless walls, In which they dwelt, in funeral blazes falls ; Where burns inviting treasure, as they saw In the gold’s splendour an anathema So full of horror, as it seemed to be A plague beyond unpitied poverty. Impetuous rage, like whirlwinds unopposed, Hushed to a calm, as hate had but unclosed The anger-blinded eyes of love, the bold Flame, like a fire forced from repulsive cold, Breaks through the harsh extreme of hate, to show How much their loyal duty did outgrow Those fruits of forced obedience, which before They slowly to intruding tyrants bore. In which procession of their joy, that he Might meet their hopes with a solemnity Large as their love, or his delight, the prince, Taught by informing age how to convince Ambition’s hasty arguments, calls forth His long-lost son, whose late discovered worth Was grown the age’s wonder, to support The ponderous crown, whilst he did tread the short And sickly step of age, untroubled by The burthen of afflicting majesty. His coronation passed, in such a tide Of full content, as to be glorified Blest souls in the world’s conflagration shall From tombs their reunited bodies call, The feeble prince, leaving the joyful throng Of his applauding subjects, seeks among Religious shades, those cool retreats, to find That best composer of a stormy mind— A still devotion; on whose downy bed Not long he’d laid, before that entrance led Him to the court of Heaven, though through the gate Of welcome death, a cross, which though from fate, Not accident, he being instructed by Age and religion to prepare to die On Nature’s summons, yet so deep a strain Spreads o’er those robes that joy had died in grain, That his heroic son, to meet alone So fierce a foe, leaving the widowed throne, Retreats to silent tears; whose plenteous spring, By the example of their mourning king, From those small clouds there first beheld to rise, Begets a storm in every subject’s eyes. 353 procession] Singer ‘ profession,’ by no means necessarily, I think. ( 254) 340 350 360 380 Canto IT] Pharonnida Betraying Time, the world’s unquestioned thief, Intending o’er obliterated grief Some new transcription, to perform it brings A ravished quill from Love’s expanded wings, Presenting to Argalia’s willing view Whate’er blind chance rolled on the various clew Of his fair mistress’ fate, unfolded by Euriolus ; who was, when victory First gave him freedom, by Argalia sent With speed that might anticipate intent, The unconfined Pharonnida to free From her religious strict captivity. But being arrived where, contrary to all His thoughts, he heard how first she came to fall Into Almanzor’s hand, by whom conveyed Thence to her father’s court, his judgement stayed Not to consult with slow advice, but hastes On the pursuit of her; whom found, he wastes Few days before fair opportunity Was so auspicious to his prayers, that he Not only proves a happy messenger Where first employed, but in exchange for her Returns the story of what had been done Since first this tempest of their fate begun.— How she forsook the monastry, and in What agonies of passion thence had been Forced to her father’s court, where all her fears Dissolve in pity, he related hears With calm attention; but when come to that, Whose first conceptions he had trembled at, The Syracusan’s fresh assaults unto That virgin fort, whose strength although he knew Too great for storm, yet since assisted by Her father’s power, the wreaths of victory, Rent by command from his deserts, might crown Another’s brows. To pull those laurels down, Ere raised in triumph, he prepares to move By royal steps unto the throne of love. THE END OF THE SECOND CANTO. ( 255 ) 39° 400 410 420 William Chamberlayne [Book V Canto III THE ARGUMENT From the &tolians’ late victorious king Ambassadors in Sparta’s court arrive ; Where slighted, back they this sad message bring, That force must only make his just claim thrive. Which to confirm, the Epirot’s power invades His land, in hopes for full reward to have Pharonnida; but close Almanzor shades His glorious hopes in an untimely grave. AN unripe rumour, such as causes near Declining catch at, when betraying fear Plunges at hope, had through Gerenza spread The story of Argalia’s fate, but shed From such loose clouds of scattered fame, as by Observant wits were only thought to fly In the airy region of report, where they Are forced each wind of fancy to obey ; Whose various blasts, when brought unto the test Of judgement, rather the desires exprest, Io Than knowledge of its authors. Here, ’mongst those Of various censure, sly Almanzor chose To be of the believing part, since that Might soonest crush all hopes that levelled at Affection to Pharonnida, whom he Strove to preserve in calm neutrality. But here he fails to countermine his plot, This seeming fable soon appears begot By solid truth; a truth which scorns to lie Begging at th’ gates of probability : 20 Which to avoid, she from Argalia brings Ambassadors, those mouths of absent kings, ° To plead her right; at whose unlooked-for view, Almanzor, whose fallacious schemes were drew Only for false phenomena, is now Forced to erect new figures, and allow Each star its influence; but declared in vain, Since pride did lord of the ascendant reign— Pride, which, conjoined to policy, had made All other motions seem but retrograde. 30 His black arts thus deceived, since nought could make The dull spectator’s ignorance mistake This constellation for a comet, he Attempts with fear of its malignity To fright each busy gazer; and since all The circles of opinion were to fall ( 256 ) Canto IT] Pharonnida Like spacious azimuths in that zenith, to Settle the prince, through whom the people view All great conjunctions, where the different sign Should force those aspects, which might ’mongst that trine 40 Of love else hold a concord, to dispense On him its most destructive influence. The court being thus prepared, he boldly now Dares the delayed ambassadors allow A long expected audience, which in brief Makes known their master’s fate in the relief Of’s injured father; thence proceeds to show How much of praise his thankful friends did owe To Heaven for his own restored estate, which he Desires to join in calm confederacy 50 With’ them, his honoured neighbours; hence they past To what concerned Pharonnida, their last And most important message. Which, when heard In such a language as the rivals feared ; A language, which, to prove his interest In her unquestioned, come but to request The freedom of a father’s grant, a high But stifled rage began to mutiny In all their breasts, such as, if not withheld B’ the law of nations, had her father swelled ° 60 To open acts of violence; which seen By some o’ the lords, they calm his passion in A cool retreat, such as might seem to be, Though harsh contempt, wrapped in civility. Fired with disdain, the ambassadors, in such A speed which showed affronts that did but touch Their master’s honour wounded theirs, forsook Gerenza; whilst Euriolus betook Himself to some more safe disguise that might Protect him, till the subject of delight, 70 The course his royal master meant to steer In gaining her, his story makes appear Unto distressed Pharonnida: who, in That confidence secure as she had been From all succeeding ills protected by A guard of angels, in a harmony Of peaceful thoughts, such as in dangers keep Safe innocence, rocks all her cares asleep. But here, she rests not long before the fall Of second storms proves this short interval 80 But lightning, which in tempests shows unto Shores, which the shipwrecked must no more than view. Anger, Ambition, Hate, and jealous Fear, Had all conspired Love’s ruin, which drew near 54 the] Singer ‘ their, ( 257 ) S William Chamberlayne [Book V From hasty counsels’ rash results, which in His passion’s storm had by her father been, Like rocks which wretched mariners mistake For harbours, fled to, when he did forsake That safer channel of advice that might, From free conventions, like the welcome light go Of Pharos, guided his designs, till they At anchor in the road of honour lay. As if his fears by nothing could have been Secured, but what proved him ungrateful in Argalia’s ruin, all discourses are Distasteful grown, but what to sudden war Incites his rage: which humour, though it needs No greater fire than what his envy feeds, Besides those court tarantulas whose breath Stings easy princes, till they dance to death 100 At the delightful sound of flattery, there Were deeper wits, such whom a subtle care, Not servile fear, taught how to aggravate His anger’s flame, till their own eager hate, Though burning with a mortal fury, might Pass unobserved, since near a greater light. Amongst those few whose love did not depend So much on fortune, but the name of friend Was still preserved, the faithful Cyprian prince Durst only strive by reason to convince 110 Their wilder passions; but each argument With which affection struggled to prevent A swift destruction, only seemed to prove His friendship more effectual than his love. From which mistake, such as did strive to please The angry prince’s passionate disease, With what might feed the sickly humours, draw A consequence that proves Pharonnida A blessing which was to his merits due Who most opposed the bold aspirer to 120 That throne of beauty, which before possest, Whole armies must dispute their interest. The slighted Cyprian, since their fear could trust None but confederates, from their counsels thrust, Those swift conclusions, which before to stay Their violence had reason’s cool allay, Hurried to action, strict commands are sent From fierce Zoranza through each regiment Which stooped their ensigns to his power,—that, by Such marches as they’d follow victory, 130 They reach A®tolia, ere its new-crowned king, Warned by report, had liberty to bring 91 guided] The omission of ‘ have’ is characteristic, ( 258 ) Canto IIT] Pharonnida Opposing strengths,—a task too hard to be Performed with ease in power’s minority. Nor fails this counsel, for their army draws No sooner near, but such as in the cause Of unsuccessful rebels late had been Exposed to danger, seek for refuge in A fresh revolt; and, since their ulcerous guilt Was so malignant, that e’en mercy spilt * 140 Its balm in vain, their injured prince forsake, To strengthen his proud enemies, who make Those poisons up in cordials, and compound Them with their army: which being thus grown sound, Whereas it lately fainted, durst provoke Unto the trial of another stroke His late victorious forces; which, though yet Faint with the blood lost in the last great fit Of honour’s fever, when the crisis proved To cure’s prognostic, had with ease removed 150 The proud invaders, had Morea been, As heretofore, a hurtful neuter in That war; which now, since double strengths oppose, Brave fortitude like base oppression shows. So long both parties with variety Of fortune fought, that fearing whose might be The sad success, that old Cleander, in Such speed as if his crown engaged had been, Raises an army ; whose command, since he Base flattery takes for brave fidelity, 160 Waiving those peers to whose known faith he owes The most of trust, in hoodwinked hope bestows On false Almanzor; who by power advanced Near to those hopes at which ambition glanced, But like weak eyes upon the dazzling sun, From that last fatal stage his plots begun Mischief’s dark course, which, ere concluded, shall Crush the Epirot in Morea’s fall. In this, the hot distemper of their state, Amindor, whom the destinies of late, 170 To double-dye his honour’s purple thread, Robbed of a father, most disquieted Their secret counsels; since they knew the love He bore Argalia, propped with power, might prove A sad obstruction to their plots, if he, Urged by distastes, shook their confederacy Off to assist his friend. Which to oppose, With flattery—fleeting as the gourd that rose But to discover his just wrath that made The plant to cover, when it could not shade,— 180 They all attempt; though he engage not in Their party, yet his easy youth to win (259 ) S 2 William Chamberlayne [Book V By honour’s moths, by time’s betrayers, soft And smooth delights, those serpents which too oft Strangle Herculean virtues: but they here In age’s April find a wit appear Of such full growth, that by his judgement they Are undermined, who studied to betray. Being thus secured from foreign fears, they now Employ that rage, whose speed could scarce allow 199 Advice from counsel, to extirpate those New planted laurels victory did compose To crown Argalia. But before they go To ravish conquest from so cheap a foe, Whose valour by o’erwhelming power was barred From lying safe at a defensive guard, Till old Cleander, that their league might be Assured by bonds whose firm stability Death only could divorce, intends, though she, With such aversion as their destiny 200 Wretches condemned would shun, attempt to fly The storm of fate; yet countermanded by His power, the fair Pharonnida, although He not to love, but duty, seemed to owe For such a blessing, should Zoranza’s be, Confirmed by Hymen’s high solemnity. This resolution, whose self-ends must blame Her father’s love, once registered by fame, Submits to censure; whilst Pharonnida Laments her fate, some, prompted by the law 210 Of love and nature, are to entertain So much of freedom, as they prove in vain Her advocates; others, whose cautious fear Dares only pity, in that dress appear Silent and sad; only Almanzor, in This state distemper, by that subtle sin, Dissimulation, so disguises all His black intentions, that whilst truth did call Him treason’s agent, its reflected light, Appearance, spoke him virtue’s proselyte ; 220 So much a convert, as if all those hot Crimes of his youth ambition had begot, Discreeter age had either cooled, or by Repentance changed to zeal and loyalty. Whilst thus i’ the court the most judicious eyes Deluded were by faction’s false disguise, By rumours heavy as the damps of death When they fly laden with the dying breath Of new-departed souls, this fatal news Assaults the princess; which whilst reason views 230 With sad resentments, to support her in This storm of fate, Amindor, who had been ( 260 ) Canto IIT] Pharonnida In all her griefs her best adviser, now Enters, to tell her fainting sorrows how They ’d yet a refuge left, from whom she might Reap hopes of safety. The first welcome sight Of such a friend, whose former actions had Enhanced his worth, encountering with her sad And serious thoughts, so rarifies that cloud Of grief, that ere dissolving tears allowed A vocal utterance, as intended words Something contained too doleful for records, Both sighed, both wept: at length the princess broke Silence, and thus her dismal passions spoke. ‘Dare you, my lord, approach so near unto A factious grief, in this black storm to view Distressed Pharonnida! Have either I Or my Argalia’s slighted memory Yet in Morea a remaining friend, Whose virtue dares by its own strength contend Against this torrent of court factions? Now, Now, royal sir, that doom which will allow My soul no more refreshing slumbers, by My father’s passed—my father, sir, whom I Must disobey with all the curses due To black rebellion, or else prove untrue Those vows, those oft repeated vows, which in Our love’s full growth hath to Argalia been Sealed in the sight of Heaven.’—About to speak Her passions fuller, sorrow here did break The sad theme off, and to proclaim her fears, Except the o’erflowing language of her tears, No herald left. In which sad silent fit The valiant Cyprian, who at first did sit His passion’s prisoner, from that bondage free, To her disease prescribes this remedy. SYR ee # % Cease, madam, .........- Cease to eclipse illustrious beauty by Untimely tears; your grief’s deformity Frights not Amindor from his friendship. When I first beheld that miracle of men, Adored Argalia, pluck from victory His naval laurels, honour told me I Was then so much his virtue’s captive, that Not all the dangers mortals tremble at Can make me shun assisting of him in Retaining you; though my attempts have been Employed in vain, in public council to Procure your peace, there ’s something left to do, By which our private plots may undermine Their public power, and unperceived, decline That danger which, without this secret friend, ( 261 ) 240 250 260 280 William Chamberlayne [Book V It lies not in our fortune to defend.’ From grief’s cold swoon to living comforts by This cordial raised, Pharonnida’s reply Owns this pathetic language: ‘If there be In all the dark paths of my destiny Yet left a road to safety, name it, sir. What I'll attempt, no danger shall deter, So brave Amindor be my conduct through 290 The dismal road; but my wild hopes outgrow Whate’er ‘my reason dictates. No, my lord, Fly that sad fate whose progress can afford Nought but disasters, and live happy in Orlinda’s love. Should I attempt to win You from so fair a virtue, ’t were a wrong Too full of guilt to let me live among The number of your friends, ’mongst whom let me In all your future thoughts remembered be As the most wretched—to whom rigid fate 300 All hope’s weak cordials hath applied too late.’ Here ceased the sorrowing lady, to suspend Whose following tears, her charitable friend Prescribes this comfort :—‘ Though my zeal hath been, When serving you, so unsuccessful in My first attempts, it gives just cause to doubt My future actions ; yet to lead you out Of this dark labyrinth, where your sorrow stands Masked with amazements, not the countermands Of my affection to Orlinda, though 310 Confirmed by vows, shall stop; let Grief bestow But so much time, unclouded by your fear, To look Hope’s volumes o’er, there will appear Some lines of comfort yet; which that we may Not in a heedless horror cast away, Prepare for speedy action ; to prevent Ensuing ills, no time is left unspent, But only this approaching night; by which, To fly from danger, you must stoop to enrich A coarse disguise, whose humble shadows may 320 Inquiring eyes to dark mistakes betray. ‘Our first retreat, which is designed to be No further than the neighbouring monastry, Where I of late did lie concealed, I have Thus made secure:—There stands an ancient cave, Close hid in unfrequented shadows, near Your garden’s postern-gate ; which, when the fear Of bordering foes denied a free access To the old abbey, they, from the distress Of threatening scouts were safe delivered by 330 A vault that through it leads; which, though so nigh Unto the city, careless time, since not ( 262 ) Canto III] Pharonnida Forced to frequent, hath wholly left forgot By busy mortals. In this silent cell, Where nought but light’s eternal strangers dwell In the meridian depth of night, whilst all Are robed in rest, you none encounter shall Except myself, but him, who may with us This secret share, esteemed Euriolus ; With whom, and your endeared Florenza, we, 349 Within the unsuspected monastry Protected by some secret friends, may stay Till fruitless searches waste their hopes away, Whose watchful spleen, by care conducted, might Stop our intentions of a further flight.’ Raised from the cold bed of despair from this Mature advice to hopes of future bliss, The heavenly fair Pharonnida had now Withdrawn the veil of grief, and could allow Some smiles to wait upon those thanks which she 350 Returned her friend; who, that no time might be Lost by neglect from needful action, in A calm of comforts, such as had not been Her late associates, leaves the princess to Pursue those plots, which Fortune bent to undo, Whilst Hope on Expectation’s wings did hover, Did thus by fatal accident discover. That knot in her fair thread of destiny, That lurking snake, the purgatory by Which Heaven refined her, cursed Amphibia, had, 360 Whilst mutual language all their thoughts unclad, Close as an unsuspected plague that in Darkness assaults, an unknown sharer been Of this important issue; which with hate Her genius met, soon strives to propagate A brood of fiends. Almanzor, whose dark plots, Like images of damned magicians, rots Themselves to ruin others, like in this Last act of ill by too much haste to miss The road that led through slippery paths of sin, 370 From pride’s stupendous precipice falls in A gulf of horror; in whose dismal shade A private room his dark retreat is made. Here, whilst his heart is boiled in gall, his brain O’erwhelmed in clouds, whose darkness entertain No beam of reason; whilst ambition mixed Examples of the bloodiest murders fixed Upon the brazen front of time, all which Lends no unfathomed policy to enrich 346 from this] Singer ‘ by this,’ probably, according to expectation, and still more probably in consequence of the previous ‘from’: but not, I think, Chamberlayne being’ Chamberlayne, quite certainly. ( 263 ) William Chamberlayne [Book V His near impoverished brain, he hears one knock, 380 Whose sudden noise soon scattering all the flock Of busy thoughts, him in a hasty rage Hurries t’ the door; where come, his eyes engage His tongue to welcome one whose cursed advice His tortured thoughts turned to a paradise Of pleasing hopes, on whose foundation he Prepares to build a future monarchy. A slow-consuming grief, whose chronic stealth Had slily robbed Palermo’s prince of health, In spite of all the guards of art had long 390 Worn out his strength, and now had grown too strong For age to bear. Each baffled artist in A sad despair forsaking what had been Tried but to upbraid their ignorance, except An aged friar, whose judgement long had slept From watchful practice, but 1 the court of arts Been so employed, that the mysterious parts Of clouded theorics, which he courted by High contemplation, to his mind’s clear eye Lay all undressed of that disguise which in 400 Man’s fall, to afflict posterity, they’d been By angry Heaven wrapped in; so that he knew What astral virtues vegetables drew From a celestial influence, and by what Absconded magic Nature fitted that To working humours, which they either move By expulsive hate, or by attractive love. This art’s true master, when his hope was grown Faint with delays, to the sick prince made known, A swift command calls from his still repose 410 The reverend sire: who come, doth soon disclose That long concealed malignity which had The feeble prince in sickly paleness clad: Nor stays his art at weak prognostics, but Proceeds to practise whatso’er may put His prince in ease—cordials abstracted by A then near undiscovered chemistry, , Such as in single drops did all comprise Nature e’er taught Art to epitomize: Such as, if armed with a Promethean fire, 420 Might force a bloodless carcass to respire ; Such as curbed Fate, and, in their hot assault Whilst storming Life, made Death’s pale army halt. This rare elixir by the prince had been, With such success as those that languish in Consuming ills, could wish themselves, so long Used, that those fits, which else had grown too strong 389 Palermo’s] Observe that we are once more hovering between the Morea and Sicily. ( 264 ) Canro IIT] Pharonnida For Nature to contend withal, were now Grown more remiss; when Fate, that can allow No lasting comforts, to declare -her power 439 Over Art itself, arrests that conqueror Of others’ ills with a disease that led Him a close prisoner to an uncouth bed. Which like to prove Nature’s slow chariot to The expecting grave, loath to the public view To prostitute a secret, yet bound by The obligation of his loyalty To assist his prince, he to Pharonnida That sovereign secret, which could only awe Her father’s threatening pain, declares ; which she 440 Hath since composed, whene’er’s extremity Suffered those pains: whose progress to prevent She’d by Amphibia now the cordial sent, The sly Amphibia, who did soon obey What lent her hate a freedom to betray. His first salutes being past, with such a speed As did declare the guilt of such a deed Might doubt discovery, she unfolds that strange Amazing truth, which from the giddy range Of wild invention soon contracts each thought 450 Into resolves, such as no object sought But the destruction of whate’er might stop Ambition’s progress ; towards the slippery top Of which now climbing, on Conceit’s stretched wings, He silent stands, whilst teeming Fancy brings That monster forth, for whose conception he Long since deflowered his virgin loyalty. Few minutes, by that auxiliary aid Which her discovery lent, his thoughts conveyed Through all the roads of doubt; which safely past, 460 Strictly embracing her who in this last And greatest act of villany must have A further share, he thus begins :—‘Oh save, Save, thou that art my better genius now, What thou alone hast raised; my hopes must bow Beneath impossibilities, if not By thee assisted. Fortune hath begot The means already; let this cordial be With poison mixed—Fate knows no enemy Dares grapple with me—Do not start, there’s here 479 No room for danger, if we banish fear.’ His thoughts thus far discovered, finding in Her various looks, that apprehended sin, The soul’s mercurial pill, did penetrate Her callous conscience, in whose cell this sat With gnawing horror, whilst all other lives Whom her fraud spilt, proved hurtless corrosives, ( 265 ) William Chamberlayne [Book V From the cold ague of repentance he Thus rouses her :—‘Can my Amphibia be By fear, that fatal remora to all 480 That’s great or good, thus startled? Is the fall Of an old tyrant grown a subject for This soft remorse? Let thy brave soul abhor Such sickly passions: when our fortune stands Fixed on their ruin, the unwilling hands Of those that now withstand our glorious flight, Will help enthrone us; whilst unquestioned right, Which is for power the world’s mistaken word, Is made our own b’ the legislative sword.’ Raised from her fear’s cold trepidations by 492 These hot ingredients, in an ecstasy Of flatuous hopes, she casts herself into This gulf of sin; and being prepared to do An act, which not the present times could see With sense enough, whilst in the extremity Of wonder lost, through all his guards’ strict care Death to the unsuspecting prince doth bear. Freed from this doubt, Almanzor, to avoid That storm of rage, which, when their prince destroyed The court should know, might rise from fear, pretends — 500 Haste to the army; but being gone, suspends That speedy voyage, and being attended by A wretch whose guilt assured his privacy, Through paths untrod hastes to the cave wherein Those habits, which had by Amindor been (Whilst he his beauteous charge did thence convey) Prepared to cloud illustrious beauty, lay : Of which, in such whose size did show they were For th’ largest sex, they both being clad, with care Secret as swift, haste to augment the flood 510 Of swelling sins with yet more royal blood. The Epirots’ constant prince, by custom had Made known a walk, which, when the day unclad Of glittering tissue in her evening’s lawn Sat coolly dressed, to court the sober dawn,— He often used. Near this, Almanzor, by Hell made successful in his villany, Arrived some minutes ere the other, lies Concealed, till darkness and a close disguise, Those safe protectors, from his unseen seat 520 Call him to action ; where, with thoughts replete With too much joy to admit suspicion, he Finds the Messenian, whom no fear to be Assaulted there had armed, his spacious train Shrunk into one that served to entertain Time with discourse. Upon which heedless pair The armed Almanzor rushing unaware, ( 266 ) Canto III] Pharonnida Ere strength had time their valour to obey, In storms of wounds their senses lose the way To external objects; in which giddy trance 530 The other lord, whose spirits’ re-advance To life they fear not, lies secure, whilst by Redoubled wounds his prince’s spirits fly From the most strong retreats of life; which now, Battered by death, no safety could allow. Revenge’s thirst being in this royal flood Quenched for awhile, that from the guiltless blood His honour might not yet a stain receive, First hasting to the cave, he there doth leave Those injured habits, which by him were meant 540 For the betrayers of the innocent. This done, that he e’en from suspicion might Secure his guilt, before the wasted night Looks pale at the approach of day, he flies T’ the distant army; there securely lies, Till all those black productions of his brain, Now ripening to perfection, should attain Maturity, and in the court appear In their most horrid dress ; knowing the fear Of the distracted city soon would call E5O Him and his army, to prevent the fall Of such distracting dangers, as might be Attendants on the eclipse of majesty. THE END OF THE THIRD CANTO. Canto IV THE ARGUMENT Now, as if that great engineer of ill, Accursed Almanzor, had accomplished all Those black designs, which are ordained to fill The Spartan annals, by his prince’s fall ; With secret spite, yet such as seemed to be From an advised protector of the state, Pharonnida’s ill fate assisting, he Toward her destruction prosecutes his hate. Tuar dismal night, which in the dark records Of story yet so much of fate affords In the Morean annals, had to day Resigned its reign, whose eastern beams display Their morning beauties; by whose welcome light, The early courtier, tired with tedious night, ( 267 ) William Chamberlayne [Boox V Rises to meet expected triumphs in Their princess’ nuptials, which so long had been The joyful business of their thoughts, that now Sallying to action, they ’re instructed how 10 To court observance from the studied pain Of best inventions—by attractive gain, Joined to the itch of ostentative art, Were thither drawn from each adjacent part. In this swelled torrent of expected mirth, Which all conclude must make this morning’s birth To future ages celebrated by An annual triumph, the disparity Of passion, sorrow, first breaks forth among The slain Epirot’s followers; who so long 20 Had missed their master, that they now begin To doubt his safety. Every place had been By strict inquiry searched, to which they knew Either affection or employment drew His frequent visits ; but with an effect So vain, their care served only to detect Their love, not him its object ; who might have Lain till corruption sought itself a grave, Had not an early forester so near The place approached, that maugre all that fear 30 Alleged to stop a full discovery, he Beheld so much as taught him how to free His friends from further fruitless searches, in Discovering what beneath their fears had been. In sorrow, such as left no power to vent Its symptoms, but a deep astonishment, The amazed Messenians, whom a sad belief Deprived of hope, did entertain their grief. Whose swift infection to communicate— Their murdered prince, as if pale death kept state 40 Clad in the crimson robes of blood, is to The city brought ; where, whilst the public view In busy murmurs spread her sable wings, Pale terror to the court, grief’s centre, brings The dreadful truth; which some officious lord, Whom favour did the privilege afford Of easy entrance, through the guards of fear In haste conveys, to assault the prince’s ear. With such a silence as did seem to show Unwelcome news is in its entrance slow, 50 Entered the room, he’s with soft pace unto The bed approached ; whose curtains when withdrew, Discovered Horror in the dismal dress Of Death appears—Freed from the slow distress Of Age, that coward tyrant which ne’er shows His strength till man wants vigour to oppose, ( 268 ) CANTO IV] Pharonnida Through Death’s dark gates fled to the gloomy shade, Whose fear, or hope, not knowledge doth invade Our fancies yet, he man’s material part There only sees; which Form, whose heavenly art 60 Tunes motion into th’ faculties of life, Had now forsook; the elemental strife, Which had so long at concord aimed, was now Silenced in death; on his majestic brow No awful frown did sit; the blood’s retreat From life and action left his cheeks the seat Of Death’s cold guest, which, summoned by his fate, There in a pale and ghastly horror sat. Whilst the astonished courtier did behold This, with such trembling as, when graves unfold 40 Their doomsday’s curtains, sinful bodies shall Rise from their urns, eternally to fall— His stay, caused from restrictive fear, had drew In more spectators ; to whose wondering view This ghastly object when opposed had strook So swift a terror, that their fears forsook The safe retreats of reason. Seeing life Had now concluded all the busy strife Of Nature’s conflicts, by delivering those Time-shaken forts unto more powerful foes, So Outcries in vain attempt for pity to Scale Heaven; whose ear when from their prayers withdrew, The court, now of her royal head bereft, In a still calm of hopeless sorrow left. Infectious grief, disdaining now to be Confined within the brief stenography Of first discoverers, spreads itself among The city herd; whose rude unsteady throng Raised grief, which in the mourning court did dwell In such a silence as an anchorite’s cell go Ne’er knew a heavier solitude, into Exalted outcries: whose loud call had drew From their neglected arts so many, that What first was choler, now being kindled at Their rage, like humours grown adust, had been The open breach to let rebellion in ; Had not the wiser nobles, which did know That vulgar passions will to tumult grow When backed with power, by a new-modelled form Of counsel soon allayed this rising storm. Too Their tears, those fruitless sacrifices to Unactive grief, wiped off, whilst they did view The state’s distempered body, to supply The wants of that departed majesty, Which, when their prince from life’s horizon fell, Fled from their view, before report should tell ( 269 ) William Chamberlayne [Boox V This fatal story to the princess, they A council call; by whose advice she may, Whilst floating in this sea of sorrow, be Saved from those unseen rocks, where Treachery, 110 Rebellion’s subtle engineer, might sit : To wreck the weakness of a female wit; Which, though in her such that it might have been The whole world’s pilot, could, since clouded in Such a tempestuous sea of passions, see No star that might her safe director be. A messenger, whose sad observant wit By age allayed, seemed a conveyer fit For such important business, with the news Hastes towards the princess. Whom whilst Fear pursues 120 On wings of Pity, being arrived within The palace, he, as that alone had been The only seat where rigid Sorrow took Her fixed abode, beholds each servant’s look Obscured with grief; through whose dark shades whilst he Searches the cause, the strange variety Explains itselfi—As families that have Led their protecting ruler to the grave, Whose loss they in a heedless sorrow mourn So long, till care doth to distraction turn, 130 Her servants sat; each wildly looking on The other, till even sense itself was gone In mourning wonder; whose wild flight to stay, Its cause they to the pitying lord display In such a tone, as, whilst it did detect The princess’ absence, showed their own neglect. When this he’d heard, with such a sympathy Of sorrow, as erected Grief to be The mourning monarch of his thoughts, to those Returned that sent him, he that transcript shows 140 Of this obscure original—the flight Of the absent princess, whilst the veil of night Obscured her passage, tells: but, questioned—how, With whom, or whether knowledge did allow No satisfaction, all inquiry gained From her amazed attendants, but explained Their grief; whose troubled rivulet flowed in To that vast ocean, where before they’d been By sorrow shipwrecked, in the general flood Mixed, wants a language to be understood 150 In a peculiar character, and so Conjoined, makes up one universal woe. Only, as if Love knew alone the art 114 pilot] Orig, as elsewhere ‘Pilate.’ 120 Whom] Singer ‘ Who,’ not only unnecessarily, but, I think, wrongly. ( 270 ) Canto IV] Pharonnida That taught his followers how to mourn apart, Sad, sweet Orlinda, whose calm innocence Had fostered passion at her health’s expense ; Whilst wet with grief’s o’erflowing spring, she to Her brother’s ghost did pay soft Nature’s due, In sorrow of such sad complexion, that Others might lose their own to wonder at ; 160 Yet when, as in the margin placed, she hears Amindor lost, with new supplies’ of tears Grief sallying forth, as if to be betrayed Love now did fear, he draws the bashful maid From those that did the mourning concert keep, Where she unseen for Love’s decease doth weep ; Frail woman’s faith, and man’s neglect doth blame, And softly then sighs out Amindor’s name— Her lost Amindor, whose supposed disdain Destroyed those spirits grief could ne’er have slain. 170 And now before that power’s decay engage Too many hands in a vindictive rage, The wise supporters of the state, to stay Increasing factions, which can ne’er obey Lest Fear commands, unto Almanzor send A mandate, which enjoins him to attend Their councils in this, interregnum, till Their joint consent had found out one to fill The empty throne. Which summons, prompted by A care which they interpret loyalty, 180 Though truly called ambition, he obeyed With such a speed as Love would fly to aid A ravished lady; having to impede His march no more than what his care could lead— Even with a winged speed, yet that a strength Enough to make his will confine the length Of their desires, who soon in council sit But to bewail the abortion of their wit. The frighted city having entered in A mourning march, as if his thoughts had been 190 A stranger to the sad events of this So dismal night, he by relation is Informed of each particular: which he Seeming to hear in grief’s extremity, From silent sorrow which appeared to wait On still attention, his prepared deceit Disguised in rage appears; a rage which, in Its active flight to find what hearts had been Defiled with thoughts of such foul crimes, did seem So full of zeal, its actions did redeem 200 185 winged] This is Singer’s ingenious emendation for the orig. vox nthili ‘singes.’ ( 271) Wilham Chamberlayne [Book V The lost report of loyalty in those His former crimes made his most constant foes. By guarded gates, and watchful parties that Surround the walls, till th’ people, frighted at Their fury, shrink from public throngs. They now Assured of safety, whilst inquiring how Hell hatched these monsters—whose original Whilst searching, they, by the consent of all His best physicians, whose experienced skill From outward signs knew what internal ill 210 Death struck the prince, informed the cause could be From nought but such a subtle enemy As poison; which, when every accident They had examined, all conclude was sent Mixed with that cordial, whose concealed receipt Unknown to art, their envy termed the bait To tempt the easy prince’s faith into That net which Death, allured by Treason, drew. With power, from this embraced suspicion sprung, Almanzor, whom not envy’s spotted tongue 220 Durst call profane, though rudely forcing those Weak gates, which need no greater strength to oppose Unclean intruders, than the reverence they, Enforced by zeal, did with religion pay Unto that place’s sanctity; which he Contemning, ere the wronged society Expecting such injurious visits, in Rude fury entering, those whose power had been Employed by noble pity to attend The suffering princess, in such haste did send 230 Them to her close and dark abodes, that now Their doubts confirmed, they’re only studying how To shun that danger which informing fear Falsely persuades towards them alone drew near. Which dark suspicion, ere unclouded by Seizing on him whose innocence durst fly To no retreat, the royal fugitives Back to the vault where first they entered, drives. Now, at the great’st antipathy to day, The silent earth oppressed with midnight lay 240 Vested in clouds, black as they had been sent To be the whole world’s mourning monument ; When through the cave’s damp womb, conducted by A doubtful light that scarce informed the eye To find out those unhaunted paths, they, in A faint assurance, with soft pace begin To sally forth; where, unsuspected, they Are seized by guards that in close ambush lay: Which, ere amazement could give action leave To seek for safety, did their hopes deceive 250 (272) Canto IV] Pharonnida By close restraint. Awed by whose power, they’re to Almanzor brought; who from that object drew Such joy as fills usurpers, when they see Wronged princes struggling with captivity. From hence in such disdainful silence led As taught their fear, from just suspicion bred, To tremble at some unknown ill; about That sober time when light’s small lamps go out At the approach of day’s bright glories, brought Back to the court, they there not long had sought 260 Their sorrow’s sad original, before A court convened of such whose power had bore (Whilst God’s own choice, a monastry, had lent Their dictates law) the weight of government. They, hither called by summons that did sound Like bold rebellion, in sad omen found More than they feared :—A mourning train of lords Placed round a black tribunal, that affords To the spectator’s penetrated eye A dismal horror clothed in majesty. 270 Like hieroglyphics pointing to that fate Which must ensue, all yet in silence sate— A dreadful silence! such as unto weak Beholders seemed to threaten, when they speak, Death and destruction dictates. When they saw Their princess entered, as if rigid law To loyal duty let the sceptre fall, In an obedient reverence raised, they all Lowly salute her; but that compliment To bribe their pity, fear in vain had spent. 280 When all resuming now their seats, command The royal captives, whose just cause did stand On no defence but unknown truth, to be Summoned t’ the bar; where, that they first might see What rigour on the royal blood was shown, From no unjust conspiracy had grown, A sable curtain from their herses drawn, Betrays her eyes, then in the sickly dawn Of grief grown dim, unto that horrid place Where they met death drawn in her father’s face ; 290 By whom, now turned into well-modelled clay, Fitted for’s tomb, the slain Epirot lay. At this, as if some over-venturous look For temperate rays, destructive fire had took In at her soul’s receiving portals, all Life’s functions ceased ; sorrow at once lets fall 269 penetrated] Singer, with less than his usual judgement, ‘penetrating.’ ‘ Pene- trated’ of course means, as it does in French and did in English as late as Madame d'Arblay, ‘strongly moved.’ ( 273 ) T Wilham C hamberlayne [Book V The burthen of so many griefs, which in A death-like slumber had forgotten been, Till human thoughts, obliterated by The wished conversions of eternity, 300 Oppressed no more, had not injurious haste, Before this conflict could those spirits waste, Which had, to shun passion’s external strife, Fled to the primum mobile of life, Recalled with them her sorrows to attend Their nimblest motions, which too fast did spend Her strength, to suffer weakness to obey The court’s intentions of a longer stay. From ruffled passions which her soul opprest, By the soft hand of recollecting rest 310 Stroked to a calm, which settled Reason in Her troubled throne; by those that first had been Her guards, the princess—that fair pattern whence Men drew the height of human excellence, Is now returned, to let her proud foes see, That the bright rays of magnanimity, Though envy like the ungrateful moon do strive To hide that sun, except what’s relative Ne’er knows eclipse, the darkness taking birth From what’s below, whilst that removed from earth, 320 Her clear unclouded conscience, ever stays Amongst bright virtue’s universal rays. The mourning court, those ministers of fate, In expectation of their prisoners sate :— They now appear in those disguises which They first were took, being habits, though not rich Enough to gild their rare perfections, yet Such as did seem by sorrow made to fit Their present sufferings :—both the men clothed in Monastic robes, black as their threads had been 330 Spun from Peruvian wool; the women, clad Like mournful votaries, showed so sweetly sad, As if their virtues, which injurious fate Did yet conceal, striving to anticipate The flights of time, had to the external sense Showed these as emblems of their innocence. But love, nor pity, though they both did here Within their judges’ sternest looks appear, Durst plead for favour; their indictments read, So guilty found, that those whose hearts e’en bled, 340 Disdained their eyes should weep, since justice did In such foul crimes mercy as sin forbid. Yet more to clear what circumstance had made Level with reason, from the approaching shade Of death redeemed, that lord, whose wounds had been But slumbers to recover safety in, ( 274) Canto IV] Pharonnida When the Messenian murdered was, did now Declare, as far as reason could allow The eyes to judge, those habits, which they then Did wear, the same which clothed the murderers when 350 His prince was slain; which open proof appears So full of guilt, it stops her friends’ kind fears, Ere raised to hope, and in appearance shows A guilt, which all but pity overgrows. The vexed Epirots, who for comfort saw Revenge appearing in the form of law, Retired, to feed their spleen with hope, until The extent of justice should their vengeance fill. When now, by accusations that denied Access to pity, for a parricide 360 The princess questioned, whose too weak defence, Being but the unseen guards of innocence, Submits to censure. Yet to show that all Those scattered pearls, which from her eyes did fall, Dropped not to attempt their charity, but show That no injurious storm could overflow Her world of reason—which exalted stood Above the surface of the spacious flood, (Her tears for grief, not guilt, being shed), whilst in The robes of magnanimity, not sin 37¢ Grown impudent, her brave resolved soul sate Unshaken in this hurricane of fate. To meet her calm, which like religion drest Doth all become, but female virtues best, The rough Amindor, whose discoloured face Anger did more than native beauty grace, Since justly raised, disdaining thus to be By a plebeian base captivity Forced to submit his innocence unto Their doubtful test, had from his anger drew A ruin swifter than their hate intends, Had not his rage, while it toward danger bends, Been taught by her example to exclude Vain passions with a princely fortitude ; Whose useful aid, like those good works which we For comforts call in death’s necessity, Brought all their better angels to defend Them from those terrors which did death attend. In busy whispers, which discovered by Their doubtful looks the thoughts’ variety, 390 Long in sad silence sat the court; until Those noiseless streams of fancy which did fill Each several breast, united by consent, Want only now a tongue so impudent As durst condemn their sovereign; which being in Theumantius found, a lord whose youth had been ( 275 ) T2 can} an °° William Chamberlayne [Book V By favours nursed, till power’s wild beast, grown rude, Repays his foster with ingratitude. This bold, bad man, love’s most unhappy choice, From flattery’s treble now exalts his voice, 400 Without the mean of an excuse, into The law’s loud bass, and what those feared to do That had been favoured less, that black decree Pronounced, which discords all the harmony Of subject fear and sovereign love, by what Succeeding ages justly trembled at Whilst innocent, but have of late been grown So bad to show such monsters of their own. This sentence passed, which knew no more allay Of mercy, than what lets their judgement stay 410 From following life to death’s obscure retreat, Till twenty nights had made their days complete, The court breaks up; yet ere from public view To close restraint the royal captives drew, Grant them this favour from their rigid laws— That if there durst, to vindicate their cause, In that contracted span of time appear Any whose forward valour durst endear The people’s love and prayers so much—to be Their champion, that his victory should free 420 Them from that doom’s strict rigour; to oppose Which brave attempter they Almanzor chose, Since high command that honour did afford To him alone, to wield the answering sword. Now near departing, whilst the Cyprian in A brave disdain, which for submissive sin Looks on an answer, as his haste would show An anger that did scorn to stoop so low To strike with threats, stands silent; whilst that she, Whose temper Heaven had made too calm to be 430 By rage transported, with a soul unmoved By stormy passions, thus their sin reproved :— ‘Should I, my lords, here with a female haste Discharge my passions, ’twere, perhaps, to waste My prayers or threats, whilst one you would not fear, Nor the other pity: but when Heaven shall clear This curtained truth, wrapped in whose cloudy night, Unjustly you, from my unquestioned right By birth, obedience, into faction stray, Then, though too late, untimely sorrow may 440 Strive by repentance to expunge these stains Cast on your honour. These exhausted veins, Fixed eyes, pale cheeks, death’s dismal trophies, in This royal face I now could not have seen 398 foster] ‘forester’ which Singer prints, is of course a result of confusion with the form of that word common in Malory, &c. ( 276 ) Canto IV] Pharonnida With a less sorrow than had served to call Me to attend him, had not the rude fall Of your injustice, like those dangerous cures Performed by turning into calentures Dull lethargies, upon my heart laid hold In such a flame of passion, as the cold 450 Approach of death wants power to quench, until You add that crime to this preceding ill. ‘Yet, though no fear can prompt my scorn to crave A subject’s mercy for myself, to save This noble stranger, whose just acts, being crost By misconstruction, have their titles lost, I shall become your suppliant, lest there be A sin contracted by his serving me; And only in such noble ways as might Unveil themselves t’ the sun’s meridian light. 460 Sure he unjustly suffers; which may cause You want more swords to vindicate your laws, Than his you late elected to make good Your votes, ere scarce cleansed of that loyal blood He in rebellion shed :—but I am now Too near my fatal period, to allow Disturbing passion any place within My peaceful soul. Whate’er his crimes have been In public war, or private treason, may Kind Heaven, when with the injustice of this day 470 Those shall be quickly questioned, to prevent Their doom, conceal them in the large extent Of Mercy’s wings, which there may prove so kind To you, though here I can no justice find !’ This spoken, in a garb that did detect A sorrow which was ripened to neglect, She silent stands ; whilst through the thick resort Of thronged spectators, toward the rising court Orlinda comes, with such a haste as showed That service she by Love’s allegiance owed— 480 Love, which had Sorrow’s sable wings out-fled, To mourn the living, not lament the dead. Come where her fears’ now near lost object she Within the shadow of the grave might see By sentence shut, neglecting death that lay In ambush there her reason to betray To hate, when, by the false informing law, Her friend she as her brother’s murderer saw, In actions such as Scythian tyrants feel Some softness from, she that ne’er used to kneel 490 To aught but Heaven, a lowly suppliant falls Before the court; from whose stern breast she calls So much of sorrow as perhaps had strook Them all with horror, if a sudden look ( 277 ) William Chamberlayne [Book V Obliquely on her murdered brother cast, Had not, ere Love assaulted with her last And powerfullest prayers, whilst hot with action, in A cool retreat of spirits silenced been. She, fainting fallen, as an addition to Their former grief, is from the throng. withdrew 500 Into the free untainted air—where, by Assisting friends, which gently did apply Their needful aid, heat, which was then grown slack In Nature’s work, antipathy calls back To beauty’s frontiers ; where, like bashful light, It in a blush meets the spectators’ sight, But such an one, as, ere full blown, is by Her friend’s disasters forced again to fly Beneath those clouds of grief, whose swelling pride, Spread by report, did now not only hide 510 The court or city, but to bear a part Of that sad load summons each subject’s heart. Whilst now the prisoners, ere the people’s love To anger turn, the active guards remove, To still the clamorous multitude, who, swayed By various passions, did, whilst each obeyed Opinion’s dictates, but in darkness rove At shadowed truth, whence now they boldly strove To pluck the veil from declarations that Contained those falsehoods, which whilst wondering at, 520 They wept to force upon their faith, are sent Through th’ land’s each town, and army’s regiment ; By which Almanzor, who attempted in This plot to join security with sin, Doubting, if e’er this story reach his ear, Argalia might their combatant appear, Besides those stains which common fame did take For sin’s just debts, slily attempts to shake The heaven-erected fabric of his love By closer engines, such as seemed to move 530 On noble pity, which with grief engrost That faith which envy in disdain had lost. Black rumour, on the wings of raised report Flying in haste, had soon attained the court Of the amazed Aetolian prince; who hears The dreadful story with such doubtful fears As shook his noble soul, but not into An easy faith each circumstance was true ; He knew Almanzor’s villainy to be Of that extent, so foul a progeny 540 As all those horrid murders, might from thence Take easy birth: but when the innocence Of’s virtuous princess, and his honoured friend, The noble Cyprian prince, come to contend ( 278 ) Canto IV] Pharonnida With oft confirmed report, that strikes a deep And solemn grief, yet such as must not keep A firm possession in his soul, until A further inquisition either kill His yet unfainting hopes, or raise them to Joy by confirming those reports untrue. 550 THE END OF THE FOURTH CANTO, Canto V THE ARGUMENT Through royal blood to level that dark way Which rebels pass unto the injured throne, Pharonnida is now condemned to pay A debt for crimes that none durst call her own. When near the last step, brave Argalia, who In close disguise Truth’s secrets had betrayed, When most did doubt ’twas now too late to sue To Heaven for pity, brings a timely aid. IF on those vanished heroes that are fled Through the unknown dark chasms of the dead, To rest in regions so remote from hence— ’Twixt them and life there’s no intelligence, Whene’er thou look’st through Time’s dim optics, then Brave emulation of those braver men Rouses that ray of heaven—thy soul, to be A sharer in their fame’s eternity ; Thou’st then a genius fit to entertain A muse’s flight: which may be raised again 10 To sing thy actions, when there’s left no more Of thee, but what by life, whilst passing o’er Nature’s short stage, had either scattered been By careless youth, or firmly planted in Maturer age ; whose wasted talent spent, Those were his friends—This is his monument Is all, except some muse thy life records, That to thy worth the unthankful world affords. But if thy uninspiréd soul do bear A lower sail, which, flagging with the care 20 Of humid pleasures, ne’er is swelled into Sublimer thoughts than such as only view Earth for its object, which ne’er yet did lend Her favourites more than what they here do spend To improve her barren wants, may none rehearse Thy name—beneath the dignity of verse, But trivial flatterers, such as strive to gain Thy favour from ephemeras of the brain, ( 279 ) William Chamberlayne Unsalted jests! Pleased at whose painted fire I leave fond thee in vapour to expire, Whilst from thy living shadow I return To crown the dust in brave Argalia’s urn. From common Fame, that wild impostor, he Had often heard what Love denied should be For truth admitted—his Pharonnida Accused for sins which envy strove to draw Objects for Heaven’s severest wrath; and now, Ere his considerate judgement would allow Report for real, secret messengers To Corinth sends; who, ill-informed, transfers His further trouble, in confirming what, Whilst others wept for, he, transported at So sad a change in her whose virtue had Inflamed his thoughts, by passion near unclad His soul of all his robes of flesh, which now So loosely hung, as if she practised how To strip herself, should unexpected death [Book V 30 40 To Heaven’s hard course call forth the nimble breath, Could earth here conquer, or had it within The power of whatsoe’er is mortal been, T’ have wrought disorders of amazement, where The noble soul such true consent did bear With the harmonious angels, (he in all His acts like them appears, or, ere his fall, Perhaps like man, that he could only be Distinguished from some hallowed hierarchy, By being clothed in the specific veil Of flesh and blood), this grief might then prevail Over his perfect temper, but he bears These weights as if unfelt; on his soul wears The sable robes of sorrow, whilst his cheek Is dressed in scarlet smiles; no frown his sleek And even front contracts—like to a slow And quiet stream, his obscured thoughts did flow, With greater depths than could be fathomed by The beamy lines of a judicious eye. Whilst those good angels, which fond men call wit Reformed by age, did all in council sit, To steer those thoughts by which he did attend Pharonnida’s escape, they to this end At length reduced his courisels:—That he must, To succour her, leave grovelling in the dust His kingdom, which being by domestic strife Late wounded, was but newly rubbed to life; Yet since that there to her redemption lay In all the progress of his thoughts no way Less full of danger, such of’s lords as he Honoured for age, and praised for loyalty, ( 280 ) 5o 60 CANTO V] Pharonnida Called to a secret council, he discovers His fixed resolves; which they, though now no lovers, With such consenting souls did hear, that though They knew his danger might e’en fear outgrow, They, to oppose that score of cowards, brings His vows, his sacred vows, those sceptred kings Which justly rule the conscience, that awed by Usurping fear submits to tyranny. Their first proposals, whence their judgement sought To hide his absence, to conclusion brought, They thence proceed to level him a way Through that thick swarm of enemies that lay Circling the walls; where reason stays awhile In various censure, ere ’t could reconcile Their differing judgements; but at length in this, As that which in this danget’s dark abyss Seems to lend fear most of the helpful light Of hope, concludes—That when succeeding night With strength of age was grown so gravely staid, That dark designs feared not to be betrayed B’ the wanton twilight, he in close disguise, Whilst some of’s troops diverted by surprise His watchful foes, might pass their guards; which done, Their care might be with’s further match begun. In dismal darkness—that black throne of fear, Night’s silent empress awed the hemisphere ; When now Argalia’s ready troops with slow And noiseless marches issued through their low Close sallyports, are swiftly rallied by Such as had long taught Valour how to die For Honour’s rescue—captains that had been, From youth’s first bud till age was reverenced in Her honoured scars, such strict disciples to War’s hardest precepts, that their fame outgrew Their power, which that had so authentic made, Where fear was scotned, they were for love obeyed. By these brave heroes, which had often led Armies to sleep in Honour’s purple bed; The pririce assisted, was with secret haste, By ways where fear no sentinel had placed, Drawn near the leaguer; whith, the alarum took From a stormed fort, had with such speed forsook Their huts, that haste, which was intended to Preserve, being now to wild confusion grew, Helps to destroy. In undistinguished sounds, Which not inform, but frighted sense confounds With wild amazement, the unnoted words Even of command are lost; no ear affords Room for advice, nor the most serious eye A place for order; ensigns vainly fly, ( 281 ) go 100 IIo 120 William Chamberlayne [Book V Since unperceived, through the dark air, which in A storm ne’er knew more tumult than had been, 130 Since first their fear on this alarum fled From reason, through the troubled leaguer spread. In this loud horror, whilst they need no lamp To guide them more than their own flaming camp, His frighted foes, fled from their quarter, lend ‘The prince some hope this sudden charge might end Their slow-paced siege ; yet since approaching day, Persuading haste, denies his longer stay, The power to those commanders left, which he For valour knew might force from victory 142 Unwilling laurels, though their judgement such, Those hallowed wreaths they ne’er durst rashly touch, He leaves (when first his sword, which none did spare Within its reach, had of his being there Left bloody marks) the conquered foes, to find Out sterner foes in his afflicted mind: Which, since usurping daubt with peaceful love For empire strove, taught passion how to move In spheres so differing from his reason’s nght Ascension, that his cares’ protracted night TRO From this oblique position caused, had made His sorrow tedious as those nights which shade Cold arctic regions, when the absent sun Doth underneath the antarctic tropic run. This passage forced through his obstructed foes, That now the treacherous day might not disclose Him, whilst unguarded, to their view that might In larger troops pursue a baser flight, ‘Through deep dark paths, which ne’er t’ the sun had shown Their uncouth shades, being to all unknown 163 Save neighbouring rurals, he, conducted by A faithful guide, directs his liberty Towards stately Corinth. Near whose confines, ere Six morning dews had cooled the hemisphere, Arrived in safety, that kind Heaven might bless His future actions with desired success To seek to them, he first sought those that in The wane of ’s blood had life’s supporters been, Those holy hermits, to whose art he owed For life, next Heaven, which first that gift bestowed 170 Come to their quiet cell, where all receive Him with a wonder that did hardly leave A room for welcome, till their fear had, in A. full relation of his fortune, been Changed for as much of sanguine mirth as they Could know, that had religion’s cool allay To check delight. He being retired with him, Whose first discoveries in his fortunes’ dim ( 282 ) CANTO V] Pharonnida Imperfect light directed him to know His royal offspring, lets his language flow With so much freedom as discovers what, Whilst he by active war was aiming at His kingdom’s safety, called him thence to save Sweet virtue from an ignominious grave. The fatal story heard by him, whose love Fixed by religion, passion could not move, Although he pitied all the afflicted, to More softness than what had its offspring drew From Heaven’s strict precepts, which are then misspent When easy man mistakes the innocent ; Since what permits hypocrisy to win Remorse, by mercy doth but cherish sin. Which to avoid, ere his consent approve Of the design, neglecting all which love, Prompted by pity, could allege to draw Him to the combat, though he in it saw Nought to defend but innocence, since in That shape deluded, charity hath been Too oft deceived ; that his victorious sword Might not, but where fair Justice could afford Victory, be drawn, he, like a Pharos placed ’Mongst rocks of doubt, thus rectifies his haste :— ‘Take heed, brave prince, that, in this doubtful way ’Twixt love and honour, thy bright virtues stray Not from religion’s latitude into More dangerous stations; reason’s slender clew Is here too short to guide thee, and may in Its conduct but obliquely lead to sin. Be cautious then, and rashly venture not On unknown depths, where valour seems begot By vain presumption. Mortal beauty, that Imperfect type of Heaven, though wondered at, Yet may not be so much adored to make Our passions Heaven’s directing road mistake. ‘Though thy affections were legitimate As man’s first choice, since in that happy state Of innocence frail woman then found out A way to fall, still let thy reason doubt The same deceit, since that affected she Which thou ador’st, yet wears mortality ; A garment which, since man first wore, hath been But once cast off without some spots of sin. Yet, know, my counsel strives not to prevent Thy sword’s assisting of the innocent ; As much of mercy on neglect being spilt, As there ’s got vengeance from presumptuous guilt. Only, before thy valour dares to tread This rubric path, whose slippery steps have led ( 283 ) 190 200 210 William Chamberlayne [Book V So oft to ruin, let religion be ‘Thy prompter unto so much policy 230 As may secure thy conscience; which to do, Claim my assistance as thy virtue’s due.’ The grateful prince with lowly looks had paid His thankful offerings, when, that promised aid Might not fall short of expectation, he, Whose words, like vows that hold affinity With Heaven, breathed nought but constant truth, did thus Proceed towards action :—‘ Whilst, loved prince, with us Of this poor convent, you, by wounds restrained From action, lived ; you know that what’s contained 240 In our calm doctrine, gives us leave to be So intimate with each society, No secret, though masked in the clouds of sin, Flies those discoveries which informs us in ‘Their last confessions; by which means you may Know whether justice calls your sword to pay These bloody offerings, as a victim to ‘The appeasing of an inward virtue due.’ By this advice instructed to convince What love suggests, the apprehensive prince, 250 Since this includes nothing but what’s too just To disobey, although he all mistrust Of her, like sin, avoids, consents to be Ruled by his counsel, whose assistance he So oft successful found. Which, that delay, That slow-paced sin, might not obstruct the way With time’s too oft neglected loss, he now So fast toward action hastes, they could allow The night scarce time to steal a dark retreat, Ere, having left that melancholy seat, 260 Devotion’s dark retiring place, he goes To see how much het frowns did discompose That city’s dress, of whom he’d ne’er a sight Before, but when ’twas polished with delight. His arms, bright Honour’s burnished robes, into Such weeds as showed him to the public view A coarse monastic, changed; attended by His aged friend, soon as the morning’s eye Adorned the east, the prosperous prince began His pious journey; which, before the sun 270 Blushed in the west, found a successful end In clouded Corinth. Where arrived they spend, The hours of the succeeding night to find How, in that factious troubled sea, inclined The city stood; whose shallow sons dare vent By nothing but their tongues, that discontent Their hands might cure, were not those useful parts Restrained from action by unmanly hearts, ( 284 ) Canto V] Pharonnida Which being at once with grief and fear oppressed, Durst do no more but pity the distressed ; 280 Which gentle passion, since so general, lends Some light of hope to her inquiring friends. To usher in that dismal day, whose light Designed to lead into eternal night As much of beauty as did e’er give place To death, the morning shows her gloomy face Wrapped up in clouds, whose heavy vapours had Hung Heaven in black; when, to perform the sad And serious office of confessors to Those royal sufferers whom harsh Fates pursue 290 To Death’s dark confines, through their guard of foes Argalia and his grave assistant goes. Where he, whose love to neither did surmount His zeal, to take the Cyprian’s last account Himself addressed ; whilst his kind passions lead Argalia from Pharonnida, to read Her life’s last story, made authentic by The near approach of her eternity. Entered the room, which to his startled sight Appeared like sorrow sepulchred in night, 300 So dismal sad, so silent, that the cold Retreat of death, the grave, did ne’er unfold A heavier object; by a sickly light, Which was e’en then to the artificial night That filled the room resigning ’ts reign, he saw Grief’s fairest draught, divine Pharonnida, Amidst her tears, fallen like a full-blown flower, Whose polished leaves, o’erburthened with a shower, Drops from their beauties in the pride of day To deck the earth.—So sadly pining lay 310 The pensive princess, whom an ecstasy Of passion led to practise how to die, In such abstracted contemplations, that Angels forsook their thrones to wonder at. Wet with those tears, in whose elixir she Was bathing of the lilies’ nursery, Her bloodless cheeks—her trembling hand sustained A book, which, what Heaven’s mercy hath ordained For a support to human frailty in Storms of affliction, lay ; which, as she’d been 320 Now so well in repentant lectures read, That Faith was on the wings of Knowledge fled To Meditation, her unactive grief Lets softly fall, whilst Time, wise Nature’s thief, That all might look like Sorrow’s swarthy night, Is stealing forth of the neglected light ; Whose sullen flame, as it would sympathize 318 which] for ‘i which.’ ( 285 ) Wiliam Chamberlayne [Book V With those quenched beams that once adorned her eyes, After a feeble blaze, that spoke its strife But vain, in silence weeps away its life. Come to behold this beauteous monument Of mourning passion, his great spirits spent On love and wonder, the astonished prince Here silent stands, valour could not convince His wild amazement. ‘To behold her lie, By rigid laws restrained from liberty, To whom his soul was captive, troubles all His reason’s guards: but when, how she must fall From beauteous youth and virtuous life, to be One of the grave’s obscure society,— 340 Must fall no martyr, whose lamented death Grows pity’s object, but depart with breath *Mongst ignominious clouds of guilt, that must Stick an eternal odium on her dust— That thought transports him from his temper to Passions, in which he had forgot to do His priestly office: and, in rage as high As ever yet inflamed humanity, Sent him to actions, whose attempt had been The road his valour must have perished in, 350 Had not her sorrow’s agony forsook The princess. By whose first unsteady look, He, being as far as his disguise gave leave Discovered, is invited to receive Those last confessions, in whose freedom she Seeks by absolving comforts how to free Her soul of all which a religious fear Like spots on her white conscience made appear. Having from her unburthened soul learned how To ease his own, the priestly prince had now, 360 As far as bold humanity durst dive Into remission, Heaven’s prerogative, Pronounced that pardon for whose seal there stood The sin-polluted world’s redeeming blood : By which blest voice raised from what did appear Like sorrow, till her faith had banished fear, The princess, in such gentle calms of joy As souls that wear their bodies but to cloy Celestial flights can feel, to entertain Her fatal doom with a resolved disdain 370 Of death, prepares. Whilst he, whom Heaven to her Had made their mercy’s happy messenger, Forsaking her, repairs to him that had With the same hand the Cyprian’s thoughts unclad. By whom informed, how that in their defence His sword protected nought but innocence; 338 when] ‘he thinks’ has of course to be supplied from ‘that thought’ below. ( 286 ) wo fn oO Casto V] Pharonnida Armed with those blessings which so just a cause Proclaimed his due, he secretly withdraws To change those emblems of religious peace, Monastic robes, for such as might increase 380 ‘Their joy and wonder, whose contracted fear Despaired to see a combatant appear, Although they knew his sword defended then The best of causes ’gainst the worst of men. Whilst he prepares, with near as much of speed As incorporeal substances that need But will for motion, to defend her in The assaults of death, that hour, which long had been The dreadful expectation of those friends That pitied her, arrived, in sorrow ends 399 Fear’s cold disease. Those ministers of fate, The props to all that’s illegitimate, The army, to suppress the weak essays Of love or pity, guarded had the ways By which illegal power conducted her From that dark room, grief’s curtained theatre, To be beheld upon the public stage, The glory, yet the scandal of the age ; Which two extremes met on the scaffold in A princess’ suffering, and a people’s sin. 400 Which now, joined to the dreadful pomp that calls His subjects to attend the funerals Of her loved father, whose life’s virtues won Tears for his death, thus solemnly begun. Removed no farther from the city then An hour’s short walk, though undertaken when Sol raged in Cancer, might with ease convey Scorched travellers, a dismal temple lay, In a dark valley, where more ancient times Had perpetrated those religious crimes 410 Of human offerings to those idols that Their hands made, for their hearts to tremble at. Yet this, since now made venerable by Those reverend relics of antiquity, The Spartan princes’ monuments, by those Of latter times, though altered faith, is chose For their retreat, when life’s extinguished glory Sought rest beneath a silent dormitory. Nor stood this fabric all alone; long since A palace, by some melancholy prince 420 Which hated light, or loved the darkness, built To please his humour, or conceal his guilt, So near it stood, to distant eyes which sent Thither their beams, it seemed one monument ; Whose sable roof ’mongst cypress shadows fills 393 Another of the interesting Royalist flashes. ( 287 ) Wilham Chamberlayne [Book V The deep dark basis of those barren hills With such a mournful majesty, as strook A terror into each beholder’s look, Awful as if some deity had made That gloomy vale to be the sacred shade, 430 Where he chose in enigmas to relate The dark decrees of man’s uncertain fate. Betwixt this temple and the city stood, In squadrons thick as shows an ancient wood To distant sight, the army, placed to be In this sad march their guilt’s security ; Whose glittering swords shone, as if drawn to light Day’s beauties to the palace of the night. Toward which the prisoners, yet detained within The city, in this dreadful pomp begin 440 Their mournful march, led by that doleful call By which loud war proclaims a funeral. Those that had been the common guards unto The murdered princes, to the people’s view Are first presented; on an ebon spear Each bore a scutcheon, where there did appear The arms which once adorned those princes’ shields, Sadly displayed within their sable fields. Next these, some troops, whose prosperous valour in Their courts had steps unto preferment been, 430 Come slowly on; but slowlier followed are By elder captains, such whom busy war, Whose victories had their youth in honour died, As useless now for council laid aside. T’ the rear of these, the officers of state, Grave as they’d been of council unto Fate, I’ the purple robes of royal mourners clad, With heavy pace conducted in a sad And dismal object—two black chariots, drawn Like hideous night when it assaults the dawn 460 In dreadful shadows ; where, to fright the day With sadder objects, on black herses lay The effigies of the murdered princes; in Whose form those spots of treason that had been Fate’s agents to unravel Nature’s law, In bloody marks the mourning people saw. At which sad sight, from silent sorrow they Advanced, had let external grief betray Their love and loss, if not diverted by Succeeding objects, which assault the eye 470 With what, though living, yet more terror bred Than what they found for the lamented dead. In such a garb as sorrow strives to hide The hot effluviums of a sullen pride, 474 effluviums] Singer, most improperly, ‘ effluvia.’ ( 288 ) Cano V] Pharonnida Almanzor next, with slow portentous pace, Follows the herses; his discovered face So subtly dyed in sorrow, as it had Strove to outmourn the sable arms which clad His falser breast; whose studied treason knew No such disguise, as first to meet the view 480 O’ the censuring people, in a dress that shows Him by their state’s maturer council chose, ’Gainst whoe’er durst maintain the prisoners’ cause, By ’s valour for to vindicate their laws. But now, to lose these rivulets of tears In the vast ocean of their grief, appears Their last and most lamented object, in The royal captives; whose sad fate had been Not so disguised in attributes of guilt, But that the love their former virtue built 490 In every breast, broke through their fear, to show How much their duty did to sorrow owe. In that black train they had beheld before, Though full of sadness, wearied life passed o’er The stage of Nature, is their darkest text To comment on; which, since good men perplexed With life’s cares are, finds less regret than now To living sufferers justly they allow: Friends, though less near, since death is but that rest They vainly seek that are in life distrest, 500 Being pitied more than those whose worst of fate We have beheld destruction terminate. That nought might in this scene of sorrow be Wanting to perfect grief’s solemnity, The kingdom’s marshal—who supported in His hand a sword, which, glittering through a thin Wreathed cipers, through the sad spectator’s eye Struck such a terror, as if shadowed by Death’s sooty veil—conducting, after goes The undaunted Cyprian, with a look that shows 510 A soul whose valour was of power to light Such high resolves as by their splendour might Make death look lovely; on his upper hand Her sex’s glory, she whose virtues scanned Her actions by Heaven’s strictest rules, the sweet Pharonnida, unmoved, prepares to meet The ministers of death, her train being by Florenza, who must in that tragedy Act her last part, sustained. The garment which The beauteous princess did that day enrich, 520 507, 528 cipers] Singer, with more excuse perhaps, ‘cyprus.’ But where an antique spelling definitely indicates pronunciation and the modern obscures it, it is probably better to keep the former. ( 289 ) U Wilham Chamberlayne [Book V Was black, but cut on white, o’er which the fair Neglected treasure of her flowing hair Hung loosely down ; upon her head she wore A wreath of lilies, almost shadowed o’er With purple hyacinths, on which the stains Of murder yet in bloody marks remains ; Over all this, a melancholy cloud Of thick curled cipers from the head did shroud Her to the feet, through which those spots of white Appeared like stars, those comforts of the night, 330 When stole through scattered clouds; in her right hand She held a watch, whose next stage should have spanned The minutes of her life; her left did hold A branch of myrtle, which, as grown too old To live, began to wither ;—for defence O’ the falling leaves, as death and innocence Had both conspired to save’t, the bough was round In mystic wreaths of black and silver wound. Near to the royal prisoners, many peers Of either kingdom, men o’ the gravest years 540 And loyalest hearts, did with a doleful pace Bring up the rear; each melancholy place Through which they passed being with those pensive flowers That wait on funerals strewed. The lofty towers Of chequered marble had their stately brows In sables bound, their pinnacles with boughs Of dismal yew adorned, as if their knell Should next be rung; a solemn passing bell In every church was tolled, whose doleful sound, Mixed with the drum and trumpet’s Dead March, drowned 550 The people’s cries, whose grief can ne’er be shown In ’ts native dress, till loud and clamorous grown. In this black pomp the mourning train had left The sable city, which, being now bereft Of all her sad and solemn guests, did bear The emblem of an empty sepulchre,— So full of silence, all her throng being gone With heavy pace to be attendants on Those funeral rites, which ere performed must have More virtue for attendants to the grave 560 Than e’er they could again expect to see, Whose hopes of life lay in minority. Come to the desert vale, which yet had kept A solitary loveliness—that slept ‘There in untroubled rest, a levelled green, Chose for the lists, which nature lodged between Two barren hills; upon whose bare front grew, Though thinly scattered, here a baleful yew, And there a dismal cypress, placed as they Had only chose that station to display 570 ( ago ) Canto V] Pharonnida The people’s passions; who, with eyes fixed in Full orbs of tears, ere this had sorrowing seen The pitied prisoners to those scaffolds brought, Where those lamented lives whom treason sought To ruin, must be sacrificed to please Ambitious man, not angry Heaven appease. This curds their bloods, which soon inflamed had grown, Had not the varied scene of sorrow shown The murdered princes ; who, produced as they Had been reserved as opiates to allay 580 Their anger’s flame, are both exposed unto The satisfaction of the public view, Mounted on herses, which, on either side O’ the temple gate, with death’s most dismal pride On ebon pillars stood, as raised to show What justice did to their destruction owe. Placed near to these, their sorrows’ sad records, Almanzor’s tent, to show that it affords For red revenge a close reception, stood Like a black rock; from whence in clouds of blood 590 The sanguine streamers through the thickened sky Did waving with unconstant motion fly. In view of which, though at the other end, If any durst appear that could defend Their cause, whom Heaven alone knew innocent, There to receive him stood an empty tent ; Whose outside, as if fancied to deter His entrance, there appeared a sepulchre. Over whose gate her false accusers had Transcribed those crimes which so unjustly clad 620 In purple sins those candid souls ; which seen In their bright virtue’s spotless robes, had been The hated wonders of those foes, whose ends Now find success i’ the pity of their friends. Near this black tent, on mourning scaffolds, where Death did to encounter Innocence prepare His heaviest darts, such as were headed by That more than mortal plagues, foul infamy, The prisoners mounted. At the other gate, Almanzor, like the messenger of Fate, 610 Fraught with revenge, appears; his dreadful form, More full of terror than a midnight storm To straitened fleets, appearing to the view O’ the multitude; who, whilst their prayers pursue The prisoners’ safety on the flagging wings Of sickly hope, his sure destruction brings, 577 curds] This is Singer's reading for orig. ‘curls’ which is not quite impossible and even rather vivid—for passion meeting and ruffling the blood as wind does water. And if one begins guessing, why not ‘cools’? ( 291 ) U2 William Chamberlayne [Book V Since from their knowledge more remote to cure, Unto their hates’ impatient calenture. Thrice had their trumpet sadly sounded been, And thrice a herald’s voice had summoned in 620 Some bold defendant ; but both yet so vain, As if just Heaven neglected to maintain That righteous cause: which sadly seen of all, The sorrowful but helpless people fall, Since hopes of life was shrunk into despair, To be assistant by their private prayer At death’s distracting conflict. In a brief Effectual speech, which answered to the chief Heads of’s indictment, in those powerful words Conceived his last, the Cyprian prince affords 630 Their sorrow yet a larger theme. Which done, Being first to die, having with prayer begun That doubtful road, he now a short leave takes Of all his mourning friends, then calmly shakes Off each terrestrial thought; and, heightened by The speculations of eternity Above those damps, which Nature’s hand did weave, Of human fear, submitting to receive The fatal stroke, that centre to a crown, But orb of wit—his sacred head, lays down. 640 Fled to the dark cell of their utmost fears, With eyes whose lids were cemented in tears, Each still spectator’s thoughts did now repair To the last refuge of a silent prayer ; In which close parl, from that deep lethargy They are to joy and wonder wakened by A trumpet’s voice, which from the other gate Sounds a defiance. “Iwas not yet so late In Hope’s dim twilight, but they once more may, In expectation of a glorious day, 650 Dare look abroad; which done, unto their view, A Cyprian herald being designed unto That office, they, leading a stranger knight Into the lists, behold; whose welcome sight Was entertained with acclamations that Raised thunder for his foes to tremble at. This valiant hero, whose brave gesture gave Life to that hope which told them Heaven would save Such suffering virtue, now drawn near unto The tent, is taking a disdainful view 660 Of that accursed inscription; whilst all eyes, Centred on him, see through his steel disguise A goodlier shape, though not so vastly great As that cursed lump Nature had made the seat Of’s enemy’s black soul. The armour which He wore, they knew not whether for more rich ( 292 ) CANTO V] Pharonnida Or rare to prize. The ground of it, as he For those had mourned which now from infamy His sword sought to redeem, was black, but all Enamelled o’er with silver hearts, let fall From flaming clouds ; which hovering above Them, looked like incense fired by heavenly love: *Mongst these, in every vacant place, was found A death’s head scattered ; some of which were crowned With laurel, others on their bare fronts wore A regal diadem. In’s shield he bore, In a field argent, on the dexter side, A new-made grave, to which a lamb, denied Succour on earth, to shun the swift pursuit Of a fierce wolf, was fled; but ere one foot Was entered there, from a red cloud, that charged The field in chief, a thunderbolt, enlarged By Heaven’s just wrath, from’s sulphury seat was sent So swiftly, that what saved the innocent The guilty slew; which now in’s blood doth lie, A precedent for powerful tyranny. Those short surveys o’ the people hardly took, Ere, having now the unuseful tent forsook, The brave defendant with a loud salute Had passed the scaffold in the bold pursuit Of glorious victory ; whom his angry foe, Whose valour’s flame ne’er an allay did know So cold as fear, in that wild flame which rage Opposed had kindled, hastens to engage Him with so high a storm of fury, that, Each falling stroke, others did tremble at What they sustained. Strength, valour, judgement, all Which e’er made conquerors stand, or conquered fall, Here seemed to meet. As if to outrun desire, Each nimble stroke, quick as aethereal fire When winged by motion, fell; yet with a heft So full of danger, most behind them left Their bloody marks, which in this fatal strife Seemed like the opened sallyports of life. Sadly expecting whom by Fate would be This day chose favourite unto destiny, The people in such silent ecstasies, As if their souls only informed their eyes, Sat to behold the combat; when, to give Their faith assurance, justice yet did live Unchained by faction, from a fatal blow Struck near his heart, Almanzor fallen so low From hopes of victory they beheld, that in His ruin, what before their fear had been, Grew now their comfort. When, that speedy death Might not transport his soul ere his last breath ( 293 ) 6go 7OO William Chamberlayne [Book V Confessed his guilt, the noble champion stays His just raised rage, whilst his own tongue displays His thoughts’ black curtains, by discovering all Those crimes, beneath whose burthen he did fall, 520 Heavy as curses which from Heaven are sent For th’ people’s plague, or prince’s punishment. In which short close of life, to ease the grief Of late repentance, that successful thief, Whose happiest hour his latest proved, being took For precedent, he in a calm forsook That world, which, whilst his plots did strive to build Ambition high, he had with tempests filled, The multitude, whose universal voice Had taught even such, though distant to rejoice, 730 As age or sickness had detained within The city walls, forced those that yet had been Her foes, converted by the general votes For joy, to change their envy’s ill-set notes To calm compliance; in whose concord they, With as much speed as duty did convey Her best of subjects, to congratulate Her freedom hastes. Who, in this smile of fate, Whilst all her friends strove to forget those fears Whose form they lately trembled at, appears 740 Shadowed in grief; on whose joy could reflect No beam of comfort, the supposed neglect Of her Argalia, whose victorious sword Did in her fears’ extremity afford Some hopes of comfort, which to opinion lost, More sorrow than the assaults of death had cost; Had not, whilst she did in dark passion stray, His full discovery glorified the day. Amidst the people’s acclamations, she, Though from a scaffold now conveyed to be Raised to a crown, all that vain pomp beholds With eyes o’ercast in grief, till he unfolds Her further comfort, by discovering what, Whilst each spectator was admiring at, Becomes to her so much of joy, that in This calm, that courage which before had been Unshook in tempests, now begins to move ; And what scorned hate, submits to powerful love. T'rom whose fixed centre, with as swift a flight And kind a welcome, as the nimble light 760 Salutes the morning, Pleasure now imparts Her powerful beams, until those neighbouring hearts That lived by Hope’s thin diet, drew from hence Substantial lines to Joy’s circumference. Her innocence unveiled by his success, And both by that black foil of wickedness, ( 294 ) “1 ue oO CanTOo V] Pharonnida Almanzor’s guilt, more glorious made, is now The only volume wonder could allow Those that before her worst of foes had been, Sadly to read repentant lectures in. "40 Which seen by her observant peers, that all Succeeding discords in that tyrant’s fall Might find a tomb, him, being their princess’ choice, The Spartan army’s universal voice Salute their chief. Which precedent affords A pattern to the wise Epirot lords ; Who had a law, age made authentic, which Prohibited their diadem to enrich A female brow: on him, whose title stood Nearest of all collateral streams of blood, 580 They wisely fix a choice, which proves to be Their glory and their state’s security. And now raised from that lowly posture in Which fear had left them, the vast rout begin Their motion toward fair Gerenza; where The varied scene did such proportion bear With joy’s exalted harmony, which in Their rescued princess dwelt, all that had been Their sorrow’s dismal characters they now Obliterate, and her late clouded brow 790 Crown with delights. The solemn bells, whose sad Toll, when they left your mourning city, had Frighted the trembling hearer, now are all Rung out for joy, as if so loud a call Only became a love which could not be Expressed until the full solemnity Of their approaching nuptials did unite Their hearts or crowns, not with more full delight Than what did near as great a blessing prove, Discording subjects, in your bonds of love. 800 Thus, after all the wild variety Through Fate’s dark labyrinths, now arrived to be Crowned with as much content as e’er was known By any that death did enforce to own The frailties of mortality, we leave Our celebrated lovers to receive Those blessings which Heaven on such kings showers down, Whose virtues add a lustre to the crown. 792 your] Singer, obviously, ‘their’: but strangely enough he leaves ‘your’ in 800, The double oddity suggests that Chamberlayne originally meant this to form part of a speec h; then changed his mind, and with his usual equanimity omitted the necessary adjustment. 806 celebrated] A vivid instance of the correct use of the word as opposed to the modern vulgarity. ( 295 ) ENGLAND’S JUBILE[E] [I do not know why Singer did not complete his edition by reprinting this Poem—but perhaps he had not seen it. To me, the tedium of copying it has been not a little alleviated by the interest of its prosody, and of the comparison with Dryden’s. As we might expect, both from the fact of its being an address, not a narrative, and from its composition being later than at. least the earlier part of Pharonnida, the stopped, or nearly stopped couplet is much more in evidence than the enjambed, though this latter is also common enough. And the good side of the change has sufficient exemplification—there are some couplets, and more lines, of the new stamp, of which Dryden himself need not have been ashamed. The older side is not so well shown: for the flowing similes and conceits which it so well suited would have been out of place. But the poem has vigour, adequacy, and not more than a proper share of exaggeration, where required. It is certainly the best of the poems on the Restoration next to Dryden’s !—Ep. | 1 The British Museum copy has no title-page. ( 296 ) ENGLAND'S JUBILE: OR, A POEM ON THE HAPPY RETURN OF HIS SACRED MAJESTY, CHARLES THE II To THE Kinc’s Most SAcRED MajEstTy. PaRDON, great Prince, for all our offering here, But weak discoveries of our wants appear. No language is commensurate with thee, Our loftiest flights but plain humility. Yet since we may, our frailty to conceal, Be guilty of a crime in smothering zeal, That bids thy blest returns more welcome then Plenty to the starved, or land to shipwrackt men. For such were we, or if there’s ought can more Demonstrate ill, that wo was ours before. Heaven, to restore our lost light, sent us him, Without whose raise our sphere had still been dim. Dim as in that dark interval, when we Saw nothing but the clouds of anarchy, Raised by the witchcraft of Rebellion, to So vast a height, none durst pretend to view, Whilst they lay curtained in that black disguise, Majestic beams, but ’twas with bloodshot eyes. Then if such of necessity must pine, Who ’re robbed of food, both human and divine, How could we thrive, when those that did pretend To feed did all on their ambition spend. Who with the sword, not reason, did convince, And rackt the subject to unthrone the Prince. The doleful years of thy exile have been At once our Nation’s punishment and sin: Tost in a storm of dark afflictions we Floated at random, yet still looked on thee As our safe harbour, but had none to guide Us to’t; False pilots with the winds complied. We saw what crime drenched the amazed rout, Yet wanted strength to cast that curst thing out. 7 then] then=than. 12 raise] raise=rise. 30 pilots] Orig. ‘ Pilates,’ with a possible play (), though, as we have Pharonnida, the mere misprint is common, ( 297 ) seen Io 20 in William Chamberlayne Though oft ’twas vainly struggled for, yet we— Who were exiled from nought but Liberty, Who durst live here spectators of those times, Do now in tears repent our passive crimes, And with one universal voice allow We all deserve death, since we live till now. But this is England’s Jubilee, nor must Thy friends doubt mercy, where thy foes dare trust. ‘Thou art our great Panpharmacon, which by Its virtue cures each various malady, Giving their pride a cool allay of fears, Whilst to restore our hectic, Hope appears : And these began the cure, which to complete Expansive Mercy makes thy throne her seat : So that there now (except the guilt within) No sign remains there hath a difference been. The giddy rout, who in their first address, Cried Liberty, but meant licentiousness, When depraved judgements, not content to see A heaven of stars their primum mobile, Did change the system, and 7’ th’ spite o’ th’ love Or fear of Heaven, taught earth’s base dregs to move In the bright orb of Honour, where to all That’s great, or good, they were eccentrical— Having long found their direful influence In nought but plagues descended—did from thence Learn sad repentant lectures, and dare now Present the sword, where late the knee did bow: Dare tell their damn’d impostors they but made False Zeal the light, whilst Treason cast the shade : Dare curse their new discoveries which placed in Hell’s geography Americas of sin. But these, like dust raised ’twixt two armies, do Hurt or assist, as they are hurried to Either by levity; and therefore must By none be held an object of their trust; For though they are Usurpers’ Lands, they’ve found They rent at night, what they i’ th’ morning crowned. But you, great Sir, whose fate has been so mixt As to behold these volatile and fixt, May, since the offspring of their sufferings, be More certain of their future loyalty. And though your title, and heaven-settled state, Needs not, usurper-like, measure your fate By such vain love, yet may you still be sure They'll ne’er again a rebel’s scourge endure. These past years of infatuation, which Hath drained their coffers, did their hearts enrich With so much eager loyalty that when With wonder—like those new recovered men, ( 298 ) 40 60 So England's Fubile Who, by Our Saviour’s miracles escaped From darkness, thought men had like trees been shaped— They only through mist rarefied, gazed at Those glimmering beams, whilest they knew not what Th’ event would be, now, winged with hope, did they Each feeble glance praise as approaching day. But when, with such advantage as the light Gains by succeeding the black dress of night, go Through all the fogs of their preceding fear, They from the North saw loyal Monk appear, How in petitions did their prayers exhale To waft him on, until the gentle gale (Although by ways so wisely intricate They raised our fear whilst they did calm our fate) Brought him at length through all our doubts to be The great assertor of our liberty! Then did we think that modest blush but just, Whose present dye displayed our late mistrust. 100 And to requite those injuries we’d done To myriads raised what single praise begun. Through all the devious paths which he did tread, From the base Rump unto the glorious Head, We scanned his actions, which did nought comprise That might offend, but that he was too wise For vulgar judgements, whose weak fancies guessed By present actions what would be the rest. But when their eyes unveiled, discovered who Had, to destroy the monster, found the clew, 110 How did they praise his wisdom, valour, all That could within the name of subject fall, And to complete whate’er his due might be, Knit up those laurels with his loyalty— That noble virtue, without which the rest Had only burdened, not adorned, his crest. Then since we now by this heaven-guided hand Once more behold the glory of our land, Whom midnight plots long studied to exclude Again fixed in ’s meridian altitude, 120 Let’s cease to mourn, and whilst those fogs attend Such miscreant wretches as dare still offend By flying mercy, raise our souls, deprest E’er since this Star set in the gloomy West— For then begun that dreadful night, which we Have since with terror seen, brave Loyalty Being so opprest by a prevailing fate ’Twas only known by being unfortunate. Yet, though Rebellion in unnatural wars So far did thrive, to prove us falling stars, 130 88 glance] one might expect ‘ glimpse.’ ( 299 ) William Chamberlayne The wiser world saw those that did aspire, Not as Heaven’s lamps, but Hell’s impetuous fire. As monsters of ambition, such whose wild Chimeras since Rebellion first defiled Our English annals, only were advanced ; But Fortune’s light ephemeras, to be glanced A while with secret envy on, and then Hurled from the ill-managed helm to be by men Pursued with such a just deserved hate As makes each curse add weights unto their fate, 140 Horrid as are their names, which ne’er shall be Mentioned without adjuncts of infamy So full of guilt, all ages to ensue Shall weep to hear what this ne’er blushed to do. Whilst we were in these uncouth shades o’ercast To tell what wild meanders hath been past By thee, our Royal Sovereign, is a task That would the tongues of inspired angels ask : Yet since domestic miseries hath taught Us part of the sad story’s ruder draught, 150 We may, by weak reflection, come to see With what dire weight these dark storms fell on thee: Who, whilst thou didst, from hence excluded, stand The pitied wonder of each foreign land, Learnd’st, by commanding passions, how to sway A nation more rebellious far than they. So that the school which thou wert tutored in, Though thy disease, our antidote hath been— We suffering not our crime’s desert, because From hence you learned to pity, and the laws’ 160 Just harness with such candour mitigate As once you bore the rigour of your fate. What earthquakes breeds it in our breasts, when we But think o’er thy progressive misery! How thou, our restless dove, seeing no mark Of land, wert hurried from our floating ark, And, whilst those villains, that exposed thee, lay Forced every wind of faction to obey, Wert long with billows of affliction beat Ere thou didst with thy olive-branch retreat. 170 How by poor friends and powerful enemies, By flattering strangers, and by false allies, Were thy afflictions varied, for all these Shared in the complicating thy disease. Like doleful mourners that surround the bed Of a departing friend, those few that fled 161 harness] Orig. ‘harnesse’: but it is almost certainly a misprint for ‘hardness.’ candour] With the sense of ‘mildness.’. Thus ‘a candid critic’ used to mean, what it scarcely does now, a favourable and polite censor. ( 300 ) England's Fubile Hence on the wings of Loyalty, to be Partakers of whate’er attended thee— Whilst they did mourn, but could not lend relief Did by their sorrow but increase thy grief. 1890 Such was the power of thy prescribing foes, No place afforded safety, some of those Whom poverty sent to attend thy train To cure that malady, did entertain Infectious counsels, which did festering lie Till rebels’ gold outweighed their Loyalty, And from the black pernicious Embryo bred Monsters whose hands strove to destroy their head. Nor whilst these secret sorrows sunk a mine Which, if not hindered by a power divine, 190 Had blown up all thy patience, wert thou free From public injuries—that amity, Which former leagues, or the more sacred ties Of blood could claim, veiled in the base disguise Of policy starts back, and doth give way For treason to expel or else betray. Great birth and virtues which did that excel As the meridian doth each parallel, Are but weak props: a rebel’s threats convince And all avoid a persecuted Prince. 200 When after these big storms of ill abroad Some loyal subjects had prepared the road Unto thy throne, and thou didst once more here Armed for redemption of thy crown appear, Whilst all our hearts, whose distant Lands could not Come to assist thy righteous cause, waxed hot With loyal hopes—how were we planet-strook When Fortune, with pretended friends forsook Thy side at fatal Worcester, and to raise A rebel’s trophies, robbed thee of thy bays! 210 How dismal sad, how gloomy was each thought Of thy obedient subjects, whilst they sought Their flying Sovereign, curtained from their eyes, In the dark dress of an unsafe disguise ! All wished to know, what all desire should be A secret kept, such strange variety Of contradictions did our passions twist: We would behold the Sun, yet praised the mist. But whilst Desire thus shot at rovers, that More powerful sacrifice our prayers being at 220 Heaven’s penetrated ear directed, found Our hopes by thy deserting us near crowned. 192 that] =‘so that.’ Orig. has ‘amities,’ which is obviously wrong and easily accounted for. : 2a2 crowned] Orig. absurdly, ‘Crown. ( 30r ) William Chamberlayne For though to want thee was our great’st distress, Yet now thy absence was our happiness. Then, though we ne’er enough can celebrate The praise of this, yet thy mysterious fate, Great favourite of Heaven! so often hath Advanced our wonder that the long trod path Directs us now without more guides to see Those miracles wrought in preserving thee 230 Were God’s immediate acts, to whose intents Were often fitted weakest instruments, From whose success faith this impression bore, He that preserved thee would at length restore, Which now through such a labyrinth is done, We see the end, ere know how ’twas begun. That big-bulked cloud of poisonous vapours in Whose dismal shades, our liberty had been Long in amaze of errors lost, was by A wholesome northern gale enforced to fly 240 Easy as morning mists, so that the fate Seem’d not more strange, which did at first create, Than what did now destroy in it, did appear As far from Hope, as was the first from Fear. When a rebellious tyranny had been So strengthened by a prosperous growth in sin That the contagious leprosy had left None sound but what were honest by their theft— Then to behold that hydra, which had bred So many, in an instant, her last head 250 Submit to justice, is a blessing we Must praise 7 th’ raptures of an ecstasy, Till from the pleasing trance, being welcomed by Loud acclamations, raised from Loyalty, We come, we come, with all the reverence due To Heaven’s best gifts, great Prince, to welcome you— You, who by suffering in a righteous cause Safely restored that Liberty, those Laws, Which after long convulsive fits were now Expiring, so that future times, told how 260 This great work was performed, shall wonder most To see the fever cured, yet no blood lost. But these are mercies fit to usher in Him to a throne, whose virtuous life hath been Beyond detraction good: therefore attend Those joys which Heaven to us, by you, did send: Whose sacred essence, waited on by all The most transcendant blessings that can fall, Within the sphere of human virtue, still Surround your throne! May all imagined ill 270 243 init] If the poem were less badly printed, the extended form ‘in it’ for the usual ‘in ’t’ would have prosodic interest: but it is probably mere accident. ( 302 ) England's Fubile Die in the embryo! May no dark disguise Of seeming friends, or foes that temporize, Fer prejudice your peace! May your foes prove All blushing converts! May all those that love You do’t for zeal, not gain; and though that we (What was of late your mark) our poverty Are still enforced to wear, oh may there thence Ne’er spring a thought to take or give offence! May all toward you be fraughted with desires That may in flaming zeal outblaze the fires 280 That you were welcomed in with! May delight Within your royal breast no opposite E’re find, but so let gentle pleasure grow, That it may kiss the banks, but ne’er o’erflow ! When Hymen leads you to the temple, let It be to take that gem which Heaven hath set The world’s adorning ornament—that we May by that blest conjunction’s influence see Such hopeful fruit spring from our royal stem As may deserve the whole world’s diadem. 290 May Peace adorn your throne! Yet if the sword Must needs be drawn, may it no sound afford But victory, until extended power Adds weight unto your sceptre! May no hour E’en set a seal to the records of Time, But what still makes your pleasure more sublime, Till they, beg grown too pure for earth, shall be Called to the triumphs of Eternity! By WILL. CHAMBERLAINE. London, Printed for Robert Clavell at the Stags-head in St. Pauls Church yard, 1660. 292 sound] So in orig. 299 Chamberlaine] So here in orig. In Pharonnida ‘Chamberlayne.’ ( 303 ) 3 THEOPHILA LOVES SACRIFICE. A Divine Poem. WRITTEN BY E. B. Efq; Several Parts thereof fet to fit Aires by M' Ff. FENCKING. Longum Iter per Precepta, breve officax per Exempla, Si Preceptis non accendimur, faltem Exemplis incitemur, atq in Appetitu Re&ivudinis nil fbi Mens noftra difficile aftimet, quod perfette peragi ab Alus vider. Greg.Mag. |. 9. c. 43. Id peragas Vita, quod velles Morte perattum. LONDON, Printed by RN. Sold by Henry Seile in Fleeiftreet, and Humphrey MoJeley at the Princes Arms in S. ‘Pauls Church-yard. 1652. INTRODUCTION TO EDWARD BENLOWES THE fate of Benlowes has been one of the hardest in the history of English poetry. Such approval as he met with, in his own time and from persons likely to sympathize with his general way of writing, was chiefly interested ; he was savagely though very amusingly satirized by the greatest satirist, save one, of his own later day; he came in, long after his death, for sneers, suppressed and not suppressed, from Pope, as well as for a gratuitous salutation from Warburton’s bludgeon?; and at the Romantic revival he was almost entirely passed over. Neither Ellis nor Campbell, who were both pretty equitable to the Caroline poets, gave him admission: even Southey, so far as I remember, lets him alone, which is a pretty clear sign that he did not know him. Of late he has received more attention. But most of it has been of the unsatisfactory bibliographical character, little calculated to allay the thirst of the clear: spirit in life or after death : and most, even of this, has been due to the very cause which (it may be more than suspected) has made Benlowes so rare. At one time (see biographical note *), he was a rich man or at least well-to-do, and with the nascent interest in art which distinguished the Cavalier party, from the King downwards, he 1 Notices of Benlowes have been apt to dwell only on Warburton’s note at Dunc. iii. 21 which hits our poet’s f#les. But Pope himself, probably from some traditional Roman Catholic grudge at the convert-revert, had set the example. The actual passage just cited is not crushing : Benlowes, propitious still to blockheads, bows. But he had thought of including in Prol. Sat. the couplet : How pleased I see some patron to each scrub ; Quarles had his Benlowes, Tibbald has his Bubb. with the note, at 1. 250,—A gentleman of Oxford who patronized all bad poets of that reign. > (fonmetion about Benlowes is mainly derived from Anthony Wood, with some slight supplements. According to it, he was born about 1603, the son and heir of a man of fortune who owned Brent Hall, in Essex. He wassent to St. John’s College, Cambridge, in 1620; and after leaving the University, made the grand tour. Some say that he was brought up a Roman Catholic; others that he adopted Roman Catholicism abroad; but it is agreed that he died a faithful Anglican. According to Butler he served in the Civil War, which may have assisted his lavishness to friends and relations, and his expenditure on collecting and otherwise, in producing that exhaustion of his fortune which is also agreed upon. He spent the last eight years of his life at Oxford, making good use of the Bodleian, but (according to Wood) in astate of great poverty, which (on the same authority) even shortened his life by insufficient provision of food and firing during a severe winter. At any rate he died in December, 1676, aged seventy-three, and was buried in St. Mary’s. Hazlitt attributes to him eight other works besides Theophila, and the Dictionary of National Biography ten with a possible eleventh ; but all of these are short and most of them are in Latin, ( 307 ) x2 Edward Benlowes set himself to embellish his principal work, Zheophz/a, in a manner very uncommon before his time. An uncertain number (for hardly any two copies agree, and the tale seems to vary from six-and-thirty downwards) of illustrations—sometimes separate, sometimes in the text, and ranging from more than full folio plates to two-inch-square vignettes—decorate the poem. These have in most instances been ruthlessly ravished from it— often, in the case of those backing matter, to the mutilation of the text, and almost always to the danger and disintegration of the book. It is also probable that no very large number of copies was printed, while the poem was never reissued: so that its rarity is not surprising. But rarity is very far from being always or necessarily a cause of neglect. On the contrary, it notoriously, and vety often, serves as a direct attraction and stimulant to reprinters. It is more difficult to know whether to admit or disallow as a vera causa of Benlowes’ obscurity, the fantastic ingenuity (as ‘metaphysical’ in reality as its prey) of Butler’s attack. A similar combination of rarity and satire has had no doubt much to do with Shadwell’s practical occultation: but this was never so complete as that of Benlowes, and moreover Dryden’s consummate art had contrived to kill even curiosity about his victim. For few people care to explore simple and unmitigated dulness. There was something—at least after the eighteenth century was over—which might have excited, instead of quenching, this curiosity in Butler’s ‘Character of a Small Poet ’ where, after several pages of general ridicule, Benlowes is gibbetted by name. The woes of Mr. Prynne— when having put a new hat in a hat-box which had been unfortunately lined with leaves from Zheophila, or something else of its author’s, he suffered from singing in the head, vertigo, and even after blood-letting, a tendency to write harsh poetry; the poet’s mastery of high-rope ‘wit’ and low-rope wit alike; his improvement on altars and pyramids by frying-pans and gridirons in verse; his troop-horse’s furniture ‘all in beaten poetry’; the fatal effect of his printed sheets even upon tobacco; his Macaronic Latin and so forth :—these are things which might rather tempt at least a slight exploration than discourage it. One does not object to a glimpse, at any rate, of the extravagant and absurd; though one may have a holy horror of the merely dull. And as for Warburton nobody, even in his own time, took him fer much of an authority on poetry: while his condemnation was rather likely to serve as a commendation, after the be- ginning of the nineteenth century, to anybody except the neoclassic remnant, whether the individual took his ideas of poetry from Coleridge or from Wordsworth, from Southey or from Byron, from Shelley or from Keats. We shall hardly be epigrammatic out of season if we solve or evade the difficulty by saying that accident probably assisted rarity, and that Benlowes himself certainly assisted Butler. He has done (except in the ( 308 ) Introduction matter of the sculpturesque embellishments which have so often disappeared) almost everything he could to ‘fence his table’ against at least modern readers. Some (let it be hoped not too many) would drop off at once on perceiving that ‘Theophila’ is but a name for the soul, in its mystical status as the bride of Christ. More might faint at the prospect before them on coming to the information in the Preface that ‘The glorious projection and transfusion of ethereal light, both in the Sun and the six magnitudes, constitute, by astronomical computation, more than 300 suns upward to the Empyrean Heaven. A star in the Equator makes 12,598,666 miles in an hour, which is 209,994 miles in a minute, a motion quicker than thought.’ For even Dante, though he may double Theology with Astronomy, does not cumulate both with Arithmetic in this fashion. And of those who still hold their course, acrass prefaces and prefatory poems, to the actual text, not a few more may break down at or a little past the gateway. Benlowes has chosen one of the most awkward stanzas (if it is to be called a stanza) possible—a triplet composed of decasyllable, octosyllable, and alexan- drine—the jolt of which only after long familiarity becomes rhythmical even to the most patient and experienced ear, and never reaches a perfect charm. These triplets are monorhymed : but the author begins with three on the same sound, and never expresses the slightest consideration as to symphonic or symmetrical effect in rhyme. He showers italics and capitals in a fashion which might give pause to the sternest stickler for literal typographic reproduction. But undoubtedly the most serious objects of distaste are likely to be found, where Butler long ago found them, in his style—taking that word in the wide sense which admits both diction and expression of thought. Even before arriving at these one may quarrel (far from captiously) at his general plan and ordonnance. Despite more than one declaration of the author’s design, explicit enough in intention, it is very difficult to put this design with any intelligible brevity: and his introductory panegyrists in verse take very good care not to attempt it. The Praelibation, Humiliation, Restoration, Inamoration, Representation, Contemplation, Admiration, Recapitulation, Translations, Abnegation, Disincantation, Segre- gation, Reinvitation, and Termination—as the several Cantos are headed— refusereduction to any common denomination except perhaps this :—‘a very discursive treatise on mystical theology and passions of the soul, succeeded by an equally discursive comment on the sins of the flesh.” The author adopts as his vehicle sometimes English, sometimes Latin, sometimes both in face-to-face translation. The mere lexicon of the vernacular parts is distinctively Caroline: out-of-the-way catchwords such as ‘remora’ and ‘enthean,’ both of which he shares with Chamberlayne, being alternated with extremely familiar phrases and archaisms, as well as with the hideous ( 309 ) Edward Benlowes abbreviations (‘ who’s days’ for ‘ who his days’ and the like), which are the greatest blot upon the poetry of this time. He coins pretty freely (e.g. ‘angelence’ in a very early and by no means bad stanza) and one of the things which shocked Butler was the certainly tremendous Macaronic invention of Aypocondruncicus : while one can imagine the almost stuttering rage of some critics to-day at such another word as ‘ Proteustant,’ for the Covenanters. But, on the whole, his licences this way, though considerable and no doubt excessive, are certainly less frequent, if perhaps to the grave and precise more shocking, than the irresponsible and irrepressible libertinism of his composition as regards clause and sentence, material and contexture. The late Greek rhetoricians, in that mania for subdividing and labelling figures which Quintilian soberly ridicules, might have lost themselves in endeavouring to devise tickets for the subdivisions of Benlowes’ indulgence in good, or hectic, or horse-playful, conceit. Already the twentieth couplet of the ‘ Praelibation’ provides us with this :-— Each gallon breeds a ruby ;—drawer ! score ’um— Cheeks dyed in claret seem o’ th’ quorum, When our nose-carbuncles, like link-boys, blaze before ’um. But an even less dignified use of ‘the d/ushing grape of western France’ occurs later :— War hath our lukewarm claret broach’d with spears where it would be really interesting to know whether there is an earlier instance of the ‘fancy’ use of the word. It would not be easy to find a wilder welter of forced metaphors than here :— Betimes, when keen-breath’d winds, with frosty cream, Periwig bald trees, glaze tattling stream : For May-games past, white-sheet Zeccavi is Winter’s theme '. And he surpasses even his usual quaintness when he concludes a long interruption of Theophila’s address to him on heavenly things in the Fifth Canto :— Fond that I am to speak. Pass on to bliss, That with an individual kiss Greets thee for ever! Pardon this parenthesis. 1 Of course Benlowes, though he added the absurdity of ‘cream,’ borrowed this from the famous locus of Sylvester which Dryden ridicules in the Dedication to The Spanish Friar. But what is even more noteworthy, and to my knowledge has never yet been noted, is that Dryden himself, in the error which Scott has detected in quoting ‘And periwig with svow the bald-pate woods’ for Sylvester's ‘ wool’ has been anticipated by Benlowes in another passage of 7heophila, When periwigg’d with snow’s each bald-pate wood. Now, Dryden, who was twenty-one when Theophila came out, and was probably not past the stage when he wrote the ‘ Lines on Lord Hastings,’ may very likely have read Benlowes himself. ( 310 ) Introduction He does not hesitate to rhyme ‘ Hades’ to ‘Shades’ and will draw attention in the margin, with modest pride, to a versus cancrinus (it is in Latin), that is to say one which reads the same with the letters taken backwards or forwards. I have thought it well to make no secret or ‘abscondence’ of these absurdities. They are such, and there are many others; indeed, the man who could commit some of them evidently could not have guarded himself against others if he would, and perhaps would not if he could. If any be of the mood of Butler on this particular occasion (for as I have hinted above his own method is often only that of Benlowes changed from unconscious indulgence to conscientious and deliberate utilization for comic effect), or of Boileau always, he had better abstain from Benlowes. For ‘awful examples’ of the metaphysical gone mad are on record plentifully already, and there is no need to do again what Johnson did sufficiently more than a hundred years ago in the Life of Cowley. Indeed, I do not know, despite the greater sureness of Crashaw’s command of poetical expression, that Benlowes has ever gone beyond Crashaw when he pictured the eyes of St. Mary Magdalen as walking baths and portable oceans, though modern practice has brought out an extra whimsicality for us in this. But the arguments which have been sketched in the General Introduction apply here with special force. We know that Crashaw was not a fool; and, though there is no reason for adopting the opinions of parasites and pensioners’ about Benlowes, there is nearly as little for agreeing with Butler that our poet was one. We come in him to one of the most remarkable examples provided by English literature of the extreme autumn of the Elizabethan axnus mirabilis. ‘The belief in conceits is as strong as ever : and though the power of producing them poeti- cally is dying down, and except for flickers has almost died, a fresh, deliberate, critical, beliefin fuzor poeticus has come to blow the embers. There is still a too exclusive reliance on one of the great pair of poetic instraments— the method of making the unfamiliar acceptable, of procuring a welcome for the strange. But the exercise and employment of this is forced, mechanical, what was called two hundred years later, in a fresh though only momentary revival of the circumstances, ‘spasmodic.’ One perfectly understands how, in presence of such things, men, especially not feeling any particular enthusiasm themselves, turned to the o¢#er method—the method of raising and inspiring the familiar, the ordinary, the common-sense. And one understands with scarcely less fulness and ease why men like Butler felt their own sense of the ridiculous stimulated and, as it were, exacerbated by the consciousness (half-conscious as it might be) that it was their own method which was thus caricatured and brought into contempt—that their own matters were at stake, or at least one side of them. Meanwhile the 1 Who anagrammatized his name into ‘ Benevolus,’ and swallowed up his fortune. (art) Edward Benlowes other side—that which leant to the new dispensation of Prose and Sense— was wholly and genuinely hostile to all the works, all the spirit, all the tastes, methods, intellectual habits of persons like the author of Theophila. The opportunity of such understanding is not fully provided till we know these persons in their own work—in that ‘ horse-furniture of beaten poetry’ in which they ambled and jingled across the stage. But we are, or ought to be, more disinterested now than Butler or even Dryden, though it is unnecessary to repeat what should have been said on this head before. And Benlowes, besides his interest of absurdity—his mere helotry which, though it might almost suffice for some, cannot be expected to do so for all—has other and less dubious claims. The earlier, larger, and better part of his poem is a really remarkable, and beyond all reasonable doubt a perfectly genuine, example of that glowing intensity of mystical devotion which plays, like a sort of Aurora, on the Anglican High Churchmanship of the seventeenth century, and has made it, to some, one of the most attractive phases of religious emotion to be found in all history. It may be prejudice or partisanship, but there seems to me some reason for connecting Benlowes’ return to Anglican orthodoxy, as contrasted with Crashaw’s permanent estrangement, with the freedom from over- Jusciousness which is remarkable in the lesser poet, Benlowes is afraid of no metaphor, however extravagant and however doubtful in point of taste; but his metaphors are not, to use the Persian criticism, Limber in loin and liquid on the lip like those of some others. His ‘ Clevelandisms,’ his astonishing contortions and bizarrenesses of thought and phrase, are not more incompatible with true and intense piety than some to be found in the poetical books of the Bible, and even no doubt, to some extent, owe suggestions to them. Those who insist upon ‘sanity’ as the first and last distinction of religion cannot like him; but they will find (and as is notorious enough have found) not very much less difficulty with a rather formidable body of Prophets, Saints, Apostles, Fathers, Divine Poets, from the earliest and the latest days of Christianity. Coming to still closer quarters, the eccentricity of Zheophila does not prevent it from containing not a few passages, sometimes of length, that require very little allowance or apology from any tolerably catholic-tasted reader of poetry. There is a fine outburst, justifying its own pretty phrase, The opal-coloured dawns raise fancy high, beginning at stanza LXJII of the ‘ Praelibation’ itself ; another, fantastic enough but not uncharming, on Theophila in penance, at Canto 11. LXX sq. Theophila’s Love-Song, in the six-lined stanza, shows at once the relief from ( 312 ) Introduction the stricture of the blood caused by the ‘cross-gartered’ triplet which Benlowes has perversely used elsewhere ; the address to the Ancient of Days at vi. LII sq. is really impressive (one rather likes the idea of Blake illustrating Benlowes anew) and at the end there is a delightful country- and-evening piece to match the opal-coloured dawns of the opening. But (as was once said in a phrase which, as it happens, chimes in with the Latin anagram that cost Benlowes part of his fortune), apologies are things which /ectord benevolo supervacanea, nihil curat malevolus. Itis at any rate open to the former, as well as to the latter, to treat this poet each after his own kind. In the setting up of Pharonnida Singer's reprint, already modernized in spelling, was utilized ; but as Zheophila is printed directly from the original it may be desirable to explain the principles of orthography which have been observed here, and will be observed in similar cases. I am, of course, well aware that there is, as there has long been, a habit of demanding adherence to original spelling, and of regarding those editions which comply with this demand as ‘ scholarly,’ and those which do not as ‘slovenly.’ I disagree with the opinion and decline to comply with the demand. Asa matter of fact, the retention of the old spelling gives the editor very little trouble, and the alteration of it a very great deal. But this is nothing. In the first place there is no real reason, in the case of any writer at any rate later than the beginning of the seventeenth century, for throwing in the way of the modern reader an unnecessary obstacle to enjoyment. In the second place, and in the case of such authors as those with whom we are now dealing, the advantage of the original spelling, even to the severest reader for knowledge and not enjoyment, is almost infinitesimally small. I have before writing these words carefully gone over a page, selected at random, of the text which follows. It contains twenty-six lines, and in round numbers over two hundred words. Of these (putting some classes of typographical peculiarity, to be mentioned presently, aside) exactly eggf¢ and eight only are spelt differently from our present system, and these differences supply us with the immensely important and interesting knowledge that ‘less’ was spelt ‘lesse (twice), that adjectives like ‘ natural’ were spelt with two 7's (twice), that ‘obey’ was sometimes spelt ‘ obay,’ that ‘wild’ and ‘find’ had a finale; and that the contraction of ‘ over’ was carelessly written ‘o’re’*. Of the gezeral variations, the habit of beginning nouns with a capital can be neither surprising nor instructive to any one who has interest enough in English literature to open such a book as this: and it frets the eyes of some who have a good deal of such interest. The other habit of frequent 1 By no means always. Those who think that each spelling should be registered, may also regret evidence that ‘gem’ and ‘jem’ were used according to the taste and fancy of the moment and the person ; and that ‘ to Day’ with a capital, and ‘to morrow’ without, occur in the same line. (313 ) Edward Benlowes italicizing (z/thout personification or the like) has a still more fretting effect, and is very difficult to reduce to any logical system ; while though the presence of apostrophes in such words as ‘ pow’r’ is undoubtedly important as showing metrical theory, and is therefore kept here, the absence of it in the genitive case is again fretting and sometimes confusing, so that it is worth correction. The same is not quite the case with Benlowes’ frequent habit of printing whole words in capitals: and this is therefore frequently retained. But in those other things, general and particular, nothing is gained by the reproduction of what were in most cases mere arbitrary printers’ caprices or fashions. And even putting aside, as a question not to be disputed, the question which makes the prettier page, there can be little dispute that retention of such things prevents that horizontal study of English poetry—that taking it all on equal terms—which some think the great desideratum and desiderandum. We want these things to be regarded as poems, not as curiosities and Jd7ic-a-brac. You cannot modernize Chaucer without loss, because his language itself is not modern: you cannot modernize Chatterton without unfairness, because his archaism was part of his deliberate method. But Chamberlayne and Benlowes lose (except in the very rarest instances) nothing at all and may gain something: while innumerable instances—whole lines, whole stanzas, whole passages, present not a single actual variation from modern practice except the initial capital. And the extraordinary ‘harlequin’ effect of the original printing of Zheophila, of which a specimen is given, emphasizes unduly, for modern readers, the already sufficient eccentricity of the text. In every case where there is the slightest direct or indirect interest, historical, phonetic in the good sense, prosodic, grammatical, or other, attention will be drawn in the notes to the original spelling. Elsewhere, that method will be adopted which will give the poetry the best chance of producing any poetical effect of which it is capable. After examining the minor poems attributed to Benlowes, I have decided to add only éwo, to Zheophila. Most, as said above, are wholly in Latin ; and though I didnot think it fit to exclude the Latin parts of his magnum opus there is no reason for including these. Some are very doubt- fully his :—the initials E. B. being treacherous. The Summary of IVisdom, however, in a hundred triplets of the Zheophila stamp, though it duplicates that poem largely does not do so wholly, and should therefore be given ; while the little musical piece which follows it is fresh, pleasing, and very characteristic *. ' I may perhaps refer to an article of mine on Benlowes in The [American] Biblio- grapher (New York, Jan. 1903) at the end of which is an elaborate collation, text and plates, of an unusually complete copy of Theophila by Miss Carolyn Shipman. ( 314 ) Mens Authoris’ TE, mz CHRISTE, Tued,canam Suf- piria SPONSE; ARDORES¢, Zios, & GAUDIA celica, Mundo Abdita; divine pandam MYSTERIA Mentis, Accenfusg, Faces CLO! Fuge, ceca Libido, Et Faftus populator Opum, Livordg secundts Pallidus, & rabidis violenta Calumnia Dictis, Dirag, pacatas lacerans Difcordia Mentes, Et Scelerum male-/uada Cohors. mitts LES V, Da mihi velle fequi! Greffus alato Sequentis / DIVINE /um tefia ROTZ; Vas obline jido TE, Rimofum Gypfo, fic Vas ego reddar Honoris: Sum tenebrofa Tui radiant7s LUMINIS umobra, Quod, ventente Die, quod, decedente, viderem! Cujus nec VISUS Spatium, zec GLORIA Laudem, Nec Vox ulla capit MERITUM, mec TERMINUS Aivum ! Unius est 72 Verba Jatts juraffe MAGI- STRI, Et TE prefentem PATRONUM! Cause petitffe Thema /it £thereo facranda THEO- PHILA TEMPLO, Pura repurgato /olvens LIBAMINA Corde. The Author’s Design OF CHRIST, and of the SPOUSE’S sighs, I sing, And of the joys that from those ardours spring, The world ne’er knew; of her soul’s mystic sense, And of her heav’nly zeal. pack hence, Hence Pride, exhausting Wealth ; hence, Envy, fly, Pal’d at success; hence foul-mouth’d Calumny, And savage Discord, striving to divide United minds; with all Sin’s troop beside. Jesus! grant I may follow THEE, my feet Wing THOU, and make them in pur- suance fleet ! Blind Lust, Close up my cracks by faith, so shall I be A vessel made of honour unto THEE. I’m but a faint resultance from Thy light, Which, at Sol’s rise and set, encheers my sight. No space Thy view, no glory bounds Thy praise, No terms do reach Thy worth, no age Thy days! May I but swear obedience to Thy laws, And crave THEE PATRON to my pre- sent cause ! My subject’s THEOPHIL, for Heav’n design’d, Off'ring pure Sacrifice with sacred Mind. 1 Printed exactly from original as a specimen. ( 315 ) Edward Benlowes LADIES, We jangle not in schools, but strain to set Church-music, at which saints being met, May warble forth Heav’n’s praise, and thence Heav’n’s blessing get. Church-anthems irksome to the factious grow; In what a sad case were they, trow, Should they be penn’d in Heav’n, where hymns for ever flow ? As, fir’d affections to your beauties move— So, stillatories be.of love ; That, what was vapour, may, by virtue, essence prove. Survey THEOPHILA ; her rules apply, That you may live, as you would die: Virtue enamels life; ’tis Grace does glorify. O, may those fragrant flow’rs that in her grew, Blown by such breath, drench’d by such dew, Spring, and display their buds, ladies elect, in you ! To this Spring-Garden, virgins, chaste and fair, Coacht in pure thoughts, make your repair, To recreate your minds, and take fresh heav’nly air. Ye snowy fires, observe her in each grace ; So, may you, bright in soul as face, Have in the Gallery of Heroic Women place. Nay, when your days and piety shail sum Up their completeness, may ye come To endless Glory’s Court, and with blest souls have room ! THE PREFACE SaD Experience confirms, what the Ancient of Days foretold ; that the last times shall be worst: for, in this dot- age of the world (where Atheism stands at the right hand of Profaneness, and Superstition on the blind side of Ignorance; where there is unmerci- ful oppression, and overmerciful con- nivence, her beloved favourites (who are of past things mindless, of future regardless, having different opinions, yet but one Religion, Money, one God, Mammon) do laugh at others, who fall not down, and worship the Golden Image that secular Nabucho- donosors have set up; but let them, who think themselves safe in the herd, being night-wildered in their intellects, prosecute their sensuality, which will soon, like Dalila, put out their eyes; for earthly complacencies and ex- terior gaieties are not only chaff in the hand, Vanity, but also chaff in the eye, Vexation of Spirit. How art thou, ( 316 ) foolish World, loaden with sin, fond of trifles, neglecting objects fit for Chris- tians, fit for men ! Could thy minions consider, that thou canst give but what thou hast, a smoke of Honour, a shadow of Riches, a sound of Pleasure, a blast of Fame, which can neither add to length nor happiness of life; that thy whole self art an overdear bargain, if bought of the Devil, at the expense of a deadly sin, when as sudden chance or sickness may snatch and rend them hence in a moment, they would not then so madly vant it as they do, but court sobriety, being aware of the dangers that proceed from, and wait upon the abused opulency of an indul- gent fortune, whose caresses are apt to swell into exorbitances of spirit, and tun wildly into dissoluteness of man- ners. But, for want of circumspection, men grow covetous as Jewish mer- chants, ambitious as Eastern poten- tates, factious as the giddy multitude, Preface revengeful as jealousy, and proud as usurpers ; though soon such swallowed baits dissolve into a gally bitterness ; wherefore, it were highly to be wished, that in the midst of theirextravagancies they would ponder, that nothing is more unhappy than the felicity of sin- ners, who prosper as if they were the beloved of Gop, when, indeed, by His patience they are only (probably) hardened to their more dreadful de- struction! How, how will eternal anguish be aggravated by temporary past happiness! If we contemplate what unspeakable torments are for ever there, we should have no cause to envy Worldlings prosperity, but rather wonder that their portion on earth is not greater, and that ever they should be sensible of sickness, affront or trouble; since, if their fortunateness should far exceed their ambition, it could not any way recompense that torture for an hour, which yet shall hold to the duration of an infinite Eternity! when as all the play and pageantry of earth is ever changing, and nothing abides but the stage of the world, and the Spectator GoD. That bliss is not true of whose Eternity we may doubt. View then, Christian reader, the folly of ill counsel unmasked ; and demonstrated that all policy is wretched without piety, without Scrip- tural wisdom, without CHRIST the Essential Wisdom; and that all ini- quity has so much of justice in it, that it usually condemns, yea leads it- self to execution; witness Absolon’s head, Achitophel’s hands, and the surrender of Caesar’s citadel, (sum- moned by Judgement’s herald, and all his glory’s cobweb-guard yielded to the storm) just before the statue of Pompey, whose ruin he had so am- bitiously pursued. Would then any wise man choose to be Caesar for his glory, Absolon for his beauty, Achito- phel for his policy, Dives for his wealth, or Judas for his office? Seeing then that happiness consists not in the affluence of exorbitant possessions, nor in the humours of fickle honour, all external splendours being unsatis- factory, let Christians neglect terres- trial vanities, and retire into the re- cesses of Religion, nothing being so great in human actions as a pious (317) knowing mind, which disposeth great things, and may yield such permanent monuments, as bring felicity to man- kind above the founders of empires; being an Antepast to the overflowing Feasts of Eternity. Man endued with altitude of wisdom, in the sweetness of conscience and height of virtue, is of all creatures sub-angelical the Almighty’s masterpiece, the image of his Maker, a candidate of Divinity, and model of the universe ; who, in holy colloquies, whisperings, and secret conferences with GoD, finds Him a torrent of pleasure, a fountain of hon- our, and an inexhaustible treasure ; whose divine life is a character of the Divine Nature, by taking Gop for the text, Truth for the doctrine, and Holi- ness for the use, without which the highest endowments of the most refined wit are but the quaint magic of a learned lunacy. Most wretched therefore are they, beyond all syno- nyms of misery, whose undisciplined education leaves them unfurnished of skill to spend their time in anything, but what in the prosecution of sin tends to death; wealth and greatness rendering them past reproof, even ready to tempt their very tempter ; whereby they are wholly inclined to sensualities, being in their entertain- ments commonly intemperate, in their drink humorous, their humours quarrel- lous, their duels damnable, concluding a voluptuous and brutish life in a bloody and desperate death, preferring the Body before the Soul, Sense before the Spirit, Appetite before Reason ; temporary fooleries, fantastic visits, idle courtships, gay trifles, fascinating vanities (as if the pleasure of life were but the smothering of precious time in those things, which are mere puffs in expectation, vanity in enjoyment, and vexation of spirit in departure) before solid goodness, and eternal exultations. To divert thee, therefore, from such shelves of indiscreet vice, and to direct thee to the safe and noble channel of virtue, even to faith with good works, to piety with compassion, to zeal with _ charity, and to know the end which distinguisheth thee from a beast, and to choose a good end, which differenceth thee from an evil man, be so muchthine own friend as to peruse seriously this Edward Benlowes spiritual poem which treateth on Sub- coelestials, Coelestials, and Supercceles- tials, whereby a delightful curiousness may steal thee into the pleasure of Good- ness. Know thenthat Sub-ccelestials, or Sublunaries, have their assignment in the lowest portion of the universe, and being wholly of a corporeal nature do enjoy spiritual gifts, the chief of which is life, by loan only; where there is no generation without corruption, no birth without death. From the surface of the earth to the centre is 3,436 miles, the whole thickness 6,872 miles, the whole compass 21,600 miles; from its centre to the moon is 3,924,912 miles. Now Ccelestials, or aethereal bodies, are seated in the middle, which, participating of a greater portion of perfection, impart innumer- able rare virtues, and influential effi- cacies to things below, not enduring a corruption, only subject, having obtained their period, to change. The glorious projection and transfusion of aethereal light, both of the sun and of the stars of the six magnitudes, con- stitute, by astronomical computation, more than 300 suns upward to the Empyrean Heaven. A star in the Equator makes 12,598,666 miles in an hour, which is 209,994 miles ina minute, a motion quicker than thought. Super-ccelestials are intelligencies, al- together spiritual and immortal, excel- lent in their beings, intuitive in their conceptions ; such as are the glorious quire of the Apostles, the exulting number of the Prophets, the innumer- able army of crowned Martyrs, triumph- ing Virgins, charitable Confessors, &c., or the blessed hierarchy of Angels, participating somewhat of GoD and man; having had a beginning as man, and now being immortal with Gop, having their immortality for His sempi- ternity ; void of all mixture, as is Gop, and yet consisting of matter and form as doth man; subsisting in some subject and substance as doth man, yet being incorporeal, as is GOD; they having charity, impassibility, subtility, and agility, having under- standing without error, light without darkness, joy without sorrow, will with- out perturbation, impassibility without corruption ; pure as the light, ordained to serve the Lord of Light. They are ( 318 ) local and circumscribed by place, as is man; yet are they in a place not properly by way of circumscription, but by way of definition; though they cannot be in several places at once, yet are they able in a moment to be anywhere, as GOD always is every- where; of admirable capacity and knowledge, resembling GoD; yet ignorant of the Essence of GOD, much less see they all things in It, in that like man. Even these incorporeal substances would pine and starve, if an all-filling, and infinitely all-suffi- cient and superabundant GOD were not the object of their high contem- plation, whose bliss of theirs is the nearest approach to that Divine Majesty, Who is a true, real, sub- stantial, and essential Nature, sub- sisting of Himself, an eternal Being, an infinite Oneness, the radical Prin- ciple of all things; whose essence is an incomprehensible light, His power is omnipotency, and his beck an abso- lute act; Who, before the Creation, was a book rolled up in Himself, having light only in Himself; Who is a Spirit existent from everlasting to everlasting; One Essence, Three Subsistencies ; whose Divine Nature is an essential and infinite Under- standing, which knows all things actually always; which cannot possibly be comprehended by any finite creature, much less by Man grovelling on earth in the mud of error and gross ignor- ance, who are unable by any art or industry to find out the true nature, form and virtue of the least fly or gnat. The whole universe is the look- ing-glass of GOD’s power, wisdom, and bounty ; He loves as Charity, knows as Truth, judges as Equity, rules as Majesty, defends as Safety, works as Virtue, reveals as Light, &c. He is a never deficient Brightness, a never weary Life, a Spring ever-flowing, the Principle of Beginning, &c. If any creature knew what Gop is, he should be Gop; for none knoweth HIM but HIMSELF, Who is good without quality, great without quantity, present without place, everlasting without time; Who by a body is nowhere, by energy every- where, above all by power, beneath all by sustaining all, without all by com- passing all, within all by penetrating Preface all, being absent seen, being present invisible ; of Whom to speak, is to be silent, Whom to value is to exceed all rate, Whom to define, is still to in- crease in definition; Infiniteness being the right Philosopher's stone, which turns all metals into gold, and one dram of it being put, not only to a Seraphin, or to a whole element, but even to the least gnat in the world, or the least mote in the sun, is of force to make it true and very Gop: For, first, It maketh it to be the first Essence, derived from none other. 2. It maketh it to be but One, because there can- not be two Infinites; where there are two, there is division; where division, there is end of one, and beginning of another, and so no Infinite. 3. It maketh the subject to be immaterial, for no matter can be infinite; for, a body is contained, and, if contained, not infinite; being without matter, it is also without passion; for, sola materta patitur ; and so becometh also immutable, for there can be no change without passion. 4. It maketh a thing to be immoveable, for whatsoever moveth hath bounds, but in Infinite there is no bounds. 5. The Infinite Thing is simple, for in composition there is division and quality, and so by consequent limits. Thus, Infinite- ness distinguisheth from all creatures, and is first primary without cause, but existing absolutely in Himself, and of Himself, and is to all other things the cause and beginning, yet not diminish- ing Him, having all their essence, but no part of His Essence from Him. But oh, here the most superlative expres- sions of eloquence are no other than mere extenuations. I tread a maze, and thread a labyrinth on hills of ice, where, if I slip, I tumble into heresy ; I am with St. Peterin the deep, where, without the Hand of Power, I should sink eternally, and be swallowed up by the bottomless gulf. The prosecution of this argument were fitter for the pens of Angels, than for the sons of corruption; whereof we may say, that if all should be written of Infiniteness, not only the whole world, but even Heaven itself would not suffice to hold the books which should be written. I satisfy my incapacity with rejoicing in Gop’s incomprehensibility. And ( 319 ) now, descending from these amazing heights, know, reader, that Divine Poesy is the internal triumph of the mind, rapt with St. Paul into the third heaven, where she contemplates in- effables: ’tis the sacred oracles of faith put into melodious anthems that make music ravishing, no earthly jubilation being comparable to it. It discovers the causes, beginnings, progress, and end of things, it instructeth youth, comforteth age, graceth prosperity, solaceth adversity, pleaseth at home, delighteth abroad, shorteneth the night, and refresheth the day. No star in the sphere of Wisdom outshines it: Natural Philosophy hath not anything in it which may satisfy the soul, be- cause that is created to something more excellent then all Nature; but this divine rapture chains the mind with harmonious precepts from a di- vine influence, whose operations are as subtle and resistless as the influence of planets ; teaching mortals to live as in the sight of GoD, by whom the coverts of the thickest hypocrisy (that white Devil) are most clearly seen through. Now ’tis Judgement begets the strength, Invention the ornaments of a poem; both these joined form Wit, which is the agility of spirits: vivacity of Fancy in a florid style dis- poseth light and life to a poem, where- in the masculine and refined pleasures of the understanding transcend the feminine and sensual of the eye: From the excellence of Fancy proceed grate- ful similes, apt metaphors, &c. Sub- lime poets are by Nature strengthened, by the power of the mind inflamed, and by divine rapture inspired ; they should have a plentiful stock to set up, and manage it artfully, their concep- tions should be choice, brief, per- spicuous, well-habited. In Scripture Moses, Job, David, Solomon, and others, are famous for employing their talents in this kind. St. Paul like- wise cited three of the heathen poets (whom he calls Zrophets) as evident convictions of vice, and demonstra- tions of Divinity: viz. Epimenides to the Cretians, 77/4. i. 12 Kpyres det Wetorat, Koka Onpla, yaorépes apyat. Menander to the Corinthians, 1 Cor. XV. 33 Bdelpovow fOn xpnoe dyidia xaxai. And Aratus to the Athenians, Edward Benlowes Acts xvii. 28 Tot yap kat yévos éopev. From these results I fell in love with our more divine and Christian poesy, observing that in the sayings and writings of our Blessed SAVIOUR and His disciples, there are no less than sixty authorities produced from above forty of David’s Psalms. Hence from that high Love, which hath no wea- pons but fiery rays, my spirit is struck into a flame to enter into the secret and sacred rooms of 7heology, and, reader, if thou wilt not prejudice thine own charity by miscrediting me, I dare profess, thou wilt neither repent of thy cost or time in reviewing these interval issues of spiritual recreation, which may thus, happily, prove a pleasant lure to thy pious devotion. May likewise thy charity suggest to thy belief, that I have done my best to that end, and if thou thinkest that I have wanted salt to preserve them to posterity, know that the very subject itself is balsam enough to make them perpetual. Delightest thou in a Heroic Poem? If actions of mag- nanimity and fidelity advancing moral virtue merit the title of heroic, much more may THEOPHILA, a combatant with the world, hell, and her own cor- ruptions, gainan eternal laurel ; whose example and precepts, well followed, will without doubt bring honour, joy, peace, serenity, and hopes full of con- fidence. The Composer hath extracted out of the even mixture of theory and action this cordial water of saving wisdom, by distilling them through the limbeck of Piety, whereof they drink to their soul’s health, who not only take it in, as parched earth does rain, but turn it into nourishment by a spiritual digestion, being made like it Divine. This metrical Discourse of his serious day, to which he was led by instigation of conscience, not titillation of fame, inoculates grafts of reason on the stock of religion, and would have ‘all put upon this important considera- tion, that the life of Nature is given to seek the life of Grace, which bringeth us to the life of Glory; the obtainment of which is his only aim, being fully persuaded, that as every new star gilds the firmament, and in- creaseth its first glory: so those, who are instruments of the conversion of ( 320 ) others, shall not only introduce new beauties, but, when themselves shine like other stars in glory, they shall have some reflexions from the light of others, to whose fixing in the orb of Heaven they themselves have been instrumental. He would not run thee out of breath by long-winded strains ; for in a poem, as in a prayer, ’tis vi- gour not length that crowns it; Ov« ev TO peyad@ TO ev, GAN’ ev Ta eb TO peya. Tedia ut Ambages pariant, nervosa Favorem Sic Brevitas; Labor est non brevis esse brevem. He wisheth it might be his happiness to meet with such readers, as discern the analogy of Grounds, as well as the knowledge of the letter, and have as well a system of Reason, as the under- standing of Words: yea, such as have judgement and affections refined, and with THEOPHILA be love-sick too, which love is never more eloquent, than when ventilated in sighs and groans, Heaven’s delighted suszc being in the broken consort of hearts and spirits, the will there accepted for the work, and the desire for desert. Behold here in an original is presented an example of life, with force of pre- cepts, happy who copy them out in their actions! Indeed examples and precepts are as poems and pictures; for, as poems are speaking pictures, and pictures are silent poems: so example is a silent precept, and precept a speaking example. And as musick is an audible beauty, and beauty a visible music: so precepts are audible sweets to the wise, and examples silent harmony to the illiterate, who may unclasp and glance on these poems, as on pictures with inadvertency ; yet he who shall contribute to the improve- ment of the author, either by a prudent detection of an error, or a sober communication of an irrefragable truth, deserves the venerable esteem and welcome of a good Angel; and he who by a candid adherence unto, and a fruitful participation of what is good and pious confirms him therein, merits the honourable entertainment of a faithful friend. But he who shall tra- duce him in absence, for what in presence he would seem to applaud, Preface Now He who is the Way, the Truth, and the Life, bring those to everlasting Life, who love the Way, and Truth zn sincerity / incurs the double guilt of flattery and slander; and he who wounds him with ill reading and misprision, does execution on him before judgement. The several Cantos Praelibation. Recapitulation. Humiliation. Translations 4. eosin Abnegation The Representation. The Disincantation. Association. Segregation. Contemplation. Reinvitation. Admiration, Termination. Be pleased, Reader, first to correct these Typographical Errours. Acres circumfert centum licet Argus Ocellos, Non tamen errantes cernat ubique Typos. At the bottom B 4. Line 20. Read Ecstasies, Pag. 1. Stanza 1. Strains. p. 54. St. 23. Condescent, p. 76. St. 71. Unbounded. p. 84. St. 25. Thee. p. 106. St. 86. doth most. 132. 31. non. p. 144. rectifie the Figures. p. 169. St. 60. repurgat. 173. 90, eversis, 203. 82. For, 214. 1. 12. exanimes, 217. 1. 7. splendet. 239. 29. didst, 268. 1. 25. Nectare, €e. Pneumato-Sarco-Machia: or Theophila’s Spiritual Warfare The life of a true Christian is a continual conflict; each act of the good fight hath a military scene; and our blessed SAVIOUR coming like a Man of War, commands in Chief, under the FATHER, who hath laid help upon One that is mighty, by anointing Him with the HOLY GHOST and with power. This world is His pitched field; His standard the cross; His colours Blood ; His armour Patience; His battle Per- secution ; His victory Death. And in mystical Divinity His two-handed sword is the Word and Spirit, which wounds and heals; and what is shed in this holy war is not blood but Love ; His trumpeters are Prophets and Preachers; His menaces Mercies; and His arrows Benefits. When He offers Himself to us, He then invades us; His great and small shot are volleys of sighs and groans; when we are converted we are conquered ; He binds when He embraceth us. In the cords of love He leads us captives ; and kills us into life, when He crucifies the old, and quickens in us the new man. So then here is no death, but of inbred corruptions: no slaughter, but of carnal affections, which being mortified the soul becomes a living sacritice, holy and acceptable unto Gop. 1 Plural in orig, ( 321 ) Y Edward Benlowes WHEN that great Gen’ralissimo of all Infernal janissaries shall His legions of temptations raise, enroll, And muster them ’gainst thee, my Soul ; And ranks of pleasures, profits, hon- ours bring, To give a charge on the right wing: And place his dreadful troops of deadly sins Upon the left, with murth’ring gins : And draw to his main body thousand lusts, And for reserve—wherein he trusts, Shall specious Sanctity’s Brigade pro- vide, Whose leader is Spiritual Pride: And having treacherously laid his trains In ambush, under hope of gains By sinning, as so many scouts, to find Each march and posture of thy mind: Then, Soul, sound an alarm to Faith, and press Thy Zeal to be in readiness ; And levy all thy faculties to serve Thy Cuier. Take Pray’r for thy reserve Under the conduct of His SPIRIT; see Under the banner that they be To My Fancy FLy, Fancy, Beauty’s arched brow, Darts, wing’d with fire, thence spark- ling flow. From flash of lightning eye-balls turn ; Contracted beams of? crystal burn. Waive® curls, which Wit gold-tresses calls, That golden fleece to tinsel falls. Evade thou cheek- decoys, Where both the roses blend false joys. Press not the two-leav’d ruby gates, Which fence their pearl-portcullis grates. Suck not the breath, though it return Fragrant, as Phoenix’ spicy urn. peach-bloom ? Corrected to on’ in my copy. Of thy Salvation’s CAPTAIN. Then be sure That all thy outworks stand secure. Yet narrower look into th’ indenting line Of thy ambiguous thoughts. Design With constant care a watch o’er every part ; Ev’n at thy Cinque-ports, and thy heart Set sentinels. Let Faith be captain o’er The life-guard, standing at the door Of thy well-warded breast: disloyal Fear That corresponds with Guilt, cashier. Nor let Hypocrisy sneak in and out Thy garrison, with that spy, Doubt. The watchword be IMMANUEL. Then set Strong parties of thy tears; and let Them still to sally forth prepared stand, And but expect the Soul’s command; Waiting until a blest recruit from High Be sent, with Grace’s free supply. Thus where the LORD of hosts the van leads, there Triumphant palms bring up the rear. upon Theophila Lock up thine ears, and so disarm The magic of enamouring charm. The lilied breasts with violets vein’d Are flowrs, as soon deflowr’d as gain’d. Love-locks, perfume, paint, spots dis- praise ; These by the black-art spirits raise. Garnish no Bristows § with rich mine, Glow-worms are vermin, though they shine. Should one love-knot all lovelies tie, This one, these all, soon cloy and die. Cupid, as lame as blind, being gone, Live one with Him, Who made thee one. * Orig. ‘Wave’: but this is the common spelling for ‘waive,’ which seems to be required to match ‘Fly’ and ‘ Evade.’ * Bristol being famous as a stronghold and also for ‘diamonds.’ ( 322 ) Commendatory Poems Avoid exotic pangs o’th’ brain, Nor let thy margent blush a stain. With artful method misc’line! sow: May judgement with invention grow. Profit with pleasure bring to th’ test, Be ore refin’d, before imprest. Pass forge and file, be point and edge *Gainst what severest brows allege. Mix balm with ink; let thy salt heal: T’ each palate various manna deal. Have for the wise strong sense, deep truth: Grand-sallet of choice wit for youth. Cull metaphors well-weigh’d and clear, Enucleate mysteries to th’ ear. Be wit stenographied, yet free; *Tis largest in epitome. Fly through 47?’s heptarchy, be clad With wings to soar, but not to gad. Thy pinions raise with mystic fire, Sometimes ’bove high-roof’d sense as- pire. So draw THEOPH’LA, that each line, Cent’ring in Heav’n, may seem divine. Her voice soon fits thee for that quire ; W’ are cind’red by intrinsic fire. Magnetic Virtue’s in her breast Impregn’d with Grace, the noblest guest. Who in Love’s albo? are enroll’d, Unutterable joys behold. Geographers Earth’s globe survey, Fancy, Heav'n’s astrolabe display. Six hast thou view’d of Europe’s Courts, Soon, as Ideas, pass’d their sports. Sense, canst thou parse and construe bliss? Only souls sanctified know this. Then hackney not, to toys, life’s span. The Saint’s rear tops the Courtier’s van. In Hope's cell holy hermit be: Let ecstasies transfigure thee. There, as Zruth’s champion, strive always, To storm Love’s tower with hosts of praise. Keep strong Fazth’s Court of Guard. The stars March in battalia to these wars. Zealous in pray’r besiege the sky, Conquests are crown’d by constancy : Stand sent’nel at the BRIDEGROOM’S gates ; Who serve there, reign o’er earthly states, Rais’d on Devotion’s flaming wings Disdain the crackling blaze of things. No music courts spiritual ears Like high-tun’d anthems; this up- rears Thee, Fancy, rapt through mists of fears, And clouds of penitential tears ; Eagling ’bove transitory spheres, Till ev’n the INVISIBLE appears. Divorc’d from past and present toys, *Spouse New Jerus’lem’s future joys ; Be re-baptiz’d in Eye-dew-Fall, Of all forgot, forget thou all. These acts well kept, commence, and prove Professor in Seraphic Love. A Friend’s Echo, to his Fancy upon Sacrata I WHEN Fancy bright SACRATA courts, It is not with accustom’d sports ; ’Tis not in prizing of her eyes, To the disvalue of the skies ; Nor robbing gardens of their hue, To give her flow’ry cheeks their due. 1 ¢Misc’line’ in various forms = ‘ mixed seed.’ Y2 ( 323 ) II ’Tis not in stripping of the sea For coral, to resign that plea It hath to the vermilion dye, If that her ruddy lips be nigh, Or that I long to see them ope, As if I thence for pearl did hope. 2 ¢ Album’ declined, Edward Benlowes III Nor is’t in promising my ears Rather to her than to the spheres ; Or that a smile of hers displays As much content as Phoebus’ rays, Or that her hand for whiteness shames The down of swans on silver Thames, IV Let such on these Romances dwell, Who do admire Love’s husk and shell. Hark, wanton fair-ones, all your fawns Are Happiness’s hapless pawns: With these alone the mind does flag ; Beauty is oft the soul’s black bag. v Pure flames that ravish with their fire, Ascend unmeasurably higher ; Which, after search we find to be In virtue link’d with piety. The radiations of the soul All splendours of the flesh control. VI Fond sense, cry up a rosy skin, SACRATA rosied is within : But brighter THEOPHIL behold, Whose vest is wrought with purfled gold. Love’s self in her his flame em- beams, LOvE’s sacrifice ZEAL’S rapture seems, VII Of Paradise before the Fall This Saint is emblematical. . Then, Fancy, give her due renown, She’s Queen of Arts; this book, her crown. SACRATA turns CASTARA unto us, And BENLOWES (anagramm’d) BENE- VOLUS. JER. COLLIER], JZ.A. and Fell. of S. John’s Coll., Camb, Non me Palma negata Macrum, data reddet Opimum A SMOOTH clear vein should have it? source From Nature, and have Art but nurse: Which, though it men at Athens feasts, May fight at Ephesus with beasts. Wits, rudely hal’d to AZomus’ bar, By braying beasts condemned are. Reason! How many brutes there be *Mong men, ’cause not inform’d by thee? Vates Poet-Prophet is; if good, Alike both scorn’d, and understood. Though readers’ censure’s writers’ fate, Spleen sha’nt contract, nor praise dilate. Or clap, or hiss. The moon sails round, Though bark’d at by each yelping hound. The brighter she, the more they bark ; But slumb’ring quetch$ not in the dark. Deign him, bright souls, your piercing glance, (Art’s foes are sons of Ignorance) So, freed from Night’s rude overseers, ' The Poet may be tried by his Peers. " This is not the famous Jeremy, who was born only two years before Theophila appeared. : + ‘Tt’ for ‘it’s,’ as so often, * ‘Quetch,’ more usually ‘ quitch,’ ‘to move,’ ‘stir.’ ( 324 ) Commendatory Poems A Verdict for the Pious Sacrificer To shine, and light, not scorch, thy Muse did aim ; And so hath rais’d this quintessential flame. By th’ salt, and whiteness of her lines, we think With holy water (tears) shemixt herink; And both the fire and food of this chaste Muse [use. Js more what Altars, than what Tables Who does not pray with zeal thy Faith may move, Rightly concentric with thy Hope and Love? So, in the Temple these religious hosts From Hecatombs may rise to Holo- causts. WALTER MONTAGUE], Com, Manch. Filius. A Glance at Theophila WHO sacrificéd last? The hallow’d air Seems all ensoul’d with sweet per- fume, Which pleased Heav'n deigns to assume, The smiling sky appeareth brightly fair ; Was’tnot THEOPHILA’sfam'd sire, Say, sacred Priest, obtain’d the holy fire To bless, and burn his victim of sub- lime desire? Know, curious mortal, this rare sacrifice, Scarce known to our now-bedrid age, Was got by Zeal, and holy Rage, And offer’d by Benevolus the wise : For, speckled Craft, and a loose fit Of aguish knowledge, glimm’ring acts beget ; Chaste Pzety bears fruit to Wisdom, not to Wiz. No tiger’s whelp with blood-be- smearéd jaws, No cub of bears, lick’d into shape, No lustful offspring of the ape, No musky panther with close guileful claws, No dirty gruntling of the swine, No lion’s whelp of e’er so high design, Is offer’d here: keep off, Unclean ! Here’s all divine. The chosen wood (as harbinger to all Those future then, now passed rites) Was Laurel, that guards lightning frights, The weeping Fir, sad Yew for funeral, The lasting Oak, and joyful Vine, The fruitful Fig-tree billets did con- sign ; The peaceful Olive with cleft Juniper did join. On knees in tears think altar’d THEOPHIL, Incensed with sweet Obedience, Who makes Love's life in death commence, Scaling with heart, hands, eyes, Heav’n’s lofty hill : Hercircled head you might behold Was glorified with burnish’d crown ot gold, Embost with gems; Angels manifold, embrac’d by Thus in a fiery chariot up SHE flies, Perfuming the forsaken earth 1 A rather remarkable person, born about 1603, who died in 1677 after becoming a Roman Catholic, being imprisoned for Royalism in the Tower, and enjoying the abbacy of St. Martin, at Pontoise. ( 325 ) Edward Benlowes (The midwife orbs do help her birth), Into the glory of the Hierarchies. Where ecstasies of joys do grow, Which they themselves eternally do sow, But ’tis too high for me to think, or thee to know. Priests thus by hieroglyphic keys Unlock their hidden mysteries. W. DENNIE, Baronet’. To the Author, upon his Divine Poem TILL now I guess’d but blindly to what height The Muses’ eagles could maintain their flight ! Though poets are, like eaglets, bred to soar, Gazing on starsat Heav’n’s mysterious pow’r; Yet I observe they quickly stoop to ease Their wings, and perch on palace-pin- nacles : From thence more usefully they Courts discern ; The Schools where greatness does disguises learn ; The stages where She acts to vulgar sight Those parts which statesmen as her Poets write ; Where none but those wise poets may survey The private practice of her public play ; Where kings, GOD’s counterfeits, reach but the skill In studied scenes to act the Godhead ill: Where cowards, smiling in their closets, breed Those wars which make the vain and furious bleed : Where Beauty plays not Nature’s part, But is, like Pow’r, a creature form’d by Art; And, as at first, Pow'r by consent was made, Andthose who form’d it did themselves invade: So harmless Beauty (which has now far more Injurious force than States’ or Mon- archs’ power) merely Was by consent of Courts allow’d Art’s aid; By which themselves they to her sway betray’d. ‘Twas Art, not Nature, taught excessive power ; Which whom it lists does favour or devour : *Twas Art taught Beauty the imperial skill Of ruling, not by justice, but by will. And, as successive kings scarce seem to reign, Whilst lazily they empire’s weight sus- tain ; Thinking because their pow’r they native call Therefore our duty too is natural ; And by presuming that we ought [t] obey, They lose the craft and exercise of sway : So, when at Court a native Beauty reigns O’er Love’s wild subjects, and Art’s help disdains ; When her presumptuous sloth finds not why Art In Pow’r’s grave play does act the longest part ; When, like proud gentry, she does level all Industrious arts with arts mechanical; And vaunts of small inheritance no less Than new States boast of purchas’d provinces ; Whilst she does every other homage scorn, But that to which by Nature she was born: Thus when so heedlessly she lovers sways, As scarce she finds her pow’r ere it decays ; * Author of The Shepherd’s Holiday, 1653, and other Poems, which might be included in this Collection if we had room. This piece strikes one as above the ordinary commendatory work. ( 326 ) Commendatory Poems Which is her beauty, and which un- supplied By ii wise Art would carefully pro- vide, Is but Love’s lightning, and does hardly last Till we can say it was ere it be past; Soon then when beauty’s gone she turns her face, Asham’d of that which was erewhile her grace; So, when a monarch’s gone, the chair of State Is backward turn’d where he in glory sate. The secret arts of Love and Pow’r ; how these Rule courts, and how those courts rule provinces, Have beenthe task ofevery noble Muse; Whose aid of old nor Pow’r nor Love did use Merely to make their lucky conquests known (Though to the Muse they owe their first renown ; For she taught Time to speak, and ev’n to Fame, Who gives the great their names, she gave a name), But they by studying numbers rather knew To make those happy whom they did subdue. Here let me shift my sails! and higher bear My course than that which moral poets steer! For now (best poet!) I divine would be, And only can be so by studying thee. Those whom thy flights do lead shall pass no more Through dark’ning clouds when they to Heav’n would soar ; Nor in ascent fear such excess of light As rather frustrates than maintains the sight ; For thou dost clear Heav’n’s darken’d mysteries, And mak’st the lustre safe to weakest eyes. Noiseless, as planets move, thy numbers flow, And soft as lovers’ whispers when they woo! Thy labour’d thoughts with ease thou dost dispense, Clothing in maiden dress a manly sense; And as in narrow room Elixir lies, So in a little thou dost much comprise. Here fix thy pillars! which as marks shall be How far the soul in Heav’n’s discovery Can possibly advance; yet, whilst they are Thy trophies, they but warrant our despair: For human excellence hath this ill fate, That where it virtue most doth elevate It bears the blot of being singular, And Envy blasts that Fame it cannot share: Evw’n good examples may so great be made As to discourage whom they should patenede: WILL. DAVENANT. TOWER, May 13, 1652. ‘For the Author, truly Heroic, by Blood, Virtue, Learning Scholar, Commander, Traveller com- mixt ; Schools, Camps, and Courts raise FAME, and make it fixt. Your fame and feet have Alps and Oceans past : [Envy blast. Fam’'d feet! which Art can’t raise, nor Beaumontand Fletcher coin’da golden way, _ (play. T’ express, suspend, and passionate a ( 327 ) Nimble and pleasant are all motions there, For two intelligences rul’d the sphere. Both sock and buskin sunk with them, and then Davenant and Denham buoy’dthem up agen. Beyond these pillars some think nothing is: Great Britain’s wit stands in a precipice. Edward Benlowes But, Sir, as though Heav'n’s Straits discover’d were, By science of your card, Unknowns appear: Sail then with prince of wits, illustrious Dunne}, Who rapt earth round with Love, and was its sun, But your first love was pure: whose ev'ry dress Is inter-tissu’d Wit and Holiness ; And mends upon itself ; whose streams (that meet With Sands’ ?and Herbert's) grow more deep, more sweet. I, wing’d with joy, to th’ PRAELIBA- TION fly ; Thence view I Error’s Tragi-comedy: With THEOPHIL from fear to faith I rise, The mystic Bridge, ‘twixt Hell and Paradise. Hell scap’t seems double Heav’n: Renew’d, with bands Of pray’rs, vows, tears, with eyes, and knees, and hands, I see her cope with Heav’n, and Heav’n does thence, As in the Bapitist’s days, feel violence. But her ecstatic SONGS oF LOVE declare, To Jedidiah she’s apparent heir. Be those then next, The SONG OF SONGS. Love styles Her fourth, The Second Book of CaNn- TICLES. But with what dreadful yet delightful tones She sings when GLORIFIED! then, stingless drones Are Death and Hell: Joy’s crescent then ’s increast, To fullest lustre, at her Bridal Feast. Sixth, sev’nth, and eighth such ban- quets’ frame would make Wisdom turn Cormorant ; my spirits shake I’th’ reading. Soul of joy! thy ravish- ing sp’rit Draws bed-rid minds to longing appetite. 1 Donne, ( 328 ) Fame, write with gold on diamond pages ; treat Upon the glories of a work so great. Be’t then enacted, that all Graces dwell in Thee THEOPH’LA, Virtue’s Chro- nicle: Who gemm’st it in Jerusalem above, Where all is Grace and Glory, Light and Love. To that Unparallel this comes so near, That, ’tis a glimpse of Heav’n to read thee here. O, blest Ambition! Speculations high Enchariot thee, Elijah-like, to the sky ! What state worth envy, like thy sweet abode, That overtops the world, and mounts to Gop? Walkt through your Eden stanzas, you invite ’ Our ravisht souls to recreate with delight, In bow’r of compt discourse: great verse, but prose Such, none but our great MASTER could compose. For bulk, an easy Folio is this all; Yet we a volume may each Canto call, For solid matter: where we should consult On paragraphs, mark what does thence result : For, every period’s of DEVOTION proof, And each resolve is of concern’d be- hoof. Peruse, examine, censure ; bright Does shine RELIGION, chequer’d with delight ! oh, how Diffusive Soul! your spirit was soar- ing, when ; This manna dew’d from your inspiréd pen. Such melting passions of a soul divine, Could they be cast in any mould but thine? ? George Sandys. Commendatory Poems Wonder arrests our thought ; that you alone Insuchcombustions, wherein thousands groan, (And when some sparkles of the public flame Seiz’d on your private state, and scorcht the same) Could warble thus. Steer ships each pilot may THOSE ladies, Sir, we virtuosas call, But copies are to this original; Whose charming empire of her grace does sense Astonish by a super-excellence. And, likeas A/zdas’ touch made gold: so, thus THEOPHILA’S touch may make THEOPHILUS. Zeuxes cull’d out perfections of each sort For his Pandora; yet did all come short As far of this embellishment as she In calms; but whoso can in stormy day May justly domineer. daunt Him, who, like mermaids, thus in storms can chant? Grace crowns the suff'ring, Glory the triumphing Saint. TH. PESTIL, Regi guondam a Sacris. But what may Had been limn’d out in Painting’s infancy. For, magisterial virtue draws no grace Fromcorp’ral limbs, or features of the face. Here Heav’n-born SuaDAS}, star-like, gild each dress Ofthe Bride Soulespous’dto Happiness. Here Piety informs poetic art ; As all in all, and all in every part. For all these died not with fam’d Cartwright, though A score of poets join’d to have it so. T. BENLOWEs, A. /. For the much honoured Author THE winged Intellect once taught to fly By Art and Reason, may be bold to pry Into the secrets of a wand’ring star, Although its motions be irregular: And from the smiles and glances that those bright Corrivals cast, that do embellish night, Guess darkly at, though not directly know, The various changes that fall here be- low. And perching on the high’st perimeter, May find the distances of every sphere, Which in full orbs do move, tunicled so That the less spheres within the greater go, As cell in cell, spun by the dying fly ; Or ball in ball, turn’d in smooth ivory. Each hath a prince circled upon a throne, In a refulgent habitation. Only the constellations seem to be Like nobles, in an aristocracy. Their Milky Way like Jznocence, and thus Should all great actions be diaphanous. But the great Monarch, Light, dis- poses all: His stores are magazine, and festival : And by his pow’r Earth’s epicycle may Movein a silver sphere, as well as they. Else, her poor little orb appears to be A very point to their immensity. Thus strung, like beads, they on their centres move; But the great centre of this all, is Love. Though the brute creatures by the height of sense Foretell their calm and boisterous influence, Yet to find out their motions is man’s part, ; 1 ‘Suada’ or ‘Suadela,’ one of the subsidiary goddesses of Love and Marriage, who ‘persuades’ the Beloved. ( 329 ) Edward Benlowes Not by the help of Nature, but of Art, Which rarefies the soul, and makes it rise, And sees no farther than ¢hat gives it eyes. And by that prospect will directly tell What regions stoop to every parallel. Which cities furréd are with snow, which lie Naked, and scorch’d under Heav’n's canopy. How men, like cloves stuck in an orange, stand Still upright, with their feet upon the land. And where the seas oppos’d to us do flow, Yet quench they not that heat where spices grow. It sees fair M orning’s rising neck beset With orient gems, like a rich carcanet. Who every night doth send her beams to spy In what dark caves her golden trea- sures lie: And there they brood and hatch the callow race, Till they take wing, and fly in every place. It sees the frozen Fir shrouding its arms, While Cocus trees are courted with blest charms, That swelltheir pregnant womb : whose issue may Sweeten our world, but that they die by th’ way. It sees the Seasons lying at the door, Some warm and wanton, and somecold and poor ; And knows from whence they come, both foul and fair, And from their presence gilds, or soils the air. It sees plain Nature’s face, how rude it looks Till it be polishéd by men and books: And most of her dark secrets can dis- cover To open view of an industrious lover. Whatever under Heav’n’s_ great throne we prize Orvalue, in Art’s chamber-practice lies. But when before the ALMIGHTY JUDGE he come To speak of HIM, my Orator is dumb. Go then, thou silenced Soul, present thy plea ( 330 ) By the fair hand of sweet THEOPHILA. Hap’ly thy harsh and broken strains may rise In the perfume of her sweet sacrifice ; And if by this access thou find’st a way To th’ highest THRONE, alas! what canst thou say? What can the bubble (though its breath it bring Upon the gliding stream) say of the spring ? Can the proud painted flow’r boast that it knows The root that bears it, and whereon it grows? Or can the crawling worm, though ne’er so stout, With its meand’rings find the centre out? Can Infinite be measur’d by a span? And what art thou, less than all these, Oman? ‘ Man ts a thing of nought / yet from above There beams upon his soul such rays of love, As may discover by Fazth’s optic, where The Burning Bush is, though not see HIM there. The meekest man onearth did only see His shadow shining there, it was not HE. And if that great soul, who with holy flame, And ravish’dspirit tothe Third Heav’n came, Saw things unutterable, what can we Express of those things that we ne’er did see? The Senses’ strongest pillars cannot bear The weight of the least grain of glory there. No more than where to bound, or com- prehend Infinity, they can begin, or end. Since then the Soul is circumscrib’d within The narrow limits of a tender skin ; Let us be babes in innocence, and grow Strong #fwards, and more weak to things delow. By sacred chemistry, the spirit must Ascend and leave the sediment to dust. This cordial is distilled from the eyes, And we must sprinkle ’t on the sacri- fice: Gi ommendatory Poems Offer’d i’ th’ virtue of THEOPH’LA’S name. Which must be to it holocaust and flame. Then, wing’d with Zeal, we may aspire to see The hallow’d Oracles exprest by THEE, Who art .LOVE’s Flamen, and with Holy fire Refin’st thy Muse, to make her mount the higher. ARTH. WILSON. For the Renowned Composer A PoET’s ashes need nor brass, nor stone To be their wardrobe ; since his name alone Shall stand both brass and marble to the tomb. Nor doth he want the cere-cloth’s balmy womb T’ enwrap his dust, until his drowsy clay Again enliven’d by an active ray, Shot from the last day’s fire, shall wake, and rise, Attird with Light. Poet dies, His sheets alone wind up his earth. They'll be Instead of Mourner, Tomb, and Obse- No; when a quy ; And to embalm it, his own ink he takes : Gum Arabic the makes. Then, Sir, you need no obelisk, that may Seclude your ashes from plebeian clay. For, from your mine of Fancy now we see Y’ have digg’d so many gems of Poesy, That out of them you raise a glorious shrine, In which your ever-blooming name will shine ; Free from th’ eclipse of age, and clouds of rust, Which are the moths to other com- mon dust. Then, could we now collect th’ all- worshipt ore, richest mummy ( 331 ) With which kind Nature paves the Indian shore ; And gather to one mass that stock of spice, Which copies out afresh old Paradise, And in the Phoenix’ od’rous nest is pent, All would fall short of this rich monu- ment. About the surface of whose verge, you stick So many fragrant flow’rs of Rhetoric That lovers shall approach in throngs, and seek With their rich leaves t’ adorn each beauty’s cheek ; So that these sacred trophies will be- come In after-times your altar,not yourtomb. Towhich the poets shall in well-dressed lays, Offer their victims, with a grove of bays. For here among these leaves, no speckled snake, Or viper doth his bed of venom make : No lust-burnt goat, nor looser Satyr weaves His cabin out, among these spotless leaves. A virgin here may safely dart her eye, And yet not blush for fear, lest any by Should see her read. These pages do dispense A julep, which so charms the itch of sense, That we are forc’d to think your guilt- less quill Did, with its ink, the turtle’s blood distil. T. PHILIPOT. Edward Benlowes Pietatis, Poeticesque, Cultori IGNE cales tali, quali cum Nuncius Ora Seraphicus sacro tetigit Carbone Prophetz. Macte Der plenum Pectus; Te his dedito Flammis, Sancte Péetarum Phoenix! Repara- bilis Ignis Te voret hic Totum ; Quo plus con- sumeris IIo, Hoc magis AZterno Tu consummaberis Evo. Incipe Censura major, qui Fonte Cameenas Idalias tingis casto; Tua Metra Sionem Parnasso jungunt celebri; tam digna Lituris Nulla canis, quam sunt omni dignis- sima Laude. Theiophilam resonare docens Modu- lamine diam, Impia priscorum lustrasti Carmina Vatum. Perge, beatifico correptus NUMINE, Perge, Vivida felici fundendo Péemata Flatu, Pectore digna tuo, COELI penetrare Recessus : Et, que densa tegit Nubes, Mysteria claro Lumine perlustra, solito non concite Plectro, Quelibet altisono prosterne Piacula Versu. Perfice, terrenum transcende, Péeta, Cacumen : Conversus converte Vagos; Quos decipit Error Incautos, Meliora doce; Britonesque bilingues Lingua fac erudiat Britonum, sit quanta superbi Pectoris Ambitio et Veri Caligo; Camezenis Subdola vesani depinge Sophismata Secli. Jo. GAUDENTIUS, S.7.D. In Sanctos Theophile Amores Vix mihi Te vidisse semel concessit Apollo, Inque tuo pictam Carmine Theiophi- lam: Quum gemino Ipse miser, sed fortu- natus Amore Deperii; dubius Amans. Cur Dubius? Fallor. partibus eequis, Igne simul duplici me novus urat Amor, Afficitur tamen Objecto, atque unitur in uno, Totaque divisis una Favilla manet. Ne, Lector, mirére; Novum est. Sed protinus Ignes, Si sine felle legas, experiére meos. Theiophila! In cunctis Przecellentis- sima Nymphis ; Nominis ad Famam quot Tibi Corda cadent ! ( 332 ) sic Ego factus Nam, quamvis Corporis, Ingeniique Bonis dotata triumphas, Binaque cum summa Laude, Tro- phea geris. Docte, Tibi aeternzee quales Specta- cula Charte, Quotque Illi efficient Pagina docta Procos ! Sexus uterque pari, visA Hac, ardebit Amore; Hacque frui ex zequo Sexus uterque volet. Ne vereare tamen, Cuncti licet Oscula figant Theiophils, ne sit casta, vel una Tibi. Famz Ejus nil detrahitur si publica fiat ; : Hanc ut ament Omnes, Nil Tibi, Amice, perit. Tusolus Domina dignus censeberis IIa, Iam qui solus pingere dignus eras. P. DE CARDONEL. Latin C ommendatory Poems In celeberrimam Theophilam, feliciter elucubratam ANNE novi, veterisve prius Monumenta revolvam Ingenii: et Tragicos Scripta Cothurnos, Atque Sophoclzis numerari digna Tri- umphis? Quam bene vivificis Artibus Echo? Quam bene monstriferas Vitiorum discutis Hydras? Carminibusque in doces quantum pec- caverit Aivum ? Quanta Polucephalis repserunt Agmina Sectis? Sphinge Theologica que dia Poemata pangis? Mira et Vera canens, nodosa AEnig- mata solvis. Nec vitz pars ulla perit, nec tran- sigis unam Ingratam sine Luce pervigil Artes Exantlas, avidisque bibis Permessida Labris. [catus Eoo, Jamque, velut primo Phcenix revo- Apparet nostris nova Sponsa Theo- phila Terris. Illius é roseis flammatur Purpura malis ; Et Gemmis Lux major adest, et blandius Aurum . superantia depingitur Diem; dum A Calamo, Benlose, tuo ; dum Dotibus amplis Excolis, Ingeniique Opibus melioribus ornas. Lactea Ripheas praecellunt Colla Pruinas ; Fronte Decor radiat, sanctoque Mode- stia Vultu ; Suada verecundis et Labellis Assidet, et casti Mores imitata Poete, Te Moderatorem fusis amplectitur Ulnis. Hisce Triumphatrix decorata Theo- phila Gemmis, Celsior assurgit, Mundumque nitentior intrat Virgineis comitata Choris ; Tramite longo Agmina Cecropiis stipant Heliconia Turmis. Non liter quoties /Equoris Undas Freenatis Neptunus Equis, fluit ocyis Gratia plena Quam adremigat Antris Nereidum Gens tota suis, Dominumque salutant, Blandula czruleo figentes Oscula Collo. P. F, Qui Virtutes Theo[p]hile predicat, Religioni non Gloriz studeat. noverim me LaupIs in Oceano me submersistis, Amici: [patet. Maxima pars Decoris me nihil esse, Laus, famulare DEO, submissi Victima Cordis Est Hecatombeis Sacris. : CHRISTE, mez da par ut sit mea Vita Camezene ; Sim neque Laus Aliis prodiga, parca TIBI. ( 333 ) anteferenda Noverim Te, Domine, O’ercome me not with your perfumes, O Friends! My greatest worth, to show I’m nothing, tends. Praise, wait on Heav’n. an humble heart Excels the sacred hecatombs of A7¢. Grant, LORD, my life may parallel my lays ! They me too much, I THEE too little, praise. Th’ Host of Edward Benlowes In Divinos Poetas SANCTO Sancta Columba Musa Vati. Parnassus superze Cacumen /E three. Christi Gratia Pegasus supremus. Vati Castalis Unda Dius Imber. Pennam dat Seraphin’ suis ab Alis. Agni scribitur Optimi Cruore. Vati Bibliotheca Sphzera Coeli. Viteze é Codice foenerans Medullam, Internos penetrat Poli Recessus. O, Conamina fructuosiora ! O, Solamina delicatiora ! Per Que creditur Angelus Poeta, Patronusque pio DEUS Poet ! On Divine Poets A HALLOW’D Poet’s Muse is th’ Holy Dove. Parnassus th’ Empyrean Height above. His lofty-soaring Pegasus Christ’s Love. Heav’n’s Show’r of Grace is his Casta- lian spring. A Seraphin lends pen from his own wing. His ink is of the best LAMp’s purple dye. To Him Heav’n’s sphere is a vast library. Rais’d by th’ advantage of th’ Eternal Book, His piercing eye ev’n does look. O, what endeavours can more fruitful be! What comforts can we more delightful see ! By which the poet we an Angel deem ; Yea, Gop to’s sacred Muse does Patron seem. into Heav’n Ergo brevi stringam Celestia Cantu AIMING to profit, as to please, we bring No usual hawk to try her wing. Come, come Theoph’la, fresh as May: Hark how the falc’ner lures! This is Love’s Holy-Day. Her stretch is for Devotion’s quarry, which Mounts up her Zeal to eagle-pitch : Cheer thou her present tim’rous flight, Whilst she thus cuts with wing the driving rack of height. From thence, *bove sparkling stars, she’ll spritely move, Her plumes of Faith being prun’d by Love. As Grace shall imp her pinion, more, Or less, she will, or flag, or ’bove what’s mortal, soar’. 1 Of these later pieces Davenant’s has not only the most famous author but the most striking interest from contrast of style. contributed to Lacrymae Musarum. Pestil (-ell) was a Cambridge man who If Arthur Wilson is the A. W. who died in the year of our book he was a man of some mark, T. Phil[i]pot was a ‘ miscellaneous writer’; ‘Gaudentius’ the famous ‘editor’ of Ezkon Basilike ; Cardonel probably the father of Marlborough’s secretary. Of T. Benlowes and P. F. I know nothing, ( 334) THEOPHILA THE PRELIBATION TO THE SACRIFICE Canto I THE ARGUMENT Spes alit occiduas qui Sublunaribus heeret ; Rivales Jesus non in Amore sinit. Quid mihi non sapiat Terra, mihi dum sapit A¢ther? Sed sapiet, sapias ni mihi, Curiste, nihil. Awake, arise, Love's steersman, and first taste Delight; sound that; ere anchor’s cast On Joy; steer hence a pray’rful course to Heav’n at last. STANZA I Micut souls converse with souls, by Angel-way, Enfranchis’d from their pris’ning clay, What strains by intuition, would they then convey ! II But, Spirits,sublim’d too fast,evap’rate may, Without some interpos’d allay ; And notions, subtiliz’d too thin, ex- hale away. II The Gold (Sol’s child) when in Earth’s womb it lay As precious was, though not sogay, As, when refin’d, it doth itself abroad display. IV Mount, Fancy, then through orbs to Glory’s sphere TO (Wild is the course that ends not there) : You, who are Virtue’s friends, lend to her tongue an ear. v Let not the wanton love-fights, which may rise (335 ) From vocal fifes, flame-darting eyes (Beauty’s munition), hearts with wounds unseen surprise : , VI Whose basilisk-like glances taint the air Of virgin pureness, and ensnare Entangled thoughts i’ th’ trammels of their ambush-hair. vil Love’s captive view, who’s days in warm frosts spends ; 19 On’s idol dotes, to wit pretends ; Writes, blots, and rends ; nor heeds where he begins or ends. VI His stock of verse in comic frag- ments lies: ; Higherthan Ten’riff’s Peak he flies : Sol’s but a spark; thou outray’st all diamonds of the skies. 1X ‘Victorious flames glow from thy brighter eye ; Cloud those twin-lightning orbs (they'll fry An ice-vein’d monk), cloud them, or, planet-struck, I die. Edward Benlowes x ‘Indians, pierce rocks for gems; negroes, the brine For pearls ; Tartars, to hunt com- bine For sables ; consecrate all offrings at her shrine. 30 XI ‘Crouch low, O vermeil-tinctur’d cheek! for, thence The organs to my optic sense Are dazzled at the blaze of so bright angelence.’ XII Does Troy-bane Helen (friend) with angels share? All lawless passions idols are: Frequent are fuco’d cheeks; the virtuosa’s rare: XIII A truth authentic. Let not skin- deep white And red, perplex the nobler light O’ th’ intellect ; nor mask the soul’s clear piercing sight. XIV Burn odes, Lust’s paperplots ; fly plays, its flame ; 40 Shun guileful courtisms; forge for shame No chains; lip-traffic and eye dialogues disclaim. XV Hark how the frothy, empty heads within Roar and carouse i’ th’ jovial sin, Amidst the wild Levaltos on their merry pin! XVI Drain dry the ransack’d cellars, and resign Your reason up to riot, join Your fleet, and sail by sugar-rocks through floods of wine: 41 courlisms] = ‘ccremonies of courtship.’ [CanTo I XVII Send care to Dead Sea of phleg- matic age ; 49 Ride without bit your restive rage ; And act your revel-rout thus on the tippling stage. XVIII ‘ Swell us a lusty brimmer,—more,— till most ; So vast, that none may spy the coast : We'll down with all, though therein sail’d Lepanto’s host: XIX ‘Top and top-gallant hoise; we will outroar The bellowing storms, though shipwrackt more Healths are, than tempting’st sirens did enchant of yore. XX ‘Each gallon breeds a_ ruby ;— drawer, score ’um ; Cheeks dyed in claret seem 0’ th’ quorum, When our nose-carbuncles, like link- boys, blaze before ’um.’ 60 XXI Such are their ranting catches, to unsoul, And outlaw man ; they stagger, roll, Their feet indent, their sense being drunk with Czyce’s bowl. XXII Entombed souls! Why rot ye thus alive, Meltingyoursalttolees? and strive Tostrangle Nature, andhatch Death? Healths, health deprive. XXIII The sinless herd loathes your sense- stifling streams, When long spits point your tale: ye breams In wine and sleep, your princes are but fumes, and dreams. 68 breams] = ‘fish’ chosen for rhyme merely ; see the Latin, p. 411, 1. 68, which is different. ( 336 ) Canto I] XXIV I'd rather be preserv’d in brine, than rot 7O In nectar. Nowto dice they’tegot: Their tables snare in both; then what can be their shot ? XXV Yet blades will throw at all, sans fear, or wit ; Oaths black the night when dice don’t hit ; When winners lose at play, can losers win by it? XXVI Egypt’s spermatic nurse, when her spread floor Is flow’d’bovésev’nteen cubits o’er, Breeds dearth: and _ spendthrifts waste, when they inflame the score. XXVII Tell me, ye piebald butterflies, who poise Extrinsic with intrinsic joys; 80 What gain ye from such short-liv’d, fruitless, empty toys? XXVIII Ye fools, who barter gold for trash, report, Can fire in pictures warm? Can sport That stings, the mock-sense fill? How low’s your Heav’n! how short | XXIX Go, chaffer Bliss for Pleasure ; which is had More by the beast, than man ; the bad Swim in their mirth (CHRisT wept, ne’er laugh’d): the best are sad. XXX Brutes covet nought but what’s terrene ; Heav’n’s quire Do in eternal joys conspire ; Man, ’twixt them both, does intet- mediate things desire. go Theophila: The Prelibation XXXI Had we no bodies, we were angels ; and Had we no souls, we were un- mann’d To beasts: brutes are all flesh, all spirit the heav’nly band. XXXII At first Gop made them one, thus; by subjecting The senseto reason; and directing The appetite by th’ spirit: but sin, by infecting XXXII Man’s free-born will, so shatters them, that they At present nor cohabit may Without regret, nor without grief depart away. XXXIV Go, cheating world, that dancest o’er thy thorns ; 100 Lov’st what undoes ; hat’st what adorns : Go, idolize thy vice, and virtue load with scorns. XXXV Thy luscious cup, more deadly than asp’s gall, Empois’neth souls for hell: thou all Time’s mortals dost enchant with thy delusive call. XXXVI Who steals from Time, Time steals from him the prey: Pastimes pass Time, pass Heav’n away : Few, like'the blessed thief, do steal Salvation’s Day. XXXVII Fools rifle Time’s rich lott’ry : who misspend 109 Life’s peerless gem, alive descend ; And antedate with stings their never-ending end. XXXVHI Whose vast desires engtoss the boundless land q2 Probably ‘table’s’ should be read: arid possibly ‘share.’ ( 337 ) Z Edward Benlowes By fraud, or force; like spiders stand, Squeezing small flies ; such are their nets, and such their hand. XXXIX When Nimrod’s vulture-talons par’d shall be, Their house’s name soon changed you'll see ; For their Bethesda shall be turn’d to Bethany. XL Better destroy’d by law, than rul’d by will; What salves can cure, if balsams kill? That good is worst that does de- generate to ill. 120 XLI Had not Gop left the Best within | the power Of persecutors, who devour ; We had nor martyrs’ had, nor yet a SAVIOUR. XLIE SAINTS melt as wax, fool’s-clay grows hard at cries Of that scarce-breathing corse, who lies With dry teeth, meagre cheeks, thin maw, and hollow eyes. XLII Gop made life; give’t to man; by opening veins, Death’s sluic’d out, and pleuretic } pains: Make Gop thy pattern, cure thyself, alms are best gains. XLIV Heav’n’s glory to achieve, what scantling span 130 Hath the frail pilgrimage of man ! Which sets, when risen ; ends, when it but now began. XLV Who fight with outward lusts, win inward peace ; [Canto I Judgements against self-judges cease : Who face their cloaks with zeal do but their woes increase. XLVI The mighty, mighty torments shall endure, If impious: hell admits no cure. The best security is ne’erto be secure. XLVI Oaks, that dare grapple with Heav’n’s thunder, sink All shiver’d ; coals that scorch do shrink 140 To ashes ; vap’ring snuffs expire in noisome stink. XLVIII Time, strip the writhell’d witch; pluck the black bags From off Sin’s grizzly scalp ; the hag’s Plague-sores show then more loath- some than her leprous rags. XLIX *Twas she slew guiltless Naboth; *twas. she curl’d The painted Jezebel; she burl’d Realms from their centre; she un- hing’d the new-fram’d world. L Blest then who shall her dash ’gainst rocks (her groans, Our mirth), and wash the bloody stones With her own cursed gore; repave them with her bones. 150 LI By Salique law she should not reign : storms swell By her, which halcyon days dispel : Nought’s left that’s good where she in souls possest does dwell. LII ’Twas her excess bred plagues! in- fecting stars, Infesting dearth, intestine wars Surfeit with graves the earth, ’mongst living making jars. 128 ‘Pleuretic’ sic. #2 orig. but should be of course ‘ pleurttic.’ ( 338 ) CANTO I] Lill My soul, enlabyrinth’d in grief, spend years In sackcloth, tears, Retir’d to rocks’ dark entrals, court unwitness’d fears. LIV There pass with Heraclite a gentler age, 160 Free from the sad account of rage, That acts the toilsome world on its tumultuous stage. LV There, sweet Religion strings, and tunes, and screws The soul’s the orb, and doth infuse Grave Doric epods in th’ enthusiastic Muse. chamleted with LVI There, Love turns trumpets into harps, which call Off sieges from the gun-shot wall ; Alluring them to Heav’n, her seat imperial. LVII Thence came our joy, and thence hymns eas’d our grief; 169 Of which th’ angelical was chief ; ‘Glory to Gop; earth peace; good will for man’s relief.’ LVIII Quills, pluck’d from Venus’ doves, impress but shame: Then, give yourrhymes to Vulcan’s flame ; He'll elevate your badger feet : he’s free, though lame. LIX Things fall, and nothings rise ! Virtue fram’d Honour for Wisdom: Wisdom fam’d Old Virtue: such times were ! wealth then Art’s page was nam’d. LX Lambeth was Oxford’s whetstone : yet above Preferment’s pinnacle they move, ( 339 ) Old Z2 Theophila: The Prelibation Who string the universe, and bracelet it for love. 180 LXI Virtue’s magnific orb inflames their zeal ; By high-rais’d anthems plagues they heal ; threefork’d thunders in Heav’n’soutstretch’darm repeal. LX Shall larks with shrill-chirpt matins rouse from bed Of curtain’d night Sol’s orient head? And shall quick souls lie numb’d, as wrapt in sheets of lead? LXIII Awake from slumb’ring lethargy ; the gay And circling charioteer of day, In’s progress through the azure fields sees, checks our stay. LXIV Arise ; and rising, emulate the rare Industrious spinsters, who with fair. And Embroid’ries checker-work the chambers of the air. 192 LXV Ascend ; Sol does on hills his gold display, And, scatt’ring sweets, does spice the day, And shoots delight through Nature with each arrow’d ray. LXVI The opal-colour’d dawns raise fancy high ; Hymns ravish those who pulpits fly ; Convert dull lead to active gold by love-chemy. LXVII As Nature’s prime confectioner, the bee, 199 By her flow’r-nibbling chemistry, Turns vert to or: so, verse gross prose does rarefy. LXVIHI Pow’rs cannot poets, as they pow’rs up-buoy ; Edward Benlowes Whose soul-enliv’ning charms decoy Each wrinkled care to the pacific sea of joy. LXIX As, where from jewels sparkling lustre darts, Those rays enstar the dusky parts : So, beams of poesy give light, life, soul to arts. LXX Rich poesy! thy more irradiant gems Give splendour unto diadems, And with coruscant rays emblaz’st Honour’s stems. 210 LXXI Thee, Muse (Art’s ambient air, In- vention’s door, The stage of wits) both rich and poor Do court. Traditionum. Non urit me Charta, tamen Mens ignibus ardet. XCIl Dum lego, Mens intus magno Splen- dore coruscat, Et novus ecce Vigor penetrat Pre- cordia, namque Omnia describit Placitorum Arcana tuorum. XCIII Hujus Carminibus tecum versantur Enoch ; Avertit Mortem, transfert nos ante Senectam: Dat Vaticanus Scoriam, purum hic nitet Aurum. XCIV Sic cim pigra gelu Gens Tartara, splendida Gemmis 280 Tecta subit Sophiz, subito Fervore refecta, Quz nive semianimis fuerat, se vivere sentit. XCV Infundis mihi Tu Meditamina sancta, meoque Effundis pia Verba Ore, & laudando per Orbem Diffundis mea Facta, tuo quee Munere vivunt. XCVI Musa, mihi Chordas tendens, cane Facta Bonorum Hymnis, sed pravos taceas ; Artesque Tributum ([CanTo I Dent tibi, tu Cordi Linguam, Pen- namque ligabis. XcVvI Degener at Soboles Eve, pollutaque Culpis, An Te Mensur4 tenui compréndere posset, 290 Omnipotens quum sis, nec mensu- rabilis unquam ? XCVIII Arbustum Cedros, Aquilam non regulus effert Laudibus, aut cernit Phcebeas noctua Flammas, Gutta quid Oceano? Radiis Jubar infinitis ? XCIX Languentem sed Spes & Amor per inane volatum Ferre valent, in Te noctem Fiducia lustrat ; Grandis Amor, suppleto Fidem, Spéi scribimus Alis. Cc Spiritus, alme DEUS, Mens, Corpus, & omnia Facta, Et Verba, & Mentis Meditamina, postea discent Laudes celebrare tuas, & Crimina flere. 300 O, quantum JESU me diligis! Ergo Beatum Me tua jam reddat Dilectio, suscipiatque Erectum rursus MAXIME JEsU! Heec ara est, atque hec mea victima dulcis amoris. Cor, Oculus, Lingua, atque Manus, Poplesque reflexus Atesunt Cuncta hec, ad te sint Cuncta vicissim }. Et Dilectio Post Homerum Iliada, post Vosszeum Grammaticen, post Rosszeum, celeber- rimum illum Virgilii Evangelizantis Autorem, Carmen Heroicum con- scribere audax plane videatur Facinus. Tenuitatis quippe mez, & imparislongé in Poesivenz conscius, cum non possum quod vellem, volo tamen quod possum effundere. Est aliquid prodire tenus sinon datur ultra. 1 This is again, in the original, arranged and framed altar-wise. ( 416 ) CanTo III] Theophile Amoris Hostia THEOPHILA AMORIS HOSTIA Cantio III. Latino Carmine donata. Restauratio ARGUMENTUM Authoris Raptus, laudatur Gratia; fuse Sunt Lachryme charo Britonum pro Sanguine fuso Obscuré, petitur Pax ictis prisca Michaiis. TRISTICHON I SOLLICITES mea Musa Lyram, digi- toque pererra Argutze Chelyos Chordas, & Cantica psallas Que’ rapiant Terras, & scandant Astra Triumphis. ul Ecstatico raptus Motu Barteeius Heros, Lecto subsiliens, alacres ducensque Choreas, Dixit; In hunc Morem saltabunt Gallica Regna. I Seu Meteora Soli viscoso Semine facta, Que, motu succensa suo, ardua tendunt Nubila, Stellarum nec non de More super coruscis IV Effulgent Flammis ; Duntaxatat illa relucent Io Ut Sese absumant, Compita ducant ; Nec pro se Venti, sed Nobis, Flamina spirant : & nos per v Enthea sic superas mea ascendit ad Arces, Sese dispendens, Stolidos ut reddat Mens Acutos : Qui Tzedam prefert Aliis, Se Lumine privat. VI Qualittr Inferno sudat vesana Libido : Sic Ccelo aspirat diviniZelus Amoris ; Scrutari Hoc Mentis contendit tota Facultas, VII Cardinibus subnixa Fides conver- titur altis ; Purior haud ullis praeclusa Scientia Metis ; 20 Flamma, Cor accendens, non Ignis Signa relinquit. VIII Horti florentis blandum Pof[i|meria, sancta Visorum Tellus, Sapientum grata Cohorti, Auratis Asini Phaleris lLudibria prostas. Ix Huic Mare fit rabidum Mundus, Discordia major Est ubi Ventorum, quam Pyxis nautica norit : Incumbit Sanctus Velis, tenet An- chora Coelum. x Appulit hic Pietas, ubi non confracta Dolore Conscia Mens fremitat, Rabie aut consumpta maligna ; Lumina lascive Veneris nec Fulgure tacta. 30 XI Non Nugze Hic Pueri ; Juvenis non fervidus Atstus ; Ambitus A£tatis mature nullus ; Avari Grandevi haud Vitium; non Otia pigra coluntur 22 Poimeria] Sic in orig. (417) Ee Edward Benlowes XII Non Gula, lascivi aut Pruritus turpis Amoris, Turgidus haud Fastus, non invi- diosa Rubigo, Tra nec ardescens, aut Obduratio Cordis. XII Non Amor invadit proprius, vel Pectora Curee Scindentes, Schisma aut Doctrine mobile flatu, Non ceci pungunt Stimuli, nec Poena Latebris. XIV Hinc macula apparet Tellus obscura, ubi certant 40 Pro vanis Homines, puerilis more tumultds ; Formicze, veluti peterent, munimina, scloppis. XV Est ubi Luxuries satiata, Libidoque spumat, Sanguis ubi Irato, petiturque ubi Pignus Avaro, Turget ubi Ambitio, Livor fremit, Otia torpent. XVI Imperio Martis remanent quam Regna revulsa, Dispersis Aulis ! sub nostro Lumine quee sunt Pulvis ut exiguus Ventorum Flatibus actus. XVII Hic stat formosi polydeedala Machina Mundi, Sustentata Manu Veri, summique JEHOVé. 5O Apparent instar Nanorum exindé Gigantes. XVIII Quam vilis Mundus! pia Musa, innitere Pennis Firmis, (terreno fueras detenta Tumultu, Jactata & Turba)demim transcende Monarchas. (438 ) [Canto III XIX Raptus in hunc morem divino con- citus Igne, fEtheris in Camera stellata percute Chordas : Aspirare tui nequeunt huc, Roma, Regentes. XX Sese dilatans Animus fit latior usqué Sicut Helix; Hominis status at Nativus, ut Orbis, Quem subito a Zenith deturbant Fata superno. 60 XXI Perspiciens Ratione Fides oculatior Aulam Sideream, Mentes rapiunt sua Visa serenas ; Veri accensa Pharos per Amorem Gaudia pandit. XXII Hec Lux que Radiis conuestit singula claris, Theiophilam, inclusit Mente decoram ; Excipit occiduum Nature, Gratia, Solem. Preegnanti XXIII Fundat Aroma Calyx, Rosa quam dulcissima, Virtus Illustris matura siet tua Tempore justo, Explicet ac Radius divinus Floris Honorem. XXIV Anni Procursu duodeni sic sua Forma 70 Enituit, Formam Dominz stupuére potentes ; Spectantes Anime Lucem per Corporis Umbram. XXV Ardet Crystallo veluti Lucerna polito, Cujus transparens decoratur Fabrica Flammis ; Hec ita divino splendescit Virgo Nitore. XXVI Mens Gemmam superat, superat sua Concha pruinam, CANTO III] Flumina vel Lactis manantia ab Ubere pleno : Venze Saphiros preecellunt, Labra Rubinos. XXVIL Circtm Labra volant Charites sua mille venuste, Suavia Puniceis labuntur Aromata Portis, 80 Ind® fluunt cunctos medicantia Balsama Morbos. XXVIII Emittunt tales Altaria Sancta Vapores ; Tales Blanditias halant Fragrantia Gummi ; Sic Rosa coccinea spirat preeflorida Veste. XXIX Attonitos reddunt Spectantim Lumina Vultus, Afficiunt quamvis Preecordia fervida castis, Attamen Ardoris sunt ipsa immunia, Flammis. XXX Lampadas hasce volet quisquis de- pingere, quisquis Exprimeret clara radiantes Luce Fenestras, Pingeret Aspectum fugientem, pon- deret Austrum. 90 XXXI Suave videremus Pectus, micat Eden Amoris, Illis | Monticulis nascuntur Mala decoris, Que Mala de vetité sanarent Arbore nata. XXXII Mollities, Candorque Mants tran- scendit Oloris Plumas ; est talis cujus moderatior Ardor, Qualis chm coeunt Radius Phcebeus & Aurum. XXXII Jucundz Nemoris Syrenes, Musica turba, ( 419 ) O, Formosa, Theophile Amoris Hostia Gutturibus quarum dimanat dul- cior Aer, Illam quid petitis cunabula vestra perosze ? XXXIV Ecce Latus claudunt Argentea Lilia castum, 100 Calthe fulgentes Auri flammantis amictu, Ignes evibrat cum Lauro Primula Veris. XXXV Margaronexcellunt Dentes; Tegmen, Caput, Auri, Vox preit Argento, de Te Natura Vigorem Sumit, Panniculis est pree Te squal- lida Flora. XXXVI Pudica tamen, seu Chava, priusquam Candida purpureo suffuderat Ora Rubore A Te Virtutes, Artes, Charitesque profectze. XXXVII Ad vivum depicta manet non Pulchrior Icon Quam pia Mens pulchro que splendet Corpore clausa: 110 Hujus Ccelesticedit Pandora Decori. XXXVIII Aule Sideribus picte sic Cynthia Preeses Apparet, Phcebi Splendoribus aucta refractis, Fulgida Stellarum dum Castra Phalanges. XXXIX (Astra Pruina refert) subitd Telluris at Umbra Objecté Lucem retrahit, cui Conus opacus Falcatam supra Lunam, sub Lumine Solis. stipant XL Qui Ccelum, Nubes, Terras, Mare, Saxaque lustrat, Qui penetrat Gemmas, Stellas, Adamantas ; Fructus, Ee2 Edward Benlowes Mundi Oculus, claree Promus Con- dusque Diei. 120 XLI Cujus gliscentes imitatur Flamma Pyropos, Purpureas Aurora Fores dum pandit Eoo, Noctis lucentem Dominam, Famu- lasque repellens. XLII Theiophilam radians appello Diei, Palpebra quippé Fides tua fit, seu Pupula Fervor, Vultus Angelico speciosos venustans. XLII Etheris illa potens, casta & Regina, reclusi, Plurima vestalis quam cingit Virgo propinqua, Disparet, dia splendet. Lumen Te More hec si Constellatio XLIV Nobilitas vera est Virtus, Cognatio Sancti, 130 Tutela Angelicus Chorus _ est, Ccelumque Brabium ; Cujus demissus, dum surgit Gratia, Vultus. XLV Eugenia Ingenium, Paidia ministrat Acumen ; Thesauros Veri charos Eusebia preebet. (Cudendi Voces Vati concessa Potestas.) XLVI Aula Cor est formosa sibi, divinius Ejus Pectus, Sacrati Penetralia candida Amoris ; Hic Sibi Delicioest, Sanctosreficitque Poetas. XLVII Illustres Domini, quos Laurea Serta coronant, Artes qui eruitis, qui cultas reddi- tis Artes, 140 ( 420 ) [Canro III Estis & infirmi qui Sustentacula Mundi ; XLVIIL Qui struitis Fame Monumenta perinclyta Templo, Mellea de Vobis Modulamina talia manent, f Qualia divino mulcerent Pectora Succo. XLIX Dum succedit Hyems Autumno, Ver premit Aéstas, Dum recitat Modulis Poeana vetustis, Vestris Vos Famz Plumis repara- Tempus bitis Alas. L Illud quod preebent sublimia Tzenera Vinum, Insané Vires poterit reparare fugatas ; Sic Citharee, atque Tube, sic Organa, Tympana, Sistra. 150 LI Conciliat quamvis reboantia Mur- mura Basso Ars, torquens Nervos graviores usque, sonoro Fulmine dum complent Aulam Diapasona totam ; LII Ista partim valeant ; Dominze Testu- dine tensa Hujus, Chordarum Pulsum tenta- verit Omnem, Dum Mens Harmonie pertracta est Pollice docto. LIII Gratia inest Verbis; O, terque quaterque beati, Queis Ccelum Terris, eterno Codice scripti ! Qui, Sensu amoti, cupiunt Com- mercia Mentis ! LIV Inter Eos qui divino de Semine creti, 160 Non obscurati Sensu nec Corporis Umbra, CanTo IIT] Seraphicé exardent vivacis Origine Flamme. LV Gaudia dat Gustus, non exequanda Loquelis ! Ritu. Cimmerioque panda superna, In quorum Solis Nubila densa. Scholis _ pal- Frontem sunt LVI Callis inaccessus nimio fit Lumine Ceeli ; Splendidior Radius teneros per- stringit Ocellos : Ephata fare, Lutum Visu me reddet acuto. LVII Hoc Raptu emotus divino, fac mihi talis Contingat Finis, Stagaritee qualis, in illo 170 Euripo, quem non ulluscompréndere posset ! LVIII Mystica preebeat heec (6 sit protensa !) Catena Nexus, qui stringat vel quavis fortius Arte ! Talia lenitos rapiant Modulamina Sensus. LIX Musica pervadit Mentes, cum per- citus Oestro Insano Saulus, Genio fremuitque maligno, Gemmea pre Plectris sordebant Sceptra Tyranni. LX Hujus —inardescens Flamma repurgat Feecibus 4 Terre: Cantus Pene- tralia Cceli Divini reserant, deducunt Agmina Hymni me pura : 180 LXI Agmina pura Dei celebrant Natalia leta ; Hymnos vel Christus modulatur ; Sancta Columba Theophile Amoris Hostia Cceli, summa petens, Numerorum deligit Alas. LXII Ni Versus, non sit Textus, quia queelibet Hymni Incantant; actis famuletur Concio Psalmis, Anté Diem summum, per Vos demortua surgunt ! LXIII Ast ubi grassatur Furiis Bellona tremendis, Stragibus, heu, lassato, sed haud satiata recedens, Preedatrice Lupa truculentior, Or- gana pulset ? LXIV Est equidém non Mota Solo, pacata Tumultu : 192 Degeneres trepidint; manet illa invicta Catervis, Displosi metuit nec rauca Tonitrua Scloppi. LXV Insunt Virtuti sua Balsama ; sollici- tavit Intensé Numen_ Gladii mollire Rigorem : /Etatis Ferrosic Aurea Virgo profatur. LXVI Ingruit, O, Numen Venerandum ! dira Procella, Coccina purpurese cum velant Crimina Vestes, Effuso tinctee pretioso Sanguine Vitee ! LXVII Orbis Aquis cinctus, fortunatissimus olim, O, deplorandum! quantum muta- tus ab illo! 200 Pax ubi floruerat pia, Mors ibi pro- diga regnat ! LXVIII Rubrum deprompsit Vinum Mavor- tius Ardor ! Conserves Arcam, Deus, in Tor- rente Timorum, 170 Stagarite: | Sic in orig. (421) Edward Benlowes Aut tua subsidat Lachrymis, tum Sanguine, Sponsa ! LXIX Est Panem Lachrymata suum, Gemitusque resorbet : Lumina pro Potu sua sunt in Flumina versa ! Ipsa, immersa Malis, ad Te Se lan- guida confert. LXX Ad Modulos Compone graves, Pater Orbis, acutos Hybernz Chelios! cordia Concors Esto, Scoti fuerit super, aut Insigni- bus Angli ! 210 LXXI inter Socios savo Formido Leoni ; preedabundis venit Ursis ; Mutua Pernicies, lacerat, Vir, Corpus Tesu ! quevis Dis- Non Vel inter se con- LXXII Si modo fert Animus, pugnetis Ful- mina Martis, Turcico & invisam Labaro dedu- cite Lunam, Sacra relinquentes Fidei Confinia rectee. : LXXIII Agminibus Thracum densis conten- dite ; quamvis Sclopporum seu Truncus Caro vestra deorsim Tendat, summa petent Anime de more Globorum. LXXIV Numinis in mediis si sit Praesentia Castris, 220 In Templo residet multd magis Ile sacrato, Heresin ut pellat, perversaque Schi- smata purget. LXXV Hee Tunicam rupére Tuam, Dolor unde Bonorum ! Zelote quamvis rauci Te Voce fatigant, Voto indignaris civili Sanguine mixto. (422 ) iners, [CanTo III LXXVI Fallaces potuére Bonum suadere fuisse Preecones, per Cruoris ? Preestigiis uti, Summosque resolvere Nexus ? Diluvium vadare LXXVII Inde Catechismi neglecti, & sacra Synaxis ! Herbze hinc sylvestres, seu Ranz Vere Palustres ! 230 Athea Schismatici Corruptio pessima Cleri. LXXVIII Preetextus fugiant speciosos, sunto fideles ; Cultu divino repetantque Precamen Tesu ; Foederis aut valeant Mysteria dira trisexti. LXXIX Sic seduxerunt illos Insomnia vana, Vilescant illis adeé ut Natalia Christi! (Nemo tenet Nodis mutantem Protea Vultum.) LXXX Festum Festorum, supremz dulce Cohorti ; Inclinat Coelum hic Terris, hinc Gaudia Sanctis ; Judice Relligione Dies primarius Anni, 240 LXXXI Factus Homo bonus est primum, tum degener ; Ipse Sermo Caro Factus, nostra haud Commercia vitans, Pejor ut is nihilo, meliori Sorte fruatur. LXXXII Audetis Verum profiteri? Pabula pascunt Fuci aliena; merum Pigmentum Papiliones ; Tettix deperdit, redemit sibi Tem- pora Myrmex. LXXXIII Mellea dum repetunt Vespz Speleea rapaces, CanTo III] Illis Insidiis structis merguntur in ola, Corporis haud tanti sint ac Muni- mina Mentis. LXXXIV ‘Kirk-Int’rest kenimus’; Leges re- vocate Draconis, 250 Instaurate vetus Templum; Sunt Meenia Sancti, Seu Tubus est Pastor, Fons Gratia, Gluten Amorque. LXXXV Vobis_ preeteritos ignoscat Musa Furores, Singula propitio condant Oblivia Velo, De Rebus moveat si Vos Metancea peractis. LXXXVI Veri Cultores, balantes pascite Christi Agnos; quippt Merum Sanguis, Caro dapsilis Esca : Illos pascentes semper, Coronam. LXXXVII Dispensatores Sponso, Sponszeque fideles, Nos sacra divini ducant Oracula Veri, 260 Relligione Status floret, data Gloria Fidis. spectate LXXXVIII Ctm Judex veniet, Merces erit ampla Labori, Pro Lachrymis Vobis manabunt Gaudia Rivis, Aurate surgunt Spice sementibus udis. LXXXIX Lzsis, Omnipotens Vindex! certd gequa rependes Illis, qui sese fcedo maculdre Reatu, Sanguinis innocui cum sit Detectio fusi! xc Aurea Pax aures, Verumque appellat amicum ! Lumina non Phcebi latebris tam grata Borusso, Theophile Amoris Hostia Urbibus eversis Homines, vel Littora Fractis. 240 XCI O, si ccelestis vel tandem Turma secunda, Nobis, Bellorum diris Cruciatibus haustis, Grata salutiferee resonaret Cantica Pacis! XCII Pax Domus est fessis, Pax ad Natalia Christi Cantio prima fuit, Terris suprema Voluntas, Pax Bonitatis amans, Pax Sanctis vera Voluptas. XCII Martyribus fulcimen Amor, ceu stra- men Achates Attrahit; adnostrum sic nos perducis Amantem, Elixir Auri verum, Compendia Legis! XCIV Ullané Divinum narret Facundia Amorem ? 280 Quippe redemptus Homo Naturas nobiliores Angelicas superat ; Tanti sit Passio Christi ! XCV Hic demim tacuit; Lachrimarum Flumina manant Ex oculis, illi Mundus Cadus esse videtur, Gaudia falsa Merum, Stultorum portio Feeces. XCVI Et nunc Letitia vives de Fonte micanti, Pura ubi perpetuo Chrystalla fluentia Cursu, Mens erit ethereas conscendere Raptibus Oras. XCVII Hinc Documenta sibi Zelus male- sanus habebit, Ardores Cujus tradunt in Prelia seevi, 290 250 kenimus] Cf. Introd. on Butler’s wrath at Benlowes’ macaronics. ( 423 ) Edward Benlowes Hinc fera depositis mitescant Secula Bellis. XCVIII Auribus exhibeas Epulum, selecta Venustas ! Dum sic cantat Amor, Reges dulce- dine capti: Gratia Naturee Nervos intendit Amore. XCIX Horrisonas Amor ipse potes sedare Procellas, Cantibus & placare tuis immania Cete, Que Dominatricidiverrunt Marmora Cauda. [CanTo III c Si tua, Virgo, nequit compescere Erotica Musa Incumbens Aivo Fatum miserabile nostro, Pro Scriptis Lachryme ; Nam Gens est danda Furori! 300 Provecti, tandem Latiales linqui- mus Oras, Te petimus Patrium, Terra Bri- tanna, Solum. Hic ubi Nemo citis designet Lit- tus Ocellis : Egresse faveant Fluctus, & Aura Rati. Upon the Vanity of the World Lonc have I sought the wish of all To find ; and what it is men call True Happiness; but cannot see The world hath it, which it can be, Or with it hold a sympathy. He that enjoys what here below Frail elements have to bestow, Shall find most sweet bare hopes at first; Fruition by fruition’s burst, Sea-water so allays the thirst. 10 Whoever would be happy then, Must be so to himself ; for, when Judges are taken from without, To judge what we are, fenc’d about, They do not judge, but guess, and doubt. PoTEsTas Culminis est Tempestas Mentis, Splendorem habet Titulo, cruciatum Animo; desuntque Inopiz multa, Avaritize omnia. Ne petas igitur, devota Anima, esse qualis in Anglia Dux Buckingamiz, & in Aula Czsaria Princeps ab Eggenberg, & in Hispania Comes D’Olivares, & in Imperio Ottomanico Mustapha Bassa fuere; nec tibi magis arrideant cerus- satae Laudes, & calamistrata Encomia, His soul must hug no private sin; For, that ’s a thorn conceal’d i’th’ skin ; But Innocence, where she is nurst Plants valiant Peace; so, Cato durst Ev’n then be best, when Rome was worst. 20 God-built"he must be in his mind ; That is, Divine; whose faith no wind Can shake; when firmly he relies Upon the ALMIGHTY, he outflies Low chance, and fate of destinies. As fountains rest not till they lead, Meand'ring high, as their first head: So, man rests not till he hath trod Death’s height: then, by that period, He rests too, rais’d in soul to GOD. 30 OWEN FELTHAM. quam sincere & sacrosanctee Amoris Anhelationes. Seculi delectatiunculas devita, & Coelorum Jubilo recreaberis: delicatula nimis es, si velis gaudere cum Mundo, & postearegnare cumCHRISTO: Amarescat Mundus, ut dulcescat DEUS. Quamdit est in te A.gypti Farina, Manna cceleste non gustabis; Gustat DeEvuMcui LibidoSeculi Nauseam parit: Exinanitio nostra plenitudinis Cceli capaces reddit. Si vis frui Sole, verte Owen Feltham] Not the worst verses of the author of the Resolves, (424) The Vz anity dorsum Umbra: nec amaris & Mundo, nisid CHRISTOrepulsa, nec A CHRISTO, nisi a Mundo spreta. Dejicit se de Cul- mine Majestatis qui 4 Dro ad Con- solatiunculas Creaturulz confugit. O quam contempta recula! est homo nisi supra humana se erexerit! Beatum nil facit Hominem, nisi qui fecit Ho- minem; minimum enim Dei omnis Orbis Magnitudine est magnificentius. Paucis, nec tibi ignominiosum sit pati STORMS on the mind from Honour's hill descend; Titles external beams add not to bliss : The poor wants much, the covetous all. My soul, No painted praise, nor flow’r’d enco- miums prize Equal to pious breathings of pure love: Eschew the petty pleasures of the time, And Heav’n’s refreshments make thy jubilee: Imagine not to swim in worldly pomp, And afterwards to reign with Christ in bliss ; Earth must be gall, that God may honey prove : 10 He the best relish hath of Heav’n, who most Disdains the base licentiousness o’ th’ age ; We must be emptied of ourselves, before We can have entrance into th’ heav’nly court : If we desire fruition of the sun, Then must our backs upon the shade be turn’d ; Mundo NoN possum, non Arte loqui; Furor addit Acumen : Crimina taxantur, latent. Munde, quid hoc sibi vult? longinquius erras, Quanto plus graderis ; Te Cacoethes habet. In quos Schismaticas torsisti sevils Hastas, Nomina salva tanto of the World quod passus est CHRISTUS, nec glo- riosum facere ' quod fecit Judas. Morere Mundo, ut vivas Deo. Qui- cunque cum D£o habet Amicitiam, Felicitatis tenet Fastigium. Hac unica Laus, hic Apex Sapientie est, ea viventem appetere, que morienti forent appetenda: Mortis ergo Medi- tationi, & /Eternitatis Contemplationi Lucernule tuz Oleum impendas. Vale. Disclaim’d by Christ are those the world doth love, And those whom Christ does love, the world contemns: He of his greatness doth himself divest, Who goes from God, and creature- comforts seeks. 20 Oh, what a mean despised thing is man, Unless he raise himself above the earth, Since nought but his Creator makes him high ! Let’s think ‘t no shame t’ endure what Christ endur’d, Nor glory to do that which Judas did; Dead to the world, let’s be alive to God, Who gain His favour are supremely blest : This is the height of wisdom, to desire Those things in life, which thou wouldst dying crave: Then on the thoughts of death thy lamp’s oil spend, 30 And muse upon that state which ne’er shall end *. immundo Quam quos Virtutis ccelitus Umbo tegit. Protege me, Ccelum ! Oppressor avarus, Cui prior est Nummus Numine, Libra Libro. Nummie, potens Deus es! Sic undique supplicat Auro, Omnipotens veluti Numen inesset Ei; Io Quis adest? 1 yecula) For this diminutive (‘thinglet,”’ ‘ trifle’) B. might quote Plautus and Apuleius : creaturula and consolatiuncula must be ecclesiastical if he did not coin them. 2 This blank verse translation (with couplet-tip) of the preceding Latin prose para- graph is curious : andit might, at the time, have been much worse. ( 425 ) Edward Benlowes AurumNequitiz Pater est, & Filius Orci; Os promit Nectar; Mens Aconita vomit. Hic vorat, utque rapax ruit in nova frusta Molossus ; Vasta Sitim pariunt Aquora, Terra Famem ; Tota nec explerent Pellzas A®quora Fauces, Terraque sat tantz non erit una Fami. Perfida quisquis amat, se perdit, & odit amando: Plus habet Ille Dei, qui minus Orbis habet. Dum captat, capitur; Damon licét Omnia spondet, Dat Mundus, magnum preter inane, nihil. 20 Plena Fames, mellita Lues, Persuasio fallax, Gloria Flos, Pulvis Gaza, Tiara cinis. Tendiculas, Pigmenta, Dolos, Crepita- cula, Fumos ; Has rauco Merces Gutture laudet Anus. Insatiata Fames rapto superincubet Auro, Porcus & aggestas grunniat inter Opes. Littera R hebrea, pelasga, latina no- tabunt Qudd, malus, eR-RO-RES, nil nisi, Mundus habet?. THE VANITY OF THE WORLD Canto X. The Abnegation THE ARGUMENT What’s potent Opulency? What’s remiss Voluptuousness ? World, what’s all this, To that the Soul's created for, Eternal Bliss ? STANZA I VARIOUS are poets’ flames ; some, eclogues write, Others describe a horrid fight, Some lyric strains, and some the epic do delight : II But, here my sharpen’d Muse shall entertain The scourges of satiric vein, To lash the world, in which such store of vices reign. III No grandee patron court I, nor entice Love-glances from enchanting eyes, Nor blandishments from lsping wanton’s vocal spice. IV No such trite themes our fired genius fit, 10 Of which so many pens have writ : Prudential soulsaffectsound Reason, not slight wit. v Blest talents which the Gospel’s Pearl do buy : Frail hopes that on the world rely, Where none are sav’d by faith, but by’ infidelity. VI The way to gain more ground, is to retreat ; Our flight will be our foe’s defeat ; Minds conquring great delights, triumph in joys more great: VII Pull me not, World; nor can, nor will I stay ; Juggler, I know what thou canst say : 20 Thy magic spells charm easy sense but to betray. 1 Observe the most Benlowesian eccentricity of the subscribed / to get the Hebrew resh. 15 by’] Cf. note on ‘they’’ supra, p. 380. ( 426 ) CANTO X] VIII Wits toil to please thee, sables yield their skins ; The silkworm to thy wardrobe spins ; Rocks send their gems, seas pearls, to purvey for thy sins. IX Thou bright’nest cupboards with throng’d massy plate ; Heap’st ermin’d mantles of estate; Shew’st rich caparison’d champing coursers at thy gate. x Thou cull’st of Nature’s spoil from air, earth, seas, The wing’d, hoof’d, finny droves, to please Gluttons, who make themselves spittles of each disease. 30 XI And shall, like Dives, a sad reck’ning pay ; Feasts hasten’d on his fun’ral day ; Death brought the voider, and the Devil took away. XII Tell me no more, th’ art sweet, as spicy air ; Or, as the blooming Virgin, fair ; And canst with jovial mirth resusci- tate from care. XII Boast not of ruby lips, and diamond eyes, Rose cheeks, and lily fronts, made prize, With dimpled chins, the trap-pits where a fondling lies. XIV Death’s serjeant soon thy courted Helens must 40 Attach, whose eyes, now orbs of lust, The worms shall feed on, till they crumble into dust. The Vanity of the World XV Boast, World, who unto revels dost decoy Thy fav’rites, that they’re bath’d in joy ; Disdaining saints, who precious time in pray’r employ : XVI Who, where they come, with purer rays of light, Dazzle thy bat-ey’d legions quite, Rage, Impudence, and Ignorance, the imps of Night. XVII Fool, thy attractives, in no limits pent, Indulge to surfeits, not content, so And but illude the mind, not give it ornament. XVIII Gild o’er thy bitter pills with guileful arts ; Sweet potions brew for frolic hearts : When most thou smil’st, thou actest most perfidious parts. XIX With thee dwells fawning Craft, and glozing Hate, Th’ allurements of imperious state, Which barks, like calms, invite unto a shipwreck’d fate. XX Guile, rule the world, that doth in madness roll: Great things the better oft con- trol, Where Pride is coach’d, Fraud shopp’d, and taverns drown the soul. 60 XXI Folly in ruffling storms with Frenzy meets, Ebbing, and flowing o’er the streets O’ th’ care-fill’d pompous city, which exiles true sweets. 30 spittles] Of course =‘ spitals.’ ( 427) Edward Benlowes XXII fretting broils in populous bustle pent, Where still more noise than sense they vent, And, now as much to gold, as late to battles bent ! XXIII World, reason if thou canst. sports leave stings ; Thy scenes, like thee, prove empty things ; Thou glorious seem’st in paint, from whence all falsehood springs. Oh, Thy XXIV So, rainbow colours on doves’ necks have shone 70 In hue so diverse, yet so one, That fools have thought them all, the wiser knew them none. XXV I'll countercharm thy spells, that souls, ere thee, May trust wild Irish seas; who flee Distress’d to thy relief, thou say’st ; ‘What’s that to me?’ XXVI Fawn, and betray, and Treason’s self outdare, T’ o’erthrow by raising is thy care, But [ll ungull thy minions, undis- guise thy ware. XXVII Thy gold’s dross, glitt’ring troubles are thy bliss, By pomp thou cheat’st, thy all’s amiss : 80 Thou art Sin’s stage, the Devil prompts, Flesh actor is. XXVIII Spectator Sevzse applauds witching gin, But, unto Reason’s eye within, Thou seem’st Hell’s broker, and the servile pimp of Sin. XXIX Thus peaches do rough stones in velvet tire ; each [CANTO X Thus rotten sticks mock starry fire ; Thus quagmires with green emeralds crown their cheating mire. XXX So, Mermaids _ lovely beauty’s guise, With voice, and smiles, draw ears, and eyes, But whom they win, they sink; those never more shall rise. go XXXI Thy shop’s but an exchange of apish fashion, Thy wealth, sports, honours are vexation, Thy favours glist’ring cares, sweet surfeits, woo’d damnation. XXXII Base proverbs are thy counsels to enthral. ‘Each for himself, and God for All’: ‘Young saints ’ (I dread to speak it) “to old devils fall.’ XXXII Rain on thy darling’s head a Danaen shower, Let him be drench’d in wealth, and power ; What then? Th’ hast storm’d, and seiz’'d on all in one short hour. seem in XXXIV Oh, thou Pride’s restless sea! swoln fancies blow 100 Thee up, dost blue with envy row, Brinish with blood, like the Red Sea, with lust dost flow. XXXV Remorseless Rage! thou in thy fifth act’s breath, When blood does freeze to ice of death, And life’s jail’d up for Nature’s debt, where art? Beneath. XXXVI World, ev’n thy name a whirling storm implies, 102 blood —lust] The suggestion to transpose these is obvious: and is supported by a minute * and ! over the words in my copy. ( 428 ) CANTO X] Where men in generations rise, Like bubbles, dropsied bladders of the rainy skies. XXXVII Some straight sink down, whom waters’ sheet does hide ; Some, floating up and down, abide 3 110 The longest are so circumvolv’d, as rest’s denied. XXXVIII So, have we rid out storms, when Eol’s rave Plough’d up the ocean, whose each wave Might waken Death with noise, and make its paunch a grave. XXXIX The sick ship groan’d, fierce winds her tacklings rent ; The proud sea scorn’d to be shore- pent ; We seem’d to knock at Hell, and bounce the firmament. XL Clouds then ungilt the skies, when lightning’s light Flash’d thousand glimmering days t’ our sight, But thunder’s cannons soon turn’d those flash’d days to night. 120 XLI Thus art thou, World, life’s storm, at death distress ; Starving ’s the bottom of excess : Thyself a piteous creature, how can’st me redress ? XLII No: hadst less cruel been, th’ hadst been less kind ; Oil’s in thy gall to heal my mind : Thus Hell may help to Heav’n, Satan a soul befriend : XLII A good cause with good means some use, yet fare But ill, when others, of thy care, Whose cause is bad, and means ill us’d, successful are. ( 429 ) The Vanity of the World XLIV No wonder Sin’s career, uncheck’d, runs on, 130 Since here life’s joy it hath alone, Which, though thou bragg’st is giv’n, no sooner ’s giv’n, than gone. XLV Pomp, Pleasure, Pelf, idolatriz’d by fools, Dispute we now in Wisdom’s schools : Ambition’s quenchless fire i th’ spring of judgement cools. XLVI, Pride bladders tymp’nous hearts, till prick’d by fear, Soon they subside by venting there : Unsafe ascents to pow’r do watching dangers rear. XLVII Fearful, and fear’d is Pomp ; Ambi- tion steep Does Envy get, and Hatred keep ; 140 High state wants station; honour- thirsting minds can’t sleep. XLVIII Summon Aspiro, with his looms of state To weave Pride’s web, in spite of fate ; Who, once got up, throws down the steps did elevate. XLIX He hates superiors, ’cause superiors, and Inferiors, lest they ’s equals stand ; And on his fellows squints, that are in joint command. L Th’ ambitious treach’rous are, and hoodwink’d quite ; Their giddy heads have dazzled sight, Jealousy clothes Truth in double mists of spite. 150 LI His eye must see, and wink; his tongue must brave, For Edward Benlowes And flatter too; his ear must have Audience, yet careless be: thus acts he king and slave. LI So, brightest angel blackest devil hides ; High’st rise to lowest downfall slides ; A mathematic point thus East and West divides. LUI Bright Wisdom sends dark Policy to school, Proves the contriver but a fool, Who builds his maxims on a preci- pice, or pool. LIV Great ones, keep realms from want; they’ll you from hate : 160 Life’s not so dear as wealth; for, that Holds single bodies, this the body of the State. LV Who bad desires conceive, soon wax great With mischief, then bring forth deceit, So, brood they desolation, till it grows complete. LVI Let suchas sail ’gainst Virtue’s wind, use skill To tack about; for, what’s first ill, Grows worse by use, and worst by prosecution still. LVII Ev’n that to which Pride’s tow’ring project flies, When grasp’d, soon by fruition dies : 170 Great fears, great hopes, great plots, great men make tragedies ! LVII and Absalom prov’d they Achitophel this, 169 tow'ring] Orig. ‘ touring.’ [CANTO X Whose brains of their designs did miss ; Teaching deep Machavels; ‘Fraud worst to th’ Plotter is.’ LIX Fallacious they, and fallible have been, Who made Religion cloak their sin: Man’s greatest good, or greatest ill is from within. LX Those policies that hunt for shadows sO, As let at last the substance go, Which ever lasts, make wretched end in endless woe. 180 LXI Hadst for thy household stuff the spoil of realms, Couldst thou engross Cathaiah’s gems, And more then triplicate Rome’s triple diadems ; LX Couldst with thy feet toss empires into air, And sit ? th universal chair Of State; were pageants made for thee, the whole world’s Mayor ; LXIII Yet those but pageants were ; thou, slave to sense ; To him, not’s own, all things dis- pense But storms ; thou happier wast 7’ th’ preterperfect tense. LXIV Steward, give up th’ account, the audit’s near 190 To reckon how, and when, and where ; Where much is lent, there’s much requir'd : Doomsday ’s severe. LXV Thus, proud Ambition is by Con- science peal’d ; Vapours sent up, awhile con- ceal’d, 174 Machavels] The 7 is often missed at this time in various forms ‘ Matchavil,’ &c. ( 43° ) CaNnTO X] In thund’ring storms pour down at length, when all’s reveal’d. LXVI Though Pride’s high head doth brush the stars, yet shall Its carcass, like a sulphur ball, Plunge into Flames’ abyss. Pride concav’d Satan’s hall. LXVII The mighti’st are but worms ; pale cowards they Abash’d shall stand at that Great Day, 200 When Conscience, King of Terrors, shall their crimes display. LXVIII Giants of earth, avisos may you tell, That though with envied state you swell, Yet, soon within Corruption’scharnel- house you'll dwell. LXIX Sceptres are frail, as reeds: who had no bound, Are clasp’d within six foot of ground ; Whose epitaphs next age will be oblivion found. LXX Such yesterday, as would have been their slave, To-day may tread upon grave, That flats the nose: best lectures dust-seal’d pulpits have. 210 LXXI Who toss’d the ball of Earth, in dark vaults rest : All what that gen’ral once possest Was but a shirt in’s tomb, who van- quish’d all the East. LXXII Invading Cyrus in a tub of gore, Might quaff his fill, who evermore their The Vanity of the World Had thirsted blood: him timeless Fate midst triumphs tore. LXXIII Weigh things; Life’s frail, Pomp vain ; remember Paul, (The way to rise will be to fall,) In’s high commission, low, in’s low conversion, tall. LXXIV Soul, wow’dst aspire to th’ High’st ? clip Tumor’s wing ; 220 To th’ test of Heav’n thy axioms bring : Best politic David was. Who con- quers Sin’s the King. LXXV Let raiséd thoughts, aspire To be encharioted in fire : Faith, Love, Joy, Peace, the wheels to saints’ sublime desire. LXXVI Avaro cite, as void of grace, as stor’d With gold, the Gop his soul ador’d ; Wealth twins with fear: why start’st ? Unlock thy unsunn’d hoard : LXXVII T’'ll treble’t by the philosophic stone; This makes thee stare. Why, thus Elijah-like, ’tis done, 230 To passives actives join in due proportion. LXXVIII Behold vast sums unown’d! Thou hutch-cramm’d chink, Art made as nothing with a wink, Thou, bred from Hell, with Hell- deeds souls to Hell dost sink LXXIX Gold is the fautress of all civil jars, Treason’s reward, the nerve of wars, Nurse of profaneness, suckling rage that kingdoms mars. 202 avisos] In the abstract sense of the original Spanish, which we have more gener- ally Englished into ‘ advice-boat.’ 220 Tumor] So in orig. The context supports ‘Timur’ or Tamerlane. But ‘tumour’ (=‘ swelling pride’) or ‘rumour’ would make sense. ( 43t ) Edward Benlowes LXXX Thou potent Devil, how dost thou bewitch The dreggy soul, spot’st it with itch ! This slave to thee, his slave, was never poor, till rich. 240 LXXXI Now chest th’ all worshipp’d ore with rev’rend awe ; Sol’s gold, and Luna’s silver draw (Should Hell have these, ’twould plunder’d be) to sate thy maw. LXXXII While gripes of famine mutiny within, And tan, like hides, the shrivell’d skin O’ th’ poor, whose pining want can not thy pity win: LXXXIII Having their gravestones underneath their feet, Breathe out their woes to all they meet, While thou to them are flintier than their bed, the street. LXXXIV Blinded with tears, with crying hoarse, forlorn 250 They seem to be ofall, but scorn: Death than delay (Want’s bloodless wound) is easier borne. LXXXV Thy dropsy breeds consumption in thine heir ; Who thus t’ himself: your care, Measure not grounds, but your own earth : Die now to spare. LXXXVI ‘What’s rak’d by wrong, and kept by fear, when mine, Shall spread, as brood the shine, Penurious wretch, till thou by empty fullness pine. ‘Tl ease I’m—then [Canto X LXXXVII ‘Thy care’s to lessen cost; how slow thy pays ! How quick receipts! Lov’st fast- ing-days, 260 But ’tis to save; thus starv’st in store, thee plenty slays. LXXXVIII ‘When shall I rifle every trunk and shelf Of this old mucky wretched elf, Who turns, as chemists do, all that he scrapes, to pelf?’ LXXXIX Oh, sordid frenzy! Anxious maze of care! Oh, gripple covetize to spare, And dream of gold! The miser’s heav’n, the Indian’s snare. xc Oppression is the bloodshot in their eyes ; Bribes blanch Gehazi till he dies: Fool, read, this night Death may thy dunghill soul surprise. 270 XCI Think not for whom thou dost thy soul deceive, And injur’d Nature so bereave ; But still thy knotty brain with wedge- like anguish cleave. XCII Struck blind with gold, brood on thy rapines, till Thou hatch up stinging cares to th’ fill: The heaviest curse on this side Hell’s to thrive in ill. XCHI Go, venture for ’t with sharks; haste, miser old Toth’ hook, because the baitis gold: Pawn thy soul for’t, as Judas did, when’s Lorp he sold. XCIV Possessors are, as Saul, possess’d, who cross 280 257 I’m—shine| This is one of several places where B.'s oddities leave almost any room for conjecture. We may suppose that ‘I’m’ is the familiar half-completed oath and ‘shine’ has the slang sense of ‘shiner ’ =‘ money.’ ( 432 ) CANTO X] Heav’ns law ; gain, got by guile, proves loss ; Getting begets more itch; Lust’s specious ore is dross. XCV Who sow to sin shall reap to judge- ment ; train To Hell is idolized gain. Canst death, or vengeance bribe? If not, dread ceaseless pain. XCVI Why so fast posted by thy struggling cares, And self-slaying fraud, with all their snares ? Stay, view thyself ; Destruction her crack’d glass prepares. XCVII His pursy conscience opens now. ‘Tve run On rocks’ (he howls) ‘ too late to shun, 290 Lost use, and principal! Gold, I’m by thee undone !’ XCVIII If, to exhort be not too late, attend The wholesome counsel ofa friend, The Vanity of the World Renounce thy idol, and prevent thy wretched end. XCIX Sound for Faith’s bottom with Hope’s anch’ring cord ; Repent, restore, large alms afford, The dismal fraught of sinking sins cast overboard. c He who returns to’s avarice left, his sore Grows desp’rate, before, His hopes of Heav’n much less, his fears of Hell much more. 300 deadlier than Oceani Monstrum natat infreenabile, Lingua ; Naves sept pias hac Echeneis habet ; Cui paro Naumachiam, Freta con- turbata pererrans, Sit Remoque meo, Lis, Remoree- que tuz. SPES REBUS AFFIXA FUGACIBUS, UNO FRANGITUR AFFLATU. THE VANITY OF THE WORLD Canto XI. The Disincantation THE ARGUMENT Crispulus hic, nulli Nugarum Laude secundus, Cui Mens Lucis inops, Stulta Ruina Domts ; Qui Cereri, Bromioque litat, Luxuque liquescit ; Huic ne putrescat, pro Sale Vita datur. Volupto, crown’d with bliss of fools, is bent To wine, feasts, gauds, loose merriment; _ Runs on in Lust’s career, till Grace stops with ‘ Repent.’ STANZA 1 Oheadless, heady age! Ogiddy toys! As humble cots yield quiet joys ; So prouder palaces are drums of restless noise. ( 433 ) Ff ul Twas in the blooming verdure of the year, When through the twins Sol’s course did steer, Edward Benlowes That a spruce gallant did, on sum- mons, straight appear. I Glittring in brav’ry, like the Knight o’ th’ Sun ; Whose nags in Hyde-parkracesrun This evn. ’Tis sure Volupto, old Avaro’s son. IV Hot shows the day, by th’ dustupon his head, te And all his clothes so loosely spread, He’s so untruss’d, as if it were not long to bed: v His hands keep time to th’ tune of’s feet, his pace Is dancéd measures, grace Enough, o’er’s shoulder to afford a quarter-face. VI Act, *bove French monkeys, anti- masks he might Before the apes (spectators’ right) Such dops, shrugs, puppet-plays show best by candle-light. VII and ’tis ‘How mimic hum’rous garbs in various kind Do chequer whimsies in the mind! 20 As diff ring flow’rs on Peru’s Wonder gard’ners find. VII Hast thou black patches too? for shame. forbear ; Smooth chins should not have spots, but hair : But thou art modish, and canst vapour, drink, and swear. IX How blazing tapers waste Life’s blink away In socket of their mould’ring clay ! How powder’d curls do sin-polluted dust bewray ! [Canto XI x As Prudence fram’d Art to be Nature’s ape ; So Pride forms Nature to Art’s shape : Corrupted wine is worst that’s press’d from richest grape. 30 XI Wilt Reason’s sense dissolve in senseless wine? And sing, while Youth’s frail gem does shine, ‘Come, Laughter, stretch our spleen ; come sack in crystal shrine ! Xu ‘First, wine shall set, next shall a wanton dame Our blood on fire, then quench our flame.’ But, brute, Repentance shall, or Hell thy wildfire tame. XII Now, with the gallon ere thou try’st a fall, Think o’ th’ handwriting on the wall : If Bacchus th’ inturn gets, down Conscience goes and All. XIV Shouldst thou but once the swinish drunkard view, 40 Presented in a mirror true, Quite sous’d in tavern juice; in him, thyself thou’dst rue. XV A nobler birth, with an ignoble breast, Rich corpse without a mind’s a beast : He’s raz’d from Honour’s stem, who, Riot, is thy guest ; XVI Thy guests swoln dropsies, and dull surfeits are: The gluttons’ teeth their graves prepare; They’re sick in health, and living dead, whose maw’s their care. 18 dops] Low bows or courtesies. ( 434 ) CANTO XI] XVII Go, corm’rants, go, with your luxu- rious flock, Rap’d from three elements; we mock 5O Your musky jelly, pheasant, candid apricock. XVIII To Arabs, that they send their Phoe- nix write ; In’s spice nest be cook’d it might: Far fetch’d, dear bought, best suits the Apician appetite. ; XIX Go, with thy stags embalm’d, en- tomb’d in paste ; On tenants’ sweat feeds rampant waste : We prize ’bove wild intemp’rance a Carthusian fast. XX Excess enhanceth rates: thou, on this score, Grind’st ’twixt thy teeth the starving poor, Who beg dry crumbs, which they with tears would moisten o’er. 60 XXI Laz’rus, thy skin’s Death’s sheet, *twixt that and bone There’s no parenthesis! moan, Dives, Curist’s members now, or thou shalt ever groan. XXII Prance, pamper’d stallions, to the grave y’ are driv’n : Nought satisfies the soul but Heav’n, Th’ art empty, World, from morn, through noon to doting ev’n. XXIII In twice-dyed Tyrian purple thou dost nest, be- 51 candid] svc in orig. 53 spice] The metre wants ‘spicy.’ 75 Hypocondrunkicus] See Introd. The Vanity of the World Restless, with heaving fumes op- prest, Which cause tumultuous dreams, foes to indulgent rest. XXIV From hence the Spark (what pity tis !) is ill, 70 Grown crop-sick. Post for phy- sic’s skill ; Phlebotomize he must, and take the vomit pill. XKV Doctor, the cause of this distemper state us. ‘His cachexy results from flatus Hypocondrunkicus ex crapula crea- tus.’ XXVI School him, whose Heav’n is sense, whose reason dim ; Who wastes his time, as Time wastes him : Give o’er his soul, Divine ; Tailor, make’s body trim. XXVII Now, sheath’d in rustling silks, new suits display ; Thy Clothes outworth thee: wise men say, 80 Hedge-creeping glow-worms never mount to starry ray. XXVIII Yet, who’s born under Jupiter shall move T’ th’ sphere of Honour, Riches, Love ; Say wizards. Under Jove w’ are all born, none above. XXIX Still to be pounc’d, perfum’d, still quaintly drest, Still to be guarded to a feast By fawning looks, and squinting hearts, like an arrest. Some timid person has altered this tremendous coinage where it appears in the Summary of Wisdom (v. inf.), to hypocondriacus in the B. M. copy. ( 435 ) Ff2 Edward Benlowes XXX Still to have toting waits unseal thine eyes, In bed, at board, when sit, when rise: Such, Card’nal-like, their Paris prize ’bove Paradise. go XXXI Know, worldlings, that Prosperity ’s a gin, If wantoniz’d, breeds within : To torture turns the metamorphosis of sin. storms XXXII Pomp its own burthen is, whose slippery state Oft headlong, by too rash debate, Tumbles for value of a straw, pulls on its fate. XXXII His heart-blood seethes ; that blood sends up in heat Fierce spirits; those, i’th’ eye, their seat, Fires kindle; fiery eyes, like comets, ruin threat. XXXIV Fierce Balaam, hold thy hand, and smite no ass 100 But him i’ th’ saddle; he, alas! Wounds through her sides himself : wrath through the soul doth pass. XXXV Duels for blood, like Moloch’s idol, gape. Thou, turn’d a swine out of an ape, First put’st on peacock’s pride, at last the tiger’s shape. XXXVI They ’re gross, not great, who serve wild laws of blood; Such, only great, who dare be good: Grace buoys up Honour, which, without it, sticks in mud. XXXVI Make thorough search: as hard to find thy cure, 88 toting] ‘ Observing,’ ‘ watching carefully.’ ( 436 ) [Canto XI As circle’s puzzling quadrature, 110 Or, next way by North Sea to sail to China sure. XXXVIII Lo, idle sloth in lap of Sodom plac’d. ‘Here lies he’—did occasions waste, Invaluable now, irreparable past. XXXIX Go, wanton with the wind: misus’d hours have A life, no other than the grave : Most, for life’s circumstance, the cause of living waive. XL The privy council of the glorious TRINE Did in creating man combine ; Angels look’d on, and wonder’d at the soul divine ! 120 XLI Which storehouse of three -living Natures is, Doth the vast world epitomize, Of whom, ev’n all we see’s but a periphrasis ! XLII Now, to what end can we conceive man’s frame, Save to the glory of Gop’s name, And His eternal bliss, included in the same. XLII Fools, living die; saints, dying live: seeds thrive When earth’d; who die to sin survive ; So, to come richer up, pearl-fishers deeper dive. XLIV Now’s courtesan appears, who blows Love’s fire, 130 Her prattling eyes speak vain desire ; To catch this art-fair fly the follow- ing trouts aspire. XLV The gamesome fly that round the candle plays, Cf. Langland, P. P. (B text), xvi. 22. CANTO XI] Is scorch’d to death i’ th’ courted blaze : Thus is the amourist destroy’d by _ lustful gaze. XLVI This dame of pleasure, does, to seem more bright, Lattice her day with bars of night; Spots this fair sorceress cloud, more to enforce delight. XLVII ThisHelen, who does Beauty counter- feit, And on her face black Patches set (Like tickets on the door) shows that she may be let. 141 XLVIII She’d coach affection on her cheek : but why Wou’d Cupid’s horses climb so high Over her alpine nose, t’ o’erthrow it in her eye? XLIX Truth’s apes, beware; such wheels your earth do wear ; Horses with rugged hoofs will tear; Who living’s coach’d with pride, shall dying fall with fear. L (But, noble ladies, virgins chaste, as fair ; Sweet modest sex, that virtuous are, Ye first, my honour; my respect, ye second, share. 150 LI Angelic forms, far be it to perplex, Or cast aspersion on your sex: Loose art in those, your native beam- ing lustre decks. Lil So, have I seen the limner’s hand design A ruder piece, near one Divine, With this coarse face, to make that other beauty shine.) The Vanity of the World LIII Her eyes spread nets, her lips baits, and her arms Enthrallingchains: Sense hugsthe charms OfIdlenessand Pride, while Reason’s free from harms. LIV Tempestuous whirlwinds revel in the air 160 Of her feign’d sighs: her smile’s a snare, Which she as slyly sets, as subtly does prepare. LV Scarce is the toy at noon to th’ girdle drest ; Nine pedlars need each morn be prest To launch her forth: aship as soon is rigg’d to th’ West. LVI At length she’s built up with ac- coutred grace ; The spark’s inflam’d with her set face, Her glancing eye, her lisping lip, her mincing pace. LVII On those, his optic faculties do play, Like frisking motes in sunny day, Like gaudy nothings in the Trigon glass that ray. 171 LVI On her, profusely now he spends his ore ; Scarce the Triumvir lavish’d more When he did costly treat his stately Memphian whore. LIX Thou, inconsid’rate flash, spend’st precious days In dances, banquets, courtisms, plays, To gain the shade of joy, which, soon as gain’d, decays. 141 and 195] See note below for the illustration of this. ; ; 171 Trigon] I confess myself puzzled as to which of the various senses of this word —‘game of ball,’ ‘harp,’ ‘triangle,’ &c.—applies here. 176 courtisms] ‘Ceremonies of courtship’ as above, p. 337 ( 437 ) Edward Benlowes LX Which, barely tasted makes thee long the more ; Enjoy’d, ’tis loath’d, was lovd before : Thus, nor Mirth’s flood, nor ebb can please, nor sea, nor shore. 180 LXI His pulse beats Cupid’s march, and’s itching vein Must vent loose lines, souls are slain ; Which, by augmenting lust, will but augment his pain. LXII Ah, mighttoo forward Sin be check’d by Fear! But, what may cure that eye, that ear, Which, being blind and deaf, brags best to see and hear ! LXIII Thy Juno’s but a cloud: she is not she Thy fond esteem makes her to be; Her basilisk’s double eyesight kills with viewing thee. whence LXIV She murthers poisons, thence com- plexion’s found 190 To murther hearts. Oh, joys unsound From light-bred daughters, though they weigh ten thousand pound! LXV Tell me not, simp’ring Lais, that thy ray Can blood, turn’d ice, unfreeze, like May ; Whose spotted face to Virtue does soul-spots betray. LXVI Ceruse, not lilies there; thy blush- ing rose Its tincture to vermilion owes : Curs’d be those civil wars Love’s royalty oppose. [Canto XI LXVII Say not, a noble love to thee he bears ; While’s hand writes odes, his eye drops tears ; 290 That tim’rously he’s bold, burns, freezes, dares, and fears. LXVIII Nor tell me, Nymphadoro, that Love’s throes For her, rob thy repast, repose : Thou pul’st not to repent, but to bebrine thy woes : LXIX Woes, worse than waitings at the five men’s trade ; Worse than, when sick, through sloughs to wade In stormy night, hard jolted on a dull tir’d jade. LXX Shake off these remoras would thee undo: The virtuous loveliest are. Grace Woo ; What jeweller for glass will orient pearl forgo? 210 LXXI The soul, that beauteousness of Grace exquires, And to decline By-path’s desires, Must inward bend the rays of his selected fires. LXXII Unmuffle, ye dim clouds, and dis- inherit From black usurping mists his spirit ; From rocks, that split vain hopes, to heav’nly comforts rear it. LXXIII B’ entrench’d ere midnight larums ; undergo The penance of repentant snow, Which, melting down, will quench, and cleanse, as it doth flow. 190] = (again J suppose) ‘she makes herself look killing with cosmetics compounded of poisons, which are drugs made more murderous’ or ‘destroyed as poisons.’ 205] What was this trade? ( 438 ) CaNTO XI] LXXIV Repentance health is, giv’n in bitter pill ; 220 Best rectifier of the will; The joy of angels, love of Gop, the hate of ill. LXXV Action’s the life of counsel; bathe thy soul, Ith’ Lamp’s red Laver; in dust roll, Before Despair; Hell’s serjeant comes, drink Sorrow’s bowl. LXXVI Ere th’ icy mantle of a wrinkled skin Candies the bristles of thy chin, Repent; ere chap-fall’n door shall let Death’s terrors in. LXXVII Never too late does true Repentance sue ; 229 Yet, late repentance seldom’s true: Who would not, when they might, may, when they would, it rue. LXXVIII For minutes of impertinent delight, Lose not, oh, lose not Infinite ! Scorn to be vassal to base Sin, and hellish Spite. LXXIX Why dost outsin the Devil? He ne'er soil’d With lust, or glutt’ny was; ne’er foil’d With drink, ne’er in the net of sloth- fulness entoil’d. LXXX I may persuade, yet not prevail! Sin-charms Bewitch him, till Wrath cries to arms : Sin’s first face smiles, her second frowns, her third alarms. 240 LXXXI Sinners are fondly blind when they transgress ; All woes are, than such blindness, less : That wretch most wretched is, who slights his wretchedness. ( 439 ) The Vanity of the World LXXXII Presumption slays her thousands ! too late then For to advise of danger, when Vengeance, that dogs their steps, shall worry them in’s den. LXXXII1 Gallants, should Trophies Ceesarize your power, Should beauty Helenize your flower, Should Mammon Danaize ye with his golden shower ; LXXXIV Yet, when Revenge shall inward thunders send, 250 And Sodom-storms on_ souls descend, Salvation scorn’d, what rests but every tort’ring fiend! LXXXV That Gop refus’d, who you from depth of nought To being, nay, well-being brought ! Ingrate, for talents lent, return your- selves sin-fraught. ; LXXXVI Bad great ones are great bad ones: foul defect It is, when pow’ doth Shame protect ; Such, will do what they will, but, what they ought, neglect. LXXXVII Virtue by practice to her pitch does soar ; But they, who such a course give o’er, 260 Shall sadly wish for Time, when Time shall be no more. LXXXVIII Ye, brittle sheds of clay, resolve ye must Into originary dust, When swift-heel’d Death o’ertakes you. Where’s then all your trust? LXXXIX Men in their generations live by turns ; Edward Benlowes Their light soon to its socket burns ; Then to converse with spirits they go, and none returns. xc Tomb-pendant scutcheons, pompous rags of state, Those gorgeous bubbles but relate The thing that was, ne’er liv’d: ’tis Goodness gildeth Fate. 270 XCI Grace outlasts marble vaults ; that crowns expense ; Brass is shortliv’d to innocence : Time’s greedy self shall one day find its preter-tense. XCl When heav’ns that had their deluge- dropsy, shall Their burning fever have; whenall Is one combustion ; when Sol seems a black burnt ball; XCIII When Nature’s laid asleep in her own um; When, what was drown’d at first, shall burn ; Then, sinners into quenchless flames, Sin’s mulct, shall turn! XCIV Ne’er shall a cooling julep such appease, 280 Whom brimstone torrents without ease Enrage, i’th’ dungeon of dark flames, and burning seas! XCV In centre of the terrible abyss, Remotest from supernal bliss, That horrid, hideous, gloomy, end- less dungeon is! XCVI Fools, who hath charm’d you? Sue betimes divorce [Canto XI From your vain world; where power did force A rape, there let not choice make marriage, which is worse. XCVII Man is a world, and more; for this huge mass Shrunk, as a scroll, away shall pass ; 290 Whilst his pure substance is as ever- lasting glass. XCVIII The world is like the basilisk’s fell eyes ; Whose first sight kills; first seen, it dies: Man, by a brave disdain, its pois’n- ing venom flies. XCIX Gay World, who thee adores, thou great wilt make ; Pearl may he quaff, and pleasures take Of sense, but must descend into the sulph’ry lake ! Cc Is Hell the upshot thou to thine canst lend ? Crawl, grovelling trifles, to your end ; Vanish beneath my scorn. Go, World, recant, amend. 300 Provehimur Portu, Terramque relin- quimus illam Que natum Gremio prima rigente tulit. O felix Oculus Portum visurus Amantis, Sit licet in Lacrymas naufragus ipse suas ! DEDIGNOR INDIGNA }, 1 Here, in orig., is the illustration referred to above—a very fine plate engraved by Hollar, representing in half-length a lady with a fan in her hands, her face and neck spotted with sign-patches as in the Latin verses zmf. and the English sup, st. xlvii, In these Latin verses Venerilla and Lanissa, if not classical, are also not ugly. ( 440 ) CANTO XI] The Vanity of the World In lenocitantes hujus Tempestatis Venerillas, Juvenum Scrobes, Animarum Voragines IN nova fert Animus mutatas dicere Formas Spectra, salax quarum Mente Libido furit, Ludicra depicti jam prodit Imago Theatri, En hic Scena vafris insidiosa Dolis. Ergd mihi nunquam nisi Personata videnda es? Si vis Personam sumere, sume tuam. Cui loquor? Ipse tua deludor Imagine; Vera Quid facies, cim vel fallere picta potes? Picta Genas, discincta Sinus, nudata Papillas ; Albor Cerussé fit, Minioque Rubor. 10 Vendere si non vis Carnem, conclude Macellum ; z Nec Lupa mentité decipe Carne Procos. Nunc emere haud fas est, quia Quad- ragesima, Carnes ; Venales Mammasergo, Lanissa, tege. Affigis Maculas dum Signa loquacia Malis, Mercandum Pretio Corpus adesse notas. Quz primam extenuat Culpam, rea sepé secundz est ; Sepius @ prima Labe secunda venit. Plurima compositos conservat capsa Colores ; Sic Faciem tibi, cum cetera vendis, emis. 20 Suavia viscosis renuo libare Labellis, Ne teneat Fucus fixa Labella tuus. Quam levis Incessus! quam Lumina peta vagantur ! Verbula quam molli Gutture fracta fluunt ! Quid me blanda tuis fallacibus obruis Hirquis? Serpentem Gremio, Virus in Ore geris. Non amat, hamat Amor tuus, 6 Trive- nefica, nostro Non opus est Cultu, Te nimis ipsa colis. Sidera contendas Oculi sint, Pur- pura Malee, Electrum Crines, Dens Ebur, Ora Favi. 30 Consulto Speculo geris Omnia; fallet Imago: 1 Te nam (an jurares) sera Ruina manet. Sed quorsum in miseras labuntur Carmina Nugas? Preesens, est absens, pars minor illa sul. Quid velit haec Pictura loquens ? quem postulat Usum? Ut suspendatur nonné Tabella nitet? Quid tunc é@ tanto restabit Amantibus Igne? Fumus iners, tristis Fzex, inamoenus Odor. Ne jactes igitur Formam, fucata ; Megeram 39 Formosam fieri sic quoque posse reor. Dicite, Doctores, huic quae Complexio? Quinta. Quis placet huic Sensus, dicite? Sextus erit. Sub quo signo orta? Virginis Astro. Edita sub cauda,credo,Draconis erat. Quenam illi fuerit Mens? Subdola, Lingua? dolosa. Queze Metamorphdsis ? sibi. Naso, suam Metamorphésin qui scri- bere possit, Quotidié Formas cum novet ista Venus ? Opposito sub Prodigiosa *Insceleratissimam Seculi Licentiam, cujus in melius commutandi exilis admodiim supersit Spes TOoTUS aded in Maligno (mali ligno) positus est Mundus, ut vehementer hujusmodi Satyris egeat. Ubiqué nunc locorum damnosa Malorum Vitia, noxiarum instar herbarum, citissimé pullulescunt. Perjuria, Superbia, Te- 1 Versus cancrinus quoad Literas [author's note]. : ; 2 Above this in orig. is a map of the two hemispheres inscribed T)pus Orbis Terrarum, ( 441 ) Edward mulentia, &c. Terram sub Mole Pec- catorum non ruere admirabile, cium Ceeli, qui ingentia illa Corpora Solis, Lune, Stellarum, preter suam Vasti- tatem non soltim ferunt, sed circum- ferunt, absque Ruine Periculo ; unicum tamen Peccatum ferre nequiverunt, sed statim per solidas illas Machinas, pec- catum, cumsuo Authore Lucifero, delap- sum, etiam Terram penetrans, ad Fun- dum Abyssi infernalis descendit. ACTOR Homo,Ccelum Spectator, grande Theatrum [Dies. Mundus, Vita frequens Fabula, Scena Undé ego, sublimi positus, Deliria Mundi 20 Defleo, dum Vitij Pondere tristé gemit. Esse quid hoc dicam, perversa quod Omnia cerno! } TErapitaerio ventosa Superbia Curru; Siste rotas, Currus ferventes siste; Loquamur. Nunc opus est leviore Lyrd. Cyprie Bubo, Ore procax, Novitatis amans, Veneris- que Satelles, Tu, Callidus incautas Philtris mollire Puellas, Splendida rimaris petulanti Lumine Spectra, Et Mala queque Bonis prefers, Deliria Veris, 40 Frivola vaniloquo Mendacia gutture jactas, Mentis inops, Ratione carens, Virtutis inanis, Volveris effuso suadente Libidine Luxu, Lauta coronatis ambis Convivia Mensis, Sunt tibi Deliciz, Risus, Jocularia Cordi, Futilibus fatuus Garritibus Aera pulsas, Quique ciet Nugas, Donaria summa reportat, Illicitumque putas nihil; Omne, quod officit, optas ; In strenuos hujus Benlowes [Canto XI Densis quam Tenebris mergitur Orbis iners ! Talia tartareo crevere Piacula Seclo, Vix Terris Scelerum mox Modus ullus erit. Luxus ovans, impurus Amor, maculosa Libido, Persica Mollities, Spes levis, Ira gravis. Carnificina Boni, sed Iniqui sedula Nutrix, Orbis es, Illecebras nil nisi turpis habes. Fraus juvat, hinc justa est, fallique & fallere gaudes ; 30 Mors Jocus, Infernus Fabula, Sanna Polus. Heu, Pietas ubi prisca! Tempora ! Mundi Fex, Vesper, prope Nox; 6, mora! CHRISTE, Veni! Profana 0 Expetis ut fulvum Mundus vertatur in Aurum ; Aurité de Gente Midz reor esse Ne- potem: 50 Stulte, tuas Vestes, Avis ut Junonia plumas, Aspicis; in Cute curanda malé con- teris AEvum. O, Genus insipidum! sani tibi mica Cerebri ? Auscultet tumido Gens implacabilis Ore. Luxuries preedulce Malum, blanditur, & angit: Innumeras parit ipsa Cruces, nutritque, Voluptas : Vita vices morientis habet, morerisque superstes. Sed, quid ago? Surdis cantatur Fabula. Fati Vespera mox veniet ! quid inexorabilis heeres ? Cuncta tenere putes; tupercipis omnia; Solim 60 Hoc nescis, Panten quod es insanissi- mus Andren. Seculi Compotores, & Gulones Perditissimos? QUALIs hic Boatus? que Vociferatio? Auscultemus. Aut bibite, aut hunc Cantharum, quantus quantus est, in Capita impingam vestra. Sic enim 61 We need not suppose that Benlowes put in the Greek for anything but metre’s sake. . | Above these passages respectively the orig. has two little vignettes in text, one ( 442 ) CANTO XI] assuefacti (A sue facti) sunt; Qui tamen Ipsi nondum hesternam edormiverunt Crapulam. Heu, quam petitis perituri peritura! Labantes ad Preecipitium impellitis, & ad Infernum proruentibus, calcar subditis ! Interim tamen vos ac- cusat Conscientia, Testis est Memoria, Ratio Judex, Voluptas Carcer, Timor Tortor, Oblectamentum Tormentum ! Unde, hi vorando, bibendo, ludendo, dormiendo, moriendo, just& oblivi- scantur sui, qui vivendo (nisi jurando) semper obliti sunt Dei. TURGIDUS iste quis est? ambas per- potus ad Aures, Qui tradit rabide Freena soluta Gule; Qui plures avido Calices ingurgitat haustu ; 20 Cui Venus in Vinis, Ignisin Ignefurit; Cui Venter Deus est, & lauta Culina Sacellum ; Orgia cui madidi grata profana Dei; Cui sunt Liba Dapes, & Compotatio Festum; Et Pietas plend Lance litare Gule ; Plurima qui spondet, perfusus Tem- pora Baccho; Omnia que Sociis, cras, sine fronte negat ; Cujus Lingua vomit spumantia Vota Salutis, Obrutus est nimio dum sine Mente Mero. ‘Vivamus liquidi, potemus, edamus, ovemus ; 30 Nulla Sepultorum nasciturUva Cavis: Mordaces Curas solvamus Vociferando, Sic permittamus leetits ire Dies: Falle Diem, strue Serta, Scyphumrape, tingere Nardo ; Si tibi Cura mei, sit tibi Cura Meri: Prome Falerna, remitte Pavenda, pro- pellito Nubes: Leviathee Os utinam nunc mihi grande foret ! EHEU, quam Magnificus iste jam zgrotat miseré! ecce, Linteola Manu contrahit, distorto Ore & distento Labia dispandit, anhelis Pulmonibus difficile spirat, longum Vale Mundo dicit, tenebrescentes Oculos circum- The Vanity of the World Gemmatis si Musta bibam flammantia Poclis, Inde frequens Naso Gemma repenté micet.’ 39 Plurima sic olidis epotat Vina Tabernis, Ut referat brutas sordida Vita Sues: Immersus Vitii Barathro, Scelerisque Profundo, Ebrius Errorum Nectare, Porcus ovat. Immemor ipse sui, nimiiim memor ipse Suorum, Carneus iste Cadus, Viva Culina cluat. Nocturno reboat dum czca Platea Tumultu, Quodvis ex animo suave peregit Opus. Una Salus tibi sit nullam potare Salu- tem : Te Puer in triviis erudiisse potest. Qui mihi Discipulus, Bibo sis, cupis atque doceri ; 50 Huc ades, Abdomen spernere disce tuum. Pondus iners, Carnis Cumulus, Vini- que Culullus, Progenies Grylli, hare ; Ccenum, non Ceelum sapis, Ingluviem- que saginas, Non Mentem; solum pro sale Vita Dux Epicurus datur. Ditia sorbebit subitd Patrimonia Guttur ; Quod tua peccarunt Guttura, Vitra luunt. Quz Mare, Terra, Polus, Pisce, Alite, Vite ministrant, Desidis alta Gulez Cuncta Bara- thra vorant. Effera Tempestas Celle, Barathrum- que Macelli! 60 Exanimestumulet mortua Turbatuos! Hoc verbo concludo, nec os tibi sub- lino: Nequam es: Exitio, nisi te corrigis, Ipse tibi. volvit, & suburbia Mortis intrat. Lec- tores, clarum hic Speculum Fragilitatis cernite. Gregor. Magnus Lib. 4. Cap. 38. Dialogorum, de Chrysorio Ro- mano tradit Historiam, de quo, an Divitiis, seu Vitiis magis abundaverit, representing a Caroline dandy in full dress standing ostentatiously, and the other the same person sitting drinking—and drunken. ( 443 ) Edward Benlowes incertum fuit. Cum, quasi expirans, anxiaretur, apparuere illi teterrimi, Dzmones, ipsum certatim prensantes, trahereque ad Inferna annixi; LIlle, Horrore tremuit, seque super Lectum huc atque illuc vertere miseris ccepit Modis. Nec dubitaret Quisquam Spiritus sibi apparuisse, qui probé illus Gestus, & Lamenta consideraret. Postremo, ipse, cum jam Amicorum INSTARE, heu, summum, Mens, tibi crede Diem, Actus Fabellze jam tibi quintus adest, Namque stat ad Mortis Limina Vita tremens ; . Quid modd, dum Murisimminet Hostis, agas? 99 Te rapiet subito Mors inopina Gradu! An non supremi Judicis Ora times? Mente soporaté Cuncta quieta fluunt, Exagitat seevis evigilante Minis ! Stat vinctum rigido sons Adamante jecur, Undique constrictum Crimine, Lege, Nece! Stare tamen nullo mens queat eegra Loco! Afflictum Pectus quis tolerare potest ! Me Tremor, Impietas, Flagra, Ge- henna rotant ! Totus in Aspectu sum rea Massa Dei! Heu, quam terribilis Sontibus Ultor adest ! 110 Qui Flagellorum millia mille parat ! Quis dabit hisce Modum, quéis Modus omnis abest! Supplicium Eternum! Dirus ut ille Sonus ! Nullis Inferni Flamma domatur aquis ! /Estus at infuse Gurgite crescit Aque ! Nunc, Mundi quid Honos, Gaza, Jocus- que, valent ! Vos, speciem fumi, quicquid habetis, habet ; Perfidiosa sequi Ludicra Mundus amat ; Tristia sub placido melle Venena latent ; Quo magis arrident, sunt metuenda magis ; 120 (444) [CANTO XI Auxilio desperasset, ad Hostes con- versus, Inducias, oro, Inducias, inquit, Inducias, vel tanttim usque ad mane! cui, Dzemones; Stulte, hac nocte eripietur tibi Anima. Dum hoc pos- cendo ingeminat, Animam exhalavit ! Vee vobis miseris, qui in ipsis Volup- tatum Blandimentis, seevis Pauperum Oppressionibus, & iniquis Preeliandi Ardoribus subitd auferimini ! 95 Turgida ventoso Pectora Folle replent, Inter Acidalias, ceu Sybarita, Rosas Crevi, Praeda feris discrutianda Rogis ! Preedonum Paphia mitior Ira face ; Cultorem perdis ; qui tibi vivit, obit ; Arbore seu Chave, prima Venenanecis, Arbore sic CHRISTI Vita secunda fluit. Hac, hac sit nostra Meta terenda rota! Jam nunc Justorum Fata subire velim ! Pro Te, CHRISTE, pati, est vincere, Vita mori: 130 Te peto dum superest Halitus; Oro, fave. Hanc, DEUS, ex magno mittis Amore Crucem : Sum miser, ah, misero fer miseratus Opem ! Nunc opus est Precibus, nunc Ope, CHRISTE, tua! Unus Opem, Vulnus qui dedit, Ile ferat ! Poenitet admissi Criminis; oro DEUS, Sanguinis inspergat, Gutta vel una tui! Sperem, vix ullam Spes ubi cernat Opem ! Singula baptizem Corporis Acta mei! Sint Lachrymz Mentis Gaudia sola mez ! 140 Que suaves aliquid, Nectaris instar, habent ; Tristia qui spargit, Gaudia abindé metet ; Leetitiz Segetem flebilis Unda parit: Langueo, sola sones Lachryma! Lingua sile. HAC, LECTOR, SICCIS QU! TUEARE GENIS! CANTO XI] The Sweetness of Retirement Mundi Contemptus DELICL®, Luxus, laqueata Palatia, Gemme, Incautos, veluti blanda Venena, ne- cant ; In Trabea Livor, Gemma Timor, Ira sub Auro; Bullatum his Pectus plurima Pestis agit. Est Honor umbra Rei. Quid Honoris Spes? minus umbra; Umbram finge umbre, Honoris erit ; Dum placet, illudit; dum splendet, fallit ; amcenam Sic referens bullam, frangitur illa micans : Aurea pacatam turbant Laquearia Men- tem, Et Vigiles Noctes Purpura szpé trahit ; 10 spes id THE SWEETNESS OR THE HAPPINESS Canto XII. Oblongas videt ire vigil sua Teedia Noctes, Przeque ipsis longas Noctibus ire Dies : Seepé Equitem excussit, fracta Cervice Sedentis, Ad Titulos properans Ambitionis Equus: Illis, sceptrigeri quos lactat Gloria Mundi Auratis Tectis, fit peregrina Salus. Divitias Avidus per aperta Pericula Ponti, Retia qua Mentis, concumulare studet. Heec, mihi ne noceant cauto, cretata facessat 19 Ambitio, & fulvi sordida Cura Luti. Felix quistreperi Ludibria rideat Orbis, Aspernans A‘vi luxuriantis Opes. OF RETIREMENT OF A PRIVATE LIFE The Segregation ° ARGUMENT Tu, mihi Thema, Quies Anime, sanctus- que Recessus ; Rores dum saturant me, Deus alme, tui. Vera Quies, Paucis ; Dum fugio Plures, te peto, vera Quies. Carmina Secessum? Potius Devotio quzerit : Sic quadrant Modulis Pectora sancta suis. Turbat Apollineas Musas ; Christicolee Modulossed magisillagravat. Sit procul Urbs, prope Vota muhi; mihi reddar, & intis Plena Fide perstet Mens mea, plena Paucos nosti, notissima clamosa Molestia Deo! Io Hoc Nemus est Templum, patuli Laquearia Rami; Fit sacree Truncus quisque Columna Domis: Pervia Sylva patens est Porta, Cacumina Pinne ; Baptismi Pignus Rivulus omnis habet : ( 445 ) Dat Mensam Collis sacram mihi Cespite tectus ; Pectoris Ara Fides, Zelus Amorque focus. Si quis Baptistes in Eremo preedicet, Ecce Pulpita, in arborea Sede locata, patent. Hic licet elata dare Verba precantia Voce ; Et sine Teste, Deo nec nisi Teste, loqui. 20 Ipsa monent tremulas quatientia Flamina frondes, Per nos fundendas Corde tremente Preces. Antevolansque cavo Suspiria nostra Susurro, Dum gemit Aura levis, Tu geme, Cultor, ait. Voce Deum celebro; Concordes sponte Choriste, Sunt Preecentores, dum modulantur, Aves. Amen subijcio; dat Amen, quasi Clericus, Echo. Sylva placet, Luxus Desidiose, Vale. Edward Benlowes [CANTO XII THE ARGUMENT True Bliss! Thou know’st but few, to few art known ; While we shun many, thee alone We court, and all enjoy in thee, when all are gone. STANZA I WASTE not another word on fools ; forsake What grates the ear, pure notions take ; Know, that the smoothest hones the sharpest razors make. ul Ill suits it with a russet life, to write Court-tissue : hold’s sight, Observe, as well as lords by clocks of gold, Time’s flight. Il Whose crystal shrines, like oysters, gape each hour, Discov’ring Time by figures’ pow’r: That is the nobler watch, foreshows the threat’ning show’r. Iv While cumb’rous gain does various cares obtrude, 10 The richer mind courts solitude, And does guile (subtle to beguile = itself) exclude. v More than high greatness humble goodness draws ; Elm rafters, mantled o’er with straws, Outbless Escurial tow'rs that seem Heav’n’s cupolas. VI Each city-shop’s a trap; each toy, a yoke ; What wise man willingly would choke Himself in thicker clouds of griping care, than smoke? Vu Who would not fly that broil, whence Bliss is flown ; 21 This is a puzzling line. swains, by thres- (446 ) Where, in Time’s dregs, Religion’s grown 20 From best, to all (flow tears of blood !), from all, to none. VIII Lorp, guide Thy Church, which interests impair ; Who, without knowledge, factious are, They little mind the flock, so they the fleece may share. Ix Why climb’d they else the pulpit, as Lot’s brother, With fire in one hand, knife 7’ th’ other ? ’Twas vip’rous Nero slew his own indulgent mother. x As Peace Heavn’s blessing; so is War His rod, Man-hunting beast, ascourge from Gop, Which doth unhinge the world; fierce grapes in Wrath’s press trod. 30 XI Let me, in Grief’s prerogative, be bold To question such, as dare to hold That they the SHEPHERD lov’d, when they forsook the fold. XU Such scramblers at the shearing feasts, I shun ; Forgetting, and forgotten, run To fraudless swains. I havea Friend compliant won ; XUI By hisexample may my life be penn’d, May he read, like himself, his friend : One would expect ‘From best to all . . . to best to none,’ or ‘ From best to worst ... from all to none.’ Cf. Summary version inf. SS CaNnTO X11] Souls in conjunction should, like stars, kind influence send. XIV Us Sympathy, the mind’s true priest, does join ; 4o ’Tis Grace makes social love divine ; Tun’d octaves unisons are, duos in one combine. XV When two enweav’d are in one high desire, They feel, like angels, mutual fire; Flames intellective live, material flames expire. XVI Vain World, thy friends are thieves of Time ; twice they Are robb’d ; for, Time’s self steals | away, Leaving a dull December for a sportive May. XVII Fools’ chat is built on sand; but blest who hives Discourse, that on Heav’n’s sweet- ness lives, 50 Such, as to raise the fire to high-born Virtue strives. XVIII For birds of Paradise the proper fare Is purest vapour of the air; Souls nourish’d from the influ’nce of Gop’s SPIRIT are. XIX Dew fattens earth, the earth yields plants, and then The plants feed beasts, the beasts feed men ; Man on His Worp should feed, who gave lim origin. XX From public roads, to private joy’s our flight ; To view Gop’s love, we leave man’s sight ; Rich in the purchase of a Friend, who gilds delight. 60 ( 447) The Sweetness of Retirement XXI Thus go we, like the heroes of old Greece, In quest of more than golden fleece, Retreating to sweet shades, our shat- ter’'d thoughts we piece. XXII So, when the Sun, commander of the day, Muffles with clouds his glorious ray, He clearer afterwards doth his bright face display. XXIII Kings, too much seen, grow mean. Renown does dawn From cots, unsightly hang’d, and drawn With spider-woven arras, and their cobweb-lawn. XXIV Victorious Charles the Fifth, is had acquir’d Fame, wealth, and what could ie desir’d By greatest emperors, left all, to live retir’d. XXV That sea-dividing Prince, sceptred rod Wrought freedom to the Church of Gop, Made in the Mount of Horeb forty days’ abode. XXVI In wilderness the Baptist shin’d more clear, In Life’s night starry souls appear: They who themselves eclipse, are to Heav’n’s court more dear. XXVII But, now what need wecite examples more, 79 This by our Saviour heretofore Was practis’d, who, whole nights retir’d, did Gop implore. XXVIII Examples are best precepts. ‘Secess, whose Sweet Edward Benlowes The nurse to inbred Happiness, How dost thou intellects with fuller knowledge bless ! XXIX Waft us, all-guiding Pow’r, from wild resort, By Cape of Hope, to Virtue’s Port, Where Conscience, that strong cham- pion, safely guards the fort. XXX Here, Liberty, ev’n from suspicion free, Does terminate our fears; by Thee We conquer lusts: each sense wears Reason’s livery. go XXXI With Thee, like cloister’d snails, is better state, Than to be lions in a grate: The world hers, coop’d like Bajazet, does captivate. XXXII But, here (the type of ever-smiling joys, Without disturbing fears, ornoise), We bright-ey’d Faith, with quick-eyed Art, in Truth’s scale poise. ° XXXIII Religious Mary’s leisure we above Encumber’d Martha’s cares ap- prove ; Uncloister’d, we this course beyond Court’s splendour love. XXXIV Seated in safe repose (when circling Earth 100 Suffers by rage of war, and dearth), Secure from plagues and angry seas, we manage mirth. XXXV Thelow-built fortuneharbours Peace, when as Ambitious high-roof’d Babels pass Through storms; content with thankfulness each blessing has. XXXVI So fragrant vi’lets, blushing straw- berries, (448 ) [CANTO XII Close-shrouded lurk from lofty eyes, The emblem of sweet bliss, which low and hidden lies. XXXVII No masked fraud, no tempest of black woes, No flaunting pride, no rage of foes, IIo Bends hitherward, but soon is laid, or overblows. XXXVIII We rule our conquer’d selves ; what need we more? To gadding Sense we shut the door ; Richin our mind alone. Who wants himself, is poor. XXXIX Slander is stingless, Envy toothless here ; The russet is well lin’d we wear ; Let cits make chains the ensigns of their pomp appear. XL Faith link’d with Truth, and Love with Quiet too, O’er pleasant lawns securely go ; The Golden Age, like Jordan’s stream, does here reflow. 120 XLI For fields of combat, fields of corn are here, For trooping ranks, tree-ranks appear ; War steels the heart, but here we melt heart, eye, and ear. XLII Oh, might a sacred Muse Earth’s frenzy calm ! On that we’d pour such suppling balm, As might vain trophies turn to an unfading palm. XLII Then should each He, who wears the face of man, Discern their emptiness, and span | ids ka | | | | I | The vulgar’s trivial idols, and their \ \ follies scan. CaNnTo XII] XLIV Though in rough shells our bodies __ kernell’d are, 130 Our roof is neat, and sweet our fare, Banish’d are noisome vapours to the pent-up air. XLV No subtle poison in our cup we fear, Goblets of gold such horrors bear; No palace-Furies haunt, @Q rich Content! thy cheer. XLVI How great are those who use, like gold, their clay ; And who like clay, gold, great are they ; To grandeur, slighted titles are the ready way. XLVII , Courts’ amplest shine nor adds, nor takes from minds That pierce the world, true merit binds 140 Bright souls unto it, whilst a fog th’ ignoble blinds. XLVIII Humble, not slav’d; without dis- comfort sad ; Tim’rous, without despair; and glad, Without wild freaks, we are. |The world’s or fool, or mad. XLIX From Taurus when Sol’s influence descends, And Earth with verdant robe be- friends, And richer showers, than fell on Danae’s lap, dispends ; L When early Phosphor lights from eastern bed The grey-eyed morn, with blushes red ; When opal colours prank the orient, tulip’s head : 154 grovets] Rare. The Sweetness 150 \ 162 rocking winds] Had Benlowes read Milton? of Retirement LI Then walk we forth, where twinkling spangles shew, Entinselling like stars the dew, Where buds, like pearls, and where we leaves, like em’ralds, view : LI Birds by grovets in feather’d gar- ments sing New ditties to the non-ag’d spring ; Oh, how those traceless minstrels cheer up everything ! LUI To hear quaint nightingales, the lutes o’ th’ wood, And turtle-doves, by their mates woo’d, And smelling violet sweets, how do these cheer the blood ! LIV While teeming Earth flower’d satin wears, embost 160 With trees, with bushes shage’d, with most Clear riv’lets edg’d, by rocking winds each gently tost ; LV The branching standards of the chirping grove, With rustling boughs, and streams that move In murm’ing rage, seem Nature’s consort, tun’d by Love. LVI We to their hoarse laments lend list’ning ears ; And sympathize with them intears, Sadly rememb’ring British Sion’s acted fears ! LVII Then, our sad hearts are prick’d, whence spring forth cries ; From those, drain’d through the bruis’d soul, rise T70 aith-fumes, by Heav’n’s fire drawn, which drop through melting eyes ! 165 Rage] Sicin orig. but in my copy altered to ‘base’ = ‘bass’ whichis probably right. ( 449 ) Gg Edward Ben lowes LVII ’Cause hungry swords devour’d man’s flesh, like food, And thirsty spears were drunk with blood : Lorp, how Thy Spouse turns mum- mied earth! her gore a flood ! LIX Edge-hill with bones look’d white, with blood look’d red, Maz’d at the number of the dead : A theme for tears in unborn eyes to be still shed ! LX How many bound with iron, who did ’scape The steel! and Death commits a rape On them in jails, who her defied in warlike shape ! 180 LXI Cross-biasness to grace our ruin spinn’d ! Harrow’d with woes, be Heav’n our friend ! Sodom ’gainst Nature, we ’gainst light of Truth have sinn’d! LXII This draws eye-tribute from Com- punction’s den ; Grace, guard Thy prostrate sup- pliant then, Who am the chief of sinners, and the worst of men ! LXII My guilt before Thy Mercy-seat I lay, For His sake save me, who gave way To die for sinners ! Him every day ! LXIV Sin ne’er departs, till humbled in deep fears, 1990 Embalm’d in pray’rs, and drown’d in tears, The fragrant Araby breathes no per- fume like theirs. Ah, Sin kills [CaNnTO XII LXV More fruitful those, unwitnesséd, appear ; Gems are too cheap for every tear: Deep Sorrow from itself doth its high comfort rear. LXVI tears, the pious sweetest sport, To hopeful joys the ent’ring port, Ye waft blest mariners to Sion’s glorious court. LXVII But whither stray’st Pearl’d dew arrays As yet the virgin-meads, whose gays 200 Unbarb’d, perk up to prank the curléd stream that plays. LXVII By rushy-fringéd banks with purling rill, Meand’ring underneath the hill : Thus, stream-like, glides our life to Death’s broad ocean still. LXIX The pleasant grove triumphs with blooming May, While Melancholy scuds away ; The painted quire on motley banks sweet notes display. LXX Earth’s flow’r-wov’n damask doth us gently woo, On her embroider’d mantle to Repose, where various gems, like constellations, shew. 210 LXXI Ourselves here steal we from our- selves, by qualms Of pleasure, rais’d from new- coin’d Psalms, When skies are blue, earth green, and meadows flow with balms. LXXII We there, on grassy tufted tapes- tries, Salt convert’s thou, Grief? 199 whither] Orig. ‘whether.’ ( 45¢) cantoxu] Lhe Sweetness In guiltless shades, by full-hair’d trees, Leaning unpillow’d heads, view Nature’s ants, and bees. LXXIII Justly admiring more those agileants, Than castle-bearing elephants ; Where industry, epitomiz’d, no vigour wants. LXXIV More than at tusks of boars we wonder at 220 This moth’s strange teeth! Legs of this gnat Pass large-limb’d gryphons; then, on bees we musing sat ; LXXV How colonies, Realm’s hope, they . breed; proclaim Their king; how nectar-courts they frame ; How they in waxen cells record their prince’s fame : LXXVI How kings amidst their bands in armour shine; And great souls in small breasts confine ; How under strictest laws they keep up discipline ; LXXVII How all agree, while their king lives, in one; But dead, the public Faith’s o’er- thrown, 230 Their State becomes a spoil, which was so plenteous grown. LXXVIII Abstruser depths! here Aristotle’s eye (That Ipse of philosophy, Nature’s professor) purblind was, to search so high. LXXIX Thinking, which some deem idle- ness, to me It seems life’s Heav’n on earth to be ; of Retirement By observation Gop is seen in all we see. LXXX Our books are Heav’n above us, air and sea Around, earth under ; Faith’s our stay, And Grace our guide, the Word our light, and CHRIST our way. 240 LXXXI Friend, view that rock, and think from rock’s green Wound How thirst-expelling streams did bound : View streams, and think how Jordan did become dry ground. LXXXII View Seas, and think how waves, like walls of glass, Stood fix’d, while Hebrew troops did pass ; But clos’d the Pharian host in one confuséd mass. LXXXIII These flow’rs, we see to-day, like Beauty, brave, At ev’n will be shut up, and have Next week their death, then buried soon in stalks, their grave. LXXXIV Beauty’s a flow’, Fame puff, high State a gaze, 250 Pleasure a dance, and Gold a blaze, Greatness a load: these soon are lost in Time’s short maze! LXXXV As solemn statesmen slight mere childish toil, Framing card-structures: angels smile, And pity so, when life straight flits, man’s tearing broil. LXXXVI Search Empire’s dawn, Time’s ball again, Unreel through ages its snarl’d skein ; unwind 222 sat} An unlucky word, in more than tense, ( 45 ) Gg2 Edward Benlowes Run back, like Sol on Ahaz’ dial ; see ‘ All’s vain.’ LXXXVII This did I from THEOPHILA descry (Not her fair-feather’'d speech could fly 260 To ground, but my ear’ pitfall caught it instantly ; LXXXVIII Though her informing voice be parted hence, Tides of impressive notions thence Flow, soft as showers on balm, and sweet as frankincense). LXXXIX The conqueror who wades in blood for pow’r, Cannot ensure th’ ensuing hour ; Death soon may his ovation’s sweetest nectar sour. XC All’s vain. Th’ Assyrian lion, Per- sian bear, Greek leopard, Roman eagle, where? Where is fam’d Troy, that did so proudly domineer ? 270 XCI Troy ’s gone, yet Simois stays. Oh, Fortune’s play ! That which was fix’d is fled away, And only what was ever-flitting still does stay ! xcll Vast pyramids uprear’d t’ inter the dead, Themselves, like men, are sepul- chred ; Ambitious obelisks, ostents of pride, dust wed. XCIII Heav’n sees the crumbling fabric of Earth’s ball, That dust is man’s original; To Him all nature is as wither’d leaves that fall : XCIV Terrestrials transient are. fight for clods ; ( 452 ) Kings 280 [Canto XII Heav’n’s Heir is mightier Prince, by odds, Ev’n all is his, and he is Curist’s, and Curist is Gop’s. XCV Thoughts, dwell on this. our own death’s-head. The glorious Martyr lives, though dead, Sweet rose, in His own fadeless leaves envelopéd: XCVI Heav’n was His watch, whose starry circles wind All ages up; the hand that sign’d Those figures, guides them ; World, thy clocks are false and blind. XCVII Time in Eternity’s immense book is But as a short parenthesis; 290 Man’s life, a point; Gop’s day is never-setting bliss. XCVIII Could man sum up all times, so, as if there A moment not remaining were ; Yet all those close-throng’d figures seem but ciphers here. XCIX Could calculators multiply Time’s glass To myriads more of years ; alas, Those sands, to this duration, as a minute pass. c Such mental buds we from each object take, And, for Cxrist’s Spouse, of them we make Spiritual wreaths, nor do we her Let ’s be own words forsake. 300 cl ‘Arise, O North, and thou, O South- wind, blow ; Let scent of flow’rs, and spices flow, That the BELovED may into His Garden go.’ cu Whose beauty flow’rs, whose height made lofty trees, cantoxi] The Sweetness Whose permanence made Time, and these Pay tribute by returns to Him, as springs to seas. cu This steals our soul from her thick loom, t’ aspire To canzons, tin’d with enthean fire ; Taking high wing to soar up to the angel-quire. CIV By suchlike speculations would we sty 310 To th’ Sun of Righteousness! though I A star am less than least of all the galaxy. cv The burden to each hymn is this. ‘Thy ways, LorpD, are inscrutable! All days, All tongues, are few, are weak, to sound Thy endless Praise!’ CVI Oh, that a Voice more audible, and high’r Than that shrill trump, when all’s on fire, Might all men’s hearts and tongues with Thy renown inspire ! CVII Nature, bless Gop, His benefits be sung, While that an ear can hear a tongue ; 320 Commerce with Him is th’ only trade, all else but dung. CVIII ‘But- dung’—the wild inhabitant repeats From her inhospitable seats : But, now ’tis noon ; prepare we for our costless meats. cIx ‘Lorp of all grassy and all glassy plains ! 308 tin’d] ‘lighted.’ 327] Embase =‘ lower’: ‘emboss’ = ‘raise’ obviously enough, Was he thinking of coal-mines ? ( 453 ) veins’? of Retirement Whose mighty hand doth wield Fate’s reins, Who dost embase the hills, emboss the woody veins. cx ‘By Thee, the pirate, who by Nile being bred Has land for table, pool for bed, Camels, Arabia’s wand’ring ships, by Thee are fed ; 330 CXI ‘Thou with Thy inexpressibly im- mense Finger of active Providence, The World’s great Harbinger, dost all to each dispense.’ CXII Strict temperance so cooks our mess, that we With no brain-clouds eclipséd be : The driest clearness makes the brightest ingeny. CXIII The mount’s our table, grass our carpet, well Our cellar, trees our banquet, cell Our palace, birds our music, and our plate a shell. CXIV Nature pays all the score. Next fountain has 340 Bath, drink, and glass; but our soul’s glass Presents Religion’s face. Our meal’s as short as grace. CXV See, where the udder’d cattle find us food ; As those sheep cloth; hedgerows wood. See, now a present brought us from the neighbourhood : CXVI Ev’n th’ herb that cramp and tooth- ache drives away, these 310 sty] as before ‘ rise.’ But why ‘woody Edward Benlowes And bribes ear-minstrels not to play ; And from arch’d roofs to spongy bellows dews does stay ; CXVII That makes quick spirits and agile fancy rove, And genuine warmth ?’ th’ brain does move, 350 ’Bove furs or fires; whose pipe’s both ventiduct, and stove; CXVIII That mounts invention with itsactive smoke ; Draught of Promethean fir’d-air took, Renerves slack joints, and ransacks each phlegmatic nook. CXIX That lust cloys which expectance swells; but, here [CaNnTo XII Are dainties, that whet taste and ear ; Where all are cheer’d with joy, and overjoy’d with cheer. CXX But, having travers’d more of ground to-day, Let us, for our refreshment, stay, And with next rising sun, complete next closing lay. 360 Trati seevas Maris evitare Procellas Que potuit, felix est nimis illa Ratis ; Littoris optati Prospectu Navita gaudet ; Gratulor emensam nec minus ipse Viam. ANIMI PABULUM CONTEMPLATIO. THE PLEASURE OF RETIREMENT Canto XIII. The Reinvitation THE ARGUMENT Fevix qui Suus est, Animi propriique Monarcha; Laus est Imperii ponere Jura Sibi. Felices Animee, pulso Plutone Tyranno, Queis datur Elysiis imperitare Plagis! Maximus internum quisquis superaverit Hostem, Major Alexandro, Czesare major erit. Fabritium acide, Senecam przpono Neroni, Hic hiat Immenso, postulat Ile partum. Ecquid habent Reges, nisi Membris Teg- men & Escam ? Que vel Nobiscum vile Mapale tenet. 10 Ipse mihi Regnum, summa dominabor in Aula Mentis, & héc quod sum vel minor esse velim. Rex est quem Ratio regit, & quem ducit Honestum ; De Regno videas regia Sceptra queri. Aspice quid Cineres sit Czesaris inter, & Iri, Est unus Color his omnibus, unus Odor. Ergo. Affectus superans, & qui superatur ab illis, Non nisi Victor ovat, non nisi Victus obit. 347 bribes &c.] It would probably be impossible to find a more characteristic conceit than this for the supposed virtue of stilling “nnitus aurium. The whole passage has, I think, in the general ignorance of our poet, escaped collectors of the Praise of Tobacco for the most part. ( 454) If Lamb did not know it, it is a pity. canto xt] Lhe Pleasure of Retirement THE ARGUMENT Who Chance, Change, Hopes, and Fears can under bring Who can obey, yet rule each thing, And slight Misfortune with a brave disdain, he’s king. STANZA I WHEN lavish Phoebus pours out melted gold ; And Zephyr’s breath does spice unfold ; And we the blue-eyed sky in tissue- vest behold. Ul Then, view the mower, who with big- swoln veins, Wieldeth the crookéd scythe, and strains To barb the flow’ry tresses of the verdant plains. I Then view we valleys, by whose fringed seams A brook of liquid silver streams, Whose water crystal seems, sand gold, and pebbles gems ; Iv Where bright-scal’d gliding fish on trembling line 10 We strike, when they our hook entwine: Thence do we make a visit to a grave divine. v With harmless shepherds we some- times do stay, Whose plainness does outvie the ay, While nibbling ewes do bleat, and frisking lambs do stray. AVE A. iid teeae ee As to recollect and find Dispers’d flocks of our ramblin mind ; Internal vigils are to that due wor design’d. VI No puffing hopes, no shrinking fears them fright ; No begging wants on them do light ; 20 They wed Content, while Sloth feels want, and Brav’ry spite. VIII While swains the burth’ning fleeces shear away, Oat-pipes to past’ral sonnets play, And all the merry hamlet bells chime holy day. IX In neighb’ring meads, with ermine mantles proud, Our eyes and ears discern a crowd Of wide-horn’d oxen, trampling grass with lowings loud. x Next close feeds many a strutting- udder’d cow ; Hard by, tir’d cattle draw the plough, Whose galléd necks with toil and languishment do bow. 30 XI Near which, in restless stalks, wav’d grain promotes The skipping grasshopper’s hoarse notes ; While round the aery choristers dis- tend their throats. XI Dry seas, with golden surges, ebb and flow; The ripening ears smile as we go, With boasts to crack the barn, so numberless they show. XIII When Sol to Virgo progress takes, and fields 6 barb] This verb in the sense of ‘barber,’ ‘to clip,’ has Elizabethan precedent. (455 ) Edward Benlowes With his prolongéd lustre gilds ; When Sirius chinks the ground, the swain his hope then builds. XIV Soonas the sultry month has mellow’d corn, 40 Gnats shake their spears, and wind their horn; The hinds do sweat through both their skins, and shopsters scorn. XV Their orchards with ripe fruit im- pregneéd be, Fruit that from taste of death is free, And such as gives delight with choice variety. XVI Yet who in’s thriving mind improves his state, And Virtue steward makes, his fate Transcends ; he’s rich at an inesti- mable rate. Xv He shuns prolixer law-suits; nor does wait At thoughtful grandee’s prouder gate ; 50 Nor ’larming trumpets him, nor drowning storms amate. XVIII From costly bills of greedy Emp’rics free, From plea of Ambidexter’s fee, From Vicar Any-Thing, the worst of all the three. XIX He in himself, himself to rule, re- tires ; And can, or blow, or quench his fires : All blessings up are bound in bounding up desires. XX His little world commands the great: he there Rich Mem’ry has for treasurer ; 42 shopsters] a good word. either in the Polonian sense, or a better. ( 456 ) [CANTO XIII The tongue is secretary to his heart, and ear. 60 XXI While May-Days London gallants take a pride, Coach’d through Hyde Park, to eye, be eyed, Which day’s vain cost might for the poor a year provide ; XXII He may to groves of myrrh in triumph pace, Where roots of Nature, flow’rs of Grace, And fruits of Glory bud. A glimpse of Heav’n the place. XXIII This the Spring-Garden to spiritual eyes, Which fragrant scent of gums out- vies ; Three kings had thence their triple mystic sacrifice. XXIV Oh, happier walks, where ree and none beside, Is journey’s End, and Way, ed Guide ! Where from the humble plains are greatest heights descry’d. XXV Heav’nward his gaze. bower display His bride-room, and ScRIPTURIA Herself is bride; each morn presents his marriage-day. XXVI What ecstasy’s in this delicious grove ! Th’ unwitness’d witness of his love! What pow’r so strongly can as flam’d affections move ! XXVII The larks, wing’d travellers, that trail the sky, Unsoil’d with lusts, aloft do fly, 80 Warbling ScRIPTURIA, SCRIPTURIA © on high. Here does a Indeed most things in these two cantos are ‘ good,’ The Pleasure XXVIII (T’ have been affected by a virgin heir, Rich, young, and chaste, wise, good, and fair, Was once his first delight, but Heav’n restrain’d that care ! XXIX Thou, Providence, didst both their wills restrain ; Thou mad’st their losses turn to gain ; For thou gav’st Heav’n to her, on him dost blessings rain !) XXX But stop, pleas’d thoughts ; A high’r love’s here design’d ; Fit in each breast to be enshrin’d ; Bright angels do admit no sex, nor CANTO XIII] does the mind. go XXXI To all her lovers thousand joys accrue ; And comforts, thicker than May’s dew, Show’r down on their rapt souls, as infinite as new ! XXXII Her oracles directing rules declare, Unerring oracles, Truth’s square ; Her soul-informing light does Earth for Heav’n prepare. XXXHI All beatizing sweets, as in their hive, At her fair presence do arrive, Which are to drooping spirits best restorative. XXXIV To whose sight eagles, parallel’d, are blind ; 100 Had Argus thousand eyes, he’d find Darkness, compar’d with her illumi- nating mind. of Retirement XXXV The Sun does glean his splendour from her eyes ; Thence burn we’ in sweets, as Pheenix lies Glowing on Sol’s ray-darted pile of spiceries. XXXVI From precious limbeck sacred loves distil Such sublimations, as do fill Minds with amaztd raptures of their chemic skill. XXXVU That such soul-elevations still might stay, We'd bear and do, both vow and pay, 110 And serve the Lorp of Lords by her directive way ! XXXVIII Soon as our ear drinks in His [high] command, Be’t acted by our heart, and hand ; Under His banner we shall Satan’s darts withstand. XXXIX May He accept the music of our voice, While on His goodness we rejoice, And while each melting Psalm makes on His Grace its choice. XL On feast-days from that bow’r to church we haste, Where Heav’n dissolves into re- past, When we regalios of the mystic Banquet taste. 120 XLI Oh, delicacies, infinitely pure! To souls best nutriment and cure ! Where Knowledge, Faith, and Love beatitude ensure. xxviii-xxix] These two apparently autobiographic stanzas are interesting, as adding a possible new detail to Benlowes’ scantily known history. 103] Not quite a ‘minor’ line, this ! 112 high] Written in above the line in my copy. ( 457 ) Edward Benlowes XLII Poor Solomon’s provision, poor to this, Manna, Heav’n-dewing banquet, is: Who reigns in Heav’n becomes on earth our food and bliss. XLII Oh, Sacramental cates, divinely drest ! Gop the Feast-maker, CuRisT the Feast, The Hoty Guost Inviter, and the Soul the guest ! XLIV All joys await the blessed convives, knit 130 All excellences are in it, This overcomes our spirits, over- pow’rs our wit ! XLV For us, poor worms, that Glory’s SovEREIGN died ! Oh, let our fleshly barks still ride At anchor in calm streams of His empiercéd Side ! XLVI This is Heav’n’s Antepast! By Union He’s One to All, and All to One In Love’s intrinsic Mystery to souls alone! XLVII Ecstatic raptures loose our hearts on high With Joy’s ineffability ! 140 Exub’rant sweets o’erwhelm, as tor- rents, tongue and eye. XLVIII Such life-infusing comforts, from above, Our souls with inward motions move, That totally for Gop we quit all creature-love ! XLIX Should He condemn us, yet would Love compel 136 Antepast] Nothing to do with time, but opposed to ‘vepast’—a foretaste. word is Taylorian. 160] See Introd. ( 458 ) [CaNnTo XIII Him down with us, and we would dwell Rather than without Him in Heav’n, with Him in Hell. L Soul of my soul! when I a joy receive Disjoin’d from Thee, let my tongue cleave To’s palate! Me of all, not of this Feast bereave ! 150 LI Not in the winter solstice of my years, When shivering snow surrounds deaf ears, And dreary languishment Death’s gashly vizard wears ; LII When they shall tremble that the house defend ; The columns which support it bend ; The grinders fail, the watch through casements objects blend ; LUI Then shine, dear Lorp! quivering Winter’s dress Is icicled with hoary tress ; When all streams frozen are, but tears, through Love’s excess ; when LIV When periwigg’d with snow’s each bald-pate wood, 160 Bound in ice-chains each strug- gling flood ; When North Seas bridled are, pris’n- ing their scaly brood. LV Then let those freezing hours be thaw’d by pray’r! As wells in winter warmer are By circumsession of refrigerating air. LVI That, nipp’d withcold, or parch’d with heat, resign The The Pleasure We may our will in each to Thine, Be’t less or more, be’t low or high, be’t storm or shine. LVII After Night’s soot smears Heav’n, Day gilds its face ; Wet April past, sweet May takes place ; 140 And calm air smiles, when ruffling winds have run their race. LVI Who hope for mines, scorn dross ; such only get Who lose a game to win the set : Worldlings, he’s rich who’s good ; above’s his cabinet. LIX To well-tun’d tempers things that disagree Have oft some likeness ; thus, we see Wind kindles fire; discord makes concord harmony. LX Affliction tunes the breast to rise, or fall, Making the whole man musical ; We may affliction Christians’ second baptism call. 180 LXI Who Curist for Spouse, His cross for jointure has ; His hand supports, where’s rod doth pass : The Lorn of Angels, He the King of Suffrings was. LXII Love’s life took Death, that Death Love’s life might gain ! The Sovereign died that slaves might reign ! The world can’t books that should be writ of Him contain. LXIII Those have the greatest cross, who cross ne’er bore ; They're rich in want, who Gop adore ; CANTO XIII] 199 goal] So in orig., of course =‘ gaol.’ ( 459 ) of Retirement Who does supply all emptiness with His full store. LXIV Saint Paul, the Gentiles’ doctor, rich ’bove kings, 190 And high ’bove Oratory’s wings, Rapt up to Heav’n, had nothing, yet possess’d all things. LXV The rav’n of birds proves caterer, and feasts Elijah ; so the lion of beasts Was Samson’s purveyor; quails to murm’ring Jews were guests. LXVI Midst thorns environ’d, Love sweet roses finds ; Steep ways lie plain t’ inamor’d minds ; Love gilds all chains (surpris’d not thrall’d), with comfort binds. LXVII Then, threaten, World, a goal shall bolt me in ; He’s free as air, who serves not Sin ; 200 Who’s gather’d in himself, his Self is his own inn. LXVIII Then let fierce Goths their strongest chains prepare ; Grim Scythians me their slave declare ; My soul being free, those tyrants in the face I'll stare. LXIX Man may confine the body, but the mind (Like Nature’s miracles, the wind And dreams) does, though secur’d, a free enjoyment find. LXX Rays drawn in to a point more vig’rous beam ; Joys more to saints, engoal’d, did stream 5; Linnets their cage to be a grove, bars boughs esteem. 210 So in 209 ‘ engoaled.’ Edward Benlowes LXXI Burnish’d to glory from Affliction’s flame, From prison to a sceptre came The lov’d and fear’'d Exriza—titles vail t’ her name. LXXII She pass’d the furnace to be more refin’d ; From flames drew purity of mind, Not heat of passion; hence, being tried, she brighter shin’d. LXXIII Here wound, here lance me, Lorp, thy Austin cries, Dissect me here for Paradise ! The Cross the altar be, so Love be sacrifice ! LXXIV Imprint Thy Love so deep into my heart, 220 That neither hunger, thirst, nor smart, Gain, loss, nor thraldom, life nor death us ever part ! LXXV Should foes rip up my breast with piercing blade, My soul would but have passage made, Through which to Heav’n she might in purple riv’lets wade. LXXVI Forbid the. banns ’twixt soul and body join’d, The corpse but falls to be refin’d, And re-espous’d unto the glorified high mind. _ LXXVII Who makes th’ Almighty his delight, he goes [CaNnTo XIII To martyrdom, as to repose ; 230 The Red Sea leads to Palestine, where all joy flows. LXXVIII Steel’d ’gainst Affliction’s anvil, let’s become Proud of the World’s severest doom ; No majesty on earth is like to mar- tyrdom. LXXIX ‘Enter into thy Master’s joy’’s so great, This thought is with such flames replete, That from th’ High Court of Mercy souls all deaths defeat ! LXXX Who saith, ‘ Fear not,’ Him must we fear alone ; Blest, whom no fear makes Faith be gone; How many must they fear, who fear not only ONE! 240 LXXXI We are but once to our grave’s port brought in, To which from birth w’ have sailing been, It matters not what way, so we’scape rocks of sin. LXXXII But, hark, ’tis late; the whistlers knock from plough ; The droiling swineherd’s drum beats now ; Maids have their curtsies made to th’ spongy-teated cow. LXXXIII Larks roosted are, the folded flocks are pent 213] Here is in text of orig. an engraving of Queen Elizabeth praying inher oratory with the following letterpress at the sides of the cut: ‘Having reformed Religion : established Peace: reduced Coin to the just value : delivered Scotland from the French: revenged domestical Rebellion: saved France from headlong Ruine by Civil Warre: supported Belgia : overthrown the Spanish invincible Navie: expelled the Spaniards out of Ireland: received the Irish into Mercie: enriched England by her most prudent Government 45 Years: £lizabeth a vertuous and triumphant Queen: in the 7joth year of her Age, in most happy and peaceable manner departed this Life : leaving here her mortal parts until by the last Trump she shall rise immortal.’ 245 droiling] =‘ drudging.’ not very uncommon both as noun and verb in seventeenth century. Note the conceit in next line. ( 460 ) canto x1) Lhe Pleasure In hurdled grates, the tir’d ox sent In loose trace home, now Hesper lights his torch in’s tent. LXXXIV See glimmering light, the Pharos of our cot ; 250 By innocence protected, not By guards, we thither tend, where Ev’nsong ’s not forgot. LXXXV O, Pray’r! thou anchor through the worldly sea ! Thou sov’reign rhet’ric, ’bove the plea Of flesh! that feed’st the fainting soul, thou art Heav’n’s key. LXXXVI Blest season, when Day’s eye is clos’d, to win Our heart to clear th’ account,— when Sin Has pass’d the audit, ravishments of soul begin. LXXXVII Who never wake to meditate, or weep, Shall sure be sentenc’d for their sleep ; 260 Night to forepasst¢d day should still strict sentry keep. LXXXVIII Oh, let them perish midst their flaring clay, Who value treasures with a day Devoutly spent! Faith’s the true gem, the world a gay. LXXXIX So wasteful, us’rer, as thyself, there ’s none, Who losest three true gems for one That’s counterfeit ; thy rest, fame, soul for ever gone! XC When dark’ning mists our hemi- sphere invade, Of all the air when one blot’s made, Mortals immantled in their silent gloomy shade, 2470 ( 461 ) of Retirement XCI Then for an hour (elixir of delight !) We, Heav’n beleag’ring, pray and write, When every eye is lock’d, but those that watch the night. XCII Saints fight on bended knees ; their weapons are Defensive patience, tears, and pray’r ; Their valour most, when without witness, Hell does scare. XCII May whiter wishes, wing’d with Zeal, appear Lovely unto Thy purest ear, Where nothing is accepted but what ’s chaste, and clear ! XCIV Life’s hectic fits find cordials in Pray’r’s hive, 280 Transcendently restorative, Which might our iron age to its first gold retrieve. XCV See, list’ning Time runs back to fetch the Age Of Gold, when Pray’r does Heav’n engage ; Devotion is Religion’s lifeblood ; ’tis Gonp’s page, XCVI Who brings rich bliss by bills of sure exchange ; The blessings that the poor arrange For alms receiv’d that day, beatifies ° our grange. XCVII Dance, Nabals, with large sails on smiling tides, Till the black storm against you rides, 290 Whose pitchy rains interminable Vengeance guides ! XCVIII But, Lorp, let Charity our table spread ; Let Unity adorn our bed ; Edward Benlowes And may soft Love be pillow under- neath our head ! XCIX Enrich’d, let ’s darn up Want; what Fortune can Or give, or take away from man, We prize not much: Heav’n pays the good Samaritan. Cc Thus, Life, still blessing, and still blest, we spend ; Thus entertain we Death, as friend, To disapparel us for Glory’s endless end. 300 Cl Who, thus forgot, in graces grows, as years, Loves cherish’d pray’r, unwitness’d tears, Rescu’d from monstrous men, no other monster fears. cll They who their dwelling in Abdera had, ; Did think Democritus was mad ; He knew ’twas so of them. The application ’s sad. CII Knew but the World what comforts, tiding on, Flow to such recollection, It would run mad with envy, be with rage undone. cIV Oh, Sequestration! Rich, to world- lings’ shame ; 310 A life’s our object, not a name: Herostratus did sail, like witch, ?’ th’ air of fame. cv Get long-breath’d need such alms, Sue from diurnal briefs for palms, Injurious grandeur for its frantic pride wants balms. CVI In aery flatt’ries Rumour, not Fame lies ; Inconstancy, Time’s mistress, cries ( 462 ) chronicles, ye [CanTo XIII It up, which soon by arguing Time, Truth’s parent, dies. CVI Fame’s plant takes root from virtue, grows thereby ; Pure souls, though fortune-trod, stand high, 320 When mundane shallow-searching breath itself shall die. CVI Oh, frail applause of flesh! swoln bubbles pass. Turf-fire more smoke than splen- dour has ; What bulwark firm on sand? what shell for pearl may pass ? cIxX But saints with an attentive hope from high, On Heav’n’s parole do live and die ; Passing from Life’s short night to Day’s Eternity. cx Who blessedly so breathe, and leave their breath, Of dying life make living death; Each day, spent like the last, does act a Heav’n beneath. 330 CXI Death’s one long sleep, and human life no more Than one short watch an hour before: World! after thy mad tempest ’tis the landing shore. cx Mid point betwixt the lives of Loss, and Gain ; The path to boundless Joy, or Pain ; Saint’s birthday, Nature’s dread: Grace doth this bandog chain. CXL When Moses from high Pisgah’s top descried Fair Canaan, type o’ th’ Heav’nly Bride, He breath’d out his joy-ravish’d soul, so sweetly died. cantox] Lhe Pleasure CXIV To Immortality the grave’s a womb ; We pass into a glorious room 341 Thorough the gloomy entry of a narrow tomb. CXV Lorp, as THoumad’st (most pow’rful One in Three) The world of nothing ; so, let me Make nothing of the world, but make my all in Thee! CXVI Pardon the by-steps that my soul has trod, Most great, good, glorious, gracious Gop ! Seal Thou the bill of my divorce to Earth’s dull clod! CXVII Thy boundless source of Grace the scarlet spot Scour’d white as wool, that first did blot 350 Th’ original in man, that was so fairly wrote. CXVIII Check not my hope, but spur my fear to Thee, Vivitur exiguo—Facilé assentior sa- pientissimo Aguri, DEUM obsecranti ut nec Divitias sibi, nec Egestatem, sed tantim ad degendam Vitam donaret Necessaria. Vita privata, quam de- lectas! Corporis spectem Valetudinem? Navis es in Portu, tumidz secura Procellz ; Mens Desideriis hic vacat alta suis. Liberiore Polum contemplor Corde, quiescit Hic Mens tuta, sibi libera, plena DEO. Que sibi multa petit, petit anxia multa, Voluntas ; Et cui plura dedit Sors, Mala plura dedit. Alta cadunt, inflata crepant, cumulata fatiscunt ; (Prose) 2 Aguri] The Agur of Prov. xxx. critic would be apt to suggest augurt. ( 463 ) of Retirement Virtue to court, and vice to flee! Love, lend thou me thy spur ; fear, thou my bridle be. CXIX From hence, to run in heav’nly paths, T’ll strive ; My slender pen to th’ world I give ; My only study shall be how to live, to five. CXX None blest, but those, who, when last trump shall send It summons, find the J upGE their friend. The end doth crown the work; great Gop crown thou my Enp. 360 O, ter felicem, fortunatumque quieto Cui natat in Portu nescia Cymba Metis ! O DEUS! optato sistant mea Carbasa Celo! Omnis ab ethereis Spes sit habenda Plagis. EST SUMMUS, QU&STUS. JESU, TUA GRATIA Nusquam salubrior Aer. Frugalitatem? Nusquam minoris vivitur. Quzaestum? Nusquam Lucrum innocentius. Vitz Integritatem? Nusquam alibi mints Corruptele. Crimine vixque suo plena Crumena caret. Celsior immundi Mens despicit Orgia Mundi, Indignabundo proterit illa Pede. 10 Munde, vale; quid me fallacibus allicis Hamis? Sophrosynen sacra Sobrietate colo: Regia sit ramosa Domus, Rivusque Falernum ; Arcta, sed ampla, DEUM si capit, illa Domus. I only note this because a certain class of Edward Benlowes Florea gemmat& subrident Pascua Veste, Feetaque nativasexplicat Arbor Opes. Caltha, Rosze, Tulipze, Violae, Thyma, Lilia florent, Dum gravido Zephyrus rore maritat Humum. Frugibus exultant Valles, Grege Pascua, Rupes Fontibus, intonso Crine triumphat Ager ; 20 Terra Famem, levat Unda Sitim, fugat Umbra Calorem ; Dat Togam Ovis, Lignum Sylva, Focumque Silex. Quod satis est Vite, satis est ; Praste- tur Egenis Quod reliquum: Vite sat Toga, Panis, Aqua. Non Mensis quacunque Dapes cele- brantur in istis Preegustantis egent; Vite Venena latent. Hic Parasitus abest, fugit hinc Gna- thonica Pestis ; Cura nec hic Animos irrequieta coquit. Cholica, Spasmus, Hydrops, Vertigo, Podagra recedunt ; [CaNnTo XIII Grata Sapore beat Mensa, Sopore Thorus. 30 Pange Dero Laudes, positis Mens libera Curis ; Czetera si desint, Numine dives eris. Sis modico contenta, gravis Nulli; Ipsa Misellis Quasimpendis Opes, has an habebis? habes. Quod CHRISTUM decuit, deceat Te. Noverit uti Quisquis praesenti Sorte beatus erit. Sic Abrahze gaudebo Sinu; dum, Dives, in Orco Eterntm diro deliciose peris. Vita beata, tuas qui possim pangere laudes? Mille cui Vitas, si mihi mille, darem ! Da, velut spero, bene, CHRISTE, spi- rem! Da, velut credo, bene, CHRISTE, vivam ! Unus hac qui Spe fruitur, fruetur Mortuus Astris. Amico. Si lenis tremula Quies in Umbra Sit Cordi, huc propera, ferasque Tecum Totum quicquid habes Libentiarum. THEOPHILZ AMORIS HOSTIA Cantio VII A DOMINO JEREMIA COLLIERO IN VERSUS LATIALES TRADUCTA Contemplatio ARGUMENTUM Proripit in vastum Lucis se Virco Profundum, Quam nulle exequent Voces, nec Limite claudant ; Obtundunt Radii Visum, renovantque Vigorem. TRISTICON I St Maro Quisque foret, fierent si quique Marones Preecones sacri, Conventus Orbis apertus, Quo scrutarentur Virtus A‘terna quid esset. & | Primevum Tempus, u Si vel ab innocuis possent deducere Cunis congestaque Secula mille Inferrent Trutine ; tamen heec sub Pondere justo Title of Translation] The caution is perhaps once more advisable that this is a Jeremy Collier senior, and not the Nonjuror. ( 464 ) CanTo VII] Ill Ponentes, norint mominis esse Majoris, frustra quam si cum Sole potenti Exiles tentent atomos librare Bilance. IV Si Terree Molem numeris spectare refertam 10 Possent, non istis tua constet Summa Figuris, Eterno cyphre comparent qualitér Avo ! tandem non v Si Sabulum flueret, per Seecula mille marinum, Quando deficeret vacuatis Littus Arenis, 4Equé Te primd mensum est Clep- sammion illud. VI Ceelithus impertita foret Facundia, Linguis Aligeros referens, Spatium tamen haud ezequarent, Est ubi prorsus idem cum fluxis Omne futurum. VII Tende Fides bolidem, brevis at nimis illa nequibit Expertis Fundi Maris explorare Profundum, 20 Limite constricti nullo, nec Littore cincti. VIII Eterna haud unquam commensura- bilis tas, Nulla Tui partem poterit scribere Penna ; Circulus es siquidem cui non est Terminus ullus. IX Vel cujus Centrum tam se diffuderit, ipsum Ambitus ingentis nequeat circun- dare Ceeli, Exterius poterit quid circumcingere Corpus ? 7 mominis] Lucretian. ( 465 ) de- Theophile Amoris Hostia x Vos, quibus Aithereus Vigor est, num Fine carentem Finem exquiratis? num Immensum extendere fas est ? Claudere Ubiquemanens ? comprén- dere & INFINITUM? 30 XI Hujus Zona Deus sine puncto, maximus, Orbis Ante Mare, et Terras, et quod tegit omnia Ccelum, Qui fuit, est, & erit cum cuncta creata peribunt. XII Quin contemplemur supra Sublimia queeque, Ultra quemque Locum, — super omnes Luminis Orbes ! Pectus Apostolicum rapuit Radiatio trinum. , XIII Circumquaque micans Solium Pre- signe ! supremo Imperio constans, verenda ! Cetera transcendens, quem nullus Fulgor adzequet ! & Majestate XIV Cingit utrumque Latus vel inenarra- bile Lumen ! 40 Quod circumfusum tanto Splen- dore coruscat, Equora Leetitize superet flammantia mille. XV Quod sic Effulgens si conspectare liceret, Detecté Facie Cherubinis, Lumine tanto Perculsi, in Nihilum remearent illicd primum. XVI Indue Te Tunica, dives Natura, corusca, Ornamenta tamen, tanto collata decori, Sunt tua, concretus seu lapsus Nubibus Humor. Cf. Collier’s fancy for spondaic endings, at least at first. Hh Edward Benlowes XVII Indorum posses Opibus_ spoliare Fodinas, Illos, auratis, Radiosque recludere, Cellis, 50 Qui collucentes cum Phoebi Lampade certant : XVIII Arcana posses reserare peritids Arte Intima cujusvis ditis penetralia Rupis, Illinc Thesauros nec non auferre nitentes : XIX Errantes, fixasque simul connectere Stellas Posses, que rutilis | exornant thera Bullis, Luminis ut coeant cuncti Orbes Sydus in unum : XX Jungere si posses Gemmas, Aurique Fodinas, Ethereasque Faces, radiata Reflectio quarum Fulgida rivalis superaret Lumina Solis : 60 XXI Si Lapides Gemme, riguum Mare funderet Aurum, Margara si Pulvis fieret, Chrystallus & Aer, Sol quodvis Sydus, plures Sibi mille Nitores ; XXII Gemme ille Silices essent, Mare parva lacuna, Stelle istee Scintilla forent, gratio Phcebus : Aurum,Gemma micans, Adamantes, sordida Scruta : XXII Si Terre, complexa forent, & Lumina Celi, Optica & unius peterent Confinia Centri, Hoc prius Objectum vel caecum redderet illud. ( 466 ) Fla- [CanTo VII XXIV Czecum, seu piceze Velamen Noctis opacum, 70 (Innuitur Sacro duntaxat Visio Textu) Hujus respectu Lucis sunt queelibet Umbre. XXV O, plane infandam, summoque Stu- pore refertam ! Si Nemo nisi quidignus describere possit, Hanc sané Luce possit describere Nemo. XXVI Selecti Eloquii cujusvis Acumen, Defecit Ingenium, Verborum hic curta supellex ; Hanc Lumen Mentis nullius tranet languet Abyssum. XXVII Hic residet tantis circundata Gloria Flammis, Quales confundant Aciem vel maxime acutam, 80 Huc tendat propiore nimis que improvida Gressu. XXVIII Splendor dimanat talis Fulgoribus istis, Qualis pulveream sublimet in ardua Molem, Urna que compésta seclis remanéret inerti. XXIX Numinis ante Thronum Summi provolvo meipsum, Profluit undé Bonum quodvis ut ab ubere Fonte : Hoc Decus ut pandam faveat tua Gratia Cceptis. XXX Magne Devs, sine Principio, tamen omnis Origo, Cujus Naturz telam Manus inclyta nevit ; Una qui Virtute tua Loca singula comples. go CANTO VII] XXXI Alme Parens rerum; quodque creatum, Vitam Spiritibus qui preebes, con- qui fulcis tinuasque, Ortus es ipse Tibi, Bonitatis Origo supremee. XXXII Letitia Summa es, cujus Sapientia Abyssus, Ad quodvis sese tendit tua vasta Potestas, Ac cunctos Facies reddet jucunda beatos. XXXIII Aeris expansis puncto dilaberis Alis, Induis Auguste Te Majestatis amictu, Te Nubes velant, Te stipant Agmina Ceeli. XXXIV Omnis Honoris Apex, Summez es Fastigia Laudis, 100 Ad Radios laté sparsos suffusa Pudore Hymnos decantat, ccelestis TTurma, perennes, XXXV Gemmz quam superant vitrum! quam Sidera Gemmas! Sidera quam Phoebus! quam Phe- bum Gloria Cceli ! Purior ast ipsis longé est tua Visio Ceelis XXXVI Magna quidem Tellus, se profert latits Aer, Planet excedunt, Stellarum Regia major, Supremi fines nec habent Tentoria Ceeli. XXXVII Mens mea dum Zelo conatur plura referre Fervida protenso, Pectus, Deusalme, repleto 110 Igne novo, nullum languorem Car- mina noscant. ( 457 ) Theophile Amoris Hostia XXXVIII Cum super Aerios tractus, & Sidera Musze Urgeo Progressus, uni Tibi mille videntur Spheerze, non secus ac atomi sub Sole minuti. XXXIX Est Aitas seterna tibi seu clepsydra tantum, Immensum nisi sit Spatium complere valet nil, Cujus sex Verbisrerum Natura creata est. XL Omnia complectens totius Fabrica Ceeli, Cum Stellis rutilis, Verbo surgebat ab uno, Quomodd mortalis narret Sapientia Nomen? 120 XLI Etheris, Arbitrio, Crystalla micantia volvis, Illis consignat Virtus tua ccelica Metas, Obliquos horum moderatur Dextera Currus. XLU Nulle Te Zonz, Tropicive, Polive retardent, Cum sis Spheralis Motor Primarius Orbis, Intra, extra, supra, quin ultra singula perstans. XLII Ingentes Pluvize atque Nivis susten- tat acervos Omnipotens tua sola Manus, qua nempeé remota Diluvium humanum perdat genus omne secundum. XLIV Hisce ministratur stillatis Copia Terris, 130 Et confisa Tibi mortalia Corda replentur, Flamina Ventorum peragunt tua Jussa per Orbem ; Hh2 Edward Benlowes XLV Hec Tu, quando voles, czcis in- clusa cavernis Constringis, validoque rumpere motu, Unde Tremore gravi Tellus concussa dehiscit. sinis pro- XLVI Undarum furias Vinclis compescis Arenz, Oceani arcanum vasti scrutare Pro- fundum, Te memorem pacti monstrat Thau- mantias Iris. XLVII Cardinibus Verbi Tellus innixa potentis, Aer quam cingit, nec non circum- fluus Humor, 140 Ponderibus librata suis immobilis astat. XLVIII Ejus sed Frontem Te corrugante Columneze Firmate trepidant, Fremitu Mare Littora plangit, Solvuntur Silicum Rupes, Montes- que vacillant. XLIX Insuper intremuére Poli, Centrum- que recussum Terrze, que Vulttis perculsa Stupore verendi, Accedit Montem Sina dum summa Potestas. L Imbutum Vita quodvis tua Cura focillat, Divinis Cursum cujusvis flectis Habenis, Gratia de Vultu, de Vultu Gloria manat. 150 LI Non Tibi sunt Aures, non sunt Tibi Lumina, verim Percipis Auditu quodvis, & cernis acute ; Te Locus haud capiat, tamen Ipse per Omnia preesens. ( 468 ) [Canto VII Lu Optica ccelestis dicamus Pronoias, Arcam, qua positas Ideas videris omnes, Ad quas conceptas formaveris Icona quamvis. LUI Quippé preexistunt sic hic Eventa futura, Sicut abhinc multo non tempore gesta fuissent ; Cernimus haud dissecta rectns tam Corpora clare. LIV Totus ubique semel remanes, Tu semper es idem, 160 Attamen Arbitrio commutas omnia solo, Tu complére remota soles Immo- bilis Ipse. Specla LV Sic interponunt se contingentia Turmis Sollerti Cure, que mire cuncta gubernat, Ac mod preteritum, sit preeteritum- que futurum. LVI Arbitrio quamvis malé sintconformia queedam, Nil tamen omnino citra hoc procedat in Actum ; Preevia, successura simul manet una Voluntas. LVII Te penes ingentis sunt Climata dissita Mundi, Quamvis nec Tellus, nec Temet continet A¢ther, 170 Obscurum lustrat Preesentia quod- libet antrum. LVI Quamivis ab istis quas tu formaveris olim Mentibus, accedat nil ad Preaeconia clara, Attamen = eternim munera Amoris. celebrabunt CANTO VII] LIX Preter Peccatum & Mortem tu cuncta creasti, Heec sua Stultitie humane primor- dia debent, Illud Naturam conspersit Sordibus omnem. LX Sed qud curares Peccati Vulnera, Nobis Donas IMMANUEL, sibi qui non sumere nostram Naturam renuit, qui non Preesepe recusat. 180 LXI O, dulcis noster Mediator! Munera cujus Laudis seu rores, A‘terno, matutini Sunt celebrata Choro celesti Canti- bus altis. LXII Concurrente, Devs, Flamine Sancto, Tu Verbo zterno contentus sumere Carnem ; : Qualitér emanas homini fas dicere non est. genuit Te LXIII Sicut ab Aterno fuit Emanatio mira; Hec sic eternum miré durabit in zevum : Principio Verbum, cuncta preeisse. LXIV Unum est esse Tibi, paritty Tu trinus & unus ; 190 Et duplex Natura Tibi conspirat in una, trin-unius Honore ; monstrat Te Ipse resides Deitatis LXV Deque tuo Radii Solio tot mille refulgent, Quales Aligertm non possint Lumina ferre ; De quibus evolvunt Nil docta Noe- mata Cleri. LXVI Etatum, pateat, Monumentalegendo priorum, ( 459 ) Theophile Amoris Hostia Hec sacra quod _nullus Mysteria nobis Pandere, Virgineo pritis ac sunt potuit edita Partu: LXVIL Nido a Se structo fuit hic exclusa Columba, Ile Gregem partus fuit hic qui protegat Agnus, 200 Se producentem, Flos, qui forma- verat Agrum : LXVIII Agmine Ccelicoltm Te Concele- brante corusco ; Pectora Pastorum subito trepidare pavore ; Te, monstrante Magi venerantur Sydere Cursum. LXIX Cim sis divind mirandus Origine tali, Viliamortalis pateris Convitia Gentis, Irato ut possis nos conciliare Parenti. LXX Letus Honoris erat proprii Gratia Prezeco, Es tu dignatus sacratum Munus tua obire, Ast Aaronis eras solito de more vocatus. 210 LXXI Ac ut divino constarent singula Verbo, In te de superis descendit Spiritus auris, Lenes propter aquas Jordanes, teste Johanne. LXXI Hinc in Desertum perductus Flamine Sacro, Deemonis appulsu tentatus, Codice vertim Hunc superas Scripto, fluit unde Redemptio nostra. Protinus egressus, LXXIII Actus Sermones, Oracula fuérunt, mira Edward Benlowes Hee genuére Fidem, genuére Timorem, Erectas Animas ad Te tollamus utrisque. 220 nec non LXXIV Firmatum claudis gressum tribuisti, Lumina Cecis, Morbo languentes diro quocunque levabas, Defunctis Vitam, Mutis dederas- que Loquelam. LXXV Defunctis Tu Vita, Salus mortalibus eegris, Tu cecis Lumen, Tu rerum copia egenis, Thesaurus furtum spernens, sincera Voluptas. LXXVI Non ex hoc Mundo Regnum Tibi, RECTOR OLYMPI, Nuncia Apostolico procedunt Pec- tore leta, Ut tua sit totum Miseratio nota per Orbem. LXXVII Mortuus ante Diem conspexit fidus Abraham, 230 Vota tibi pariter nato solvebat Isaco, Antitypum atque Typus, versare per omnia vivus. LXXVIII Est Evangelicus, Sapiens Academia, Codex, Justitiam vicit Clementia blanda severam, Sobrius ut Vitam ducebas, Fortis obibas. LXXIX Es Tu, sacra Domus, Tu purum Altare, Sacerdos, Tu Vite Panis, citra fastidia Festum, Ex Escis ubi acuta novis exurgit Orexis. LXXX Mortali natus mortalia Crimina deles, Victima grata foret Tibi quodvis Pectus honestum, 240 (470 ) [CanTo VII Ob Genus humanum qui velles fundere Vitam. LXXXI Non dedignatus, Crucis es tolerare probrosze Tormina, qud nobis concessus sit Paradisus ; Quod pia Sanctorum Solentur Gaudia Mentes. LXXXII Ferrea Tartarei diffringens Claustra Tyranni, Dira tenebrosi Phlegetontis Monstra coerces : Sic tua cuncta Tibisubigebat Dextera victrix. LXXXIII Tu Virtute tua solvebas Vincula Mortis, Atque reviviscens superam contendis in Arcem, Inspirat Vitam Leethatis Spiritus Oris. 250 LXXXIV Te, Pater, electis ut signet Dona Salutis Spiritus Alme, dedit Nato (sic Trinus in Uno) Sanctificas Omnes proprié, non solus at Omnes. LXXXV Patris Amor, nec non Nati, cceleste Sigillum, Presidium Sanctis, felix Pietatis Origo, Alta salutiferee pandas Mysteria Lingue. LXXXVI O Jubar immensum Radiis insigne coruscis, Omnis ab aspectu Sophie Radiatio clara, Non collata potest minui tua Copia cunctis. : LXXXVII Gaudia sunt Comites, Clementia, Pacis Amorque; 260 Quorum pacatum perturbant nulla Tenorem CaNnTo VII] Tristia ; Quem Mundus, nec Mors, nec destruat Orcus. LXXXVIII Festum ex selectis quod constet talibus Escis, Qualitér haud acris possit consumere Orexis, Dives Odor quem non dispergat Ventus in Auram: LXXXIX Lux Oculos fugiens, tamen Ipse per Omnia splendes, Tu Sonus es qualem non Musicus explicet ullus, Arctus es Amplexus, quem Tempora nulla resolvant. XC Exindé irrefluo volvuntur Gaudia Cursu, Qualia inexhaustis soleas preebere Culullis, 270 Cordibus, a foed& Peccati Labe remotis. XClI Ecstaticum hoc Vinum quod tradit Spiritus Almus, Sidereum motas extollit ad A®thera Mentes ; Terrenis orbas Cceli Solatia mulcent. XCll © quam sacrati connectit Gluten Amoris ! Ros fluit Ambrosiz divino qualis ab Ore! Sunt tua que solim faciunt Com- mercia Calum. XCIl Illustres Anime, succense hoc Lumine summo, Quando tuos Vultus radiantes Luce tuentur, Quodque Decus reputant obscure Noctis adinstar. 280 XCIV Sublimis nostros superans Infusio Sensus, (471) Theophile Amoris Hostia Tu stupor Eloquii Nomen mereare profundi, équet hyperbolicus quem nullus Sermo superbus. XCV Sacrosancta ‘Trias, complecteris Omnia solim, Exuperans quodcunque Bonum, super Omnia Felix, Nos haustura, tamen vivo hoc in Fonte natamus : XCVI Imperio REx magne tuo par nulla Potestas, Augusto cujus Majestasprovenit Ore, Pulchraé es perpetui preecinctus Veste Decoris. XCVII Justitia est Sceptrum, Solium mise- ratio Mitis, 290 Regna perimmensos extendunt cce- lica Tractus, Gloria permansura, Tibi, per Sécla Corona. XCVII Pax Intellectiis tua quodvis praestat Acumen, Obsisti poterit tua vasta Potentia frustra, Numen es Ipse sacrum, Sacro purgatius omni. XCIX Ore fluit Verum, Sapientia Pectore manat, Ante tuam excubias agit Omni- potentia Turrim, Aligeri peragunt tua Jussa verenda Ministri. c Perspicit Obtutu vel cuncta Scientia primo, Thesauro frueris per Te sine Fine beato, 300 Tempus es Aternum; Que me demergat Abyssus ! Edward Benlowes [Canto VII Peroratio Eucharistica SuMMAS Tibi agit Grates, maxime CcelorumPRA&SES, eternimqueadoran- dum Numen, Servus tuus humillimus, quem post tot varias mundanarum Sollicitudinum Procellas, vastosque Curarum Fluctus, cum olim Hollan- diam, Brabantiam, Artesiam, Germa- niam, Austriam, Hungariam, Styriam, Carinthiam, partem Italiz, nec non Gallize incolumem in Patriam reduxisti. Quam gratum enim mihi placidum, post tot periculosas inter peregrinandum CONDITOR Omnipotens Solique! supremum Cujus ad Arbitrium cuncta creata Ceelique fluunt ; Clementér Finem lassis imponito Rebus, Nec plis terrenis Mens operosa vacet : Omnia solertér sub utroque jacentia Pheebo [scio. Perpendens, tandem non nisi vana Qua sese bifido Scaldis discriminat Alveo Vidi, Teque tua, Rhene palustris, Aqua: Non iter excelsee remorate Nubibus Alpes, Que nec in aeriis Nixsedet alta Jugis; Vidimus oppositos vario sub Climate Mores ; ir Vidimus innumeras quas vehit Ister Aquas: Diverso didici diversa Idiomata Tractu, Queeque Observatu sunt bene digna, scio : Gallica Mobilitas, Fraus Itala, Fastus Iberi, Teutonica Ebrietas nota fuere nimis. Quamlibet in Partem Regina Pecunia Mundum Flectit,acerba Meum Bella Tuumque gerunt. Me conservanti per mille Pericula, Grates Qui possim meritassolvere, CHRISTE, Tibi! 20 Agitationes, Quietis Pacisque Interval- lum, ut devote LEGUM tuarum Obser- vationi totus exindé vacem! Tu, benigne DEUus, dulcissimum hoc mihi Otium concedis, quo Tibi Soli prompto libentique Animo inservire statui: sicut per Te vivo, sic Tibi viverem, & quic- quid a Gratia acceperim, in Honorem refunderem! Hee ergo Laudi & Glorize solius sapientis & immortalis DEI submissé consecrentur}, Cerno, detestans Vitium, lassusque Tumultu, Quod, non Vita, prior Vita, sed Error erat. Velle Meum, sit velle Tuum, Regnator Olympi! Cui soli Grates Mens agit, egit, aget. Si plures mihi Vita futura superstet in Annos, Huic sit juncta pia Sedulitate Fides ! Nam nil contulerim bené docto sanus Amico, Spiritus ut sano Corpore sanus agat. Nosse, & amare DEUM; Promissis credere CHRISTI, 29 Consulere Afflictis, edocuisse Rudes, Accumulare Bonis Inopes, succurrere Lapsis, Obnixé Votis Ista petenda meis. Vertam Bodleias, congesta Volumina, Gazas, Que Vaticano proxima, Roma, tuo: Nocturna versanda tamen, versanda diurna, Pre cunctis aliis Biblia Sacra Manu: Undé, ut Apis sese sustentat Nectare Cellze ; Sic vivam lectis Floribus hisce piis. Talia fac, vives, Lector; Quicunque beatus Esse cupis, tali Vitasit actamodo. 40 Me Vitam, atque Necem tibi pro- posuisse memento: Elige sivé velis vivere, sive mori. FINIS. 1 The reference to Benlowes’ travels is interesting, though there seems to be something lost after Galliz, Where was the country retreat so agreeably described in the last cantos ? be this. He must probably have got rid of Brent Hall by this time: but it say From the allusion to the Bodleian in the following lines he must already have been thinking of establishing himself at Oxford. (472) THE SUMMARY OF WISEDOME. BY EDWARD BENLOWES, Esq. Love not the World, neither the things that are in the World ; if any Man love the World, the love of the FATHER is not in him: For all that is in the World, the Lust of the Eyes, the Lust of the Flesh, and the Pride of Life, is not of the FATHER, but is of the World; and the World passeth away, and the Lust thereof. But He that doeth the Will of God abideth for ever. I Joh. 2. 15, 16, 17. LONDON, Printed for Humphry Mosely, and are to be sold at the Princes Arms in St. Pauls Church- yard, 1657. Edward Benlowes THE SUMMARY OF WISDOM’ Love not the world, neither the things that are in the world ; if any man love the world, the love of the Father is not in him, &'e. I WORLDLINGS we court not, envy not, nor fear ; May friends to virtue lend their ear: While sinners split on shelves, saints to Heav’n’s harbour steer. ul Earthlings ! what ’s heap of wealth ? what ’s Honour’s height ? What’s Pleasure’s May ? can toys so slight Bless Heav’n-descended souls with life’s eternal light? I Riches from most men, swift as eagles, fly ; Honours on popular breath rely ; Pleasure’s a flash ;—and All com- bin’d, but Vanity. Iv Why dot’st thou, World, on these ? we will not stay: 10 Juggler, we know thy tempting way ; Which is, by charms to mock our sense, and then betray. v Art toils to serve thee; sables yield their skins ; The silkworm for thy wardrobe spins ; The rock with gems, the sea with pearls, emboss thy sins. vI To bribe thy palate, Lust drains earth, air, seas ; I Jon, ii. 15, 16, 17. Whence finny, wing’d, hoof’d droves must please The glutton, made thereby a spittle of each disease. VIL False World, asp’s poison equals not thy gall, Embittering souls to Hell. Thus all 2 ° Thy darlings thou delud’st with thy enchanting call. VIII I wonder not unbridled fools run on; Since all their Heav’n’s on earth alone ; Which, though thou seem’st to give, as soon as giv’n, ’tis gone. IX Kiss, and betray, then Nero’s rage outdare ; He, whom thou hugg’st, should most beware : I shall unmask thy guiles, and thy fond gulls unsnare. x Thy smile is but a trap, thy frown a bubble, Thy praise a squib, thy beauty stubble ; Who know thee best, have found a theatre of trouble : 30 XI Where men and devils meet; and sense, compact With fraud, gild every vicious fact: ‘ As has been noted in Introduction, and as carefull (or even careless) readers of Theophila will notice at once, this piece is a sort of cento of Theophila itself. But the mosaic is a curious one, the constituent pieces are sometimes slightly altered, and, unless I mistake, there are new links and patches. At any rate, as extremely rare and as a sort of authentic abridgement, it seemed worth giving. ( 474) The Summary of Wisdom Where we must evil hear, or suffer it, or act. XII Thy friends are thieves of Time; The chat they vent (Light airs please toyish ears) is spent On trash, which minds seduce with cheating blandishment. XII Thy gifted scythemen have Religion mown, Which, in their meeting-barns, is grown From best to all (like Corinth’s schism) from all, to none. XIV Thy shop vents braided ware . apish fashion ; Thy gauds (Wealth, Sport, Pride) breed vexation ; Like hautboys, on Earth’s stage, oft ushering in—damnation, XV Ah, while, like larks, fools with vain feathers play, Pleas’d with Sin’s glass, are snatch’d away, In midst of their excess, to Hell’s tormenting bay ! XVI World, thou soul-wracking ocean! Flatteries blow Thee up, thou blue with spite dost grow, Brinish with lust, like the Red-Sea with blood, dost flow. XVII And, like the Basilisk’s prodigious eyes, Thy first sight kills, but thyself dies 50 First seen: quick-sighted Faith thy darts prevents, and spies. XVII Hadst been less cruel, thou hadst been less kind ; Thy gall, prov’d medicine, heals my mind: Thus Hell may help to Heawn, the Fiend a soul befriend. XIX The age-bow’d earth groans under sinners’ weight ! Justice, oppress’d, to Heav’n takes flight, Vengeance her place supplies, which with keen edge will smite. XX False World! is Hell the legacy to thy friend ? Crawl with thy trifles to the Fiend : We scorn thy pack,—this year may burning close thy end. 60 For all that is in the world, the lust of the eyes, ts not of the Father, but ts of the world, &'¢. XXI Midas, to th’ bar; grace, yet stor’d With gold, thy minted god, ador’d: Thou, and thine idol, perish in thy wretched hoard. XXII Thy heart is lock’d up in thy shrined _ chink: Oh, heavy gold, bred near Hell’s brink ! thou void of Misgotten elf, thou Heav’n-designed souls dost sink ! XXIII Whose gain is godliness,—the scrip- ture he Perverts: days him with interest see, Who incest still commits with his coins’ progeny. XXIV Thou hast too much, yet still thou whin’st for more; 70 39 like Corinth’s schism] This may serve, once for all, as an instance of the altera- tions noteworthy here and justifying the reprint. These words do not appear in the line as given and annotated above at Canto xii. st. vii. 1, 21 of Theophila. ( 475 ) Edward Benlowes Thou, wishing, want’st ; art, want- ing, poor: Thou wouldst ev’n plunder Hell for cash to cram thy store. XXV While gripes of famine mutiny with- in, And tan, like hides, the shrivell’d skin Of those thou hast decoy’d into thy tangling gin. XXVI Whose skin, sear as the bark of sap- less wood, - Clings to their bones, for want of food ; Friendless, as are sea-monsters thrown ashore by th’ flood. XXVII Though fasts be all their physic, their corpse all Their earth, who for thy pity call, 80 Yet art thou harder to them than their bed, the stall. XXVIII ‘Penurious churl, when shall I’ (says thine heir) “ Ransack thy chests ? so ease thy care: Purchase, instead of ground, a grave !—Die, wretch, to spare ! XXIX . ‘Hath treach’rous coin swell’d by thy curse ?—Live still Lay-Elder: soon thy crimes ful- fil :’ The heaviest curse on this side Hell’s to thrive in ill. XXX How cursed Love of Money doth bewitch The leprous Mind with pleasing itch ! This slave to his own servant, ne’er was poor, till rich ! go XXXI Graves may be sooner cloy’d, than craving eyes : ( 476) Bribes blanch Gehazi till he dies. ‘Thou fool, Death shall this night thy dunghill soul surprise.’ XXXII Nor would this city-wolf lead men to snares, Nor vex his mind with carking cares, View’d he himself 7’ th’ mirror which Despair prepares. XXXII So wasteful, usurer, as there’s none; Who part’st with three true gems, for one Brittle as glass;—thy fame, rest, soul for ever gone! XXXIV Who nettles sow, shall prickles reap ; the train 100 To Hell is idolizéd gain : Unless thou fiends canst bribe, thou go’st to endless pain ! XXXV His hidebound conscience opens now.—‘ I’ve run On rocks’ (he howls) ‘ too late to shun ! Grace left, Wrath seiz’d me! Gold, my god, hath me undone! XXXVI ‘Often to Hell in dreams I head- long fall! From devils then I seem to crawl, While furies round about with whips my soul appal ! XXXVII ‘Atheism our root, for boughs were Faction’s store, Hypocrisy our leaves gilt o’er, rro Wrath, Treachery, and Extortion, were the fruit we bore. XXXVIII ‘Like profane Esau have we sold our bliss, For shine of pelf, that nothing is ! This desperates our rage, we still blaspheme at this !’ thyself, The Summary of Wisdom XXXIX Thus cursed gripers restless tortures feel, Whose hearts seem’d rocks, whose bowels steel. ‘I burn’ (cries Dives) ‘for one drop, denied, I kneel! XL ‘Fire each where broils me, fire as black as night ! Goblins mine eyes, ears shrieks affright !’ Sin’s debt still paying, ne’er dis- charg’d, is infinite ! 120 For all that is in the world, the lust of the flesh, is not of the Father, but is of the world, &e. XLI Strow flowers for spendthrift ; Ante- masks he might Act before Apes, right : Whose dops, shrugs, puppet-plays, show best by candlelight. XLII Hot shows the season by his dusty head ; With fancied ribbons round be- spread ; Modish, and maddish, all untruss’d, as going to bed. XLII ‘Ho! First brisk wine, next let a sparkling dame Fire our high blood, then quench our flame ! Blest is the son, whose father’s gone ? th’ Devil’s Name. XLIV ‘Each pottle breeds a ruby, drawer, score ’um: 130 Cheeks dyed in claret, seem 0’ th’ quorum, When our Nose-Carbuncles, like linkboys, blaze before ’um.’ XLV Complete thy funeral-pile ; shouldst thou mark well How down the drunkard’s throat to Hell Death smoothly glides ; to swim so sadly would thee quell ! Spectators XLVI Spawns of Excess, dropsies and surfeits are ; From tenants’ sweat’s thy bill of fare : Each glutton digs with’s teeth his grave, whose maw’s his care. XLVII He’s sick, and staggers. his case state us, ‘His Cachexy results from flatus Hypochondruncicus, ex crapulacrea- tus,’ 141 XLVIII Scarce well, he swills what should the needy store ; And grinds between his teeth the poor, Who beg dry crumbs, which they with tears would moisten o’er. XLIX He a sharp reck’ning shall, with Dives, pay ; Whose feasts did hasten his audit-day ; Death brought the voider, and the Devil took away ! 1% Enterhis courtesan, who fans his fire; Her prattling eyes teach loose Doctor, desire: Fondlings to catch this art-fair fly, like trouts aspire. 150 LI With paint, false hair, and naked breasts she jets, 121 Strow flowers, &c.] Another change; see xi. vi. 16. But it is not necessary to note all, 141 Hypochondruncicus] Here, as noticed above, some timid person has crossed out the right word in the B. M. copy of the Summary and substituted hypochondriacus, ( 477 ) Edward Benlowes And patches (Lust’s new lime- twigs) sets ; Like tickets on the door, herself (for gold) she lets. LU Her basilisk-like glances taint the air Of virgin-modesty, and snare His tangling thoughts in trammels of her ambush-hair. LI With her profusely he misspends his days In balls, and dances, treatments, plays ; And in his bosom this close-biting serpent lays. LIV Death, after sickness, seize this Helen must ; 160 Whose radiant eyes, now orbs of lust, Shall sink, as falling stars, which, jellied, turn to dust. LV How wildly shows corrupted Nature’s face, Till deck’d by Reason, Learning, Grace ! Without which politure the noblest stem is base ! LVI Fools rifle out Time’s lottery: who misspend The soul’s rich joys, alive de scend, And antedate with stings their never- ending end! LVII Thy acts outsin the Devil; who’s ne’er soil’d With gluttony or lust, ne’er foil’d 170 By drink ; nor in the net of sloth- fulness entoil’d. LVIII Therefore in time beware; let not sin-charms Bewitch: thee, till Wrath cries to arms. Sin’s first face smiles, her second frowns, her third alarms. LIX How blind mad sinners are when they transgress ! All woes are, than such blindness, less ! That wretch most wretched is who slights his wretchedness ! LX When Death shall quench thy flames, and fiends thee seize, In _ brimstone-torrents, ease, Thou'lt broil midst blackest fires, and roar midst burning seas! 180 without For all that ts in the world, the pride of life, ts not of the Father, but ts of the world ; and the world passeth away, and the lusts thereof, &'c. LXI Usher Aspiro in with’s looms of state, To weave Fraud's web, and his own fate ; Who, mounted up, throws down the steps him rais’d of late. LXII His posture is ambiguous, his pace Is stately high, who thinks it Grace, If he casts forth a word, and deigns but half a face: LXIII Nor minds he what he speaks ; for by false light, (478 ) Like to his faith, he thrives ; whose sight, Clouded with jealousy, can never judge aright. LXIV By dubious answers he is wont to guess 190 At men’s dislikes; and fears no less Feign’d quips, than just reproofs : fear haunts him in each dress. LXV Ambition prompts to precipices steep, Which Envy gets, and Hate doth keep ; The Summary of Wisdom His daily thoughts of climbing break his nightly sleep. LXVI Could he with’s foot spurn empires into air, And sit ? th’ universal chair Of state; were pageants made for him, as the World’s Mayor ; LXVII Those fond disguisements could not long him fence, But crosses still would vex his sense, 200 And leave him blest but in the preterperfect tense. LXVIII Ev’n that at which Pride’s tow’ring project flies, If gain’d obliquely, sinks, and dies : Earth’s potentates ! great aims, plots, fears makes tragedies. LXIX Achitophel and Absalon prove this, (Who of their plots, not plagues did miss) To Macchiavels: ‘That ill worst to the plotter is.’ LXX Pompey and Caesar so ambitious grow, A battle must be fought to show Which of those cocks o’ th’ game o’er Rome at last should crow. LXXI The world, as great—Cham, Turk, Mogul upcries, 211 Tuscan’s Great Duke (all, no great prize), Great Alexander :—the Nine Worthy ironies. LXXII Ev’n sceptres reel like reeds: who had no bound, Is bounded in six foot of ground ; ‘Here lies the Great ’—thou li’st, here but his dust is found. ( 479 ) LXXIII Who lately swell’d to be his lord- ship’s slave, May trample now upon his grave, That levels all. Best lectures dust- seal’d pulpits have. LXXIV Where’s now the Assyrian lion? Persian bear? 220 Greek leopard? Rome’s spread- eagle where ? Where now fam’d Troy, that did in old time domineer ? LXXV Troy’s gone, yet Simois stays. See Fate’s strange play ! That which was fix’d, is fled away ; And what was ever sliding, that doth only stay! LXXVI Therefore, why gap’st thou thus for shadows ? who Neglected lets the substance go, Led by false hope, he makes sad end in endless woe! LXXVII The Mighty mighty torments shall endure, If impious: Hell admits no cure: Ambition ’s never safe, though often too secure. 231 LXXVIII If Pride on wing could reach the stars ; yet shall, Like Lucifer, its carcass fall : Pride mounted Babel’s tower, and arched Satan’s hall. LXXIX In centre of the terrible abyss, Remotest from supernal bliss, That hapless, hopeless, easeless, endless dungeon is ! LXXX Where nought is heard, but yelling! ‘Oh, that I Might once more live! or once more die!’ Cursing his woes, he wooes Gop’s curse eternally ! 249 Edward Benlowes But he that doeth the will of God, abideth for ever. Lord, teach us so to number our days, that we may apply our hearts unto wisdom. LXXXI Lust brings forth Sin; Sin shame ; Shame cries, ‘ Repent ;’ Repentance weeps; tears Prayer do vent ; Prayer brings down Grace ; Grace Faith ; Faith Love; Love Zeal upsent. LXXXII Who fears Gop, is, without despon- dence, sad ; Timorous, without despair ; and glad, Without wild freaks: whereas the World’s knave, fool, or mad. LXXXIII Part should the world what are in man combin’d ; The body melts to be refin’d ; Grace cheers the suffering, Glory crowns the conquering mind. LXXXIV Nor chance, change, fraud, nor force, the just man fright, 250 In greatest pressures he stands right ; Ever the same (while Sloth feels want, Ambition spite). LXXXV From costly bills of greedy empirics free ; From plea of Ambidexter’s fee ; From hypocritic schism of kirkish tyranny. LXXXVI He with observance honours Virtue’s friends ; And to their faithful counsel bends ; But not on empty forms of worldly gauds depends. LXXXVII In praising Gop, above the stars he climbs ; And pitying courts, with all their | crimes, ( 480 ) 209 And fawns, and frowns, dares to be good in worst of times. LXXXVIII Joy, little world, spite of the greater, blest ; Scanted abroad, within dost feast, Hast Curist Himself for cates. The Holy Guost for guest. LXXXIX Thou walk’st in groves of myrrh, with Curist thy guide (The best of friends that e’er was tried), By thee in vale of tears spiritual joy’s descried. XC Knew but the World what glorious joys still move In Faith’s bright orb, ’twould soar above Allsense, and centre in the point of heav’nly love! 2470 XCI Oh, Love’s high’st height! Thou art the wise man’s bliss ! T’ enjoy thee’s Heav’n, Hell thee too miss! The Earth, yea, Heav’n hath its beatitude from this! XCII No Christian kings win by each other’s loss ; What one gets by retail, in gross All lose; while still the Crescent gains upon the Cross. XCIII As children fight for toys ; so kings for clods : Heav’n’s heir’s more great, and rich by odds: For All is his, and he is Curist’s, and CuristT is Gon’s, XCIV No bank on earth such sums of wealth can lend, 280 The Summary of Wisdom As saints, who on Heav’n’s grace depend; Gop’s Word their law, His Sprrit their guide, the Lams their friend. XCV But, what’s vain man? what his earth-crawling race ? That Gop should such a shadow grace, And him eternally in GLory’s region place ? XCVI No surfeits’ maw-worm’s there, no itch of Lust, No tympany of Pride, no rust Of Envy, no Wrath’s spleen, nor Obduration’s crust. XCVII But, there, though Bliss exceeds, it never cloys ; For, sweet Fruition’s feast em- ploys 290 ( 48: ) li Still new desire; where none can count his least of joys! XCVIII The soul there (throwing off her rags of clay, Laid in Earth’s wardrobe, till last day) Ever triumphs in every beatific ray. XCIX There, each saint doth an endless kingdom own! There each king hath a starry crown ! Each sceptre there o’erpowers the world, and Devil’s frown! c None blest, but he who finds the JuncE his friend, When the last trump shall sum- mons send ! 299 The End doth crown, the Work, may JESUS crown THE ENp. Edward Benlowes A POETIC DESCANT UPON A PRIVATE MUSIC-MEETING? I Muse! Rise, and plume thy feet, and let’s converse This morn together: let’s re- hearse Last evening’s sweets ; and run one heat in full-speed verse. u Prank not thyself in metaphors ; but pound Thy ranging tropes, that they may sound Nothing but what our Paradise did then surround. III Thron’d first Parthenian heav’n-bred beauties were Near crystal casements’ Eastern sphere ; Who like to Venus sparkled, yet more chaste than fair. IV ’Mongst which, one radiant star so. g largely shone, 10 She seem’d a constellation ; Her front ’bove lily-white, cheek *bove rose-red, full blown. v Yet be not planet-struck, like some that gaze Too eagerly on Beauty’s blaze ; There’s none like thine, dear Muse! theirs are but meteor-rays. vI Suitors to idols offer idle suits, Which hold their presence more recruits Their broken hopes, than viols, pedals, organs, lutes. vl But, whist! The masculine sweet planets met, Their instruments in tune have set, 20 And now begin to ransack Music’s cabinet. Vil Sol! Thou pure fountain of this streaming Noise ! Patron of Sweetness! Joys! How were we ravish’d with thy viol’s warbling voice! 1X nectar-dropping played their part, They forced the fibres of our heart To dance: thy bow’s swift light- ning made the tears [to ?] start. x Thou didst ev’n saw the grumbling catlines still, ‘And tortured’st the base, until His roaring diapasons did the whole room fill. 30 XI Luna the pedal richly did adorn ; If ’twixt the cedar and the thorn There’s ought harmonious, ’twas from this sweet fir-tree born. XII As Philomel, Night’s minstrel, jugs her tides Of rolling melody ; she rides On surges down to th’ deep; and, when she lifts, up glides. Soul of Thy joints so 1 This is taken from the B. M. copy (669 f. 15. 2), a Single sheet not noted in Hazlitt's Hand-book. It is extremely characteristic, and perhaps as good an average example of Benlowes as could be given. If neverat his very best in it, he is nowhere near his worst. ( 482 ) A Poetic XIII Jove cataracts of liquid gold did pour, More precious than his Danaé’s show’r ; From pedal-drops to organ-deluge swell’d the stour. XIV Mars twang’d a violin (his fierce drums for fight 40 Turn’d to brisk Almans) with what sprite His treble shrill’d forth marches, which he strain’d to the height! XV His active bow, arm’d with a war- like tone, Rallied his troops of strings, as one, Which volleys gave i’ th’ chase of swift division. XVI So the Pelean youth was vanquish’d still By his renown’d musician’s skill, Which could disarm, and’ arm the conqueror at will. XVII Last Mercury with ravishing strains fell on, Whose violin seem’d the chymic- stone, 50 For every melting touch was pure projection. XVIII Chair’d midst the spheres of Music’s Heav’n, I hear, I gaze; charm’d all to eye and ear ; Both which, with objects too intense, even martyr’d were. XIX Th’ excess of fairs, distill’d through sweets, did woo 39 stour] ‘ Assault,’ ‘din.’ 41 Almans] German marches. Descant My wav’ring soul, maz’d what to do, Or to quit eyes for ears, or ears for eyes forgo. XX Giddy 7 th’ change which sex to crown with praise ; Time swore he never was with lays More sweetly spent ; ever beam’d such rays. XXI ’Twixt these extremes mine eyes and ears did stray, And sure it was no time to pray ; The Deities themselves then being all at play. XXII The fullthrong’d room its ruin quite defies : Nor fairs, nor airs are pond’rous ; skies Do scorn to shrink, though pil’d with stars and harmonies. XXII Form, Beauty, Sweetness, here conspire, Combin’d in one Celestial Quire, To. charm the enthusiastic soul with enthean fire: XXIV These buoy up care-sunk thoughts ; their power endues 70 A castril brain with eagle-muse : When Saints would highest soar they Music[’s] pinions use. XXV Music! thy med’cines can our griefs allay, And re-inspire our lumpish clay : Muse! Thou transcend’st; Thou without instruments canst play. BLANDULIS LONGUM VALE CANTI- LENIS. nor Beauty 60 all did A favourite word of Spenser’s. ‘Sprite’ =‘ sprightliness,’ 71 castril] ‘Kestrel,’ &c., an ill-bred hawk, ( 483 ) POE! By the moft defervedly Admired Mr’ Katherine Philips, The Matchlefs = S724. ORINDA. To which is added MONSIEUR CORNEILLES POMPEY} & *TRAGEDIES. HOR ACE, With feveral other Tranflations out of FRENCH LONDON, Printed by T. N. for Henry Herringman at the Sign of the Blew Anchor in the Lower Walk of the New Exchange. 1678. INTRODUCTION TO KATHERINE PHILIPS THE Poems of ‘the matchless Orinda!’ are better suited to stand the test on which Joe Gargery apologized for his indulgence at the public house than that on which William Taylor of Norwich judged poetry and was laughed at by Carlyle for judging it. They ‘do not over-stimilate’: on the division of ‘Quotidian and Stimulant’ they approach nearer to the former than to the Jatter. But this is no reason for excluding them from such a collection as this, where some at least of the constituents are rather too much than too little heady. And even if it deserved consideration there are many things on the other side to overrule it. Mrs. Philips as a poetess has been much more talked of than read, a state of things which it is one of the primary duties of editors to combat or cure; the references to her, from Dryden downwards, are more than sufficient vouchers for her reintroduction ; and her intrinsic interest, though mild, is by no means insignificant. It is an obvious fancy, but neither too obvious nor too fanciful, to compare the attraction of her verse to that of the large portrait-bust which serves as frontispiece to the 1 She was born on New Year’s Day, 1631, the daughter of John Fowler, a merchant of Bucklersbury in the City of London; and educated at one of the famous Hackney boarding-schools, which, however, she must have left full twenty years before the unhallowed eyes of Samuel Pepys gloated over ‘the young ladies of the schools, whereof there is great store, very pretty’ on Sunday, April 21st, 1667. John Fowler dying, his widow married a Welshman, Hector Philips of Porth Eynon, whose son, by his first wife, Katherine herself married in 1647. The Dictionary of National Biography assigns to her a son (named after his grandfather Hector, and living but forty days) in the year of her marriage. But she expressly says in his epitaph Twice forty months of wedlock did I stay, Then had my vows crowned by a lovely boy. She had, however, another child, a daughter christened after herself, who was born in 1656, and lived to be married. ‘ Orinda’ began her appearance as a poetess with verses on Vaughan’s poems in 1651: and soon attained a considerable (coterie and other) reputation. In 1662 she went to Dublin and had her version of Corneille’s Pompey performed there. She died of small-pox in Fleet Street, London, on June 22, 1664, having been vexed a little earlier by an unauthorized issue of her Poems. (This irritation though excusable, was a little unreasonable, for the delinquent book is a prettier volume than the authorized version, and the variants are neither many nor important.) A further unfinished version of Horace was completed by Denham, but neither of these falls within our scope. The Poems were collected and published in 1667, and more than once reprinted, without any substantive changes as far as I have noticed. The principal modern treatment of her is in Mr. Gosse’s Seventeenth-century Studies, and there is a selection, with Introduction by Miss Guiney, in The Orinda Booklets. J. R. Tutin, 1904. ( 486 ) Introduction ‘folio edition of her poems, and which is delicately apologized for as ‘a poor paper shadow of a statue made after a portrait not very like her.’ In this portrait the features are too much accentuated and the expression hardened and vulgarized a little by adherence to fashion, and supposed proportion, and the like: but there is still an aura of possible charm about it’. The Poems of Orinda are studiously adjusted to Romantic-Platonic ideas of friendship, studiously artificial, studiously ‘proper.’ But there is more than a suggestion that not merely must ‘ Rosania’ and ‘Lucasia’ and the rest have possessed and lost a friend worth having, but that ‘my Antenor’ (less romantically Mr. Philips,) was by more than convention a fortunate man in his marriage, and an unlucky one in his widower-hood. Part of the interest and value of Orinda’s poems for us lie in the way in which they exhibit the settling down of poetry to its more prosaic kinds and expressions about the period of the Restoration: and it is very curious that another poetess, born just after Orinda’s death, shows us in like manner the rise from this. Katherine Philips and Lady Winchelsea cover in their lives ten years short of a century, for the elder was still young and the younger not yet old when she died. But between them they give us the curve almost complete. Orinda in such a poem as ‘The Soul’ shows us the insolent and passionate Elizabethan poetry still trying to soar, but with flagging wings and ina too rare atmosphere ; Ardelia’s ‘ Nocturnal Reverie’ shows us the recovery of the way to the empyrean by a diligent and loving attention to the things of terrestrial nature. The greatest danger for a modern reader of Katherine Philips is of course the associations of the Précieuse School, with Rosania and Lucasia and their little harmless plays at being each a Sappho on doctior sed pudica (to vary the epigrammatist). But one fashion is very much like another ; seldom much more absurd, almost always as well worth understanding. In England, as in France, there was undoubtedly a good deal of roughness and coarseness to be worn off and cleansed away, and Mrs. Philips and her friends, though Addison was td give their successors a little of his milder satire, were practically doing Addison’s work before he himself was born. And the whole thing is a sort of ‘side-show’ to the Heroic entertainment which is one of the main things that our time has to provide. It does not appear that ‘ Antenor’ objected, or that he had any reason to object; indeed he seems to have played his part with all the mix- ture of gravity and zeal that could have been required in the Hétel de Rambouillet itself, and no doubt regarded his gifted spouse as more ingenious if less in quality than even ‘Julie.’ To come to details, her couplet verses are rarely very good, and she 1 This is, perhaps not quite fancifully, brought out in a mezzotint by Beckett, inserted by some one in the B. M. copy of the 1678 ed., a really attractive face, and with character init. Beckett’s work is mostly dated about twenty years after Orinda’s death. Another later portrait in the same copy is prettified, but mawkish, ( 487 ) Katherine Philips seldom anticipates, as Chamberlayne and others do after Fairfax, the clench and grip of her contemporary Dryden. But she has retained something of the mysterious charm of earlier Caroline poetry in the shorter and intertwisted measures. For instance, quite early in Come, my Lucasia, since we see the quintet, though it has no extraordinary poetical ideas or images to carry, carries its actual burden with something of the strange throb and pulse of pace which we find in the greatest things of Marvell. The next poem is far less effectual, but why? because the couplet added to the quatrain in its six-line arrangement is infinitely less effective than the single line. She is again at home in the simpler octosyllabic quatrain Come, my Ardelia, to this bower and hardly less (though she cannot approach the best things of the time) in that unique form of the ‘common measure’ which that time invented, and which makes one wonder how it can possibly be the same in mere mathematical respects with the jogtrot of Delony or Sternhold. I did not love until this time Crowned my felicity, When I could say without a crime I am not thine but thee. How did Donne or Jonson (for it was apparently one or the other) discover this ineffable cadence? How did they manage to teach it to (all but) all and sundry, for half a century? How did it get utterly lost? and how has it been only occasionally and uncertainly recovered? But these are questions, themselves ‘begotten of Despair upon Impossibility’ yet delightfully suggested by such matter as that which we here collect for study. Of less strange piquancy, but too good to be left inaccessible, are the ‘Lines to Regina Collier on her cruelty to Philaster.’ ‘Regina,’ it may be observed, appears to have been a real name and not of the Orinda kind. Those to Rosania herself As men that are with visions graced apply the spell once more. ‘A Prayer’ is fine; but somehow Orinda is always more at home with her Sapphic-Platonics as in ‘To Mrs. M. A. [Mary Aubrey] at Parting ’: I have examined and do find Of all that favour me, There’s none I grieve to leave behind But only, only thee. Once more the commonest of commonplaces in sentiment, the most ordinary—almost to the Wordsworthian paradox-level—of words: yet of cadence ineffable, and such that Keats found it, and knew it. ‘The Enquiry,’ ‘To My Lucasia’ and others, are hardly inferior. She was less happy ( 488 ) Introduction at the ode; but she could often manage song-measures featly enough ; as, for instance, in How prodigious is my fate which does not ill deserve a place in the too little known anthology of Second-Caroline songs. ‘The Parting of Lucasia, Rosania and Orinda at a fountain’ (which the sensible Platonics mitigated with Bacchus) is not contemptible: and the epitaph on her own infant son is not the worst of the school of Jonson. Nor will the reader who really cares for poetry fail to find other things in the Matchless Orinda which will please him; nor would she have been very sorry not to please the reader who does rat so care. ( 489 ) THE PREFACE WHEN the false Edition of these Poemsstole into the light, a friend of that incomparable Lady’s that made them, knowing how averse she was to be in Print, and therefore being sure that it was absolutely against her consent, as he believed it utterly without her know- ledge, (she being then in Wales, above 150miles from this town) went presently both to the Gentleman, who licens’d it upon the stationer’s averment that he had her leave, and to the stationer himself for whom it was printed, and took the best course he could with both to get it suppress’d, as it presently was (though afterward many of the books were privately sold) and gave her an account, by the next post, of what he had done. A while after he received this answer, which you have here (taken from her own hand) under that disguised name she had given him, it being her custom to use such with most of her particular friends. Worthy Poliarchus, IT is very well that you chid me so much for endeavouring to express a part of the sense I have of your obligations ; for while you go on in conferring them beyond all possibility of acknowledgement, it is convenient for me to be forbidden to attempt it. Your last generous concern for me, in vindicating me from the unworthy usage I have received at London from the press, doth as much transcend all your former favours}, as the injury done me by that Publisher and Printer exceeds all the troubles that I re- member I ever had. All I can say to you for it, is, that though you assist? an unhappy, it is yet a very innocent person, and that it is impossible for malice itself to have printed those Rimes * (you tell me are gotten abroad so impudently) with so much abuse to the things, as the very publication ' Orig. usually the ‘or’ form. of them at all, though they had been never so correct, had been to me; to me (Sir) who never writ any line in my life with an intention to have it printed, and who am of my Lord Falkland’s mind, that said, He danger fear’d than censure less, Nor could he dread a breach like to a Press. And who (I think you know) am sufficiently distrustful of all, that my own want of company and better employment, or others’ commands have seduc’d me to write, to endea- vour rather that they should never be seen at all, than that they should be expos’d to the world with such effronters* as now they most unhappily are. But is there no retreat from the malice of this World? I thought a rock and a mountain might have hidden me, and that it had been free for all to spend their solitude in what Reveries® they please, and that our rivers (though they are babbling) would not have betray’d the follies of impertinent thoughts upon their banks; but ’tis only I who am that unfortunate person that cannot so much as think in private, that must have my imaginations rifled and exposed to play the mountebanks, and dance upon the ropes to enter- tain all the rabble; to undergo all the raillery of the Wits, and all the severity of the Wise; and to be the sport of some that can, and some that cannot read a verse. This is a most cruel accident, and hath made so propor- tionate an impression upon me, that really it hath cost me a sharp fit of sickness since I heard it; and I be- lieve would be more fatal but that I know what a Champion I have in you, and that I am sure your credit in the World will gain me a belief from all that are knowing and civil, that I am so innocent of that wretched 2 T substitute ‘assist’ for ‘assert.’ * I think it fair to keep this spelling, more especially because I think it the wrong one. ‘4 effrontery ? ( 490 ) © Orig. Resveires. Preface artifice of a secret consent (of which I am, I fear, suspected) that whoever would have brought me those copies corrected and amended, and a thou- sand pounds to have bought my per- mission for their being printed, should not have obtained it. But though there are many things, I believe, in this wicked impression of those fancies, which the ignorance of what occasion’d them, and the falseness of the copies may represent very ridiculous and extravagant, yet I could give some account of them to the severest Cato, and I am sure they must be more abus’d than I think is possible (for I have not seen the Book, nor can imagine what’s in’t) before they can be render’d otherwise than Sir Edward Dering says in his Epilogue to Pompey, No bolder thought can tax Those Rimes of blemish to the blush- ing Sex, As chaste the lines, as harmless is the sense, As the first smiles of infant innocence. So that IT hope there will be no need of justifying them to Virtue and Hon- our; and I am so little concern’d for the reputation of writing sense, that, provided the World would believe me innocent of any manner of knowledge, much less connivance at this publica- tion, I shall willingly compound never to trouble them with the true copies, as you advise me to do: which ifyou still should judge absolutely necessary to the reparation of this mis- fortune, and to general satisfaction ; and that, as you tell me, all the rest of my friends will press me to it, I should yield to it with the same re- luctancy as I would cut off a limb to save my life. However I hope you will satisfy all your acquaintance of my aversion to it, and did they know me as well as you do, that apology were very needless, for I am so far from expecting applause for any thing I scribble, that I can hardly expect pardon; and sometimes I think that employment so far above my reach, and unfit for my sex, that I am going to resolve against it for ever; and could I have recovered those fugitive papers that have escap’d my hands, I had long since made a sacrifice of (49 ) them all. The truth is, I have an incorrigible inclination to that folly of riming, and intending the effects of that humour, only for my own amuse- ment in a retir’d life; I did not so much resist it as a wiser woman would have done; but some of my dearest friends having found my Ballads, (for they deserve no better name) they made me so much believe they did not dislike them, that I was betray’d to permit some copies for their divertisement ; but this, with so little concern for them, that I have lost most of the originals, and that I suppose to be the cause of my present misfortune; for some infernal spirits or other have catch’d those rags of paper, and what the careless blotted writing kept them from understanding, they have supplied by conjecture, till they put them into the shape wherein you saw them, or else I know not which way it is possible for them to be collected, or so abominably transcrib’d as I hear they are. I believe also there are some among them that are not mine, but every way I have so much injury, and the worthy persons that had the ill luck of my converse, and so their names expos’d in this impression without their leave, that few things in the power of Fortune could have given me so great a tor- ment as this most afflictive accident. I know you Sir, so much my friend, that I need not ask your pardon for making this tedious complaint; but methinks it is a great injustice to revenge myself upon you by this harangue for the wrongs I have re- ceived from others; therefore I will only tell you that the sole advantage I have by this cruel news, is that it has given me an experiment, That no adversity can shake the constancy of your friendship, and that in the worst humour that ever I was in, I am still, Worthy Poliarchus, Your most faithful, most obliged Friend, and most humble Servant ORINDA. Cardigan, Jaz. 29, 1663. She writ divers letters to many of her other friends, full of the like resent- ments; but this is enough to show Katherine Philips how little she desired the fame of being in print; and how much she was troubled to be so exposed. It may serve likewise to give a taste of her prose to those that have seen none of it, and of her way of writing familiar letters, which she did with strange readiness and facility, in a very fair hand, and perfect ortho- graphy; and if they were collected with those excellent discourses she writ on several subjects, they would make a volume much larger than this, and no less worth the reading. About three months after this Letter she came to London, where her Friends did much solicit her to redeem her- self by a correct impression ; yet she continued still averse, though perhaps in time she might have been over- rul’d by their persuasions if she had lived. But the small-pox, that malicious disease (as knowing how little she would have been concern’d for her handsomeness, when at the best) was not satisfied to be as injurious a printer of her face, as the other had been of her Poems, but treated her with a more fatal cruelty than the stationer had them: for though he, to her most sensible affliction, surreptitiously possess’d himself of a false copy, and sent those children of her fancy into the World, so martyred, that they were more unlike themselves than she could have been made, had she escaped ; that murtherous tyrant, with greater barbarity, seiz’d unexpectedly upon her, the true original, and to the much juster affliction of all the world, violently tore her out of it, and hurried her untimely to her grave, upon the 22nd of June, 1664, she being then but 31 years of age. But he could not bury her in oblivion, for this monument which she erected for herself, will, for ever, make her to be honoured as the honour of her sex, the emulation of ours, and the admiration of both. That unfortunate surprise had robb’d it of much of that perfection it might else have had, having broke off the Translation of Horace before it was finish’'d, much less review’d, and hindered the rest from being more exactly corrected, and put into the order they were written in, as she possibly herself would have done, had she consented to a second Edition. ’Tis probable she would also have left out some of those pieces that were written with less care and upon occasions less fit to be made public, and she might also have added more: but all industry has been us’d to make this Collection as full and as perfect as might be, by the addition of many that were not in the former impression, and by divers Translations, whereof the first has the Original in the opposite page; that they who have a mind to compare them, may, by that pattern, find how just she has been in all the rest to both the Languages, exactly rendering the full sense of the one, without tying herself strictly to the words, and clearly evincing the capaciousness of the other, by com- prising it fully in the same number of lines, though in the Plays half the verses of the French are of thirteen syllables, and the rest of twelve, where- as the English have no more but ten’. In short, though some of her pieces may perhaps be lost, and others in hands that have not pro- duc’d them; yet none that upon good grounds could be known to be hers, are left out; for many of the less con- siderable ones were publish’d in the other; but those, or others that shall be judged so, may be excused by the politeness of the rest which have more of her true spirit, and of her diligence. Some of them would be no disgrace to the name of any Man that amongst us is most esteemed for his excellency in this kind, and there are none that may not pass with fa- vour, when it is remembered that they fell hastily from the pen but of a Woman. We might well have call’d her the English Sappho, she of all the female poets of former Ages, being for her verses and her virtues both, the most highly to be valued ; but she has cal’d herself ORINDA, a name that deserves to be added to the number of the muses, and to live with honour as long as they. Were our language ? It has seemed sufficient to meet this by giving ove stanza of the orig. in a note. (492 ) Preface as generally known to the world as the Greek and Latin were anciently, or as the French is now, her verses could not be confin’d within the narrow limits of our islands, but would spread themselves as far as the continent has inhabitants, or as the seas have any shore. And for her virtues, they as much surpass’d those of Sappho as the Theological do the Moral, (where- in yet Orinda was not her inferior) or as the fading immortality of an earthly laurel, which the justice of men can- not deny to her excellent poetry, is transcended by that incorruptible and eternal Crown of Glory, wherewith the Mercy of God hath undoubtedly rewarded her more eminent piety. Her merit should have had a statue of porphyry wrought by some great artist, equal in skill to Michael Angelo, that might have transferr’d to posterity the lasting image of so rare a person: but here is only a poor paper-shadow of a statue made after a picture not very like her, to accompany that she has drawn of herself in these Poems, and which represents the beauties of her mind with a fartruer resemblance, thanthat doesthe lineaments of her face. They had sooner performed this right to her memory, if that raging Pes- tilence which, not long after her, swept away so many thousands here and in other places of this Kingdom ; that devouring Fire, which since de- stroy’d this famous City ; and the harsh sounds of War, which with the thunder- ings of cannon, deafn’d all ears to the gentle and tender strains of Friend- ship, had not made the publication of them hitherto unseasonable. But they have outliv’d all these dismal things to see the blessing of Peace, a con- juncture more suitable to their Nature, all compos’d of kindness; so that I hope Time itself shall have as little power against them, as these other storms have had, and then ?Ovid’s conclusion of his Me¢amorphosis may, with little alteration, more truth, and less vanity than by him to himself, be applied to these once transformed, or rather deformed Poems, which are here in some measure restor’d to their native shape and beauty, and there- fore certainly cannot fail of a welcome reception now, since they wanted it not before, when they appeared in that strange disguise. The Earl of Orrery to Mrs. Philips Madam, WHEN I but knew you by report, I fear’d the praises of th’ admiring Court Were but their compliments, but now J must Confess, what I thought civil is scarce just : ae aay imperfect trophies to you raise, You deserve wonder, and they pay but praise ; A praise, which is as short of your great due, As all which yet have writ come short of you. You, to whom wonder’s paid by double right, Both for your verses, smoothness and their height. 10 In me it does not the least trouble breed, That-your fair sex does ours, in verse, exceed, Since every Poet this great truth does prove, ; Nothing so much inspires a Muse as Love ; Thence has your sex the best poetic fires, For what’s inspir’d must yield to what inspires. 1 T am in two minds as to substituting ‘rite’ for this. 2 Nec Jovis ira, nec ignis, nec poteris (sic in orig. side-note) ferrum, nec edax abolere vetustas, &c. ( 493 ) Katherine Philips And as our sex resigns to yours the So ieee bright sex must yield to fiymertenee shows, that never fountain A a whieh could ascend above its head; 20 For those whose wit fam’d Helicon does give, To rise above its height durst never strive, Their double hill too, though ’tis often clear, Yet often on it clouds and storms appear. Let none admire then that the ancient wit Shar’d in those elements infused [in ?] it ; Nor that your Muse than theirs ascends much higher, She sharing in no element but fire. Past ages could not think those things you do, For their Hill was their basis and height too: 30 So that ’tis truth, not compliment, to tell, Your lowest height their highest did excel ; Your nobler thoughts warm’d by a heav’nly fire, To their bright centre constantly aspire ; And by the place to which they take their flight, Leave us no doubt from whence they have their light. Your merit has attain’d this high degree, ’Tis above praise as much as flattery, And when in that we have drain’d all our store, All grant from this nought can Z distant more. Though you have sung of eae ship’s power so well, That you inthat, as you ‘in wit excel ; Yet my own interest obliges me To praise your practice more than theory ; ( 494 ) For by that kindness you your friend did show The honour I obtain’d of knowing You. In pictures none hereafter will delight, You draw more to the life in black and white; The pencil to your pen must yield the place, This draws the soul, where that draws, but the face. 50 Of blest retirement such great Truths you write, That ’tis my wish as much as your delight ; Our gratitude to praise it does think fit, Since all you writ are but effects of it. You English Corneil[le]’s Pompey with such flame, That you both raise our wonder and his fame; lf he could read it, he like us would call The copy greater than th’ original ; You cannot mend what is already done, Unless you'll finish what you have begun : 60 Who your Translation sees, cannot but say, That ’tis Orinda’s work, and but his play. The French to learn our language now will seek, To hear their greatest Wit more nobly speak ; Rome too would grant, were our tongue to her known, Caesar speaks better in’t than in his own, And all those wreaths once circl’d Pompey’s brow, Exalt his fame, less than your verses now. From these clear truths all must acknowledge this, If there be Helicon, in Wales it is. 70 Oh happy Country which to our Prince gives His Title, and in which Orinda lives ! Commendatory Poems The Earl of Roscommon to Orinda : an imitation of Horace Integer vitae, &c. Carm, lib. i. od. 22, I VIRTUE (dear Friend) needs no defence, No arms, but its own innocence ; Quivers and bows, and poison’d darts, Are only us’d by guilty hearts. II An honest mind, safely, alone May travel through the burning Zone, Or through the deepest Scythian snows, Or where the fam’d Hydaspes flows. III While (rul’d by a resistless fire) Our great ORINDA I admire. 10 The hungry wolves that see me stray Unarm’d and single, run away. IV Set me in the remotest place That ever Neptune did embrace, When there her image fills my breast, Helicon is not half so blest. Vv Leave me upon some Lybian plain, So she my fancy entertain, And when the thirsty monsters meet, They'll all pay homage at my feet. 20 VI The magic of ORINDA’s name, Not only can their fierceness tame, But, if that mighty word I once rehearse, They seem submissively to roar in verse. Upon Mrs. Philips her Poems I WE allow’d you beauty, and we did submit ; To all the tyrannies of it. Ah cruel Sex! will you dispose us too in Wit? Orinda does in that too reign, Does man behind her in proud triumph draw, And cancel great Apollo’s Salic Law. We our old Title plead in vain: Man may be head, but Woman’s now the brain. Verse was love’s fire-arms heretofore : In beauty’s camp it was not known, Too many arms beside that conqueror bore. II ’Twas the great cannon we brought down, T’ assault a stubborn town. Orinda first did a bold sally make, Our strongest quarter take, And so successful prov’d that she Turn’d upon Love himself his own artillery. ( 495 ) IE Women, as if the Body were the whole, Did that, and not the Soul, Transmit to their posterity ; 20 If in it sometimes they conceiv’d, Th’ abortive issue never liv’d. ’Twere shame and pity, Orinda, ifin thee A spirit so rich, so noble, and so high, Should unmanur‘d or barren lie. But thou industriously hast sow’d and till’d The fair and fruitful field: And ’tis a strange increase that it doth yield. As when the happy Gods above Meet all together at a feast, 30 A secret joy unspeakably does move In their great Mother Cybele’s con- tented breast: With no less pleasure thou, methinks, shouldst see This thy no less immortal progeny, And in their birth thou no one touch dost find, Of th’ ancient curse to woman-kind ; Katherine Philips Thou bring’st not forth with pain, It neither travel is, nor labour of thy brain. So easily they from thee come, And there is so much room, = 40 In the unexhausted and unfathom’d womb ; : That, like the Holland Countess, thou might’st bear A child for ev’ry day of all the fertile year. ll Thou dost my wonder, wouldst my envy raise, If to be prais’d I lov’d more than to praise. Where’er I see an excellence, I must admire to see thy well-knit sense, ‘Thy numbers gentle,andthyfancieshigh, Those as thy forehead smooth, these sparkling as thine eye. ’Tis solid, and ’tis manly all, 50 Or rather, ’tis angelical: For, as in Angels, we Do in thy verses see Both improv’d sexes eminently meet ; They are than Man more strong, and more than Woman sweet. Iv They talk of nine, I know not who, Female Chimaeras, that o’er Poets reign ; I ne’er could find that fancy true, But have invok’d them oft I’m sure in - vain. They talk of Sappho, but, alas the shame! 60 Ill manners soil the lustre of her fame. Orinda’s inward virtue is so bright, That, like a lantern’s fair encloséd light, It through the paper shines where she doth write. Honour and Friendship, and the gen’- rous scorn Of things for which we were not born, (Things that can only, by a fond disease, Like that of girls, our vicious stomachs please) Are the instructive subjects of her pen. And as the Roman victory — 70 Taught our rude land arts, and civility, At once she overcomes, enslaves, and betters men. Vv But Rome with all her arts could ne’er inspire A female breast with such a fire. The warlike Amazonian train, Which, in Elysium, now do peaceful reign, And Wit’s mild empire before Arms ' prefer. Hope ‘twill be settled in their sex by her. Merlin the seer (and sure he would not lie In such a sacred Company) 80 Does Prophecies of learn’d Orinda show, Which he had darkly spoke so long ago. Even Boadicia’s? angry Ghost Forgets her own misfortune and dis- grace, And to her injur’d Daughters now does boast, That Rome’s o’ercome at last by a Woman of her race. ABRAHAM COWLEY. To the excellent Orinda LET the male Poets their male Phoebus choose, Thee I invoke, Orinda, for Muse; He could but force a branch, Daphne her tree Most freely offers to her sex and thee, And says to verse, so unconstrain’d as yours, Her laurel freely comes, your fame secures : my | And men no longer shall with ravish’d bays Crown their forc’d Poems by as forc’d a praise. Thou glory of our sex, envy of men, Who are both pleas’d and vex’d with thy bright pen: 10 1 Boadicia in orig. and better kept for metre, ( 496 ) Commendatory Poems Its lustre doth entice their eyes to gaze, But men’s sore eyes cannot endure its rays; It dazzles and surprises so with light, To find a noon where they expected night: A woman translate Pompey! whichthe fam’d Corneille with such art and labour fram’d! To whose close version the Wits club their sense, And a new lay-poetic SMEC? springs thence ! Yes, that bold work a woman dares translate, Not to provoke, nor yet to fear men’s hate. 20 Nature doth find that she hath err’d too long, And now resolves to recompense that wrong : Phoebus to Cynthia must his beams resign, The rule of Day, and Wit’s now Femi- nine, That sex, which heretofore was not allow’d To understand more than a beast, or crowd ; Of which problems were made, whether or no Women had souls; but to be damn’d, if so; Whose highest contemplation could not pass, In men’s esteem, no higher that the class ; 30 And all the painful labours of their brain, Was only how to dress and entertain : Or, if they ventur’d to speak sense, the wise Made that, and speaking ox like pro- digies. From these the more than masculine pen hath rear’d Our sex; first to be prais’d, next to be fear’d. And by the same pen forc’d, men now confess, To keep their greatness, was to make us less. Men know of how refin’d and rich a mould Our sex is fram’d, what sun is in our cold: 40 They know in lead no diamonds are set, And jewels only fill the cabinet. Our spirits purer far than theirs, they see; By which even men from men dis- tinguish’d be: By which the soul is judg’d, and does appear Fit or unfit for action, as they are. When in an organ various sounds do stroke, Or grate the ear, as birds sing, or toads croak ; The breath, that voices every pipe, ’s the same, But the bad metal doth the sound defame. / 50 So, if our souls by sweeter organs speak, And theirs with harsh, false notes the air do break ; The soul’s the same, alike in both doth dwell, ’Tis from her instruments that we excel, Ask me not then, why jealous men debar Our sex from books in peace, from arms in war ; It is because our parts will soon demand Tribunals for our persons, and com- mand. Shall it be our reproach, that we are weak, And cannot fight, nor as the school- men speak ? 60 Even men themselves are neither strong nor wise, If limbs and parts they do not exer- cise, Train’d up to arms; we Amazons have been, And Spartan virgins strong as Spartan men: Breed Women but as Men, and they are these; Whilst Sybarit Men are Women by their ease. Why should not brave Semiramis break a lance, And why should not soft Ninyas curl and dance? 1 Smectymuuus. ( 497 ) Kk Katherine Philips Ovid in vain bodies with changedid vex, Changing her form of life, Iphis chang’d sex. 70 Nature to females freely doth impart That, which the males usurp, a stout, bold heart. Thus hunters female beasts fear to assail : And female hawks more metalled than the male: Men ought not then courage and wit ingross, Whilst the fox lives, the lion, or the horse. Much less ought men both to them- selves confine, Whilst Women, such as you, Orinda, shine. That noble friendship brought thee to our Coast, We thank Lucasia, and thy courage boast. 80 Death in each wave could not Orinda fright, Fearless she acts that friendship she did write : Which manlyVirtue totheir sex confin’d, Thou rescuest to confirm our softer mind; For there ’s required (to do that virtue right) Courage, as much in friendship as in fight. The dangers we despise, doth this truth prove, Though boldly we not fight, we boldly love. Engageusunto books, Sappho comes forth, Though not of Hesiod’s age, of Hesiod’s worth. go If souls no sexes have, as ’tis confest, *Tis not the He or She makes Poems best : Nor can men call these versesfeminine, Be the sense vigorous and masculine. ’Tis true, Apollo sits as judge of Wit, But the nine Female learnéd troop are it: Those laws for which Numa did wise appear, Wiser Egeria whisper’d in his ear. The Gracchi’s Mother taught them eloquence; From her breasts courage flow’d, from her brain sense; 100 And the grave beards, who heard her speak in Rome, ( 498 ) Blush’d not to be instructed, but o’er- come. Your speech, as hers, commands re- spect from all, Your very looks, as hers, rhetorical: Something of grandeur in your verse men see, That they rise up to it as Majesty. The wise and noble Orrery’s regard, Was much observ’d, when he your Poem heard: All said, a fitter match was never seen, Had Pompey’s Widow been Arsamnes’ Queen. I10 Pompey, who greater than himself ’s become, Now in your Poem, than before in Rome; And muchmore lasting in the poet’s pen, Great Princes live, than the proud towers of men. He thanks false Egypt for its treachery, Since that his ruin is so sung by thee; And so again would perish, if withal, Orinda would but celebrate his fall. Thus pleasingly the bee delights to die, Foreseeing, he in amber tomb shall lie. If that all Egypt, for to purge its crime, Were built into one pyramid o’er him, Pompey would lie less stately in that hearse, 123 Than he doth now, Orinda, inthy verse: This makes Cornelia for her Pompeyvow, Her hand shall plant his laurel on thy brow: So equal in their merits were both found, That the same Wreath Poets and Princes Crown’d: And what on that great captain’s brow was dead, She joysto see re-flourish’d on thy head. 130 In the French rock Cornelia first did shine, But shin’d not like herself till she was thine: Poems, like gems, translated from the place Where they first grew, receive another grace. Dress’d by thy hand, and polish’d by thy pen, She glitters now a star, but jewel then: No flaw remains, ‘no cloud, all now is light, Transparent as the day, bright parts more bright. Commendatory Poems Cornelia, now made English, so doth thrive, As trees transplanted do much lustier live. 140 Thus ore digg’d forth and by such hands as thine Refin’d and stamp’d, is richer than the mine. Liquors from vessel into vessel pour’d, Must lose some spirits, which are scarce restor’d : But the French wines, in their own vessel rare, Pour’d into ours, by thy hand, spirits are ; So high in taste, and so delicious, Before his own Cornelia thine would choose. He finds himself enlightened here, where shade Of dark expression his own words had made: 150 There what he would have said, he sees So writ, As generously, to just decorum fit. When in more words than his you please to flow, Like a spread flood, enriching all below, To the advantage of his well-meant sense, He gains by you another excellence. To render word for word, atthe oldrate, Is only but to construe, not translate : In your own fancy free, to his sense true, Weread Cornelia, and Orindatoo: 160 And yet ye both are so the very same, As when two tapers join’d make one bright flame. And sure the copier’s honour is not small, When artists doubt which is original. But if your fetter’d Muse thus praiséd be, What great things do you write when it is free? When it is free to choose both sense and words, Or any subject the vast World affords ? A gliding sea of crystal doth best show How smooth, clear, full, and rich your “verse doth flow: 170 Your words are chosen, cull’d, not by chance writ, To make the sense, as anagrams do hit. Your rich becoming words on the sense wait, As Maids of Honour on a Queen of State. ’Tis not white satin! makes a verse more white, Or soft ; Iron is both, write you on it. Your Poems come forth cast, no file you need, At one brave heat both shap’d and polished. But why all these encomiums of you, Who either doubts, or will not take as due? 180 Renown how little you regard, or need, Who like the bee, on your own sweets do feed ? There are, who like weak fowl with shouts fall down, Doz’d with ‘an army’s acclamation : Not able to endure applause, they fall, Giddy with praise, their praises’ funeral. But you, Orinda, are so unconcern’d, Asif when you, another we commend ?. Thus, as the Sun, you, in your course, shine on, Unmov’d with all our admiration. 190 Flying above the praise you shun, we see Wit is still higher by humility. PHILO-PHILIPPA, To the memory of the excellent Orinda I FORGIVE, bright Saint, a vot’ry, who No missive Orders has to show, Nor does a call to inspiration owe: Yet rudely dares intrude among 1 It was not unusual to print on white satin. This sacred, and inspiréd throng; Where looking round me, evry one I see, Is a sworn Priest of Phoebus, or of thee, Pepys mentions instances. 2 In this rhyme ‘ Philo-Philippa’ has out-Barretted Mrs. Browning 150 years before- hand. Even a careful student of all ages of English poetry might be puzzled to find a worse. ( 499 ) Kke2 Katherine Philips Forgive this forward zeal for things divine, If I strange fire do offer at thy shrine: Since the pure incense, and the gum We send up to the Pow’rs above, 11 (If with devotion giv’n, and love) Smells sweet, and does alike accepted prove, As if from golden censers it did come ; Though we the pious tribute pay In some rude vessel made of common clay. II What by Pindarics can be done, Since the great Pindar’s greater! Son (By ev’ry Grace adorn’d, and ev’ry Muse inspir’d) From th’ ungrateful World, to kinder Heaven’s retir’d: 20 He, and Orinda from us gone, What Name, like theirs, shall we now call upon ? Whether her Virtue, or her Wit We choose for our eternal theme, What hand can draw the perfect scheme? None but herself could such high subjects fit: We yield, with shame we yield To Death and Her the field: For were not Nature partial to us men, The World’s great order had inverted been ; 30 Had she such souls plac’d in all women- kind, Giv’n ’em like wit, not with like good- ness join’d, Our vassal sex to hers had homage paid ; Women had rul’d the World, and weaker Man obey’d. III To thee O Fame, we now commit Her, and these last remains of gen’rous wit ; I charge thee, deeply to enroll This glorious Name in thy immortal scroll ; Write ev’ry letter in large text, And then to make the lustre hold, 4o Let it be done with purest gold, To dazzle this age, and outshine the next: Since not a name more bright than Hers, In this, or thy large book appears. And thou impartial, powerful Grave, These Reliques (like her deathless Poems) save Ev’n from devouring Time secure, May they still rest from other mixture pure: Unless some dying Monarch shall to try Whether Orinda, though herself could die, 50 Can still give others immortality ; Think, if but laid in her miraculous Tomb, As from the Prophet’s touch, new life from hers may come. JaMES TYRRELL. To the memory of the incomparable Orinda A Pindaric Ode I A LonG Adieu to all that’s bright, Noble, or brave, in Womankind, To all the wonders of their wit, And trophies of their mind; The glowing heat of th’ holy fire is gone, To th’ altar, whence ‘twas kindled, flown ; There’s nought on Earth, but ashes left behind ; E’er since th’ amazing sound was spread ORINDA’s Dead, 1 Mr. A. Cowley. ( 500 ) Every soft and fragrant word, 10 All that language could afford, Every high and lofty thing That’s wont to set the soul on wing, No longer with this worthless World would stay : Thus when the death of the great PAN was told, Along the shore the dismal tidings roll’d, The lesser Gods their fanes for- sook; Confounded with the mighty stroke, (Orig. note at side.) Commendatory Poems They could not over-live that fatal day But sigh’ a and groan’d their gasping Oracles away. II How rigid are the laws of Fate, And how severe that black de- cree? No sublunary things is free, But all must enter th’ adamantine gate: Sooner, or later shall we come To Nature’s dark retiring-room ; And yet ’tis pity, is it not? The learnéd as the fool should die, One full as low as t’other lie; Together blended in the general lot; 30 Distinguish’d only from the common crowd, By an hing’d coffn, or an Holland shroud, Though Fame and Honour speak them ne’er so loud; Alas ORINDA, even thou! Whose happy verse madectherslive, And certain immortality could give ; Blasted are all thy blooming glories now: The Laurel withers o’er thy brow: Methinks it should disturb thee to conceive That when poor I this artless oe resign, My dust should have as much of Pucker as thine. III Too soon we languish with desire Of what we never could enough admire ; On th’ billows of this world some- times we rise So dangerously high, We are to Heaven too nigh; When (all in rage Grown hoary with one minute’s age,) The very self-same fickle wave, Which the entrancing prospect gave, Swoll’n to a mountain, sinks into a grave. 51 Too happy mortals if the Pow’rs above As merciful would be, And easy to preserve the thing we love, As in the giving they are free! But they too oft delude our weary’d Eyes, They fix a flaming sword ’twixt us and Paradise ; ( 501 ) A weeping evening crowns a smiling day, Yet why should heads of gold have feet of clay? Why should the man that wav’d th’ almighty wand, 60 That led the murmuring crowd, By pillar and by cloud, Shivering atop of aéry Pisgah stand, Only to see, but never, never tread the Promis’d Land? IV Throw your swords and gauntlets by, You daring sons of war, You cannot purchase e’er you die One honourable scar, Since that fair hand that gilded all your bays, That in heroic numbers wrote your praise, 70 While you securely slept in honour’s bed, Itself, alas! is withered, cold, and dead; Cold and dead are all those charms, Which burnish’d your victorious arms: Inglorious arms hereafter must Blush first in blood, andtheninrust: No oil, but that of Her smooth words will serve Weapon, and warrior to preserve. Expect no more from this dull age, But folly, or poetic rage, 80 Short-liv’d nothings of the stage, Vented to-day, and cried to-morrow down, With HER the soul of poesy is gone ; Gone, while our expectations flew As high a pitch as She has done, Exhal’d to Heaven like early dew, Betimes the little shining drops are flown, Ere th’ drowsy World perceived that Manna was come down. v You of the sex that would be fair, Exceeding lovely, hither come go Would you be pure as Angels are, Come dress youby ORINDA’Stomb, And leave your flatt’ring glass at home ; Within this marble mirror see How one day such as She You must, and yet alas! can never be. Katherine Philips Think on the heights of that vast soul And then admire, and then con- dole. Think on the wonders of Her pen, *Twas that made Pompey truly Great, 100 Neither th’ expense of blood nor sweat Nor yet Cornelia’s kindness made him live agen. With envy think, when to the grave you go, How very little must be said of you, Since all that can be said of virtuous Woman was her due. THOMAS FLATMAN, M.A. On the Death of Mrs. Katherine Philips I CRUEL Disease! Ah, couldit not suffice Thy old and constant spite to exercise Against the gentlest and the fairest sex, Which still thy depredations most do vex? Where still thy malice most of all (Thy malice or thy lust) does on the fairest fall; And in them most assault the fairest place, The throne of Empress Beauty, even the face ? There was enough of that here to assuage (One would have thought) either thy lust or rage: 10 Was ’t not enough, when thou, profane Disease, Didst on this glorious temple seize ? Was't not enough, like a wild zealot there, All the rich outward ornaments to tear; Deface the innocent pride of beauteous images ? Was’t not enough thus rudely to defile, But thou must quite destroy the goodly pile? And thy unbounded sacrilege commit On th’ inward Holiest Holy of her Wit? Cruel Disease ! there thou mistook’st thy power ; 20 No mine of Death can that devour ; On her embalméd name it will abide An everlasting Pyramid, As high as Heaven the top, as Earth the basis wide. II All ages past, record; all countries now (502 ) In various kinds such equal beauties show, That even Judge Paris would not know On whom the Golden Apple to bestow. Though Goddesses to his sentence did submit, Women and lovers would appeal from it; 30 Nor durst he say, of all the female race This is the sovereign face. And some (though these be of a kind that’s rare, That’s much, oh much less frequent than the fair) So equally renown’d for virtue are, That it the Mother of the Gods might pose, When the best Woman for her guide she chose: But if Apollo should design A Woman-Laureat to make, Without dispute he would Orinda take, Though Sappho and the famous Nine 41 Stood by, and did repine. To be a princess or a Queen Is great, but ’tis a greatness always seen ; The World did never but two women know Who, one by fraud, the other by wit did rise To the two tops of Spiritual dignities ; One female Pope of old, one female Poet now. II Of female Poets who had names of old, Nothing is shown, but only told, 50 And all we hearof them, perhaps may be Male flattery only, and male Poetry ; Ci ommendatory Poems Few minutes did their beauties’ light- ning wast, The thunder of their voice did longer last, But that too soon was past. The certain proofs of our Orinda’s Wit In her own lasting characters are writ, And they will long my praise of them survive, Though long perhaps too that may live. The trade of glory manag’d by the pen Though great it be, and everywhere is found, 61 Does bring in but small profit to us men ; ’Tis by the number of the sharers drown’d, Orinda in the female coasts of fame Engrosses all the goods of a poetic name, She does no partner with her see ; Does all the business there alone which we Are fore’d to carry on by a whole company. IV But Wit’s like a luxuriant vine, Unless to Virtue’s prop it join, 70 Firm and erect towards Heaven bound, Though it with beauteous leaves and pleasant fruit be crown’d, It lies deform’d, and rotting on the ground. Now shame and blushes on us all Who our own sex superior call; Orinda does our boasting sex out-do, Not in wit only, but in virtue too: She does above our best examples rise, In hate of vice and scorn of vanities. Never did spirit of the manly make, 80 And dipp’d all o’er in learning’s sacred lake, A temper more invulnerable take ; No violent passion could an entrance find Into the tender goodness of her mind: Through walls of stone those furious bullets may Force their impetuous way ; When her soft breast they hit, damped and dead they lay. v The fame of Friendship, which so long had told Of three or four illustrious Names of old, Till hoarse and weary of the tale she grew, go Rejoices now to have got a new, A new, and more surprising story Of fair Lucasia and Orinda’s glory. As when a prudent man does once per- ceive That in some foreign country he must live, The language and the manners he does strive To understand and practise here, That he maycome no stranger there ; So well Orinda did herself prepare, In this much different clime for her remove, 100 To the glad world of Poetry and Love ; There all the bless’d do but one body grow, And are made one too with their glorious Head, Whom there triumphantly they wed, After the secret contract pass’d below ; Their Love into Identity does go, ’Tis the first unity’s Monarchic Throne, The Centre} that knits all, where the great Three’s but One. ABRAHAM COWLEY. 1 In orig. This destroys the value of ‘center’ found elsewhere. And so constantly. ( 503 ) » .18 Content, Tomy dearest Lucasia Katherine Philips The Table Poem Page 1 Upon the double Murther of King Charles I, in Answer to a Libellous Copy of Rymes? made by Vavasor Powell . 507 2 On the numerous Access of the English to wait upon the King in Flanders . 07 3 Arion on a Dolphin, To his Majesty at his passage into England : « 508 4 On the Fair Weather just at the - Coronation, it having rained immediately before and after . 5 To the Queen’s Majesty on her Arrival at Portsmouth, May 14, 1662 . 6 TotheQueen-Mother’ sMajesty, Jan. 1, 1662 . 7 Upon the Princess ‘Royal her Return into England . SIL 8 On the Death of the Illustrious | Duke of Gloucester . 9 To her Royal Highness the Duchess of York, on her com- manding me to send her some things that I had written - 513 io On the Death of the Queen of Bohemia : 514 11 On the 3rd of September, 1651 515 12 To the Noble Palaemon, on his incomparable Discourse of Friendship. 515 13 To the Right Honourable ‘Alice “Countess of Carbery, at her coming into Wales ‘ 14 To Sir Edward Dering (the Noble Silvander) on his Dream and Navy, personat- ing Orinda’s preferring Ros- ania before Solomon’s Traffic to Ophir a . 15 To Mr. Henry Lawes. - 518 16 A Sea-Voyage from Tenby to Bristol, begun Sept. 5. 1652, sent from Bristol to Lucasia, Sept. 8, 1652. - « 519 /17 Friendship’s Mystery, To my dearest Lucasia » 520 521 509 509 510 512 516 19 A Dialogue of Absence ’twixt Poem Page ~ Lucasia and Orinda. Set os Mr. Hen. Lawes . 22 20 Tomy dear Sister Mrs. C. Pp, on her Marriage. 522 21 To Mr. Henry Vaughan, Silu- rist, on his Poems : » 523 22 A tetir’d Friendship. To Ardelia . ‘ ‘ - 524 23 To Mrs. Mary Carne, when Philaster courted her. » 524 24 To Mr. J. B. the noble Cra- tander, upon a Composition of his which he was not willing to own publicly 25 To the Excellent Mrs. ‘Anne ' Owen, upon her receiving the Name of Lucasia, and Adop- tion into our Society, Decem- ber 28, 1651 . 26 Tothe truly Noble Mrs. Anne Owen, on my first ERI 27 Lucasia i 28 Wiston Vault . ‘ 29 Friendship in Emblem, or the Seal. To my dearest Lucasia 30 In Memory of F. P. who died at Actonon the 24 of May, 1660, at Twelve and an Half of Age 31 In Memory of that excellent person Mrs. Mary Lloyd of Bodidrist in Denbigh-shire, who died Nov. 13, 1656, after she came thither from Pem- broke-shire 32 To the truly competent Judge of Honour, Lucasia, upon a scandalous Libel madebyJ. J. 533 33 To Antenor, on a Paper of mine which J. J. threatens to publish to prejudice him - 53 34 Rosania shadowed whilst Mrs. Mary Awbrey 35 To the Queen of ‘Inconstancy, Regina Collier, in Antwerp . 537 36 To my Excellent Lucasia, on our Friendship - 537 37 Rosania’s private Marriage . 538 .38 Injuria Amicitiae . A - 538 39 To Regina Collier, on her cruelty to Philaster + 525 531 » 535 » 539 Tt keep this in order to show how little authority, even of its own, the earlier ‘rimes’ has. ( 504 ) The Table Poem Page 40 To Philaster, on his Melan- choly for Regina . 540 41 Philoclea’s parting . - 540 42 To Rosania, now Mrs. Mon- tague, being with her - 540 43 To my Lucasia 3 540 44 On Controversies in Religion . 542 45 To the Honoured Lady E.G. 543 46 Parting with Lucasia, A Song 546 47 Against Pleasure. Set ay Dr. Coleman - 546 48 A Prayer : 547 49 To Mrs. M.A. upon Absence 548 50 To Mrs. Mary Awbrey - 548 51 In Memory of Mr. Cartwright. 549 52 Mr. Francis Finch, the Excel- lent Palaemon » 549 53 To Mrs. M. A. at parting - 550 54 To my dearest Antenor, on his Parting . ‘ - 551 55 Engraven on Mr. John Collier’ 5 Tomb-stone at Bedlington . 552 56 On thelittle Regina Collier, on the same Tomb-stone . » 552 57 Friendship " + 552 58 The Enquiry . 553 59 To my Lucasia, in ‘defence of declared Friendship - 554 60 A Reverie! . s < - 550) 61 A Country-life zi + 558 62 To Mrs. Wogan, my Honoured Friend, on the Death of her Husband 559 63 In memory of the most justly Honoured, Mrs. Owen of Orielton . - 559 64 A Friend . . 561 65 L’Accord du Bien. - 563 66 Invitation to the Country + 564 67 In Memoryof Mrs. E.H. . 565 68 On Rosania’s Apostasy, and Lucasia’s Friendship . . 566 69 To my Lady Eliz. Boyle, sing- ing, Now affairs, &c. . « 567 ‘70 Submission. - 567 71 2 Cor. v.19. God was in Christ reconciling the World to Him- self : - 569 72 The World » 569 73 The Soul. . - 571 74 Happiness s573 75 Death. - 574 76 To the Queen’s Majesty, on her late Sickness and Re- covery . 3 - 574 Poem Page 77 Ode upon [Mr. Abraham Cowley’s] Retirement . = 59S 78 The Irish Greyhound - 577 79 Song to the tune of Somsmes nous pas trop heureux . 2 577 80 A Dialogue betwixt Lucasia and Rosania, imitating that of gentle Thyrsis 81 Song to the tune of Adieu, Phillis . 82 An Epitaph on my honoured Mother[-in-law,]Mrs.Philips of Portheynon in Cardigan- shire, who died Jan. 1, 166% 578 83 Lucasia, Rosania, and Orinda parting at a Fountain July, 1663 5 7 - 579 84 A Farewell to Rosania . » 579 85 To my Lady Anne Boyle, say- ing I looked angrilyupon her 579 - 577 - 578 86 On the Welsh Language . 580 87 To the Countess of Thanet, upon her Marriage. » 581 88 Epitaph on her Son H. P. at St. Syth’s Church, where her body also lies interred . 582 89 Onthe Deathofmy Lord Rich, only son to the Earl of Warwick, who died of the small-pox, 1664 . 582 go The Virgin 583 91 Upon the Graving of her Name upon a Tree in Barn- Elms Walks - 583 92 To my dearest friend Mrs. A. Owen, upon her greatest loss 584 93 Orinda to Lucasia parting, October, 1661, at London . 585 94 On the first of January, 1657. 587 95 To my Lady M. Cavendish, choosingthenameofPolicrite 587 96 Against Love ‘ 97 ADialogue of Friendship mul- tiplied . ‘ 588 98 Rosania to Lucasia on her Letters : 588 99 To my Antenor, March 16, 1664 » 589 100 A Triton to Lucasia going to Sea 589 Io1 Orinda “upon little Hector Philips. ‘ - 590 1o2 To the Lady E. Boyle js - 591 103 Tomy Lord Duke of Ormond, upon the late Plot - 591 1 Orig. ‘ resvery.’ ( 505 ) Katherine Philips Poem Page 104 To the Countess of Roscom- mon, witha Copy of Pompey 592 105 On the Death of the truly honourable Sir Walter Floyd [séc]}, Kt. . i 5 . 592 106 Orinda to Lucasia : - 593 107 To Celimena. . » 594 108 An Answer to another per- suading a Lady to Marriage 594 1og Lucasia and Orinda parting with Pastora and Phillis at Ipswich ‘ 594 110 Epitaph on my truly” hon- oured Publius Scipio . - 595 111 To Mr. Sam. Cooper, having taken Lucasia’s Picture given December 14, 1660 . - 596 112 Parting witha Friend . - 596 113 To my dearest Friend, upon her shunning Grandeur. 5597 Poem Page 114 To Pastora being with her Friend. js 598 115 To my Lord and Lady Dun- gannon on their ee May 11,1662. 599 116 To his Grace Gilbert, “Lord Archbishop of Canterbury, July 10, 1664 : . 600 117 La Solitude de St. Amant, in French and English * 601 118 Tendres desers [szc] out o French Prose ; . 604 119 Amanti ch’ in pianti, &c. . 604 120 A Pastoral of Mons. de Scudery’s in the first volume of ‘Almahide,’ Englished . 604 121 Translation of Thomas a Kempis into verse, out of Mons. Corneille . : . 609 1 This, which in text is ‘ Lloyd,’ possibly indicates the double pronunciation. 2 See note in text. IMPRIMATUR Aug. 20, 1667. ( 506 ) ROGER L’ESTRANGE. POEMS Upon the double Murther of King Charles I, in Answer to a Libellous Copy of Rimes by Vavasor Powell! I THINK not on the State, nor am concern’d Which way soever the great helm is turn’d : But as that son whose Father’s danger nigh Did force his native dumbness, and untie The fetter’d organs ; so this is a cause That will excuse the breach of Nature’s laws, Silence were now a sin, nay passion now Wise men themselves for merit would allow. What noble eye could see (and careless pass) The dying Lion kick’d by every ass? Has Charles so broke God’s Laws, he must not have 11 A quiet Crown, nor yet a quiet grave? Tombs have been sanctuaries ; Thieves lie there Secure from all their penalty and fear. Great Charles his double misery was this, Unfaithful friends, ignoble enemies. Had any heathen been this Prince’s foe, He would have wept to see him injur’d so, His title was his crime, they’d reason good To quarrel at the right they had withstood. 20 He broke God’s Laws, and therefore he must die ; And what shall then become of thee and I? Slander must follow Treason; but yet stay, Take not our reason with our King away. Though you have seiz’d upon all our defence, Yet do not sequester our common sense. Christ will be King, but I ne’er understood His subjects built His Kingdom up with blood, Except their own; or that He would dispense With His commands, though for His own defence. 32 Oh! to what height of horror are they come Who dare pull down a crown, tear up a tomb? On the numerous Access of the English to wait upon the King in Flanders HastTen, Great Prince, unto thy British Isles, Or all thy subjects will become exiles. To thee they flock, thy Presence is their home, As Pompey’s camp, where e’er it mov’d, was Rome. They that asserted thy Just Cause go hence To testify their joy and reverence ; And those that did not, now, by wonder taught, Go to confess and expiate their fault. 1 A bitter Welsh Nonconformist, and a great harrier of the Church before the Restoration, after which he had rather less than due reward (1617-70). (07 ) Katherine Philips So that if thou dost stay, thy gasping land Itself will empty on the Belgic sand ; 10 Where the affrighted Dutchman does profess He thinks it an invasion, not address. As we unmonarch’d were for want of thee, So till thou come we shall unpeopled be. None but the close fanatic will remain, Who by our loyalty his ends will gain ; And he th’ exhausted land will quickly find As desolate a place as he design’d. For England (though grown old with woes) will see Her long deny’d and _ sovereign remedy. 20 So when old Jacob could but credit give That his prodigious Joseph still did live, (Joseph that was preserved to restore Their lives that would have taken his before) It is enough (said he), to Egypt I Will go, and see him once before I die. Arion on a Dolphin, To his Majesty at his passage into England Wuom does this stately navy bring? O! ’tis Great Britain’s glorious King. Convey him then, ye Winds and Seas, Swift as Desire and calm as Peace. In your respect let him survey What all his other subjects pay ; And prophesy to them again Thesplendid smoothness ofhis reign. Charles and his mighty hopes you bear : A greater now than Caesar’s here ; ro (508 ) Whose veins a richer purple boast Than ever hero’s yet engrost ; Sprung from a Father so august, He triumphs in his very dust. In him two miracles we view, His virtue and his safety too: For when compell’d by traitors crimes To breathe and bow in foreign climes, Expos’d to all the rigid fate That does on wither’d greatness wait. Plots against life and conscience laid, 2r By foes pursu’d, by friends betray’d ; Then Heaven, his secret potent friend, Did him from drugs and _ stabs defend ; And, what’s more yet, kept him upright *Midst flattering hope and bloody fight. Cromwell his own Rightnevergain’d, Defender of the Faith remain’d, For which his predecessors fought And writ, but none so dearly bought. Never was Prince so much besieged, At home provok’d, abroad obliged ; Nor ever man resisted thus, 33 No not great Athanasius. No help of friends could, or foes’ spite, To fierce invasion him invite. Revenge to him no pleasure is, He spar’d their blood who gap’d for his ; Blush’d any hands the Crown Should fasten on him but their own. As Peace and Freedom with him ’ English went, 41 With him they came from banish- ment, That he might his dominions win, He with himself did first begin ; And, that best victory obtained, His kingdom quickly he regain’d. Th’ illustrious suff’rings ofthis Prince Did all reduce, and all convince. Arion on a Dolphin He only liv’d with such success, That the whole world would fight with less. 50 Assistant Kings could but subdue Those Foes which he can pardon too. He thinks no Slaughter-trophies good, Nor laurels dipt in subjects’ blood ; But with a sweet resistless art Disarms the hand, and wins the heart ; And like a God doth rescue those Who did themselves and him oppose. Go, wondrous Prince, adorn that Throne Which birth and merit make your own ; 60 > And in your mercy brighter shine Than in the glories of your line ; Find love at home, and abroad fear, And veneration everywhere. Th’ united world will you allow Their Chief, to whom the English bow ; And Monarchs shall to yours resort, As Sheba’s Queen to Judah’s Court ; Returning thence constrainéd more To wonder, envy, and adore. 70 Discovered Rome will hate your crown, But she shall tremble at your frown. For England shall (rul’d and restor’d by You) The suppliant world protect, or else subdue. On the Fair Weather just at the Coronation, it having rained immediately before and after So clear a season, and so snatch’d from storms, . Shows Heav’n delights to see what man performs. Well knew the Sun, if such a day were dim, ( 509 ) It would have been an injury to him: For then a cloud had from his eye conceal’d The noblest sight that ever he beheld. He therefore check’d th’ invading rains we fear’d, And in a bright Parenthesis ap- pear’d. So that we knew not which look’d most content, The King, the people, or the firma- ment. Io But the solemnity once fully past, The storm return’d with an impetu- ous haste And Heav’n and Earth each other to out-do, Vied both in cannons and in fire- works too. So Israel past through the divided flood, While in obedient heaps the Ocean stood : But the same sea (the Hebrews once on shore) Return’d in torrents where it was before. To the Queen’s Majesty on her Arrival at Portsmouth, May 14, 1662 Now that the Seas and Winds so kind are grown, For our advantage to resign their own ; Nowyouhave quitted the triumphant fleet, And suffered English ground to kiss your feet, Whilst your glad subjects with impatience throng To see a blessing they have begg’d so long ; Whilst Nature (who in compliment to you Kept back till now her wealth and beauty too) Katherine Philips Hath, to attend the lustre your eyes bring, Sent forth her lov’d Ambassador the Spring ; 10 Whilst in your praise Fame’s echo doth conspire With the soft touches of the sacred Lyre ; Let an obscurer Muse upon her knees Present you with such offerings as these, And you as a Divinity adore, That so your mercy may appear the more ; Who, though of those you should the best receive, Can such imperfect ones as these forgive. Hail, Royal Beauty, Virgin bright and great, Who do our hopes secure, our joys complete. 20 We cannot reckon what to you we owe, Who make him happy who makes us be so. But Heav’n for us the desp’rate debt hath paid, Who such a Monarch hath your Trophy made. A Prince whose Virtue did alone subdue Armies of men, and of offences too. So good, that from him all our blessings flow, Yet is a greater than he can bestow. So great, that he dispenses life and death, And Europe’s fate depends upon his breath. 30 (For Fortune in amends now courts him more Than ever she affronted him before : As lovers that of jealousy repent Grow troublesome in kind acknow- ledgement.) Who greater courage show’d in wooing you, Than other Princes in their battles do. Never was Spainsogenerously defied ; Where they design’d a prey, he courts a bride. Hence they may guess what will his anger prove, When he appear’dso bravein making love ; 40 And be more wise than to provoke his arms, Who can submit to nothing but your charms. And till they give him leisure to subdue, His enemies must owe their peace to you. Whilst he and you mixing illustrious rays, As much above our wishes as our praise, Such heroes shall produce, as even they Without regret or blushes shall obey. To the Queen-Mother’s Majesty, Jan. 1, 1662 You justly may forsake a land which you Have found so guilty and so fatal too. Fortune, injurious to your innocence, Shot all her poison’d arrows here, or hence. ’Twas here bold rebels once your life pursu’d (To whom ’twas Treason only to be rude, ) Till you were force’d by their unwearied spite (O glorious Criminal !) to take your flight. Whence after you all humane? fled ; that was 1 The old confusion (or rather not yet division) of ‘human’ and ‘humane’ is not always to be got over by distributing the spelling. wanted here. (510 ) Something of both senses is To the Queen-Mother’s Mayesty For here, oh! here the Royal Martyr bled, ro Whose cause and heart must be divine and high, That having you could be content to die, Here they purloin’d what we to you did owe, And paid you in variety of woe. Yet all those billows in your breast did meet A heart so firm, so loyal, and so sweet, That over them you greater conquest made Than your immortal Father ever had. For we may read in story of some few That fought like him, none that endur’d like you: 20 Till Sorrow blush’d to act what Traitors meant, And Providence itself did first repent. But as our active, so our passive, ill Hath made your share to be the sufferer’s still. As from our mischiefs all your troubles grew, ’Tis your sad right to suffer for them too. Else our great Charles had not been hence so long, Nor the illustrious Glou’ster died so oung : ; Nor had we lost a Princess all confest To be the greatest, wisest, and the best ; 30 Who leaving colder parts, but less unkind, (For it was here she set, and there she shin’d,) Did to a most ungrateful climate come To make a visit, and to finda tomb. So that we should as much your smile despair, (511) As of your stay in this unpurgéd air ; But that your mercy doth exceed our crimes As much as your example former times, And will forgive our off’rings, though the flame Does tremble still betwixt regret and shame. 40 For we have justly suffered more than you By the sad guilt of all your suffrings too. As you the great Idea have been seen Of either fortune, and in both a Queen, Live still triumphant by the noblest wars, And justify your reconciléd stars. See your offenders for your mercy bow, And your tried virtue all mankind allow ; While you to such a race have given birth, As are contended for by Heaven and Earth. 50 Upon the Princess Royal her Return into England WELCOME, sure pledge of reconciléd Powers ; If Kingdoms have Good Angels, you are ours: For th’ Ill ones, check’d by your bright influence, Could never strike till you were hurried hence. But then, as streams withstood more rapid grow, War and confusion soon did over- flow : Such and so many sorrows did succeed, As it would be a new one now to read. But whilst your lustre was to us denied, Katherine Philips You scatter’d blessings everywhere beside. 10 Nature and Fortune have so curious been, To give you worth, and scene to show it in. But we do most admire that gen’rous care Which did your glorious Brother’s sufferings share ; So that he thought them in your presence none, And yet your suffrings did increase his own. O wondrous prodigy! O race divine! Who owe more to your actions than your line. Your lives exalt your father’s death- less name, The blush of England, and the boast of Fame. 20 Pardon, Great Madam, this unfit address, Which does profane the glory’twould confess, Our crimes have banish’d us from you, and we Were more remov’d by them than by the Sea. Nor is it known whether we wrong’d you more When we rebell’d, or now we do adore. But what Guilt found, Devotion cannot miss ; And you who pardon’d that, will pardon this. Your blest Return tells us our storms are ceas’d, Our faults forgiven, and our stars appeas’d, 30 Your mercy, which no malice could destroy, Shall first bestow, and then in- struct, our joy. For bounteous Heav'n hath, in your Highness sent Our great example, bliss and orna- ment. (512 ) On the Death of the Illus- trious Duke of Glouces- ter Great Glou’ster’s dead! and yet in this we must Confess that angry Heaven is wise and just. We have so long and yet so ill en- dur’d The woes which our offences had procur’d, That this new stroke would all our strength destroy, Had we not known an interval of Joy. And yet perhaps this stroke had been excus’d, If we this interval had not abus’d. But our ingratitude and discontent, Deserv’d to know our mercies were but lent: 10 And those complaints Heaven in this rigid fate Does first chastise, and then legiti- mate. By this it our divisions does reprove, And makes us join in grief, if not in love : For (Glorious Youth!) all parties do agree, As in admiring, so lamenting Thee ; TheSovereign’s, subject’s, foreigner’s delight ; Thou wert the Universal Favourite. Not Rome’s Belov’d, and_ brave Marcellus, fell So much a darling or a miracle. 20 Though built of richest blood and finest earth, Thou hadst a heart more noble than thy birth ; Which by th’ afflictive Changes thou didst know, Thou hadst but too much cause and time to show. For when Fate did thy infancy expose To the most barbarous and stupid Foes ; On the Death of the Duke of Gloucester Yet thou didst then so much express the Prince, As did even them amaze, if not con- vince. Nay, that loose tyrant whom no bound confin’d, Whom neither laws, nor oaths, nor shame could bind, 30 Although his soul was than his look more grim, Yet thy brave innocence half soft’n’d him ; And he that worth wherein thy soul was drest, By his ill-favour’d clemency confest; Lessening the ill which he could not repent, He call’d that travel which was banishment. Escap’d from him, thy trials were increas’d ; The scene was chang’d, but not the danger ceas’d: Thou from rough guardians to sedu- cers gone, Those made thy temper, these thy judgement known ; 40 Whilst thou the noblest champion wert for truth, Whether we view thy courage or thy youth. If to foil Nature and Ambition claims Greater reward than to encounter flarhes, All that shall know the story must allow A martyr’s crown prepared for thy brow. But yet thou wert suspended from thy throne, Till thy Great Brother had regain’d his own: Who though the bravest suff’rer, yet even He Could not at once have mist his crown and thee. 50 But as Commission’d angels make no stay, But having done their errand go their way: (513 ) ul So thy part done, not thy restored state, The future splendour which did for thee wait, Nor that thy Prince and country must mourn for Sucha support, andsuchacounsellor, Could longer keep thee from that bliss, whence thou Look’st down with pity on Earth’s Monarchs now ? Where thy capacious soul may quench her thirst, And younger brothers may inherit first. 60 While on our King Heav’n does this care express, To make his comforts safe he makes them less. For this successful heathens use[d?] to say, It is too much, (great Gods) send some allay. To Her Royal Highness the Duchess of York, on her commanding me to send her some things that I had written To you whose dignity strikes us with awe, And whose far greater judgement gives us law, (Your mind b’ing more transcendent than your state, For while but knees to this, hearts bow to that) These humble papers never durst come near, Had not your pow’rful word bid them appear ; In which such majesty, such sweet- ness dwells, As in one act obliges, and compels. None can dispute commands vouch- saf’d by you: What shall my fears then and con- fusion do? 10 Katherine Philips They must resign, and by their just pretence Some value set on my obedience. For in religious duties, ’tis confest, The most implicit are accepted best. If on that score your Highness will excuse This blushing tribute of an artless Muse, She may (encourag’d by your least regard, Which first can worth create, and then reward) At modest distance with improvéd strains That Mercy celebrate which now she gains. 20 But should you that severer justice use, Which these too prompt approaches may produce, As the swift hind which hath es- caped long, Believes a vulgar shot would be a wrong ; But wounded by a Prince falls with- out shame, And what in life she loses, gains in fame: So if a ray from you chance to be sent, Which to consume, and not to warm, is meant ; My trembling Muse at least more nobly dies, And falls by that a truer sacri- fice. 30 On the Death of the Queen of Bohemia ALTHOUGH the most do with offi- cious heat Only adore the living and the great ; Yet this Queen’s merits Fame so far hath spread, That she rules still, though dispossest and dead. (514) For losing one, two other Crowns remain’d ; Over all hearts and her own griefs she reign’d. Two Thrones so splendid, as to none are less But to that third which she does now possess. Her heart and birth Fortune so well did know, That seeking her own fame in such a foe, Io She drest the spacious theatre for the fight : And the admiring World call’d to the sight : An army then of mighty sorrows brought, Who all against this single virtue fought ; And sometimes stratagems, and sometimes blows To her heroic soul they did oppose: But at her feet their vain attempts did fall, And she discovered and subdu’d them all. Till Fortune weary of her malice grew, Became her captive and her trophy too: 20 And by too late a tribute begg’d t’ have been Admitted subject to so brave a Queen. But as some hero who a field hath won, Viewing the things he had so greatly done, When by his spirit’s flight he finds that he With his own life must buy his victory, He makes the slaughter’d heap that next him lies His funeral pile, and then in triumph dies : So fell this Royal Dame, with con- quering spent, And left in every breast her monu- ment ; 30 On the Death of the Queen of Bohemia Wherein so high an Epitaph is writ, As I must never dare to copy it. But that bright Angel which did on her wait, In fifty years’ contention with her fate, Andin that office did with wonder see How great her troubles, how much greater she— How she maintain’d her best prero- gative, In keeping still the power to forgive : How high she did in her devotion go, And'how her condescension stoop’d as low; 40 With how much glory she had ever been A Daughter, Sister, Mother, Wife, and Queen— Will sure employ some deathless Muse to tell Our children this instructive miracle, Who may her sad illustrious life re- cite, And after all her wrongs may: do her. right. On the 3rd of September, 1651 As when the glorious. magazine of light . Approaches to his canopy of night, He with new splendour clothes his dying rays, And double brightness to his beams conveys ; And (as to brave and check his ending fate) Puts on his highest looks in’s lowest state, Drest in such terror as to make us all Be Anti-Persians, and adore his fall; Then quits the World depriving it of day, While every herb and plant does droop away : 10 So when ourgasping English Royalty Perceiv’d her period was now drawing nigh, (515 ) She summons her whole strength to give one blow, To raise herself, or pull down others too. Big with revenge and hope she now spake more Of terror than in many months be- fore ; And musters her. attendants, or to save: Her from, or else attend her to, the grave : Yet but enjoy’d the miserable fate Of setting Majesty, to die in state. Unhappy Kings, who cannot keep a throne, 2r Nor be so fortunate to fall alone ! Their weight sinks others: Pompey could not fly, But half the World must bear him company ; And captiv’d Samson could not life conclude, Unless attended with a multitude. Who’d trust to greatness now, whose food is air, Whose ruin sudden, and whose end despair ? Who would presume upon his Glorious Birth, Or quarrel for a. spacious share of Earth, 30 That sees such Diadems become so cheap, And Heroes tumble in a common heap ? Oh give me Virtue then, which sums up all, And firmly stands when Crowns and Sceptres fall. To the Noble Palaemon, on his incomparable Dis- course of Friendship WE had been still undone, wrapt in disguise, Secure, not happy; cunning, and not wise ; Ll2 Katherine Philips War had been our design, interest our trade; We had not dwelt in safety, but in shade, Hadst thou not hung our light more welcome far Than wand’ring sea-men think the Northern Star ; To show, lest we our happiness should miss, ’Tis plac’d in Friendship, men’s and angels’ Bliss. Friendship, which had a scorn or mask been made, And still had been derided or be- tray’d, 10 At which the great physician still ha laugh’d, The soldier storméd’, and the gallant scoff’d ; Or worn not as a passion, Lut a plot, At first pretended, and at last forgot; Hadst thou not been her great deli- verer, At first discover’d, and then rescu’d her, And raising what rude malice had flung down, Unveil’d her face, and then restor’d her crown ; By so august an action to con- vince, Tis greater to support than be a Prince. 20 Oh for a voice which loud as thunder were, That all mankind thy conqu’ring truths might hear ! Sure the litigious as amaz’d would stand, As Fairy Knights touch’d with Cambina’s Wand, Drawn by thy softer, and yet stronger charms, Nations and armies would lay down their arms : And what more Honour can on thee be hurl’d, Than to protect a virtue, save a World? But while great friendship thou hast copied out, Thou’st drawn thyself so well, that we may doubt 30 Which most appears, thy candour or thy art, Whether we owe more to thy brain or heart. But this we know without thy own consent, Thou’st rais’d thyself a glorious monument : Temples and statues Time will eat away, And tombs (like their Inhabitants) decay ; But there Palaemon lives, and so he must, When marbles crumble to forgot- ten dust. To the Right Honourable Alice Countess of Carbery, at her coming into Wales I As when the first day dawn’d, Man’s greedy eye Was apt to dwell on the bright pro- digy, Till he might careless of his organ grow, And let his wonder prove his danger too: So when our country (which was deem’d to be Close-mourner in its own obscurity, And in neglected Chaos so long lay) Was rescu’d by your beams into a day, Like men into a sudden lustre brought, We justly fear’d to gaze more than we ought. 190 1 The print in full of ‘stormed’ doubtless indicates its disyllabic value. (516 ) To Alice, Countess of Carbery ; " From hence it is you lose most of your right, Since none can pay ’t, nor durst do’t if they might. Perfection’s misery tis that Art and Wit, While they would honour, do but injure it. But as the Deity slights our expense, And loves Devotion more than Eloquence : So’tis our confidence you are divine, Makes us at distance thus approach your Shrine. And thus secur’d, to you who need no art, I that speak least my wit may speak my heart. 20 I Then much above all zealous injury, Receive this tribute of our shades from me, While your great splendours, like eternal spring, To these sad groves such a refresh- ment bring, That the despistd country may be grown, And justly too, the envy of the town. That so when all mankind at length have lost The Virtuous Grandeur which they once did boast, Of you like pilgrims they may here obtain Worth to recruit the dying world again. 30 To Sir Edward Dering (the Noble Silvander) on his Dream and Navy, person- ating Orinda’s preferring Rosania before Solomon’s Traffic to Ophir Then am I happier than ts the King; My merchandise does no such danger bring: (517) The fleet I traffic with fears no such harms, Sails in my sight, and anchors in my arms. Lach new and unperceived grace Discovered in that mind and face, Lach motion, smile and look from thee, Brings pearlsand Ophir-Gold tome. Thus far Sir Edw. Dering. Sir, To be noble, when ’twas voted down, To dare be good, though a whole age should frown; To live within, and from that even state See all the under-world stoop to its fate 5. To give the Law of Honour, and dispense. All that is handsome, great and worthy thence ; Are things at once your practice and your end, And which I dare admire, but not commend. But since t’ oblige the world is your delight, You must descend within our reach and sight : 10 For so Divinity must take dis- guise, Lest mortals perish with the bright surprise, And thus your Muse (which can enough reward All actions she vouchsafes but to regard, And Honours gives, than Kings more permanent, Above the reach of Acts of Parlia- ment) May suffer an acknowledgement from me, For having thence receiv’d Eternity. My thoughts with such advantage you express, Thardly know them in this charming dress. 20 Katherine Philips And had I more unkindness from my friend Than my demerits e’er could appre- hend, Were the fleet courted with this. gale of wind, I might besure a rich return to find. So when the Shepherd of is Nymph complain’d, Apollo in his shape his mistress gain’d: She might have scorn’d the swain, and found excuse ; But could not his great Orator refuse. But for Rosania’s Interest I should fear ; It would be hard t’ obtain your pardon here. 30 But your first goodness will, I know, allow That what was bounty then, is mercy now Forgiveness is the noblest charity, And nothing can worthy your favour be. For you (God-like) are so much your own fate, That what you will accept you must create. To Mr. Henry Lawes NatTurRE, which is the vast creation’s soul, That steady curious agent in the whole, The art of Heaven, the order of this frame, Is only Number in another name. For as some King conqu’ring what was his own, Hath choice of several Titles to his Crown ; So harmony on this score now, that then, Yet still is all that takes and governs Men. |Beauty is but composure, and we find Content is but the concord of the mind, Io (518 ) Friendship the unison of well-tun’d hearts, Honour the Chorus of the noblest parts, And all the world on which we can reflect Music to th’ ear, or to the intellect./ If then each man a Little World must be, How many Worlds are copied out in thee, Who art so richly forméd, so com- plete, T’ epitomize all that is good and great; Whose stars this brave advantage did impart, Thy nature’s as harmonious as thy art? 20 Thou dost above the Poets, praises live, Who fetch from thee th’ eternity they give. And as true Reason triumphs over sense, Yet is subjected to intelligence : So Poets on the lower World look down, But Lawes on them; his Height is all his own, For, like Divinity itself, his lyre Rewards the wit it did at first inspire And thus by double right Poets allow His and their laurel should adorn his brow. 30 Live then, Great Soul of Nature, to assuage The savage dullness of this sullen Age. Charm us to Sense ; for though ex- perience fail, And Reason too, thy numbers may prevail Then, like those ancients, strike, and so command All Nature to obey thy gen’rous hand. None will resist but such who needs will be Morestupid than astone, a fish,a tree. Io Mr. Henry Lawes Beit thy care our age to new-create: What built a World may sure repair a state. 40 A Sea-Voyage from Tenby to Bristol, begun Sept. 5, 1652, sent from Bristol to Lucasia, Sept. 8, 1652 Holst’ up the sail, cry’d they who understand No word that carries kindness for the land: Such sons of clamour, that I wonder not They love the sea, whom sure some storm begot. Had he who doubted Motion these men seen, Or heard their tongues, he had con- vincéd been. For had our Barque mov’d half as fast as they, We had not need cast Anchor by the way. One of the rest pretending to more wit, Some small Italian spoke, but mur- ther’d it ; 10 For I (thanks to Saburra’s Letters) knew How to distinguish ’twixt the false and true. But t’ oppose these as mad a thing would be As ’tis to contradict a Presbyt’ry. ’Tis Spanish though, (quoth I) e’en what you please: For him that spoke it ’t might be Bread and Cheese. So softly moves the barque which none controls, As are the meetingsof agreeing souls: And the moon-beams did on the water play, As if at midnight ’twould create a day. 20 The amorous wave that shar’d in such dispense Exprest at once delight and rever- ence. Such trepidation we in lovers spy Under th’ oppression of a mistress’ eye. But then the wind so high did rise and roar, Some vow’d they’d never trust the traitor more. Behold the fate that all our glories sweep, Writ in the dangerous wonders of the deep : And yet beholdman’s easy folly more, How soon we curse what erst we did adore. 30 Sure he that first himself did thus convey, Had some strong passion that he would obey. The barque wrought hard, but found it was in vain ~To make its party good against the main, Toss’d and retreated, till at last we see She must be fast if e’er she should be free. We gravely anchor cast, and pa- tiently Lie prisoners to the weather’s cruelty. We had nor wind nor tide, nor aught but grief, Till a kind spring-tide was our first relief. 40 Then we float merrily, forgetting quite The sad confinement of the stormy night. Ere we had lost these thoughts, we ran aground, And then how vain to be secure we found. Now they were all surpris’d. Well, if we must, Yet none shall say that dust is gone to dust. 1 ¢ Hoist’ as obligatory, is quite modern. ( 519 ) Katherine Philips But we are off now, and the civil tide Assisted us the tempests to out-ride. But what most pleased my mind upon the way, Was the ships’ posture that in har- bour lay : 50 Which to a rocky grove so close were fix’d, That the trees’ branches with the tackling mix’d. One would have thought it was, as then it stood, A growing navy, or a floating wood. But I have done at last, and do confess My voyage taught me so much tediousness. In short, the Heav’ns must needs propitious be, Because Lucasia was concern’d in me. Friendship’s Mystery, To my dearest Lucasia I Comer, my Lucasia, since we see That miracles men’s faith do move, By wonder and by prodigy To the dull angry world let’s prove There’s a religion in our Love. II For though we were design’d t’ agree, That Fate no liberty destroys, But our Election is as free As Angels’, who with greedy choice Are yet determin’d to their joys. 10 Ill Our hearts are doubled by the loss, Here mixture is addition grown ; We both diffuse, and both ingross : And we whose minds are so much one, Never, yet ever are alone. (520 ) IV We court our own captivity Than thrones more great and innocent : ’Twere banishment to be set free, Since we wear fetters whose intent Not bondage is but ornament. 20 Vv Divided joys are tedious found, And griefs united easier grow : We are ourselves but by rebound, And all our titles shuffled so, Both Princes, and both subjects too. VI Our hearts are mutual victims laid, While they (such power in Friend- ship lies) Are Altars, Priests, and Off’rings made : And each heart which thus kindly dies, Grows deathless by the sacrifice. 30 Content, To my dearest Lucasia I ContTENT, the false World’s best disguise, The search and faction of the wise, Is so abstruse and hid in night, That, like that Fairy Red-cross Knight, Who treacherous Falsehood for clear Truth had got, Men think they have it when they have it not. " For Courts Content would gladly own, But she throne: And to be flatter’d, rich, and great, Are things which do men’s senses - cheat. 10 But grave Experience long since this did see, Ambition and Content would ne’er agree, ne’er dwelt about a Content, To my III Some vainer would Content ex- pect From what their bright outsides reflect : But sure Content is more divine Than to be digg’d from.rock or mine: And they that know her beauties will confess, She needs no lustre from a glittering dress. IV In Mirth some place her, but she scorns Th’ assistance of such crackling thorns, 20 Nor owes herself to such thin sport, That is so sharp and yet so short: And painters tell us they the same strokes place, To make a laughing and a weeping face. y Others there are that place Con- tent In liberty from Government : But whomsoe’er Passions deprave, Though free from shackles, he’s a slave. Content and Bondage differ only then, When we are chain’d by vices, not by men. 30 VI Some think the camp Content does know, And that she sits o’ th’ victor’s brow: But in his laurel there is seen Often a cypress-brow ' between. Nor will Content herself in that place give, Where Noise and Tumult and Destruction live. dearest Lucasia VII But yet the most discreet believe, The Schools this jewel do receive, Andthus far’strue without dispute, Knowledge is still the sweetest fruit. 40 But whilst men seek for Truth they lose their peace ; And who heaps knowledge, sorrow doth increase. VIll But now some sullen Hermit smiles, And thinks he all the world be- guiles, And that his cell and dish contain What all mankind wish for in vain. But yet his pleasure’s follow’d with a groan, For man was never born to be alone. 1X Content herself best comprehends Betwixt two souls, and they two friends, 50 Whose either joys in both are fix'd, And multiplied by being mix’d: Whose minds and interests are so the same ; Their griefs, when once imparted, lose that name. x These far remov’d from all bold noise, And (what is worse)all hollow joys, Who never had a mean design, Whose flame is serious and divine, And calm, and even, must contented be, 59 For they’ ve both Union and Society. XI Then, my Lucasia, we who have Whatever Love can give or crave ; Who can with pitying scorn survey The trifles which the most betray ; With innocence and perfect friend- ship fir’d, By Virtue join’d, and by our choice retir’d. 1 bough? (521 ) Katherine Philips xu Whose mirrors are the crystal brooks, Or else each other’s hearts and looks ; Who cannot wish for other things Than privacy and _ friendship brings : 70 Whose thoughts and persons chang’d and mixt are one, Enjoy Content, or else the World hath none. A Dialogue of Absence ‘twixt Lucasia and Orinda. Set by Mr. Hen. Lawes Luc. Say, my Orinda, why so sad ? Orin. Absence from thee doth tear my heart ; Which, since with thine it union had, Each parting splits. Zac. And can we part? Orin. Our bodies must. Luc. But never we: Our souls, without the help of Sense, By ways more noble and more free Can meet, and hold intelligence. Orin. And yet those Souls, when first they met, Lookt out at windows through the eyes. 10 Luc. But soon did such acquaint- ance get, Nor Fate nor Time can them surprise. Orin. Absence will rob us of that bliss To which this friendship title brings : Love’s fruits and joys are made by this Useless as crowns to captiv’d Kings. Luc. Friendship’s a Science, and we know There Contemplation ’s most em- ploy’d. Orin. Religion ’s so, but practic too, And both by niceties destroy’d. 20 (522 ) Luc. But who ne’er parts can never meet, And so that happiness were lost. Orin. Thus Pain and Death are sadly sweet, Since Health and Heav’n such price must cost. Chorus. But we shall come where no rude hand shall sever, And there we'll meet and part no more for ever. To my dear Sister Mrs. C. P. on her Marriage I We will not like those men our offerings pay Who crown the cup, then think they crown the day. We make no garlands, nor an altar build, Which help not Joy, but Ostentation yield. Where mirth is justly grounded, these wild toys Are but a troublesome, and empty noise. ll But these shall be my great Solem- nities, Orinda’s wishes for Cassandra’s bliss. May her Content be as unmix’d and pure As my Affection, and like that endure ; 10 And that strong happiness may she still find Not owing to her fortune, but her mind. ul May her Content and Duty be the same, And may she know no grief but in the name. To my dear Sister, Mrs. C. P. May his and her pleasure and love be so Involv’d and growing, that we may not know Who most affection or most peace engrost ; Whose love is strongest, or whose bliss is most. IV May nothing accidental e’er appear, But what shall with new bonds their souls endear ; 20 And may they count the hours as they pass, By their own joys, and not by sun or glass: While every day like this may Sacred prove Friendship, strictest Love. To Mr. Henry Vaughan, Silurist, on his Poems Hap I ador’d the multitude, and thence Got an antipathy to Wit and Sense, And hugg’d that fate in hope the World would grant *Twas good affection to be igno- rant ; Yet the least ray of thy bright fancy seen, To Gratitude, and I had converted, or excuseless been ; - For each birth of thy Muse to after- times Shall expiate for all this Age’s crimes. First shines thy Amoret, twice crown’d by thee, Once by thy love, next by thy poetry: 10 Where thou the best of unions dost dispense, Truth cloth’d in Wit, and Love in Innocence. So that the muddiest lovers may learn here, No Fountains can be sweet that are not clear. (523 ) There Juvenal reviv’d by thee declares How flat Man’s joys are, and how mean his cares ; And generously upbraids the World that they Should such a value for their ruin pay. But when thy sacred Muse diverts her quill, The landskip to design of Leon’s Hill ; 20 As nothing else was worthy her or thee, So we admire almost t’ idolatry. What savage breast would not be rap’d to find Such jewels in such cabinets en. shrin’d ? Thou (fill’d with joys too great to see or count) Descend’st from thence like Moses from the Mount, And with a candid, yet unquestion’d awe, Restor’st the Golden Age when Verse was Law. Instructing us thou so secur’st thy fame, That nothing can disturb it but my name ; 30 Nay, I have hopes that standing so near thine *Twill lose its dross, and by degrees refine. Live till the disabustd World con- sent, All truths of use, or strength, or ornament, Are with such harmony by thee display’d, As the whole World was first by Number made ; And from the charming rigour thy Muse brings, Learn, there’s no pleasure but in serious things. | Katherine Philips A retir'd Friendship. To Ardelia I Come, my Ardelia, to this Bower, Where kindly mingling souls awhile, Let’s innocently spend an hour, And at all serious follies smile. u Here is no quarrelling for crowns, Nor fear of changes in our fate ; No trembling at the Great One’s frowns, Nor any slavery of state. ly Here’s no disguise nor treachery, Nor any deep conceal’d design ; From blood and plots this place is free, II And calm as are those looks of thine. IV Here let us sit and bless our stars, Who did such happy quiet give, As that remov’d from noise of wars, In one another’s hearts we live. e Why should we entertain a fear? Love cares not how the World is turn’d: If crowds of dangers should appear, Yet Friendship can be uncon- cern’d. 20 VI We wear about us such a charm, No horror can be our offence ; For mischief’s self can do no harm To Friendship or to Innocence. VII Let ’s mark how soon Apollo’s beams Command the flocks to quit their meat, And not entreat the neighbouring streams To quench their thirst, but cool their heat. ( 524) VIII In such a scorching age as this, Who would not ever seek a shade, Deserve their happiness to miss, 31 As having their own peace betray’d. IX But we (of one another’s mind Assur’d) the boisterous World disdain ; With quiet souls and unconfin’d Enjoy what Princes wish in vain. To Mrs. Mary Carne, when Philaster courted her As some great Conqueror who knows no bounds, But hunting Honour in a thousand wounds, Pursues his rage, and thinks that triumph cheap That’s butattended with the common heap, Till his more happy fortune doth afford Some Royal captive that deserv’d his sword, And only now is of his laurel proud, Thinking his dang’rous valour well bestow’d ; But then retreats, and spending hate no more, Thinks Mercy now what Courage was before : 10 As cowardice in fight, so equally He doth abhor a bloody victory: So, madam, though your Beauty were allow’d To be severe unto the yielding crowd, That were subdu’d ere you an Object knew Worthy your conquest and your mercy too ; Yet now ’tis gain’d, your victory ’s complete, Only your clemency should be as great. To Mrs. Mary Carne None will dispute the power of your eyes, That understands Philaster is their prize. 20 Hope not your glory can have new access, For all your future trophies will grow less: And with that homage be you satisfi’d From him that conquers all the world beside. Nor let your rigour now the triumph blot, And lose the honour which your beauty got. Be just and kind unto your peace and fame, In being so to him, for they’re the same: And live and die at once, if you would be Nobly transmitted to posterity. 30 Take heed lest in the story they peruse A murther which no language can excuse : But wisely spare the trouble of one frown ; Give him his happiness, and know your own. Thus shall you be as Honour’s self esteem’d, Who have one sex oblig’d, your own redeem’d. Thus the religion due unto your shrine Shall be as universal, as divine: And that Devotion shall this bless- ing gain, Which Law and Reason do attempt in vain. 40 The world shall join, maintaining but one strife, Who shall most thank you for Philaster’s life. To Mr. J. B. the noble Cratander, upon a Com- position of his which he was not willing to own publicly As whensome injur’d Prince assumes disguise, And strives to make his carriage sympathize, Yet hath a great becoming mien and air, Which speaks him Royal spite of all his care: So th’ issues of thy soul can ne’er be hid, And the Sun’s forcé may be as soon forbid As thine obscur’d; there is ho shade so great Through which it will not dart forth light and heat. Thus we discover thee by thy own day, Against thy will snatching the cloud away. 10 Now the piece shines, and though we will not say, Parents can souls, as taper * lights, convey ; Yet we must grant thy soul trans- mitted here ; In beams almost as lasting and as clear. And that’s our highest praise, for but thy mind, Thy works could never a resem- blance find. That mind whosesearch can Nature’s secret hand At one great stroke discover and command, Which cleareth times and things, before whose eyes Nor men nor notions dare put on disguise. 20 1 Tapers? ( 525 ) Katherine Philips And were all authors now as much forgot As prosperous Ignorance herself would plot, Had we the rich supplies of thy own breast, The knowing World would never miss the rest. Men did before from Ignorance take their fame, But Learning’s self is honour’d by thy name. Thou studiest not belief to intro- duce Of novelties, more fit for show than use ; But think’st it nobler charity t uphold The credit and the beauty of the old: And with one hand canst easily support 31 Learning and Law, a Temple and a Court. And this secures me: for as we below Valleys from hills, houses from churches know, But to their fight who stand extremely high, These forms will have one flat equality : So from a lower soul I well might fear A critic censure when survey’d too near ; But not from him who plac’d above the best, Lives in a height which levels all the rest. 40 To the Excellent Mrs. Anne Owen, upon her receiving the Name of Lucasia, and Adoption into our Society, December 28, 1651 WE are complete, and Fate hath now No greater blessing to bestow : ( 526 ) Nay, the dull World must now confess, We have all worth, all happiness. Annals of State are trifles to our fame, Now ’tis made sacred by Lucasia’s name. But as though through a burning- glass The Sun more vigorous doth pass, Yet still with general freedom shines ; For that contracts, but not con- fines : 10 So though by this her beams are fixed here, Yet she diffuses Glory everywhere. Her mind is so entirely bright, The splendour would but wound our sight, And must to some disguise submit, Or‘we could never worship it. And we by this relation are allow’d Lustre enough to be Lucasia’s cloud. Nations will own us now to be A Temple of Divinity ; 20 And pilgrims shall ten ages hence Approach our tombs with reverence. May then that time which did such bliss convey, Be kept by us perpetual Holy-day. To the truly Noble Mrs. Anne Owen, on my first Approaches Mapam, Asin a triumph conquerors admit Their meanest captives to attend on it, Who, though unworthy, have the power confest, And justifi’d the yielding of the rest : So when the busy World (in hope t’ excuse Their own surprise) your Conquests do peruse, To the truly Noble Mrs. Anne Owen And find my name, they will be apt to say, d Your charms were blinded, or else thrown away. There is no honour got in gaining me, Who am a prize not worth your victory. 10 But this will clear you, that ’tis general, The worst applaud what is admir’d by all. But I have plots in’t: for the way to be Secure of fame to all posterity, Is to obtain the honour I pursue, To tell the World I was subdu’d by you. And since in you all wonders common are, Your votaries may in your virtues share, While you by noble magic worth impart : She that can conquer, can reclaim a heart. 20 Of this creation I shall not despair, Since for your own sake it concerns your care. For ’tis more honour that the world should know You made a noble Soul, than found it so. Lucasia Not to oblige Lucasia by my voice, To boast my fate, or justify my choice, Is this design’d; but pity does engage My pen to rescue the declining Age. For since ’tis grown in fashion to be bad, And to bevain or angry, proud ormad, (While in their vices only men agree) Isthought the only modern gallantry ; How would some brave examples check the crimes, And both reproach, and yet reform, the times ? 10 (527) Nor can Morality itself reclaim Th’ apostate World like my Lucasia’s name : Lucasia, whose rich soul had it been known In that time th’ Ancients call’d the Golden one, When Innocence and Greatness were the same, And men no battles knew but ina game, Choosing what Nature, not what Art, prefers ; Poets were Judges, Kings Philo- sophers ; Even then from her the wise would copies draw, And she to th’ infant world had giv’n a law. 20 That souls were made of Number could not be An observation, but a prophecy. It meant Lucasia, whose harmonious state The Spheres and Musesonly imitate. But as then Music is best under- stood, When every chord’s examin’d and found good : So what in others Judgement is and Will, In her is the same even Reason still. And as some colour various seems, but yet Tis but our diffrence in considering it: 30 So she now light, and then does light dispense, But is one shining orb of excellence : And that so piercing when she judgement takes, She doth not search, but intuition makes: And her discoveries more easy are Than Caesar’s Conquestin his Pontic War. As bright and vigorous her beams are pure, And in their own rich candour so secure, Katherine That had she liv’d where legends were devised, Rome had been just, and she been canonized. 40 Nay Innocence herself less clear must be, If Innocence be anything but she. For virtue’s so congenial to her mind, That liquid things, or friends, are less combin’d. So that in her that sage his wish had seen, And virtue’s self had personated been. Now as distilléd simples do agree, And in th’ alembic lose variety : So virtue, though in pieces scatter’d *twas, Is by her mind made one rich useful mass. 50 Nor doth Discretion put Religion down, Nor hasty Zeal usurp the judgement’s crown. Wisdom arid Friendship have one single throne, And make another friendship of their own. Each sev’ral piece darts such fierce pleasing rays, Poetic Lovers would but wrong in praise. All hath proportion, all hath come- liness, And her Humility alone excess. Her modesty doth wrong a worth so great, Which Calumny herself would noblier treat : 60 While true to Friendship arid to Nature’s trust; To her own merits only she’s un- just. But as Divinity we best declare By sounds as broken as our notions are ; So to acknowledge eminence, Imperfect wonder is our eloquence. ( 528 ) such vast Philips No pen Lucasia’s glories can re- late, But they admire best who dare imitate. Wiston Vault Awp why this vault and tomb? Alike we must Put off distinction, and put on our dust. Nor can the stateliest fabric help to save From the corruptions of a common grave ; Nor for the Resurtection more prepare, Than if the dust were scatter’d into air. What then? Th’ ambition’s just, say some, that we May thus perpetuate our memory. Ah false vain task of Art! ah poor weak Man! Whose monument does more than’s merit can: 10 Who by his friends’ best care and love’s abus’d, And in his very Epitaph accus’d : For did they not suspect his Name would fall, There would not need an Epitaph at all. But after death tod I would be alive, And shall, if my Lucasia do, sur- vive. I quit these pomps of death, and am content, Having her heart to be my monu- ment: Though ne’er stone to me, ’twill stone for me prove, By the peculiar miracles of Love. 20 There [ll inscription have which no tomb gives, Not, Here Orinda lies, but, Here she lives. Friendship in Emblem, or the Seal Friendship in Emblem, or the Seal. To my dearest Lucasia I TuE Hearts thus intermixéd speak A love that no bold shock can break ; For join’d and growing both in one, None can be disturb’d alone. ul That means a mutual Knowledge too; For what is’t either heart can do, Which by its panting sentinel It does not to the other tell? ul That Friendship hearts so much -refines, It nothing but itself designs : 10 The hearts are free from lower ends, For each point to the other tends. Iv They flame, ’tis true, and several ways, But still those Flames do so much raise, That while to either they incline, They yet are noble and divine. v From smoke or hurt those flames are free, From grossness or mortality : The heart (like Moses’ Bush pre- sumed) Warm’d and_ enlightened, not consumed. 20 VI The Compasses that stand above, Express this great immortal Love ; For friends, like them, can prove this true, They are, and yet they are not, two. VII And in their posture is exprest Friendship’s exalted interest : Each follows where the other leans, And what each does, this other means. ( 529 ) VIII And as when one foot does stand fast, And t’ other circles seeks to cast, 30 The steady part does regulate And make the wand’rer’s motion straight : IX So friends are only two in this, T’ reclaim each other when they miss: For whosoe’er will grossly fall. Can never be a friend at all. x And as that useful instrument For even lines was ever meant; | So Friendship from good Angels springs, To teach the world heroic things. 40 XI As these are found out in design To rule and measure every line ; So Friendship governs actions best, Prescribing unto all the rest. XII And as in Nature nothing’s set So just as lines in number met ; So Compasses for these b’ing made, Do friendship’s harmony persuade. XI And like to them, so friends may own Extension, not division : 50 Their points, like bodies, separate ; But head, like souls, knows no such fate. XIV And as each part so well is knit, That their embraces ever fit : So friends are such by destiny, And no third can the place supply. XV There needs no Motto to the Seal: But that we may the mind reveal To the dull eye, it was thought fit That Friendship only should be writ. 60 XVI But as there are degrees of bliss, So there’s no Friendship meant by this, But such as will transmit to Fame Lucasia and Orinda’s Name. Mm Katherine Philips In Memory of F. P. who died at Acton on the 24 of May, 1660, at Twelve and an Half of Age Ir I could ever write a lasting verse, It should be laid, dear Saint, upon thy hearse. But Sorrow is no Muse, and does confess, That it least can, what it would most express. Yet that I may some bounds to Grief allow, Pll try if I can weep in numbers now. Ah, beauteous blossom, too untimely dead ! Whither, ah, whither is thy sweet- ness fled ? Where are the charms that always did arise From the prevailing language of thy eyes ? 10 Where is thy beauteous and lovely mien, And all the wonders that in thee were seen? Alas! in vain, in vain on thee I rave ; There is no pity in the stupid grave. But so the bankrupt sitting on the brim Of those fierce billows which had ruin’d him, Begs for his lost estate, and does complain To the inexorable floods in vain. As well we may enquire when roses die, To what retirement their sweet odours fly ; 20 Whither their virtues and_ their blushes haste, When the short triumph of their life is past ; Or call their perishing beauties back with tears, As add one moment to thy finish’d years. (530 ) No, thou art gone, and thy presaging mind So thriftily thy early hours de- sign’d, That hasty Death was baffled in his pride, Since nothing of thee but thy body did. Thy soul was up betimes, and so concern’d To grasp all excellence that se be learn’d, That finding nothing fill her divigtinn here, To the spring-head she went to quench it there ; And so prepar’d, that being freed from sin quickly might Cherubin. Thou wert all Soul, and through thy eyes it shin’d: Asham’d and angry to be so con- fin’d, It long’d to be uncag’d, and thither flown Where it might know as clearly as twas known. In these vast hopes we might thy change have found, But that Heav’n blinds whom it She become a decrees to wound. 40 For parts so soon at so sublime a pitch, A judgement so mature, fancy so rich, Never appear unto unthankful Men, But as a vision to be hid again. So glorious scenes in masques, spectators view With the short pleasure of an hour or two ; But that once past, the ornaments are gone, The lights extinguish’d, curtains drawn. Yet all these gifts were thy less and the noble part, Not was thy head so worthy as thy heart ; 50 In Memory of F. P. Where the Divine Impression shin’d so clear, As snatch’d thee hence, and yet endear’d thee here: For what in thee did most command our love, Was both the cause and sign of thy remove. Such fools are we, so fatally we choose, That what we most would keep, we soonest lose. The humble greatness of thy pious thought, Sweetness unfore’d, and bashfulness untaught, The native candour of thine open breast, And all the beams wherein thy worth was drest, 60 Thy wit so bright, so piercing and immense, Adorn’d with wise and lovely inno- cence, Might have foretold thou wert not so complete, But that our joy might be as short as great. So the poor swain beholds his ripen’d corn By some rough wind without a sickle torn. Never, ah! never let sad parents guess At one remove of future happiness: But reckon children ’mong those passing joys, Which one hour gives, and the next hour destroys. 70 Alas! we were secure of our con- tent ; But find too late that it was only lent, To be a mirror wherein we may see How frail we are, how spotless we should be. But if to thy blest soul my grief appears, Forgive and pity these injurious tears ; (531 ) Impute them to Affection’s sad excess, Which will not yield to Nature’s tenderness, Since ’twas through dearest ties and highest trust Continued from thy cradle to thy dust ; 80 And so rewarded and confirm’d by thine, That (woe is me!) I thought thee too much mine. But I'll resign, and follow thee as fast As my unhappy minutes will make haste. Till when the fresh remembrances of thee Shall be my Emblems of Mortality. For such a loss as this (bright Soul !) is not Ever to be repaired, or forgot. In Memory of that excellent Person Mrs. Mary Lloyd of Bodidrist in Denbigh- shire, who died Nov. 13, 1656, after shecame thither from Pembroke-shire. I cannot hold, for though to write were rude, Yet to be silent were ingratitude, And folly too ; for if posterity Should never hear of such an one as thee, And only know this age’s brutish fame, They would think Virtue nothing but a name. And though far abler pens must her define, Yet her adoption hath engagéd mine: And I must own where merit shines so clear, Tis hard to write, but harder to forbear. 10 Mm 2 Katherine Philips Sprung from an ancient and an honour’d stem, Who lent her lustre, and she paid it them ; Who stillin great and noble things appear’d, Whom all their country lov’d, and yet they fear’d. Match’d to another good and great as they, Who did their country both oblige and sway. Behold herself, who had without dispute, More than both families could contribute. What early beauty Grief and Age had broke, Her lovely reliques and her offspring spoke. 20 She was by Nature and her parents’ care, A woman long before most othersare. But yet that antedated season she Improv’d to Virtue, not to Liberty. For she was still in eitherstate of life, Meek as a virgin, prudent as a wife. And she well knew, although so young and fair, Justly to mix Obedience, Love, and Care ; Whil’st to her children she did still appeat So wisely kind, so tenderly severe, That they from her rule and example brought 3r A native Honour, which she stampt and taught. Nor can a single pen enough com- mend So kind a sister and so clear a friend. A wisdom from above did her secure, Which as twas peaceable, was ever pure. And if well-order’d Commonwealths must be Patterns for every private family, Her house, rul’d by her hand and by her eye, Might be a pattern for a Monarchy. Solomon’s wisest woman less could do ; 41 She built her house, but this preserv’d hers too. She wasso pious that whenshedid die, She scarce chang’d place, I’m sure not company. Her Zeal was primitive and practice too; She did believe, and pray, and read, and do. A firm and equal soul she had engrost, Just ev’n to those that disoblig’d her most. She grew to love those wrongs she did receive For giving her the power to forgive. Her alms I may admire, but not relate, 5 But her own works shall praise her in the gate. Her life was chequer’d with afflictive years, And even her comfort season’d in her tears. Scarce for a husband’s loss her eyes were dried’, And that loss by her children half supplied, When Heav’n was pleas’d not these dear props t’ afford, But tore most off by sickness or by sword. She, who in them could still their father boast, Was a fresh widow every son she lost. Litigious hands did her of right deprive, 61 That after all ’twas penance to Survive. She still these griefs had nobly undergone, Which few support at all, but better none. 1 Orig. ‘dri'd’ and ‘suppli’d’ which is not quite negligible. ( 532 ) In Memory of Mrs. Mary Lloyd Such a submissive greatness who can find? A tender heart with so resolvd a mind! But she, though sensible, was still the same, Of a resignéd soul, untainted fame ; Nor were her virtues coarsely set, for she Out-did example in civility. 70 To bestow blessings, to oblige, relieve, Was all for which she could endure to live. She had a joy higher in doing good, Than they to whom the benefit accru’d. Though none of Honour had a quicker sense, Never had woman more of compla- cence! ; Yet lost it not in empty forms, but still Her Nature noble was, her soul gentile”. And as in youth she did attract (for she The verdure had without the vanity), So she in age was mild and grave to all, 81 Was not morose, but was majestical. Thus from all other women she had skill To draw their good, but nothing of their ill. And since she knew the mad tumultuous World Saw crowns revers’d, temples to ruin hurl'd ; She in retirement chose to shine and burn, As abrightlamp shut in some Roman urn. At last, when spent with sickness, grief and age, Her Guardian Angel did her death presage go 1 Note the French accent. (So that by strong impulse she cheerfully Dispensed blessings, and went home to die ; That so she might, when to that place remov’d, Marry his ashes whom she ever lov’d) : She died, gain’d a reward, and paid a debt. The Sun himself did never brighter set. Happy were they that knew her and her end, More happy they that did from her descend : A double blessing they may hope to have, One she convey’d to them, and one she gave. 100 All that are hers are therefore sure to be Blest by inheritance and legacy. A Royal Birth had less advantage been. "Tis more to die a Saint than live a Queen. To the truly competent Judge of Honour, Lucasia, upon a scandalous Libel made by J. J. Honour, which differs man from man much more Than Reason differ’'d him from beasts before, Suffers this common fate of all things good, By the blind World to be misunder- stood. For as some heathens did their Gods confine, While in a bird or beast they made their shrine ; ? This seems worth keeping, both as a document of form and because of the horrible degradation of ‘ genéeel’ in meaning. ( 533 ) Katherine Philips Depos’d their Deities to earth, and then Offer’d them rites that were too low for Men: So those who most to Honour sacrifice, Prescribe to her a mean and weak disguise ; 10 Imprison herto others’ false applause, And from Opinion do receive their laws. While that inconstant Idol they implore, Which in one breath can murther and adore. From hence it is that those who Honour court, (And place her in a popular report) Do prostitute themselves to sordid Fate, And from their being oft degenerate. And thus their Tenents? too are low and bad, As if ’twere honourable to be mad: Or that their Honour had concernéd been 21 But to conceal, not to forbear, a sin. But Honour is more great and more sublime, Above the battery of Fate or Time. We see in Beauty certain airs are found, Which not one grace can make, but all compound. Honour’s to th’ mind as Beauty to the sense, The fair result of mixéd excellence. As many diamonds together lie, And dart one lustre to amaze the eye: 30 So Honour is that bright aetheria ra Which many stars doth in one light display. But as that Beauty were as truly sweet, Were there no. tongue to praise, no eye to see’t ; 1 ¢Tenant’ or ‘tenet’? (534) And ’tis the privilege of a native Spark, To shed a constant splendour in the dark : So Honour is its own reward and end, And satisfied within, cannot descend To beg the suffrage of a vulgar tongue, Which by commending Virtue doth it wrong. 40 It is the charter of a noble action, That the performance giveth satis- faction. Other things are below’t; for from a clown Would any Conqueror receive his crown ? ’Tisrestless cowardice to be a drudge To an uncertain and unworthy judge. So the Cameleon, who lives on air, Is of all creatures most inclin’d to fear. But peaceable reflections on the mind, Will in a silent shade Contentment find. 50 Honour keeps court at home, and doth not fear To be condemn’d abroad, if quitted there. While I have this retreat, ’tis not the noise Of slander, though believ’d, can wrong my joys. There is advantage in’t: uncoin’d Had been unuseful, not with glory shin’d : This stamp’d my innocency in the ore, ; Which was as much, but not so bright, before. Till an Alembic wakes and outward for gold draws, The strength of sweets lies sleeping in their cause: 60 The latter better. To the truly competent Fudge of Honour So this gave me an opportunity To feed upon my own Integrity. And though their judgement I must still disclaim, Who can nor give nor take away a fame: Yet Tl appeal unto the knowing few, Who dare be just, and rip my heart to you. To Antenor, on a Paper of mine which J. J. threatens to publish to prejudice him Must then my crimes become thy scandal too? Why, sure the Devil hath not much to do. The weakness of the other charge is clear, When such a trifle must bring up the rear. But this is mad design, for who before Lost hisrepute upon another’s score ? My love and life I must confess are thine, But not my errors, they are only mine. And if my faults must be for thine allow’d, It will be hard to dissipate the cloud : For Eve’s rebellion did not Adam blast, II Until himself forbidden fruit did taste. ’Tis possible this magazine of Hell (Whose name would turn a verse into a spell, Whose mischief is congenial to his life) May yet enjoy an honourable wife. Nor let his ill be reckoned as her blame, Nor yet my follies blast Antenor’s name. (535 ) But if those lines a punishment could call x Lasting and great as this dark lanthorn’s gall ; 20 Alone I’d court the torments with content, To testify that thou art innocent. So if my ink through malice prov’d a stain, My blood should justly wash it off again. But since that mint of slander could invent To make so dull a rhyme his instru- "ment, Let verse revenge the quarrel. he’s worse Than wishes, and below a Poet’s curse ; And more than this Wit knows not how to give, Let him be still himself, and let him live. 30 But Rosania shadowed whilst Mrs. Mary Awbrey IF any could my dear Rosania hate, They only should her Character relate. Truth shines so bright there, that an enemy Would be a better orator than I. Love stifles language, and I must confess, I had said more, if I had lovéd less. Yet the most critical who that face see Will ne’er suspect a partiality. Others by time and by degrees persuade, But her first look doth every heart invade. Io She hath a face so eminently bright, Would makea Loverofan Anchorite: A face where conquest mixt with modesty, Are both completed in Divinity. Katherine Philips Not her least glance but sets a heart on fire, And checks it if it should too much aspire. Such is the magic of her looks, the same Beam doth both kindle and refine our flame. If she doth smile, no painter e’er would take Another rule when he would Mercy make. 20 And Heav’n to her such splendour hath allow’d, That no one posture can her beauty cloud : For if she frown, none but would fancy then Justice descended here to punish men. Her common looks I know not how to call Any one Grace, they are compos’d of all. And if we mortals could the doctrine reach, Her eyes have language, and her looks do teach. And as in palaces the outmost, worst Rooms entertain our wonder at the first ; 30 But once within the Presence- Chamber door, We do despise whate’er we saw before : So when you with her mind acquaint- ance get, Youll hardly think upon the cabinet. Her soul, that ray shot from the Deity, Doth still preserve its native purity ; Which earth can neither threaten nor allure, Nor by false joys defile it, or ob- scure. The innocence which in her heart doth dwell, Angels themselves can only parallel. ( 536 ) More gently soft than is an evening shower : 4t in that sweetness there is coucht a power, Which scorning Pride, doth think it very hard That modesty should need so mean a guard, Her Honour is protected by her eyes, As the old Flaming Sword kept Paradise. Such constancy of Temper, Truth and Law, Guides all her actions, World may draw From her one soul the noblest And that the precedent Of the most safe, wise, virtuous government. 50 And as the highest element is clear From all the tempests which disturb the air: So she above the World and its rude noise, Above our storms a quiet calm enjoys. Transcendent things her noble thoughts sublime, Above the faults and trifles of the time. Unlike those gallants which take far less care To have their souls, than make their bodies fair ; Who (sick with too much leisure) time do pass With these two books, Pride, and a looking-glass : 60 Plot to surprise men’s hearts, their pow’r to try, And call that Love, which is mere Vanity. But she, although the greatest Murtherer, (For evry glance commits a Massacre) Yet glories not that slaves her power confess, But wishes that her monarchy were less. Rosania shadowed And if she love, it is not thrown away, As many do, only to spend the day; But hers is serious, and enough alone To make all Love become Religion. And to her friendship she so faith- ful is, I That ’tis her only blot and pre- judice : For Envy’s self could never error see Within that soul, ’bating her love to me. Now as I must confess the name of friend To her that all the World doth comprehend, Is a most wild ambition; so for me To draw her picture is flat lunacy. Oh! I must think the rest; for who can write, Or into words confine what’s infinite ? 80 Tothe Queenof Inconstancy, Regina Collier, in Antwerp I UNworTHY, since thou hast decreed Thy Love and honour both shall bleed, My Friendship could not choose to die In better time or company. I What thou hast got by this exchange Thou wilt perceive, when the re- venge Shall by those treacheries be made, For which our Faith thou hast betray’d. II When thy idolaters shall be True to themselves, and false to thee, 10 Thou'lt seethatin heart-merchandise, Value, not number, makes the price. ( 537 ) IV Live to that day, my Innocence Shall be my _ Friendship’s defence: For this is all the World can find, While thou wert noble, I was kind. v The desp’rate game that thou dost play At private ruins cannot stay ; The horrid treachery of that face Will sure undo its native place. 20 VI Then let the Frenchmen never fear The victory while thou art there : Forif sins will call judgements down, Thou hast enough to stock the Town. just To my Excellent Lucasia, on our Friendship I pip not live until this time Crown’d my felicity, When I could say without a crime, I am not thine, but Thee. This carcase breath’d, and walkt, and slept, So that the Warld believ’d There was a soul the motions kept ; But they were all deceiv’d. For as a watch by art is wound To motion, such was mine: 10 But never had Orinda found A soul till she found thine ; Which now inspires, cures and supplies, And guides my darkened breast : For thou art all that I can prize, My Joy, my Life, my Rest. No bridegroom’s nor conqueror’s mirth To mine compar’d can be: They have but pieces of this Earth, crown- I’ve all the World in thee. 20 Then let our flames still light and shine, And no false fear control, As innocent as our design, Immortal as our soul. Katherine Philips Rosania’s private Marriage Ir was a wise and kind design of Fate, That none should this day’s glory celebrate : For ’twere in vain to keep a time which is Above the reach of all solemnities. The greatest actions pass without a noise, And tumults but profane diviner joys. Silence with things nearest suits, The greatest Emperors ate serv’d by mutes. And as in ancient time the Deities transcendent To their own priests reveal’d no mysteries Until they were from all the World retir’d, And in some ¢ave made fit to be inspir’d. So when Rosania (who hath them out-vied, And with more justice might be deified ; Who if she had their rites and altars, we Should hardly think it were idolatry) Had found a breast that did deserve to be Receptacle of her Divinity ; It was not fit the gazing World should know When she convey’d herself to him, or how. 20 An eagle safely may behold the Sun, When weak eyes are with too much light undone. Now as in oracles were understood, Not the priest’s only, but the common good : So .s great soul would not imparted e, But in design of general Charity. ( 538 ) She now is more diffusive than before ; And what men then admir’d, they now adore. For this exchange makes not her power less, But only fitter for the sia address. May then that Mind (which, if ee will admit The Universe one Soul, must sure be it) Inform this All (which, till she shin’d out, lay As drowsy men do in a cloudy day), And Honour, Virtue, Reason so dispense, That all may owe them to her influence : And while this age is thus employ’d, may she Scatter new blessings for posterity. I dare not any other wish prefer, 39 For only her bestowing adds to her. And to a soul so in herself complete As would be wrong’d by any epithet, Whose splendour’s fix’d unto her chosen sphere, And fill’d with love and satisfaction there, What can increase the triumph, but to see The World her Convert and her History ? Injuria Amicitiae Lovey Apostate! what offence ? Oram I punish’d for obedience ? Must thy strange rigour find as strange a time? The act and season are an equal crime. Of what thy most ingenious scorns could do, Must I be subject and spectator too? was my Injuria Amicitiae Orwerethe sufferings and sins toofew To be sustain’d by me, perform’d by you? Unless (with Nero) your uncurb’d desire Be to survey the Rome you set on fire. 10 While wounded for and by your power, I At once your Martyr and your Prospect die. This is my doom, and such a riddling fate As all impossibles doth complicate. For Obligation here is Injury, Constancy Crime, Friendship a Heresy. And you appear so much on ruin bent, Your own destruction gives you now Content : For our twin-spirits did so long agree, You must undo yourself to ruin me. And, like some frantic Goddess, you're inclin’d, ar To raze the temple where you are enshrin’d. And, what’s the miracle of cruelty, Kill that which gave you immortality. While glorious friendship, whence your honour springs, Lies gasping in the Crowd of common things ; And I’m so odious, that for being kind Doubled and studied murthers are design’d. Thy sin’s all paradox, for shouldst thou be Thyself again, th’ wouldst be severe to me. 30 For thy repentance coming now so late, Would only change, and not relieve my fate. So dangerous is the consequence of ill, Thy least of crimes is to be cruel still. ( 539 ) For of thy smiles I should yet more complain, If I should live to be betray’d again. Live then (fair Tyrant) in security, From both my kindness and revenge be free; While I, who to the swains had sung thy fame, And taught each echo to repeat thy name, 40 Will now my private sorrow enter- tain, To rocks and rivers, not to thee, complain. And though before our union cherish’d me, *Tis now my pleasure that we disagree. For from my passion your last rigour rew, And you kill’d me because I worshipp’d you. But’ my worst vows shall be your happiness, And not to be disturb’d by my distress. And though it would my sacred flames pollute, To make my heart a scornéd pros- titute ; RO Yet [ll adore the author of my death, And kiss the hand that robs me of my breath. To Regina Collier, on her cruelty to Philaster TRIUMPHANT Queen of scorn! how ill doth sit In all that sweetness, such injurious Wit! Unjust and Cruel? what can be your prize, To make one heart a double Sacrifice ? Where such ingenious rigour you do show, To break his heart, you break his image too ; Katherine Philips And by a tyranny that’s strange and new, You murther him because he worships you. No pride can raise you, or can make him start, Since Love and Honour do enrich his heart. 10 Be wise and good, lest when fate will be just, She should o’erthrow those glories in the dust, Rifle your beauties, and you thus forlorn Make a cheap victim to another’s scorn ; And in those fetters which you do upbraid, Yourself a wretched captive may be made. Redeem the poison’d Age, let it be seen There’s no such freedom as to serve a Queen. But you I see are lately Round-head grown, And whom you vanquish you insult upon. 20 To Philaster, on his Melan- choly for Regina GIVE over now thy tears, thou vain And double Murtherer; For every minute of thy pain Wounds both thyself and her. Then leave this dullness ; for ’tis our belief, Thy Queen must cure, deserve, thy grief. or not Philoclea’s parting KINDER than a condemnéd man’s reprieve, Was your dear company that bad me live. (54° ) When by Rosania’s silence I had been The wretched’st martyr any age hath seen. But as when traitors faint upon the rack, Tormenters strive to call their spirits back ; Not out of kindness to preserve their breath, But to increase the torments of their Death: So was I raiséd to this glorious state, To make my fall the more unfortunate. 10 But this I know, none ever died before Upon a sadder or a nobler score. To Rosania, now Mrs. Montague, being with her I As men that are with visions grac’d, Must have all other thoughts dis- plac’d, And buy those short descents ofLight With loss of sense ; or spirit’s flight : I So since thou wert my happiness, I could not hope the rate was less ; And thus the Vision which I gain Is short t? enjoy, and hard t’ attain. I Ah then! what a poor trifle’s all That thing which here we Pleasure call, 10 Since what our very souls hath cost Is hardly got and quickly lost ! IV Yet is there justice in the fate ; For should we dwell in blest estate, Our joys thereby would so inflame, We should forget from whence we came. v If this so sad a doom can quit Me for the follies I commit ; To Rosania Let no estrangement on thy part Add a new ruin to my heart. 20 VI When on myself I do reflect, I can no smile from thee expect : But if thy kindness hath no plea, Some freedom grant for charity. VII Else the just World must needs deny Our Friendship an eternity : This love will ne’er that title hold : For mine’s too hot, and thine too cold. Vl Divided rivers lose their name ; And so our too unequal flame —30 Parted, will Passion be in me, And an indifference in thee. IX Thy absence I could easier find, Provided thou wert well and kind, Than such a presence as is this, Made up of snatches of my bliss. x So when the Earth long gasps for rain, If she at last some few drops gain, She is more parchéd than at first ; That small recruit increas’d the thirst. 40 To my Lucasia Let dull philosophers enquire no more In Nature’s womb, or causes strive t’ explore, By what strange harmony and course of things Each body to the whole a tribute brings; What secret unions secret neigh- bourings make, And of each other how they do par- take. These are but low experiments: but he That Nature’s harmony entire would see, ( 541 ) Must search agreeing souls, sit down and view How sweet the mixture is, how full, how true; 10 By what soft touches spirits greet and kiss, And in each other can complete their bliss. A wonder so sublime, it will admit No rude spectator to contemplate it. The object will refine, and he that can Friendship revere, must be a noble man. How much above the common rate of things Must they then be, from whom this union springs ! But what’s all this to me, who live to be Disprover of my own mortality? 20 And he that knew my unimproved soul, Would say I meant all friendship to control. But bodies move in time, and so must minds ; And though th’ attempt no easy progress finds, Yet quit me not, lest I should des- prate grow, And to such friendship add some patience now. O may good Heav’n but so much virtue lend, To make me fit to be Lucasia’s Friend ! But I'll forsake myself, and seek a new Self in her breast that’s far more rich and true. Thus the poor Bee unmark’d doth hum and fly, And dron’d with age would unre- garded die, Unless some lucky drop of precious gum, Do bless the insect with an Amber- tomb. Then glorious in its funeral the Bee Gets Eminence, and gets Eternity. _ Katherine Philips On Controversies in Religion RELIGION, which true policy be- friends, Design’d by God to serve Man’s noblest ends, Is by that old Deceiver’s subtle play Made the chief party in its own decay, And meets that eagle’s destiny, whose breast Felt the same shaft which his own feathers drest. For that great Enemy of souls per- ceiv’d, The notion of a Deity was weav’d So closely in Man’s soul; to ruin that, He must at once the World depopu- late. 10 But as those tyrants who their wills pursue, If they expound old laws, need make no new: So he advantage takes of Nature’s light, And raises that to a bare useless height ; Or while we seek for Truth, he in the quest Mixes a Passion, or an Interest, To make us lose it; that I know not how, *Tis not our practice, but our quarrel now. As inthe Moon’seclipsesome Pagans thought Their barbarous clamours her deliver- ance wrought : 20 So we suppose that truth oppresstd lies, And needs a rescue by our enmities. But ’tis injustice, and the mind’s disease, To think of gaining Truth by losing Peace. Knowledge and Love, if true, do still unite ; God’s Love and Knowledge are both infinite. (542 ) And though indeed Truth does delight to lie At some remoteness from a com- mon eye ; Yet ’tis not in a thunder or a noise, But in soft whispers and the stiller Voice. 30 Why should we then Knowledge so rudely treat, Making our weapon what was meant our meat ? Tis Ignorance that makes us quarrel SO ; Thesoul that’s dark will be contracted too. Chimaeras make a noise, swelling and vain, And soon resolve to their ownsmoke again. But a true light the spirit doth dilate, And robs it of its proud and sullen state ; Makes Love admir’d because ’tis understood, And makes us wise because it makes us good. 40 Tis to a right prospect of things that we Owe our Uprightness and our Charity. For who resists a beam when shin- ing bright, Is not a sinner of a common height. That state’s a forfeiture, and helps are spent, Not more a Sin, than ’tis a punish- ment. The soul which sees things in their native frame, Without Opinion’s mask or Custom’s name, Cannot be clogg’d to Sense, or count that high Which hath its estimation from a lie. 50 (Mean, sordid things, which by mis- take we prize, absent covet, despise.) And but enjoy’d On Controversies in Religion But scorning these hath robb’d them of their art, Either to swell or to subdue the Heart ; And learn’d that generous frame to be above The World in hopes, below it all in love: Touch’d with divine and inward life doth run, Not resting till it hath its centre won ; Moves steadily until it safe doth lie I’ th’ root of all its immortality; 60 And resting here hath yet activity To grow more like unto the Deity ; Good, Universal, Wise, and Just as he, (The same in kind, though diff’ring in degree) Till at the last ’tis swallowed up and grown With God and with the whole Crea- tion one; Itself, so small a part, i’ th’ Whole is lost, And generals have particulars en- grost. That dark contracted personality, Like mists before the Sun, will from it fly. 70 And then the soul, one shining sphere, at length With true Love’s wisdom fill’d and purged strength, Beholds her highest good with open face, And like him all the World she can embrace. To the Honoured Lady E.C. Mapam, I do not write to you that men may know How much I’m honour’d that I may do so: Nor hope (though I your rich ex- ample give) To write with more success than I can live, (543 ) To cure the age ; nor think I can be just, Who only dare to write, because I must. I’m full of you, and something must express, To vent my wonder and your pow’r confess. Had I ne’er heard of your illustrious name, Nor known the Scotch or English ancient fame ; 10 Yet if your glorious frame did but appear, I could have soon read all your grandeur there. I could haveseenin each majesticray, What greatness ancestors could e’er convey ; And in the lustre of your eyes alone, How near you were allitd to the Throne: Which yet doth lessen you, who cannot need Those bright advantages which you exceed. For you are such, that your descent from Kings Receives more honour from you than it brings: 20 As much above their glories as our toil. A Court to you were but a hand- some soil. And if we name the stock on which you grew, Tis rather to do right to it than you: For those that would your greatest splendour see, Must read your soul more than your pedigree. For as the sacred Temple had with- out Beauty to feed those eyes that gaz’d about, And yet had riches, state, and wonder more, For those that stood within the shin- ing door ; 30 Katherine Philips But in the Holy Place the admitted few, Lustre receiv’d and inspiration too : So though your glories in your face be seen, And so much bright instruction in your mien ; You are not known but where you will impart The treasures of your more illustrious heart. Religion all her odours sheds on you, Who by obeying vindicate her too: For that rich beam of Heaven was almost In nice disputes and false pretences lost ; 40 So doubly injur’d, she could scarce subsist Betwixt the hypocrite and casuist ; Till you by great example did con- vince Us of her nature and her residence. And chose to show her face, and ease her grief, Less by your arguments than by your life ; Which if it should be copied out, would be A solid body of divinity. Your principle and practice light would give What we should do, and what we should believe: 50 For the extensive knowledge you profess, You do acquire with more ease than confess, And as by you knowledge has thus obtain’d To be refin’d, and then to be explain’d : So in return she useful is to you, In practice and in contemplation too. For by the various succours she hath lent, You act with judgement, and think with content. (544) Yet those vast parts with such a -temper meet, That you can lay them at Religion’s feet. 60 Nor is it half so bold as it is true, That Virtue is herself oblig’d to you: For being drest in your subduing charms, She conquers more than did the Roman arms. We see in you how much that Malice lied That stuck on goodness any sullen pride ; And that the harshness some pro- fessors wear Falls to their own, and not Religion’s share. But your bright sweetness if it but appear, Reclaims the bad, and softens the austere. 70 Men talk’d of Honour too, but could not tell What was the secret of that active spell. That beauteous mantle they to divers lent, Yet wonder’d what the mighty no- thing meant. Some did confine her to a worthy fame, And some to Royal parents gave her name. You having claim unto her either way, By what a King could give, a world could pay, Have a more living honour in your breast, Which justifies, and yet obscures the rest ; 80 A principle from fame and pomp untied, So truly high that it despises Pride ; Buying good actions at the dearest rate, Looks downon ill with as muchscorn as hate ; To the Honoured Lady E. C. Acts things so generous and bravely hard, And in obliging finds so much reward ; So self-denying great, so firmly just, Apt to confer, strict to preserve a trust ; That all whose honour would be justified, Must by your standards have it stamp’d and tried. 90 But your perfection heightens others’ crimes, And you reproach while you inform the times. Which sad advantage you will scarce believe ; Or if you must, you do conceal and grieve. You scorn so poor a foil as others’ ill, And are protector to th’ unhappy still ; Yet are so tendet when you see a spot, You blush for those who for them- selves could not. You are so much above your sex, that we Believe your Life your greatést courtesy : 100 For women boast, they have you while you live A pattern and a representative, And future mothers who in child- birth groan, Shall wish fot daughters, knowing you are one. The world hath Kings whose crowns are cemented, Or by the blood they boast, or that they shed : Yet these great idols of the stooping crew Have neither pleasure sound, hor honour true. They either fight, or play; and power court, In trivial anger, or in cruel sport. r10 ( 545 ) You, who a nobler privilege enjoy, (For you can save whom they can but destroy) An Empire have where different mixtures kiss ; You're grave, not sour, and kind, but not remiss. sweetened Majesty, humble State, Do love and reverence at once Such such create. Pardon (dear Madam) these untaught essays, I can admire more fitly than I praise. Things so sublime are dimly under- stood, And you are born so great, and are so good, 120 So much above the honour of your name, And by neglect do so secure your fame ; Whose beauty’s such as captivates the wise, Yet only you of all the World despise ; That have so vast a knowledge so subdued, Religion so adorn’d, and so pursued ; A wit so strong, that who would it define, Will need one ten times more acute than mine; Yet rul’d so that its vigour manag’d thus Becomes at once graceful and generous ; 130 Whose honour has so delicate a sense, Who always pardon, never give offence ; Who needing nothing, yet to all are kind, Who have so large a heart, so rich a mind ; Whose Friendship still’s of the oblig- ing side, And yet so free from Tyranny and Pride ; Nn Katherine Philips Who do in love like Jonathan de- scend, And strip yourself to clothe your happy friend ; Whose kindness and whose modesty is such, T’ expect so little and deserve so much; 140 Who have such candid worth, such dear concern, Where we so much may love, and so much learn ; Whose every wonder though it fills. and shines, It never to an ill excess declines ; But all are found so sweetly oppo- site, As are in Titian’s pieces shade and light : That he that would your great description try, Though he write well, would be as lost as I, Who of injurious Zeal convicted stand, To draw you with so bold and bad a hand; 150 But that, like other glories, I presume You will enlighten, where you might consume, Parting with Lucasia, A Song I WELL, we will do that rigid thing Which makes spectators think we part ; Though Absence hath for none a sting But those who keep each other’s heart. ul And when our sense is dispossest, Our labouring souls will heave and pant, And gasp for one another’s breast, Since their conveyances they want. ( 546 ) ul Nay, we have felt the tedious smart Of absent Friendship, and doknow That when we die we can but part ; And who knows what we shall do now ? 12 IV Yet I must go: we will submit, And so our own disposers be ; For while we nobly suffer it, We triumph o’er Necessity. v By this we shall be truly great, If having other things o’ercome, To make our victory complete 19 We can be conquerors at home. VI Nay then to meet we may conclude, And all obstructions overthrow, Since we our passion have subdu’d, Which is the strongest thing I know. Against Pleasure. Set by Dr. Coleman I THERE’S no such thing as Pleasure here, ’Tis all a perfect cheat, Which does but shine and disappear, Whose charm is but deceit : The empty bribe of yielding souls, Which first betrays, and then con- trols. I ’Tis true, it looks at distance fair ; But if we do approach, The fruit of Sodom will impair, And perish at a touch: To In being than in fancy less, And we expect more than possess. WI For by our pleasures we are cloy’d, And so Desire is done; Or else, like rivers, they make wide The channel where they run: And either way true bliss destroys, Making Us narrow, or our Joys. Against IV We covet pleasure easily, But it not so possess ; 20 For many things must make it be, But one may make it less. Nay, were our state as we could choose it, *Twould be consum’d by fear to lose it. v What art thou then, thou winged air, More weak and swift than Fame? Whose next successor is Despair, And its attendant Shame. Th’ experienc’d Prince then reason had, Who said of pleasure, It is mad. 30 A Prayer ETERNAL Reason, Glorious Majesty, Compar’d to whom what can be said to be? Whose attributes are Thee, who art alone Cause of all various things, and yet but One ; Whose Essence can no more be search’d by man, Than Heav’n, Thy Throne, begraspéd with a span. Yet if this great Creation was de- sign’d To several ends fitted for every kind ; Sure Man (the World’s epitome) must be Form’d to the best, that is to study Thee. Io And as our dignity, ’tis duty too, Which is summ’d up in this, to know and do. These comely rows of creatures spell Thy Name, Whereby we grope to find from whence they came, By Thy own chain of causes brought to think There must be one, then find that highest link. ( 547 ) Pleasure Thus all created Excellence we see Is a resembla nce faint and dark of Thee. Such shadows are produc’d by the moon-beams Of trees or houses in the running streams. 20 Yet by impressions born with us we find How good, great, just Thou art, how unconfin’d. Here we are swallowed up and gladly dwell, Safely adoring what we cannot tell. All we know is, Thou art supremely good, And Tost delight to be so under- stood. A spicy mountain on the universe, On which Thy richest odours do disperse. But as the sea to fill a vessel heaves, More greedily than any cask re- ceives, 30 Besieging round to find some gap in it, Which will a new infusion admit : So dost Thou covet that Thou mayst dispense Upon the empty World Thyinfluence ; Lov’st to disburse Thyselfin kindness: Thus The King of Kings waits to be gracious. On this account, O God, enlarge my heart To entertain what Thou wouldst fain impart. Nor let that soul, by several titles Thine, And most capacious form’d for things Divine, 40 (So nobly meant, that when it most doth miss, in mistaken pantings bliss) Degrade itself in sordid things’ de- light, Or by profaner mixtures lose its right. Tis after Nn2 Katherine Philips Oh! that with fixt unbroken thoughts it may Admire the light which does obscure the day. And since ’tis Angels’ work it hath to do, May its composure be like Angels too. When shall these clogs of Sense and Fancy break, That I may hear the God within me speak ? 50 When with a silent and retiréd art Shall I with all this empty hurry part ? To the Still Voice above, my soul advance ; My light and joy plac’d in his countenance ? By whose dispense my soul to such frame brought, May tame each treach’rous, fix each scatt’ring thought ; With such distinctions all things here. behold, And so to separate each dross from gold, That nothing my free Soul may satisfy, 59 But t’ imitate, enjoy, and study thee. To Mrs, M. A. upon Absence I ’TIs now since I began to die Four months, yet still I gasping live ; Wrapp’d up in sorrow do I lie, Hoping, yet doubting a reprieve. Adam from Paradise expell'd Just such a wretched being held. ul ’Tis not thy love I fear to lose, That will in spite of absence hold ; But ’tis the benefit and use Is lost, as in imprison’d gold: To Which though the sum be ne’er so great, Enriches nothing but conceit. (248 ) III What angry star then governs me That I must feel a double smart, Prisoner to fate as well as thee ; Kept from thy face, link’d to thy heart ? Because my love all love excels, Must my grief have no parallels ? IV Sapless and dead as Winter here TI now remain, and all I see 20 Copies of my wild state appear, But I am their epitome. ‘ Love me no more, for I am grown Too dead and dull for thee to own. To Mrs. Mary Awbrey Sout of my soul, my Joy, my Crown, my Friend, A name which all the rest doth comprehend ; How happy are we now, whose souls are grown, By an incomparable mixture, one: Whose well-acquainted minds are now as near As Love, or Vows, or Friendship can endear ? TI have no thought but what’s to thee reveal’d, Nor thou desire that is from me conceal'd. Thy heart locks up my secrets richly set, And my breast is thy private cabinet. Thou shed’st no tear but what my moisture lent, IL And if I sigh, it is thy breath is spent. United thus, what horror can appear Worthy our sorrow, anger, or our fear ? Let the dull World alone to talk and fight, And with their vast ambitions Nature fright ; To Mrs. Mary Awbrey Let them despise so innocent a flame, While Envy, Pride, and Faction play their game: But we by Love sublim’d so high shall rise, To pity Kings, and Conquerors despise, 20 Since we that sacred union have engrost, Which they and all the factious World have lost. In Memoryof Mr. Cartwright Stay, Prince of Fancy, stay, we are not fit To welcome or admire thy raptures et: Such horrid Ignorance benights the times, That Wit and Honour are become our crimes. But when those happy Pow’rs which guard thy dust To us, and to thy Mem’ry shalt be just, And by a flame from thy blest Genius lent, Rescue us from our dull imprison- ment, Unsequester our Fancies, and create A worth that may upon thy glories walt : 10 We then shall understand thee, and descry The splendour of restoréd Poetry. Till when let no bold hand profane thy shrine ; Tis high Wit-Treason to debase thy coin. Mr. Francis Finch, the Excellent Palaemon THis is confest presumption, for had I All that rich stock of ingenuity Which I could wish for this, yet would it be Palaemon’s blot, a pious injury. But as no votaries are scorn’d when they The meanest victim in Religion pay ; ‘ Not that the Pow’r they worship needs a gum, But that they speak their thanks for all with some :, So though the most contemptible of all That do themselves Palaemon’s ser- vants call, 10 I know that Zeal is. more than sacrifice, (For God did not the widow’s mite despise) And that Palaemon hath Divinity, And Mercy is his highest property : He that doth such transcendent merit own, Must haveimperfect offrings ornone. He’s one rich lustre which doth rays dispense, As Knowledge will when set in Innocence. For Learning did select his noble breast, Where (in her native majesty) to rest ; 20 Free from the tyranny and pride of Schools, Who have confin’d her to pedantic rules ; And that gentiler* error which does take Offence at Learning for her habit’s sake, Palaemon hath redeem’d her, who may be Esteem’d himself an University ; And yet so muchagentleman, that he Needs not (though he enjoys) a pedigree. Sure he was built and sent to let us know 1 Spelling of ‘gentiler’ retained for reasons elsewhere given, ( 549 ) Katherine Philips What man completed could both be and do. 30 Freedom from viceis inhim Nature’s art. Without the help of discipline or art. He’s his own happiness and his own law, Whereby he keeps Passion and Fate in awe. Nor was this wrought in him by Time and growth, His Genius had anticipated both. Had all men been Palaemons, Pride had ne’er Taught one man Tyranny, the other Fear ; Ambition had been full as monstrous then As this ill World doth render worthy men. Had men his spirit, soon forbear Grovelling for dirt, and quarrelling for air. Were his harmonious soul diffus’d in all, We should believe that men did never fall. It is Palaemon’s soul that hath engrost Th’ ingenuous candour that the World hath lost ; Whose own mind seats him quiet, safe and high, Above the reach of Time or Destiny. *Twas he that rescu’d gasping Friendship when The bell toll’d for her funeral with men: 50 *Twas he that made Friends more than Lovers burn, then made Love to sacred Friendship turn : *T was he turn’d Honour inward, set her free From titles and from popularity. Now fix’d to Virtue, she begs praise of none, ( 550) 40 they would And But ’s witness’d and rewarded both at home... And in his breast this Honour’s so enshrin’d, As the old Law was in the Ark confin’d : To which posterity shall all consent, And less dispute than Acts of Parliament. 60 He’s our original, by whom we see How much we fail, and what we ought to be. But why do I to copy him pretend? My rhymes but libel whom they would commend. Tis true ; but none can reach what’s set so high ; And though I miss, I’ve noble company : For the most happy language must confess, It doth obscure Palaemon, not express. To Mrs. M. A. at parting I I HAVE examin’d and do find, Of all that favour me, There’snone I grieve to leave behind But only, only thee. To part with thee I needs must die, Could parting sep’rate thee and I. I But neither Chance nor Compliment Did element our Love ; ’Twas sacred Sympathy was lent Us from the quire above. To That Friendship Fortune did create, Still fears a wound from Time or Fate. HI Our chang’d and mingled souls are grown To such acquaintance now, That if each would resume their own, Alas ! we know not how. We have each other so engrost, That each is in the union lost. To Mrs. M. IV And thus we can no Absence know, Nor shall we be confin’d ; 20 Our active souls will daily go To learn each other’s mind. Nay, should we never meet to Sense, Our souls would hold Intelligence. v Inspired with a flame divine, T scorn to court a stay ; For from that noble soul of thine I ne’er can be away. But I shall weep when thou dost grieve ; Nor can I die whilst thou dost live. 30 VI By my own temper I shall guess At thy felicity, And only like my happiness Because it pleaseth thee. Our hearts at any time will tell, If thou, or I, be sick, or well. VIL All Honour sure I must pretend, All that is good or Great ; She that would be Rosania’s Friend, Must be at least complete. 40 If I have any bravery, Tis cause I have so much of thee. VI Thy leiger? soul in me shall lie, And all thy thoughts reveal ; Then back again with mine shall fly, And thence to me shall steal. Thus stillto one another tend ; Such is the sacred Name of Friend. IX Thus our twin-souls in one shall grow, And teach the World new love, 50 Redeem the age and sex, and show A flame Fate dares not move: And courting Death to be our friend, Our lives together too shall end. A. at parting x A dew shall dwell upon our Tomb Of such a quality, That fighting armies, thither come, Shall reconciléd be. We'll ask no Epitaph, but say Orinpa and Rosanta, 60 To my dearest Antenor, on his Parting THOUGH it be just to grieve when I must part With him that is the Guardian of my Heart ; Yet by a happy change the loss of mine Is with advantage paid in having thine. And I (by that dear guest instructed) find Absence can do no hurt to souls combin’d. As we were born to love, brought to agree By the impressions of Divine decree: So when united nearer we became, It did not weaken, but increase, our flame. 10 Unlike to those who distant joys admire, But slight them when possest of their desire. Each of our souls temper fit, And in the other’s mould so fashion’d it, That now our inclinations both are grown, Like to our interests and persons, one}; And souls whom such an union fortifies, Passion can ne’er destroy, nor Fate did its own surprise. 1 The spelling ‘leiger’ may be worth keeping, though ‘leaguer’ (cf. leaguer-lass) is est known in this meaning. Some, however, dispute the identity of these two: and identify ‘leiger’ in the sense of ‘ resident,’ ‘stationary,’ with ‘ledger.’ These words, in the passages in which they occur, admit of a good deal of argument, and were probably not seldom confused originally. (551) Katherine Philips Now as in watches, though we do not know When the hand moves, we find it still doth go: 20 So I, by secret sympathy inclin’d, Will absent meet, and understand thy mind; And thou at thy return shalt find thy heart Still safe, with all the love thou didst impart. For though that treasure I have ne’er deserv’d, It shall with strong religion be preserv’d. And besides this thou shalt in me survey Thyself reflected while thou art away. For what some forward arts do undertake, The images of absent friends to make, 30 And represent their actions in a glass, Friendship itself can only bring to pass, That magic which both Fate and Time beguiles, And in a moment runs a thousand miles. So in my breast thy picture drawn shall be, My Guide, Life, Object, Friend, and Destiny : And none shall know, though they employ their wit, Which is the right Antenor, thou, or it. Engraven on Mr. John Collier’s Tomb-stone at Bedlington Here what remains of him doth lie, Who was the World’s epitome, Religion’s darling, merchants’ glory, Men’s true delight, and Virtue’s story ; (552 ) Who, though a prisoner to the grave, A glorious freedom once shall have : Till when no monument is fit, But what’s beyond our love and wit. On the little Regina Collier, on the same Tomb-stone Virtue’s blossom, Beauty’s bud, The pride of all that’s fair and good, By Death’s fierce hand was snatchéd hence In her state of Innocence : Who by it this advantage gains, Her wages got without her pains. Friendship Let the dull brutish World that know not Love, Continue heretics, and disapprove That noble flame ; but the refinéd know, Tis all the Heaven we have here below. Nature subsists by Love, and they do tie Things to their causes but by sympathy. Love chains the different Elements in one Great harmony, link’d to the Heav’nly Throne. And as on earth, so the blest quire above Of Saints and Angels are maintain’d by Love ; 10 That is their business and felicity, And will be so to all Eternity. That is the ocean, our affections here Are but streams borrow’d from the fountain there. And ’tis the noblest argument to prove A beauteous mind, that it knows how to Love. Friendship Those kind impressions which Fate can’t control, Are Heaven’s mintage on a worthy soul, For Love is all the Arts’ epitome, And is the sum of all Divinity. 20 He’s worse than beast that cannot love, and yet It is not bought for money, pains or wit ; For no chance or design can spirits move, But the eternal destiny of Love: And when two souls are chang’d and mixéd so, It is what they and none but they can do. This, this is Friendship, abstracted flame Which grovelling mortals know not how to name. All Love is sacred, and the marriage- tie Hath much of honour and divinity. But Lust, Design, or some unworthy ends 31 May minglethere, which are despis’d by Friends. Passion hath violent extremes, and thus All oppositions are contiguous. So when the end is serv’d their Love that ‘will bate, If Friendship make it not more fortunate : Friendship, that Love’s elixir, that pure fire Which burns the clearer ’cause it burns the higher. For Love, like earthly fires (which will decay If the material fuel be away) 40 Is with offensive smoke accompanied, And by resistance only is supplied : But Friendship, like the fiery element, With its own heat and nourishment content, Where neither hurt, nor smoke, nor noise is made, Scorns the assistance of a foreign aid. (553 ) Friendship (like Heraldry) is hereby known, Richest when plainest, bravest when alone ; Calm as a virgin, and more innocent Than sleeping doves are, and as much content 50 As Saints in visions ; quiet as the night, But clear and open as the summer’s light ; United more than spirits’ faculties, Higher in thoughts than are the eagle’s eyes ; What shall I say? when we true friends are grown, W’ are like—Alas, w’ are like our- selves alone. The Enquiry I Ir we no old historian’s name Authentic will admit, But think all said of Friendship’s fame But Poetry or Wit : Yet what’s rever’d by minds so pure, Must be a bright Idea sure. ul But as our immortality By inward sense we find, Judging that if it could not be, It would not be design’d : 10 So here how could such copies fall, If there were no original ? UI But if truth be in ancient song, Or story we believe, If the inspir’d and graver throng Have scorned to deceive ; There have been hearts friendship gave Them thoughts at once both soft and brave. IV Among that consecrated few, Some more seraphic shade 20 Lend me a favourable clew Now mists my eyes invade. whose Katherine Philips Why, having fill’d the World with fame, Left you so little of your flame ? Vv Why is ’t so difficult to see ‘Two bodies and one mind? And why are those who else agree So differently kind ? Hath Nature such fantastic art, That she can vary every heart; 30 VI Why are the bands of Friendship tied With so remiss a knot, That by the most it is defied, And by the rest forgot ? Why do we step with so light sense From friendship to Indifference ? vil If Friendship sympathy impart, Why this ill-shuffled game, That heart can never meet with heart, Or flame encounter flame ? 40 What does this cruelty create ? Is’t the intrigue of Love or Fate? VIll Had Friendship ne’er been known to men, (The Ghost at last confest) The World had been a stranger then To all that Heaven possest. But could it all be here acquir’d, Not Heaven itself would be desir’d. To my Lucasia, in defence of declared Friendship I O my Lucasia, let us speak our Love, And think not that impertinent can be, Which to us both doth assurance prove, And whence we find how justly we agree. (554) such I Before we knew the treasures of our Love, noble aims entertain ; And shall enjoyment nothing then improve ? ’Twere best for us then to begin again. Our our joys did I Now we have gain’d, we must not stop, and sleep Out all the rest of our mysterious reign : 10 It is as hard and glorious to keep A victory, as it is to obtain. IV Nay, to what end did we once barter minds, Only to know and to neglect the claim ? Or (like some wantons) our pride pleasure finds, To throw away the thing at which we aim. v If this be all our Friendship does design, We covet not enjoyment then, but Power: To our opinion we our bliss confine, And love to have, but not to smell, the flower. 20 vI Ah! then let misers bury thus their gold, Who though they starve, no farthing will produce : But we lovw’d to enjoy and to behold, And sure we cannot spend our stock by use. VIL’ Think not ’tis needless to repeat desires ; The fervent turtles always court and bill, And yet their spotless passion never tires, But does increase by repetition still. To my VIII Although we know we love, yet while our soul Is thus imprison’d by the flesh we wear, 30 There’s no way left that bondage to control, But to convey transactions through the ear. IX Nay though we read our passions in the eye, It will oblige and please to tell them too: Such joys as multiply, Were ’t but to find that our souls told us true. these by motion x Believe not then, that being now secure Of either’s heart, we have no more to do: The spheres themselves by motion do endure, And they move on by circulation too. 40 XI And as a river, when it once hath paid The tribute which it to the ocean owes, Stops not, but turns, and having curl’d and play’d On its own waves, the shore it overflows. XII So the soul’s motion does not end in bliss, But on herself she scatters and dilates, And on the object doubles till by this She finds new joys which that reflux creates. XIII But then because it cannot all contain, It seeks a vent by telling the glad news, 50 ( 555 ) Lucasia First to the heart which did its joys obtain, Then to the heart which did those joys produce. XIV When my soul then doth such excursions make, Unless thy soul delight to meet it too, What satisfaction can it give or take, Thou being absent at the inter- view ? XV ’Tis not distrust ; for were that plea allow’d, Letters and visits all would useless grow: Love’s whole expression then would be its cloud, And it would be refin’d to nothing so. 60 XVI If I distrust, ’tis my own worth for thee, ’Tis my own fitness fora love like thine ; And therefore still new evidence would see, T’ assure my wonder that thou canst be mine. XVII But as the morning Sun to drooping flowers, As weary travellers a shade do find, As to the parched violet evening showers ; Such is from thee to me a look that’s kind. XVIII But when that look is drest in words, tis like The mystic powr of music’s unison ; 70 Which when the finger doth one viol strike, The other's reflection. string heaves to Katherine Philips XIX Be kind to me, and just then to our love, To which we owe our free and dear converse ; And let not tract of Time wear or remove It from the privilege of that commerce. XX Tyrants do banish what they can’t requite : , But let us never know such mean desires ; But to be grateful to that love delight Which all our joys and noble thoughts inspires. 80 A Reverie! A CHOSEN privacy, a cheap content, And all the peace a friendship ever lent, A rock which civil Nature made a seat, A willow that repulses all the heat, The beauteous quiet of a summer’s day, A brook which sobb’d aloud and ran away, Invited my repose, andthen conspir’d To entertain my Fancy thus retir’d. As Lucian’s ferry-man aloft did view The angry World, and then laugh’d at it too: Io So all its sullen follies seem to me But as a too-well acted tragedy. One dangerous Ambition doth befool, Another envies to see that man rule: One makes his love the parent of his rage, For private friendship publicly t’ engage : And some for Conscience, some for Honour die; And some are meanly kill’d they know not why. More different than men’s faces are their ends, Whom yet one common ruin can make friends. 20 Death, dust and darkness they have only won, And hastily unto their periods run. Death is a Leveller; Beauty, and Kings, And Conquerors, and all those glorious things, Are tumbled to their graves in one rude heap, Like common dust as quiet and as cheap. At greater changes wonder then, Since Kingdoms have their Fates as well as men? They must fall sick and die; nothing can be In this World certain, but uncer- tainty. 30 Since Pow’r and Greatness are such slippery things, Who'd pity cottages, or envy Kings? Now least of all, when, weary of deceit, The World no longer flatters with the great. Though such confusions here below we find, As Providence were wanton with mankind: Yet in this chaos some things do send forth, (Like jewels in the dark) a native worth. He that derives his high Nobility, Not from the mention of a pedigree ; Who thinks it not his praise that who would others know 41 His ancestors were gallant long ago ; 1 Spelt in orig. as usual ‘ resvery.’ ( 556 ) A Reverie Who scorns to boast the glories of his blood, And thinks he can’t be great that is not good ; Who knows the World, and what we Pleasure call, Yet cannot sell one conscience for them all ; Who hates to hoard that gold with an excuse, For which he can find out a nobler use ; Who dares not keep that life that he can spend, To serve his God, his Country, i his Friend ; Who flattery and falsehood doth 5 hate, He would not buy ten lives at such a rate; Whose soul, than diamonds more rich and clear, Naked and open as his face doth wear ; Who dares be good alone in such a time, When Virtue’s held and punish’d as a crime; Who thinks dark crooked plots a mean defence, And is both safe and wise in Inno- cence ; Who dares both fight and die, but dares not fear ; Whose only doubt is, if his cause be clear ; 60 Whose Courage and his Justice equal worn, Can dangers grapple, overcome and scorn, Yet not insult upon a conquer’d foe, But can forgive him and oblige him too ; Whose Friendship is congenial with his soul, Who where he gives a-heart, bestows it whole ; Whose other ties and titles here do end, Or buried or completed in the Friend; (557) Who ne’er resumes the soul.he once did give, While his Friend’s honesty and hon- our live ; 70 And if his Friend’s content could cost the price, Would count himself a happy sacri- fice ; Whose happy days no pride infects, nor can His other titles make him slight the man ; No dark ambitious thoughts do cloud his brow, Nor restless cares when to be great, and how; Who scorns to envy wealth where’er it be, But pities such a golden slavery ; With no mean fawnings can the people court, Nor wholly slight a popular report ; Whose house no orphan groans do shake or blast, 81 Nor any riot help to serve his taste : Who from the top of his pros- perities Can take a fall, and yet without surprise ; Who with the same august and even state Can entertain the best and worst of fate ; Whose suffering ’s sweet, if Honour once adorn it ; Who slights Revenge, yet does not fear, but scorn it ; Whose happiness in ev'ry fortune lives, For that no fortune either takes or gives ; go Who no unhandsome ways can bribe his Fate, Nay, out of prison marches through the gate ; Who losing all his titles and his pelf, Nay, all the World, can never lose himself ; Katherine Philips This Person shines indeed, and he that can Be Virtuous is the great Immortal Man. A Country-life How sacred and how innocent A country-life appears, How free from tumult, discontent, From flattery or fears ! This was the first and happiest life, When man enjoy’d himself ; Till Pride exchangéd peace for strife, And happiness for pelf. ’Twas here the Poets were inspir’d, Here taught the multitude; — 10 The brave they here with Honour fir’d, And civiliz’d the rude, That Golden Age did entertain No passion but of Love ; The thoughts of ruling and of gain Did ne’er their fancies move. None then did envy neighbour’s wealth, Nor plot to wrong his bed: Happy in friendship and in health, On roots, not beasts, they fed. 20 They knew no Law nor Physic then, Nature was all their Wit. And if there yet remain to-men Content, sure this is it. What blessings doth this World afford To tempt or bribe desire ? Her courtship is all fire and sword, Who would not then retire? Then welcome, dearest Solitude, My great felicity ; 30 Though some are pleas’d to call thee rude, Thou art not so, but we. Them that do covet only rest, A cottage will suffice : It is not brave to be possest Of Earth, but to despise. Opinion is the rate of things, From hence our peace doth flow ; (358) I have a better Fate than Kings, Because I think it so. 40 When all the stormy World doth roar How unconcern’d am I! I cannot fear to tumble lower Who never could be high. Secure in these unenvied walls I think not on the State, And pity no man’s case that falls From his Ambition’s height. Silence and Innocence are safe ; A heart that’s nobly true 50 At all these little arts can laugh That do the World subdue. While others revel it in State, Here I'll contented sit, And think I have as good a Fate As wealth and pomp admit. Let some in courtship take delight, And to th’ Exchange resort ; Then revel out a winter’s night, Not making love, but sport. 60 These never know a noble flame, *Tis lust, scorn, or Design: While Vanity plays all their game, Let Peace and Honour mine. When the inviting Spring appears, To Hyde-Park let them go, And hasting thence be full of fears To lose Spring-Garden show. Let others (nobler) seek to gain In knowledge happy fate, 70 And others busy them in vain To study ways of State. But I, resolvéd from within, Confirméd from without, In privacy intend to spin My future minutes out. ‘And from this hermitage of mine I banish all wild toys, And nothing that is not Divine Shall dare to tempt my joys. 80 There are below but two things good, Friendship and Honesty, And only those of all I would Ask for felicity. In this retir’d and humble seat Free from both war and strife, I am not fore’d to make retreat, But choose to spend my life. To Mrs. Wogan To Mrs. Wogan, my Hon- oured Friend,on the Death of her Husband Dry up your tears, there ’s enough shed by you, And we must pay our share ofsorrows too. It is no private loss when such men fall, The World’s concern’d, and grief is general. But though of our misfortune we complain, To him it is injurious and vain. For since we know his rich integ- rity, His real sweetness, and full har- mony ; How free his heart and house were to his friends, Whom he oblig’d without design or ends ; 10 How universal was his courtesy, How clear a soul, how even, and how high ; How much he scorn’d disguise or meaner arts, But with a native honour conquer’d hearts ; We must conclude he was a treasure lent, Soon weary of this sordid tenement. The Age and Worlddeserv’dhim not, and he Was kindly snatch’d from future misery. We can scarce say he’s dead, but gone to rest, And left a monument in ev’ry breast. For you to grieve then in this sad excess, 21 Is not to speak of love, but make it less. A noble soul no friendship will admit, But what’s Eternal and Divine as it. The soul is hid in mortal flesh we know, And all its weaknesses must undergo, (559 ) Till by degrees it does shine forth at length, And gathers Beauty, Purity, and Strength : But never yet doth this immortal ra Put on full splendour till it put off clay : 30 So infant Love is, in the worthiest breast, By Sense and Passion fetter’d and opprest ; But by degrees it grows still more refin’d, And scorning clogs, only concerns the mind. Now as the soul you lov’d is here set free From its material gross capacity ; Your love should follow him now he is gone, And quitting Passion, put Perfection on. Such Love as this will its own good deny, If its.dear object have felicity. 40 And since we cannot his great loss reprieve, Let’s not lose you in whom he still doth live. For while you are by grief secluded thus, It doth appear your funeral to us. In memory of the most justly Honoured, Mrs, Owen of Orielton As when the ancient World by Reason liv’d, The Asian Monarchs’ deaths were never griev’d ; Their glorious lives made all their Subjects call Their rites a triumph, not a funeral : So still the Good are Princes, and their fate Invites us not to weep but imitate. Katherine Philips Nature intends a progress of each stage Whereby weak mancreeps tosucceed- ing Age, Ripens him for that change for which he’s made, Where th’ active soul is in her centre staid. 10 And since none stript of infancy complain, ’Cause ’tis both their necessity and ain: So Ageand Death by slow approaches come, And by that just inevitable doom By which the soul (her cloggy dross once gone) Puts on perfection, and resumes her own. Since then we mourn a happy soul, O why Disturb we her with erring piety ? Who’s so enamour’d on thé beau- teous ground, When withrich autumn’s livery hung round, 20 As to deny a sickle to his grain, And not undress the teeming Earth again? Fruits grow for use, mankind is born “to die; And both fates have the same neces- sity. Then grieve no more, sad relatives, but learn ; Sigh not, but profit by your just concern. Read over her life’s volume: wise and good, Not ’cause she must be so, but ’cause she wou’d. To chosen Virtue still a constant friend, She saw the times which chang’d, but did not mend. 30 And as some ate so civil to the Sun, They’d fix his beams, and make the Earth to run: ( 560 ) So she unmov’d beheld the angry Fate Which tore a Church, and overthrew a State: Still durst be good, and own the noble truth, To crown her Age which had adorn’d her Youth. Great without pride, a soul which still could be Humble and high, full of calm majesty. She kept true state within, and could not buy Her satisfaction with her Charity. 40 Fortune or birth ne’er rais’d her mind, which stood, Not on her being rich, but doing good. Oblig’d the World, but yet would scorn to be Paid with requitals, thanks or vanity. How oft did she what all the World adore, Make the poor happy with her use- ful store ? So general was her bounty, that she gave Equality to all before the grave. By several means she different per- sons tied, Who by her goodness only were allied. 50 Her Virtue was her temper, not her fit Fear’d nothing but the crimes which some commit ; Scorn’d those dark arts which pass for wisdom now, Nor to a mean ignoble thing could bow. And her vast prtidence had no other end, But to forgive a foe, endear a friend : To use, but slight, the World; and fixt above, Shine down in beams of Piety and Love. Mrs, Owen Why should we then by poor un- just complaint Prove envious sinners ’cause she is a Saint ? 60 Close then the monument ; let nota tear That may profane her ashes now appear : For her best obsequies are that we be Prudent and Good, Nobleand Sweet, as she. A Friend I Love, Nature’s plot, this great crea- tion’s soul, The being and the harmony of things, Doth still preserve and propagate the whole, From whenceman’s happiness and safety springs : The earliest, whitest, times did draw From her alone their universal Law. ul Friendship’san abstractof this nobler flame, ’Tis Love refin’d and purg’d from all its dross, The next to Angels’ love, if not the blessed’st same, As strong as Passion is, though not so gross : 10 It antedates a glad eternity, And is an Heaven in epitome. ul Nobler than kindred or than mar- riage-band, Because more free ; wedlock-feli- city Itself doth only by this union stand, And turns to friendship or to misery. Force or Design matches to pass may bring, But Friendship doth from Love and Honour spring. ( 56x ) of Orielton IV If souls no sexes have, for men t’ exclude Woman from Friendship’s vast capacity, 20 Is a design injurious or rude, Only maintain’d by partial tyranny. Love is allow’d to us and Innocence, And noblest friendships do proceed from thence. v The chiefest thing in friends is Sympathy : There is a secret that doth friend- ship guide, Which makes two souls before they know agree, Who by a thousand mixtures are allied, And chang’d and lost, so that it is not known Within which breast doth now reside their own. 30 VI Essential Honour must be in a friend, Not such as every breath fans to and fro ; But born within, is its own judge and end, And dares not sin though sure that none should know. Where Friendship’s spoke, Honesty’s understood ; For none can be a friend that is not good, VII Friendship doth carry more than common trust, And Treachery is here the greatest sin. Secrets deposed then none ever must Presume to open, but who put them in. 40 They that in one chest lay up al their stock, Had need be sure that none can pick the lock. 00 Katherine Philips VIII A breast too open Friéndship does not love, For that the other’s trust will not conceal ; Nor one too much reserv’d can it approve, Its own condition this will not reveal, We empty passions for a double end, To be refresh’d and guarded by a friend. IX Wisdom and Knowledge Friendship does require, The first for counsel, this for company ; 50 And though not mainly, yet we may desire Both Complaisanceand Ingenuity. Though everything may love, yet tis a rule, He cannot be a friend that is a fool. x Discretion uses parts, and best knows how ; And Patience will all qualities commend : That serves a need best, but this doth allow The weaknesses and passions of a friend, We are not yet come to the quire above : Who cannot pardon here, can never love. 60 XI Thick waters show no images of things : Friends are each other’s mirrors, and should be Clearer than crystal or the mountain springs, : And free from clouds, design or flattery. ( 562 ) For vulgar souls no part of Friend- ship share: Poets and friends are born to what they are. XI Friends should observe and chide each other’s faults, To be severe then is most just and kind ; Nothing can ’scape their search who knew the thoughts : This they should give and take with equal mind. 7° For Friendship, when this freedom is denied, Is like a painter when his hands are tied. XII A friend should find out each necessity, And then unask’d relieve ’t at any rate: It is not Friendship, but Formality, To be desir’d: for Kindness keeps no state. Of friends he doth the benefactor prove, That gives his friend the means t’ express his love. XIV Absence doth not from Friendship’s right excuse : Them who preserve each other’s heart and fame, 80 Parting can ne’er divide, it may diffuse ; As a far stretch’d-out river’s still the same. Though presence help’d them at the first to greet, Their souls know now without those aids to meet. XV Constant and solid, whom no storms can shake, Nor death unfix, a right friend ought to be ; _ And if condemnéd to survive, doth make anne A Friend No second choice, but Grief and Memory. But Friendship’s best fate is, when it can spend A life, a fortune, all to serve a Friend. go L’Accord du Bien I OrpER, by which all things are made, And this great World’s foundation laid, Is nothing else but Harmony, Where different parts are brought t’ agree. I As empires are still best maintain’d Those ways which first their great- ness gain’d : So in this universal frame What made and keeps it, is the same. II Thus all things unto peace do tend, Even discords have it for their end. The cause why elements do fight, 11 Is but their instinct to unite. IV Music could never please the sense But by united excellence: The sweetest note which numbers know, If struck alone, would tedious grow. v Man, the whole World’s epitome, Is by creation Harmony. >TwasSin first quarrell’d in his breast, Then made him angry with the rest. VI But goodness keeps that unity, 21 And loves its own society So well, that seldom we have known One real worth to dwell alone. VII And hence it is we Friendship call Not by one virtue’s name, but all. Nor is it when bad things agree Thought union, but conspiracy. ( 563 ) VII Nature and Grace, such enemies, That when one fell t’ other did rise, Are now by Mercy even set, 31 As stars in constellations met. IX If Nature were herself a sin, Her Author (Gop) had guilty bin ; But Man by sin contracting stain, Shall, purg’d from that, be clear again. x To prove that Nature’s excellent, Even Sin itself’s an argument : Therefore we Nature’s stain deplore, Because itself was pure before. 40 XI And Grace destroys not, but refines, Unveils our Reason, then it shines ; Restores what was depress’d by sin, The fainting beam of God within. XII The mainspring (Judgement) recti- fied, Will all the lesser motions guide, To spend our Labour, Love and Care, Not as things seem, but as they are. XIIE Tis Fancy lost, Wit thrown away, In trifles to employ that ray, 50 Which then doth in full lustre shine When both ingenious and divine. XIV To eyes by humour vitiated: All things seem falsely colouréd : So ’tis our prejudicial thought That makes clear objects seem in fault. Xv They scarce believe united good, By whom ’twas never understood : They think one Grace enough for one, And ’tis because their selves have | none. 60 XVI We hunt extremes, and run so fast, We can no steady judgement cast : 002 Katherine Philips He best surveys the circuit round, Who stands 7’ th’ middle of the ground. XVII ‘That happy mean would let us see Knowledge and Meekness may agree ; And find, when each thing hath its name, Passion and Zeal are not the same. XVIII Who studies God doth upwards fly, and heighth still lessens to our eye ; And he that knows God, soon will see 71 Vast cause for his humility. XIX For by that search it will be known There’s nothing but our Willourown : And who doth so that stock employ, But finds more cause for shame than joy? XX We know so little and so dark, And so extinguish our own spark, That he who furthest here can go, Knows nothing as he ought to know. XXI It will with the most learnéd suit, 81 More to inquire than dispute : But vapours swell within a cloud ; ’Tis Ignorance that makes us proud. XX So when their own vain heart belies, Like inflammations quickly rise : But that soul which is truly great, Is lowest in its own conceit. XXIII Yet while we hug our own mistake, We censures, but not judgements, make ; go And thence it is we cannot see Obedience stand with liberty. XXIV Providence still keeps even state ; But he can best command his fate, Whose art by adding his own voice, Makes his necessity his choice. ( 564 ) XXV Rightly to rule one’s self must be The hardest, largest monarchy : Whose passions are his masters grown, Will be a captive in a throne. 100 XXVI He most the inward freedom gains, Who just submissions entertains : For while in that his reason sways, It is himself that he obeys. XXVII But only in Eternity We can these beauteous unions see: For Heaven itself and Glory is But one harmonious constant bliss. Invitation to the Country Be kind, my dear Rosania, though tis true Thy friendship will become thy penance too ; Though there be nothing can reward the pain, Nothing to satisfy or entertain ; Though all be empty, wild, and like to me, Who make new troubles in my company : Yet is the action more obliging great; *Tis Hardship only makes Desert complete. But yet to prove mixtures all things compound, There may in this be some advantage found ; 10 For a retirement from the noise of towns, Is that for which some kings have left their crowns : conquerors, whose press’d the brow, Have chang’d it for the quiet myrtle- bough. For titles, honours, and the World’s address, Are things too cheap to make up happiness ; And laurel Invitation to The easy tribute of a giddy race, And paid less to the person than the place. So false reflected and so_ short content Is that which Fortune and Opinion lent, 20 That who most tried Fate complain’d, With titles burthen’d and to great- ness chain’d. For they alone enjoy’d what they possest, Who relish’d most and understood it best. And yet that understanding made them know The empty swift dispatch of all below. So that what most can outward things endear, Is the best means to make them disappear : And even that Tyrant (Sense) doth these destroy, As more officious to our grief than it have of joy. 30 Thus all the glittering World is but a cheat, Obtruding on our gross for great. But he that can inquire and undis- guise, Will soon perceive the sting that hidden lies ; And find no joys merit esteem but sense things those Whose scene lies only at our own dispose. Man unconcern’d without himself may be His own both prospect and security. Kings may be slaves by their own passions hurl’d, But who commands himself com- mands the World. 40 A country-life assists this study best, Where no distractions do the soul arrest : ( 565 ) the Country There Heav’n and Earth lie open to our view, There we search Nature and its Author too; Possess’d with freedom andareal state Look down on Vice, and Vanity, and Fate. There (my Rosania) mingling souls, Pity the folly which the World will we, controls ; And all those grandeurs which the World do prize 49 We either can enjoy, or will despise. In Memory of Mrs. E. H. As some choice plant cherish’d by sun and air, And ready to requite the gard’her’s care, Blossoms and flourishes, but then, we find, Is made the triumph of some ruder wind : So thy untimely grave did both entomb Thy sweetness now, and wonders yet to come. Hung full of hopes thou sell’st a lovely prize, Just as thou didst attract all hearts and eyes. Thus we might apprehend, for had thy years Been lengthen’d to have paid those vast arrears 10 The World expected, we should then conclude, The Age of Miracles had been renew’d. For thou already hast with ease found out What others study with such pains and doubt ; That frame of soul which is content alone, And needs no entertainment but its own. Katherine Philips Thy even mind, which made thee good and great, Was to thee both a shelterand retreat. Of all the tumults which this World do fill, ‘Thou wert an unconcern’d spectator still : 20 And, were thy duty punctually supplied, Indifferent to all the World beside. ‘Thou wert made up within resolv'd and fix’d, And wouldst not witha base allay be mix’d ; Above the World, couldst equally despise Both its temptations and its injuries ; Couldst sum up all, and find not worth desire Those glittering trifles which the most admire ; But with a nobler aim, and higher born, Look down on greatness with con- tempt and scorn. 30 ‘Thou hadst no arts that others this might see, Nor lov’dst a trumpet to thy piety : But silent and retir’d, calm and serene, Stol’st to thy blessed Haven hardly seen. It were vain to describe thee then, but now Thy vast accession harder is to know ; How full of light, and satisfied thou art, So early from this treach’rous World to part ; How pleas’d thou art reflections now to make, And find thou didst not things below mistake ; 40 In how abstracted converse thou dost live, How much thy knowledge is intui- tive ; How great and bright a glory is en- joy’d With Angels, and in mysteries, employ’d. ’Tissinthen to lament thy fate, but we Should help thee to a new eternity ; And by successive imitation strive, Till time shall die, to keep thee still alive ; And (by tby great example furnish’d) be More apt to live than write thy Elogy’. 50 On Rosania’s Apostasy, and Lucasia’s Friendship Great Soul of Friendship, whither art thou fled? Where dost thou now choose to re- pose thy head ? Or art thou nothing but voice, air and name, Found out to put souls in pursuit of fame ? Thy flames being thought immortal, we may doubt Whether they e’er did burn that see them out. Go, wearied Soul, find out thy wonted rest, In the safe harbour of Orinda’s Breast ; There all unknown adventures thou hast found In thy late transmigrationsexpound ; That so Rosania’s darkness may be known Ir To be her want of lustre, not thy own. Then to the great Lucasia have recourse, There gather up new excellence and force, Till by a free unbiass’d clear com- merce, Endearments which no tongue can e’er rehearse, 1 This form once more. ( 566 ) On Rosania’s Apostasy Lucasia and Orinda shall thee give Eternity, and make even Friendship live. Hail, great Lucasia, doubly shine, What was Rosania’s own is now thou — shalt twice thine ; 20 ‘Thou saw’st Rosania’s chariot and her flight, And so the double portion is thy right : Though ‘twas Rosania’s spirit be content, Since ’twas at first from thy Orinda sent. To my Lady Elizabeth Boyle, singing Now affairs, &c. SUBDUING Fair! what will you win To use a needless dart ? Why then so many to take in One undefended heart ? I came expos’d to all your charms, *Gainst which the first half-hour I had no will to take up arms, And in the next no power. How can you choose but win the day, Who can resist your siege, 10 Who in one action know the way To vanquish and oblige? Your voice which can in melting strains Teach Beauty to be blind, Confines me yet in stronger chains, By being soft and kind. Whilst you my trivial fancy sing, You it to wit refine, As leather once stamp’d by a King Became a current coin. 20 By this my verse is sure to gain Eternity with men, Which by your voice it will obtain, Though never by my pen. I'd rather in your favour live Than ina lasting name, And much a greater rate would give For Happiness than Fame. Submission Tis so, and humbly I will resign, Nor dare dispute with Providence Divine. In vain, alas! we struggle with our chains, But more entangled by the fruitless pains. For as 7’ th’ great Creation of this All, Nothing by chance could in such order fall ; And what would single be deform’d confest, Grows beauteous in its union with the rest: So Providence like Wisdom we allow, (For what created once does govern now) 10 And the same Fate that seems to one reverse, Is necessary to the Universe. All these particular and various things, Link’d to their causes by such secret springs, Are held so fast, and govern’d by such art, That nothing can out of its order start. The World’s God’s watch where nothing is so small, But makes a part of what composes all : Could the least pin be lost or else displac’d, The World would be disorder’d and defac’d. 2c It beats no pulse in vain, but keeps its time, And undiscern’d to its own height doth climb ; 1 See Appendix, first Song from Pompey. ( 567 ) Katherine Philips Strung first and daily wound up by His hand Who can its motions guide and understand. No secret cunning then nor multi- tude Can Providence divert, cross or delude. And her just full decrees are hidden things, Which harder are to find than births of springs. Yet all in various consorts? fitly sound, And by their discords cee compound. Hence is that Order, Life aa Energy, Whereby Forms are preserv’d though Matters die; And, shifting dress, keep their own living state : So that what kills this, does that propagate, This made the ancient Sage in rapture cry, That sure the Worldhad full eternity. For though itself to Time and Fate submit, He’s above both who made and governs it; And to each creature hath such por- tion lent, As Love and Wisdom sees con- venient. For He’s no Tyrant, nor delights to grieve The beings which from him alone can live. He’s most concern’d, and hath the greatest share In Man, and therefore takes the greatest care To make him happy, who alone can be So by submission and conformity. For why should changes here below surprise, When the whole World its revolution tries ? Where were our springs, our harvests’ pleasant use, Unless Vicissitude did them produce? Nay, what can be so wearisome a pain, 51 As when no alterations entertain ? To lose, to suffer, to be sick and die, Arrest us by the same necessity. Nor could they trouble us, but that our mind Hath its own glory unto dross con- fin’d. Fot outward things remove not from their place, Till our souls run to beg their mean embrace ; Then doting on the choice make it our own, By placing trifles in th’ Opinion’s throne. 60 So when they are divorc’d by some new cross, Our souls seem widow’d by the fatal loss : But could we keep our grandeur and our state, Nothing below would seem un- fortunate ; But Grace and Reason, which best succours bring, Would with advantage manage every- thing ; And by right judgement would pre- vent our moan, For losing that which never was our own. For right opinion’s like a marble grot, In summer cool, and in the winter hot ; 70 A principle which in each fortune lives, Bestowing catholic preservatives. Tis this resolves, there are no losses where Virtue and Reason are continued there. 1 = ‘concerts,’ as commonly, ( 568 ) Submission The meanest soul might such a for- tune share, But no mean soul could so that for- tune bear. Thus I compose my thoughts grown insolent, As th’ Irish harper doth his instru- ment ; Which if once struck doth murmur and complain, But the next touch will silence all again. 80 God was in the 2 Cor. v. 16. Christ reconciling World to Himself WHEN God, contracted to Humanity, Could sigh and suffer, could be sick and die ; When all the heap of miracles com- bin’d To form the greatest, which was, save Mankind: Then God took stand in Christ, studying a way How to repair the ruin’d World’s decay. His Love, Pow’r, Wisdom, must some means procure His Mercy to advance, secure : And since Man in such misery was hurl’d, It cost him more to save, than make Justice the World. 10 Oh! what a desp’rate load of sins had we, When God must plot for our felicity ! When God must beg us that He may forgive, And die Himself before Mankind could live ! And what still are we, when our King in vain Begs His lost rebels to be friends again ! What floods of Love proceed from Heaven’s smile, ( 569 ) At once to pardon and to reconcile ! What God Himself hath made He cannot hate, For ’tis one act to love and to create: 20 And He’s too perfect full of Majesty, To need additions from our misery. He hath a father’s, not a tyrant’s, joy ; Shows more His pow’r to save, than to destroy. Did there ten thousand Worlds to ruin fall, One God could save, one Christ redeem them all. Be silent then, ye narrow souls, take heed Lest you restrain the Mercy you will need. But O my soul, fromthese bedifferent, Imitate thou a nobler precedent : 30 As God with open arms the World does woo, Learn thou like God to be enlargéd too ; As He begs thy consent to pardon thee, Learn to submit unto thy enemy ; As He stands ready thee to entertain, Be thou as forward to return again ; As He was crucified for and by thee, Crucify thou what caus’d His Agony : And like to Him be mortified to sin, Die to the World as He died for it then, 40 The World We falsely think it due unto our friends, That we should grieve for their un- timely ends. He that surveys the world with serious eyes, And strips her from her gross and weak disguise, Shall find ’tis injury to mourn their fate ; He only dies untimely who dies late. Katherine Philips For if ’twere told to children in the womb, To what a stage of mischiefs they must come ; Could they foresee with how much toil and sweat Men count that gilded nothing, be- ing great ; 10 What pains they take not to be what they seem, Rating their bliss by others’ false esteem, And sacrificing their content, to be Guilty of grave and serious vanity ; How each condition hath its proper thorns, And what one man admits, another scorns ; How frequently their happiness they miss, So far even from agreeing what it is, That the same person we can hardly find, Who is an hour together in one mind : 20 Sure they would beg a period of their breath, And what we call their birth would count their death. Mankind is mad; for none can live alone, Because their joys stand by com- parison : And yet they quarrel at society, And strive to kill they know not whom, nor why. We all live by mistake, delight in dreams, Lost to ourselves, and dwelling in extremes ; Rejecting what we have, though ne’er so good, And prizing what we never under- stood. 30 Compar’d t’ our boisterous incon- stancy Tempests are calm, and Discords harmony. Hence we reverse the World, and yet do find (570 ) The God that made can hardly please our mind. We live by chance and slip into events ; Have all of beasts except their innocence. The soul, which no man’s pow’r can reach, a thing That makes each woman man, each man a King, Doth so much lose, and from its height so fall, That some contend to have no soul at all. 40 Tis either not observ’d, or at the best By Passion fought withal, by Sin deprest. Freedom of Will (God’s image) is forgot ; And if we know it, we improve it not. Our thoughts, though nothing can be more our own, Are still unguided, very seldom known. Time ’scapes our hands as water in a sieve, We come to die ere we begin to live. Truth, the most suitable and noble prize, Food of our spirits, yet neglected lies. 50 Error and shadows are our choice, and we Owe our perdition to our own decree. If we search Truth, we make it more obscure, And when it shines, cannot the light endure, For most men now, who plod, and eat, and drink, Have nothing less their bus’ness than to think. And those few that inquire, how small a share Of Truth they find, how dark their notions are ! The World ‘That serious evenness that calms the breast, And in a tempest can bestow a rest, 60 We either not attempt, or else decline, By ev'ry trifle snatch’d from our design. (Others he must in his deceits involve, Who is not true unto his own resolve.) We govern not ourselves, but loose the reins, Counting our bondage to a thousand chains ; , And with as many slaveries, content As there are tyrants ready to tor- ment, We live upon a rack extended still To one extreme or both, but always ill. 70 For since our fortune is not under- stood, We suffer less from bad than from the good. The sting is better dress’d and longer lasts, As surfeits are more dangerous than fasts. And to complete the misery to us, We see extremes are still contiguous. And as we run so fast from what we hate, Like squibs on ropes, to know no middle state ; 5o, outward storms strengthen’d by us, we find Our Fortune as disordered as our mind. 80 But that’s excus’d by this, it doth its part ; A treach’rous World befits a treach- ’rous heart. All ill’s our own, the outward storms we loath Receive from us their birth, their sting, or both. And that our Vanity be past a doubt, Tis one new vanity to find it out. Happy are they to whom God gives a grave, And from themselves as from His wrath doth save. Tis good not to be born; but if we must, The next good is, soon to return to dust, go When th’ uncag’d soul fled to Eternity Shall rest, and live, and sing, and love, and see. Here we but crawl and grovel, play and cry ; Are first our own, enemy : But there shall be defac’d both stain and score, For Time, and Death, and Sin shall be no more. then others’ The Soul I How vain a thing is Man, whose noblest part, That soul which through the World doth roam}, Traverses Heav’n, finds out the depth of Art, Yet is so ignorant at home ? I In every brook or mirror we can find Reflections of our face to be ; But a true optic to present our mind We hardly get, and darkly see. Il Yet in the search after ourselves we run, Actions and causes we survey ; 10 ' Orig. ‘rome,’ doubtless on the principle of which Spenser is the most distin- guished exponent. is not very common, and for good reasons. It may be worth observing that this quatrain of 10, 8, ro, 8 The immense improvement in The Palace of Art by the change to ro, 8, 10, 6 is an excellent subject for metrical study. (571 ) Katherine Philips And when the weary chase is almost done, Then from our quest we slip away. IV ’Tis strange and sad, that since we do believe We have a soul must never die, There are so few that can a reason give How it obtains that life, or why. Vv I wonder not to find those that know most, Profess so much their ignorance ; Since in their own souls greatest wits are lost, And of themselves have scarce a glance. 20 VI But somewhat sure doth here ob- scurely lie, That above dross would fain advance, And pants and catches at Eternity, As ’twere its own inheritance. vu A soul self-mov’d which can dilate, contract, Pierces and judges things unseen : But this gross heap of Matter cannot act, Unless impulséd from within. Vill Distanceand Quantity, to bodies due, The state of souls cannot admit ; And all the contraries which Nature knew at Meet there, nor hurt themselves, nor it. Ix God never body made so bright and clean, Which Good and Evil could dis- cern : What these words Honour mean, The soul alone knows howto learn. Honesty and x And though ’tis true she is imprison’d here, Yet hath she notions of her own, Which Sense doth only jog, awake, and clear, But cannot at the first make known. 40 XI The soul her own felicity hath laid, And independent on? the sense, Sees the weak terrors which the World invade With pity or with negligence. XII So unconcern’d she lives, so much above The rubbish of a sordid jail, That nothing doth her energy im- prove So much as when those structures fail, XIII She’s then a substance subtile, strong and pure, So immaterial and refin’d 50 As speaks her from the body’s fate secure, And wholly of a diffrent kind. XIV Religion for reward in vain would look, Virtue were doom’d to misery, All actions were like bubbles in a brook, Were’t not for Immortality. XV But as that Conqueror who millions spent Thought it too mean to give a mite ; So the World’s Judge can never be content To bestow less than Infinite. 60 1 It may be doubted whether we have done well to substitute ‘independent of’ (as is often done) while keeping ‘dependent ov.’ ( 572 ) The XVI ‘Treason against Eternal Majesty Must have eternal Justice too ; And since unbounded Love did satisfy, He will unbounded Mercy show. XVII It is our narrow thoughts shorten these things, By their companion flesh inclin’d ; Which feeling its own weakness glad- ly brings ‘The same opinion to the mind. XVII We stifle our own Sun, and live in ‘shade ; But where its beams do once appear, 70 ‘They make that person of himself afraid, And to his own acts most severe. XIX For ways, to sin close, and our breast disguise From outward search, we soon may find: But who can his own soul bribe or surprise, Or sin without a sting behind ? XX He that commands himself is more a Prince Than he who nations keeps in awe ; Who yield to all that does their soul convince, Shall never need another Law. 80 Happiness Nature courts Happiness, although it be Unknown as the Athenian Deity. It dwells not in man’s sense, yet he supplies ‘That want by growing fond of its disguise. The false appearances of joy deceive, (573 ) Soul And seeking her unto her like we cleave. For sinking Man hath scarce sense left to know Whether the plank he grasps will hold or no. While all the business of the World is this, To seek that good which by mistake they miss, 10 And all the several Passions men express Are but for Pleasure in a diff’rent dress. They hope for Happiness in being great, Or rich, or lov’d, then hug their own conceit. But the good man can find this treasure out, For which in vain others do dig and doubt ; And hath such secret full Content within, Though all abroad be storms, yet he can sing. His peace is made, all’s quiet in that place, Where Nature’s cur’d and exercis’d by Grace. 20 This inward calm prevents his enemies, For he can neither envy nor despise : But in the beauty of his ordered mind Doth still a new, rich satisfaction find. Innocent breast Can furnish him with a continual feast. A Prince at home, and sceptres can refuse ; Valuing only what he cannot lose. He studies to do good ; (a man may be Harmless for want of opportunity :) But he’s industrious kindness to dispense, 3I And therein only covets eminence. epicure! whose single Katherine Philips Others do court applause and fame, but he Thinks all that giddy noise but Vanity. He takes no pains to be observ’d or seen, While all his acts are echoed from within. He’s still himself, when company are gone, Too well employ’d ever to be alone. For studying God in all his volumes, he Begins the business of Eternity ; 40 And unconcern’d without, retains a ower To suck (like bees) a sweet from ev'ry flower. And as the Manna of the Israelites Had several tastes to please all appetites : So his Contentment is that catholic food, That makes all states seem fit as well as good. He dares not wish, nor his own fate propound ; But, if God sends, reads Love in every wound : And would not lose for all the joys of sense The glorious pleasures of obedience. His better part can neither change nor lose, 51 And all God’s will can bear, can do, can choose. Death I How weak a star doth rule mankind, Which owes its ruin to the same Causes which Nature had design’d To cherish and preserve the frame ! u As commonwealths may be secure, And no remote invasion dread ; (574) Yet may a sadder fall endure From traitors in their bosom bred: II So while we feel no violence, 9 And on our active health do trust, A secret hand doth snatch us hence, And tumbles us into the dust. IV Yet carelessly we run our race, As if we could Death’s summons wave ; And think not on the narrow space Between a table and a grave. v But since we cannot Death reprieve, Our souls and fame we ought to mind, For they our bodies will survive ; That goes beyond, this stays behind. 20 VI If I be sure my soul is safe, And that my actions will provide My tomb a nobler epitaph, Than that I only liv’d and died. VI So that in various accidents I Conscience may, and Honour, keep ; I with that ease and innocence Shall die, as infants go to sleep. To the Queen’s Majesty, on her late Sickness and Recovery TuE public gladness that’s to us restor’d, For your escape from what we so deplor’d, Will want as well resemblance as belief, Unless our joy be measur’d by our grief. When in your fever we with terror saw At once our hopes and happiness withdraw ; To the Queen’s Majesty And every crisis did with jealous fear Inquire the news we scarce durst stay to hear. Some dying Princes have their ser- vants slain, That after death they might not want a train. To Such cruelty were here a needless sin ; For had our fatal fears prophetic been’, Sorrow alone that service would have done, And you by Nations had been waited on. Your danger was in ev’ry visage seen, And only yours was quiet and serene. But all our zealous grief had been in vain, Had not great Charles’s call’d you back again : Who did your suffrings with such pain discern, He lost three Kingdoms once with less concern. 20 Lab’ring your safety he neglected his, Nor fear’d he death in any shape but this: His Genius did the bold distemper tame, And his rich tears quench’d the rebellious flame. As” once the Thracian Hero lov’d and griev’d, Till he his lost felicity retriev'd ; And with the moving accents of his woe, His spouse recover’d from the shades below. So the King’s grief your threaten’d loss withstood, Who mourn’d with the same fortune that he woo’d, 30 And to his happy passion we have been Now twice oblig’d for so ador’d a Queen. But how severe a choice had you to make, When you must Heav’n delay, or Him forsake? Yet since those joys you made such haste to find Had scarce been full if he were left behind, How well did Fate decide your in- ward strife By making him a presentof your life ? Which rescu’d blessing he must long enjoy, Since our offences could it not destroy. 40 For none but Death durst rival him in you ; And Death himself was baffled in it too. Upon Mr. Abraham Cowley’s Retirement ODE I No, no, unfaithful World, thou hast Too long my easy heart betray’d, And me too long thy foot-ball made : But I am wiser grown at last, And will improve by all that I have past. I know ’twas just I should be prac- tis’d on; For I was told before, And told in sober and instructive lore, How little all that trusted thee have won : And yet I would make haste to be undone. 10 Now by my suffring I am better taught, And shall no more commit that stupid fault. 1 So in orig., showing that ‘bin’ for this rhyme is more or less of an accident. ? Orig. ‘ at.’ (575 ) Katherine Philips Go, get some other fool, Whom thou mayst next cajole : On me thy frowns thou dost in vain bestow ; For I know how To be as coy and as reserved? as thou. I In my remote and humble seat Now I’m again possest 19 Of that late fugitive, my breast, From all thy tumults and from all thy heat Tl find a quiet and a cool retreat ; And on the fetters I have worn Look with experienc’d and revenge- ful scorn, In this my sov’reign privacy. ’Tis true I cannot govern thee, But yet myself I may subdue ; And that’s the nobler empire of the two. If ev’ry Passion had got leave Its satisfaction to receive, 30 Yet I would it a higher pleasure call, To conquer ohe, than to indulge GS them all. 0 oY ul 9 ‘For thy inconstant sea, no more Tl leave end solid shore : No, though to prosperinthe cheat, Thou shouldst my Destiny defeat, And make me be belov’d, or rich, or great: Nor from myself shouldst me reclaim With all the noise and all the pomp of Fame. Judiciously I'll these despise; 40 Too small the bargain, and too great the price, For them to cozen twice. At length this secret I have learn’d ; Who will be happy, must be uncon- cern’d, Must all theircomfort in their bosom wear, And seek their treasure and their power there. IV No other wealth will I aspire, But that of Nature to admire ; Nor envy on a laurel will bestow, Whilst Ihave any in my garden grow. And when I would be great, 51 ’Tis but ascending to a seat Which Nature in a lofty rock hath built ; A throne as free from trouble as from guilt. Where when my soul her wings does raise Above what worldlings fear or praise, With innocence and quiet pride Tl sit, And see the humble waves pay tri- bute to my feet?. O life divine, when free from joys diseas’d, Not always merry, but ’tis always pleas’d ! 60 v A heart, which is too great a thing To be a present for a Persian King, Which God Himself would have to be His court, Where Angels would officiously re- sort, From its own height should much decline, If this converse it should resign (Ill-natur’d World !) for thine. Thy unwise rigour hath thy empire lost ; It hath not only set me free, But it hath made me see, =o They only can of thy possession boast, Who do enjoy thee least, and under- stand thee most. ’ Orig. ‘reserv’e’ (with suggestion of French ?). * The rhyme here is worth comparison with that of ‘been’ (so spelt) with ‘sin.’ (670) Upon Mr. Abraham Cowley’s Retirement For lo, the man whom all mankind admir’d, (By ev’ry Grace adorn’d, and ev’ry Muse inspir’d) Is now triumphantly retir’d. The mighty Cowley this hath done, And over thee a Parthian conquest won: Which future ages shall adore, And which in this subdues thee more Than either Greek or Roman ever could before. 80 The Irish Greyhound BEHOLD this creature’s form andstate, Which Nature therefore did create, That to the World might be exprest What mien there can be in a beast ; And that we in this shape may find A lion of another kind. For this heroic beast does seem In majesty to rival him ; And yet vouchsafes, to man, to show Both service and submission too. 10 From whence we this distinction have, ‘That beast is fierce, but this is brave. This dog hath so himself subdu’d, That hunger cannot make him rude: And his behaviour does confess True courage dwells with gentleness. With sternest wolves he dares engage, And acts on them successful rage. Yet too much courtesy may chance To put him out of countenance. 20 When in his opposer’s blood, Fortune hath made his virtue good ; This creature from an act so brave Grows not more sullen, but more grave. Man’s guard he would be, not his sport, Believing he hath ventur’d for’t ; But yet no blood or shed or spent Can ever make him insolent. Few men of him to do great things have learn’d, And when th’ are done, to be so unconcern’d. 30 Song To the Tune of Sommes nous pas trop heureux I How prodigious is my fate, Since I can’t determine clearly, Whether you'll do more severely Giving me your love or hate ! For if you with kindness bless me, Since from you I soon must part ; Fortune will so dispossess me, That your Love will break my heart. se But since Death all sorrow cures, Might I choose my way of dying, 10 I could wish the arrow flying From Fortune’s quiver, not from yours. For in the sad unusual story How my wretched heart was torn, It will more concern your glory, I by absence fell than scorn. A Dialogue betwixt Lucasia and Rosania, imitating that of gentle Thyrsis 4 Ros. My Lucasia, leave the moun- tain-tops, And like a nearer air. Luc. How shall I then forsake my lovely flocks Bequeatheéd to my care? 1 A coincidence with the lines in The Princess, Canto vii, ‘Come down, O maid.” The internal rhyme, after the first quatrain, is curious. It might be better to print the lines separately— ected epherdess, Thy flocks will not be less,’ &c. (577) Pp Katherine Ros. Shepherdess, thy flocks will not be less, Although thou shouldst come hither. Luc. But I fear, the world will be severe, Should I leave them to go thither. Ros. O! my friend, if you on that depend, : You'll never know content. 10 Luc. Rather I near thee would live and die, Would fortune but consent. Ros. But did you ask leave to love me too, That others should deprive me? Luc. Not all mankind, a stratagem can find Which fromthat heartshould drive me. os. Better ’t had been, I thee had never seen, Than that content to lose. Luc. Such are thy charms, I’d dwell within thine arms Could I my station choose. _—20 Ros. When life is done, the World to us is gone, And all our cares do end. Luc. Nay, I know there’s nothing sweet below, Unless it be a friend. Ros. Then whilst we live, this joy let’s take and give, Since death us soon will sever. Luc. But I trust, when crumbled into dust, We shall meet and love for ever. Song To the Tune of Adieu, Phillis ’Tis true our life is but a long disease, Made up of real pain and seeming ease. You stars, who these entangled for- tunes give, (578 ) Philips O tell me why It is so hard to die, Yet such a task to live ? If with some pleasure we our griefs betray, It costs us dearer than it can repay. For Time or Fortune all things so devours ; Our hopes are crost, 10 Or else the object lost, Ere we can call it ours. An Epitaph on my honoured Mother-in-Law, Mrs. Phil[l]ips of Portheynon in Cardiganshire, who died Jan. 1, anno 1663. READER, Stay, it is but just ; Thou dost not tread on common dust. For underneath this stone does lie One whose name can never die: Who from an _ honour’d lineage sprung, Was to another matchéd young ; Whose happiness she ever sought ; One blessing was, and many brought. And to her spouse her faith did prove By fifteen pledges of their love. 10 But when by Death of him depriv’d, An honourable widow liv’d Full four and twenty years, wherein Though she had much afflicted been, Saw many of her children fall, And public ruin threaten all. Yet from above assisted, she Both did and suffer’d worthily. She to the Crown and Church ad- her’d, And in their sorrows them rever’d, 20 With piety which knew no strife, But was as sober as her life. A furnish’d table, open door, That for her friends, this for the poor, An Epitaph She kept; yet did her fortune find, Too narrow for her nobler mind ; Which seeking objects to relieve, Did food to many orphans give, Who in her life no want did know, But all the poor are orphans now. 30 Yet hold, her fame is much too safe, To need a written epitaph. Her fame was so confess’d, that she Can never here forgotten be, Till Cardigan itself become To its own ruin’d heaps a tomb. Lucasia, Rosania, and Orinda parting at a Fountain, July, 1663 I Here, here are ourenjoyments done, And since the love and grief we wear Forbids us either word or tear, And Art wants here expression, See Nature furnish us with one. I The kind and mournfulnymph which here Inhabits in her humble cells, No longer her own sorrow tells, Nor for it now concern’d appears, But for our parting sheds these tears. 10 III Unless she may afflicted be, Lest we should doubt her inno- cence ; Since she hath lost her best pre- tence Unto a matchless purity ; Our love being clearer far than she. Iv Cold as the streams that from her flow, Or (if her privater recess A greater coldness can express) Then cold as those dark beds of snow Our hearts are at this parting blow. 20 (579 ) v But Time, that has both wings and feet, Our suffering minutes being spent, Will visit us with new content. And sure, if kindness be so sweet ’Tis harder to forget than meet. VI Then though the sad adieu we say, Yet as the wine we hither bring, Revives, and then exalts the spring ; So let our hopes to meet allay The fears and sorrows of this day. 30 A Farewell to Rosania My dear Rosania, sometimes be so kind, To think upon the friend thou leav’st behind, And wish thee here, to make thy joys complete, Or else me there, to share thy blest retreat. But to the heart which for thy loss doth mourn, The kindest thought is that of quick return. To my Lady Anne Boyle, saying I looked angrily upon her Apor’p Valeria, and can you con- clude, Orinda lost in such ingratitude ; And so mis-spell the language of my face, When in my heart you have so great a place ? Ah! beassur’d I could no look direct To you, not full of passion and respect. Or if my looks have play’d that treach’rous part, Andsomuch misinterpreted my heart, I shall forgive them that one false- hood, less Than all their folly, and their ugli- ness ; 10 Pp2 Katherine Philips And had much rather choose they should appear Always unhandsome, than once un- sincere. But I must thank your error, which procures Me such obliging jealousy as yours. For at that quarrel I can ne’er repine, Which shows your kindness, though it questions mine. ‘To your concern I pardon your dis- trust, And prize your love, ev’n when it is unjust. On the Welsh Language Ir Honour to an ancient name be due, Or Riches challenge it for one that’s new, ‘The British language claims in either sense, Both for its age, and for its opulence. But all great things must be from us remov’d, ‘To be with higher reverence belov’d. So landscapes which in prospects distant lie, With greater wonder draw the pleased eye. Is not great Troy to one dark ruin hurl’d ? Once the fam’d scene of all the fighting world. 10 Where’s Athens now, to whom Rome Learning owes, And the safe laurels that adorn’d her brows ? A strange reverse of Fate she did endure, Never once greater, than she’s now obscure. [vn Rome herself can but some footsteps show Of Scipio’s times, or those of Cicero. And as the Roman and the Grecian State, The British fell, the spoil of Time and Fate. But though the Language hath the beauty lost, Yet she has still some great Remains to boast. 20 For ’twas in that, the sacred Bards of old, In deathless numbers did their thoughts“unfold. In groves, by rivers, and on fertile plains, They civiliz’d and taught the list’n- ing swains ; Whilst with high raptures, and as great success, Virtue theyclothedin Music’s charm- ing dress. This Merlin spoke, who in his gloomy cave, Ev’n Destiny herself seem’d to en- slave. For to his sight the future time was known, Much better than to others is their own: 30 And with such state, predictionsfrom him fell, As if he did decree, and not fore- tell. This spoke King Arthur, who, if Fame be true, Could have compell’d mankind to speak it too. In this once Boadicca' valour taught, And spoke more nobly than her soldiers fought : Tell me what hero could be more than she, Who fell at once for Fame and Liberty ? Nor could a greater sacrifice belong, Or to her children’s, or her country’s wrong. 40 This spoke Caractacus, who was so brave, That to the Roman Fortune check he gave: ? Sic in orig., and the form, which has some authority, is wanted for the verse. ( 580 ) On the Welsh Language And when their yoke he could decline no more, He it so decently and nobly wore, That Rome herself with blushes did believe A Britain * would the Law of Honour give ; And hastily his chains away she threw, Lest her own captive else should her subdue. To the Countess of Thanet, upon her Marriage SINCE you who credit to all wonders bring, That lovers can believe, or poets sing ; Whose only shape and fashion does express, Your virtue is your nature, not your dress ; In whom the most admir’d extremes appear, Humble and fair, prudent and yet sincere? : Whose matchless worth transmits such splendid rays, As those that envy it are fore’d to praise. Since you have found such an illus- trious sphere, And are resolv’d to fix your glories there ; 10 A heart whose bravery to his sex secures As much renown as you have done to yours ; And whose perfections in obtaining you, Are both discover’d and rewarded too ; ’Twere almost equal boldness to invent How to increase your merit, or content. Yet sure the Muses somewhat have to say, But they will send it you a better way : The Court, which.so much to your lustre owes, Must also pay you its officious vows. 20 But whilst this shows respect, and those their art, Let me too speak the language of my heart ; Whose ruder off’rings dare approach your shrine, For you, who merit theirs, can pardon mine. Fortune and Virtue with such heat contend (As once for Rome) now to make you their friend : As you so well can this prefer to that, As you can neither fear, nor mend your fate: Yet since the votes of joy from all are due, A love like mine must find some wishes too. 30 May you in this bright constella- tion set, Still show how much the Good out- shine the Great : May you be courted with all joys of sense, Yet place the highest in your inno- cence ; Whose praise may you enjoy, but not regard, Finding within both motive and reward. May Fortune still to your commands be just, Yet still beneath your kindness or your trust. 1 This is not impossible, though ‘a Briton’ is more likely. : we 2 This line in orig. illustrates the futility of retaining typographical peculiarities in- discriminately. Besides ‘Humble,’ ‘Fair’ and ‘Prudent’ there have capitals, ‘sincere’ not. Let him, who can, distinguish, ( 581 ) Katherine Philips May you no trouble either feel or fear, But from your pity for what others wear ; 40 And may the happy owner of your breast, Still find his passion with his joys increas’d ; Whilst every moment your concern makes known, And gives him too, fresh reason for his own : And from their Parents may your Offspring have All that is wise and lovely, soft and brave : Or if all wishes we in one would give, For him, and for the world, Long may you live. Epitaph! on her Son H. P. at St. Syth’s Church, where her body also lies interred Wuat on Earth deserves our trust ; Youth and Beauty both are dust. Long we gathering are with pain, What one moment calls again. Seven years childless marriage past, A Son, a Son is born at last : So exactly limb’d and fair, Full of good spirits, mien, and air, As a long life promiséd, Yet, in less than six weeks dead. 10 Too promising, too great a mind In so small room to be confin’d : Therefore, as fit in Heav’n to dwell, He quickly broke the prison shell. So the subtle alchymist, Can’t with Hermes’ Seal resist ‘The powerful spirit’s subtler flight, But ‘twill bid him long good night : And so the Sun, if it arise Half so glorious as his eyes, 20 Like this Infant, takes a shroud, Buried in a morning cloud. On the Death of my Lord Rich, only son to the Earl of Warwick, who died of the small-pox, 1664 Have not so many lives of late Suffic’d to quench the greedy thirst of Fate? Though to increase the mournful purple flood, As well as noble, she drank Royal blood ; That not content, against us to engage Our own wild fury, and usurpers’ rage ; By sickness now, when all that storm is past, She strives to hew our heroes down as fast ; And by the prey she chooses, shows her aim Is to extinguish all the English Fame. To Else had this generous Youth we now have lost, Been still his friends’ delight, and country’s boast, And higher rais’d the illustrious name he bore, Than all our chronicles had done before. Had Death consider’d ere he struck this blow, How many noble hopes ’twould over- throw ; The Genius of his House (who did complain That all her worthies now died o’er again) ; His flourishing, and yet untainted years ; His father’s anguish, and his mother’s tears ; 20 Sure he had been persuaded to relent, Nor had for so much early sweetness, sent + See Introduction. ( 582 ) On the Death of my Lord Rich That fierce disease, which knows not how to spare The young, the great, the knowing, or the fair. But we as well might flatter every wind, And court the tempests to be less unkind, As hope from churlish Death to snatch his prey, Who is as furious and as deaf as they; And whohathcruelly surpris’d in him, His parents’ joy, and all the World’s esteem. 30 Say, treacherous Hopes _ that whisper in our ear, Still to expect some steady comfort here, And though we oft discover all your arts, Would still betray our disappointed hearts ; What new delusion can you now prepare, Since this pale object shows how false you are? Twill fully answer all you have to plead, If we reply, great Warwick’s heir is dead : Blush, human Hopes and Joys, and then be all 39 In solemn mourning ! at this funeral. For since such expectations brittle prove, What can we safely either hope or love ? The Virgin ‘Tue things thatmake a Virgin please, She that seeks, will find them these ; A Beauty, not to Art in debt, Rather agreeable than great ; 1 Orig. ‘ morning.’ An eye, wherein at once do meet, The beams of kindness, and of wit ; An undissembled Innocence, Apt not to give, nor take offence : A conversation at once free From Passion, and from Sub- tlety ; 10 A face that’s modest, yet serene, A sober, and yet lively mien ; The virtue which does her adorn, By Honour guarded, not by Scorn ; With such wise lowliness endu’d, As never can be mean, or rude ; That prudent negligence enrich, And Time’s her silence and her speech ? ; Whose equal mind does always move, Neither a foe, nor slave to love; 20 And whose Religion’s strong and plain, Not superstitious, nor profane. Upon the Graving of her Name upona Tree in Barn- Elms Walks Aas, how barbarous are we, Thus to reward the courteous Tree, Who its broad shade affording us, Deserves not to be wounded thus ! See how the yielding bark complies With our ungrateful injuries ! And seeing this, say how much then Trees are more generous men, Who by a nobleness so pure, Can first oblige, and then endure. to then 2 This very ‘metaphysical’ couplet seems to mean, ‘If you add riches to her wise retiringness, Time will have nothing bad and everything good to say of her.’ But I could add other interpretations, and am not sure of any. ( 583 ) Katherine Philips To my dearest Friend Mrs. A.Owen,upon her greatest loss As when two sister-rivulets who crept From that dark bed of snow wherein they slept, By private distant currents under ground, Have by maeanders ? either’s bosom found, They sob aloud, and break down what withstood, Swoln by their own embraces to a flood: So when my sympathy for thy dear grief Had brought me near, in hope to give relief, T found my sorrow heighten’d when so join’d, And thine increas’d by being so combin’d, Io Since to the bleeding hopes of many years, I could contribute nothing but my tears ; Fears which to thy sad fate were justly due, And to his loss, by all who that loss knew ; For thy Charistus was so much above The eloquence of all our grief and love, That it would be injurious to his hearse, To think to crowd his worth into a verse: Could I by miracle such praise indite, Who with more ease and justice weep than write, 20 He was all that which History can boast, Or bolder Poetry had e’er engross’d. So pious, just, noble, discreet, and kind, Their best ideas know not how to find. His strong Religion not on trifles spent, Was useful, firm, early, and eminent, Never betray’d to indigested heat, Nor yet entic’d from what was safely great. And this so soon, as if he had foresight, He must begin betimes whose noon is night. 30 His virtue was his choice, and not his chance, Not mov’d by Age, nor born of Ignorance. He well knew whom, and what he did believe, And for his faith did not dispute, but live, And liv’d just like his infant inno- cence, But that was crown’d with free obedience. How did he scorn design, and equally How much abhorr’d this age’s vanity ! He neither lik’d its tumults, nor its _ joys, | Slighted alike Earth’s pleasures, and her noise. 40 But unconcern’d in both, in his own mind Alone could power and satisfaction find. A treasury of merit there lay hid, Which though he ne’er confess’d, his actions did. His modesty unto his virtue lent At once a shadow and an ornament. But what could hide those filial rites he paid? How much he lov’d, how prudently obey’d ? A The orig. has the diphthong ; but as it also has capital initial and italic spelling, it is open to any one to contend that Orinda, or her printer, was uncertain whether the word had yet become a common noun. ( 584 ) I wish it had kept the diphthong as such. Io Mrs. A. Owen, upon her greatest loss How as a brother did he justly share His kind concern betwixt respect and care? 50 And to a wife how fully did he prove How wisely he could judge, how fondly love ? As husbands serious, but as lovers kind, He valu’d all of her, but lov’d her mind ; And with a passion made this riddle true, "Twas ever perfect, and yet still it’ grew. Such handsome thoughts his breast did ever fill, He durst do anything, but what was ill; Unlike those gallants who so use their time, As opportunity to act their crime, 60 And lost in wine or vanity when young, They die too soon, because they liv’d too long: But he has hallowed so his early death, ’Tis almost shame to draw a longer breath, I can no more, they that can must have learn’d To be more eloquent, and less concern’d. But all that noble justice to his name, His own good Angel will commit to Fame. Could grief recall this happiness again, Of thy dear sorrow I would ne’er complain, 70 But such an opportunity would take To grieve an useless life out for thy sake. But since it cannot, I must pray thee live, That so much of Charistus may survive, ( 585 ) And that thou do not act so harsh to Love, As that his glory should thy sorrow move: Endure thy loss till Heav’n shall it repay, Upon thy last and glorious wedding- day, When en shalt know him more, and quickly find The love increas’d by being so refin’d, 80 And there possess him without parting fears, As I my friendship free from future tears. Orinda to Lucasia parting, October, 1661, at London Apigev, dear Object of my Love’s excess, And with thee all my hopes of happiness, With the same fervent and unchanged heart Which did its whole self once to thee impart, (And which, though fortune has so sorely bruis’d, Would suffer more, to be from this excus’d) I to resign thy dear submit, Since I can neither keep, nor merit it. Thou hast too long to me confined converse been, Who ruin am_ without, passion within. 10 My mind is sunk below thy tender- ness, And my condition does deserve it less ; I’m so entangl’d and so lost a thing By all the shocks my daily sorrow(s | bring, That wouldst thou for thy old Orinda call, Thouhardly couldst unravel her atall. Katherine Philips And should I thy clear fortunes interline With the incessant miseries of mine ? No, no, I never lov’d at such a rate, To tie thee to the rigours of my fate. 20 As from my obligations thou art free, Sure thou shalt be so from my injury. Though every other worthiness I miss, Yet [ll at least be generous in this. I’d rather perish without sigh or groan, Than thou shouldst be condemn’d to give me one; Nay, in my soul I rather could allow Friendship should be a sufferer, than thou: Go then, since my sad heart has set thee free, Let all the loads and chains remain on me. 30 Though I be left the prey of sea and wind, Thou, being happy, wilt in that be kind ; Nor shall I my undoing much deplore, Since thou art safe, whom I must value more. Oh! mayst thou ever be so, and as free From all ills else, as from my company ; And may the torments thou hast had from it, Be all that Heaven will to thy life permit. And that they may thy virtue service do, Mayst thou be able to forgive them too: 40 But though I must this sharp submission learn, I cannot yet unwish concern. (586 ) thy dear Not one new comfort I expect to see, I quit my Joy, Hope, Life, and all but thee ; Nor seek I thence aught that may discompose That mind where so serene a good- ness grows. I ask no inconvenient kindness now, To move thy passion, or to cloud thy brow ; And thou wilt satisfy my boldest plea By some few soft remembrances of me, Oo Which may present thee with this candid thought, I meant not all the troubles that I brought. Own not what Passion rules, and Fate does crush, But wish thou couldst have done’t without a blush ; And that I had been, ere it was too late, Either more fortunate. Ah, who can love the thing they cannot prize ? But thou mayst pity though thou dost despise. Yet I should think that pity bought too dear, If it should cost those precious eyes a tear. 60 Oh, may no minute’s trouble thee possess, But to endear the happiness ; And mayst thou when thou art from me remov’d, Be better pleas’d, but never worse belowd : Oh, pardon me for pouring out my woes In rhyme now, that I dare not do’t in prose. For I must lose whatever is call’d dear, And thy assistance all that loss to bear, worthy, or more next hour’s Orinda to Lucasia parting And have more cause than e’er I had before, To fear that I shall never see thee more. 70 On the first of January, 1657 Tw’ Eternal Centre of my life and me, Who when I was not, gave me room to be, Hath since (my time preserving in his hands) By moments number’d out the precious sands, Till it is swell’d to six and twenty years, Chequer’d by Providence with smiles and tears. I have observ’d how vain all glories are, The change of Empire, and the chance of War: Seen Faction with its native venom burst, And Treason struck, by what itself had nurs’d: To | Seen useless crimes, whose owners but made way For future candidates to wear the bay. To my Lady M. Cavendish, choosing the name of Policrite THat Nature in your frame has taken care, As well your birth as beauty do declare, Since we at once discover in your face, The lustre of your eyes and of your race : And that your shape and fashion does attest, So bright a form has yet a brighter Guest, ( 587 ) To future times authentic fame shall bring, Historians shall relate, and Poets sing. But since your boundless mind upon my head, Some rays of splendour is content to shed ; 10 And lest I suffer by the great surprise, Since you submit to meet me in disguise, Can lay aside what dazzles vulgar sight, And to Orinda can be Policrite. You must endure my vows, and find the way To entertain such rites as I can pay : For so the Pow’r Divine new praise acquires, By scorning nothing that it once inspires : I have no merits that your smile can win, Nor offering to appease you when I sin; 20 Nor can my useless homage hope to raise, When what I cannot serve, I strive to praise : But I can love, and love at such a pitch, As I dare boast it will ev’n you enrich ; For kindness is a mine, when great and true, Of nobler ore than ever Indians knew ; ’Tis all that mortals can on Heav’n bestow, And all that Heav’n can value here below. Against Love Hence, Cupid! with your cheating toys, Your real Griefs, and painted Joys, Your Pleasure which itself destroys. Katherine Philips Lovers like men in fevers burn and rave, And only what will injure them do crave. Men’s weakness makes Love so severe, They give him power by their fear, And make the shackles which they wear. Who to another does his heart submit, Makes his own Idol, and then worships it. Io Him whose heart is all his own, Peace and liberty does crown, He apprehends no killing frown. He feels no raptures which are joys diseas’d, . And is not much transported, but still pleas’d. A Dialogue of Friendship multiplied Musidorus WILL you unto one single sense Confine a starry Influence ; Or when you do the rays combine, To themselves only make them shine ? Love that’s engross’d by one alone, Is envy, not affection. Orinda No, Musidorus, this would be But Friendship’s prodigality ; Union in rays does not confine, But doubles lustre when they shine, And souls united live above 11 Envy, as much as scatter’d Love. Friendship (like rivers) as it multiplies In many streams, grows weaker still and dies. Musidorus Rivers indeed may lose their force, When they divide or break their course ; (588 ) For they may want some hidden Spring, Which to their streams recruits may bring : But Friendship’s made of purest fire, Which burns and keeps its stock entire. 20 Love, like the Sun, may shed his beams on all, And grow more great by being general. Orinda 2 The purity of Friendship’s flame, Proves that from sympathy it came, And that the hearts so close do knit, They no third partner can admit ; Love like the Sun does all inspire, But burns most by contracted fire. Then though I honour every worthy guest, Yet my Lucasia only rules my breast. 30 Rosania to Lucasia on her Letters AH! strike outright, or else forbear ; Be more kind, or more severe ; For in this chequer’d mixture I Cannot live, and would not die: And must I neither? Tell me why. When thy pen thy kindness tells, My heart transported leaps and swells. But when my greedy eye does stray, Thy threaten’d absence to survey, That heart is struck, and faints away. Io To give me title to rich land, And the fruition to withstand, Or solemnly to send the key Of treasures I must never see, Would it contempt, or bounty be? This is such refin’d distress, That thy sad lovers sigh for less, Rosania to Lucasia on her Letters ‘Though thou their hopes hast over- thrown, They lose but what they ne’er have known, 19 But I am plunder’d from my own. How canst thou thy Rosania prize, And be so cruel and so wise? For if such rigid policy Must thy resolves dispute with me, Where then is Friendship’s victory ? Kindness is of so brave a make, *Twill rather death than bondage take ; So that if thine no power can have, Give it and me one common grave, But quickly either kill or save. 30 To my Antenor, March 16, 166% My dear Antenor, now give o’er, For my sake talk of graves no more ; Death is not in your power to gain, And is both wish’d and fear’d in vain. Let’s be as angry as we will, Grief sooner may distract than kill, And the unhappy often prove Death is as coy a thing as Love. Those whose own sword their death did give, Afraid were or asham’d to live; 10 And by an act so desperate, Did poorly run away from Fate ; "Tis braver much t’ outride the storm, Endure its rage, and shun his harm? ; Affliction nobly undergone, More greatness shows than having none. But yet the wheel in turning round, At last may lift us from the ground, And when our Fortune’s most severe, The less we have, the less we fear. 20 And why should we that grief permit, Which can nor mend nor shorten it ? Let’s wait for a succeeding good, Woes have their ebb as well as flood : Andsincethe Parliament haverescu’d 7 you, Believe that Providence will do so too. A Triton to Lucasia going to Sea, shortly after the Queen’s arrival I My Master Neptune took such pains of late To quiet the commotions of his state’, That he might give, through his fierce winds and seas, Safe passage tothe Royal Portuguese, Thathe e’er sinceat homehas kept, And in his crystal palace slept, Till a swift wind told him to-day, A stranger was to pass this way, Whombhe hath sent me out toview, And I must tell him, Madam, it is you. 10 Il He knows you by an honourable fame : Who hath not heard Lucasia’s worthy name ? But should he see you too, I doubt he will Grow amorous, and here detain you still ; I know his humour very well, So best can the event foretell, But wishing you better success, And that my Master’s guilt be less, I will say nothing of your form, Till you are past the danger of a storm. 20 1 The concurrence of ‘its’ and ‘his’ is rather curious, especially in view of the rather recent establishment of the former. Of course both may not refer to ‘storm’ ; but Orinda would hardly have made Fate masculine, and Death is some way behind. 2 Quite a Drydenian line: cf. MacFlecknoe, 1, 10. ( 589 ) Katherine Philips I Fear nothing else, for eyes sosweet as these, No power that is sea-born can dis- please ; You are much more than Nymph or Goddess bright ; I saw ’m ‘all at supper t’ other night : They with far less attraction draw, They giveus Love, yougiveus Law. Your charms the winds and seas will move, But ’tis no wonder, not to Love. Your only danger is, lest they Stiff with amazement should becalm your way. 30 Iv But should they all want breath to make a gale, What’s sent in prayers for you will fill your sail ; What brought you hither will your way secure, Courage and Kindness can no slip endure ; The winds will do as much for you. Vv Yetsince our birth the English Ocean boasts, We hope sometimes to see you on these coasts, And we will order for you as you pass, Winds soft as lovers’ vows, waves smooth as glass. Each Deity shall you befriend, 40 And all the Sea-Nymphs shall attend ; But if because a ship’s too strait ?, Or else unworthy such a freight, A coach more useful would appear, That and six Danish steeds youknow are here. Orinda upon little Hector Philips I * Twice forty months of wedlock I did stay, Then had my vows crown’d with a lovely boy. And yet in forty days he dropt away ; O swift vicissitude of human joy! I I did but see him, and he dis- appear’d, I did but pluck the rosebud and it fell ; A sorrow unforeseen and scarcely fear’d, For ill can mortals their afflictions spell. Il And now (sweet Babe !) what can my trembling heart Suggest to right my doleful fate or thee ? 10 Tears are my Muse, and sorrow all my art, So piercing groans must be thy Elogy *. Iv Thus whilst no eye is witness of my moan, I grieve thy loss (Ah, Boy too dear to live !), And let the unconcerntd World alone, Who neither willnor can refreshment give. v An offring to® for thy sad tomb I have, Too just a tribute to thy early herse, 1 Sic in orig., and just worth noting for prosody’s sake. ? Orig. ‘straight’; but this confusion is incessant. 3 Again see Introduction. ‘ Sic The reader may choose between ‘eulogy’ and ‘elegy’—the latter being of course the more obvious. ® Sicin orig. It is of course wrong ; but to substitute ‘too’ would make an awkward clash with the next line, I am inclined to read ‘ offering’ in full and to suppose that she wrote ‘ /o thy’ first, and substituted ‘for’ without cancelling ‘to’—when the thirst of the age for apostrophes would do the rest. ( 590 ) Orinda upon little Hector Philips Receive these gasping numbers to thy grave, The last of thy unhappy mother’s verse. 20 To the Lady E. Boyle Au, lovely Celimena ! why Are you so full of charms, That neither sex can from them fly, Nor take against them arms? Others in time may gain a part, But you at once snatch all the heart. Dear Tyrant, why will you subdue Orinda’s trivial heart, Which can no triumph add to you, Not meriting your dart? 10 And sure you will not grant it one, If not for my sake, for your own. For it has been by tenderness Already so much bruis’d, That at your altars I may guess It will be but refus’d. For never Deity did prize A torn and maiméd sacrifice. But oh! what madness can or dare Dispute this noble chain, 20 Which ’tis a greater thing to wear, Than empires to obtain ? To be your slave I more design, Than to have all the World be mine. Those glorious fetters will create A merit fit for them, Repair the breaches made by Fate, And whom they own redeem. What thus ennobles and thus cures, Can be no influence but yours. 30 Pardon th’ ambition of my aim, Who love you at that rate, That story cannot boast a flame So lasting and so great. I can be only kind and true, But what else can be worthy you? ( 592 ) To my Lord Duke of Ormond, upon the late Plot THOUGH you, great Sir, be Heav’n’s immediate care, Who show’d you danger, and then broke the snare: And our first gratitude to that be due, Yet there is much that must be paid to you: For ’tis your prudence Ireland’s peace secures, Gives her her safety, and (what’s dearer) yours, Whilst your prevailing Genius does dispense, At once itsconduct and its influence. Less honour from a battle won, is got, Than to repel so dangerous a plot ; Fortune with Courage may play booty there, 1I But single Virtue is triumphant here : In vain the bold ungrateful rebels aim To overturn when you support the same : You who three potent Kingdoms late have seen Tremble with fury, and yet steadfast been ; Who an afflicted Majesty could wait, When it was seemingly forsook by Fate; _ Whose settled loyalty no storms dis- mayed, Nor the more flattering mischiefs could dissuade : 20 And having ’scap’d so dangerous a coast, Could you now fall,expiring Treason’s boast ? Or was it hop’d by this contemnéd crew, That you could Fortune and not them subdue? Katherine Philips But whilst these wretches at this im- plous rate, Will buy the knowledge of your mighty fate ; You shall preserve your King’s en- trusted crown, Assisted by his fortune and your own. And whilst his sword Kingdoms abroad bestows, You, with the next renown, shall this dispose. 30 To the Countess of Roscom- mon, with a Copy of Pompey GREAT Pompey’s Fame from Egypt made escape, And flies to you for succour in this shape : A shape, which, I assur’d him, would appear, Nor fit for you to see, nor him to wear. Yet he says, Madam, he’s resolv’d to come, And runa hazard of a second doom : But still he hopes to bribe you, by that trust You may be kind, but cannot be un- just ; é Each of whose favours will delight him more Than all the laurels that his temples wore: Io Yet if his name and his misfortunes fail, He thinks my intercession will pre- vail ; And whilst my numbers would relate his end, Not like a Judge you'll listen, but a Friend ; For how can either of us fear your frown, Since he and I are both so much your own. ( 592 ) But when you wonder at my bold design, Remember who did that high task enjoin ; Th’ illustrious Orrery, whose least command You would more wonder if I could withstand : 20 Of him I cannot which is hardest tell, Or not to praise him, or to praise him well ; Who on that height from whence true glory came, Does there possess and thence dis- tribute fame ; Where all their lyres the willing Muses bring, To learn of him whatever they shall sing ; Since all must yield, whilst there are books or men, The universal empire to his pen ; Oh! had that powerful Genius but inspir’d The feeble hand, whose service he requir’d, 30 It had your Justice then, not Mercy pray’d, Had pleas’d you more, and better him obey’d. On the Death of the truly honourable Sir Walter Lloyd, Knight At obsequies where so much grief is due, The Muses are in solemn mourning too, And by their dead astonishment confess, They can lament this loss, though not express : Nay, if those ancient Bards had seen this herse, Who once in British shades spoke living verse, On the Death of Sir Walter Lloyd Their high concern for him had made them be Apter to weep, than write his Elogy’. When on our land that flood of woes was sent, Which swallow’d all things sacred as it went, 10 The injur’d Arts and Virtues made his breast The ark wherein they did securely rest : For as that old one was toss’d up and down, And yet the angry billows could not drown ; So Heav’n did him in this worse deluge save, And made him triumph o’er th’ un- quiet wave : Who while he did with that wild storm contest, Such real magnanimity exprest, That he dar’d to be loyal, in a time When ’twas a danger made, and thought a crime: 20 Duty, and not Ambition, was his aim, Who studied Conscience ever more than Fame ; And thought it so desirable a thing, To be preferr’d to suffer for his King, That he all Fortune’s spite had pardon’d her, Had she not made his Prince a sufferer ; For whose lov’d cause he did both act and grieve, And for it only did endure to live, To teach the World what Man can be and do, Arm’d by Allegiance and Religion too. 30 His head and heart mutual assist- | ance gave, That being still so wise, and this so brave, That ’twas acknowledg’d all he said and did, From Judgement, and from Honour did proceed : Such was the useful mixture of his mind, ’Twas at once meek and knowing, stout and kind ; For he was civil, bountiful, and learn’d, And for his friends so generously concern’d, That both his heart and house, his hand and tongue, To them, more than himself, seem’d to belong ; 40 As if to his wrong’d party he would be Both an example and apology : For when both swords and pens ceas’d the dispute, His life alone Rebellion did confute. But when his vows propitious Heaven had heard, And our unequall’d King at length appear’d, As aged Simeon did his spirits yield, When he had seen his dearest hopes fulfill’d ; He gladly sawthemorning of that day, Which Charles his growing splendour did display ; 50 Then to eternal joys made greater haste, Because his present ones flow’d in so fast ; From which he fled, out of a pious fear, Lest he by them should be rewarded here ; While his sad country by his death have lost Their noblest pattern, and their greatest boast. Orinda to Lucasia I OBSERVE the weary birds ere night be done, How they would fain call up the tardy Sun, 1 This hybrid has been already noted. ( 593 ) Qq Katherine Philips With feathers hung with dew, And trembling voices too, They court their glorious planet to appear, That they may find recruits of spirits there, The drooping flowers hang their heads, And languish down into their beds : While brooks more bold and fierce than they, Wanting those beams, from whence 10 All things drink influence, Openly murmur and demand the day, u Thou, my Lucasia, art far more to me, Than he to all the under-world can be; From thee I’ve heat and light, Thy absence makes my night. But ah! my friend, it now grows very long, The sadness weighty, and the dark- ness strong: My tears (its due’) dwell on my cheeks, And still my heart thy dawning seeks, 20 And to thee mournfully it cries, That if too long I wait, Ev’n thou mayst come too late, And not restore my life, but close my eyes. To Celimena ForBEar, fond heart (say I), torment no more That Celimena whom thou dost adore ; For since so many of her chains are proud, 1 Sic in orig., and quite probable with ‘ absence.’ How canst thou be distinguish’d in the crowd ? But say, bold Trifler, what dost thou pretend ? Wouldst thou depose thy Saint into thy Friend ? Equality of friendship is requir’d, Which here were criminal to be desir’d. An Answer to another per- suading a Lady to Marriage I Forsear, bold Youth, all’s Heaven here, And what you do aver, To others courtship may appear, ’Tis sacrilege to her. ul She is a public Deity, And were’t not very odd She should depose herself to be A petty household god ? II First make the Sun in private shine, And bid the World adieu, 10 That so he may his beams confine In compliment to you. Iv But if of that you do despair, Think how you did amiss, To strive to fix her beams which are More bright and large than this. Lucasia and Orinda parting with Pastora and Phillis at Ipswich I In your converse we best can read, How constant we should be ; But, ’tis in losing that, we need All your philosophy. But ‘ dew’ with ‘darkness’ is possible, and a play on the two words perhaps most likely of all. {594 ) Lucasia and Orinda 11 How perish’d is the joy that’s past, The present how unsteady ! What comfort can be great, and last, When this is gone already ? I Yet that it subtly may torment, The memory does remain ; 10 For what was, when enjoy’d, Content, Is, in its absence, Pain. Iv If you'll restore it, we’ll not grieve That Fate does now us sever ; ’Tis better by your gift to live, Than by our own endeavour. Epitaph on my truly honoured Publius Scipio To the officious marble we commit A name, above the art of time or wit ; ’Tis righteous, valiant Scipio, whose life we Found the best sermon, and, best history : Whose courage was brutish heat}, But such as spoke him good, as well as great ; Which first engag’d his arms to prop the state Of the almost undone Palatinate, And help the Netherlands to stem no aguish, the tide Of Rome’s Ambition, and the Austrian Pride ; 10 Which shall in every History be fam’d, Wherein Breda or Frankendale are nam’d. And when fore’d by his country’s angry stars To be a party in her Civil Wars, He so much conduct by his valour taught, So wisely govern’d, and so bravely fought, That th’ English Annals shall this record bear, None better could direct or further dare. Form’d both for war and peace, was brave in fight, And in debate judicious and upright : Religion was his first and highest care, ar Which rul’d his heart in peace, his hand in war: Which at the least sin made him tremble still, And rather stand a breach, than act an ill; For his great heart did such a temper show, Stout as a rock, yet soft as melting snow. In him so prudent, and yet so sincere, The serpent much, the dove did more appear : He was above the little arts of State, And scorn’d to sell his peace to mend his Fate ; 30 Anxious of nothing, but an inward spot, His hand was open, but his con- science not ; Just to his word, to all religions kind, In duty strict, in bounty unconfin’d ; And yet so modest, ’twas to him less pain To do great things, than hear them told again. Perform, sad Stone, thy honourable trust Unto his memory, and thyself be just, For his immortal name shall thee befriend, And pay thee back more fame than thou canst lend. 40 1 Orig. ‘bructish,’ which could be forced into a sense, but very idly. (595 ) Qq2 Katherine Philips To Mr. Sam. Cooper, having taken Lucasia’s_ Picture given December 14, 1660 I Ir noble things can noble thoughts infuse, Your art might ev’n in me create a Muse, And what you did inspire, you would excuse. i But if it such a miracle could do, That Muse would not return you half your due, Since ’twould my thanks, but not the praise pursue. ul To praise your art is then itself more hard, Nor would it the endeavour much regard, Since it and Virtue are their own reward. Iv A pencil from an Angel newly caught, 10 And colours in the Morning’s bosom sought, Would make no picture, if by you not wrought. v But done by you it does no more admit Of an encomium from the highest wit, Than that another hand should equal it. VI Yet whilst you with creating power vie, Command the very spirit of the eye, And then reward it with eternity— VII Whilst your each touch does Life and Air convey, Fetch the soul out, like overcoming day, 20 And I my friend repeated here survey— VIII I by a passive way may do you right, Wearing in that, what none could e’er indite, Your panegyric, and my own delight. Parting with a Friend I WHOEVER thinks that joys below Can lasting be and great, Let him behold this parting blow, And cure his own deceit. I Alas ! how soon are Pleasures done Where Fortune has a power ! How like to the declining Sun, Or to the wither’d flower ! III A thousand unconcernéd eyes She’ll suffer us to see, 10 But of those + we chiefly prize, We must deprived be. IV But we may conquer if we will, The wanton Tyrant teach, That we have something left us still Which grows not in her reach. v That unseen string which fastens hearts, Nor time, nor chance e’er tied, Nor can it be in either’s arts Their unions to divide. 20 VI Where sympathy does Love convey, It braves all other powers ; Lucasia, and Rosania, say, Has it not forméd ours ? VII If forty weeks’ converse has not Been able yet to tie * One feels inclined to insert ‘joys’ or ‘which’ or something similar. ( 596 ) Parting with a Friend Your souls in that mysterious knot, How wretched then am I! vil But if I read in either’s mind, As sure I hope to do, 30 That each to other is combin’d, Absence will make it true. IX No accident will e’er surprise, Or make your kindness start ; Although you lose each other’s eyes, You'll faster keep the heart. x Letters as kind as turtle-doves, And undisguis’d as thought, Will entertain those fervent Loves Which have each other bought. 40 XI Till Fortune vextd with the sight - Of Faith so free from stain, Shall then grow weary of her spite, And let you meet again. Xu Wherein may you that rapture find, That sister Cherals + have, When I am in my rocks confin’d, Or seal’d up in my grave. To my dearest Friend, upon her shunning Grandeur SHINE out, Rich Soul! to Greatness be, What it can never be to thee, An ornament. Thou canst restore The lustre which it had before These ruins ; own it, and ’twill live ; Thy favour’s more than Kings can give. Hast more above all titles then ” The bearers are ’bove common men ; And so heroic art within, Thou must descend to be a Queen. Yet honour may convenient prove, By giving thy soul room to move: 1 Chorals (?) connected with ‘choir.’ assembly of the blest.’ 2 Then = ‘than’ as so often. Affording scene unto that mind, Which is too great to be confin’d. Wert thou with single virtue stor’d, To be approv’d but not ador’d ; Thou might’st retire ; but who e’er meant A palace for a tenement? Heaven has so built thee, that we find Thee buried when thou art confin’d : If thou in privacy wouldst live, a1 Yet lustre to thy virtues give ; To stifle them for want of air, Injurious is to Heaven’s care. If thou wilt be immured ®’, where Shall thy obliging soul appear ? Where shall thy generous prudence be, And where thy magnanimity ? Nay, thy own darling thou dost hide, Thy self-denial is denied ; 30 - For he that never greatness tries, Can never safely it despise. That Antoninus writ well, when He held a sceptre and a pen: Less credit Solomon does bring As a philosopher than king ; So much advantage flows from hence, To write by our experience. Diogenes I must suspect Of envy more than wise neglect, 40 When he his Prince so ill did treat, And so much spurned at the great : A censure is not clear from those Whom Fate subjects, or does depose ; Nor can we Greatness understand From an oppress’d or fallen hand : But ’tis some Prince must thatdefine, Or one that freely did resign. A great Almanzor teaches thus, Or else a Dionysius. O For to know Grandeur we must live In that, and not in perspective ; Vouchsafe the trial then, that thou Mayst safely wield, yet disallow Orinda elsewhere uses ‘Quire’ as = ‘the 3 Orig. ‘immur’d,’ with the usual thirst for apostrophes. ( 597 ) Katherine Philips The world’s temptations, and be still Above whatever would thee fill. Convince mankind, there’s some- what more Great than the titles they adore : Stand near them, and ’twill soon be known Thou hast more splendour of thy own ; 60 Yield to the wanting Age, and be Channel of true nobility : For from thy womb such heroes need must rise, Who honours will deserve, and can despise. To Pastora being with her Friend I WHILE you the double joy obtain Of what you give, and what you gain: Friendship, who owes you so much fame, Commands my tribute to your name. l Friendship that was almost forlorn, Sunk under every critic’s scorn ; But that your Genius her protects, Had fled the World, at least the sex. I You have restored them and us, Whence both are happy; Caesar thus 10 Ow’d Rome the glories of his reign, And Rome ow’d him as much again. IV You in your friend those joys have found Which all relations can propound; What Nature does ’mong them disperse, You multiply in her converse. v You her enjoyment have pursu’d In company, and solitude ; And wheresoever she’l! retire, There’s the diversion you desire. 20 VI Your joys by this are more immense, And heat contracted grows intense ; And friendship to be such to you, Will make these pleasures, honours too. VII Be to each other that Content, As to your sex y’ are ornament ; And may your hearts by mixture lost, Be still each other’s bliss and boast. VIII Impossible your parting be As that you e’er should disagree ; 30 And then even Death your friend will prove, And both at once (though late) remove. IX But that you may severely ? live, You must th’ offending World for- give, And to employ your charity, You have an object now in me. x My pen so much for you unfit, Presents my heart, though not my wit ; Which heart admires what you express, More than what Monarchs do possess. 40 XI Fear not infection from my Fate, Though I must be unfortunate, For having paid my vows due, I Shall soon withdraw, wither and die. 1 Securely (2). ( 598 ) To my Lord and Lady Dungannon To my Lord and Lady Dungannon, on __ their Marriage, May 11, 1662 To you, who, in yourselves, do comprehend All you can wish, and all we can commend ; Whom worth does destiny obey, guide, and What offerings can the useless Muses pay? Each must at once suspend het charming lyre, Till she hath learnt from you what to inspire : Well may they wonder to observe a knot, So curiously by Love and Fortune wrought, To which propitious Heaven did decree, All things on earth should tributary be 3 10 By gentle, sure, but unperceiv’d degrees, As the Sun’s motion, or the growth of trees, Does Providence our wills to hers incline, And makes all accidents serve her design : Her pencil (Sir) within your breast did draw The picture of a face you never saw. With touches, which so sweet were and so true, By them alone th’ original you knew ; Andatthat sight with satisfaction yield Your freedom which till then maintain’d the field. 20 ’Twas by the same mysterious power too, That she has been so long reserv’d for you ; Whose noble passion, with submis- sive art, Disarm’d her scruples and subdu’d her heart. And now that at the last your souls are tied, Whom floods nor difficulties could divide, Ev’n you that beauteous union may admire, Which was at once Heaven’s care, and your desire. You are so happy in each other’s love, And in assur’d protection from above, 30 That we no wish can add unto your bliss But that it should continue as it is. O! may it so, and may the Wheel of Fate, In you no more change than she feels, create ; And may you still your happinesses find, Not on your fortune growing, but your mind, Whereby the shafts of chance as vain will prove, As all things else did that oppos’d your Love. Be kind and happy to that great degree, As may instruct latest posterity, 40 From so réver’d a precedent! to frame Rules to their duty, to their wishes aim. May the vast sea for your sake quit his pride, And grow so smooth, while on his breast you ride, As may not only bring you to your port, But show how all things do your virtues court. May every object give you new delight, May Time forget his scythe, and Fate his spite ; 1 Orig. ‘President,’ but the error is common, and ‘president’ could only be §. ? forced into sense, ( 599 ) Katherine Philips And may you never other sorrow know, But what your pity feels for others’ woe: 50 May your compassion be like that Divine, Which relieves all on whom it does but shine, Whilst you produce a race that may inherit All your great stock of Beauty, Fame, and Merit. To his Grace Gilbert, Lord Archbishop of Canterbury, July 10, 1664 TuaT private shade, wherein my Muse was bred, She always hop’d might hide her humble head ; Believing the retirement she had chose Might yield her, if not pardon, yet repose ; Nor other repetitions did expect, Than what our Echoes from the rocks reflect. But hurried from her cave with wild affright, And dragg’d maliciously into the light, (Which makes her like [the] Hebrew Virgin mourn When from her face her veil was rudely torn) 10 To you (my Lord) she now for succour calls, And at your feet, with just confusion falls. Butshe will thank the wrong deserv’d her hate, If it procure her that auspicious fate, That the same wing may over her be cast, Where the best Church of all the World is plac’d, And under which when she is once retir’d, She really may be come to beinspir’d ; And by the wonders which she there shall view, May raise herself to such a theme as you, 20 Who were preserv’d to govern and restore That Church whose Confessor you were before ; And show by your unwearied present care, Your suffrings are not ended, though hers are : For whilst your crosier her defence secures, You purchase her rest with the loss of yours, And Heav’n who first refin’d your worth, and then, Gave it so large and eminent a scene, Hath paid you what was many ways your due, And done itself a greater right than? you. 30 For after such a rough and tedious storm Had torn the Church, and done her so much harm ; And (though at length rebuk’d, yet) left behind Such angry relics, in the wave and wind ; No Pilot could, whose skill and faith were less, Manage the shatter’d vessel with success. The Piety of the Apostles’ times And Courage to resist this Age’s crimes ; Majestic sweetness, temper’d and refin’d, In a polite, and comprehensive mind, 4° ’ Orig., as before, ‘then.’ ( 600 ) To his Grace the Archbishop of Canterbury Were all requir’d her ruins to And Pagan Gods from Christian repair, Bishops fled, And all united in her Primate are. Time’s curious eye till now hath In your aspect so candid and never spied ; serene, The Church’s helm so_ happily The conscience of such virtue may supplied, be seen, ‘| Merit and Providence so fitly met, As makes the sullen schismatic | The worthiest Prelate in the highest consent, seat. A oe may be great and If noble things can noblethoughts This shall those men reproach, if Your life ny Lord) may, ev’n in not reduce, me cprodiee : And take away their fault, or their Sah ones that of their wich excuse, ; Whilst in your life and government t Be Lee dare to proclaim Eee 4 ; ‘ aloud ; 60 All that the pious wish, and factious Assur’d, the World that ardour will Si se “i 5° excuse ; ince the prevailing Cross her | 4 5plaud the subject, and forgive the ensigns spread, Muse. TRANSLATIONS La Solitude de St. Amant 3 Linglished. I O! SoLiTuDE, my sweetest choice, Places devoted to the night, Remote from tumult,and from noise, How you my restless thoughts delight ! O Heavens ! what content is mine, To see those trees which have appear’d From the nativity of Time, And which all ages have rever’d, 1 O! Que j’aime la Solitude, Que ces lieux sacrez a la nuict, Eloignez du monde & de bruit, Plaisent a mon inquietude! Mon Dieu! que mes yeux sont contens, To look to-day as fresh and green, As when their beauties first were seen ! 10 ul A cheerful wind does court them so, And with such amorous breath en- fold, That we by nothing else can know, But by their height that they are old. Hither the demi-gods did fly To seek a sanctuary, when Displeaséd Jove once pierc’d the sky, To pour a deluge upon men, De voir ces Bois, qui se trouverent A la nativité du Temps, Et que tous les Siécles reverent, Estre encore aussi beaux & vers, Qu’aux premiers jours de l’Univers. This (see Preface) will satisfy the reasonable demands of Orinda’s first editor without giving the whole. ( 6or ) Katherine Philips And on these boughs themselves did save, Whence they could hardly see a wave. 20 ul Sad Philomel upon this thorn, So curiously by Flora dress’d, In melting notes, her case forlorn, To entertain me, hath confess’d. O! how agreeable a sight These hanging mountains do ap- pear, Which the unhappy would invite To finish all their sorrows here, When their hard fate makes them endure 29 Such woes, as only death can cute. IV What pretty desolations make These torrents vagabond and fierce, Who in vast leaps their springs for- sake, This solitary Vale to pierce. Then sliding just as serpents do Under the foot of every tree, ’ Themselves are changed to rivers too, Wherein some stately Nayade?, As in her native bed, is grown A Queen upon a crystal throne. 40 Vv This fen beset with river-plants, O! howit does my senses charm ! Nor elders, reeds, nor willows want, Which the sharp steel did never harm. Here Nymphs which come to take the air, May with such distaffs furnish’d be, As flags and rushes can prepare, Where we the nimble frogs may see, Who frighted to retreat do fly, If an approaching man they spy. 50 VI ‘Here water-fowl repose enjoy, Without the interrupting care, Lest Fortune should their bliss destroy By the malicious fowler’s snare. Some ravish’d with so bright a day, Their feathers finely prune and deck ; Others their amorous heats allay, Which yet the waters could not check : All take their innocent content In this their lovely element. 60 VIL Summer’s, nor Winter’s bold ap- proach, This stream did never entertain ; Nor ever felt a boat or coach, Whilst either season did remain. No thirsty traveller came near, And rudely made his hand his cup ; Nor any hunted hind hath here Her hopeless life resignéd up ; Nor ever did the treacherous hook Intrude to empty any brook. 70 VIII What beauty is there in the sight Of these old ruin’d castle-walls, On which the utmost rage and spight Of Time’s worst insurrection falls ? The witches keep their Sabbath here, And wanton devils make retreat, Who in malicious sport appear, Oursense both toafflict and cheat ; And here within a thousand holes Are nests of adders and of owls. 80 IX The raven with his dismal cries, That mortal augury of Fate, Those ghastly goblins gratifies, Which in these gloomy places wait. 1 The retention of the trisyllabic value of the French Naiade and the accentuation of the e are interesting, though the latter is of course unjustifiable. the word in the middle of the line. Saint-Amant has “Ou quelque Nayade superbe.’ But, after all, the classical teaching of Hackney may have been slightly defective, and Orinda may have thought that ‘ Natades’ authorized a singular ‘ Naiadee,’ ( 602 ) La Solitude de St. Amant On a curs’d tree the wind does move A carcase which did once belong To one that hang’d himself for love Of a fair Nymph that did him wrong, Who though she saw his love and truth, With one look would not save the youth. go x But Heaven which judges equally, And its own laws will still main- tain, Rewarded soon her cruelty With a deserv’d and mighty pain: About this squalid heap of bones, Her wand’ring and condemnéd shade, Laments in long and piercing groans The destiny her rigour made, And the more to augment her fright, Her crime is ever in her sight. 100 XI There upon antique marbles trac’d, Devices of past times we see, Here age hath almost quite defac’d What lovers carv’d on every tree. The cellar, here, the highest room Receives when its old rafters fail, Soil’d with the venom and the foam Of the spider and the snail : And th’ ivy in the chimney we Find shaded by a walnut tree. xu Below there does a cave extend, Wherein there is so dark a grot, Thatshould the Sun himself descend, I think he could not see a jot. Here sleep within a heavy lid In quiet sadness locks up sense, And every care he does forbid, Whilst in the arms of negligence, Lazily on his back he’s spread, And sheaves of poppy are his bed. 120 XH Within this cool and hollow cave, Where Love itself might turn to ice, Poor Echo ceases not to rave On her Narcissus wild and nice : ( 603 ) 110 Hither I softly steal a thought, And by the softer music made With a sweet lute in charms well taught, Sometimes I flatter her sad shade, Whilst of my chords I make such choice, They serve as body to her voice. 130 XIV When from these ruins I retire, This horrid rock I do invade, Whose lofty brow seems to inquire Of what materials mists are made : From thence descending leisurely Under the brow of this steep hill, It with great pleasure I descry By waters undermin’d, until They to Palaemon’s seat did climb, Compos’d ofspongesandof slime. 140 XV How highly is the fancy pleas’d To be upon the ocean’s shore, When she begins to be appeas’d, And her fierce billows cease to roar ! And when the hairy Tritons are Riding upon the shaken wave, With what strange sounds they strike the air Of their trumpets hoarse and brave, Whose shrill report does every wind Unto his due submission bind ! 150 XVI Sometimes the sea dispels the sand, Trembling and murmuring in the bay, And rolls itself upon the shells Which it both brings and takes away. Sometimes exposes on the strand, Th’ effects of Neptune’s rage and scorn, Drown’d men, dead monsters cast on land, And ships that were in tempest torn, 158 With diamonds and ambergreece, And many more such things as these. Katherine Philips XVII Sometimes so sweetly she does smile, A floating mirror she might be, And you would fancy all that while New Heavens in her face to see: The Sun himself is drawn so well, When there he would his picture view, That our eye can hardly tell Which is the false Sun, which the true ; And lest we give our sense the lie, We think he’s fallen from the sky. 170 XVIII Bernieres ! for whose belovéd sake My thoughts are at a noble strife, This my fantastic landskip take, Which I have copied from the life. I only seek the deserts rough, Where all alone I love to walk, And with discourse refin’d enough, My Genius and the Muses talk ; But the converse most truly mine, Is the dear memory of thine. 180 XIX Thou mayst in this Poem find, So full of liberty and heat, What illustrious rays have shin’d To enlighten my conceit : Sometimes pensive, sometimes gay, Just as that fury does control, And as the object I survey, The notions grow up in my soul, And are as unconcern’d and free 1&9 As the flame which transported me. XX O! how I Solitude adore, That element of noblest wit, Where I have learnt Apollo’s lore, Without the pains to study it : For thy sake I in love am grown With what thy fancy does pursue ; But when I think upon my own, I hate it for that reason too, Because it needs must hinder me 199 From seeing, and from serving thee. ( 604 ) Tendres desirys out of a French Prose Go, soft desires, Love’s gentle pro- geny, And on the heart of charming Sylvia seize, Then quickly back again return tome, Since that’s the only cure for my disease ; But if you miss her breast whom I adore, Then take your flight, and visit mine no more. Amanti ch in piantt, &c. Lovers who in complaints yourselves consume, And to be happy once perhaps pre- sume ; Your Love and hopes alike are vain, Nor will they ever cure your pain. They that in Love would joy attain, Their passion to their power must frame ; Let them enjoy what theycan gain, And never higher aim. Complaints and Sorrows, from me now depart, You think to soften an ungentle heart, To When it not only wards such blows, But from your sufferance prouder grows. They that in Love would joy, &c. A Pastoral of Mons. de Scudery’s in the first volume of ‘ Almahide’ Englished. SLOTHFUL deceiver, come away, With me again the fields survey ; And sleep no more, unless it be My fortune thou shouldst dream of me. A Pastoral of Mons. de Scudery’s The sky, from which the night is fled, Is painted with a matchless red, Tis day; the morning greets my eyes: Thou art my Sun, wilt thou not rise? Now the black shadows of the night From Heav’n and Earth are put to flight : 10 Come and dispel each ling’ring shade, With that light which thy eyes have made. That planet, which solike theeseems, In his long and piercing beams, At once illuminates and gilds All these valleys, and these fields. The winds do rather sigh than blow, And rivers murmur as they go, And all things seem to thee to say, Rise, fair one, ’tis a lovely day. 20 Come, and the liquid pearls descry, Which glittering ’mong the flowers _ he; Day finds them wet, when it appears, And ’tis too often with my tears. Hearken, and thou wilt much ap- prove The warbling consort? of this grove ; Complete the pleasure of our ears, Mixing thy harmony with theirs. Feather’d musician step aside, Thyself within these bushes hide, 30 While my Aminta’s voice affords Her charming notes to clothe my words. Hasten to sing them, then, my fair, And put this proud one to despair, Whose voice, the bass and trebles part, With so marvellous an art. Come, Philomel, and now make use Of all thy practice can produce, All the harmonious secrets thou Canst try will do no service now. 40 1 = ‘concert,’ as often. Thou must to her this glory give, For nothing can thy fame relieve. Then ere thou dost the conquest try, Choose to be silent here or die. Come, my Shepherdess, survey (While a hundred pipes do play,) From every fold, from every shed, How the herds and flocks are fed. Hear the pleasing, harmless voice, Of thy lambs, now ® they rejoice, 50 While with their bleating notes are mix’d, Their pretty bounds, and leaps be- twixt. See, see, how from the thatchéd rooms Of these our artless cabins, comes A rustic troop of jolly swains, From every side, unto the plains. Their sheep-hooks’ steel, so bright and clear, How it shines, both far and near ; A bag-pipe here, and there a flute, With merrier whistles do dispute. 60 Hear thy flocks, which for thee bleat In language innocent, and sweet; See here thy shepherd who attends ?em, And from the ravenous wolf defends ’em. Thy Melampus him endears, And leaps, and sports, when he appears, He complains that thy sloth is such ; And my poor heart does that as much. Among the rest here’s a ram, we So white, so blithe, so merry see, 70 In all our flocks, there is not one, Deserves such praise, as he alone. On the grass he butts and leaps, Flatters, and then away he skips ; So gentle, and yet proud is he, That surely he hath learn’d of thee. 2 ‘Now’ is possible, but one rather suspects ‘how,’ ( 605 ) Katherine Philips The fairest garlands we can find, Unworthy are, his horns to bind ; But flowersthat death can neverknow, Are fittest to adorn his brow. 80 He is full of modest shame, And as full of amorous flame ; Astrologers in heaven see A beast less beautiful than he. Thave for thee a sheep-hook brought, On which thy shepherd hard hath wrought, Here he thy character hath trac’d ; Is it not neatly interlac’d ? To that a scrip is tied for thee, Which woven is so curiously, go That the art does the stuff excel, And gold itself looks not so well. Here’s in a cage that he did make, All the birds that he could take, How glorious is their slavery, If they be not despis’d by thee! A garland too for thee hath staid ; And ’tis of fairest flowers made: Aurora had this offering kept, And for its loss hath newly wept. 100 A lovely fawn he brings along, Nimble, as thyself, and young, And greater presents he would bring, But that a shepherd is no king. Come away, my lovely bliss, To such divertisement as this, And bring noneto these lovely places, But only Venus, and the Graces. Whatever company were nigh, tog Would tedious be, when thou art by ; Venus and Fortune would to me Be troublesome, if I had thee. She comes! from far, the lovely maid Is by her shining charms betray’d : See how the flowers sprout up, to meet A noble ruin from her feet. How sprightly, and how fair is she ! How much undone then must I be ? My torment is, I know, severe, But who can think on’t when she’s near? 120 ( 606 ) ' My heart leaps up within my breast, And sinks again with joy opprest ; But in her sight to yield my breath, Would be an acceptable death. Come then, and, in this shade, be sure, That thy fair skin shall be secure ; For else the Sun would wrong, I fear, The colours which do flourish there. His flaming steeds do climb so fast, While they to our horizon haste, 130 That by this time his radiant coach, Does to his highest house approach. His fiercer rays in heat, and length, Begin to rob us of our strength ; Directly on the Earth they dart; And all the shadows are grown short. This valley hath a private seat, Which is a cool and moist retreat, Where th’ angry Planet which we spy, Can ne’er invade us with his eye. 140 Behold this fresh and florid grass, Where never yet a foot did pass, A carpet spreads for us to sit, And to thy beauty offers it. Th delicate apartment is Roofd o’er with agéd stooping trees, Whose verdant shadow does secure This place a native furniture. The courts of Naiades are such, 149 In shades like these, ador’d so much, Where thousand fountains round about Perpetually gush water out. How finely this thick moss doth look, Which limits this transparent brook ; Whose sportful wave does swell and spread, And is on flags and rushes shed ! Within this liquid crystal, see The cause of all my misery, And judge by that, (fair murtheress) If I could love thy beauty less. 160 Thy either eye does rays dispense Of modesty and innocence ; And with thy seriousness, we find The gladness of an infant join’d. A Pastoral of Mons. de Scudery’s Thy frowns delight though they torment, From thy looks life and death are sent ; And thy whole air does on us throw Arrows, which cureless wounds be- stow. The stature of a mountain pine 169 Is crooked when compar’d to thine: Which does thy sex to envy move, As much as it does ours to love. From thy dividing lips do fly Those pointed shafts that make us die: Nor have our gardens e’er a rose, That to thy cheeks we dare oppose. When by a happy liberty, We may thy lovely bosom see, The whitest curds, nor falling snow, Can any such complexion show. 180 Thyme and Marjoram, whose scent, Of all perfume’s most innocent, Less fragrancy than thy breath have, Which all our senses does enslave. Even when thou scornest, thou canst please, And make us love our own disease. The blushes that our cherries wear, Do hardly to thy lips come near. When upon the smoother plains, Thou to dance wilt take the pains, No hind, when she employs her feet, Is half so graceful, or so fleet. 192 Of thy garments fair and white, The neatness gives us most delight, And I had rather them behold, Than clothes embroideréd with gold. T nothing in the world can see So rare as unadornéd thee, Who art (as it must be confess’d) Not by thy clothes, but beauty dress’d. 200 Thy lovely hair thou up hast tied, And in an unwrought veil dost hide ; In the meantime thy single face All other beauties does disgrace. ( 607 ) Yes, yes, thy negligence alone, Does more than all their care hath done : The Nymphs, in all their pompous dress, Do entertain my fancy less. A nosegay all thy jewel is, And all thy art consists in this; 210 And what from this pure spring does pass, Is all thy paint, and all thy glass. Adored beauty, here may we Ourselves in lovely glasses see: Come then, I pray thee, let us look, I in thy eyes, thou in the brook. Within this faithful mirror see The object which hathconquer’d me, Which though the stream does well impart, 219 ’Tis better form’d here in my heart. In th’ entertainment of thy mind, When ’tis to pensiveness inclin’d, Count if thou canst these flowers, and thou The sum of my desires wilt know. Observe these turtles, kind and true, Hearken how frequently they woo : They faithful lovers are, and who That sees thee, would not be so too? Of them, my fair Aminta, learn 229 At length to grant me thy concern ; Follow what thou in them dost see, And thou wilt soon be kind to me. Those mighty bulls are worth thy sight, Who on the plains so stoutly fight ; Fiercely each other’s brow they hit, Where beauty does with anger meet. Love is the quarrel they maintain, As ’twas the reason of their pain. So would thy faithful shepherd do, If he should meet his rival too. 240 Thy shepherd, fair and cruel one, In all these villages is known : Such is his father’s herd and flock, The plain is cover’d with the stock. Katherine Philips He the convenient’st pastures knows, And where the wholesome water flows ; Knows where the coolest shadows are, And well hath learn’d a shepherd’s care. Astrology he studies too, * 249 As much as shepherds ought to do ; Nay, Magic nothing hath so dim, That can be long conceal’d from him. When any do these secrets dread, He for himself hath this to plead ; That he by them such herbs can pick, As cure his sheep when they are sick. He can foresee the coming storm, Nor hail, nor clouds, can do him harm, 258 And from their injuries can keep, Safely enough his lambs and sheep. He knows the season of the year, When shepherds think it fit to shear Such inoffensive sheep as these, And strip them of their silver fleece. He knows the scorching time of day, When he must lead his flock away To valleys which are cool and near, To chew the cud, and rest them there. He dares the fiercest wolves engage, When ’tis their hunger makes them rage ; 270 The frighted dogs, when they retire, He with new courage can inspire. He sings and dances passing well, And does in wrestling too excel ; Yes, fair maid, and fewthatknowhim, But these advantages allow him. At our feast, he gets the praise, For his enchanting roundelays, And on his head have oftenest been The garlands and the prizes seen. 280 When the scrip and crook he quits, And free from all disturbance sits, He can make the bag-pipes swell, And oaten reeds his passion tell. ( 6c8 ) When his flame does him excite, In amorous songs to do the right, He makes the verses which he uses, And borrows none of other Muses. He neglects his own affairs, To serve thee with greater cares, 290 And many shepherdesses would Deprive thee of him if they could. Of Alceste he could tell, And Silvia’s eye, thouknow’st it well : But as his modesty is great, He blushes if he them repeat. When in the crystal stream he looks, If there be any truth in brooks, He finds, thy scorn can never be Excus’d by his deformity. 300 His passion is so high for thee, As ’twill admit no new degree. Why wilt not thou his love requite, Since kindness givesso much delight? Aminta heark’ned all this while, Then with a dext’rous, charming smile, Against her will, she let him see, That she would change his destiny. I promise nothing, then said she, With an obliging air, and free; 310 But I think, if you will try, The wolves are crueller than I. When my sheep unhealthy are, I have compassion, I have care ; Nor pains, nor journeys then I grudge, By which you may my nature judge. When any of them goes astray, All the hamlets near us may Perceive me, all in grief and fear, Run and search it everywhere. 320 And when I happen once to find The object of my troubled mind, As soon as ever it I spy, O! how overjoy’d am I! T flatter her, and I caress, And let her ruffle all my dress ; The vagabond I kindly treat, And mint and thyme I make her eat. A Pastoral of Mons. de Scudery’s When my sparrow does me quit, My throbbing heart makes after it ; And nothing can relief afford, 331 For my fair inconstant bird’. When my dog hath me displeas’d, I am presently appeas’d ; And a tear is in my eye, If I have but made him cry. I never could a hatred keep, But to the wolf that kills my sheep : Gentle and kind, and soft I am, And just as harmless as a lamb. 340 Dispel thy fear, cease thy complaint, O Shepherd timorous and faint ! For I’m a mistress very good, If you'll but serve me as you shou’d. Words of a favourable strain, (Cried out that now transported swain) Which do in thy Leontius’ fate, So glad and swift a change create. But look about, for now I mark The fields already growing dark, 350 And with those shadows cover’d all, Which from the neighbouring moun- tains fall. The wingéd quire on every tree By carolling melodiously, Do the declining Sun pursue, With their last homage, and adieu. From the next cottages I hear Voices well known unto my ear: They are of our domestics who Do pipe, and hollow for us too. 360 The flocks and herds wards go, I hear them hither bleat and low, Thy eyes, which mine so much admire, Tell me ’tis time we should retire. do home- | Go, then, destroying fair one, go, Since I perceive it must be so, Sleep sweetly all the night, but be, At least, so kind to dream of me. Translation of Thomas a Kempis into Verse, out of Mons. Corneille’s lib. 3. cap. 2. Englished Speak, Gracious Lord, Thy servant hears, For I both am and will be so, And in Thy pleasant paths will go When the Sun shines, or disappears. Give me Thy Spirit, that I may per- ceive ”, What by my soul Thou wouldst have done : Let me have no desire but one, Thy will to practise and believe. But yet Thy eloquence disarm, And as a whisper to my heart, 10 Let it, like dew, plenty impart, And like that let it freely charm. The Jews fear’d thunderbolts would fall And that Thy words would Death procure, Nor in the desert could endure To hear their Maker speak at all. They court Moses to declare Thy will 5, And begg’d to hear no more thy voice, They could not stand the dreadful noise, 19 Lest it should both surprise and kill. 1 This rhyme is an instance of a law which has not, I think, been generally noticed as prevailing in late seventeenth-century poetry, that for rhyme’s sake a combination of letters may take a value which st actually possesses only in another word. In ‘word’ itself ord does rhyme to trd. 2 ¢ Spirit’ is of course constantly monosyllabic, and even if not lends itself easily to trisyllabic substitution. by oversight, put in a foot too much, But the rest of the line makes it almost certain that Orinda, 3 This apparently hopeless verse is perhaps best mended into a decasyllable (cf. the first lines of stanzas 2 and 8) by reading ‘ courted,’ ( 609 ) Rr Katherine Philips Without those terrors, I implore, And other favours I entreat, With confident, though humble heart}, I beg what Samuel did of yore. Though Thou art all that I candread, Thy voice is music to my ears: Speak, Lord, then, for Thy servant hears, And will obey what Thou hast said. Task no Moses that for Thee should speak, Nor Prophet to enlighten me; 30 They all are taught and sent by Thee, And ’tis Thy voice I only seek. Those beams proceed from Thee alone, Which through their words on us do flow ; Thou without them canst all be- stow, / But they without Thee can givenone. They may repeat the sound of words, But not confer their hidden force, And without Thee, their best dis- course, Nothing but scorn to men affords. 40 Let them Thy miracles impart, And vigorously Thy will declare ; Their voice, perhaps, may strike the ear, But it can never move the heart. Th’ obscure and naked Word they sow, But thou dost open our dim eye, And the dead letter to supply, The Living Spirit dost bestow. Mysterious truths to us_ they brought, But Thou expound’st the riddle too, 50 And Thou alone canst make us do All the great things that they have taught. They may indeed the way direct, But Thou enablest us to walk ; T th’ ear alone sticks all they talk, But thou dost even the heart dissect. They wash the surface of the mind, But all her fruit Thy goodness claims, Allthat e’er enlightens, or enflames, Must be to that alone assign’d. 60 APPENDIX Songs from Pompey SONG (Pompey, Act I) SINCE affairs of the State are already decreed %, Make room for affairs of the Court ; Employment and Pleasure each other succeed, Because they each other support. Were Princes confin’d From slackening their mind, When by Care it is ruffled and curl’d, ‘ It is probably useless to try to mend this rhyme, though ‘heat’ in the earlier metaphysicals would not be impossible. _ 7 It must be admitted that Orinda is not happy in these anapaests, and too much justifies in particular the generally unjust scorn of Bysshe for ‘the disagreeableness of their measure.’ ( 610 ) Songs from Pompey A crown would appear Too heavy to wear, And no man would govern the world. 10 If the Gods themselves who have power enough, In diversions are various, and oft ; Since the business of Kings is angry and rough, Their intervals ought to be soft. Were Princes confin’d, &c. To our Monarch we owe, whatsoe’er we enjoy: And no grateful subjects were those, Who would not the safety, he gives them, employ To contribute to his repose. Were Princes confin’d, &c. 20 SONG (Pompey, Act IT) I SEE how victorious Caesar’s pride Does Neptune’s bosom sweep ! And with Thessalian fortune ride In triumph o’er the deep. 2 What rival of the Gods is this Who dares do more than they? Whose feet the Fates themselves do kiss, And Sea and Land obey. 1 What can the fortunate withstand ? For this resistless He, 10 Rivers of blood brings on the land, And bulwarks on the sea. 2 Since Gods as well as Men submit, And Caesar’s favour woo, Virtue herself may think it fit That Egypt court him too. I But Pompey’s head’s a rate too dear, For by that impious price The God less noble will appear Than does the Sacrifice. 20 ( 611 ) 2 If Justice be a thing divine, The Gods should it maintain, For us t’ attempt what they decline, Would be as rash as vain. CHORUS How desperate is our Prince’s fate? What hazard does he run? He must be wicked to be great, Or to be just, undone. SONG (Pompey, Act III) From lasting and unclouded day From joys refin’d above allay, And from a spring without decay— I come, by Cynthia’s borrow’d beams, To visit my Cornelia’s dreams, And give them yet sublimer themes. Behold the man thou lov’dst before, Pure streams have wash’d away his gore ; And Pompey now shall bleed no more. By Death my Glory I resume; 10 For ’twould have been a harsher doom T’ outlive the liberty of Rome. By me her doubtful fortune tried, Falling, bequeaths my Fame this pride, I for it liv’d, and with it died. Nor shall my vengeance be with- stood Or unattended with a flood Of Roman and Egyptian blood. Caesar himself it shall pursue, His days shall troubled be and few, And he shall fall by treason too. 21 He by severity divine Shall be an offering at my shrine ; As I was his, he must be mine. Thy stormy life regret no more, For Fate shall waft thee ashore, And to thy Pompey thee restore. soon Rr2 Katherine Philips Where past the fears of sad removes We'll entertain our spotless loves, In beauteous and immortal groves. 30 There none a guiltycrown shall wear, Nor Caesar be Dictator there, Nor shall Cornelia shed a tear. SONG (Pompey, Act IV) PRoupD monuments of royal dust ! Donot your old foundations shake, And labour to resign their trust ? For sure your mighty guests should wake, Now their own Memphis lies at stake. Alas ! in vain our dangers call ; They care not for our destiny, Nor will they be concern’d at all If Egypt now enslav’d, or free, A kingdom or a province be. 10 What is become of all they did2 And what of all they had design’d, Now Death, the busy scene hath hid? Where but in story shall we find Those great disturbers of mankind? When men their quiet minutes spent Where myrtles grew and fountains purl'd, As safe as they were innocent : What angry God among them hurl’d Ambition to undo the World? 20 What is the charm of being great ? Which oft is gain’dand lost withsin, Or if w’ attain a royal seat, With guiltless steps what dowe win, If Love and Honour fight within ? Honour the brightness of the mind ! And Love her noblest ecstasy : That does ourselves, this others bind. When you, great pair, shall disagree What casuistcan the umpire be? 30 Yet Honour must that govern too ; And when thus Honour wins the day, Love overcomes the bravest way. SONG (Pompey, Act V) I ASCEND a throne, great Queen! to you By Nature, and by Fortune due ; And let the World adore One who Ambition could withstand, Subdue Revenge, and Love com- mand, On Honour’s single score. 2 Ye mighty Roman shades, permit That Pompey should above you sit, He must be deified. 9 For who like him, e’er fought or fell ? What hero ever liv’d so well, Or who so greatly died ? I What cannot glorious Caesar do ? How nobly does he fight and woo ! On crowns how does he tread ! What mercy to the weak he shows, How fierce is he to living foes, How pious to the dead ! 2 Cornelia yet would challenge tears, But that the sorrow which she wears, So charming is, and brave. ar That it exalts her honour more, Than if she all the sceptres bore, Her generous husband gave. CHORUS Then after all the blood that’s shed, Let’s right the living and the dead : Temples to Pompey raise ; Set Cledpatra on the throne ; Let* Caesar keep the World h’ has Though Love does all the heart Kees Cornelia’s praise 30 subdue, ’ With gentle, but resistless sway ; FINIS 1 Orig. ‘ Let’s.’ ( 612 ) EI A happy Hufband | Clguesons ¢ death |p Oar ee 5S ongs masesaretets 2 Pararex Hanae gent. INTRODUCTION TO PATRICK HANNAY THE interest of the poems of Patrick Hannay, though not wholly /dependent upon, is no doubt to some increased by, that extreme rarity on which is based the calculation that there are not more than six known copies of the original, while Utterson reprinted but fifteen, and the only later edition (used in the present issue) is that of a private society—the Hunterian Club of Glasgow. He is not a great poet, and he comes in point of publication a very little before the strict ‘Caroline’ period, though he lived, according to some accounts, well into it, and into it according to all. But he is quite of the type; and he contributes in Sheretine and Mariana one of those ‘ Heroic Poems’ of which the collection and com- munication to the student is one of the main objects of this book. It has the peculiarity, unusual in a piece of such length, of being written in the first person, the story being told throughout by the heroine: nor is this the only thing which makes it a useful document as to the strange difficulty with which straightforward prose fiction got itself born. Hannay does not manage his six-line stanza very well. The more lyrical sixteen-line stave of the earlier PAilome/a is less well suited for a poem which also is of considerable length ; but the poet is certainly less prosaic in it. In the original a musical setting is given for the first of these staves, and the author seems (from the note given below) to have thought it possible that some one might like to sing the whole poem—seventy pages, and nearly seventeen hundred lines! The idea is a curious one. The ‘Sonnets’ (the name being applied quite ad “ditum) and ‘Songs’ are not uninteresting ; but here seems to be no need to take up precious space with much comment upon them. I am glad to have read Hannay, and to give others the opportunity of reading him. 1 The personal history and even identity of our poet are things deeply wrapped in mystery. David Laing’s rather elaborate genealogical introduction to the Hunterian reprint establishes practically nothing but that he was of the family of Hannay, or Ahannay, of Sorby in Galloway, now represented by the Hannays of Kingsmuir in Fife, and the Rainsford-Hannays of Kirkdale in Kirkcudbright. The Hannays seem to have christened themselves Patrick with the inveteracy of the Princes of Reuss in regard to another name, and not to have tempered this with the numerical niceness of that house. Laing does not seem to have accepted what the Dictionary of National Biography states with positiveness—that the poet was Master in Chancery in Ireland in the year 1627—or the rumour that he was drowned at sea two years later. That he was of the Sorby family, that he was Master of Arts, and that he was known to persons of distinction at the court of James I during the last years of his reign, may be said to be the only positively-known facts about him, except the dates of his works, which are, for The Happy Husband and the Elegies on Queen Anne (same year, but published separately) 1619, and for the Collected Poems 1622. ( 615 ) Patrick Hannay To the most illustrious Princess Francis? Duchess of Lenox, Countess of Hertford and Richmond SWEET Philomela’slong concealéd woe, From dark oblivion now] bring to light ; That (though it help her not) the world may know, The cause she sobbeth out her notes by night: Which to you (greatest Lady) I present, Fruit of some hours I with the Muses spent. It is well known? honour hath been had By patronizing of a work of worth, Whilst skilful Art did cunningly o’er- shade The Patron’s weakness, and his praise point forth : 10 Here it’s not so, my work mean, your worth main, Hereby I honour may, you none attain. For such are you, whom Nature, Beauty, Grace, So fair hath fram’d, adorn’d, so well endu’d: As if those three contended had to place In you perfection, which their store hath shew’d: With whom virtue hath join’d and mak’st appear, Deservedly you move first in this sphere. So as thou canst not by a learn’der quill Be honour’d, or receive an equal praise a ee merits, they each press should 21 Should go about with words thy worth to raise: In it I’ll rest: thy name which doth adorn This frontispiece is my birds’ April morn. If that your Grace do but my labours grace, Each lady’s lodging shall a grove be thought : The nightingale shall sing in every lace ; Nay, thereby shalla miracle be wrought: For if you but my Philomela cheer, Her singing-spring-tide shall last all the year. 30 Ever most humbly devoted to your Grace’s service, PATRICK HANNAY. To his friend the Author LET those that study how to praise a friend, Or seek to flatter him beyond desert, Shake hands with me, for I have no such end, That befits him that hatha fawning heart: I only care to let the Author know I love him, and his book, for virtue’s sake : His work, his worth unto the world doth show, Which for a pattern doth his practice take. It needs no sycophant to set it forth, (The wine is good, you well the bush may scorn :) 10 My praise defective should detract the worth, Which with such lustre doth each leaf adorn. All I will say is this, it’s done so well, Some may come nigh; some match ; but none excel. EDWARD LEVENTHORPE, 1 It is well known that the distinction between Francs and Frances was so little observed that the usual abbreviation of the latter, as of the former, was ‘ Frank.’ 4 ‘How’ dropped before ‘honour’ (?). ( 616 ) Gi ommendatory Poems To my loving Kinsman the Author Tuy Philomela’s sad (yet well-sung) | Thy Songs and Sonnets passion deep note ; . . did move ; ; Wrong’d Sheretine and Mariana’s Do well approve that thy ingenious love: wit, Home’s Husband: Anna’s Elegies so Forevery measure, every subject’s fit. wrote, ROBERT HANNAY. Authori Qvis tibi Hannze veteri pro stemmate certet? Gente 4 Romulidum gens tua quando venit ; Annzi micuere duo, vatesque sophusque, His etiam Hannzus tertius esse potest. IOHANNES DUNBAR}. To his much respected friend Master Patrick Hannay HANNAY, thy worth bewrays well whence thou’rt sprung, King Gal- And that that honour’d Name thou dost not wrong: dus (that As if from Sorby’s stock no branch could sprout, Worthy But should with rip’ning-time bear golden fruit: ied So Thy ancestors were ever worthy found, ee Else Galdus’ grave had grac’d no Hannay’s ground: eae the Thy father’s father Donald well was known Romans) To th’ English by his sword, but thou art shown lies: buried To them by pen (times changing). Hannays are in the Active in acts of worth, be’t peace or war. IO Jands of Go on in virtue, After-times will tell, Patrick None but A Hannay could have done so well. Hannay of Io. MarsHaLL, Krbdale in Galloway. Of the Author READER, I’m brief, this Poem’s penn’d so well, Of Muses Nine his is the Philomel. IOHN HARMAR., 1 The identification of the Senecas and the Hannays is ingenious, especially consider- ing the form ‘ Ahannay.’ But I wish Iohannes Dunbar had written a better first line. ( 617 ) Patrick Hannay To his friend the Author Laus tua, non tua res, cogit me scribere, vultus Gratia sic dulcis: os facit, haud jubet ars. AEONIAN Chorus now incline to me, ssist my muse from your Parnassus high: ome influence infuse you in my brain, hat I this Author in a higher strain fforc’d may be to praise: a simple wit are ones to praise, nor able is nor fit. KP ZarmAnarAdew AMHMPs ierian virtues with Homerian wit, ffixéd are to thy ingenious brain : he penning of these Poems proveth it ais’d from oblivion in a lofty vein: 10 n this our age (though many do affect unning in verse, and would be counted rare) now I none worthy of the like respect, ver green Laurel must fall to thy share. erein yet do I nothing flatter thee, Ithough in part thy parts I do display: or none will doubt thereof that doth thee see, eedless were feigning where such virtues sway: rt shows itself by thy sweet flowing pen, ielding the Wreath to thee from rarest men. 20 I. M.C. To the Author! HERE view the map of greatness, re- gal states, Kings thrown from thrones, crowns thrown from royal mates : Where treach’rous greed to reign, ambitious ends Main rights divide, intrude false foes for friends: Here try the course of wars, there see that stem, The awful Sceptre, glorious Diadem, Which once Hungarian Kings majes- tic sway’d, (Born to command, though never well obey’d) How rear’d, subvers’d, replac’d, defac’d again, Their Kingdom (uncontinu’d) did re- main. 10 But what in Thee (than rare) I most admire, Is this fierce flame, fraught with Castalian fire ; } For Hannay’s repayment of this wv. sub jin. ‘Thou rare,’ as well asa dozen other things, occurs. ‘ Permessian’: ‘ Demthen’ is what anybody likes, in Scots. ( 618 ) Thy pleasant strain, fram’d in this art divine And quick invention, th’ essence of engine ; Wherein Apollo harps, the Muses prance The fount-drawn forkéd sharps, with gleamings glance This tragictune to grace; the Nymphs adorn Thee, with immortal fame, of lives for- lorn: So do thy Lyrics, set in tripping measures, Show skilful wit, sprung from Alcinoos treasures, 20 Which swim on Demthen, sweet Per- messen pleasures : Thus may thy worth, thy curious works Thee raise; Few have deserv’d (or can attain) more praise. WILLIAM LITHGOW. In 1. rr, ‘than rare’ must be wrong. In]. 21, ‘ Permessen’ is of course ‘Engine,’ 1, 14 =ingeninum, as later C ommendatory Poems In Imaginem T’ EXPRESS the Author face, brass, ink and Art Have done their best, but for his better part, The Grecian Philomel in English tongue, Marian, a Husband, Elegies well sung, Have given a touch, as in a cloudy night Obscuréd Phoebe shows her veiléd light; And at some turns where clouds do ill cohere, With full beams shines out from her silver sphere ; So are his shaded passages of wit, (Where birds do speak, and women in a fit :) 10 Who could so well have told fair Marian’s wrong, Or taught the Athenian bird a London song, As he to whom the depth of love is known, And carving others can cut out his own: Which in some part is here so well exprest, None but himself can represent the rest. ROBERT ALANE. Philomela, or the Nightingale, which here follows, is to be sung (by those that please) to the tune set down before in the frontispiece 1. 1 See Introd. ( 619 ) It has been thought best to reproduce the music exactly, *utays aaqumamias 40 ‘uag anol yyim mays pus Kod 7 2tofatay J *s$SQ] 4242012) aq psnut (Sysayy woutyy Sutaq) ses 3yt 1 Se ‘ospuim-Asana ym «anemoy yoid are [PY Ng ups Aaeys eyyMaideyq ayy spurssiayy ysnoiyy S 4 +. 4 / ceca aan *s 4 I = Ss 5 — — $— re eg =< it Ss + I He L thoy 4 Me oH ny? 4 HU Uk SUI[QUISI] SUL [1 Suyjquayay :sonis asey -jed } + ry J 1 Tf 1 I T <>. ort - —— a rt ee $ err et +—+ =e { ort it i | thr Sn PHILOMELA THE NIGHTINGALE THE ARGUMENT PanpION, Azng of Athens, a wife, He dearly loves her, she him with like strife: They issue have, two daughters (who takes excel) Progne the fair ; and fairer Philo- mel. Fortune befriends not long, death her surpriseth : Pandion grieves, new cause of grief ariseth, Barbarians him invade, the Thracian King Them foils; and succours to the sieg’d doth bring. He’s entertain'd ; Cupid with loving Sires Of Progne warms him; she uae Like destres. fle woos, she’s won, her father’s glad he sped : With Princely pomp they solemnly do wed. Tereus with Progne unto Thrace returns ° Thrace joys therefore, therefore sad Athens mourns. Five years in Thrace they glad together live, Progne for Philomela gins ¢o grieve : Longs for her sight, her husband doth entreat, To work a way they may together meet, He yields, takes sail, to Athens back returns, Onlawful love of Philomel Aim burns. 20 ( 621 ) Her native beauty, and her rich attire, LEnrich'ad by cunning Art he doth admire. With lust enragd he sore Pandion prest That she might with him go, at last aid wrest Onwilling grant: he her commits with tears Zo Tereus’ charge, his love suspecting. fears. 7 He takes his faith, moves her to Swift return ; They weeping part, Pandion left doth mourn. They sail, see shore, they land, no more delay Tereus can brook, nor doth he her assay 30 By words, knowing it bootless: toa wood fe drew her, spoke his thought ; amaz’a she stood. Le forced, she faints ; revivd, revenge of wrong | She vow'd to take; he fearful lest her tongue Should blaze his crime, he cuts’t out with his blade, That _woful_ wood a prison for_her made. Then home returns, feigneth her Suneral, Progne fer mourns, she unto work doth fall ; Of party-coloured wool by skilful art, A web she made that did her woes tmpart. 40 Patrick Hannay Progne a sharp revenge doth under- take ; Time favours her designs with Bacchus’ wake, She takes her out, comes home, her flattring child She kills and adresses ; fury made her wild: To his sire for food she gives him, he doth eat Lis own flesh ; his fault Progne ets him weet, The sisters he pursues, with rage he burn’ d, Loth he and they on sudden birds are turn a. I WaLkInc I chanc’d into a shade, Which top-in-twining trees had made Of many several kinds. There grew the high aspiring elm, With boughs bathing in gum-like balm, Distilling through their rinds. The maple with a scarry skin Did spread broad pallid leaves : The quaking Aspen light and thin To th’ air light passage gives: 10 Resembling still The trembling ill Of tongues of womankind, Which never rest, But still are prest To wave with every wind. sa The Myrtle made of nought but sweets, Love-loathing Daphne's greets, Whose top no steel e’er lopp’d ; Nor under-boughs with _ biting beasts 20 Returning from their fodder-feasts, For banquet ne’er had cropp’d. The lowly banks did bathe in dew, Which from the tops distill’d : There Eglantine and Ivy grew, Sweet Mint and Marjoram wild: ( 622 ) offspring With many more, Pomona’s store Was plentifully plac’d, That nought did want, 30 Nor seeméd scant, To please sight, scent, or taste. 1 The blooming borders fresh and fair, Were clad with clothes of colours rare, Which fairest Alora fram’d : The Hyacinth, the self-lov’d lad, Adonis, Amaranthus sad, There pleasing places claim’d. The Primrose, pride of pleasing Prime, With roses of each hue: 40 The Cowslip, Pink, and savoury Thyme, And Gilly-flower there grew. The Marygold, Which to behold Her lover loaths the night, Locking her leaves She inward grieves, | When SoZ is out of sight. Iv Upon the boughs and tops of trees, Blithe birds did sit as thick as-bees On blooming beans do bait: 51 And every bird some loving note Did warblethroughtheswelling throaty. To woo the n mate. h There might be heard the throbbing hrush, The bull-finch blithe her by ; The black-bird in another bush, With thousands more her nigh. The ditties all, To great and smal 60 Sweet Philomel did sak) In all the grounds Of Music sounds, Those darlings did direct. v With pleasure which that place did bring, Which seem’d to me_ perpetual spring, Philomela I was inforc’d to stay: Leaning me lowly on the ground, To hear the sweet celestial sound These Sylvans did bewray. 40 ‘ySaxished with liking of their songs, I thought I understood The several language to each’longs, That lodges in the wood. Most Philomel Did me compel Y To listen to her song, In sugar’d strains, While she complains Of tyrant Zéveus’ wrong. VI Compos’d to sing her saddest dit, She shrouded in a shade did sit, Under a budding briar ; Whose thickness so debarr’d the light, It seem’d an artificial night, We Leaves link’d in love so nea It seem’d she_was asham’d to sho Herself in public Place, By sight, lest seers so might erundeserv'd disgrace. id irom the eye, She thought none nigh Was for to pen her plaints ; She ’gins relate Her adverse fate, And thus her passion paints. vil ‘When Prince Fandion held that state Which was the mirthful Muses’ seat, With learning beautified ; 99 Governing there with peaceful rest, Where no disturbing storms distrest Those that did there reside : In prime of youth he took a Dame, By nature kind decor’d With beauty virtue vow’d that frame Should with her gifts be stor’d. I know not which Did seem most rich, By lavishness in giving ; Each gave so much, I think none such 80 oe I1o VIII 140 With equal heat love so combin’d Their hearts, as they were still To nill and will the same : Their minds so mingled were to- They had nought proper unto either, Both fires one common flame. Where with a matching measure The one the other doth requite 121 Their days they spent In sweet content, Whose lesser joys, Mixt with annoys, ny Be To add unto their happiness bliss, 130 The heavenly powers conspire, dream, So perfect did their pleasures seem, Yet was their comfort so increas'’t, With offsprings’ happy store, blest With benefits before. That none doth own So much of earthly pleasure, A little part, May hold a greater measure. x Muses Nine nurst up, We drunk with Heliconian cup, Their number did increase, Gave to us, we did multiply To number numberless. 150 But in consenting sound Our looks, and gestures, who espied Was left amongst the living. ( 623 ) inclin’d gether, Thus surfeiting on love’s delight, In equal pitch of pleasure, Deeming all others wretched, o their full height not stretchéd. And further to increase their Of which they (Joy-drown’d) did not They could no more desire. As now they think they were not Thus is it known But that the heart, x We were b The goodly gifts, the Graces Three No syllable could from us slide, The graces in them found. Patrick Each had such feature, And good stature, As just proportion grac’d, With colours rare To make us fair, By Nature’s pencil plac’d. 160 XI Thus did both heaven and earth conspire To fill our father’s dear desire, With heapéd happiness. But when things here are at the height, Unlook’d for lot doth often light, And drives them to distress. As when the Moon hath fill’d her horn, She straight begins to wane, And when the flowing force is worn, The tide then turns again: 170 For here no state Is free from fate, With Time all turns about : Oft rise the small, The great oft fall, When they do nothing doubt. XII If pleasures here were permanent, Free from, disturbing discontent, Not any ways annoy’d, We should not relish our delights, 180 So dull should be our appetites, With senseless surfeit cloy’d. Therefore that we may better taste, Each sweet hath many sours, The brightest blink is quickly past, And banishéd with showers : Also to show That we do owe To changing Time, we're tost When least we fear, It is most near, And our designs are crost. Xu So with my father did it fare, Whom meagre death did unaware Deprive of his belov’d, My mother ; sickness so her seiz’d, As pain itself did seem displeas’d, And senses all remov’d: ( 624 ) 190 Hannay She seiz’d with ceaseless sleep, gave first Pandion cause of cares ; 200 Which Athens’ woe soon after nurst, And bath’d in briny tears. Thus ever still Preceding ill Is followed fast with more: Ne’er comes alone One cause of moan, It’s companied with store. xIV Before her death-bred grief was ’suag’d, Barbarians were so enrag’d, 210 (Gaping for greedy gain, Encourag’d by his carelessness, Whom they deem’d drunken with excess, They doubt not to obtain.) As they wall’d round rich Athens’ walls, With warriors about, So fainting fear our force appals, It dares nowhere look out, Fear forc’d some sound, And did confound In others resolution ; All were dejected, So unexpected, Was Fortune’s revolution. Xv In midst of this our great distress, Which did our former fears in- crease, Such troops we did behold, As with their bravry brav’d the skies, And dazzled the beholders’ eye With beam-rebating gold, 230 In front with lofty plume in pride, Mounted on stately steed, The likeliest of all did ride, Who seem’d the rest to lead, Curveting oft, Prancing aloft, His courser proud disdains To be control’d By bit of gold, Scorning commanding reins. 220 240 Philomela XVI But when he did approach more near He banishéd that former fear Conceivéd by his sight : He forc’d our foes soon to retire, Who to resist had small desire, They faintly fell in flight. We muséd much what he should be, Who with unaskéd aid, So suddenly did set us free, And all our foes dismay’d; 250 All ran to see, As he came nigh, And fixt on him their sight, And all those eyes Which him espies, Were taken with delight. ; XVII The streets as he did pass along, With gold were garnishéd and hung, All bravely beautified ; The pavement pav’d with pleasing flowers, 260 The spoils of F/ora’s fragrant bowers, Where Zereus did ride: Such was hisname who us restor’d, Of warlike Thracia King, Whom in triumphant wise decor’d, My father in did bring : In manner meet Each other greet, And kindly entertain : T’his Palace fair, To solace there, He brings him and his train. XVII There banqueting with dainties best, To please the too too curious taste, Which sea or land doth yield, With sweet discourses mixt among, Where a delightful pleasing tongue Did rove in Rhet’ric field. When Zereus saw my sister fair, Progne, he pric’d her such, As he believ’d no beauties were Beside, she had so much. 270 280 His heart desires, His eye admires Her pleasing form and feature : He thinks all else She far excels In goodly gifts of Nature. XIX When that his fancy on her face Doth feed, there grows no other grace, 290, He thinks, in other parts : It seems the curious cabinet, Where Nature had that treasure set That most bewitches hearts. A rolling eye, whence thousand flights Of gold-dipt-darts do fly ; Whereof the least with love-delights Could wound a deity. Th’ alluring glances Which by chances From those two suns did dart, Love borrow’d still, When he had will To fire a frosty heart. XX A forehead where inthronizit Grave majesty in state did sit, With humbleness attir’d ; Where meekness made the meaner hope, And majesty cut short the scope Of Pride, that high aspir’d. Soft waving seas of sable hair— That hue was judg’d by love The best, and aptest to ensnare, Mild Zephyrus did move. In careless curls, He oft it hurls, He wantonness bewrays : He oft it flung Her back along, And beauty best displays. XXI A cheek where purest white, with ted Of deepest dye, was overspread, 300 310 320 280 pric’d] A modern would probably have written ‘ prized’: but the distinction is not necessary. 305 inthronizit] The Scots participle, kept for rhyme’s sake, is always worth noticing in these seventeenth-century writers. ( 625 ) ss Patrick Hannay And meeting so were mixt, As neither red nor white they seem, But both in one made _ beauties beam, These colours two betwixt. Her ruby lips, when they do kiss, Cover prime pearly rows ; When they that kind conjunction miss, Arabian sweet outflows : 330 One sure would think, As she did drink, That blood light Bacchus fills, That it did pass, As through a glass Gray Claret wine distils. XXII What shame permits not to espy, He with Imagination’s eye Doth see, and values most : He views it o’er, and o’er again, 340 Seeks for a fault, but all in vain, His labour there was lost ; It’s seldom seen but some defect, By prudent Nature’s plac’d, To make the best be more re- | spect, With glory more be grac’d ; Yet nowhere here There doth appear Least foil, all was so fair, As fir’d him so, He did not know, To hope, or to despair. XXIII Thus was he first enamouréd, And still his loving fancy fed, While on her face he gaz’d, His prying prest a beauty-blush, In crimson coat, her face to flush, In Cupid's fire it blaz’d. Thus fore’d with fainting fever’s fit, His quaking heart did tremble, 360 359 Where love’s deep grounded, there’s no wit Can his sure signs dissemble. He cools and burns, Heart inward mourns. He hopes, he oft doth fear ; She may consent, May not relent, May yield, may chance not hear. XXIV My father (as physician good) By signs his sickness understood, (Having like passion prov’d) 371 He knew the salve could soonest slack His sickness and his pain beat back, Was Progne, his belovid. By matching him and her, he thinks Such friendship to endear, As bound by wedlock’s holy links, He needs no foe to fear. Thus policy, Long time we see, 380 Hath ever had two ends, One ts a train, But still the main To private profit tends. XXV He gives these lovers leave to- gether, Tereus speaks not alone left with her, But in his heart doth pray That she had boldness to begin, In such a muse his mind was in, He knew not what to say: 390 Still rumbling is the little rill, Deep rivers silent move ; That deepest passion is most still, Experience doth prove. He much doth fear She will not hear 336 ‘Gray’ is very interesting as bearing on the much-vexed question of the history of the term ‘Claret.’ ‘Claret? has never been used in France of a full red wine : but only of the wines betwixt red and white. 345 Respect = ‘respeckit,’ ‘respected.’ 361 I retain the italics in these passages, though there sometimes seems very little reason for them, because they appear to be intended as ‘asides’ of the author’s, separate from Philomela’s speech. gone wrong with them, ( 626 ) In some cases, however, the printer has almost certainly Philomela If he good will should proffer ; His often dread, Not to come speed, Drives him he dares not offer. XXVI She muses thus to see him mute, She fears he follow not his suit, (Which she deems her undoing.) When he resolvéd had to speak, What he should say, he had to seek, (He was not wise in wooing.) When plainly we our passion tell, Lt maketh much in moving, A simple innocence so well Bewrays a heart much loving : 410 For ever those Who (apt to glose) Too speedy are in speech, Love do not show, But make maids know, They kindly can beseech. XXVII His speeches had more pleasing sound, With rhetoric did more abound, Unto my sister’s sense, Then theirs who by their skilful art, 420 With sophistry can truth pervert, To clear a foul offence. She willingly doth hear him woo, She’s pleas’d to hear him plead, She could at first encounter, bow, But doubts do make her dread Lest quickly won, He should have done, His fancy should take fli Oft soon obtain’d 430 Are soon disdain’d Such love is counted light XXVIII Thus on she draws him with delay, She neither grants, nor gives a nay, (For fear he flee the field ;) Her yielding blush doth make him bold, 400 To reinforce, and to unfold All means to make her yield ; He vows, protests, and deeply swears, His love to her shall never 440 Languish, with length of ling’ring years, Nor faith fail he doth give her. ‘I grant’ she said, No more he staid, But at her word did take her ; With purple red, All overspread, Sweet virgin shame did make her. XXIX My father knowing th’ had decreed To wed, and were thereon agreed, He left his pausing pain: 451 For he had mused in his mind, To make her heart thereto inclin’d, And beat his busy brain. Now all do haste with like desire, To solemnize those rites, Which holy Aymen doth require, ’Fore lawful love-delights. They make such haste, The time they chas’t, Which little list makes long, The smallest stay That doth delay Enjoying ’s judg’d a wrong. XXX The longtd day is come should crown Their wish’d desires, sweet Doric sound Doth deaf the itching ear, Shrill echo in the rocks did ring, Repeating what the sisters sing In Prince Agollo’s quire ; 470 Kind Nature’s Quiristers increast, Mounting in crystal skies, The gods invite unto this feast, Which angry Heaven denies. They did envy Felicity 460 398-400 This compressed phrase seems to mean ‘his dread not to succeed [we must read ‘sped’] has such force with him ¢hat he does not offer.’ It will not be again noted. 419 ‘Then,’ as constantly, = ‘than.’ There are others like it. 461 ‘List’ seems here to mean ‘inclination.’ ( 627 ) SS 2 Patrick Should such on earth be seen : To Tragic end These joys should tend, The grievéd gods do mean. XXXI The Furies’ brands aloft did bear For Hymenean candles clear, Which lent a dismal light : The raven and the night-crow cry, The ominous owl abroad doth fly By day, and not by night. Juno, that blesseth first the bed Of happy wedded lovers, Came not, in saffron colours clad, ffymen affrighted, hovers, 490 Not daring there Make his repair, (With presage dire dismay’d.) The Muses dread, The Graces fled, They were no less afraid. XXXII Yet did they dally in delights, And revel at unhallowed rites, Till Time, (which nought can stay) Told Zereus his love delays, 500 His home-left-7%ractan dismays, Their comfort can decay. They fear his safety, he farewell ’ Must bid, Progne doth plaine : A pearly shower of liquid hail Out o’er her cheeks did rain. A tender heart, Such bitter smart, With sorrow doth suppress, When bitter cup Doth interrupt New tasted happiness. XXXIII Yet boots it not, she must be gone, Tereusher trains (though weeping) on, And we alike lament : Our sorrow so divided was, Half with us staid, and half did pass, Whither that couple went. They shipp’d, a lusty gale of wind So prosp’rously did blow, 520 The sails suffice fill’d from behind, There needeth none to row: ( 628 ) 480 5IO Hannay They soon came nigh, Where they would be, And do perceive the land ; They see the shore All peopled o’er With those he did command. XXXIV For Fame, the air-wingéd post, (By going greater) fills the coast 530 Of Thrace, with coming-cries ; Her trumpet sounds his safe return, Theshoreswith blazing beacons burn, Where cries confus’dly rise, Which untir’d Echo in the hills (With her redoubling voice) So multiplies, the air it fills ; The gods seem to rejoice : The multitude Confus’dly stood Upon the shelvy shore, He happiest seems Next JVeptune’s streams, Can draw, though drown therefore. XXXV The smaller (yet the sager) sort, Do mind a more majestic sport, Rough rudeness they disdain ; Most stately triumphs they devise, After the victor’s gorgeous guise, Zereus to entertain. 550 Altars with incense sweetly smoke, Priests Zo Paean sing : The tottering steeples reel and rock, (So rolling bells do ring.) This day so glad, To those they add Which sacred they observ’d, From yearly mirth For /tys’ birth, His first-born they ne’er swerv’d. 560 540 XXXVI Wuat time Zitan our height had scal’d, Summer had sweat, winter had hail’d, Autumn had fill’d her lap, Five times the Spring in fragrant flowers Was deck’d, warm sliding sunny showers Philomela The soaking earth did sap. When pleasing Progne’s longing love For Philomela’s sight Grew wakerife, and such thoughts did move, As lessens large delight, When we depart From what our heart With tiking once hath low'd, Absence intires, And more endears, The more it is remov’d. XXXVII This absence kindling longing love, Makes Progne all her practiques prove, Defers not her desire. 579 Woman (who would) delay disdains, Who doth deny, and who detains With hope, hath equal hire. Fearing refusal, she puts on A look that most allures, And draws the eye, nor that alone, Her of her suit assures. Such weighty words Her wit affords, As for to move were meet, With loving charms Him in her arms Kissing, doth thus entreat. XXXVIII “‘Dearer to me then sweet repose To misers, seiz’d with ceaseless woes, Who ne’er of comfort tasted ; More pleasing to me then is light Unto the silly sleepless wight, Whom waking nights have wasted, Who present put’st those fears to flight, Which absent make me die: As Titan makes the ugly night, With forcing flames to fly ; Methinks far more I now adore, Love more, if such desire Could be increast, Which when at least, Was such could soar no higher. 57° 59° 600 574 ‘Intires’ =‘ makes whole,’ ( 629 ) XXXIX Great love in length doth often dull ; Mine, (though so main) is not at full, 610 It daily doth increase : No intermission makes it stay, No surfeit takes its edge away, It grows, but never less: Which by effects may be perceiv’d, For since I first was fir’d, No other happiness I crav’d, Than do as you desir’d : My chiefest grace, I there did place, Held that my high’st content, Gladdest did pass The time that was In loving service spent.” XL “Dost think I doubt” (the Prince replies ;) Meanwhile looks babies in her eyes, And dallies with delight ; Kind kisses on her fairest face, With soft impressions he doth place, Her lips have no respite ; 630 Her pretty parly so doth please, Her lips so sweetly taste : He doubts, which rather he had leese, Both are to be embrac’d. He bids her say, Yet still doth stay With kissing her discourse, Whilst from her lips He nectar sips, 620 As from celestial source. 640 XLI “Speak, love” (he said); then she proceeds, “If favour so affect my deeds, As deem them of desert, T’ll boldly beg, but such a suit, As kindness cannot so confute, But I shall ease my heart, Since fate from fairest Philomel (With that she deeply sigh’d) And destinies have doom’d me dwell, To make the loss more light, 650 633 ‘leese’ = ‘lose.’ Patrick Hannay Suffer me, sweet, (If you think meet) I may myself go see, Or else devise, Some other wise, That she may come to me. XLII The goodliest gift that thou canst ive, I for this grant with liking leave, It seems to me the best : Promise Pandion swift return, Whose aged eyes will overrun, At this unlook’d request.” Thus having said with kind embrace, Him in her arms she clings, With soaking tears bedews his face, Forc’d from her sunny springs : She doth attend, How he will end, To do, ortodeny: — 660 With speaking signs, 670 She him entwines, Who makes her this reply : XLII “What, is this all? sweet, sue for more, Thou seem’st a niggard of my store, Out of my kingdom cull: And eke unto thy late request Seek more, so more I shall be blest, By being bountiful.” She only this: He more would add If he knew fit propine: 680 It seems so slender he is sad, None dearer can divine. Thus they do prove, Which most should love, That only was their strife, Which breeds no wars, Nor jealous jars, ’Twixt happy man and wife. XLIV Then did he haste him to the sea, That she might wit how willingly He granted her desire. 691 I leave the piteous plaints to tell, That passion pour’d at this fare- well ; ( 630 ) Progne did nigh expire. Nor was this fore’d affection, feign’d To move a more belief Of sincere love, the tears that rain’d Sprung from an inward grief: Let Arviost His foul-mouth’d host 700 Of Jocunad’s parting prate : Whose wife did swound, But of that wound A groom the grief did bate. XLV This was not such, but as the show, Such was the substance of the woe, Which thus their souls possest. For she like lonely dove doth lan- guish ; He goes with grief where bitter anguish Bides in his boiling breast. 710 At last Prreus’ port he spies: The sailors raise a song, The country, wakened with their cries, , Unto the shore do throng: They feed their sight With sweet delight Of this unlook’d for guest ; They thrust him so, He scarce can go, Rude people so him prest. 720 XLVI Fandion’s state the street refrains, Yet at the gate him entertains, And lovingly embrac’d. The right hand friendship’s firmest pledge, They mutually for love engage, (Yet no good signs it grac’d :) Without inquiry he doth tell The cause why he doth come, Is for his sister Phzlomel, (Fresh beauty’s budding bloom :) The presage bad, 731 His speech then had, My future ill divin’d : It lowring brake, That day of wrack, Which dismal deadly shin’d. Philomela XLVII The glad congratulation past, He goes on with his Heart’s behest, Which had him thither brought. He tells how pleasing Progne pines, Her mirth with melancholy dwines, In solitary thought. 742 He tells how for her PAilomel, Progne did pensive long : All her discourse on her doth dwell, She wholly hath her tongue : He doth request, With speeches best, And aptest to persuade : As yet the end To nought did tend, But his love’s life to glad. XLVI Straight he doth after me inquire, Who him to see had like desire, I to his presence rush’d. He at my sight amazed grew, He staid astonish’d at my view, (My face such fairness flush’d) Our salutations had no touch Of complimenting strains: 760 Light love ts lavish where it’s much, From flattery tt refrains : He kist, embrac’t, About my waist His winding arms he wrung: I did him meet With love as great, And to his body clung. XLIX My goodly garment all of gold, His griping made his eyes behold, 770 And note more narrowly : For though my robe itself were rich, Musing Afinerva’s stately stitch It more did beautify. She had made it the masterpiece Of all her studious store. Art, Art itself to pass did press, Her cunning to decore. Reviewing still, Deeming all ill 780 (Though well) if skill could better, 750 795 Note ‘flim’ for ‘film.’ ( 631 ) So jealousy The slyest spy, To needless work did set her. L There was Afo//o in a chair Of burnish’d gold, his flame-like hair Against that brightness beam’d, An ivory harp with silver strings, With trembling touch which lghtly rings, Did sound or sounding seem’d. 790 With leafy laurel he was crown’d, And canopied o’erhead, Wherein chaste Daphne lately wound, Did quiver yet for dread. The slender flim, Which hid each limb, So offer’d to the eye ; And was so wrought, You would have thought It to be maid and tree. 800 LI Her leafy top (late hair) did shade The welkin, part it twilight made, And part a mirthful morn, For lower was an azur’d sky, Where eastern beams did beautify Half, half the stars adorn. Among theslender boughs some birds Their list’ning ears incline, Others hover about in herds, To hear these dits divine : Some’s swelling breast The joy exprest, To hear how they did earn: Some’s opening bill Bewray’d the will These wantons had to learn. Lu A little lower from this state, Where Prince Apollo proudly sate, With brightness overblown : The merry Muses rang’d in ranks,820 Were seated on the sunny banks, With favour sweets o’ergrown : While one dothtuneherlute, or voice, One notes, one timedoth measure. A silent sound, an unheard noise 810 813 ‘earn’ =‘yearn.’ Patrick Doth take the sight with pleasure. Some garments grave Others did have, Some light, some long, some short, Some chaplets wore, 830 And some forbore, Some mus’d, and some made sport. LUI Nearer the border one might see Orpheus and Eurydice, Returning from the dead : He play’d, and with swift pace did haste, Longing till she our air should taste, Whom he to light did lead : But whether a desire of sight, Or fear she did not follow, 840 Made him look back, his dear de- light The opening earth did swallow: He quickly snatch’d, And would have catch’d, But when it prov’d in vain, Her look did shriek, And in his cheek, Pale grief was pictur’d plain. LIV A sea circled the lowest seam, With welling waves, and of that stream 850 The people pastime take : Fearful on fish Avon sits, He seeming seiz’d with quaking fits, Did mournful music make. The Dolphins dance now up, now down, And as much pleasure have, As he hath pain, for fear to drown, He sings his life to save, His hands scarce hold (With fear and cold Benumb’d) his instrument ; The swelling wave The motion gave, The saving sound that lent, LV This gorgeous garment large and wide, 860 874 sien] Is this= ‘scion,’ a word of many spellings? seen’? ( 632 ) Hannay Before was with a button tied, And careless hung about : My forepart was of purest lawn, Whereon the fairest flowers were drawn, That Nature e’er brought out : 870 Their roots a seeming earth did hide, Clad in a grassy green ; The stalk stood out, as if beside The ground a growing sien: Some thought a scent Out from them went ; (So wrought they on conceit,) One maketh faith, He tasted hath Some leaf that fell of late. 880 LVI Thus was I cloth’d. My breast was bare, Never till then was white so fair, Which made the world profane, And dare the mighty gods upbraid, That they such pureness never made, Nor could to such attain. Whereat the gods incenséd grew, And did together ’gree, Even with a curse their skill to show, Blaming world’s-blasphemy. &go No year doth fail But snow or hail, Since candies o’er the earth, Whose joy doth vanish, For it doth banish The beauty of its birth. LVII Yet he had not well view’d my face, Which beauty-bringing years did grace With rays of most respect : The buds he left so fair had flourish’d, goo So kindly Nature had them nour- ish’d, As he did not expect. Or should it be ‘agrowing Philomela The infant lustre lightly laid, Was curiously o’errun, And careful Nature perfect made Her beauty-board begun : Each lineament She did acquaint With a proportion due, And every limb, Fashion’d so trim, Was hid in heavenly hue. LVIII The favour of my face was such, That beauty else, though ne’er so much, (If that I came in place) Was but a foil to make mine fairer, That fairness made mine seem the rarer, That glory gave mine grace. As former eye-contenting flowers Lose lustre by the Rose, 920 As Phoebe’s glore eclipsed lowers, When So/ his sight out-throws : Even so did mine Others outshine, Though fair in their degree ; The looks they lost, Which more them boast, If parallel’d with me. LIX Some would say Venus, when at rarest, And fancied most for to be fairest, (With Adon hot in love) 931 Look’d like me, but that I more chaste, Look’d constant, she did care to cast a Such looks as lust could move. Others would say such Dian’s look (But more to wrath inclin’d) When hapless (bathing in a brook) Acteon did her find. Of goddesses They did express The goodly gifts by mine, gto 940 Not mine by theirs, Their doom declares They deem’d me more divine. LX These, these the tyrant so admir’d, As with their sight his heart was fir’d With more then lawful love : He now thinks Progne’s parts were poor : He wonders how they could allure, Or his affection move. 950 He wishes now he were unwed, So I would hear him woo. He sighs, he with my sister sped, Or had with her to do : As parched hay, Whereto we lay Quick fire, takes sudden flame, So burn’d his heart With every dart That light-like from me came. LXI He’s so enrag’d, he would not spare To tempt my fellows’ faithful care, (If that could do the deed) My Nurse’s faith, nay e’en myself He would seduce with precious pelf, If so he could come speed ; He cares not for the Kingdom’s broil To take me thence perforce, And to maintain his ravish’d spoil By slaughter’d souls’ divorce: 970 His reinless love So much doth move, What is it but he dares ? Nor can his breast Those flames invest Which provocate his cares. LXII Nor can he now delay endure, He thinks with cunning to procure, Doth Progne’s suit renew ; He makes it cloak his damn’d desire, g8o When more then right he did require, So Progne did pursue, 960 905 Orig. ‘ perfit.’ The odd phrase ‘beauty-board’ in the next line must be derived from the practice of painting portraits on panel, unless it means ‘palette.’ 4 921 The form ‘glore,’? with ‘glory’ just before, is interesting as showing the tyranny of strict syllabic scansion. (533 ) It recurs below. Patrick Hannay He would affirm his tongue did glose, (Lovers are eloquent) E’en moving tears his cheeks o’erflows, (As if those Progne sent) How human minds, Oft error blinds, He’s thought to be sincere, His wickedness 990 We kindness guess, Which doth him more endear. LXUI Behold, I for the same do sue, About my father’s neck I threw My arms, and him embrace, I maiden kisses intermixed, He notes them, for his eye is fixed Still on my firing face: Each kiss he (covetous) did crave, He wished he were my sire, coo TI to him sought, each gesture ga Good to his fond desire. My sire at last, By our request, Against his will is won : Having obtain’d, I good had gain’d . Did deem, but was undone. y LXIV « Now Phoebus’ steeds soswift had run, His daily course was almost done, The height they passéd have ; 1011 And now the steepy sky they beat | | With angry hoofs, to cool their heat, Hasting in western wave. On table kingly cates were plac’d’ For to content the taste, Blithe Bacchus’ golden goblets grac’d. After this rich repast, To quiet rest Each him addrest, But Zéreus’ tiring care Lets silken sleep On him to creep, His woes so wakerife are. 1020 to2r Orig. ‘tiring-care,’ but these unnecessary hyphens were then frequent. suspects ‘tyrant,’ \ LXV The true Idea of each part He saw, was seated in his heart: What was hid from the sight, He fains it such as he would have it, And better then sight could con- ceive it, More delicate delight ; 1030 He thinks he sees face, feature, gait, And doth survey each limb, So apprehensive quick conceit Did represent to him. The night was worn, A weeping morn Usher’d the doleful day, When hast’ning Fate, Full of deceit, Permits no longer stay. ay LXVI andion then with gushing eyes, here gorgéd grief a-bathing lies, Me to him thus betakes : “ This jewel, (dearest son) this pearl, My last, most lov’d, my dearest irl, (His wed then shivering shakes) I give thee, and thy faith conjure By all the gods above, To guard, her safety to assure With a paternal love : Let knowen bed 1040 1050 VY \ Which you have had, In firmness keep your faith, And bear in mind What Progne kind With me committed hath. LXVII And darling, now my sweetest stay, My age’s hope, that from decay Detains these turning hairs, Whose presence doth me _ primely nourish, 1060 Whose sight yet makes this face to flourish, Nj And curbs my coming cares : One 1022 ‘Lets’ of course =‘ prevents,’ not ‘allows.’ 1056 ‘me’ =‘ thee,’ ( 634 ) Philomela Sweet Prilomel, I thee beseech Thou wouldst with speed return : While thou art absent, I must teach These moist’ned eyes to mourn. Though loath to want, Three months I grant, (So long to stay you have) One day behind Too That time assign’d, Will bring me to my grave.’ LXVII aC Thus speaks he with tear-dropping eyes, Drownéd in his brain-breeding seas, Which doth his sorrow tell. I seem to go and oft turn back, And slender slips excuses make To take a fresh farewell. Such was kind Ovzd’s ling’ring leave Departing from his wife, 1080 And so did Cleopatra grieve, Pity produc’d like strife, “ Caesario g0, O do not, no, Fly from Augustus’ snare ; Nay, stay a while, Fortune may smile, Yet go, it’s best beware.” / LXIX So far’d it here, so we entreat, Kiss’d, amongst kisses still we wet Our cheeks with mixéd tears: 10gr To firm our faith he takes our hands, Joins them, and mute amazed stands, Full fraught with future fears. “At last, Jove witness this (he says) And punish those offend, And, daughter, do not use delays, To Progne me commend”: Scarce speaks he more, He faints so sore, As‘if his spirits were past, Yet bids farewell, Which seems to tell, (With staying) ’twas the last. II00 LXX The night which did this day pre- cede, id wrap itself in mourning weed Of saddest sable hue, Such pitchy clouds were interpos’d, Phoebe was hid, small stars were los’d, Their splendour none did view. At day Aurora’s eyes so wept 1114 As drunk each hill and dale, As if for AZemnon now she kept The sad fresh funeral. Her eyes did soak The parchéd cloak Which Ze//us then had on, The grass outsprung From clay was clung, At fall of Phaeton. LXXI Thus parted, we unto the sea, Our canvas wings we do display Against the growing gale, Which there resistance takes in scorn, Whereby the bulk is forward borne By proudly swelling sail. Though wat’ry hills were interpos’d, Yet followed he with sight, Till his dim dazzled eyes were clos’d, ’Fore their time bringing night : Returning then 113E He doth complain His late receivéd loss, As mounting waves, And falling graves, With stubborn billows toss. LXXII Now Zereus can no more contain His (yet hid) joy, it is so main, Which vaunting voice doth vent. “The day is ours, the prize is won, My love whose light obscures the Sun, 1141 Whose beams breed more content, 1120 1066 moist’ned] It is perhaps worth noticing, once for all, that seventeenth-century printers seem to have preferred the apostrophe for the first e in such forms as this ‘threat’ned,’ &c. Medern practice, not perhaps with much reason, seems to incline the other way. ( 635 ) Patrick Goes with me: hathhersorrowing sire (Who did her so much tender) Twin’d with her? or drunk with desire, Do IJ dream he doth send her? Rouse, rouse you spirits, Conceited sweets Of a fantastic love No power have So to bereave, Nor can such pleasure move.” LXXIII Thus says he ; nor doth turn aside His eyes from me, which still do bide Beholding with delight : As Adamant the Iron draws By Nature’s close compelling laws, So did I draw his sight : Look as the Eagle sharp doth pry Upon his panting prey, 1160 Which in his cruel claws doth lie Hopeless to scape away : So he beheld, So I compell’d Was for to wait his will, Whom yet in mind I counted kind, Not conscious of ill. LXXIV Ourfleeing sailshad made such haste, That now the tedious travel’s past, The toiling sea brings forth : 1171 We touch upon the tyrant’s coast, Where hapless I, alas! was lost, And left of little worth. To shore the tired troops do hie, Refreshment there to find : The anchor’d bulk lies at a bay, With sail strook from the wind. All do rejoice, With cheerful voice, 1180 Their gesture shows they’re glad, They think them blest, That with such haste They happy voyage made. II50 Hannay LXXV A winter-wasted aged wood Neartothe landing-place there stood, Spoiléd (with length of years) Of beauty, no buds it had borne For many springs, the wet had worn The trunk with tempest-tears : 1190 The barkless boughs spreading abroad, Unto the grassy ground Yielded no shade, with leafy load The branches were not crown’d. Whereby the heat So sore did beat From Phoebus’ fiery face : flora for fear Durst not draw near To beautify that place. LXXVI The winding ivy with soft moss The bodies bound, and did emboss The rent and ragged rind, They wrap with warmness to restore Decayéd age, and to decore Time’s ruins, ’bout them wind: It seem’d sad Desolation’s seat Far sever’d from resort, Where nought did grow was good of late For profit or for sport. No harmony From tree or sky The birds made, all was sad : The bad aspect, Show’d the neglect That nature thereof had. LXXVII Obscure bushes of fur and fern, Confus’dly mixt, where robbers learn For to entrap the prey, 1219 Were rudely ranged here and there, Woven with brier and bramble bare, Which close together lay ; A place most fit for such a fact, For such a damn’d despite, Where Mischief meanthis part to act, 1200 1210 1145 ‘ Twin’d’= ‘twinned,’ ‘separated’ or ‘ parted.’ 1147 Note ‘spirit,’ not only=‘sprite,' but =‘ spreet,’ 1177 ‘Bulk’ and ‘hulk’ are often interchanged at this time. 1217 ‘fur[ze]’? ( 636 ) Philomela And hide it from the sight. The most obdur d, Would be obscur d, When they commit a crime: Sin ts so sham d, Lest it be blam’d, Lt seeks out place and time. LXXVIII Thither he hales me, I did quake, My heart did faint, my limbs did shake, I doubted and grew pale: I for my sister ask’d with tears, Not daring to confess my fears ; Yet that did not avail : He did confess his foul intent, Me to the ground he flung, 1240 His late-lov’d hair he rudely rent, And careless from me wrung. I call’d amain, But all in vain, On sister and on sire, On gods above, But could not move Them mitigate his ire. LXXIX He fore’d me, O how I did tremble ! Grief seem’d to kill, but did dis- semble, 1250 And would not prove so kind: O had I then given up the ghost, Before my virgin gem was lost, As spotless as my mind ; Then had my body without stain, In sweet Elysian shade, With the untainted virgin-train, A merry mansion had, Where now, alas ! It hath no place, Free from tormenting thought, Of that fore’d ill, Which ’gainst my will On woful me was wrought. LXXX The harmless unsuspecting lamb, Torn from the teats of fearful dam, By hungry wolves’ surprise ; 1230 1260 1233 Orig. ‘hails.’ Pursu’d by mast’ring mastiff fast, The robber leaves his prey for haste, Which much amazéd lies, 1270 Still doubting if it be redeem’d From such a deep distress, So fainting I confounded seem’d, My fear was nothing less : Fraught with despair, I did not care What mischief might betide ; As in a trance, Forsook of sense, I for a time did bide. LXXXI When to myself I did return, My heart did heave, my cheeks did burn, My breast I boldly beat ; Rap’d with revenge I did not spare, As cause, (though guiltless) face and hair, So lovely look’d of late, From eye no tear, from tongue no words My passion did permit. The grief that such relief affords, Ls soon freed from his fit: 1290 With sighs and sobs, And thrilling throbs, My body did rebound. Mine eye him blam’d, Then straight asham’d, It stares upon the ground. LXXXII But when as greater grief gave place, Swift trickling tears did other trace, My glowing cheeks bedew’d: 1280 Abortive words for birthright long’d, 1300 Each pressing first, his fellow throng’d, And hastily pursu’d. As respite gave me further leave, T rat’d him in my rage, Thinking I gain’d if he did grieve, My sorrow to assuage. 1284 ‘Rap'd,’ though not certainly, probably =‘ rapt,’ ‘ distraught.’ 1300 Orig. ‘ Obortive.’ ( 637 ) Patrick So raging spite Doth take delight, (Though thereby not relied) To vex the heart Procurd its smart, And glores to see it griev'd. LXXXIII “O perjur’d, curséd, cruel wretch, To such a wickedness to stretch, Respectless of the gods : Thou blinded canst them not espy, Yet doubtless they do draw thee nigh, With new revenging rods. Could not Pandion’s prayers move Thee keep thy promise past, 1320 Nor /rogne’s charge? must mar- riage prove Thee base, which should make blest ? A maid to stain, A bed profane With an incestuous lust, Me to deflore, My sister’s whore, What can be more unjust ! LXXXIV If there be gods, they'll be reveng’d ; If not, even I (as far estrang’d 1330 From shame, as thou from grace) This heinous action shall proclaim, Notorious shall be thy name, Hateful in every place. If here detain’d, with mirthless moans The mountains I'll acquaint : My cries shall cause the trees and stones To pity my complaint: To heaven I vow I shall strive how To taint him me betray’d ; The world shall know I was not slow To wreck a wrongéd maid.” LXXXV These words the monster so com- mov’d, 1310 1340 Hannay He hates her now he lately lov’d, For sin hath this farewell ; It relish’d, straight a loathing breeds, A minute’s pleasure pain succeeds That lastingly doth dwell. — 1350 Though Conscience he cannot calm, Which restless now is rent ; Whose sore to salve he knows no balm, Yet seeks he to prevent, Lest I to Fame Should blaze his shame, | He minds with more mischief Still to go on, Regardless grown, So name may find relief. 1360 LXXXVI Thus arm’d with hate my hands he bound Behind my back, my hair he wound About a stubborn tree, He drew his sword, I hopéd death, Detesting a distainéd breath, My soul I sought to free : Yet he proves not so pitiful, But to be out of doubt That I should blab, his pinchers pull My tongue with torment out: Thus joy-bereft, No comfort left, He loos’d and left alone To tigers wild, Then he more mild, With worthless speech to moan. LXXXVII Then to my sister he returns, She asks for me, therewith he mourns, Sighs, sorrow suits his face. He feigns my funeral, which drew The tears, which made his tale seem true, 1381 None doubting my disgrace. Progne her precious garments gay, That daintily did deck Her joyful, now she lays away, And d’ons the mournful black : A sable veil To ground did trail, 1371 1380 Orig. ‘ fains,’ ( 638 ) Philomela A tomb for me did make, There incense burns, And for me mourns, That needed no such wake. LXXXVIII His flaming chariot ’bout the world, Posting through signs the Sun had hurl’d And yearly course dispatch’d While there I stay’d. No hope of flight, My careful keeper day and night So warily me watch’d ; I dumb could not the cause delate Of this my strict restraint; 1400 But subtile wit on woe doth wait, Cunning’s to caitifs lent: I cast about How to bring out His lewdness to the light ; Which while I mind, Occasion kind Doth offer to the sight. LXXXIX The blissless briers the coat had torn The fleecy flock had lately worn, And still retain’d that spoil: 3411 Of party-coloured wool there was Store sticking on the stalks, on grass Some lay, some on the soil : i A web I wrought of colour white, Letters with blood distain’d I interweav’d, which his despite, And my care’s cause contain’d. Thus brought to end, By signs I send Unto my sister-Queen ; Nor did he know To her did go, What these mixt marks did mean. XC This petty present she o’erviews, And narrowly doth note the hues, As she doth it unfold. These careful characters express’d, How doleful I was so distress’d, 1390 1420 She blush’d for to behold, O’er her proud cheek no distill’d, No bitter word brake out, With vengeance and with hate she fill’d, Like fury flies about : She meditates To move the Fates To further her intent : To take revenge By means most strange, Her mind is fully bent. xcl The hellish hags, hatchers of ill, That can seduce a doubtful will, Finding her thus inclin’d, Rejoic’d, and with the Furies join’d To mould a mischief yet uncoin’d, So to content her mind. The crime (admitting no excuse) These imps do aggravate, They malice in the mind infuse That is at height of hate ; Thus do these elves Busy themselves To banish from the mind Pity that pleads For the misdeeds Of a dear friend unkind. xc Thousand ideas in her brain They stamp of distinct sorts of pain, To punish each doth press. She’s loath the least of them should perish, 1460 Pitiless passion doth them cherish, Till grown to excess They long for birth, the time in- vites, Swoll’n Bacchus’ feast drew near, Which Zhracian dames with solemn rites Should celebrate that year. Both old and young, Tn confus’d throng, 1430 tear 1440 1450 1419 One feels rather inclined to read ‘This’ : but Hannay is so fond of elliptic con- structions that ‘Thus,’ with ‘it? remembered after ‘send,’ is possible. 1462 Till] ‘Until’ or ‘unto’ probably written. ( 639 ) Patrick Do raving run about ; Like beldams mad That day they gad, No danger then they doubt. XCIII When Phoebus’ fiery Car withdrew, The Queen with a selected crew Her princely palace left : The sounding brass so beat the walls, Glib Echo answering the calls, The crystal covering cleft. A hair-lace of a leafy vine, About her temples twin’d, 1480 A hart’s hide was her habit fine, Which ’bout her she did bind, A small short spear Her shoulders bear : Thus arm’d away she hies To search the wood, Rites of that god She counterfeits with cries. XCIV She with disordered fury roves Through coverts, dens, and shady groves, 1490 With whoops and hollows loud. “So ho!” she sounds: ascarce-pac’d- path Her prying eye discovered hath, Which seem’d as stain’d with blood : Her mind that mus’d on my mis- chance, Seeing the withered knops Of parchéd grass, her sudden glance Doth deem them bloody drops. What first the brain Doth entertain, There such impression takes, That oft the sight Lt changeth quite, And false resemblance makes. xXcv So was ’t with her, which makes her more Long for revenge then theretofore, She hastes, she thinks she hears My woful plaint, she presseth on, 1470 1500 Hannay My prison door, a moss-grown stone, She breaks, and bushes tears ; 1510 She takes me out, she hides my face With blooming heather sweet : She doth with Bacchus’ livery grace Me, as the time was meet : She leads me home, Where when I come, My panting breast bewray’d That my poor heart With bitter smart And sorrow was assay’d, XCVI She having found a fitting place To vent her woe, unveils my face, Off Bacchus’ tokens takes ; She stares on me, I on the ground, A guiltless shame did me confound, My face aflame it makes: With scalding tears she strives to stench The fervour of my face, Yet could not her eye-conduits quench My fires, fed by disgrace. If I had had A tongue to plead, IT had apologiz’d, And sworn, constrain’d I had been stain’d, She ’gainst my will displeas’d. XCVII My eloquence did so prevail, Which in sad silence told my tale, It deep impression took : She reads the story in my face 1540 Of her wrong, and of my disgrace, Pointed with pity’s look. My tears that trickled down amain She blames, ‘‘ That’s not the way (Says she in anger and disdain) My fury to allay: It’s fire and sword Must means afford, To take a sharp revenge ; Or if aught else Their force excels In torment ne’er so strange.” 1520 1530 1550 1478 ‘Crystal covering,’ strictly the crystalline sphere of Ptolemaic astronomy : but of course here used loosely for ‘welkin’ or ‘heaven’ generally. ( 640 ) Philomela XCVIII While thus she speaks, her pretty child Jtys came, whom with looks unmild She eyes: “ How like his sire He looks!” (her heart could not afford Her woe-tied tongue another word, Swelling with inward ire) Yet comes he nigh, and ’bout her neck He winds his wanton arms, 1560 He toys, he kisses, wrath doth check His childish snaring charms, Against her will Her eyes distil, She (mov’d with pity) mourn’d, But when on me She set her eye, Her tears to traitors turn’d. XCIX “See I my sister thus defil’d ? And toy I with the traitor’s child ? Doth he with prating sport, 1541 And sits she silent ? calls he dame, And cannot she her sister name, Distresséd in such sort ? First let him die ; I gave him breath, And what hath he deserv’d ? His sire gave whatis worse than death, Should his seed be preserv’d ? What, shall she grieve ? And shall he live Still to upbraid our shame ? I'll not dispense With such offence For a kind mother’s name.” Cc Thus reason’d she, thus wrath pre- vail’d, A parent’s part in pity fail’d, Sister she prov’d too dear, Rudely the tender boy she hales, Who flatteringly, £¢zd mother calls, Her fury made him fear : 1590 Remorse and pity from her fled, 1580 1606 blesséd] Orig. ‘ blissed.’ 1607 ‘set’ is participial, as is ‘ plac’d.’ Fell fury took the place ; She in his bosom bath’d a blade, As he would her embrace ; Nor so content, She cut, and rent Him piece-meal, part she boils, Some part she roasts, And thereof boasts, Blithe of her proper spoils. cl She hereof makes a dainty feast For him that it suspected least ; Her husband she invites, Feigning the custom did permit But one man at the most, to sit At Bacchus’ blessed rites : He set in state, that food before Him plac’d, thereon he feeds, Too dear a dish he doth devour, Yet nothing thereof dreads: 1610 He says “ Bring here My darling dear, ftys my loved lad :” Progne could nought More hide her thought, Revenge made her so glad. cll “Thou seest him” (says “Where ?” (he said). I that no more could hide his head Which quietly I kept, 1619 As it was stain’d with bark’ned blood, Did hurl at him ; as he were wood, He from the table leapt ; He wails, he weeps, he mad doth run, Full fraught with fury’s fits, “My infant’s herse, his tomb, un- 1600 she) ; done I am, bereft of wits, ” (He said). O’erjoy’d To see him ’noy’d We were ; Revenge did smile, With naked blade He doth invade Us, authors of this guile. 1630 Hannay likes these absolute combinations. 1620 bark’ned] ‘clotted’: cf. Scott’s Guy Mannering, where Dandie Dinmont uses it. It is Northern English, and not merely Scots. Tt ( 647 ) Patrick Hannay cll He eagerly doth us pursue So swift, as featheréd we flew, Thereto enforc’d by fear, Soft pens sprout out, our arms turn wings, New shapewe take,(who’ll trust such things ?) Soft plumes our bodies bear : e become birds, Progne to town Doth take a sudden flight, 1640 ~I wand’ring to the woods did bowne ; To wail my woes by night : Some bloody stain We still retain, The mark of that misdeed, Such crimson taint Our feathers paint, As they seem still to bleed. CIV Nor he who us pursu’d doth ’scape For his foul fault, he loseth shape, He to a Tewghet turns ; 1651 His blade is turn’d into a bill To exercise his angry will : His voice still sadly mourns, *Cause once a King,acrown-like crest 4 He bravely yet doth bear ; His issue hatch’d, away do haste, Their father they do fear. Pandion heard These news and barr’d All comfort, fed on care, Before his day Grief made a way To death, by dire despair.’ , cv ! So far sweet Philomela sung, But here sad sorrow staid her tongue, Her throbbing breast did bound, Whereby I well might guess her grief, And ’cause I could not yield relief, Her woe my heart did wound. 1670 Pity with passion so me pierc’d, j I press’d her how to please, Her legend if it were rehears’d, I deem’d would do her ease: Not knowing well How she could tell Her tale so well agen, Returning back I was not slack, Thus her complaint to pen. 1660 1680 FINIS 1651 Tewghet, teuchit, &c. =‘ peewit.’ This seems to be pure Scots. ( 642 ) SHERETINE AND MARIANA To the truly Honourable and Noble Lady Lucy Countess of Bedford? IT isa continued custom (Right hon- ourable) that what passeth the Press, is Dedicated to some one of eminent quality: Worth of the personage to whom, or a private respect of the party by whom it is offered, being chief causes thereof, the one for protection and honour, the other for a thankful re- membrance. Moved by both these, I present this small Poem (now exposed to public censure) to your Honour: first knowing the fore-placing of your Name (for true worth so deservedly well known to the world) will not only be a defence against malignant carpers, but also an addition of grace. Secondly, ’ the obligation of gratitude (whereby I am bound to your Ladyship’s service) which cannot be cancelled, shall be hereby humbly acknowledged. If it please (that being the end of these endeavours) I have my desire. Deign toaccept thereof (Madam) witha favour- able aspect, whereby I shall be encour- aged, and more strictly tied to remain. Ever your Honour'’s, in all humble duty, PATRICK HANNAY. A brief collection out of the Hungarian History for the better understanding of this ensuing poem AFTER the loss ofthe battle of Mohacz, Lewis (the second of that name, King of Hungary and Bohemia) found dead in a rift of the earth half a mile above Mohacz; the Turk invests John Zappoly (chosen at Alberegalis) King of Hungary. The Arch-Duke Ferdi- nand pretending to be heir of Ladislas, is elected King of Bohemia, and growing great thinks of the conquest of Hung- ary ; alleging it did appertain to him by right of Prince Albert, and Anne his wife, sister to King Lewis: He gathering together a strong army, enters therewith into Hungary. King John unprovided of forces, retires to Transilvania: Ferdinand pursues and overthrows him: he flees towards Po- lonia, and Ferdinand is crowned King of Hungary. Jerome Lasky (a man of great power) receives John, and practiseth with the Turk for his resti- tution. Solyman undertakes his defence, and brings him back. Many hostilities past twixt John and Ferdi- nand: Fortune now favouring the one, now the other; at last (wearied, and their forces weakened) they agreed: The conditions were, that John should enjoy all he then possessed during his natural life ; and at his death it should descend to Ferdinand : John’s children (if he left any) to be honourably main- tained. Within short time after this agreement John dieth, leaving a son (named Stephen) ofeleven days of age. Isabella (wife to John, and daughter to Sigismond King of Poland) together with a Friar named George (who had been a follower of John’s fortunes) are left tutors to this young Prince. John dead, Ferdinand requires performance of the agreement; which (by the Friar’s means) is denied. The Queen with her son and George retire to Buda, which Ferdinand (by his Lieutenant 1 Lucy Harington, wife of the third earl, d. 1627, one of the most famous and favourite patronesses of men of letters in the first half of the seventeenth century. ( 643 ) Tt2 Patrick Hannay Raccandolph) straitly besieges. Ma- humet Basha succours the Queen, Solyman himself coming to Andrionop- olis. Mustapha Bashais sent into Tran- silvania against Malliat Ferdinand’s Lieutenant there. Raccandolphis quite defeat at Buda by Mahumet, who takes Pesth and divers other fortresses. Malliat hearing of this overthrow (and despairing of succours from Ferdi- nand) retires to Fogare, a strong Castle, which by a thousand assaults of the Turks could not be taken. He comes to a parly with Mustafa?, who sends into Fogare four principal Captaines of the Cavalry? as hostages ; Malliat on this assurance coming forth is betrayed in a banquet, seized on as a prisoner, and sent to Constantinople, where he remained prisoner till his death. Soly- man (having thus driven Ferdinand’s forces out of Hungary) comethto Buda, from whence he sends Isabeland herson with the Friar to govern Transilvania, depriving her of Hungary against his passed faith. The Friar (ofan insolent and haughty spirit) governeth all in Transilvania as he listeth, little regard- ing the Queen: She (disdaining to be curbed by one risen from so mean a quality) complaineth to Soliman. The Friar (fearing the Turk’s force) sendeth privately to Ferdinand, entic- ing him to a new attempt, promising him the aid of the Transilvanians, with divers fortresses. Ferdinand (glad of this offer) sends to his brother Charles the Fifth, then warring in Germany: He (jealous of Frederick Duke of Saxon, and Philip Landgrave of Hess, whom yet he detained prisoners) sends him only John Baptista Castalde to be his Lieutenant, who comes to Vienna for his instructions. With him came divers Gentlemen, amongst whom was John Sheretine, who there becomes enamoured of Mariana, daughter to Lazare Ardech, and is requited with like affection: friends willingly con- sent, and they are contracted. Cast- alde (with instructions) leaves Vienna, whom Sheretine (after a sad farewell of Mariana) doth accompany. While they are in journey to Hungary, Maxi- milian son to Ferdinand returns from 1 The variation is orig. ( 644 ) Spain, having wedded Mary, daughter to Charles the Fifth, in honour whereof divers triumphs are done. Nicholas Turian (a young Nobleman) coming with Maximilian to Vienna, and seeing Mariana, falls in love with her; by means of her father’s kinsman (his entire friend) he comes acquainted with Mariana’s parents: he sues for Mariana: Her parents better liking his present and better means than Shere- tine’s, (which most depended on hope) force her against her will and plighted faith, to wed Turian. Castalde(come intoHungary) causeth Agria (a town of great importance, yet neither strong by site nor Art) to be strongly fortified, committing the charge thereof to Erasmus Tewfle. Castalde proceeds on his journey to Transilvania. « Arriving at Tiss or Tibiscus, (a large and deep river, which taketh his be- ginning in Poland, at the foot of the hill Carpatus, and thwarteth Hungary towards the South till it fall in Danu- bius, between Belgrad and Cenedin, where it loseth the name. Itisin some places eight miles broad, by reason of quagmires) and having passedtheriver, they marched in battle till they came to Debrezen: there he met with two of the greatest and richest Lords of Hun- gary, Andrew Buttor, and Thomas Nadasdy, who joined with him. By the way Dalmas, holding for the Queen, is besieged, and taken by John Baptista of Arco. The Queen hearing of Cas- talde his approach, calleth a Diet at Egneth, which (by the Friar’s cunning) is dissolved without anything con- cluded. She retires with her son to Albeiula with such force as she had. The Friar pursues her, and she fear- ing the weakness of the town, retires to Sassebess (a place by situation far stronger than Albeiula:) George besiegeth Albeiula. The Queen hearing of the approach of ten thousand Spaniards to his aid, seeks an accord, which George easily grants, knowing Castalde was not nigh. The Queen yields the Town on condition to have her movables saved. George consents thereto, not suffering one of his soldiers to enter, till her goods were brought 2 Orig. ‘ Cavallarie.’ Sheretine and Mariana out and carried to her. Castalde and George meet soon after at Egneth ; they go to seek the Queen to Sasse- bess: there they sit in council: Cas- talde declares his charge: that the Queen should render the kingdom according to the former agreement made with her Husband John. He adds also, that the Infanta Joan(young- est daughter to Ferdinand, with 100,000 Crowns for a Dowry) should be given to herson Stephenin marriage: with other offers, allseeming good tothat assembly. They send her that mes- sage by George ; whereupon she(know- ing the impossibility to keep it by force, being destitute of all aid) yields herself to Ferdinand. The Friar (fear- ing lest this agreement might eclipse his greatness) seeks to dissolve it; but she (jealous of his inconstancy and cunning, and not able longer to suffer his insolencies) accuseth him to Cas- talde; seeketh to confirm the agreement, and at a Diet held at Egneth in pres- ence of her son and Nobility, delivers up the kingly Ornaments, which were a Crown of plates of gold mounting on high in form of a high-crowned hat, enriched with Pearl and stones, with a small golden Cross on the top, a Sceptre of Ivory, a Mantle of cloth of gold set with stones: a Gown and a pair of shoes of gold: The Friar would have had the Crown in keeping, which she with disdain denied him, saying, ‘She would never consent that a Friar should be King of that king- dom, whereof she dispossessed herself and son.’ Then (with great effusion of tears) delivers Castalde the Crown; earnestly imploring Ferdinand’s re- lief to her and her son (whose grief showed he disliked the surrender) con- sidering they were sprung froma noble stock. The next day after she took her journey towards Cassovia with her sickly son, manifesting the great sorrow and discontent she felt to see herself deprived of her Kingdom; and by agreement to leave her own, which (in time) small help of friends could still have kept. At Cassovia she stays, with patience expecting a change of Fortune. At last is made Vayvod of Transalpinia, seeketh aid of the Turk. The Transilvanians (wearied with the Austrian oppression) practise her re- turn. She coming, drives out Ferdi- nand’s forces; is re-established, and re- wardeth those who had still stuck to her. Castalde after receipt of the Crown diligently kept it. At last find- ing fit opportunity sends it to Ferdi- nand by John Alphonse Castalde Pes- caire (his nephew) whom Sheretine (longing to see Mariana) accompanieth to Vienna; there seeing the incon- stancy of Mariana (who had promised never to yield to any other) and the ill dealing of her parents, within short time he falleth sick with extreme sorrow, and _ dieth; whose death bringeth on their tragic ends, as in this Poem more at large doth appear. Canto I THE ARGUMENT Marian’s Ghost her birth doth tell, How Sheretine her lov’d: And how requited ; how both griev’d When he to war remov’d. I ONE evening ’twas when the declin- ing Sun Wearied, gave place to the ensuing night : And silver Phoebe had her course begun ( 645 ) To cheer the world with her more feeble light : To rest myself upon a bed I cast, Till gentle sleep seiz’d on me at the last. I As soon as sleep me wholly had possest, And bid sad cares a time for to depart, I thought to me a lovely maid addrest, Patrick Whose sight might pierce the most obdurate heart : 10 Soft was her gate, and heavy was her cheer, Ghostly, yet mild, her visage did appear. II Her golden tramels trailéd down her back, And in herhandagory knife she bare: Down from her breast streaméd a bloody track ; A sable sarsenet was all that she ware, Thoro’ which that blood appear’d, as I on lawn Have seen with crimson silk a currant drawn. IV Then gently did she by the hand me take, Saying, ‘Fear not, with me vouch- safe to go, 20 Even for thine only Saint fair Coe/ia’s sake, Where thou shalt all my forepast fortunes know’ Then to a flow’ry green she forth me led, Which was in //ora’s finest livery clad. v The Sun nor Moon there never show their fate, Nor yet doth horrid darkness there appear ; Nor nights, nor days, nor seasons there take place, One night, one day, one season serves the year. Such light as when the early lark doth sing, Such season as ’twixt summer and the spring. 30 13 ‘ tramels” Hannay [Canto I vI Down by this field there runs a deep black lake, O’er which a ferry-man doth steer a boat So smear’d with blood, that doubt- ful it doth make, Orblack or red, with gory pitchéd coat, With twisted long black hair, and blue lips side, Lamp-burning eyes, and nostrils wide. VII To him there flock’d of every sort and fashion, Over that river waftage for to have ; But he devoid of all love and com- mare-brows passion, Would none transport, but such as passport gave: 40 Here would she fain have past, but back he held Her with his pole, and churlishly repell’d. VIII Then back she brought me to that flow’ry green, And set me down, then pitifully said, ‘Thou seest how fain I would trans- ported been ; But churlish Chavon hath my pas- sage staid: Nor ere can I pass o’er this grisly lake, Unless thou deign pity on me to take. IX For still Iim stay’d till one do write my story, Whose infant Muse is by a sic inspir’d, To write her worth, and to set forth her glory, =‘chains,’ or rather ‘network’ of hair. 23 flow'ry] Orig. ‘floorie, which might possibly, though not probably = were not for stanza viii, where it is ‘ flowry.’ ‘level,’ if it 35 ‘side’ in this engaging picture seems to have the old Scots sense of ‘long,’ ‘trailing.’ 36 ‘mare-brows’ are penthouse-eyebrows. 49 1 keep the variation of ‘staid’ and ‘stay’d’ in four lines only, for the moral, ( 646 ) CANTO I] Who for her parts deserves to be | admir’d ; Such is thy fairest Coe/ia, such the Muse Which her rare beauty bred and did infuse. x By thy sweet Coedéa’s name I thee conjure, My rueful legend that thou wouldst relate, This may from her some pity thee procure, For as hers now, such once was my estate : I bid her say, and I would do my best To please my mistress, and pro- cure her rest. 60 XI Then thus. At Vien first I drew my breath, And atmy birth I arian was nam’d, I at Vienna gave myself my death, For that alone not worthy to be blam’d ; My parents had not base, nor noble blood, But betwixt both in a mean order stood. XII At my wretch’d birth appear’d no ominous star, Which might my future misery divine ; None opposite, they all according were To show my rise, but not my sad decline : 70 All did agree to grace my infant years With happiness, but drown mine age in tears. XIII Kind ature freely her best gifts bestow’d, And all the Graces join’d to do me grace: In giving what they gave, they nothing ow’d, ( 647 ) Sheretine and Mariana Which well to those appear’d, who saw my face ; There was no maid who durst with me compare, My beauty and my virtues were so rare. XIV My parents plac’d in me their whole content, I was their joy, they had no children more, 80 Kin and acquaintance all of me did vaunt, And bragg’d to see my youth produce such store Of budding blossoms, fruit presaging, All which were nipp’d by adverse fortune’s raging. XV My parents’ care was chiefly how to train Me up invirtuefrom my tender years, They us’d all means, sparing nor cost nor pain, Nor day nor night, me to instruct forbears, So in short time my virtue had such growth, As age whiles brings, but is not seen in youth. go XVI Like as the rising Sun with weaker light, Steals from the bed of bashful blushing Jorn, Permitting freely to the feeblest sight Him to behold, but such beams him adorn Mounting our height, as who him then beholds, Is blinded, with the brightness him enfolds. xv So Ian Infant at the first appearance, With hopéd beauty did but weakly shine ; But as in years I further did ad- vance, Perfection’s pencil so did me refine, fairest Patrick As my accomplish’d beauty at the height Ior Dazzled the bold beholder’s dar- ing sight. XVIII Axout this time th’ Hungarian state distrest, (King John being dead) by civil discord torn, Some Ferdinand would in the state invest, The Friar for young Stephen others doth suborn ; He with Queen Jsade/ calls in the Turk, Who seems her friend, but for himself doth work. XIX Buda by sieging Ferdinand is girt, By Solymon his Army’s there defeat ; 110 Who taketh esthe, Mustafa doth hurt, On Mallat wars: The Zransilvanian state Swears homage unto Stephen; Maliiat betray’d To Stambol’s sent, where till he died he staid. XX Solyman having Ferdinand o’er- thrown, To Buda comes; woful Queen Of Hungary, seizing it as his own: Sends her distress¢d with her Infant deprives the Stephen To TZransilvania with the crafty Friar Her coadjutor, for to govern there. XXI You easily may guess her heart was sorry, 121 Being depriv’d of what she held most dear: Hannay [CanTo I Robb’d of her state, degraded of her glory By th’ injust Lord she call’d to free her fear : Buda bears witness of her sad complaint, Which mine own woe permits me not to paint. XXII To Zvransilvania come, no sorrow ceaseth, Th’ ambitious Bishop governs as him listeth : The Queen he curbs, command in her decreaseth, Whilst he grows greater and in pride persisteth : 130 Tillherabuséd patiencecannot bear More the demeanour of the saucy Friar. XXIII Her Father Sigzsmmond no comfort sends her, He was but careless, though she thus was crost : Not one of his confederates befriends her, Seeing him leave her should relieve her most. Ah, wretched Queen, what help can moaning make thee, When father, friends, kin, and allies forsake thee? XXIV Her sorrows now she can no more support, (Yet peremptory George was great- est grief :) 140 Since who should love, had left her in such sort, Her discontented mind hopes small relief : To Sofyman she sends ; O woful wight, To seek an injurer to do thee right. 111 Pesthe] The orig. spelling ‘ Pesthe’ is required here met. grat. 118 The evident scansion of this line is ‘distresséd,’ with ‘Stephen’ pronounced ‘Ste’en’ as in ‘ Steenie,’ to rhyme to Queen. This pronunciation may also save]. 113: but of the versification of these historical parts perhaps the less said the better. 132 Friar}= ‘Frere’: but Frier in orig. ( 648 ) CanTo I] XXV The Zurk commiserates her sad estate ; George knowing this, to Sassebess retires, Scours ditches, heightens walls debas’d of late, Lays in munition requires : Then raiseth forces. vides Force ’gainst his force, which the that a siege Lsabel pro- whole land divides. 150 XXVI The Turk Chiauss in [s’be?s favour sent Threatens the Friar, and those to him adhere ; Which did no good but ill, it from her rent Most part of those that erst her fautors were : Such inbred hatred to the Zurk they bore, They hate her cause, ’cause he would her restore. XXVII The Queen (misdoubting of the Turk’s supply) Seeks an agreement, which is lightly granted : For the 47zar knew that the Zurk’s force drew nigh, Intelligence there to her hurt she wanted : 160 Agreed, the /riar forceth the Turk retire, Still misregards her, still doth high aspire. XXVIII She once again the Nobles doth incite, (Disdaining his neglect) and they once more In a firm league to her do reunite. The crafty “var thinks to provide therefore : Sheretine and Mariana To Ferdinand he sends, his aid doth proffer, Which Ferdinand accepts, glad of that offer. XXIX To Charles the Fifth his brother he doth send, In such affair to have his present aid, 170 Yet knowing no great succour he could lend, (In Germany his whole force being staid :) Yet at the least an expert Captain brave For his Lieutenant he doth press to have. XXX Charles weighing what this enter- prise importeth, John Baptist Castald, Count of Piaden, Doth single out, and to this charge exhorteth ; He willingly accepts, but with fewmen He takes his leave, and unto Vien comes, Where he is welcom’d with the pressing-drums. 180 XXXI One of his train, (and what concerns me most, With that she sigh’d) was one in Vien born, John Sheretine, his kin of him did boast, As if his stock he chiefly did adorn. And those who have no intrest in his blood, Honour him more, the more he’s understood. XXXII From native home he long time had remain’d, In Padua ten years at school he staid, And in that time he so much learn- ing gain’d, 169 Fifth] Orig. here and elsewhere ‘Fift,’ Scotice. These survivals in the Angli- cized Scots of this period are perhaps worth noting. ( 649 ) Patrick Hannay Asvirtue’s firm foundations sure were laid : 190 His father hereof knowing, him commends To Castald, who on bloody Mars attends. XXXIII He willingly his father’s hest obeys, And in short time made to the world appear That learning ne’er the haughty spirit allays, Which honour’d glory for his badge doth bear. And though that Zxuy still doth hate brave deeds, Yet his worth even in LZxuvy liking breeds. XXXIV He with Castalde to Vien comes back, Where hungry expectation longs to see him, 200 Kin and acquaintance to the case- ments make, They think him happiest that first can eye him: Yet when they see, they know not whom ?’ affect, All-changing Z7me had alter’d his aspect. XXXV To see these soldiers in the town received, The confus’d multitude in clusters throng : The better sort, (yet novelty that craved) In spacious windows rangtd were along ; There was I plac’d, I clothéd was in green, Embroidered o’er with flowers like Summer’s Queen. 210 XXXVI As each did pass, he did our censure pass, [CanTo I Whom one did like, another did disdain : Sheretine came, what he was, Yet each one’s approbation he did gain, Each one him prais’d, and I amongst the rest, Of all that pass’d said he deserved and none knew best. XXXVII Nor was this favour forced from affection, It was desert that drew this verdict fra me, Love had not then inflam’d me with infection, No object had had hap from me to draw me ; 220 Though love had found me fit to show his power, Yet did I live at liberty that hour. XXXVIII Though mine eyes were the arsenal where he hid His choicest arms, from whence he might take fires, (Which in continual lightning from them slid) To kindle in cold hearts most hot desires ; Yet I not knowing what their power meant, My youth’s sweet spring, free from disquiet spent. XXXIX Some noble thought possessing still my mind, Whilst gold on canvas ground my fingers place, 230 Ornimbly ona lutelightnotes out find, Which with sweet airs my charming voice did grace: These gave no leave to Love to let mine ease, Which disrespect did the Love- god displease. 199 Castalde] The addition of the e to get an extra syllable is interesting. 218 fra me] Note Hannay’s utilizing of a Scots form for rhyme and the evidence for ‘draw’ as ‘dra’.’ But he drops into it again fra, stanza xlix, where no rhyme calls. ( 650 ) CanTO I] XL He languish’d that the flames which in mine eyes Were plac’d, had yet but darted feeble rays : Now did the bruit of Sheretine him please, Of him all speak, all listen to his praise ; He thinks him only worthy of those fires 2 Which had not kindled others’ deep desires. 240 XLI Whilst at Vienna they for dispatch stay, They’re visit’d by their country gallantry, Which to express affection doth assay: They with requital quit their curtesy ; For Skheretine the Fates do lay a train, My father woos, he may him enter- tain. XLII He willing to his suit doth con- descend, To be eye-witness (to his house resorted) Whether that Fame me falsely did commend, Or if I were such as I was reported : 250 For she had blaz’d my beauty everywhere, Call’d others fair and fairer, me most fair. XLII The day did seem to break even at the noon, My coming so eclips’d the former light, Small stars are dimm’d so, by a rounded moon | | | Which froma cloud comes suddenly to sight: My beauty blaz’d so at the first appearing, He thinks report my worth had wrong’d by bearing. ( 651 ) Sheretine and Mariana XLIV What learned Padua could not effect, Nor spacious Germany where he had stayed, 260 That Vien doth, one beauty there respect Bred, which all theirs conjoin’d in vain assayed : His heart from their attracting baits left free, At Vien he doth offer up to me. XLV My father his affection to express, Bids him kind welcome as his dear- est friend, Vows lasting love, meanwhile Zove doth address His surest shaft, his golden bow doth bend ; Mine eye the quiver whence he took the dart With unavoiding stroke, that hit his heart. 270 XLVI One might have seen mid-day of his desires, Even from the East of their new- taken birth: He strove to hide the new flame of his fires, ' But grounded passion is not masqu’d with mirth : His mirth to melancholy sighs redoubled, Did well bewray, his musing mind was troubled. XLVII Thus was he first enamoured, yet he strove To hide his passion; but we did perceive Some unaccustom’d accident did move These sudden fits, yet we no cause would crave: 280 He takes his leave, unto his home returns, Whilst in his heart, that new fire hotly burns. Patrick XLVIII He careless casts himself upon his bed, And ’gins to reason with his restless thought : He curseth Chance that first him thither led, He straight doth bless it ’cause it there him brought, He blames it for the breeding his unrest, Loves it for showing what could make him blest. XLIX “How did I live with unperturbed mind, Passing the day with joy, the night with sleep, 290 (Saith he) where wakerife cares I now do find, And new disquiet for my late de- light : Are these th’ effects of Beauty and of Love? Heaven Love and Beauty fra me then remove. L Ah, hateful tongue, recant this foul amiss, Love is the God that first gave life a being : Beauty ’s the breeder of this greater bliss, How dar’st thou then profane their power weying ? Beauty breeds Love, Love beauty doth requite With the attractive lines of sweet delight. 300 LI Then welcome Love, I now will entertain thee, Beauty, Vl thee with adore; But what if beauteous love should now disdain me, Since love and beauty I have brav’d before ? reverence Hannay [Canto I Nay, they will not take that as a disgrace, I saw nor knew not them, till first her face. LIl Her face where wanton love keeps residence, He takes no progress but when she removes : Beauty projects from thence unto the sense Such beaming glances, as_ their brightness proves 310 Young Eaglets, pardon Love, for I had been Sooner your subject, if she sooner seen.” LI Thus passed he the night withouten slumber, Longing for day, nor did I take such rest As theretofore, new thoughts ’gan me to cumber, Making me wakerife whilst my sleep decreast. Nor could I think what did pro- cure that change, *Cause unaccustom’d I did hold it strange. LIV Whilst sleep remov’d, on Sheretine I thought, (The mind must still be busied) I his shape 320 Did think that Nature curiously had wrought, On which the Graces did their blessings heap ; And Virtue that she part of him might claim, Had deck’d with rarest ornaments his frame. LV “Why should I think on him more than another?” (I say:) And straight begin my thought to blame, 298 weying |=‘ weighing ’? ( 652 ) CanTo I] I would forget his shape, his virtues smother, Place where he sate, the time he went and came: Yet still the more I wish him out of mind, Him livelier represented there I find. 330 LVI I sleepless spend the night, I early rise, Herestlesslongeth for to leave his bed, Ev’n then our thoughts began to sympathize ; Abroad he walk’d as Morn the East- heaven clad : To put him outof mind I did repair T’ a Garden, yet in thought I found him there. LVII Ere noon he came (acquaintance loath to lose) To visit and give thanks ; I joy’d to see him, As he to be with me of all did choose ; So I was well contented to be nigh him: 340 Thus did the Destinies draw on our fate, I knew not Love, fear’d not his hidden bait. LVI After we often walk’d into the fields, Passing the time with sportand harm- less mirth, Where nought did want, that fairest flora yields, Or Zedlus from her treasure bringeth forth : But discontented minds seld find relief By outward show for hidden grief. LIX For in his countenance we might behold inward 340 nigh] ‘nigh’ and ‘see ’ rhymed as above, st. xxxiv: 359 Farfalla| ‘ buttertly,’ ‘ moth.’ 369 kill] =‘ kiln.’ ( 653 ) Sheretine and Mariana Some hidden grief, though gilded o’er with gladness, 350 Sudden abortive sighs unto us told ; His pensive mind was seiz’d with inward sadness ; Ignorant of the cause, I thought to please him, The more I cherish’d, more I did disease him. LX Sheretine’s love still more and more increast, The more he did my company frequent : His beating breast bewrayed his heart’s unrest, Yet could not (though he strove) my sight absent. So doth Farfalla dally with the flame, Til, his wings sear’d, he sinks down in the same. 360 LXI Oft would he strive to look another way, And _ still endeavour’d me for to neglect : Yet did his eye more steadfast on me stay, Endeav’ring to dislike bred more respect. Now look’d he pale, now red, cold, straight in fire, Merry, soon sad; how changing zs desire | LXI Yet his desire he strove to cover still, And each way to conceal his passion tried, But love resisted, like a close-pent kill Most hotly burns, when least the flame ’s espied, 370 He thought it would have kill dit to conceal it, The salve hurt most, which most he thought should heal it. ‘see’ and ‘eye,’ Patrick Hannay LXII Within short time his hid fire out doth blaze, His strength no longer able to sup- press it: He woos Occasion, then blames her she stays To fit him Zme when he might well express it : Time soon befriends, we to a garden walk, Unseen, unheard, where we might freely talk. LXIV “ How comes it, Sir,” taking him by the hand, Thensaid I, ‘‘that grief taketh on you seizure : 380 (Without presumption if I might demand, ) Where nothing is intended but your pleasure ? For in your visage Cave’s idea’s plac’d, Which hath your late-joy sem- blance clean defac’d.” LXV “ Love-worthiest AZaiden, blameless if I durst (Saith he) lay ope my heart and thought reveal, I would tell how my sobbing sighs were first Conceiv’d, took birth, and why they still do dwell.” Then finding me willing to hear inclined, He thus begins to tell his troubled mind. 390 LXVI “Fair(ifthat fair benottoobaseaname For thee, sweet deity of my affection,) Before this boldness receive check, or blame, (My tongue is free from flattery’s infection :) Vouchsafe to hear, (and hear without offence) My rude, __ yet eloquence. ( 654 ) love-enforctd [CanTo I LXVII Love now the sole commander o’er my soul, Elsewhere that could not by his craft or might Captive my thought, or liberty control, Hath brought me here (using that cunning slight) 400 To see thy face, which in an hour hath gain’d Love conquest o’er him, who erst love disdain’d. LXVIII ’Gainst his assaults, hitherto as defence, A constant resolution I prepar’d: His beauty-batteries poorly beat my sense, Beauty’s neglect ’bout me kept watch and ward. Ne’er could love gain till thy com- manding look , Surpris’d my fort and guard, me captive took. LXIX Iam thy prisoner, but no freedom seek, In this captivity I joy to bide, 410 Only I crave my heart’s keeper be meek ; Dear, let not this desire be me denied : For it’s my joy, since Love doth conguer all, That I had hap to be thy beauty’s thrall. LXX And thy sweet look (if I do right divine) Doth promise, thou wilt not so cruel prove, Nor pitiless to make thy captive pine By base disdain, and so requite his love, Which is not touched with least part of folly, My aim is honest, my pretension ’s holy. 420 CaNnTO I] LXXI Then dear (but dearer far if thou wer’t mine), Let pity (the companion of sweet beauty) Move thee to love him, whom Love hath made thine: Love to requite with love is but love’s duty. Grant love ; if not, say thou scorn’st my desires, That death may quickly quench my loving fires.” LXXII As doth a prisoner at the bar expect With pity-moving look the doubtful doom, And by the judge’s more severe aspect, Doth rather fear than hope what is to come : 430 So Sheretine torn betwixt hope and fear, His joy or sorrow so awaits to hear. LXXIII A purple blush with native tincture dyed My cheek’s late lily in a deepest red, Whilst I (abashtd) to his speech replied, Whose fainting eyes still on my face do feed : I was amaz’d, I muséd what to say, Love seeks consent, modesty bids deny. : LXXIV At last “ Brave Sir (said 1), I am not train’d So in love’s school as make a quaint reply, 440 Nor think I lovers can be so much pain’d As they make shew, but thereby only try Their wit on woman’s weakness, to ensnare That harmless sex before it be aware. ( 655 ) Sheretine and Mariana LXXV Or if they be, it’s by some rarer beauty. My poor perfection cannot passion move, Your courage should propose else- where that duty ; Vain-glory cannot so puff me with self-love As to believe mine such; the looks I scatter Are feeble, ne’er inflame, nor such Pll flatter.” 459 LXXVI ““My speech (saith he) of flattery cometh not, Love brings it from the oracle of truth : I cannot flatter, I, nor fain God wot, Nor doth it need where beauty hath such growth : With cunning I would not com- passion move, Nor try my wit with an imagin’d love. LXXVII My protestations whence they do proceed, Will soon be seen by sighing out my breath, Unless my martyrdom thy mercy meed, Thou’lt know thy beauty’s force by timeless death : 460 Then shall you see character’d on my heart True holy love, not flattery nor art.” LXXVIII “‘T must not enter in intelligence Of such love-passion, gentle Sir (I said), If I have answer’d (prompt with innocence) Seek not the rather to entrap a maid. Th’ access which my simplicity doth give, Hence I will bar, unless such suit you leave.” Patrick Hannay LXXIX My father’s coming hindered his reply, With him the residue of the day he spent, 470 Then to his chamber went, there down did lie, Bathing his bed with tears of discontent ; Accompanied with every kind of care He tumbling lay, Hoge yielding to Despair. LXXX My mind no less than his was sore perplex’d, It griev’d me that I granted not his suit : It vex’d my heart to know that he was vex’d, I reason’d, and my reason did confute. Should I have yielded? no, who soon are won, Are soon disdain’d, then I had been undone. 480 LXXXI Yet who doth love, and can torment her lover : Yield then, unask’d? may be he'll sue no more. Alas, how shall I then my love discover ? Oh! would to God I granted had _be- fore. His love’s extreme ; if it kill, or take flight, Or turn to hate, then, all my joys, good night. LXXXII May be it was not serious that he said, Oh! Iam lost if thathe onlytried me ; Then my own self I seriously survey’d, And saw that loving Nature nought denied me: 490 Yet priz’d I not my parts, ’cause they were rare, But ’cause they could my Sheretine ensnare. ( 656 ) [CANTo I LXXXIII Yet being doubtful of his back returning, I call myself too cruel, too unkind: And he that could not hinder inward mourning, Absents not long, returns to know my mind. He vows, protests, thereto adds sighs and tears, Which sweeter than sweet’st music pierc’d mine ears. LXXXIV I was well pleased that he came again, (But better far his love was not decay’d) 500 I thought it folly longer to detain With doubtful Hoge, lest Zove should die denay’d: I (seeming loath) granted all that he crav’d, Mine honour and my reputation sav'd. LXXXV Those who have felt the fits of fervent Love, Which hath the strength decay’d, and vigour wasted With strongest Passion, and in end did move Their Saint to pity, and some comfort tasted : Such and none else, can tell if he were glad, When of my love, this overture I made. 510 LXXXVI My hands he kisses, doth not speak a word, (Joy chaining fast the passage of his speech) His gesture did more eloquence afford By moving signs, than Rhetoric can teach : Therewith o’ercome, I open laid my heart, And all my loving-secrets did impart. Canto I] LXXXVII I told him that I did no less affect His virtuous parts, than he admirtd mine, How I delay’d not ’cause I did neglect, Or joy’d to see him for my sake to pine: 520 But only love’s continuance did doubt, The soonest kindled fire goes soonest out. LXXXVIII No more we then on ceremony stand, Each unto other firmly plighteth troth, In sign whereof I took his, gave my hand, Call’d God to witness with religious oath : He unto me vow’d a ne’er-bating love, I vow’d my fancy ne’er should other prove. LXXXIX Our next care was, to gain our friends’ consent, Who heard no sooner we did other like, 530 But they did yield, and are so well content, They joy and thank the heavens, that so did strike Our hearts with equal heat, they hop’d to see Honour and joy of our wish’d- progeny. xc We sometimes after walk’d to take the air, Sometimes to see them hunt the fearful roe : : Sometimes we to the Temple did repair : Sheretine and Mariana Sometimes to the Theatre we would go. Thus did we banquet still with fresh variety, Yet ne’er did cloy or surfeit with satiety. 540 XCI Methinks the sweet remembrance yet me glads, How in my father’s flore-perfuméd garth, Where leafy tops chequer’d out motley shades, And Fiora’s minions diaper’d the earth : How we have walk’d discoursing of our love, With kindest appellations Dear and Dove. XCII An arbour there, fenc’d from the southern Sun With honeysuckle, smelling brier, Which intermix’d through others quaintly run, Oft hath had hap our loving lays to hear : 550 There hath he laid his head down in my lap To hear me sing, feigning to steal a nap. thorn, and XCIII There sitting once, I told him how I dream’d, And wish’d my dream were true! he long’d to know it: And then most eager for to hear it, seem’d ; Yet shamefastness would never let me show it Before our plighted-faith ; then I it read, It was how I was first enamouréd. 538 Theatre] Note the accent (of course in strictness justifiable, like so many vulgar- isms) ‘Theayter.’ 542 flore-perfuméd] ‘flore-perfuméd garth ’ is good, methinks, 557 read] =‘ expounded,’ ( 657) Uu Patrick Hannay XCIV There have we talk’d, chaste kisses - interrupping Our kind discourse, which every word did point: 560 I from his lips, he from mine nectar supping. Mix’d tears of Pity oft our cheeks anoint : There have we spent long time in such like sport, And that long time, we still thought very short. XCV Such happiness we had, we none envied, We counted Keasars caitiffs match’d with us. But permanent felicity ’s denied To mortals here, none can enjoy that bliss : Our joy soon turns to sorrow, we must part, Which with grief’ssharpest prickles piere’d each heart. 570 XCVI Now ferdinand had everything prepar’d Was necessary the war to maintain: Castalde who for conduct thereof car’d, Was ready, and gave warning to his train To be in readiness him to attend To Hungary to make their valour ken’d. XCVI Young Sheretine prepareth for to go, Though all his friends persuade him stay behind, Yet he will forward, though even I say no: “ Sweet,” (saith he) “‘Zove doth not debase the mind. 580 What! shall I now obscure my former worth ? No, no, thy love doth no such fruit bring forth. [CanTo I XCVIII Weep not,” (for then the tears stood in mine eye) “Life of my Life, for so my sorrow’s doubled, Although thereby signs of thy love I see Which it assureth, yet therewith I’m troubled : If thou wouldst have me to enjoy content, Leave, dearest Love, with sorrow to lament.” XCIX The hapless day being come that must us sunder, All such persuasions he pour’d out in vain, 590 That my heart broke not then it was a wonder, Swift scalding tears out o’er my cheeks did rain, “What, wilt show go? and meanst thou thus to leave me?” (Said I) “And wilt thou of all bliss bereave me? c Thousaidst thou wouldst my prisoner abide, Is this thy craft thy keeper to betray ? What, wilt thou, cruel now, my soul divide? I know thou wouldst not kill me, Dear, then stay; Ah, wilt thou go? and must I stay behind ? Oh ! Is this Zove ? Is this it to be kind?” 600 cI No more could /assion suffer me produce, To whom my grieving Sheretine replied, Each eye a tear-evacuating sluice ; “My Heart, my Adi, my Star that doth me guide, 559 interrupping] This useful if not elegant form does not seem common. ( 658 ) CaNnTo I] Leave now to grieve, my chiefest care shall be Soon to return, then still to stay with thee. cll Nor mean I now to leave thee altogether, With its affection I leave thee my Heart, Let Destiny or Fortune draw me whither They will, yet from thee that shall never part: 610 In nought I'll joy deprivéd of thy sight, Except the minding of thee breed delight. cul Dear, let the hope of a soon joyful meeting, Better to bear this separation move thee, Think of the joys that will be at our meeting, . The Fates do force my absence but to prove thee: Hence from my thoughts all else shall be debarr’d :” (I said) AZy constancy may chance be heard. cIv Passion no more permits, we did embrace, Sheretine and Mariana Each other wringing in our winding arms, 620 With mixéd tears bedewing other’s face, One’s heart the other’s rous’d with love-alarms : Oh ! none but such ashave felt like distress, Can think howsorrowful this sever- ing was. cv I think Uvysses (feigning to be mad, Loath to depart from lov’d Penelope) No such distracting fits (through fancy) had, As had my Sheretine going away ; Ulysses had reaped the longéd crop, Sheretine in the blade had bloom- ing-hope. 630 CVI Thus did we part, he with Castalde goes ; Yet while in sight he still did look behind him, I stay’d, steeping mine eyes in seas of woes : Oft unawares I look’d about to find him : Imagination did delude my sense, I thought I saw him, who was far from thence. Canto II THE ARGUMENT Turian Mariana loves, She’s forced by her friends To marry him; This luckless match With blood and sorrow ends. I OF all the Passions which perturb the mind, Love is the strongest, and molests it most ; Love never leaves it as it doth it find ; ( 659 ) By it some goodness is or got, or lost : None yet ere lov’d, and liv’d in like estate, But did to Virtue add, or from it bate. II Sometimes it makes a wise man weakly dote, And makes the wariest sometimes to be wild, Sometimes it makes a wise man of a sot, uu2 Patrick Sometimes it makes a savage to be mild: 10 It maketh Mirth to turn to sullen Sadness, And settled brains it often cracks with Madness. ul By cursed all-suspecting Jealousy, Faint doubtful Hope, and ever-shak- ing Fear, (Whom pale-fac’d Care still keepeth company) It is attended: Thesecompanions are No minute’s rest who let the lover find, But with their several thoughts do rack his mind. IV So was’t with me: I everything did fear 19 That might unto my Skervetine befall ; Sometimes I thought I clatt’ring arms did hear, Sometimes forhelp I thought I heard him call : Sometimes I fear’d new beauty him allur’d, Sometimes my hope his honesty assur’d. v Now (absent) I did love him more intearely, It taught me deprivation was a hell, The parting pangs did touch my heart but nearly ; But now in centre of the same they dwell: I oftentimes lov’d to consult with Hope, Andof hisswiftreturn propos’d the scope. 30 vI But now the Fates with Fortune do conspire, To cross the kind intendements of Love ; And with salt tears to quench his kindled fire, 25 intearely) I keep this form intact because of the rhyme. Hannay [Canto II Not satisfied with my dear friend’s re- move: My Joys are in the wane, daily grow less, My Sorrows waxing, daily do in- crease. VII To Vien back comes Maximilian, (King of Bohemia) Ferdinand hisson, With Mary daughter unto Charles of Spain, In honour whereof divers sports are done ; 40 Tilting and Turnay, Feasts to entertain (With pomp) the coming stranger they ordain. VIII *Mongst others who to Vien then resorted, LVicholas Turian (a brave youth) was one ; Most of his friends him from the feast dehorted, Yet he ftom it will be detain’d by none: Such wamings oft the unknown Fate forerun, Yet misconceiv’d, by those must be undone. IX His straying eyes which wander’d every way, (’Mongst therare beauties that assem- bly bred) 50 Seeking fit subject their roving to stay, At last unto my firing looks were led ; Which with one glance (that Cupid fra them prest) Dazzl’d his sight, and did his eyes arrest. x He thinks he ne’er such fairness saw beforn, It did eclipse the beauty that was by, As doth the fresh-forth-streaming ruddy Morn Hannay would doubtless have justified himself from the Fr. entier. ( 660 ) CanTo IT] Putout the lesser-lights ofnighted sky. He thinks there is not any of such prize, If inward worth do outward equalize. 60 XI He longs to know, and presseth to be near, The nearer he his courage did abase : Approach’d he speaks not, seems to quake for fear, He shames so to be daunted in that place : Shame him encourag’d, prick’d him on to prove, The more my mind was known, it more did move. XII “ T thought not, Lady ” (said he) “ if in one The rarest beauties of the world had been By Nature plac’d, that that one could have shown 69 So great perfection as in you is seen: Whose lustre doth exceed each beauty else, As lively diamond dull glass excels.” XII ‘“‘The beauty which you speak of” (I reply) “Ts pale, but by reflex is fairer made : Ifit receiv’d not light by those are by, It should be veiléd with an obscure shade.” Some time thus spent in talk he doth depart, Leaving his freedom with a fettered heart. XIV Then home he goes with new-bred thoughts turmoiling The late-sweet quiet of his beating brains : 80 His heaving heart with bitter anguish boiling, Sheretine and Mariana He Love with his effects now enter- tains : He’s pensive, musing, company absents, With frequentsighs his smoulder’d fire forth vents. XV One of my father’s kindred very near, (In whom much trust my parents did repose.) True friendship did to Zurian en- dear, Secrets were common, he by grieving shows Perceives his friend’s distress, demands the cause: Turian tells all, compell’d by Friendship’s laws. 90 XVI My kinsman told him who, and how I was To Sheretine by solemn oath con- tracted. : No sooner Zurian heard but cries “ Alas,” (By loving frenzy well-nigh dis- tracted :) “Now see I” (said he) “that the fates pretend To bring my wretched life to wo- ful end.” XVII My cousin was astonish’d that to hear, Knowing how hard the enterprise would be ; To undo what was done, wills him forbear, Instantly urges it, letting him see 100 The stopping lets, which would his love disturb, Therefore whiles young, he wishes it to curb. XVIII But he (whomno dissuasive argument From that resolve had force for to withdraw) Unwilling hears, to go on still is bent, 88 shows] Orig. ‘shoes.’ ( 661 ) Patrick Though likelihood of no good end he saw : “In things difficult” (saith he) ‘worth is shown, By light achievements courage is not known.” XIX His friend (whose oratory was in vain) Doth condescend to aid him to his power : II0 He vows to lose his life, or to obtain Help for the ill that did his friend devour: Hence my mishap, hence had my grief first breeding, Hence my successive sorrows still had feeding. XX No more I afterward in public go, (Loath to bewray my beauty to his eyes :) I shun all that might trouble or o’erthrow The order I propos’d to eternize My constant love, unto the Love that hath My Hand, my Heart, Affection, and my Faith. 120 XXI He cannot brook delay, spurs on his friend To know the issue, Danger’s in deferring : Though it prove bad, yet best to know the end, Protraction is the worst of all love- erring : To know the worst of ill is some reltef, Faint hope and feverish fear are Sood for grief. XXII The agent (that his cause had under- taken) Doth first address himself unto my mother : [Canto II Hannay He thinks if that weak fortress were shaken, He with assurance may assail an- other : 130 With doubtful speeches he doth try her mind, Meaning to prosecute, as she’s inclin’d. XXIII He him commends, with best praise tongue affords, (Yet in no commendation did belie him) He had Youth, beauty, virtue,winning- words, Behaviour from detracting hate to free him: So well he mov’d, my mother was content, Turian (if’t pleas’d him) should her house frequent. XXIV He seeks no more, goes, tells his friend, who’s glad, So soon he lookéd not for free access : 140 No more he can forbear ; he came, did shade His deep Desire, his Passion did suppress : Acquainted, he comes more than compliment Requir’d, but cunning Love did cause invent. XXV He in my father’s good opinion grows, My mother ’gins him well for to affect : As time permits his friend his worth out throws, With poison’d words, he doth their ears infect : Himself to me imparteth still his love, And languisheth ’cause it did no- thing move. 150 122-6 I keep the italics in such passages as this because, as noted above in regard to Philomela, they seem to represent a sort of proverbial aside rather than part of the text. ( 66a ) Canto II] XXVI In his pale cheek the lily loseth white, The red, the rosy livery off did cast : His favour lately that did so de- light, With ardour of his hot desire did waste. In inapparent fire he now con- sumes, His beauty fades, as forward frost- nipp’d blooms. XXVII I grieve because I cannot help his grieving, His pain relenting pity in me bred: I do accompt him worthy of reliev- ing, That he deserv’d to speed if none had sped. 160 I blame my beauty ’cause it breeds his woe : I cherish it would so. XXVIII His friend (perceiving what such signs portend) Knows if he salve not suddenly his sore, Protraction with a perfect cure must end His woes in death: he doth provide therefore. My mother now he plainly doth assail, And by preferment thinks for to prevail. cause Sheretine XXIX Women by Nature are ambitious, With Zurian’s titles tickles first her ear : 170 She of her daughter’s state solicit- ous That honour is her aim, doth gladly hear. He tells to her his riches and his land, And then for wealth she more than worth doth stand. ( 663 ) Sheretine and Mariana XXX Ah, that base earth, and baser extre- ment (Placed by Nature underfoot, ) should move The mind of greedy age with more content Than Love, the life of things that’s Srom above | Wealth for their Summum bonum oft ts taken, Loving it most when it must be forsaken. 180 XXXI My serpent-seduc’d mother, Zva- like, Tempts and entraps my pelf-affect- Ing sire: Judge ye what pensive pangs my soul did strike, Seeing parents, friends, and furious love conspire To work my ruin, and their power bend To prostitute my Faith, and wrong my friend. XXXII My Father with authority commands, My Mother with enticing blandish- ment Allures, for Zurian my kinsman stands, With kind persuasions, Zurvian doth vent 190 With sobs and sighs his too apparent love, All join my faith and fancy to remove. XXXIII Yet I resist: my Father ’gins to rage: “How now, you minion, must you have your will? Becomes it you to cross us in our age? It is thy due our pleasure to fulfil : Is this the way for to requite the pain Which for thy education we have ta’en ? Patrick Hannay XXXIV Thou canst ne’er that repay, thou'lt still be debtor, Yet still we travail to have thee preferr’d : 200 Wants Zurian worth? deserves He not thy better ? Reform thyself, acknowledge thou hast err’d. The law divine (which you so much pretend,) Commands thee to thy parents’ will to bend. XXXV What though that S“eretine be gentle, free? Yet he hath left thee languishing alone : Turian is no less courteous than he, He flies not from thee, gives no cause of moan : Had Sheretine but half so dearly lov’d, He had not from thy sight so far remoy’d. 210 XXXVI Nor are their fortunes equal: near our friends, Is TZurian’s state, fair lands and signories : Sheretine’s most on doubtful war depends, ; It is by others’ ruins he must rise: Who would such Worth with Certainty forgo, For Worth and Likelihood, with fairest show ? XXXVII Then, foolish lass, leave off and con- descend, It is my will and I must have it so.” My mother follows on, as he doth x end, “Ah, daughter, I beseech thee by that woe, 220 By the sore throbs I did for thee endure, Whilst (yet unborn) these sides did thee immure ; ( 064 ) [Canto II XXXVIII By these lank breasts at which thou oft hast hung, And lookéd in mine eyes with child- ish toys, Oft fallen asleep whilst I have to thee sung, Do not now strive to stop our coming joys: Who now can be more tender, wish thee better, Than she, whom Love to such kind work did set her? XXXIX Shalt thou, the only pledge of ancient Love, The sweet-expected comfort of mine age, 230 That hopéd happiness fra meremove, Which thy ne’er-disobeying did presage ? I know thou wilt not, dear child ; then incline, Scorn to be his that left for to be thine.” XL My kinsman urges, adds to what they said, Turian extols, detracts my Sheretine, Lessens his means, affirms he is unstaid, Hath wand’ring-thoughts : if his love had not been Quench’d—with my beauty if he still had burn’d, He had not gone, or sooner had return’d. 240 XLI Turian himself (with tears) doth tell his woes, He needeth not protest to move belief. Passion is soon perceiv’d, his out- ward shows Did well bewray great was his inward grief, He doth not feigntd (for the fashion) mourn, As widows oft, and rich heirs atthe urn, CanTo II] XLU “ Children obedience to their parents owe, Igrant,” (said) “butin alawful thing ; This is not, you me freely did bestow, I did submit ; fra Sheretine to wring Me now were wrong, in me a foul offence : 251 To disobey here, is obedience. XLII Parents give being, noble benefit, If with’t content, if not, better un- born : Yet even the best doth oft-times bring with it A misery whereby the mind is torn, For making children capable of woe, Must they free Choice, the best of bests, forgo. XLIV Our Minds must like, none by attorney loveth, If Love decay, we cannot grieve by friends : 260 From Marriage, Love Misery re- moveth, On Love all wedlock’s happiness depends. ’Twixt those ne'er lik’'d, what hope zs love will last, When ’twixt those dearliest lov’'d oft falls distaste? XLV If Zurcanthan he ismore noblewere, More virtuous, more rich, of higher degree : Sheretine more mean, more poor, less worthy far, Yet he hath that, that more con- tenteth me. It’s not in us to love or to despise, They love by Fate, whose souls do sympathize. 270 XLVI I grant his worth is worthy of respect, Sheretine and Mariana Tears for his grief, my cheeks have often stain’d : Yet with that love I cannot him affect, Wherewith a husband should be entertain’d. ’Twixt those who wed, if wooing love be cold, The married friendship can no long time hold. XLVII Yet do suppose I could affect him dearly, How might I with my plighted faith dispense ? Oh, how my conscience is touchéd nearly, Even with the thought of such a foul offence. 280 flow can that prosper, or have happy end, Which sin begins, and still must God offend? XLVIII For I cannot be lawfully his wife, Lt’s not the act that ties the marriage knot, ft is the Will; then must I all my life Be stained with Unchastity’s foul blot. O grant me then my choice be either free, Or an unstainéd Virgin let me die. ” XLIX All would not do, my father so austere Commands, and must not, will not, be denay’d. 290 My mother and my kinsman will not hear ; Turian still urgeth, they must be obey’d: “© Heaven, bear witness, since you force me do it,” (Say I) “my heart doth not con- sent unto it.” 286 Unchastity’s] Orig. ‘Inchastitie’s.’ ( 665 ) Patrick Li Thus ’gainst my will I give myself away, They (glad they gained) every thing do haste: Fearing disturbance by the smallest stay, They think them not secure till it be past. I to my chamber go, on bed me threw, Which my moist eyes do suddenly bedew. 300 LI With these complaints I entertain the time - ‘‘Ah, must I now my hopéd joys forgo ? Must pleasure perish with me in the prime? Must I be wedded to a lasting woe? Must I my settled fancy now remove, And leave a lawful for an unjust love ? LU Must I recall my promise freely given, And falsify my faith unto my friend ? Is not my oath now register’d in Heaven ? Is not my Promise to its power ken’d ? 310 Ah, ah, it is, and therefore they decree To tie my life to lasting misery. LUI Ah, Sheretine, if thou but now didst know In what a case thy Mariana is: ac ’s surpris’d and taken by thy oe, Left comfortless, debarréd of all bliss : Would not relenting pity make thy heart To melt with sorrow for thy sweet love’s smart ? Hannay [Canto II LIV Free from their forcing to thee shall remain, Do what they can, my best, most noble part, 320 Which they shall want power and skill to gain, Reserv’d for thee shall be my Love, my Heart, Farewell, dear love, and as much joy possess, As doththy Marian unhappiness.” LV The day is come, we solemnly are wed, That part displeasing I do over- pass : You easily may think my heart was sad, When forcéd thus against my will I was. Vain were their wishes, who did bid us joy ; Sad grief my nuptial pleasure did destroy. 330 LVI Castalde in Hungaria arriv’d ; Agria in haste commands to fortify, A town of great import, but yet depriv’d Of natural strength, or artfulindustry. There was his Rendez-vous, his men there met, For Zransilvaniaforth by Zyssthey set. LVII They in battaillie march TZibzscus past, Till they arrive at small, weak Debrezen, While Casta/d with the Friar to meet doth haste, A Diet’s held at Lgneth by the Queen. 340 The Friar with craft hinders her enterprise, By fear or flattery makes the Lords to rise. 337 battaillie] The form ‘ battaillie’ seems better kept. ( 666 ) CanTo IT] LVIII The Diet thus dissolv’d, the Queen’s design Is overthrown, vanisheth to smoke: To Aleiula with her son, in fine, She doth withdraw; there fearing sieging shoake, And weakness of the place, to Sassebess Makes her retrait, which more strong sited was. LIX Albeiula George besiegeth strait, To take it fairly, or to throw it down, 350 Is bent; it kept the Queen’s jewels and plate, The Gown, the Mantle, Sceptre, Shoes and Crown. The cannon vomiting forth fiery balls, In divers places shakes the mould’ring walls. LX With braver courage than the Priest expected, The valiant besieged did defend : To Castald \etters George in haste directed, Post after post with diligence doth send, Wills him to speed, yet ’cause he saw small haste, T’ accord with Zsaée/ he thinks it best. 360 LXI Ten thousand Spanéards thither to his aid Were coming (and now nigh) Fame did report : Whereby the Queen was troubled, sore afraid, Accords with George to render in such sort, Sheretine and Mariana As she might have her movables of worth From Adbeiula safely brought her forth. LXII The Zriar at Egneth with Castalde meets, Albeiula Dalmas being ta’en : With joyful semblance one the other greets, Yet craft and jealousies in heart retain. 370 ferdinand’s letters George chief guider made, Whereof th’ ambitious Bishop’s very glad. LXIII To Sassebess they come to find the Queen, And there arise at third hour of the night : Within two days the Lords they do convene, They sit in counsel, Cas¢a/d to their sight Shows his Commission, wills the Queen restore That Province as it was agreed before. LXIV He many arg’ments to this end doth urge, It was concluded by her late Lord ohn 380 The Zurk (the Christian’s common foe and scourge) Could not be daunted with so weak a one. She held it but with trouble and unrest, At the Zurk’s pleasure might be dispossest. 344 overthrown, vanisheth] Orig. ‘overthrowne, vanisheth’ may be ‘ overthrown, evanisheth,’ and so save the metre. 346-8] The poet, who, from his little doggrel mottoes downwards, shows various signs of acquaintance with Spenser, has taken an extreme Spenserian liberty with ‘shock’ to get the rhyme, though Scotice it is fairly phonetic. ‘Retrait’ is actually Spenser’s, though he usually spells it ‘ retrate.’ . . 372 Hannay does not often rise high : but he seldom sinks as low as this. ( 667 ) Patrick Hannay LXV Not only Hungary thereon depends, But the whole good of all the Christian state, Her Power weak, she wanted help of Friends, Unable his encroaching force to bate: A mighty Prince was meeter him to curb, If he the common peace durst to disturb. 390 LXVI To theold offers, henowaddeth more. Th’ Infanta /oan to her young son Stephen With crowns a hundred thousand to her dower, By erdinand should faithfully be given. All like this well, all willingly it hear, And send to her this message by the Lyiar. LXVII Whilst, unresolvéd things thus doubt- ful hung, She with Casta/d hath private con- ference : Bitterly plaineth of the Prelate’s wrong, Wherewith her patience can no more dispense. 400 Constrain’d by need, she yields to Ferdinand, George thereof knowing, seeks it to withstand. LXVIII He thinks if settled peace were surely plac’d, And all the civil broils were fully ceas’t : His plumes were pluckéd, he should be disgrac’d, Whonow is most, should be regarded least. 392 Joan] ‘ Jo-an,’ as in ‘ Joanna.’ [CANTO II Oftena gold-affecting Prelateproud, For private ends hinders a public good. LXIX The Queen unto Castalde accuseth, (Inconstancy and cunning she did doubt :) 419 him ‘Toratify th’agreement rather chuseth, Castalde Jabours how tobring’t about: There is a Diet call’d at Colosvar, The States from all sides to it do repair. LXX The day come, and the regal orna- ments Produc’d, the Priest desires the Crown in keeping : With sobs and sighs her inward sorrow vents ; Scorn and Disdain detain her eyes from weeping : ‘What, shall I to a base Friar give the Crown, Whereof I dispossessed myself and son?” 420 LXXI She said. Then in her hand the Crown she took, In presence of Castalde and her Son, And all the Lords, her eyes tears cannot brook ; In pearly torrents o’er her cheeks they run. The tears which from her Son’s eyes did distil, Show’d the surrender was against his will. LXXII “Since froward Fortune (that in change delights, Wherewith her fickleness infects the world, Hath us subverted loaded with despights, 429 despight] The influence of Spenser, which is often strong in the earlierseventeenth century, appears again in this context with the present ‘eye-rhyme-spelling,’ the rhyme of ‘entreat’ and ‘estate ’ below, and ‘ Mutability ’ lower still. Each separately would prove nothing; but they are a// Spenserian. ( 668 ) CANTO IT] And all her mischiefs on our heads have hurl’d :) 430 Makes me this woful resignation make, My Mates, thy father’s Kingdoms to forsake ; LXXIII Yet shall She not amidst all these annoys Let us but that in this we'll take content, Since we must leave them, that he them enjoys Who is a Christian; Here I them present To thee, Castald, for Ferdinand, tell we Not by constraint, but yield them to thee free. LXXIV Now we submit ourselves unto his Grace, With all our fortunes, humbly him entreat 440 (Since sprung of princely blood and royal race) To take some pity of our poor estate : Let not his bounty now deny relief, Nor breach of promise add unto our grief. LXXV And thou (sweet Join) my dear and tender son, Since now our fortune’s not sufficient That to repair, that malice hath o’erthrown Without the aid of others: be con- tent ; Midst of such miseries, I thought it best With private loss to gain a public rest. 450 LXXVI Like to a Prince (though not like to a King) Yet thou mayst live with some good certainty, When Destiny’s disgrace on Kings do bring, ( 669 ) Sheretine and Mariana There they govern with Mutability : Dear Child, of friends, of aid, of hope forsaken, For thy repose this course is undertaken. LXXVII Yet ’mongst these troubles let us not despair, Nor doubt but thou art kept for more command ; Think it not strange, nor be dismay’d with care, Where thou didst first take breath to leave that land, 460 Love Virtue, Virtue’s dignity’s so great, Fortune cannot debar it long from State. LXXVHI I grant there’s cause of grief, to give away This Crown thy father’s temples did adorn, And if false fortune had not put a stay, Had now upon thy Kingly head been worn : But now with Patience we must be content, Lach state doth change, no king- dom’s permanent.” LXXIX Thus spoke she with such penetra- ting words, (And therewith did deliver up the Crown) 470 As they did pierce the hearts of all the Lords, But chiefly George, in tears his eyes did drown. Castalde with kind words strives to appease Her sorrow, and to ’swage her swelling seas. LXXX Within few days she doth from thence depart, With painful travel and in habit poor, Dissembling not the anguish of her heart, Patrick Hannay She manifests itto her utmost power ; Towards Cassovia she doth take the way, Where a steep hill enforceth her to stay. 480 LXXXI The roughness hinders her in coach to ride, She ’s fain with labour on her foot to £0, Her tender child and ladies by her side, The only now-copartners of her woe, Whilst they ’re on foot, a sudden storm doth rise, Black pitchy clouds enveloping the skies. LXXXII The wind and rain them _boister- ously did beat, She blameth Fortune that is not content To be her opposite in matters great, But even in trifles, thus her spite to vent, 490 She attributes it to her Destiny, That she is subject to such misery. LXXXIII Therefore a little for to ease her mind, Under a tree for shelter she took seat : Sic fata volunt carved in its rind, Regina Isabella under-wrait. Ah, wretched Queen, no wonder thou wast sorry To fall so low, from such a height of glory. LXXXIV She to Cassovia comes, and bears it out With patience, till Fortune's fury’s past : 500 With Zime, her rolling wheel doth come about, And she is of her country repossest. God grant her soon her state, and kingdom Lost, [Canto II Who with more courage bears it, though more crost. LXXXV Castalde having what he would obtain’d, Lord John Alphonse Castald with the Crown He sends to Ferdinand: my Lover pain’d, With ling’ring-stay for Vien’s ready boun. Castald (though unwilling) con- descends, Loath for to part at once with two such friends. 510 LXXXVI In journeying every hour he thinketh two, The nearer, he doth think the leagues the longer : His love increases, and he knows not how, The nearer to Me, his Desire is stronger. Long-look’d-for Viex he beholds at last, Spurr’d by Desire, he to it hasteth fast. LXXXVII Thinks with himself, “‘O what a joy- ful greeting Will’t be when Marian sees her Sheretine ! How shall we bear ourselves at this wish’d meeting ? Can the joy be express’d we shall be inP” 520 Ah, Sheretine, how little didst thou know, How far from joy thou wast, how near to woe. LXXXVIII No sooner he in Vien’s come, but hears The sad news of the thing he least suspected : He thinks them mandrake-sounds, he stops his ears, 496 under-wrait] A little plsquam-Spenserian, ( 670 ) CaNnTO IT] He trows each tongue with poison is infected : He none believes, he thinks that each tongue lies, Longing to see me, to my home he hies. LXXXIX He came, in Zuvian’s arms me lockéd found, He could not trust his eyes (though still he gazed): 530 No doubt his heart receiv’d a deadly wound, Long ere he spoke, he was so much amazed. At last, “Is this the constancy ” (he said) “Should be heard of?” that spoke, no longer staid. XC My heart was no less cut with Care than his Because he staid not to hear my excuse, I know he deem’d I willing did amiss, Which did more sorrow in my soul infuse : Taking no leave, he fair Vienna leaves, Accompanied with care-increasing griefs. 540 XclI All woe-begone, he wanders here and there, Looks most for rest when furthest from resort, Submits himself solely to sad Despair, With cheering comfort he cannot comport : At last he came unto an obscure shade, Where mirthless Wedancholy man- sion had. xc Low on the ground grew Hyssop, Wormwood, Rue, The mourning mounting trees were Cypress green, Sheretine and Mariana Whose twining tops so close together grew, They all seem’d as they but one bough had been: 550 Covering a spacious tomb where cursed Care Herself had dire Despair. XCIII No wanton bird there warbled loving lays, There was no merry Merle, Gold- Finch, or Thrush ; No other hopping bird in higher sprays, No mourning Nightingale in lower bush : The carcass-craving Raven, Night- Crow, Owl, In this dark grove their hateful “notes did howl. XcIV This sullen seat doth suit well with his soul, There throws himself down in the bitter weeds ; 560 His heart did thrust out sighs, his tongue condole, His wat’ring eyes with bitter moisture feeds These hapless herbs, there ’gins he to lament, With interrupting sighs his woes to vent. sepulchriz’d with XCV “Ah, cursed Zime,” (and there a sigh him staid) “That ere I saw” (that scarcely he had spoken When that a groan his fainting speech allay’d, With such abound as if his heart had broken ; When sighs and groans had got some little vent, He ’gins anew his sorrows to lament.) 570 550 bough] Orig. ‘ Bow,’ perhaps for ‘bower.’ ( 671 ) Patrick Hannay XCVI * Ah, cursed Zime,” (said he) “that ere I saw The light, and that my Nurse did not o’erlie me ; Ah, cursed Zime, that first I breath did draw, Ah, cursed Zime, that did not Time deny me: Ah, cursed Zime! Ah, cruel cursed Time, That let me pass the springtide of my prime. XCVII Was it for this I was so sung and dandled Upon the knee, and watchéd when I slept ? Was it for this I tenderly was handled ? Was it for this I carefully was kept ? Was it for this I was so neatly nurst, 581 That I of all should be the most accurst P XCVIII Did Fortune smile in my young tender years, © To make me better relish now my pain? Then pour’dI outno bitter briny tears, That I should now have store my cheeks to stain? Did Fortune and the Fazes sttive to content me, That they might now with sorrow more torment me? XCIX Did cruel Zove yield unto my Desire, To know his pain by being dis- possest ? 590 And did my Marian with Love conspire, Did all agree to rob me of my rest ? Since it is Marian’s will, welcome Despair, Farewell all Joy, welcome Wee, Grief and Care. [Canto II c Welcome, since it’s her will, now wishéd Death, Long may she live, and happy with her choice : Iwill wish that solongas I have breath, Nay, even in death I will therein rejoice. Dear (though disloyal) Thou art still to me, So once (if thou not fain’dst) I was to thee. 600 cI If that one spark of thy old love remain, When thou shalt chance my timeless death to hear ; Let that somuch favour for me obtain, As offer at my hearse a sigh, and tear. And if some chance be by when them you spend, And ask the cause, say You have lost a friend.” cll Sorrow suffers no more, his tongue there stays, Heart-killing Cave prepares to stop his breath : His strength and colour by degrees decays, Grief seems to grieve, and for his help calls Death, 610 Who much displeastd so to see him languish, Soon with his surest cure doth help his anguish. cul No sooner heard I how my dear Friend died, (Soon it was known, for his friends had sought him :) And that his destiny was so descried, That to his timeless death my deeds had brought him : But that my ill-divining hapless heart Was suddenly assail’d with unseen smart. 614 A syllable seems missing: perhaps another ‘soon’ after ‘for.’ ( 672 ) CanTOo IT] CIV Now Zurvian I will no more come _ nigh, His flattering blandishments I now disdain : 620 He is despis’d, yet grieveth more to see The mistress of his soul thus seiz’d with pain : He with my sadness such a con- sort bears, Sighs as I sigh, doth weep when I shed tears. cv Sad discontent so wholly me possest, I seem’d not she that late I was be- fore: My woe that was by fits, isan unrest Which with a still increase grows ever more. From mirthful company I now absent, And melancholy walks alone frequent. 630 CVI Thus many days only heart-killing Grief Me still accompanied and did attend With black Despair, which told me no relief On earth could my least discontent- ment end: The days I spent in heavy plaints and moanings, In night I tire the answering walls with groanings. CVII Yet never could I sit, or walk, or lie, But still I thought I saw my Sheretine, With pale and meagre face standing me by, With wrathful look upbraiding me of sin, 640 Saying his soul could yet obtain no rest Amongst the souls in sweet Elysium blest. Sheretine and Mariana CVIII Twixt Hear and Love my heavy heart distract, Knew neither what to follow, what to flee ; Love bids me for my Sheretine to act A part that might me ease and set him free ; Persuades me and affirms I shall remain With my Love after in Elysian Plain. cIX Fear "fore my face makes horrid Death appear In ugly shape seizéd with smarting pain, 650 Making totrembleas he drawethnear ; Yet I with scorn his terror do disdain: Love doth prevail, I am resolv’d to fly, By death to keep my Lover company. cx Thus mourning, on my bed myself I threw, Saying, “Sweet Sheretine, behold and see, For thy sweet sake I bid the world adieu ; And now, dear Love, I come to live with Thee :” Then out I drew this blood- begoréd knife, Therewith to cut the fatal thread of life. 660 CxI Thrice was my hand heav’d up to give the stroke, Thrice down again my fearful hand did fall; Still fear dissuades, and love doth still provoke, Courage her forces tomy heart did call; Then gave this death’s wound, whilst my latest cry Was, Sheretine, behold thy Marian ate. 665 death’s wound] Cf, ‘deathsman,’ &c. ( 673 ) xXx X Patrick Hannay cx My Mother (with my latest shriek affrighted, Come in and finding me in such a guise) With sudden fright is lastingly benighted ; Fear-forctd Death seals up her aged eyes : 670 My Father rages, his gray hairs he tore, Turian (though still amazed), grievéd more. CXUI Pull’d out the blade, pans’d the blood-weeping-wound, Findeth it mortal, saw my soul de- part ; A frantic fury did him clean confound, He stroke himself on sudden to the heart ; Our blood doth mix in death, yet mine would run From his ; what life dislik’d e’en death would shun. CXIV My Father now doth find (though all too late,) The misery fore’d marriage doth ensue : 680 Unto the poor he gives his whole estate, The world (with his delights) he bids adieu. Heas a pilgrim from Vienna goes ; Where, when, or how he died, yet no man knows. 667 shriek] Orig. ‘scrike.’ ( 674 ) [Canto II CXV Then to these fields my sad Soul did descend, With my sweet Shevetine, abode to make : But when I came, I found my faithful friend With Charon passing o’er this grisly Lake: For my Death had his wronged Ghost appeas’d, So that He might pass over as he pleas’d. 690 CXVI I followed fast, thinking with Him to go, That I might still enjoy his company : But I was stay’d as I before did show Until thy AZuse should pity taken on me: And now by thy sweet Caedia’s name once more I thee conjure, keep promise past before.’ CXVII Then back She brought me, and no longer stay’d, But with more cheerful looks did thence depart, With confidence she could not be denay’d What she desir’d, for her sake, hath my heart: 700 For Caefia’s sake my sole-adored saint, The world with dZarian’s woes I thus acquaint. FINIS 673 pans'd] Another Gallicism. A Happy Husband: OR DIRECTIONS FOR A MAID TO CHVSE HER MATE. Together with A WIVES BEHAVIOVR after Mariage. The fecond Edition. By Patrick Hannay Gent. PROPER. Exemplo junta tibt fmt in amore columba, Ma/fculus & totum feemina contugium. LONDON, Printed by John Haviland for Nathaniel Butter, and are to be fold at his fhop at S. Au/tins gate. 1622. To the virtuous and noble lady, the Lady Margaret Home, eldest daughter to the Right Honourable Alexander Earl Home, Baron of Dunglas, &c. THINKING with myself (Noble Lady) what I might present some way to express my love in remembrance of those not to be requited favours, which have wholly obliged me to your House: It came into my mind, that what is offered to Gods, or great ones, ought rather to be apt, than equal: and that it was held absurd in old time to offer an Hecatomb to the Muses, or an Ivy wreath to the God of War. I thought no offering could be more conformable to your virtues than this Husband, which of due doth challenge a maiden-Maecenas: and none so fit as yourself, who even in these years by your budding virtues, do well bewray what fruit your riper years will produce. Accept it then (Madam) as an acknowledgement of what is due by me to your deservings, which have bound me to abide ever yours In all dutiful observance, PATRICK HANNAY. TO WOMEN IN GENERAL In things of weight and moment, care and circumspection are to be used, with a truly grounded judgement before resolution. Now in human actions none is of more consequence than marriage, where error can be but once, and that never after remedied. Therefore in it is great caution re- quired before conclusion, the sequel of staid deliberation, or unadvised rashness, being a happy, or a wretched life. And therein is another’s counsel most necessary (though through the whole course of man’s life it be safer than the self-conceived) : for affection, which in other affairs doth oft over- rule reason (even in the wise) doth in this ever hide the faults of the affected under the blinding veil of love. This hath caused me for the weal of your Sex to produce this Husband to the light, not gain, or glory; knowing well the vulgar and critic censurers in this age do rather detract, than attribute: but I care not much for their opinion : who dislike, may freely abstain : if any give better, I shall willingly assent; take it as it is meant, for your good, to displease none, and to content all. P. Hannay. To Overbury’s Widow, wife of this Husband LEAVE, worthy Wife, to wear your mourning weed, Or bootless stain your cheeks for him that’s dead; But rather joy, and thank this Author’s pen, Hath so well match’d thee with this matchless man : For Overbury’s Ghost is glad to see His widow such one’s happy wife to be. R. S. Overbury’s Widow] Allusions to Overbury’s poem of A Wife, complicated or not with others to his miserable fate, are abundant at the time. ( 677 ) Patrick Hannay To his Friend the Author Tuy happy Husband shows thy high ingine, Whose muse such method in her measures can, The matter shows thy manners are divine; Thy practis’d virtues shows thou art this Man: I half envy that highly blessed Maid, Whose happy lot shall be to link with thee, And well-nigh wish that Nature had me made To his Friend Mr. FRIEND, I am glad that you have brought to life A Husband fit for Overbury’s Wife ; Whose chastity might else suspected be Wanting too long a Husband’s com- pany: A woman; so I such one’s wife might be: Detraction is distraught thy lines to see And swell’d with envy, can no words bring forth, 10 Her baseness cannot parallel thy worth, Which still shall live unto eternity : For after Ages reading of thy verse, Shall deck with Laurel thy adoréd herse. Less Patrick Hannay But now being match’d so well by your endeavour, She’ll live a chaste Penelope for ever, And you brave Overbury make to be Your brother-in-law by act of ingeny. W. Jewell. To the Author WHEN I behold the Author and his book, With wonder and delight on both I look ; Both are so like, and both deserve so well, Were I not friend, I in their praise would dwell, But since I should seem partial, I think fit To leave their praises to a better wit: Yet Husband like to this I wish God send To those are chaste, and to me such a friend. Live each in other, be each other’s praise, Time shall not end your glory with your days. 10 Edward Leventhorpe. The Argument MARRIAGE ordain’d; the man made head, That kind may be, like like doth breed: God blest it ; youth it best befits : The Author will not try his wits ‘To make one man of many parts, Painters do so to show their Arts: His birth and breeding first he shows, Equal, and good; the wants of those What ills they breed, yet self-gain’d glore 20 he s’d] ‘s’d’ for ‘ should’ is, I think, The absence of ‘h’ Scotice. ( 678 ) He doth prefer both these before. His shape must not deforméd be, Nature makes house and guest agree. His stature neither low, nor tall; The mean in each ts best of all: Not curious to be counted fair, It’s womanish to take that care ; Free from affecting gifts of others, That self-weakness still discovers. Such one found, then next is shown What vice he s’d want, what virtue own: 20 Io one of the rarest of these contractions. Commendatory Poems Wealth must be set aside to try, (It is a beam in judgement’s eye.) What ill doth haunt her weds for gold, Is told: with the content of old, When virtue and simplicity Did choose: then he doth let her see The Worthies that the World brought forth, Woo’d ne'er for wealth, but still for worth. With virtue this man should be nurst, If’t be deprav’d, he’s worse than first : 30 Drunkenness, gaming, he must want, He shows what ills such unthrifts haunt ; He must not haunt another’s sheets, With grace, foul whoredom never meets 5 He must have spent well his time past, A wicked crime’s bruit long doth last : His humours must with hers agree, Or else true friendship cannot be; He must fear God, for on that fear Wisdom doth her building rear, 40 It’s that makes honest; Honesty In show, not deed, is policy. He must propose a certain end, Whereto his actions all must bend ; He must have unfeign’d piety, And serve in truth the Deity : The four chief virtues, in some mea- sure, Must hoard up in him their treasure, Whereon the lesser do depend: Age and behaviour do him end. 50 Another To keep him good, his wife must be Obedient, mild, her huswifery Within doors she must tend ; her charge Is that at home; his that at large: She must be careful; idle wives Vice works on, and to some ill drives : Not toying, fond, nor yet unkind, Not of a weak dejected mind, Nor yet insensible of loss, ( 679 ) Which doth with care her Husband cross: 10 Not jealous, but deserving well, Not gadding, news to know, or tell; Her conversation with the best, In Husband’s heart her thought must TESS Thus if she choose, thus use her mate, He promiseth her happy state. A HAPPY HUSBAND: OR, Directions for a Maid to choose her Mate In Paradise God Marriage first ordain’d, That lawfully kind might be so maintain’d ; By it the Manis made the Woman’s head, And kind immortalizéd in their seed : For like produces like, it so should be, God blest it with Jncrease and multiply. Nature requires it, nothing is more just, Who were begot, beget of duty must. It Youth becomes, Age is unapt to breed, Old stocks are barren, youthful plants have seed. 10 Then, virtuous Virgin, since stich blessing springs From wedlock (which earth’s greatest comfort brings) Compell’d by love, which to thy worth is due, How to choose well thy mate, I will thee shew ; Whose sympathizing virtues may combine Your hearts in love, till death life’s thread untwine. It’s not my mind the rarities to glean Of blest perfections I have heard or seen ; And take the best, where bounty doth abound, And make a Husband, (nowhere to be found :) 20 The painter so from boys, and girls did take 23 hew] In the general sense of ‘character,’ ‘ quality.’ course Scots. ( 680 ) Best of their beauties, Helen fair to make ; No, I will paint thy mate in such a hew, As Care may find: Dzscretion must allow. To choose aright, know from what ‘stock he’s grown ; The birth suits best, is nearest to thine own : Dislike makes higher Birth deem lower base, Lower will never by thy Birth take place: : In Man the fault is more to be excus’d, Who of low birth (for beauty) hath one chus’d ; 30 His lightness therein ever love is deem’d, Yet as his place, his Wife shall be esteem’d. But when a Woman of a noble race Doth match with Man of far inferior place, She cannot him ennoble, he is still In place as she first found him, good, or ill: His breeding will his birth still to thee tell, for as the Cask, the liquor still doth smell. A crab, though digg’d and dung’d, cannot bring forth A luscious fruit ; so hardly man of worth 40 Doth from base stock proceed : still like itself Nature produces; force of golden pelf The rhyme of ‘alloo’ is of A Happy Husband To alter that’s not able, yet we know Oft Men of worth have come of Parents low: For Parents’ placeisnotthe Children’s merit, Yet it adds grace, if they their worth inherit ; If not, it adds to shame: for from high race Virtue’s expected due to such a place : For undegenerate heroic minds They should possess, are come of noble kinds: 5O What man’s own worth acquires with virtuous ends, Is truly his, and not that which descends. Cicero brags (and justly) that his line He did in glorious virtue far otit- shine, Which was his honour: They no honour have, Who (idle) add not to what they receive ; It is his own worth every Man doth grace, Less or more eminent, as is his place : For Virtue (though aye clear) yet clearest shines When she doth dart her lights from noble lines. 60 A glorious flame blazing in valley low, Is soon barr’d sight, nor doth it far way show, Obscur’d with neighbour objects : but on high A little Beacon to both far and nigh Shows like a bearded Comet in the air, Admir’d of some, of most accounted rare. Choose thou a Husband equal to thy race, Who’s grac’d by virtue, and doth virtue grace ; Things different do never well agree, True liking lodges in equality: 70 Better than birth his Parents’ virtues know, from poison'd springs no wholesome waters flow. As for his shape, I would it should be free From (Nature’s note of spite) De- formity : Deformédshape is of so bad a nature, That it’s dislik’d even in a noble creature ; Where comely shape with love at- tracts the eyes, By secret sympathy of all it sees. England’s third Richard, and the wife of Shore, The one deform’d, the other grac’d with store 80 Of bounteous Nature’s gifts, do show th’ effects Of Love and Hate, to good and bad aspects ; She (when she bare-foot with a taper light, Did open penance in the people’s sight) Went so demure, with such a lovely face, That beauty seem’d apparell’d in dis- grace : But most when shame summon’d the blood too high With native stains, her comely cheeks to dye In scarlet tincture. She did so exceed, That e’en disgrace in her delight did breed ; 9° Firing beholders’ hearts that came to scorn her, So Beauty cloth’d in baseness did adorn her, That e’en the good (who else the vice did blame) Thought she deserved pity more than shame : 85, 86 A couplet not quite unworthy of Dryden, yet unborn. ( 681 ) Patrick Hannay Condemning cunning Richard’s cruel mind Who caus’d her shame, the multitude to blind, Lest it his greater mischief should behold, Which his ambition-plotters had in mould : So in them was the force of feature seen, Who, if less famous, had more happy been. 100 Thus Nature makes each body with the mind Some way to keep decorum: for we find Mark’d bodies, manners cross accom- pany, Which in well-shap’d we seld, or never see : For she doth, builder-like, a mansion frame Fit for the guest should harbour in the same. No stature choose too low, for so in time Thy offspring may prove dwarfs ; yet do not climb To one too tall : for butldings mounted high, Their upper rooms seldom well JurnisWd be: TIO Herein observe the mean, it’s best of all, Let him not be observ’d for low nor tall. Fresh, lively colours, which fair woman grace, Modest, effeminate, alluring face, Is not so much in Man to be respected, As other graces are to be affected : The bloom of beauty is a fading flower, Which Age and Care consumeth every hour ; 130 pearls] Orig. ‘ purles’ = ‘pearls’? It blasted once, is ever after lost, Like to a rose nipt with untimely frost. 120 A manly face in Man is more com- mended Than a fair face from sun and wind defended. A Carpet Knight, who makes it his chief care To trick him neatly up, and doth not spare (Though sparing) precious time for to devour, (Consulting with his glass) a tedious hour Soon flees (spent so) whiles each irregular hair His barber rectifies, and to seem rare, His heat-lost locks to thicken closely curls, And curiously doth set his misplac’d pearls. 130 Powders, perfumes, are then profusely spent, To rectify his native nasty scent : This forenoon’s task perform’d, his way he takes, And chamber-practis’d craving curt- sies makes To each he meets ; with cringes, and screw’d faces, (Which his too partial glass approv’d for graces :) Then dines, and after courts some courtly dame, Or idle busy "bout misspending game ; Then sups, then sleeps, then rises for to spend Next day as that before, as t’were the end 140 For which he came: so womaniz’d, turn’d Dame, As place *mongst Ovzd’s changelings he might claim. Or is it in the sense of ‘purling’? Cf. ‘ purling billow’ in ‘ On the Queen’ inf, and ‘ purling Zephyr ’ in the second Elegy. 138] Orig. ‘busy-bout.’ alteration seems pretty certain. ( 682 ) But the subst. ‘bout’ would make no sense, and my A Happy Husband What? Do not such discover their weak mind (Unapt for active virtue) is inclined Tosuperficial things, and can embrace But outward Habits for internal Grace? The mind’s gifts do the body's grace adorn, Where that’s defective, toaffectts scorn. For Action’s hinder’d by too much observing Of decency: but where a well-de- serving 150 And settled reputation is ; then there Each thing becomes, and is ac- counted, rare : Where that’s defective, striving to affect Another’s worth, their weakness doth detect. Let thy Mate be what such do strive to seem, Thou must the substance, not the shade esteem : When thou hast found this well-form’d cabinet, Try what rich jewels are within it set : Set wealth apart, thou shalt more clearly see His Virtues (Riches dazzle judgement 's Lye.) 160 Who weds for wealth, she only wealth doth wed, Not Man which got, and in posses- sion had, Love languishes : yet till one’s death she’s fore’d To live with him ; though wealth fail, yet divorced They cannot be; so is she all his life His riches’ Widow, though she be his Wife. That golden Age when sullen Saturn reigned, For Virtue’s love, not gold’s, theglory gained ; To be so styl’d, it was not then de- manded How rich in gold, or how that he was landed : 170 When they did woo, simplicity had wont Be first, which now is last, in least account ; With Virtue leading Love, be Wed- lock’s aim, And greatest wealth, apureunspotted name : They liv’d and lov’d, then joying each in other, Not fearing that their AZate should love another, Seduc’d by tempting Gold; their time they spent Free from distrust, or open discon- tent. But the next Age, when as our mother Earth (Fertile before in voluntary birth) Was sought into, and had her bowels torn 181 For hidden wealth: then when the keel was worn, Ploughing the Ocean for his hidden store, The sweet Content did vanish was before; The silly Maid (then ignorant of ill) Having no Wealth might live a Maiden still, And die (except seduc’d) so; the poor swain (Though virtuous) was straight held in disdain. But yet the Worthies that the world brought forth Since that blessed Age, postponéd wealth to worth. 190 Great Alexander did disdain the offer Declining Darius with his Child did proffer, 192 Darius] Hannay is guilty either of ‘Darius’ or of bad metre. ‘ Declining’ is of course to be taken with D., not A., and equals ‘ falling.’ In the next line ‘ Maced’s’ is textual and short for ‘ Macedon’s,’ but I do not know whether the genitive with ‘full’ as a noun or the plural with ‘full’ as an adjective is the more likely. ( 683 ) Patrick Nor Maced’s full of Gold, nor Eu- phrates’ brim, To bound his Empire, could inveigle him: But he for that rather contemn’d his foe, For thinking he could have been conquer’d so. True worth doth wealth as an adat- tion take, Defective virtues wants of weight to make : Virtue’s best wealth wherewith he should be nurst, That smell stays long, a vessel seasons Jirst. 200 Yet build not there, for good natures depraved, Are still the worst, so thou may’st be deceived. See that he have so spent his fore- past time, That he be free from censure of a crime. Youth’s apt to slip: but a notorious deed From Nature, not from Age, doth still proceed ; And though that Fortune herein oft hath part, Yet th’ actions still are judgéd from the heart. Adrastus thinking to revenge the harms Of his dead Love, his naked weapon warms 210 In his brother’s bosom (too dear blood to spill) Instead of his that did his Lady kill: Fleeing toCroesus,he him entertain’d, Where his behaviour so much credit gain’d, As Lydia’s hope, young Atis, Croesus’ heir, He got in charge; whom, hunting, unaware His hapless hand unfortunately slew, Whiles at a boar his dismal dart he threw : ( 684 ) Hannay Yet was it thought intention, and not chance, Till being freely pardon’dthe offence, Lest more disast’rouschances should fall out, 228 His own self-slaughter clear’d them of that doubt : Thus when opinion hath possessed the mind, It leaves a deep impression long behind ; And they must do much good, that have done ill, Ere they be trusted, wert by fate or well, See Drunkenness (from which all vices spring) Do,no way stain him ; for that still doth bring Contempt, disgrace, and shame: Circe made swine Of wise Ulysses’ fellows, drunk with wine. 230 The Macedonian Monarch (lately nam’d) Is not for worth so prais’d, as for that blam’d ; He in his drink destroy’d his dear- est friend, That did ’fore him his Father’s deeds commend : Nor could his after-tears wash off that stain Which doth to blot his actions still remain : For if one would his glorious actions show, How strong, chaste, valiant, mild to captiv’d foe ; With such brave deeds though he the world hath fill’d, Yet this still stays, He drunk, dear Clytus kill’d. 240 No Gamester let him be: for such a Man Shall still beloser, do the best he can ; His mind and money it frets, and destroys And wastes the precious time he. here enjoys : A Happy Husband Some in less time unto some Art attain, Than others spend in play ; some’s pleasing vein Will seem so mild, in this dear double loss, They outwardly not take it for a cross : But when all’s gone (for they but then give over) Their smother’d anguish they at last discover ; 250 Whereof man’s foe, the Fiend, advantage takes, Whiles on self-slaughter’d rooks, he gathers wrakes. Examples hereof we may daily see, How some by halter, some by poison die ; And who go not so far yet their last ends Contemned need, and misery attends: Lor this ill haunts them, who to play are bent, They seldom leave till their estate be Spent. With other’s sheets let him not be acquainted, ( They are still stain’d, whom once that sin hath tainted) 260 And never hope to have him true to thee, Who hath oft prey’d on chang’d variety : Be sure who hath had choice, will ne'er digest To feed on one dish,( though of sweet- est taste) And whoso strays, loves not, but lusts ; in one Doth Love delight, when that leaves, Love is gone ; For Grace and Lust ne’er harbour in one Inn, And where Zwst lodges, ever lodgeth Stn : Which Siz when it is to a habit grown, Not fear of God (but Man, lest it be known) 2"0 Doth stay the execution: but be sure Though the act be hinder’d, yet the heart’s impure, Whose lusts will predomine in time and place, Not over-rul’d by God’s preventing Grace. Besides, he will be still suspecting thee, Though thou beest pure as spotless Chastity : For vice ts ever conversant intl, And guilty as ttself thinks others still. Upon this Earth there is no greater Hell, Than with suspecting Jealousy to dwell. 280 See that his humours (as near as may be) Do with each humour of thy mind agree ; Or else contention, and dissension still, Will bar your sweet content ; while the one’s will The other’s doth resist, Love cannot be, *T wixt fire and water, they will ne’er agree. True friendship must express ’twixt man and wife, The comfort, stay, defence, and port of life, Is perfect, when two souls are so confus’d, And plung’d together (which free- will hath chus’d) 290 246 vein] Orig. ‘ vaine’ ; but this is a very usual spelling of ‘ vein,’ and I do not think ‘vain’ makes sense. 252 rooks] ‘pigeons’ rather; but the birds often interchange parts. There is a complicated play on words in this line. ‘sea-weed,’ with which sense ‘rook’ has to suggest ‘rock,’ ‘anger,’ ‘revenge’: cf. wreak.’ ( 685 ) ‘Wrake’ is properly in Scots=‘ wrack’= But it may also mean Patrick As they can never sever’d be again, But still one compound must of both remain : From which confuséd mixture, ne’re proceeds Words of good turns, requitals, helps of needs ; For it is ever after but one soul, Which both their wills and actions doth control ; And cannot thank itself for its own deeds, (What ts done to itself, no self-love breeds :) But this holds not where humours disagree, There’s no concordance tn disparity. See he fear God, then will he fear to sin ; 301 Where Vice doth leave, there Virtue doth begin : St is nipt in the bud, when we do mind That God’s all light, and can in darkness find What we can hide from Man; the reins and heart He searches through, and knows each hidden part, And each thought long before ; we cannot hide Our faults from Him, nor from His censure slide. The Wiseman saith, it’s Wisdom’s first degree, To have a true fear of the Deity ; For that makes Honest : Honesty’s commended, 31 Whether sincere, or for a cloak pretended. The vulgar Honesty, servant to Laws, Customs, Religions, Hope and Fear it draws, Be more or less according to the times, Hannay It stillis wavering, difference ofclimes Makes it unequal, rather Policy I may call such respect, than Honesty : Which still aspiring, quickly oft mounts high, And in short time unto that mark comes nigh At which it aims: false grounds, A sudden fall it unawares confounds. But Honesty doth always go upright, With settled pace ; not wavering for the might Of winds, times, nor occasions: it goes slow, But still attains the end, towards which doth go. Now such an Honest man I wish thee find As still is Honest, out of Honest mind : That’s Wisdom’s first ground: next is to propose A certain form of life; for ever 320 but builded on those 330 (Who divers in themselves) aim at no end, But as occasion offers, each way tend, Never attain the mark. Jf Hawk assay Zo truss two Birds, she doth on neither prey : These grounds being laid, an un- feign’d Piety Must build thereon, and though that divers be Religions, Laws ; yet ours amongst them all Is truest, purest, most authentical. Religion true, loves God, and quiets us, 339 And restsin a soul freeand generous: Where superstition is a frantic error, Aweak mind’s sickness, and the own soul’s terror: 293 ne’re] Sic in orig, : but ‘never,’ which is the usual expansion of ‘ ne’re,’ does not seem to suit. ‘ There’ is possible ; and no doubt there are other possibilities. 313-6 This passage is a mere jam of ellipses, &c.—expansible, but perhaps not worth expanding. ( 686 ) A Happy Religious men do still fear God for love, The superstitious, lest they torments prove. Let thy Mate be a man, whose settled faith Intrue Religion sure foundation hath: For ’twixt those bodies love doth best reside, Whose souls no self-opinions do divide : The four chief Virtues next in order 89, From which the rest as from four fountains flow ; 350 Prudence the first place hath, to see and choose, Which is so needful, and of so great use, That with it weighty things do seem but light, Without it nothing can be done of weight ; By it things even ’gainst Nature are achieved, A wise mind gains what many hands hath grieved. Just he must be himself first to command, For sensual things at Aeason’s Law must stand, The Spirit's power keeps the Passions still in awe, And strictly bounds them with an austere Law, 360 With Moderation it guides our desires (We must not all condemn Nature requires) To love things neat and needful, base things hate. It’s wantonness to live too delicate : But it’s mere madness to condemn the things Which needful use, and common custom brings. Next, to his Neighbour he that right must do Husband Which he expects, (freely, not fore’d thereto ;) Whom Law constrains, they falsify all trust, It’s conscience, not constraint, that makes men just. 370 As just, so valiant would I have him be, Not out of rashness or stupidity, It is a constant patient resolution Of bashless Courage ’gainst the revolution Of times and fortunes: it regards not pains, Where Honour is the Hire, Glory the gains : It’s sensiblecareful man’s self to save, Not daring offer wrong, more than receive. As Prudent, Just, and Valiant, so he must Be Temperate, this virtue hath foul lust, 380 And pleasure for its object: it commands, Laps, and reforms our sensual thoughts ; it stands ’Twixt a desire, and dullness of our nature, And is the spurrer on, or the abater Of ill or good, shamefast in refusing Things filthy, honest in things comely choosing. Though with perfection these no one man fits, Yet let him be free from their opposites : He must be sober, not given toexcess, It cures, and keeps in health, mznd it doth dress ; 390 Making it pure, and capable of good, Mother, and good counsel is the Brood : Lxcess doth dull the spirits, and breeds disease, So after punish’d by what first did please. 362 I have shifted the bracket from ‘condemn’ to ‘ requires.’ 385 One might suggest ‘is’ before ‘ shamefast.’ ( 687 ) Patrick Learn’d let him be, his learning general, Profound in none, yet have some skill in all ; Who’s deeply learn’d,"his Book is most his Wife, Conversing still with it, so of his Life His Wife not half enjoys, for most is spent In study, so what should yield most content, 400 Society’s debarr’d ; I do wish then Who are mere Scholars, may live single men: Learning besots the weak and feeble mind ; But polishes the strong, and well inclin’d : The one Vain-glory puffs with self- conceit, The other’s brain is settled /udge- ment’s seat. Then so learn’d let him be, as he may: choose Flowers of best Books, whose sweet scent he may use To rectify his knowledge, and distil From thence life-blessing precepts, which so will 410 Temper his understanding, that the frown Of fickle Fortune never shall cast down. Not bold in speech, no man of many words Choose thou a Husband, leafy tree affords The smallest store of fruit: words and deeds Seldom or never from one man ' proceeds. Who guides his words, he in a word is wise : Yet let him not be sullenly precise, But gentle, pleasing, not crabbed, or Both tart, The wise man’s tongue is ever in his heart ; 420 The fool’s heart’s in his tongue: 7¢ as great gain ( 688 ) Hannay For to be silent,and one’s self contain ; And see with whomsoever he converse, (Lest he be thought ill-nurtur’d, or perverse) That he be kind, obsequious, affable ; To fit himself unto their humours, able To change condition with the time, and place, Ls wisdom, and such levity doth grace : So Aristippus each face, each behaviour Did still become, and was a gracing favour. 430 Choose thou a Husband older by some years Then thou thyself art, Man age better bears Then Women: for bearing of child- ren makes Their strength decay, soon beauty them forsakes : Many crops make a field soon to be bare, Where that that bears not long con- tinues fair. Now, Lady, such aman I wish you find, As here I have describ’d, with whom to bind Yourself, is to be blest, leading a life Full of content, free from conten- tious strife. 440 A Wife's behaviour. Burt to find good, is not enough to show, But having found him, how to keep him so; Then since I have advis’d you how to choose him, I will give some advice how you should use him. Obedience first thy will to his must fit, (He is the pilot that must govern it) It man condemns of inability, A Happy When women rule, that are born to obey : Nor is it honour to her, but a shame To be match’d with one only man In name: 450 But if imperious he should more desire Than due respect doth of a Wife require, Think not harsh stubbornness will e’er procure him To be more mild (it rather will obdure him) ; The whip and lash the angry horse enrages, Mild voice and gentle stroke his ire assuages : From steel-struck flint we see the lightning flies, But struck ’gainst wool, the flashing flame none spies ; Nor is the clangour heard : the one’s soft nature Is to the other’s hardness an aba- ture. 460 Win thou thy mate with mildness: for each cross Answer’d with anger, is to both a loss: Like as the sea which ’gainst a churlish rock Breaks braving billows with a bois- t’rous stroke, Seeking by raging force to throw on sands The stiff resisting rock, which unmov’d stands, Repelling his bold billows with like scorn, As th’ others’ bravery had bounced them beforne ; Thus both still strive, and striving are o’ercome, The rock is worn, the billow’scrush’d in foam: 470 Whereas the sea calmly the sand embraces, And with smooth forehead lovingly it graces : ( 689 ) Husband Being content that it should bound his shore, Yielding to mildness where force fail’d before. So let thy mildness win thy Husband to it, If that do not, then nothing else will do it: Beware you (willing) to no anger move him, If he perceive’t, he cannot think you love him : Ifanger oncebegin twixt manand wife, If soon not reconcil’d, it turns to strife : 480 Which still will stir on every light occasion, What might have ceas’d in silence ; then persuasion Of friends will hardly end : for every jar Ls ominous presaging life-long war: And where two join’d do jar, their state decays, They go not forward, who draw divers ways, Being yoked together: your first care must be, That with your husband you in love agree. As far from fondness be, as from neglect, Mixing affection with a staid re- spect : 490 If toying fondness were man’s only aim, Not reason, but hislustshould choose his dame ; Where whores lascivious, that can ways invent, Should equalize thee, nay, give more content : No, these are not the joys he hopes to find, The body not so much he weds, as mind. Be never fond, nor without cause unkind, These are the fruits ofan inconstant mind: vy Patrick Thou must not if his fortunes do decline, Be discontented, or seem to repine, But bear a constant countenance, not dismayed, 501 As if you were of misery afraid : His fortunes you must good or bad abide, With chains of mutual love, together tied. The loss of that which blindfold chance doth give, Cannot a worthy generous mind aggrieve : For it will never take it for a cross, Which cannot make one wicked by its loss, Nor by the gaining good. Both fool and knave Are often rich: if such afflictions have, 510 They drive them to despair; but draw the wise, With elevated thoughts, such things despise. Seneca saith, the gods did take delight To see grave Cato with his fate to fight : O! what should we, whose hopes do higher rise, If heathens thus could worldly things despise ?. Affliction oft doth mount the wiser high, Joseph and Job rose by adversity : It’s sign of a weak mind to be dejected For worldly loss (such never are respected). 520 If thou wouldst not be irksome to thy mate, Be cheerful, not succumbing with his fate: Yet if that anguish doth afflict his mind, You must not seem so from the world refin’d As to disdain what human cross brings forth, ( 690 ) Hannay Pride to be singular, that is not worth : Nay, thou must be a mirror, to reflect Thy husband’s mind: for as is his aspect, So should be thine. yields no light, When th’ interpos’d earth bars her Phoebus’ sight : 530 But when no object intercepts his streams, She decks herself with light-rebat- ing beams. Even so as is thy husband’s joy, or pain, So must thy joy and sorrow wax or wane : Be not too curious in his ways to pry, Suspicion still makes the suspected try Jealousy’s fear: for why should she suspect That knows herself guilty of no defect ? If he perceive thee of thyself de- spair, He will think sweeter joys are other- where, 540 Which thou dost want; so thou thyself shalt give The first occasion to what may thee grieve : Thy own desert must him unto thee bind, Desert doth make a savage to be kind : It is an adamantine chain to knit Two souls so fast, nought can them disunite ; Where that most sweet communion of the minds Save each in other, no contentment finds ; And whatsoever the one touches near, Jealous, the other ne’er conceals for fear. 550 Pale Phoebe A Happy Husband Brutus his honour (dearer priz’d than life) Concredited to Portia his wife ; What fear from dearest friends caus’d him conceal, Worth and desert made him to her reveal. Great Caesar’s death, and who his consorts were, With their designs, he did impart to her; Nor is their birth, or beauty of such might, To alienate their hearts, or give delight : Who had more beauty than that captiv’d Queen, The fair Statira, when in grief was seen 560 The pearly hail blasting her beauty- fields, Which seemliness even cloth’d in sorrow yields? Being grac’d with modesty, and unstain’d faith, More force still fairness with such Sellows hath: Yet could not her fair beauty move the thought Of Alexander (though less fair have brought Oft captains to be captives), nor her state (She being married) did affection bate : For then her virgin daughter yet unstain’d, (Whose beauty all comparison dis- dain’d, 570 Going her lovely mother so before, As she did all the rest of Asia’s store) Should quickly have entangled his desire, Whose heart all one, Roxane’s love did fire: For if proportion, colour, wealth, or birth, Could have captiv’d the Monarch of the Earth ; These should have won: did her prefer, Whose only merits pleaded /ove for her. Deserve then not in show, but from the heart, Love ts perpetuated by desert. 580 As it befits not man for to embrace Domestic charge, so it’s not woman’s place For to be busied with affairs abroad : For that weak sex it is too great but he a load, And it’s unseemly, and doth both disgrace, When either doth usurp the other's place: Leave his to him, and of thine own take charge, Care thou at home, and let him care at large: Thou hast enough thyself for to employ Within doors, ’bout thy house and huswifery : 590 Remember that it’s said of Lucrece chaste, When some dames_ wantoniz’d, others took rest, She with her maidens first her task would end, E’re she would sleep: shedid not idle spend Swift-running Zime, nor gave allur- ing pleasure The least advantage, to make any seizure Onherrarevirtues. A soul vacant still Ls soon seduced to do good or il: For like perpetual motion isthe mind, In action still, while to this flesh confined ; 600 552 Concredited] This rare English derivation from the not unclassical concredo might have been made common with advantage, for it expresses in one word what requires a long periphrasis without it. 590 huswifery] I keep this as well as ‘ housewifery.’ ( 69 ) yy2 Patrick (From which soul-prison it takes often stains, For absolutely good no man remains.) Employ’d if not ’bout good, about some ill, Producing fruits which do discover still How it is labour’d like a fertile field, Which fruit, or weeds abundantly doth yield, As it is manur’d ; be not idle then, Nor give vice time to work upon thy brain Imagined ill: for what it there conceives, It oft brings out, and in dishonour leaves : 610 The purest things are easiest to be Staind, And it’s soon lost which carefully was gain'a. Penelope did wheel and distaff handle, And her day’s work undid at night by candle ; Nor labour-forcing need compell’d that task, Which toiling days, and tedious nights did ask : (For she was Queen of Ithacke) twas her name, Which virtuous care kept spotless, free from blame ; One of so many suitors of each sort, As for her love did to her Court resort, 620 Not speeding, would have spoke that might her stain, (The greatest hate, when love turns to disdain.) If colour could have made their knavery stronger, But Envy could not find a way to wrong her. Be thou as these, careful of house- wifery, With Providence what’s needful still supply ; Look thy Maids be not idle, nor yet spend ( 692 ) Hannay Things wastingly: for they so oft offend, When careless is the Mistress; yet with need Ne’er pinch them, nor yet let them e’er exceed : 630 The one doth force them seek thee to betray, The other makes them wanton, and too gay ; It is no shame to look to every thing, . The Mistress’ eye doth ever profit bring. Salomon saith, he good Wife seeks Sor flax And wool, wherewith her hands glad travail takes : She’s like a ship that bringeth bread Srom far, She rises eve appear the morning Star ; Victuals her household, gives her maidens food, Surveys, and buys a field, plants vines, with good 640 Gain’d by her hands : what merchan- aise is best She can discern, nor doth she go to rest When Phoebus hides his head, and bars his sight, But by her lamp, her hands do take delight To touch the wheel and spindle ; she doth stretch Ler hand to help the poor and needy wretch: Ler words are wisdom, she oersees her train That idle none do eat their bread in vain ; Fler children rise and bless her, sweet delight Fler husband takes still in her happy sight. 650 Be thou this careful goodwife, for to lend Thy helping hand, thy husband’s means to mend. A Happy Husband Last, let thy conversation be with such, As foul-mouth’d malice can with no crime touch : I cannot but condemn such as delight Still to be sad and sullen in the sight Of their own husbands, as they were in fear, (Sure guilty of somecrime such women are) But when they gossip it with other wives Of their own cut, then they have merry lives, 660 Spending, and plotting how they may deceive Their husbands, rule themselves, and mastery have ; O let such women (for they make- bates be ’Twixt man and wife) never consort with thee : But shun them, as thou dost see one that’s fair Flee the small pox ; both like infec- tious are. The grave, staid, blameless, and religious dames, Whose carriage hath procur’d them honest names, Are fit companions ; let such be thy mates, When wearied with affairs, thou recreates 670 Thyself with harmless mirth: yet do not walk Often abroad, that will occasion talk ; Though thou hast store of friends, yet let none be (Saving thy husband) counsellor to thee : He’s nearest to thee, and it will endear him, He is thyself, thou needest not to fear him : Be free with him, and tell him all thy thought, It’s he must help, when thou hast need of ought ; And constantly believe he'll love thee best, When he sees thou preferr’st him *fore the rest. 680 Thus, lady, have I show’d you how to chuse A worthy mate, and how you should him use ; So choose, so use, so shall you all your life Be in a Husband blest, he in a Wife ; And when death here shall end your happy days, Your souls shall reign in heaven, on earth your praise. FINIS 654 touch] Orig. ‘tutch.’ ( 693 ) ELEGLES ON THE DEATH OF OUR LATE SOVEREIGN QUEEN ANNE WITH EPITAPHS To the most Noble Prince Charles Disdain not, Sir, this offering which lL make, Although the incense smoke doth tower so black ; Nor think my fires faint, cause they darkly shine, Tapers burn dim, are set before a shrine. Some better hap to have their first Sruit glad, This Common woe masques mine in mourning shade: And’s strange, You (solely left for our relief) for salve, do prove a cor’sive to our grief: . Weigh what ts it to add to those opprest. Then by Your woe, ours shall not be tncreast : 10 I grant, nor Son nor Subject good, can smother Grief, for so great, and good, a Queen and Mother. Yet moderate this sorrow, as you're seen To use in joy, so use in grief a mean, Oermatch thy matchless self, that all may see Her courage, worth and love, do live in Thee: Then may this pen, which with tears draws my plaint, in gold Thy glorious actions after paint, Your Highness’ most humble servant, Patrick Hannay. The First Elegy * As doth a Mother, who before her eyes, Her age’s hope, her only Son espies Butcher’d,and bathing still in bloody strands, Ravish’d with sudden grief amazéd stands ; Nor weeps, nor sighs, nor lets one tear distil, But (with fix’d eye) still gazeth on her ill: But when with time her smothered grief forth vents, She wastes her eyes in tears, her breath in plaints : So we astonish’d could not tell our WOE ; Who do grieve most, least signs of grief do show, 10 Yet time to those, in time, a time affords, To weep and wail, and show their woe in words. Time grant us now in time, lest of her praise Our offspring hearing, and when her swift days Had run their course, they hear none of our plaints, Do either think some Poet’s pen her paints, Or that they are of the same stones all sprung, Which backward Pyrrha and Deuca- lion flung. So that willseem no fable, but a story, If we do leave no witness that we’re sorry, 20 1 This poem, in the original (as well as its companion) is a sort of debauch of italics, which the poet or his printer has showered on every line, for the most part with no discoverable excuse of emphasis or anything else. They have been most trouble- some to alter: but unaltered they would have been still more troublesome to read, ( 697 ) Patrick Hannay Each senseless thing shall us upbraid to them, And as less sensible (than they) condemn : Since in each object offer’d to the eye, Signs of sad sorrow settled there we see : ‘The Heavens (tho’ grac’d with her) for us are griev’d, And weep in showers for that we are bereav’d Of her: in, and for whom the World was blest, In whom her kind’s perfection did consist. Aquarius seems to have a solemn feast, And that each other sign’s his house- hold guest. 30 Notoneof them now influence down- pours, But what distils in liquid weeping showers. The Skies of Clouds now make them mourning weeds, And general darkness all the world o’erspreads : What? hath the Sun for a new Phaeton Abandonéd the beamy throne? Is the cause theirs? or doth it touch us nigh ? (Since with their sorrow we so sympathy :) No, it’s because our Cynthia left this sphere, The world wears black, because she moves not here: 40 Her influence that made it freshly flourish, Leaves it to fade, and will no more it nourish. Leaves it? hath left. then subsist ? Can that be said to be, which, dispossest 38] Note ‘sympathy’ as a verb. the second person. ( 698 ) Heavens, and How can it Of soul, wants vigour? this Queen was the soul, Whose faculties world’s frailties did control ; Corrected the ill humours, and maintain’d In it a wholesome concord, while she reign’d : But now (she gone) the world seems out of frame, Subord’nate passions now as Princes claim 50 Seignory o’er the soul, which do torment The whole with anguish ; make the heart to faint, Whose sad infection generally’s so spread, Grief’s character on every brow is read. Our eyes so drop (wert not God frees those fears) The world might dread a new deluge of tears. Dread ? (thus distress’d) we rather should desire With the world’s dissolution to expire Our latest woes, ’twere better have no being, Than live in woe, so as we are still dying. 60 Leave foolish passion, dares thou thus repine ’Gainst what’s enacted by the powers divine ? Humbly submit, yet passion were a word, Useless, a nothing’s name, speech should afford No place for it, if it should not now show It’s being by our grieving in this woe: Yet the woe’s short, which on each soul hath seiz’d, It and the cause can ne’er be equaliz’d : 61 dares] Hannay often uses this form for Cf. A Happy Husband, |, 670. The First Elegy I will not blaze her birth, descent or State, Her princely progeny, her royal mate : 70 They are known best, and greatest, yet these are But accidental honours: but this star With proper beams was so resplen- dent here, Others (though bright) yet when she did appear, Did lose their lustre: she honour’d her place, Her place not her: she Queen, was Queen’s sole grace. ’Twas she the Antique Poets so admir’d, When with prophetic fury they : inspir’d, Did feign the heavenly powers they did see, (As in a dream) that such a one should be: 80 And for each several grace, she should contain, One Deity they did for that ordain, Not one for all, for that too much had been, To feign her like, whose like was never seen. Nor is their number equal to her merits, For she afar off was show’d to those spirits ; Now had they liv’d her virtues to have seen, The Goddesses sure numberless had been, But’s well they did not, for then she should be (Though guiltless) yet cause : Idolatry, For they who honouréd her slate before, Seeing her substance needs must it adore. The Moralists did all of her divine, When they made every virtue feminine ; ( 699 ) And but they knew that such a one should be, Doubtless with them virtue should have been He. Peruse all stories are compil’d by Man, Or Poets’ fictions since the world began, You shall not find (true or imaginary) Like worth in one, whose all in nought doth vary. 100 Nay, take the abjects in these books revil’d For basest parts, so vicious and defil’d, As they seem Nature’s monsters, made in scorn, As foils, her other fair works to adorn, (Contrar’s oppos'd do others best set Jorth) They serve not all, to parallel her worth, They are deceiv’d, who say the world decays, And still grows worse and worse, as old with days: For then this Age could never that have shown Which was long since to Salomon unknown, 110 A woman : but had he lived in our times, He might have found one so devoid of crimes, That her own merits (if merits could save) Might justly (as of due) salvation crave. I rather think the world’s first infancy Growing more perfect with antiquity, (As younglings do) travail’d till now at height, Big of perfection brought this birth to light : This second to that Maiden-Mother- Daughter, She only was before, this only after : 120 Patrick Hannay For on this Grace and Nature spent such store, As after her we need expect none more. And those who read her praise when we are gone, Would think we but describ’d a worthy one, Not that there was one such, but that she here Left part of her, which and its seed shall bear Successive witness to all doubtful ages, Of her rare virtues, which in those dear pledges Stilllive : they'll say our praise came short, we dull, With speech defective, could not to the full 130 Set forth her worth, which sheat death did give: Others may goods, not goodness’ off- spring, leave. But she bequeath’d her goodness, for her merit Obtain’d her issue wealth inherit, Which we possess in them, while they do prease (As usurers) that stock still to increase : Only ambitioustoaugment that store, Robbing the world, which either is should that but poor, Or seems so, set by them, beggars may boast, But they alone have all that wealth ingrossed : 140 And though that God the world’s gold hath refined, And took the tried, He left this vein behind, Pity'ng the dross the lustre should obscure, Of her bright soul, while flesh did it immure, 135 ‘ prease’= ‘press,’ Yet did He not with it of all bereave us, ; But with her offspring, happiness did leave us. For her preferment, why then should we toss : Our souls with torment? or grieve that our loss Hath Heaven enrich’d? or ’cause we held her dear, a Wish we her punished, to be living here? 150 We rather should rejoice she thus did leave us, And nought but Heaven alone of her could reave us. O ! since that Cedar fell so right at last, Which way it standing lean’d, may well be guessed. And since the End doth crown the actions still, How lived she, who dying, died so well ! For asked, if she did willing hence depart, Said (rapt with heavenly joy) WiTH ALL My Heart. Though flesh be frail, yet hers so void of fear (For Death did not in his own shape appear) 160 Did entertain so kindly its own foe, (Who came to Court, but un’wares killed her so) As she esteem’d it only one hard thrust At that strait gate by which to life we must : Faith, Hope, and Love possess’d her heart and mind, Leaving no place for fearful thoughts to find: Troops of white Angels did her bed impale, To tend the soul’s flight from the fleshly jail, 167 impale] Orig. ‘impaile,’ in the sense apparently of ‘surround like a paling.’ 168 jail] Orig. * gaile.’ ( 700 ) The First Elegy It to conduct unto that heavenly throne, Which Christ prepared, with glore to crown her on. 170 O! how my flesh-clogg’d soul would scale the sky, And leave that dear companion here to lie, To see her entertain’d, with glory crown’d, ; While troops of Angels her arrival sound To that new kingdom: they all God do praise For her translation, and their voices raise, In sign of joy, but yet that joy comes short Of what they make for most to them resort, For, for the greater sinner, Christ hath said, That doth repent, the greater joy is made : 180 Yet that’s made up in glore, for she so far Doth those exceed, as one another star : What may we think unto her soul is shown, When from her baser part such virtues flown As a sad reverent fear their senses pierce, Who sighing see her sorrow-suited hearse : What would they do, if their veil’d soul could spy Her sitting crown’d above the starry sky? Sure they would do (nay in their hearts they do) Even at the thought thereof with reverence bow. 190 But leave to speak, nay, not so much as think, Least of those joys which ne’er in heart could sink. Let’s not envy her, but inveigh ’gainst our Fate, ( zor ) That we behind her are staid here so late: And let’s not mourn for her, that she’s gone hence, But for ourselves, that we are kept from thence Whither she’s gone: yet let no tear o’erflow, ( Sorrow soon ceaseth that’s disburd ned 50) Let them strain inward, if they'll needs distil, And with their drops thy heart’s sad centre fill, 200 And when it’s full, it can no more contain, Let the cask break, and drown thee in that main. On the Queen The World’s a Sea of errors, all must Lass, Where shelves and sands the purling billow blinds : Men’s bodies are frail barks of brittle glass, Which still are tossd with adverse tides and winds, Reason’s the Pilot that the course directs, Which makes the vessel (as it’s hight) hold out. Passions are partners, a stilljarring rout: Succumbing thoughts are life-invading leaks. Low built her body! such a voyage made ; Flow great her reason! which so rightly swayd ; 10 Ffow pliant passions! which so well obey'a ; Low dauntless thoughts, vain doubts durst ne’er invade. Ller body, reason, passions, thoughts aid ’gree, To make her life the Art to sail this Sea. Patrick The Second Elegy Eacu Country now contributes to the Thames, Which a support of every current claims : Why dost thou so, sweet Zhames ? Is not thy sorrow Sufficient for thyself, but thou must borrow? Or wants thy waters worth for such a charge, As to conduct Great ANNE’s last body’d barge ? Or is it ’cause so just and kind thou art, Thou’lt not encroach that, wherein each hath part? Sure that’s the cause; the loss is general, And that last Office must be help’d by all. To Yet wonder not they come not now so sweet, As they do use, when they to solace meet : They’re not themselves, they are com- pounded things, For every one his latest off’ring brings, And sends it by these brooks, unto Her Shrine, Whose waters with their tears are turnéd brine: Each subject’s cheek such falling drops distain, As if to dew, sighs had dissolv’d the brain : Which from their eyes still in abun- dance pour, Like a moist hail, or liquid pearly shower : 20 Which in such haste, each one an- other chases, Making swift torrents in late torrid places, Disgorging in these brooks, making them rise, ( 7o2 ) Hannay So’s sovereign Zhames almost feat a surprise : Fear not (fair Queen) it is not their ambition, But swelling sorrow, that breeds thy suspicion : Its sorrow feeds those currents and those rills, Which thy vast channel with an ocean fills, Which eye-bred humour so hath chang’d thy nature, Thy fishes think they live not in thy water : 30 It or their taste is alter’d, for the think For thy sweet streams they briny liquor drink : How wearied is thy Sister, famous forth, Bringing sad Scotland’s from the North ; Who comes not out of duty, as the rest Who unto Zhames their careful course addrest ; She comes, her equal will not yield in tears, In subject’s sorrows nor in country’s cares, Great Veptune’s self doth fear Invasive wrong, Seeing her strange waves through his SOTTOWS waters throng ; 40 And causeth Z7yiton to found an alarm To warn the Sea-Gods in all haste to arm ; Who bringing billows in brave battle- "ray, Do mean forth’s fury with their force to stay: But when they see her thus all wrapt in woe, And the sad cause of her just sorrow know ; They lay not their defensive arms aside, But as a guard, her through their gulfs do guide ; The Second Elegy Striving with all the pleasures of the Main, This grieving stranger-Quee to enter- tain, 50 Out through their bowers of clear transparent waves, Crystalline-wainscot pearl the bottom paves : Her they conduct, and to abate her woe, Their Sea-delights and riches all they show, Which We eptune (now in love) would gladly give her . For love, yet dares not offer lest he grieve her ; Who loves and would not have his love unkind, Must woo a pleasant humour, vacant mind : This makes him stay his suit, and strive to please With all the love-allurements of the Seas. 60 Yet all do not so much as move one smile, An anxious sorrow soon discover th guile ; Yet he will guide and guard her grieving streams, Whom at her entry in the wishéd Thames He leaves, and vows in discontent to mourn ; Till fairest Zorthk back to the Sea return, Her sister her receives with kind embrace, Their liquid arms clasping, they in- terlace In love so straight, they cannot be untwined, They seem both one, in body and in mind. 70 O happy wzéon / labour’d longin vain, Reserv’d by God to James his joy- ful reign, And Azne’s; O blessed couple, so esteem’d By all fore-knowing Jove, that He them deem’d Worthy each other, and to wear that Gem, Blest Brztain’s now united-Diadem. He esteem’d none worthy to wear’t before them, But kept it still in store, for to decore them. How did He suffer those two King- doms try All open power and private policy, 80 Yet still increastd discord, other’s force Made separation greater, sued di- vorce. How did one tear the other, spare no toil, To bath[e] in blood the neighbour’s fertile soil ; Wrath, discord, malice, envy, rapine, strife, Thefts, rapes, and murderous mis- chiefs were so, rife, None liv’d secure, while each King did protect, The other’s fugitives, (for his respect) Thus looking for no rest, or end of hate, But with the ruin of the adverse State. go God, He effects it (that to Him alone We might ascribe the honour ; and being one, We might love better : ’ Zwixt united Joes, And separated friends, love and hate grows To greatest heights :) And for this end doth raise, (Using the means) the honour of his days. Great J AMES, the joy-presaging North- ern Star, Whoseradiantlight illuminates so far, Asitdoth warm with its all-quick’ning beams The frozen love betwixt the Zay and Thames ; 100 59, 60] A couplet nearly as early as Waller's earliest of the same style. ( 703 ) Patrick Hannay With wonder and delight, drawing all hearts And eyes, tolove and see his Princely parts. And (what is strange) who hated most before, With admiration, most his worth adore, Wishing they were his subjects : He is King Already of their hearts ; the poison’d sting Of rancour is remov’d, for love they call him, And with their Kingdom’s ornaments instal him. Great confidence his virtuous life must bring, Whom, such old foes, love forces make their King. 110 Where was e’er heard, of emulating foes, (Rooted in hate with others, over- throws Such and so long) that did their wrath appease, And yield (won but by love) to right, as these ? Yet do they not repent, they find report Sometime is wrong’d, and may in- deed come short In commendations ; yet it’s rare (as here) For she’s a woman, and (by kind) will bear More than she should: but his last subjects find Themselves with Sada’s Queen of self-same mind, 120 That fame (though saying by belief) had wrong’d Two Kings, not telling half to each that long’d. For £xgland heard not, nor could it have thought, That Scotland’s king such wonders could have wrought. Long may he live, and die well, full of years, ( 704 ) And when his death shall draw us dry with tears, On Britain’s throne may his seed ever reign, Till Christ do come (to judge the world) again. Who would have thought from the Scot-hated Dane, Whom vanquish’d England so much did disdain, 130 (Oppress’d with basesubjection) they did turn, (Being freed) Lord-dane to lurdane for a scorn ; Whowouldhave thought (I say) from Dane should spring One, who from Scots and English eyes should wring Such hearty tears; must not her worth be much, Since we do find its love-effects prove such, How great that worth (in such, such love could breed)? O let it live for ever in her seed : Andlet that lovein ourhearts never die, But ever live to her Posterity: 140 And those sweet streams her mate and she combined In love, O let their arms be ne’er untwined From kind embraces, and though now their greetings Be not so joyful as at other meetings ; Yet is their love all one, they take one part, The one joys not, the other sad at heart : They surfeit now in sorrow, then in pleasure ; Joy then exceeds, grief now is above measure. To honour Char/es (our hope) when they met last, How did they rob each meadow as they past, 150 Of sweets, each bank a posy did i stow, Of fairest flowers, that on his brim did grow : The Second Elegy These and such like, they brought from every part, And gratulations from each subject’s heart : They swell’d with pride, rising in lofty waves, And all the neighbour bord’ring banks outbraves : Their fishes frolick’d, showing joy by gesture, The waters (wantonizing) woo’d their Master ; So fast their billows ’bout his blest barge throng’d, They hurt themselves oft, oft their fellows wrong’d : 160 Each would be first, on others’ backs some ride, Some under others’ slipp’ry shoulders slide, Though beat with oars, yet will they not turn back, For they their humble prostrate homage make : The Sunthen gilt each glistring glassy coat Those marine-masquers wore, danc’d *bout his boat, Who by the music measur’d not their paces ; Deaf’'d with a confus’d cry from divers places, Of maidens, matrons, aged men and boys, Which from each quarter made a confus’d noise 170 Of hearty Aves, welcoming their Prince, cho (with answering tir’d) was mute still since. The City with the suburbs did appear Like a large Theatre when he came near : Each window, wall, each turret-top and steeple, Was fill’d with every age, sex, sort of people : 184 stale] in the sense of ‘sill.’ course a form of ‘stall,’ ( 705 ) ZZ So as some thought (who erst had never seen Such numbers) that the buildings all had been Of Imag’ry contriv’d, by cunning Art: For on the ground, the brewer in his cart, 180 The sculler, carman, and the baser sort, Seem’d strong and rudely carv’d clowns, to support The stately frame: maids, prentices and grooms, Made shop-door, window-stale, and lower rooms : The battlements, house-coverings and the leads, As tiles or slates, young boys and girls o’erspreads. The middle rooms all round about the Zhames, Which ladies held, and choicer city dames, Such took for spaces, which fair statues held, Where carver and the painter both excell’d ; 190 So pure complexions these seem’d made by Art, As Nature never did the like im- part To lovely youth; the large, low, open breast, Full, white, round, swelling, azure- vein’d, increast The error, for they thought none living would Lay out such parts, for all eyes to behold : So curious were the colours which were shown, As Nature hardly could from Art be known : So that they could adjudge them due to neither, But participles, taking part of either ; 200 It occurs dialectically as ‘stool,’ &c., and is of Patrick Yet all by voice and gesture seeméd glad, Wonder it was tosee a thing look sad. Now it’s not so, the off'rings are but tears, The sighs and groans of Brttain’s blest-reft sheres Are now the acclamations; these two streams, Compounded waters of mix’d sorrow seems ; Yet walk ¢4ey hand in hand with equal pace, T’wards that late pleasant, but now pensive place Where sorrow suited in a sable weed, Doth with a mourning veil each heart o’erspread, 210 And Phoebus for to make the world and mind To wear one livery all his beams confined, Dimming each eye in darkness of the night, Either asham’d to mourn in open sight, Or loath to alter with his brighter . Streams, Our late obscuréd Cynthia's lesser gleams ; For her fled soul which doth with ‘glory shine, Left with its lodging something that’s divine, Which with reflection smileth on these rays, Which her bright soul now from the skies displays. 220 And these light orbs which with such swiftness roll About the Heavens, acquainted with her soul Hannay To light her corpse do set in every porch Of the damantine Heaven, a starry torch, Which dark’ned with the weeping Earth’s moist vapours, Are her last lamps and never-dying tapers. Thames trembles, Forth doth feverize for fear, Both roar to see their sovereign thus appear: Their billows break their hearts against the shore. Their fishes faint (yet cannot tell wherefore), 230 But when they float upon the water crop, And see the tears from eyes and oars which drop, They think them all too few,and add their own And swim in proper wasers (erst unknown) ; The water-Nymphs now round about her boat, Cloth’d in sad sable mourning habits float, The Hamadryads, and the Silvans all To bear a part in this complaint they call, Who since her death had practis’d in their tears, Streams deep enough: none now the water fears. 240 They broughtwith them sweet camo- mile and rue, Mint, spikenard, marjoram, her way they strew, With flowers of choicest colour and of scent, Which from the slender weeping stalk was rent. 204 ‘blest-reft’=‘bliss-reft’? Of ‘shere’ for ‘shore’ I do not know any other in- stance; but it is etymologically defensible, and the form ‘shear’ is actually used in senses very close. Of course it may be for ‘shire,’ not ‘shore.’ 224 ‘damantine’ for ‘adamantine,’ if H. wrote it, is a particularly agreeable instance of the almost insane terror of hiatus or trisyllabic foot—for it happens to reverse the meaning. 231 ‘crop’ for ‘top’ is quite conceivable. ( 706 ) The Second Elegy Her Exequiesthese Nymphstogether | We’ll bear no part hereafter with -__ sing, the birds, Till with this consort, Heaven and | We'll weep for woe, and teach them Earth doth ring: < wail in words ; fleaven’s envying our waters, walks, | Since Heaven envying our late happy and woods, woods, Hath ’reft our joy, and placd her | Hath’reft our joy, and plac'd her *mongst the Gods. *mongst the Gods. No more our wand’ring waves shall | We'll hide our heads within our wantonize, shores and shelves, No more shall swelling billows brave | We’ll dwell in darkest cypress groves the skies, 250 with elves, No more shall purling Zephyr curl | No more we'll solace in great our head, Neptune's halls, No more we'll foamy powders there- | No more we'll dance at Sy/van’s on spread, festivals, No more shall now Meandrian walks | Because she’s gone, whose glory gracd delight us, our floods, No more Despair with Death shall | Because she’s gone, who honourd now affright us, walks and woods. 270 Since Heaven envying our late happy Thus sung they her along, but floods, come to shore, flath ’reft our joy, and placd her | Where she must leave them, they *mongst the Gods. ne’er see her more ; We'll take no sport now to pursue | They sink to bottom, either in a the fawn, swoon, We'll no more tread light measures | Or else themselves(now loathing life) on the lawn, to drown ; We'll deck our heads no more with | The Forth and Thames losing their Flora’s flowers, so lov’d sight, We'll woo no more our woody para- | Vow, yearly to renew their woes, mours, 260 that night. An Epitaph Power to do tll, and practise only | With anxious care, in courage ne'er good, dejected ; HHumblest inheart, highest inplace and | Though cause of joy with no vain blood, joy affected, fairest, and freest from loose desires Know Reader, whensoe’er these in thought. lines you scan, Pleasures to tempt, yet not disdain’ad Such (and none such but she) was in aught: our Queen Anne. 247, 248] The italics here and later are kept because they seem to indicate not merely the poet’s usual asides, but a sort of stanza-burden to the unitalicized couplet-blocks behind them, ( 707 ) ZZ2 Patrick Hannay An Epitaph A Wife, a Daughter, Sister to a | Weknew her such, and held her for King, no more. Mother to those, whose hopes do That she was more, God's daughter higher spring, and Heaven's heir, Chaste, fair, wise, kind; first, Crown- We know, since parted hence He United wore, crown d her there. ( 708 ) SONGS AND SONNETS To the Right Honourable Sir Andrew Gray, Knight, Colonel of a foot regiment, and General of the Artillery to the high and mighty Prince F rederick, King of Bohemia IF of these labours I did none direct, Brave sir, to you for offering or for shield, Since you so fatherly did me affect, When first you did conduct me to the field : I justly might be taxéd as ingrate, Deservedly your love might turn to hate. Let shriller Musket, Cannon, Culvering, (Part of thy charge) with the sky- tearing balls, Which treble, base, mean, tenor rudely sing To bloody Mars, forcing the dancing walls, 10 Give place a space, while I do enter- tain Your ears with Music of a milder strain. Stern Mars himself hath ofttimes danc’d a measure, (Arms laid aside) his Minions most dear Have woo’d the Muses, and have taken pleasure To tune their own, and others’ notes to hear: Thou art a proof hereof thyself most plain, Who in their Art hast had so sweet a vein. To none more aptly can I then direct These lines than thee, who both hast skill to prove, ; 20 And worth (more than their errors) to protect, To none I’m so indebted for such love. Accept them as they’re sent with love sincere, With kind construction read them whilst you’re here. Iknowthy haughty spirit much disdains Thisloath’d detention, for I have been by When thy hot courage well-nigh crack’d the reins Of strict command, (when the fierce foe drew nigh) That to thy valour freedom was not given, Those Popish hirelings might by thee be shriven. 30 Nor was it wage or want that spurr’d thee on, No hope of spoil nor thirsting after blood : But worth-bred love of that rare Para- gon, Thy dear King’s daughter, whose cause doubtful stood. Had doubted Mansfelt led, you had your will, Pylsen prevented had this hap’nedill. Yet shrinks He not, nor thou, you both earn more, (That cross your courage rather doth inflame) With sharp revenge the lost state to restore To that most worthy, best deserving Dame, 4o Whom even her enemies so much do honour, As women’s rarest praises throw on her. There are nineWorthies hitherto of men, But of all women, I not read of any: I know not then, whether she makes them ten, Or of her sex first number unto many: In spirit, courage,valour, tothosenine She ’s equal; Women none yet so they divine. Go in Her cause, success crown thy desires, Soon may I change this softly tunéd song, 50 Inflam’d with new and unacquainted fires, To sing the Enemies’ revengéd wrong : Oh how I long in high heroic verse, Their ruin and Her rising to rehearse. Ever yours most affectionate in all humble duty, PATRICK HANNAY. 37 ‘earn’ = ‘yearn.’ (711 ) Patrick Song I Sap Sheretine was seiz’d, And wounded so with woe, Fra he fair AZariana’s faith Was falsified did know. Fra time he knew that her Another did possess, Whom in his heart he had propos’d His height of happiness : His tongue was sorrow-tied, His passion inward pent, 10 His woes no passage could procure, Forth from his heart to vent. He scarce believes it so, Although himself it sees : To free her of so foul a fault, He blames his blameless eyes : But when he found her false, : Her vows and oaths untrue, ‘As after he could joy in nought, He bids the world adieu. 20 His woes to aggravate, He causes doth invent, Though cause of care he had enough, How he might more lament, A woful banishment He willing undertakes : And comfort-causing company He utterly forsakes. In a care-clothéd shade, From eye and ear removed, 30 He thus with woe begins to wail The loss of his beloved. ‘Ah, Mariana, ah ! Is thus my love repaid ? Do my fires still so freshly burn : And are thy flames decayed ! How constant have I proved! Though many baits there were Where Ihave been, yet none had force My fancy to ensnare. 40 Hannay Nor since thy favour first Kindled my quenchless fire, Did I see beauty that could breed A dram of dear desire ; Or if ’mongst fairest fairs I thought one did excel : My love was jealous of that thought, And straight did it repel : Wherein then did I fail? My heart doth hold it strange, That seeing I have lov’d so well, 51 I should find such a change. No doubt the gods were griev’d, That I did thee adore ; *Cause therein I idolatriz’d, Have plaguéd me therefore. Yet should not that in thee, Least alteration mov’d: It rather should thy love endear To be so dearly lov’d: 60 Hadst thou with proud disdain My favour first refus’d, I might have blam’d my hapless fate, But not thy crime accus’d. My love with time had died : Or if it still had liv’d, My care this comfort yet had had, That I for worth had griev’d. But thou by granting love, Didst bring me to such height Of hopéd joys, to such a low 71 Hast cast me with despight, That the sad souvenance Of such a love so lost, Is now my greatest cause of grief, And doth molest me most. For if I ne’er had gain’d, My grief had not been such, The once-rich poor man grieveth more Than he that ne'er was rich. 80 Whom Nature with her gifts ’Bove others did indue ; 3 ‘Fra’ = ‘from’ as usual: but, as shown by 1. 5, in sense of ‘from the time when.’ of italics ceases. It may be worth observing that in the Songs and Sonnets the pitiless rain These are quite rare and generally justifiable. In the First Song the keeping of the old ‘ Poulter’s Measure’ (Alexandrine and Fourteener, divided or not into a quatrain of 6, 6, 8, 6), which had given so much dreary work in the middle of the sixteenth century, may be worth noticing, 73 souvenance] Again a Gallicism. 79, 80 The, &c.] A somewhat vulgarized variant of Nessun maggior, but to be noted with others. (712 ) Songs and Sonnets O! that adds woe unto my woe, That she should prove untrue. If whilst on bloody Mars I boldly did attend, By some brave hand had I exhal’d, Before thy crime was kend, Then had my wronged Ghost (Not conscious of this) go With joy expected thy approach, To thy Zuysian bliss. Or if it there had griev’d, The sole cause of its moan Had been lest that thou shouldst have griev’d To hear that I was gone. But now methinks I hear Thy Zurian with scorn Upbraid thy crime as my disgrace ; Fond Shevetin’s forlorn. 100 Methinks thou seconds him, Not sensible thereof ; And thy true loving Sheretine Rememberest with a scoff. Another being wrong’d By such a deep disdain, Enrag’d might count it greater good To lose such than obtain. But that the world may see, cg My first fires were not feign’d, They shall not therefore be extinct, ’Cause I am thus disdain’d. No, Zurian whom I most Do hate and least respect, Cause thou dost love and honour him, T’ll honour and affect. By that (still dear !) thou’lt know By leaving me what’s lost, If love disdain’d can do so much, What had it ne’er been crost ? But now since it’s thy will 121 That I do suffer woe, I do endeavour for thy sake The greatest grief to know. Bear witness with me, woods, Weeds watered with tears, How I do live devoid of joy, But you there’s none me hears : Nor e’er shall more content Seize on my heavy heart, —_130 Witness with me while from this clay My sad soul do depart. And Mariana fair, My first and latest love, My last words shall be that the heavens May bless thee from above : That thou may’st still enjoy The best of sweet content ; And let my death (since love could not Move thee this fault repent. 140 That when from hence thou fleet’st, Thy unafflicted spirit May with of like fault guiltless souls A joyful peace inherit.’ That said he and no more, But on the bitter weeds His flesh-forsaken feeble limbs He languishingly spreads. His weary soul removes, 149 Death seiz’d him by degrees ; So true Love’s Martyr(not so wrong’d As he deem’d) thus he dies. Sonnet I Eve, beauty, admiration, love, desire, Did join in one to set my heart on fire. My eye did see that beauty did sur- ass, That boundless beauty made me much admire: With admiration love conceivéd was, And love brought forth andnourish’d my desire ; Which now is grown unto so great perfection, It sees, admires, conceives, feeds sans direction. Sonnet I] That this is not strictly a sonnet at all is an almost unnecessary observa- tion. this typography. (713 ) It is less so that the printing illustrates the wholly unprincipled character of Italics, or at least initial capitals, would have been quite in place here : and there is not one in the original. Patrick Hannay Sonnet II EXPERIENC’D nature in this latter age, Willing her masterpiece should then be wrought, Such my fair Coe/ia set on earth’s large stage, As all the Gods in emulation brought ; For they did think, if Nature only might Brag of her worth, she should insult o’er them. Wherefore they ’greed to have an equal right, That they of her perfection part might claim. Pallas gave wisdom, Juno stateliness, And the mild Morning gave her modesty : 10 The Graces carriage, Venus loveli- ness, And chaste Diana choicest chastity : Thus heaven and earth their powers did combine To make her perfect ; kind Love! make her mine. Sonnet III WHILST wand’ring thoughts unsettled in desire, Did rove at random in the fields of love, Where fancy found fair objects fit to fire Frozen affection, choice did choice remove : Cupid contemn’d taking it much at heart, For spite his dame’s loose darling made delight me; She, leaving Venus, taking Juno's part, With new chaste thoughts and fires ’gins to requite me. Proud Cythereaangry with her wench, Seeks in my heart a hate of her to breed, 10 (714) So blaz’d her faults, which soon my fires did quench, But Malice still lights on the owner's head : For this the ill that all her envy wrought ; It made her chaste, me author of that thought. Sonnet IV Once early as the ruddy bashful Morn Did leave Dan Phoebus’ purple- streaming bed, And did with scarlet streams East- heav’n adorn, I to myfairest Coe/a’s chamber sped: She Goddess-like stood combing of her hair, Which like a sable veil did clothe her round. Her ivory comb was white, her hand more fair ! She straight and tall, trail’d to ground ; Amaz’d I stood, thinking my dear had been Turn’d Goddess, every sense to ao was gone. With bashful blush my bliss fled, a once seen, Left me transformed (as it were) in stone. Yet did I wish so ever t’ have re- main’d, Had she but stay’d, and I my sight retain’d. her tresses Sonnet V Wuite I do hope my thoughts do high aspire, In deep Despair these hopes are quickly drown’d ; Sometimes I burn with an Z¢nean fire : Sometimes I freeze: I swim, straight sink to ground. Songs and Sonnets O since such changes in my love I find, Death change my life; or Love my Coelia’s mind. Sonnet VI Alluding to Hope Hope makes the Sea be plough’d in furrows white, That in the end sweet gain may thence arise ; Hope makes the toiling tradesman take delight To labour ear’ and late with watch- ful eyes. Hope makes the shepherd in the Winter care To tend his flock, and lodge them from the cold. Hope makes the Soldier fight, sense- less of Fear *Mongst hot alarms, both watch and ward to hold. The seaman’s hope rich merchandise repays: The tradesman’s hope is answer’d with his hire, 10 Young lambs and wool, the shep- herd’s charge defrays, The soldier’s wage is that he doth require. I do for Hoge more than all these sustain, Yet Hope with no reward repays my pain. Song II Amantium irae amoris redintegratio est, I Coelia jealous (lest I did In my heart affect another) Me her company forbid, Women cannot passion smother. " The dearer love the more disdain, When truth is with distrust re- quited ; I vow’d (in anger) to abstain, She found herfault and me invited. Ul I came with intent to chide her (Cause she had true love abus’d), Resolv’d never to abide her, {I Yet her fault she so excus’d, IV As it did me more entangle, Telling, Zrue love must have fears ; They ne’er lov’d that ne’er did wrangle, Lovers’ jars but love endears. Sonnet VII WHEN as I wake I dream oft of my dear, And oft am serious with her in my sleep ; Tam oft absent when I am most near, And near whenas I greatest distance keep: These wonders love doth work, but yet I find That love wants power to make my Mistress kind. Sonnet VIII I Lov’p, was lovéd, and joy’d in con- tent, Our souls did surfeit on the sweets of love ; While equal heat our hearts affec- tions lent, The one the other to content did prove. Thus ’bove the pitch of other hap- less wights, Whose sweets are sunk still in a sea of sours, VI. 4 ear’] This abbreviation must be very rare: yet it is etymologically defensible» without the apostrophe. VIII. 4. This line in the original is another interesting example of the elision- and apostrophe-mania of the time. the metre. (715 ) It is printed ‘Th’one th’other,’ thereby quite falsifying Patrick Hannay Our hearts swam in the depth of dear delights, Pleasures seem pains, not equalizing ours. But love’s not love, wherein are no disasters, Time tried my trust was by my love betray’d, 10 And she (for state) had got for me some tasters, Which lovers like not, so our love decay’d. Though she lov’d others ; hereof I may boast, Tlov’d, was lovéd chastely first and most. Sonnet IX Lover, Mistress Z. HENcE loose alluring looks, no more of Love, No more thy seeming virtues shall deceive me. M. Come, come my dearest, speak not thus to prove How well I love; thou think’st it doth not grieve me. L. Thy beauty was a bait to draw mine eye. JM. And with thy blink my heart was set on fire. LZ. I thought to find a suiting soul in thee. Mf. Thy love’s the limit that bounds my desire. Z. Thy looseness makes my love’s date now expire. M. Where then thy vows? Z. Gone with thy seeming worth. Io MM. And made to me? L. No, virtue brought them forth. Which failing now no fuel feeds my fire. M. My heart’s the harbour where thy hopes must stay. ZL. Where ground’s not good, an anchor drags away. Song III I I can love, and love entirely, And can prove a constant friend : But I must be lov’d as dearly, And as truly to the end: For her love no sooner slaketh, But my fancy farewell taketh. II I cannot endure delaying, I must have her quickly won: Be she nice (though not denaying) By her leave I then have done: For I am not yet at leisure, rr To dwine fora doubtful pleasure. III My eyes shall not still be wailing, Where I’m answered with neglect ; My hurt is not at her hailing, Who my pain doth not respect : He’s a fool that seeks relieving, From her glories in his grieving. Iv With beauty I will not be blinded, Yet I will none foul affect : 20 With wealth I will not be winded, If in behaviour be defect ; Beauty stained such love dieth, Wealth decayed such love flieth. Vv Gifts do good, yet he is silly That therein expendeth store, If he win not, tell me, will he Not be meetly mock’d therefore ? It is better to be keeping Than to sow not sure of reaping. VI As I would not words be waring 31 Where there’s no assurance had ; VUE. 10 Time tried] Orig. ‘try’d’ The construction is ambiguous: ‘ time-tried’ with ‘trust’ would be, perhaps, most poetical; but I think ‘Time tried my trust (and it] was’ more Hannayish. Song III. 31 waring]= ‘spending,’ Scotice. (716) Songs and Sonnets So I would not gifts be sparing, Where I woo and know shall wed. Giving so is no decreasing, I have hers in her possessing, VI Be she rich, and fair, and gained ; If I fickleness do find, My desires are quickly waned, I can steer with other wind. 40 For Virtue, I have vow’d to chuse her, When that fails I will refuse her. Song IV? I Now do the Birds in their warbling words Welcome the year ; While sugared notes they chirrup thro’ their throats, To win a fere: Sweetly they breathe the wanton love That Nature in them warms : And each to gain a mate doth prove, With sweet enchanting charms. u He sweetly sings, and stays the nimble wings Of her in th’ air, To She hovering stays, to hear his loving lays Which woo her there : She becomes willing, hears him woo, Gives ear unto his song: And doth as azure taught her do, Yields, sued unto not long. I But Coelia stays, she feeds me with delay, Hears not my moan: She knows the smart in time will kill my heart To live alone: 2¢ Learnofthe birds to choose theea fere, But not like them to range : They have their mate but for a year, But sweet, let ’s never change. Iv The Zurtle-dove let’s imitate in love, That still loves one: Dear, do not stay, youth quickly flies away, Then desire’s gone. Love iskindest, and hath most length, The kisses are most sweet, 30 When it’s enjoy’d in heat of strength, Where like affections meet. Sonnet X As doth Solseguzum, lover of the light, When So/ is absent lock her golden leaves, And sealéd mourns, till it regain his sight, Whose flaming rays soon counter- vail its griefs— Far more thy absence me of rest bereaves. The hopéd-morn the Marigold doth cherish : But when my Sun this blest horizon leaves, Hopeless of light my joys in darkness perish. Stay then, my Sun! make this thy Zodiac And move, but make my arms to be the sphere : 10 Make me thy West, with me thy lodging take, Move to my breast, and make thy setting there. So shall I be more glad of thy decline, Than Phoebus-flower when he be- gins to shine. Song V I SERVANT, farewell ; is this my hire, Do my deserts no more require ? _ ? There is some music in this. (717) Patrick No, do not think to cheat me so, I will have more yet ere you go. U Thy lov’d /dea I'll arrest, And it imprison in my breast : In sad conceit it there shall lie, My jealous love shall keep the key. ul The drops my wounded heart shall bleed, 9 Shall be food whereon it shall feed : The tears are shed when I do think On thee, shall be its only drink. Iv My restless thoughts shall range about, My cares shall care it come not out : And when these fail their watch to keep, T'll chain it fast in leaden sleep. v Nor think it ever shall part thence, Or that I will with it dispense : Thy love alone can me avail, Thyself alone I'll take for bail. 20 Sonnet XI SWEET is the Rose and fair, yet who the same Would pluck, may wound his finger with the briar, So sweet, so fair is my belovéd Dame: Her darting eye wounds those that come her near. They both are fair, both sweet, they both make smart ; The rose the finger; Coelia the heart. Sonnet XII My love is such as I can ne’er obtain, Nor can I think which way to ease my pain: If I conceal’t, there’s no hope of relief, ( 718 ) Hannay If I bewray’t, scorn will increase my grief ; Grief hid brings soonest death, there help remains, Reveal’d life lingers, languishing in pains: Since my love’s hopeless, and with- out relief, I scorn her scorn should add unto my grief, Therefore my thoughts I’ll bury as they rise, And smother in my soul my infant cries : To So hasten death : then if she chance to hear I died for love of her I held too dear, And say ’twas pity with her heavenly breath, That shall requite me well even after death. Sonnet XIII WHEN I do love, let me a mistress find, Whose hard repulse doth me small hope procure, Not yielding yielding-no: the con- stant mind Is long in gaining, but obtain’d is sure: The diamond is cut with care and pains, But being cut, it still one form retains. That which is lightly got is valued least, ‘The memory of care sweetens con- tent’: Most feelingly we do those pleasures taste, That are procur’d with pain, made known by want: 10 It’s better never any comfort taste, Than relish sorrows by the plea- sures past. Songs and Sonnets Song VI} I A MaID me lov’d, her love I not respected, She mourn’d, she sigh’d, nay sued, yet I neglected : Too late, too late, alas, I now repent, For Cupid with her love hath me infected. u As erst He hers, so love my heart now burneth, As I at her, she laughs at me that mourneth : Too late, too late, alas, I now repent, Since her disdainéd love to hatred turneth. 1 On her alone doth health and hope rely, Yet still she scorns and doth me love deny : 10 Too late, toolate, alas, I now repent, Since she joys in my death, I for her die. Sonnet XIV THE loving Lizard takes so much delight To look upon the face of living man, As it seems for to feed even by the sight, And lives by looks which it enjoyeth than. But when that pleasing object leaves the place, (As wanting that which only did it cherish) It fainting dies, deprival of that face The only cause is why it so doth perish. Even so my Coe/ia’s love hath lately proved, 1 Did Hannay know Robene and Makyne ? (719 ) It joy’d, it liv’d to me, while I was eyed sone It vigorous was, but I from sight removed, It fainted, soon grew weak, and quickly died. My Coelia’s love thus prov’d a lizard right, I seen, it lived; it died I out of sight. A Paradox I Love my Love the better she doth change, (Which some may chance hold a position strange) Women’s extreme, if? love were still at height, Like ever-shining sun ’t could not delight. A still-fruition dulls ; respite relieves : An intermission still new relish gives. A changing favour puffs not up with pride, Because uncertain how long ’t shall abide ; It lets not languish with a long dis- dain, Nosoonerebb’d but it doth flowagain. Then in my turn I shall be well re- spected, 11 Late favourites as much shall be neg- lected. I love her ’cause she ’s woman (if her mind Not wavering were, she were none of that kind) ; The more she’s woman I the more do love her, The more inconstant, I more woman prove her. The more a woman’s of a woman’s mind, The better, (best degener least from kind :) 2 Tf women’s extreme ’? Patrick The most inconstant they degener least, The most inconstant therefore are the best. 20 The best I vow’d to love, therefore none else I'll love but whose inconstancy excels. Sonnet XV Wuitst Fortune’s fondlings dandled in her lap, Swim in the depth of undeserv’d desires, Careless of cross, unmindful of mis- hap, Still floating higher than their hope aspires : Poor hapless I, whose hopes soar’d lately higher, (With promise-pens plum’d which ne’er fail in flight) Deferr’d, disdain’d, heartless dare(s) not draw nigh her, My wearied wand’ring wing can no- where light. And Fortune, still the more to show her spite, The nearer that my hope seems to obtain, 10 With unexpected crosses curbs them quite, Which nigh gain’d good makes me but taste my pain. Yet, fickle Fortune, I disdain thy frown: ‘ Base minds thou may’st, but never brave cast down.’ Sonnet XVI Tuey Fortune much do wrong that call her blind ; And that she knows not how to give her gifts ; Hannay That she’s inconstant, wavering as the wind, Which in a minute many corners shifts. That she delights in nought but turning states, The misers raising, mighty ones o’er- throwing ; She loves not long, and long she never hates, At random (as it lights) her gifts bestowing. If she were blind, some gift I might have got By chance: if loving chance, I had rise higher, 10 If long to love or hate inclining not, I once had found her friend ; but I will free her. She sees, can give, is constant, long can hate, Too well I know’t, she still hath cross’d my state. Sonnet XVII Wuen I consider well how Cupid kind First did inflame my heart with lov-, ing fires, And did remove the quiet of my mind, And for it plac’d wakerife (yet dear) desires : And how the friend I truly did affect With like sincerity repaid my love: How we did strive each other to respect, And no contention else did ever prove: How that our souls so nearly sym- pathiz’d, We oft did think and oft did dream the same, 10 XV. 7. If dares is what H. wrote, he had either forgotten ‘I’ or, more probably, was thinking of ‘hopes,’ and gave them a singular verb—as he and his contemporaries so often do. XVI. x. ‘Say’ must be understood from ‘ call.’ 1o rise] ‘rose’ for ‘risen,’ or ‘ris’n’ itself? ( 720 ) Songs and Sonnets What one approv’d the other highly priz’d, What one dislik’d the other’s heart did blame. O how thy envy, Fortune, makes me wonder, Whom Jove so join’d, thou shouldst have kept asunder. Song VII fTorac. Car. lib. 3, Ode 9. ad Lydiam. I ffo. Wuitst I was welcome, and thy chief delight, And no youth else more wishédly did bring His arms about thy neck so lovely white, I liv’d more happy than the Perszax King. u Ly. Whilst thou didst not burn with the love of other, And Lydia no less grace than C/oe found: Lydia was famouser than any other ; Liv’d more than Roman J//ra re- nown’d. Ill But Zhracian Cloe now com- mandeth me, Skilledin sweet Music, cunning on fo. the Lute: Io For whom I would not be afeard to die, To save her life, so that my death could do’t. Iv Ly. Calais Ornith’s son with loving fire Burns me, and I affect him with like strife : For whom I willingly would twice expire, If so the fates would spare my youngling’s life. ( 721 ) Vv What if our ancient love should come about, And join us jarring with a lasting chain : Were fair-hair’d Clove fra my heart cast out, And cast-off Lydia receiv’d again. VI Ly. Though Ca/ais fairer than a ae ing star, Lighter than fleeting cork although you be: And "haa the Adrian sea more testy far, With thee I’d love to live and willing die. Flo. Sonnet XVIII Wuy dost thou doubt (dear Coe/ia) that my love, (Which beauty bred, and virtue still doth nourish) That any other object can remove, Or faint with time? but still more freshly flourish. No, know thy beauty is of such a force, The fancy cannot flit that’s with it taken : Thy virtue’s such my heart doth hate divorce From thy sweet love, which ne’er shall be forsaken. So settled is my soul in this re- solve, That first the stars from crystal sky shall fall : 10 Theheavens shall lose theirinfluence, dissolve, To the old Chaos shall be turn’d this all, Ere I from thee (dear Coe/ia) remove, My true, my constant, and my sincere love. Patrick Hannay Song VIII I Nature did her WHEN curious cunning try, In framing of this fair terrestrial round : Her workmanship the more to beautify Withchang’d variety made it abound, And oft did place a plot of fertile ground Fraught with delights, nigh to a barren soil, To make the best seem better by a foil. ul Thus first were made by Zhames the motley meads, Wearing the livery of the Summer’s Queen: Whose flowery robe o’er them she freely spreads, 10 With colours more than are in J7is seen, And all the ground and hem of grassy green, Whereon the silly sheep do fear- less feed, While on a bank the shepherd tunes his reed. WI Next shady groves where Dedia hunteth oft, And light-foot Fazries tripping still do haunt: There mirthful uses raise sweet notes aloft, And wanton birds their chaste loves cheer’ly chant : There no delightful pleasure e’er doth want ; There Sy/ianx with his Satyrs doth remain, 20 There Nymphs do love and are belov’d again. Iv This place doth seem an earthly Paradise, Where on fit object every sense may feed ; And fil’d with dainties that do thence arise, Of superfluity help others’ need ; Yet no satiety that store doth breed. For when the sense nigh surfeits on delight, New objects the dull’d appetite do whet. Vv This place, I say, doth border on a plain, Which step-dame JVature seems t? have made in scorn, 30 Where hungry husbandmen have toil’d in vain, And with the share the barren soil have torn ; Nor did they rest till rise of ruddy mom: Yet when was come the harvest of their hopes, They for their gain do gather grainless crops. VI It seems of starv’d Sveri/ity the seat, Where barren downs do it environ round : Whose parchéd tops in Summer are not wet, And only are with snow in winter crown’d, Only with bareness they do still abound ; 40 Or if on some of them we rough- ness find, It’s tawny heath, badge of the barren rind. vu In midst of these stands Croydon cloth’d in black, In a low bottom sink of all these hills: And is receipt of all the dirty wrack Which from their tops still in abun- dance trills. The unpav’d lanes with muddy mire it fills. 20 Sylvian] Note the unnecessary #. It is probably a misprint, as the formiscorrect below. 722) Songs and Sonnets If one shower fall, or if that bless- ing stay, You may well smell, but never see your way. VIII For never doth the flower-perfuméd Air, 50 Which steals choice sweets from other blessed fields, With panting breast take any resting there, Nor of that prey a portion to it yields : For those harsh hills his coming either shields, Or else his breath infected with their kisses, Cannot enrich it with his fragrant blisses. Ix And those who there inhabit, suiting well With such a place, do either negroes seem, Or harbingers for Pluto, Prince of hell, Or his fire-beaters one might rightly deem, 60 Their sight would make a soul of hell to dream, Besmear’d with soot, and breath- ing pitchy smoke, Which (save themselves) a living wight would choke. xX These with the demi-gods still disagreeing, (As vice with virtue ever is at jar) With all who in the pleasant woods have being Do undertake an everlasting war, Cuts down their groves, and often do them scare, And in a close-pent fire their arbours burn, While as the AZwses can do nought but mourn. 70 XI The other Sy/vans with their sight affrighted, Do flee the place whereas these elves resort, Shunning the pleasures which them erst delighted, When they behold these grooms of Pluto's court, While they do take their spoils and count it sport To spoil these dainties that them so delighted, And see them with their ugly shapes affrighted. XI To all proud dames I wish no greater hell, Who do disdain of chastely proffered love, Than to that place confin’d there ever dwell ; 80 That place their pride’s dear price might justly prove: For if (which God forbid) my dear should move Me not come nigh her for to pass my troth, Place her but there: and I shall keep mine oath? Sonnet XIX Fonp doubtful ope, Reason de- prav’d, false fires, Deceiving thoughts and plaints prov- ing but wind : Ill-grounded grief, springing from vain desires, Have led me in a maze of error blind. But Zou whose eye surveys this earthly ball, And sees our actions ere they be begun : High and Eternal Mover of this all, Whose mercy doth man’s misery fore-run : 58 negroes] Orig. ‘ Nigro’s.” ! The Collier (charcoal-burner) of Croydon illustrates this song. { 723 ) 342 Patrick Now in the right way turn my wand’ring heart, Teach me to bid farewell to fond desire. 10 Deceiving Zrror and Vainjoy de- part, With Thy all-quick’ning spirit my soul inspire. Grant, Lord, I may redeem my mis-spent time, And (if I sing) to Thee I praise may chime. Song IX I O How my sin-clogged soul would soar aloft, And scale the crystal sky to seek remeed But that foul Sin (wherewith I stain it oft) Makes it to sink through doubt of my misdeed : In scroll of guilty conscience I read The rueful legend of my passéd life, The thought whereof maketh my heart to bleed, Finding my foul offences are so rife. ul Fear makes me faint to find such, and so many As there are ranked in that ragged roll : To Despair doth say there was ne’er such in any, Weeping cannot them wash nor heart condole. God’s Wrath and Justice showeth to my soul, For every sin that must be satis- fied : What will become of me with such a scroll, Since Death the wage of Sin is sure decreed ? ( 724 ) Hannay Ill Never to blooming virgin truest mirror, Did represent beauty with more delight Than subtil Sa¢an with affrighting terror, My guiltiness doth show me with despight. 20 What erst as trifles seeméd to my sight Now are death-worthy ; my late- liking sin Is now displeasing ; and would bar me quite All hope of help, since such I wallowed in. IV Hope to’my heart my Saviour doth present, With all His /assions prov’d for sinners’ sake, Yet none but he that doth from heart repent, Can use of that great satisfaction make: Thold of Him bya firm faith must take, And all His sufferings to myself apply : 30 If penitence want not, nor Faith be weak, Of Heaven I know He cannot me deny. Vv But where’s Repentance for so foul a stain? Why stint you, eyes, continually to shower ? The humid liquor of your moist’ning- rain Doth make to sprout the fair Repent- ing flower. Give tears no respite, nor no truce an hour, And since with wand’ring looks you did offend : With still-distilling drops your can- ker scour, With coming.-care your passed ’scapes amend. 40 Songs and Sonnets VI Ah, hapless heart, why rend’st not with remorse ? For quick conceiving what the flesh hath wrought : Hast thou (depravéd) bent to ill thy force ? And knows thy Maker thy most secret thought ? And wilt thou yet be negligent in aught Thee may reclaim, or with contrition wound ? Bleed, bleed to think that who so dear thee bought, Thou ’st crucifi'd again, with thorns hast crown’d. VII And thou, frail Avesz, shame not now to begin, Thee to submit to the reforming spirit : 50 Think of the by-ways thou hast wander’d in, Which lead to Hell, and Death- deserved merit. Why art thou proud ? not heaven inherit ; Lie down in dust, do no works of thine own ; But what the soul commands, oh! willing hear it, By thy obedience let its rule be known. Thou canst VU But, Zord/ without Thy sweet assist- ing grace, I can do nought, all my attempts are vain: Icannotcome without Thoucall, alas! Grant me this grace, and bring me home again ; 60 Let Thy blest Spirit, Faith, Hope, and Love remain Stillin my soul : the //esh, the World and Devii, Deprive of power ; let them no more reign, Or if they tempt, deliver me from evil. ( 735 ) IX Thou ’rt not desirous that a sinner die, But that he may repent his sins and live: Thou bidst the heavy laden come to Thee, And Thou wilt ease the weight that doth him grieve. Thou bidst him knock, and Thou wilt ope the leave Of that strict gate that leadeth unto bliss ; 70 Grant I repent, do come, do knock, receive Life, lightning, entrance where no anguish is. x Lord! grant me grace my coming days to number, To wisdom then I shall my heart apply : : Roll me out of this lethargy and slumber, Of sin and sloth wherein I now do lie. Sinners (that seeing) soon shall draw Thee nigh, Shunning base thoughts, their soz/s to Thee shall raise, And with a sweet consort shall pierce the skies, Of Thy great mercy, and eternal praise. 80 Sonnet XX O Father-God, who by Thy word didst make The Azured-vault, and all the host of heaven, The hills, vales, plains, fresh streams, and briny lake, And unto each inhabitants hast given : O Word which (for our sakes) didst flesh become, With sinners to purge sin hadst habitation : Patrick Hannay Crimeless accus’d, condemn’d, the Cross Thy doom, Suff’redst Death, Burial, rose for our salvation. O Holy Ghost, which dost from Both proceed, a . Sweet soul-inspiring Spirit, with peace and love, 10 Comfort to all, cast down for sinful deed, Lessening their woes with hopes of Heaven above. O Trinal-one, one God and Persons three, Reform my ways, and draw me unto Thee. FINIS To his singular friend Mr. Witiiam Litucow? Tue double travail (Zithgow) thou hast ta’en, One of thy feet, the other of thy brain, Thee, with thyself do make for to contend, Whether the Earth thou ’st better pac’d or penn’d : Would MMalaga’s sweet liquor had thee crown’d, And not its treachery; made thy joints unsound, For Christ, King, Country, what thou there endur’d, Not them alone, but therein all injur’d : Their tort’ring rack, arresting of thy. pace, Hath barr’d our hope of the world’s other face: 10 Who is it sees this side so well express’d, That with desire, doth not long for the rest ? Thy travail’d countries so describéd be, As readers think they do each region see: Thy well-compacted matter, ornate style, Doth them oft, in quick-sliding Time beguile, Like as a maid, wand’ring in Flora’s bowers, Confin’d to small time, of few flitting hours, Rapt with delight, of her eye-pleas- ing treasure, Now culling this, now that flower, takes such pleasure, 20 That the strict time whereto she was confin’d Is all expir'd: whiles she thought half behind, Or more remain’d. So each attract- ing line Makes them forget the time, they do not tine: But since sweet future travail is cut short, Yet lose no time, now with the Muses sport ; That reading of thee, aftertimes may tell, In Travel, Prose, and Verse, thou didst excel. Patrick Hannay. 1 Printed by Laing, in his Introduction, from the third edition of Lithgow’'s Travels, 1623. The torture referred to in the poem is rather well known from the passage describing it in these Zyavels, which has found its way into books of ‘Selections.’ ‘To his singular friend’ seems not to occur till the fourth edition of 1632: but it would be unsafe to infer that the writer was still alive. ( 726 ) OLIN LIBRARY—CIRCULATION | OXFORD PRINTED AT THE CLARENDON PRESS BY HORACE HART, M.A. PRINTER TO THE UNIVERSITY